Webcurios 24/02/23

Reading Time: 34 minutes

TURNIPS! TURNIPS FOR ALL!

It would be funny were it not so spleen-fcukingly enraging, wouldn’t it? Still, it meant the Star could do a funny frontpage again so that’s ok.

Aside from anything else, Therese, when was the last time you ate a turnip? They are FCUKING DISGUSTING. Has anyone done that hilarious thing where they share an image and the pricelist for the Portcullis House canteen as a WITTY JUXTAPOSITION of the reality for these awful cnuts and that which maintains for the rest of us?

Anyway, enough of the root vegetable chat! There are links to click, words to read (or, more likely, skim over with gritted teeth while you’re trying to work out whether to click or not), music to listen to and pictures to look at – WHO NEEDS FRESH FRUIT AND VEGETABLES WHEN WE HAVE THE WEB?!

I am still Matt, this is still Web Curios, and I didn’t have ‘the return of scurvy as a medical concern’ on my “UK 2023” bingo card and yet, well, here we are!

By Mark Gleason

THIS WEEK’S AUDIO ACCOMPANIMENTS BEGIN WITH A GENUINELY SUPERB MIX OF BRAZILIAN POST-PUNK AND NEW WAVE BY ANDY CUMMINGS! 

THE SECTION WHICH, A YEAR ON FROM THE START OF THE UKRAINE WAR, THINKS IT’S WORTH DRAWING YOUR ATTENTION TO THE AP WAR CRIMES TRACKER FOR THE CONFLICT , PT.1:

  • Infinite AI Heroes: You may not have particularly enjoyed the infinite AI Seinfeld. You might have found the infinite radio show somewhat tedious, and not really gotten on with the infinite series of imaginary characters having awkward dates in poorly-animated CG. Perhaps, though, this will be the moment your eyes are opened to the frankly terrifying  world of machine-generated entertainments that we’re about to enter, because this really is staggering. This is a Twitch channel being run by popular (and, apparently, not-uncontroversial – blimey, a cult eh?) streamer Athene, which features an ongoing, apparently live and generated on-the-fly series of interactions between an AI-generated avatar of Athene himself and a rolling cast of ‘celebrity’ guests, all spun up by AI and given prompts for what to talk about from the peanut gallery in the comments. Which is why, as I type, Joe Biden is apparently expressing some strong and forthright opinions about the ‘Dark Brandon’ meme, and people are preparing to quiz fake Joe Rogan on the chihuahua uprising in Vietnam. As per with these things, the conversations are largely stream-of-consciousness nonsense, and the faked video of the celebrities wouldn’t fool anyone, and the audio is pretty janky…but, also, it’s not actually all that bad, and it’s…oddly funny! The characters rotate quickly enough that even if there’s someone you don’t recognise onscreen when you log in, they’ll be swapped out quickly enough (the personalities on show skew hard towards YouTubers and streamers, as you’d expect), and the topic suggestions from the chat don’t (from what I’ve seen at least) get TOO edgelord-y, and in general this is a weirdly fun time – crucially, though, this isn’t significantly worse than quite a lot of actual streamer content, and one of these AI channels is 100% going to get itself a proper following by the end of the year, you mark my words (but, er, as ever, can we please agree to forget I said this if it turns out to be bunkum? Thanks).
  • Infinite Big Bang Theory: Don’t worry, I’m not going to include every single AI-generated infinite stream thing I come across (how quickly we become jaded! How quickly the novelty wanes!), but there are a few in here this week – partly to show the different ways people are playing with this tech, partly to demonstrate how (relatively) simple this stuff is to spin up. Here, for example, is an infinite stream of AI-generated ‘comedy’ trained on the world’s most-ubiquitous and least-amusing sitcom The Big Bang Theory – the graphics here are simple and top-down, like a 16-bit RPG, and the voice models are pretty ropey, but frankly it’s no less funny than its execrable progenitor.
  • Infinite Steamed Hams: This though is great, not least because of the fact that the Steamed Hams sketch from the Simpsons has basically been through the web’s memetic meatgrinder about 3million times now, and is so conceptually deep-fried that this sort of nonsensical weirdness and jank feels oddly perfect. An infinite parade of Steamed Hams variants, with Skinner and Superintendent Chalmers engaged in a neverending series of nonsensical non-sequiturs which, honestly, are…sort of surreally funny, and which combined with the ultrajanky animation which sits alongside the audio actually vaguely works. If I was a very stoned and extremely-online 16 year old then I think I would find this captivating – no idea whether that’s an endorsement or not, but there you go. Maybe YOU have a very stoned and extremely-online 16 year old you can test this out on.
  • Scribble Diffusion: Fun little AI sketching tool – draw out a simple idea of an image (you know the sort of thing – a kid’s drawing of a sailboat, a classic ‘house with four windows and a door and curling smoke emerging from a chimney’, that type of idea), tell the machine what it is that you are in fact drawing, and it will endeavour to turn your fat-fingered scribblings into something vaguely-recognisable. This is, more than anything, a fun thing to play around with when you’re stuck on the bus – it’s unlikely to produce anything award-winning, but as a way of doodling it’s actually pretty fun (and, amusingly, is very reminiscent of the original Dall-E interface from WAY BACK IN THE DAY when we didn’t quite realise quite how mad this stuff was going to get, and at what pace). I have particularly enjoyed asking it to create many-limbed Lovecraftian monstrosities – it’s REALLY good for spinning up unpleasantly-fleshy meat octopi, for example – but let your imagination run wild!
  • AI Gallery: On the one hand, this is AN Other slightly-underwhelming 3d gallery environment around which you can manouvre an avatar whilst looking at equally-underwhelming examples of AI-generated art; on the other, there’s something rather cool and borderline-atmospheric about the way they’ve done the visuals here, which made me enjoy it rather more than I expected. The art’s not very good, mind, and the accompanying descriptions are also AI-generated, meaning the whole thing feels a bit…weirdly empty of meaning, which increasingly feels like the most interesting thing about most machine-spun visuals. Still, nice work by French digital studio UltraNoir.
  • 2Dumb2Destroy: A textbot trained on a selection of famously-stupid individuals from the fictional world, who you can chat to about anything you like (as long as you don’t mind the conversation being even more enervating than your standard GPT-based interactions). “Trained on countless hours of Pauly Shore movies, all seven Police Academies, Ralph Wiggum quotes and that one bodybuilding forum where a bunch of gym bros decided a week had eight days in it, etc. This is one A.I. you don’t have to worry about ever overthrowing humanity, or stealing your job.” This is almost-funny, but it’s interesting less because of what it says and more because we’re on the cusp of everyone and their mother (or at least everyone and their mother willing to pay a bit for the privilege) being able to train and spin up their own GPT variants with whatever training data they like, which is going to be…interesting, I think.
  • Spaghettify: I have an…unfortunate track record of leaving jobs in a manner that’s perhaps not as clean as one might ideally desire; there was The Email, there was the parting gift of inserting one extraneous and entirely-fictional additional line into the biographies of each senior staff member on the company website…basically I am a sucker for the pleasing gifts that departing workers can leave for their colleagues, and as such I don’t think I can adequately express how much I love the idea of Spaghettify, a service which will take any code you care to give it and render it…spaghetti-ish, adding bugs and unnecessary comments and making it needlessly obscure and, basically, making it an absolute fcuking nightmare for anyone to subsequently untangle and reuse.  Now obviously this is sub-optimal behaviour from a ‘good employee and colleague’ point of view, but, well, sometimes revenge is important and this sort of petty sabotage of future endeavours is actually A Good Thing.
  • Everything Can Be Scanned: I like to think that this project is inspired by this genuine classic of The Old Web, but, regardless of its genesis, it is GREAT. Want to see a collection of otherwise unremarkable objects scanned at unnecessarily high resolution with no real sense of any connection between them other than their presence on this webpage? OF COURSE YOU DO! “everything.can.be.scanned (e.c.b.s) — is a project that allows you to see basic objects, which usually we don’t pay much attention to and don’t even notice them existing, in a more detailed way…e.c.b.s is a special museum that illustrates a cross-section of life in a particular time, in a particular place.” It’s unclear where that place is (although there’s a Russian translation of the website), but overall this is a lovely and slightly-baffling personal project that pleases me no end.
  • New Murabba: While the various consultants and in-no-way-exploited migrant worker classes get on with constructing the fever dream that is The Line in the Saudi Desert, cuddly-and-in-no-way-murderous VISIONARY FUTURIST MBS is already thinking about his next mad architectural vanity project. Would you like to know what it is? IT IS A GIANT FCUKING CUBE! A SINISTER, BLACK, GIANT FCUKING CUBE! IN THE DESERT! But, according to the website copy, it is ALSO the ‘gateway to another world’ (honestly, it really does look like the gateway to another world – specifically, the very bloody and S&M-themed world of the cenobites as envisaged by Clive Barker in his now-infamous Hellraiser series of books and films – I mean, really, this doesn’t feel like a coincidence). Actually, sorry, I am misrepresenting this – Murabba is the name of a planned new district in Riyadh, whereas the terrifying black cube is the Mukaab. So now you know. Anyway, this really does have to be seen to be believed – the CG renders are quite, quite mad, and appear to feature a surprising number of flying cars which seems…a stretch for a project that’s aiming for completion by the end of the decade. Still, who wouldn’t want to explore “the world’s first immersive, experiential destination. Where hospitality, retail and leisure reach new levels, all in breathtaking, ever-changing environments”? NO FCUKER, etc! Honestly, I strongly recommend you download and check out the press kit, this is another absolute DOOZY and I would pay good money to sit down with the people who sold this fever dream to find out exactly what they are planning to do with the inevitable 70zillion quid they have been promised.
  • Artifact: You might have seen the announcement of this new app, from former Insta people, which was billed at its unveiling as ‘TikTok for Text’ – Artifact (for that is what it is called) is now OUT, and you can experience it yourself whether on Android or iOS and, well, it is not TikTok for text. Artifact is designed to help you consume written material with the same ease and AI-assisted content discovery as the world’s most popular form of visual crack – you sign up, you tell it the broad verticals you are interested in, and it feeds you content based on those selections. After you’ve read 25-odd articles the machine will start learning your interests and preferences with greater specificity and begin tailoring its recommendations with greater accuracy. I have only been playing with this for a day or so, admittedly, but I am…rather underwhelmed, at present. Perhaps it’s not designed for me – it’s not its fault that I already read a LOT – and it will be more useful for those of you who don’t spend your days attached to the information firehose with your jaw dislocated and a faraway look in your eyes. Anyway, you can read more details here should you so desire – personally I don’t quite see this being a gamechanger, but then again I am a know-nothing bozo so, well, who knows?!
  • The Link Ads: A Twitter account which features lonely hearts advertisements run in the short-lived magazine The Link, published between 1915-21. “The Link was founded in 1915 as “Cupid’s Messenger” by Alfred Barrett as a response to the loneliness he observed in society. Through the publication, people could get in touch with like-minded souls for friendship, correspondence, and more.” These are WONDERFUL – partly because, well, who doesn’t love a little bit of century-old sauce, but also because of the wild plurality of what people are after and into and the poetry of some of the listings. How can you not fall for a lonely hearts ad that reads: “”Hope (Midlands). – Would anyone seeking sunshine like to see how much could be crammed into an enevlope? Either sex. (738.)”? Impossible.
  • Critical Danger: Critical Danger is an initiative by a collection of artists and designers who have, er, designed a bunch of merchandise in conjunction with digital agency (I think that’s what they are, anyway) Somefolk and all the proceeds of the stuff for sale goes to wildlife charities – the tshirts here are rather cool, and the money’s going to a good cause, so should you be in the market for NEW GARMS then you could do worse than look here.
  • The Barter Archive: A BEAUTIFUL PROJECT! The Barter Archive “aims to preserve the stories and collective memories of the people working at the Billingsgate Fish Market at Canary Wharf, London. The archive begins as a series of observational drawings which are gradually exchanged for the fishmongers’ stories, memories and personal objects.” Honestly, I can’t stress how much I love this, both the works and the concept behind them – the drawings are gorgeous, but so are the stories, and the whole project is just perfect. “Barter Archive is a community-led archive constructed by artist Pat Wingshan Wong in collaboration with the fishmongers at the Billingsgate Fish Market at Canary Wharf, London. The archive engages with the idea of barter physically and symbolically. It includes memorable objects ‘bartered’ by the artist using her observational drawings of the happenings in the space, as well as videos that document stories and memories of the people. It preserves the collective memory of the Billingsgate community and challenges the domination of capitalism, highlighting and questioning the ways value is assigned through culture and society.” Please do click this one, it’s SUCH a nice bit of art and local history and personal storytelling.
  • The Snap Lens Devthon 2023: While everyone is getting superfrothy about AI, Augmented Reality tech continues to sputter along with the air of something that was very cool a few years ago and which hasn’t quite realised that it is no longer The Thing. Which is a shame, frankly, as whilst we’re still waiting for the killer use case for AR anything, the tech’s improving at a pretty decent clip as this latest batch of digital creatives who’ve won prizes for innovative use of Snapchat can attest. There’s some really nice work in here, partly from a technical point of view but also creatively – AR gardens instinctively feels like something fun and playful and that should just…work, and the voxelised roomscanning build is genuinely impressive. Basically just be aware that every cnut submitting work to Lions this year is going to be doing something with fcuking AI (if you’re getting GPT to write your submission you have already lost, FYI) so maybe AR will make you stand out in a pleasingly-retro manner.
  • The Museum of Sounds: HOW DID I NOT KNOW ABOUT THIS? This feels like EXACTLY the sort of thing that really should have limped across my field of vision by now, and yet I don’t think I have ever been alerted to the fact that not only is there a digital Museum of Sound online but that there is also an accompanying SOUND OF THE YEAR AWARD (there is going to be a ceremony at the British Library this year, and should anyone involved happen to stumble across this writeup then please know that I would give a kidney to attend)! Anyway, the Museum of Sounds is a somewhat-mysterious thing, maintained by the BBC Radiophonic Workshop and featuring clips of all sorts of different sounds arranged in groups of five and ranging from the sounds of beavers (snuffly, cute) to the sounds of corncrakes in Ireland, to the sound of loose paving slabs and manhole covers on London streets – if it wasn’t for the fact that I have started and so have no choice but to finish this week’s Curios I would totally spend the rest of the morning basking in the aural splendour that is the sound of a spinning 10p piece recorded in high definition.
  • Blink: Have we finally run out of variations on dating apps? Have we reached the end of the swipe-to-sex pipeline? I have no idea, stop asking me, but it does seem as though we’re reaching the fag-end of innovation in this particular sector. The latest attempt to reinvigorate the tired-seeming app landscape is Blink, which offers as it’s singular gimmick the fact that its ‘dates’ are initial phone conversations that you schedule with a potential match at a mutually convenient time – you and your suggested partner get matched based on standard criteria (the type of relationship you’re looking for, location, interest, etc) and then you’re put together for a 10 minute ‘getting to know you’ chat (no video, just talk) before you can decide whether to keep messaging or move on with your life (you also get to see photos of people before you get to message them – anonymously – so you can weed out anyone who makes your feel physically sick or that guy who once sang at you in a restaurant and who keeps showing up on your Hinge). This feels…tough, to be honest. Is a 10 minute phonechat with a total stranger the best way of determining whether you might want to let them put things inside you for the rest of your natural life? Still, worth a try, and if nothing else I reckon you could have quite a lot of fun with this if you didn’t take it too seriously (if nothing else, this feels like it might be perfect for comedians refining material – although very much not perfect for anyone unfortunate enough to match with them).
  • The A24 Auctions: I didn’t realise that film company A24 has a website through which they regularly auction of film memorabilia – but they do! Currently on sale (bids are being taken til early March) are a bunch of props from last year’s BIG SMASH POPULAR HIT MOVIE ‘Everything Everywhere All At Once’ – I obviously haven’t seen it (I am, as previously mentioned, broadly Michael Owen-ish when it comes to cinema), but I understand it is very good and features fingers shaped like hot dog sausages, should you wish to attempt to buy them.

By Cecilia Bonilla

WHY NOT SOUNDTRACK THE NEXT SECTION WITH THIS HOUSE MIX BY TIM ANDRESEN? THERE IS NO GOOD REASON! 

THE SECTION WHICH, A YEAR ON FROM THE START OF THE UKRAINE WAR, THINKS IT’S WORTH DRAWING YOUR ATTENTION TO THE AP WAR CRIMES TRACKER FOR THE CONFLICT , PT.2:    

  • Towns: Go on, admit it, you’d forgotten about Web3, hadn’t you? WELL IT HASN’T FORGOTTEN ABOUT YOU! The latest evolution in ‘The future of the web is transactional an on-chain’ appears to be this – Towns, a new platform which has been set up by people previously involved in Clubhouse (so you know it’s good!) and which is seeking (I presume) to capitalise on the general feeling that social media is in something of a flux and there is a bit of a platform reconfiguration going on, and that people might be in the market for somewhere new to congregate. Which, I get it, makes sense and is in general all well and good. The bit where I quite quickly start to lose interest and, frankly, the will to live, though, is when it gets into the practical details of how it’s all meant to work and the idea of being able to buy and sell communities on the chain and…no, sorry, NOONE NEEDS OR WANTS THIS. Aside from anything else, the idea of communities as tradeable commodities does to my mind rather miss the point of what a ‘community’ is meant to be (on or offline) besides just sounding like an invitation for miscreants to build up, I don’t know, an engaged community of well-off middle-class stereo enthusiasts and then sell it to one of their crypto grifter mates so that said community can be grifted into penury. I do not like this at all, basically, but am comforted by the fact that this strikes me as having approximately the same chance of any other Web3cryptoproject of MAKING IT in 2023 (to whit, approximately nil).
  • Smithsonian Roulette: Are YOU on Mastodon these days? Would you like an account to follow over there which posts random curiosities from the collection of the Smithsonian Museum? MAYBE YOU WOULD. Thankyou to John Horner for sending me the first on-Mastodon Curio in the 11 years I’ve been writing this thing; consider this your Blue Plaque.
  • Dimensions: Another ‘Jesus, have I really not featured this on here before? FFS Matt!’ link – but a wonderful one. Have you ever wanted an objective resource to determine how big everything is? YES YOU HAVE AND HERE IT IS! “Dimensions.com is an ongoing reference database of dimensioned drawings documenting the standard measurements and sizes of the everyday objects and spaces that make up our world. Created as a universal resource to better communicate the basic properties, systems, and logics of our built environment, Dimensions.com is a global platform for increasing public and professional knowledge of life and design.” This is simultaneously sort-of insane and equally, I presume, very useful – if you’re a designer who deals in real-world measurements then you’re probably familiar with this resource already, but, for the rest of you, welcome to the rest of your life, in which you will never again have to take ill-informed guesses as to the standard size of an army cot mattress, or the exact measurements of Blofeld from James Bond.
  • SwissGL Demos: A collection of small, hypnotic and very pretty coding demos which I don’t really understand the purpose of but whose existence I am gladdened by. The Spectrogram one in particular is rather fun.
  • Contact Sheets: A very rare link to Pinterest here, courtesy of Daniel Benneworth-Gray who over the years has spent time compiling this board of old contact sheets from photoshoots of the past. There are some great images here – classics you’ll have seen before, including iconic (sorry) shots of Ali and others, but also images of people you might be less familiar with, such as painter Chuck Close. It’s fascinating to see the different ways in which people approach the camera, and as a resource for learning about what makes a ‘good’ shot (and, interestingly, the difference between a photo that is merely ‘good’ and one that is ‘great’).
  • The World Dataviz Prize 2023: How long has David McCandless been doing Information Is Beautiful? However long it is, it’s fair to say that McCandless has single-handedly been responsible for the elevation of datavisualisation to a near-fetish over the course of the past ten years or so, and that the increased interest in the skill (and its evolution thanks to evolutions in digital design and interactivity) has seen the quality of work in the field improve significantly. This link takes you to this year’s crop of nominees for the annual BEST DATAVIZ IN THE WORLD prize, and as you’d expect there are some wonderful and very smart examples. Personally speaking I find the almost-calligraphic design of this example particularly pleasing, but you will doubtless find your own favourites.
  • Spy Balloon Simulator: Were you disappointed that it wasn’t space aliens? I confess to being a little let down by the fact that we weren’t being visited by extraterrestrial intelligences (although maybe, just maybe…), but found some solace in this website which lets anyone who might want to simulate the flight of a massive spy balloon do exactly that. Turns out that getting a balloon to end up where you want it to is…hard, frankly – but if you’d like to track some actual, real-life amateur high-altitude balloon launches (and, frankly, who doesn’t? NO FCUKER, etc) then you can also do so here. Web Curios – topical, thrilling, balloon-related content, right in your inbox. Do you get this from those cnuts on Substack? Do you fcuk.
  • Verdant Futures: This made me very happy – I don’t quite know what to do with it, but I am glad that this exists and wanted to share it with you. As far as I can tell, Verdant Futures is a small collective of people based in the South West who are running a bunch of interconnected businesses and community initiatives centred around books and literature. “Verdant Futures is a Social Enterprise – an organisation that applies commercial strategies to improve peoples’ financial, social and environmental well-being. It is also a hybrid digital and physical business – a must have in today’s connected world. We sell our goods online around the world, using re-commerce strategies, while also giving our customers a high-quality retail experience through our shops and services.” So they fund their projects to rescue books through the British Book Rescue Scheme through other initiatives like selling books by the yard, they run charitable projects…this seems like an incontrovertibly Good Thing, frankly, and should any of you be based in the South West (Bath, specifically), perhaps it’s something you might be interested in getting involved in?
  • Formula Generator: You may not think that all this newfangled AI stuff is for you; you may have no truck with the idea of making machines imagine Boschean horrors, or making them compose villanelles about honey-roast ham. This, though, this is PRACTICAL, it is USEFUL and if you’re still struggling to think of ways in which all this natural language AI stuff is going to change the world then maybe it will help you understand in some small way. This is a plugin for Google Sheets which lets you ask it, in normal people words, to create formulas for anything you like – AND THEN IT DOES IT! “I want to multiply all those things in that column (but not the ones that are Prime Numbers) by all the things in that row over there” – stuff like that. I am sure that for those of you who are less cack-handed with the spreadsheets than I am this won’t be quite as magical, but it’s less about that and more about what this shows in terms of use-cases. MAGIC, I TELL YOU.
  • AIBert: This is an interesting idea, though I am unsure as to whether anyone will want or like it enough to shell out for a monthly fee. AIBert is basically ‘all the AI gubbins, in WhatsApp’ – you add it as a contact and you can use it either as ChatGPT or as Midjourney, sending it prompts and getting results in return. Which, fine, is literally just a bundling exercise and you could do exactly the same without paying by just using two separate services rather than one, but where’s the fun in that? I wonder how long this will keep working before its API access gets throttled or all the bits of string holding it together start to erode, but I am impressed with the entrepreneurial chutzpah involved in cobbling it together. Lol at the idea that someone would pay $27 a month, though.
  • Memo: I don’t know if you’ve ever experienced this, but when I went to international school at 15 I was suddenly surrounded by wealthy people who had largely been the product of an international education, meaning that they all spoke that very specific and peculiar brand of teenage English that you can only learn by spending your entire childhood speaking the language with non-native speakers whilst at the same time being taught almost exclusively by North Americans and consuming North American, and which basically means that everyone sounds like a super-successful Swedish music producer but with the vocabulary of a wannabe valleygirl (it was 1995, after all). Anyway, that’s by way of not-particularly-illuminating intro to Memo, a language learning app which promises to teach you the tongue of your choice via the medium of memes and YouTube videos – you listen and are asked to repeat phrases from pop culture, TV, films, sports, memetic hits of yesteryear…I am not 100% certain exactly how useful it will be to you to be able to say “Damn Daniel, back again with the X” in French, but, well, maybe it will be the breakthrough you need. Also from what I can tell there’s no suggestion that this app features an appallingly-horny cartoon owl as its mascot, so perhaps that detail will swing it for you.
  • Eel Rents: So it turns out that between the 10th and 17th Centuries in the UK, property owners would on occasion charge rent in eels. As in, you (the tenant) would be required to pay a fixed sum of serpentine sea creatures to your landlord in exchange for continued use of the property. I have MANY QUESTIONS – did the eels need to be delivered alive? Were they all delivered on one day – EEL DAY! – or were they handed over as and when they showed up? Was there some sort of minimum quality or size threshold that needed to be reached for the eels to be considered viable? Sadly this website doesn’t tell you any of that, but it does confirm that Geoffrey de Mandeville of Chippenham received 1500 of the things in 1086 and for that we can ALL be grateful. Via the wonderful Blort, this one.
  • Lucy Ives: Absolutely one of the best-designed personal portfolio homepages I have seen in ages, Lucy Ives is a writer of novels and short stories and essays, and this site collects various writings and information on her books and, honestly, I fcuking LOVE the way this looks and is laid out; like a series of oldschool Macintosh dialogue boxes (but, er, loads better than that, honest).
  • Experiments in AI Video: A short Twitter thread showing off some of the work people have been doing using Runway ML, the AI-powered video editing tool I featured in here…last week? Christ, I have no concept of time anymore. Anyway, these are quite amazing – shonky, fine, but also astonishing when you take a moment to think of how good this is going to get in 12 months. The bits where the software takes an assembly of cardboard boxes and turns it into a cityscape with various building styles applied is…honestly, just astonishing.
  • Soft White Underbelly: Soft White Underbelly is a YouTube channel featuring “interviews and portraits of the human condition by photographer Mark Laita”, and whilst you might not be interested in every single subject on display here there is a staggering breadth and range of people who Laita has spoken with and whose stories he shares here. From bounty hunters to former drug addicts, a trans child and their father to people who spend their lives hopping freight trains across the US, these are beautifully shot and generally (from the handful I’ve seen at least) sensitively handled and pleasingly-unsensationalist. If nothing else it’s an interesting look at how to apply a very specific style and tone to a video series (but, also, there are some FASCINATING people on here).
  • Togetherdraw: Collaborative drawing on an infinite scrolling canvas – every simultaneous visitor to this URL gets the opportunity to scrawl and draw to their heart’s content, with the caveat that the canvas on which you draw is slowly and inexorably vanishing at the top of the screen. Pleasingly ephemeral, and there’s something particularly nice about the ‘feel’ of the brushes here (try it, I promise you’ll see what I mean). Also, on the couple of occasions I’ve tried this when someone else has been online, all the strangers have been pleasant and I haven’t seen anyone write anything horrible. Which, I appreciate, shouldn’t necessarily be noteworthy, but we are where we are.
  • Date Your Cat: This is too soon for me (RIP Bowsks), but if you’ve ever wanted to go on a slightly-surreal and conversationally-unsatisfying ‘date’ with a CG animated cat, whose ‘personality’ is powered by some sort of rudimentary text AI then HERE YOU GO! This is funny, in a slightly-shonky way, but I also worry that we’re about to enter an era in which every single brand with a ‘personality’ feels the need to create a similar interactive avatar as the natural language guide to their website, like a sort of Clippy on neuroenhancing drugs, and it will be horrid. Or brilliant, it’s very hard to tell anymore.
  • WTTR: I don’t know why I find this super-minimalist weather website thing so appealing, but I do. Add the name of anywhere you like after the slash to receive ASCII-ish weather predictions for the coming week; not only is this really nicely done (lightweight code, clear graphics, etc) but it is also 100% faster and more user friendly than any of the useless fcuking weather services that my sh1tty phone insists on defaulting to, so MANY THUMBS UP to this, it is great.
  • Wood Wide Web: I LOVE THIS. “As part of the Poetry Games  exhibition at the National Poetry Library, Playing Poetry and Phoenix Cinema & Art Centre launched a commission to invite two artists to explore the intersection of poetic writing and game-making. Artists Mariana Marangoni and Rianna Suen collaborated over the course of two months, developing a joint practice looking at digital literacy, online communities and ecopoetics…Out of the commission, Marangoni and Suen, along with sound designer Mikey Parsons, developed a new game affectionally called Wood Wide Web. Part idyllic walking sim, part cottage-commodore-core pixel art generator, Wood Wide Web invites the player to tend to a digital world, planting seeds by writing poetic texts, which grow into trees and in turn spread to become entire forests.” Honestly, this is so beautiful and pure – just wander round and play with it, type away and see what your words become, enjoy the clues and the mystery.
  • Mr Global 2023: You may have enjoyed the BAFTAs (also, if you’ve not read it, this is a superb bit of writing by Stuart Heritage on That Moment); you may be waiting for the Oscars. Know, however, that thebiggest day of awards season has already been and gone, with the annual Mr Global male beauty pageant – BUT FEAR NOT BECAUSE HERE ARE THE PHOTOS! As per every year, My Global requires participants to wear ‘typical national dress’ of their nation as one part of the pageantry, and once again the costumes do not disappoint. Come for the deep-as-the-Marianas-Trench eyes and the smouldering gazes; stay for the frankly insane spectacle of genuinely beautiful men wearing genuinely appalling outfits. WHY IS BELGIUM A GIMPWOLF? WHY IS CHILE COSPLAYING AS ELSA FROM FROZEN? WHY ARE THE COMPETITION ORGANISERS INCAPABLE OF SPELLING ‘THE NETHERLANDS’ CORRECTLY? So many questions, none of which will likely be answered by this link – still, these are VERY BEAUTIFUL BOYS, so enjoy their cheekbones (and, honestly, pity the poor guy from the Philippines who you feel must have been mercilessly ribbed by everyone else because…oh God, seriously, just click the link and GAWP). Also, hang on, WHY IS THERE NO MR UK? OR MR ITALY? Should anyone from Mr Global chance upon this, know that I am available next year and can probably fill both roles for the price of one. A
  • AI Taboo: A fun little game – can you force the AI into saying specific words based on the questions you ask it? Very easy at the lowest difficulty, but troublingly-impossible (for me at least) when you whack it up to ‘hard’ (YOU try getting GPT to say ‘paucity’, go on).
  • Clickwords: Finally this week, I know that you all probably have your morning word game routines worked out by now, but let me present this new variant for your consideration – I promise it has fcuk all to do with Wordle (other than the fact that you get a new puzzle each day). Instead, the setup is a bit like Scrabble; you’re given a board with a selection of letters already placed on it, and over the course of the game you’re given 60 tiles, three at a time, with which to form words on the small board and score as many points as possible. Simple but surprisingly deep when you get into it, this is annoyingly addictive and has added an additional 10 minutes to my daily ‘time it takes Matt to stop fcuking around on the web and do some actual, paid work’ (currently standing at 130 minutes, fact fans).

By Sukhy Hullait

THE FINAL MIX OF THE WEEK IS THIS CRACKING SELECTION OF AMBIENT AND DISCO AND FUNK AND ALL-ROUND ECLECTICISM BY STELLA Z! 

THE CIRCUS OF TUMBLRS!

  • Daily Wiki: A new Wikipedia entry linked to each day. No idea who by, no idea on what basis, no idea what for. Does there need to be a reason? THERE DOES NOT!

THE TROUGH OF (INSTA) FEEDS!

  • CreepMart: Another ‘we’ve found an interesting vector in latent space, now let’s mine the fcuk out of it!’ AI art account, this time exploring the interesting world of imaginary kids toys from a sinister, machine-imagined past. Again, these appeal to me less because of the details on the individual images (although some of them are very good) and more because of the aesthetic space they all inhabit.
  • All Things Fungi: Because who doesn’t love a little bit of mycology? NO FCUKER, etc!
  • Lil Hugy: Sent to me by my friend Gill, with the line ‘This person should be Adidas’ creative director’ and, well, she’s right. I don’t know who Hugy is, or why they are, or what the significance of a person in a vinyl bear’s head wearing streetwear might be, but this ‘goes hard’ as I believe the kids say (don’t worry, I am cringing even more than you are at that last line; I am going to leave it intact, though, because otherwise I will never learn).

LONG THINGS WHICH ARE LONG!

  • How Not To Test GPT3: Or ‘here are some examples that should go some small way to reassuring you that The Machine is not yet capable of anything we would conceive of as ‘thought’’, which is also a sentence I wish it wasn’t necessary to write (seriously, I reiterate my prediction that there will be at least one reasonably-vocal ‘Church of the AI God’ set up by the end of 2024 – again, though, please feel free to scrub this prediction from your memories when it turns out to be total b0llocks). What I find particularly interesting about this – and potentially a little troubling – is the extent to which the software’s ability to spoof this sort of thinking will be boosted by its future ingestion of people talking about exactly how it currently doesn’t actually ‘think’; I am genuinely fascinated by the weird, recursive rabbitholes of training data that we’re almost certainly about to start heading down.
  • The AI Bubble of 2023: I thought this piece – which is written very much from the point of view of an investor, and is very much not the sort of thing I usually feature in here – was a useful summary guide to some of the things it’s worth looking out for in the first wave of massive AI hype we’re currently going through. This is all generally good advice, and I particularly liked the overall point about how it is is entirely possible and indeed legitimate to simultaneously believe that this is a genuinely transformative technology AND that it is being massively oversold and overvalued, and there are also some decent points here which you might want to apply should you be interested in riding the AI hypewave for fame, fun or financial gain (the most important of which is ‘there is a window during which people will pay attention to anything with ‘AI’ in the title, and that window is slowly closing’).
  • AI and the Law: You will doubtless have seen cuddly Magic Circle law vampires Allen & Overy announcing that they were introducing AI into their workflow; you may not have noticed that equally-morally-upstanding litigators Mishcon are currently advertising for a prompt engineer (“Tell me you’re not in any way serious about this without telling me you’re not in any way serious about this”) – either way, the law appears to be embracing AI in a big way. This piece in WIRED looks at What That Might Mean – it’s generally positive, explaining the use cases and some of the practical guardrails that firms are putting in place to lesson some of the more hallucinatory imaginings of The Machine – what it doesn’t address at all, though, is a question I’m increasingly interested in around the potential unintended consequences of this sort of stuff. I remember YEARS ago reading something about the potential for machine learning in the knowledge economy which specifically referenced the ability of AI to do much of the heavy lifting in terms of reading and collating information, and doing research into case law, etc, that was traditionally the purview of legal juniors and paralegals, and which asked the question ‘if young lawyers no longer need to spend time immersing themselves in the materials of the profession as part of their training, because instead of finding their own examples or precedents they can just ask a machine to sort through 3million legal documents in 0.17s, what knowledge are they potentially failing to acquire which they will find they really miss later in their careers?’. Obviously the answer to this is basically a giant shrug emoji – muchlike everything else in the field of AI right now – but I do wonder at what point we’re going to start thinking about this stuff more seriously than we currently seem to be.
  • Do Not Get The Machine To Plan Your Workout: I predicted a few months back that we were going to see at least one instance of someone being horrifically injured as a result of attempting to follow an exercise regimen invented by GPT – OK, so that hasn’t quite come to pass, but this article suggests that I am 100% right and that anyone seeking to get a workout designed for them by AI should probably factor in a lengthy spell in A&E as part of their recovery time. There was a point here where I legitimately winced – I think it was the idea of ‘kettlebell windmills’, and what that might do to a person’s rotator cuff – and I am still confident that we’re on track for someone seeking to sue OpenAI for GPT-directed injuries before the year’s out.
  • The AI Bongo Is Coming: This is a more interesting article than my title makes it sound (so why did you write it like that. Matt, you fcuking moron? Jesus) – the piece interviews a bunch of current adult content creators working on OnlyFans about their attitudes towards the (seemingly inevitable) tide of AI-generated bongo that’s coming our way, and the different attitudes towards it from different niches of the creator community. Personally I found quite a lot of this touchingly naive – the idea that there is some sort of uniquely human collection which can be fostered between a busy cam performer and the marks parasocialising with them which can’t be adequately replicated by a decent chatbot seems…unlikely, frankly, but I guess they know the business better than I do. What was particularly noteworthy was that literally none of the people interviewed had any doubts that this was on its way – they differed only on how they imagined the shift would manifest itself.
  • Please Acknowledge The D1ck: Or, ‘Inside a Catfishing Factory’, a company which exists to keep lonely old men (it is, as far as I can tell, exclusively lonely old men) texting with imaginary pulchritudinous young women for ever and ever and ever – the men find the ‘girls’ through exactly the sort of scammy adverts you’d imagine, and, once reeled in, pay a per-message fee to correspond with the beautiful and strangely-eager woman of their dreams. Except – and be warned, this may shock you – the girls aren’t what they appear, and the people they are texting are not in fact the nubile-yet-oddly-demure girls in the pictures but instead a rotating cast of low-wage pieceworkers who are employed to keep the marks interested and engaged while the text fees rack up. This is obviously heartbreaking on some level – although, equally, I am silently cheering on the old men who are abandoned in homes by uncaring relatives and are slowly burning through their kids’ inheritance at the rate of one smutty SMS at a time), but I also thought it an interesting companion piece to the last one about AI bongo – this seems to me exactly the sort of service that could effectively be replicated with a lightly-trained GPT model, which rather makes me think that the parasocial layer which keeps the mooks returning might be a bit easier to dehumanise than some of the performers currently believe.
  • Songwriters Are Broke: This was news to me, but on reflection is perhaps unsurprising – turns out that songwriters are the latest niche industry tro find that the bottom has rather fallen out of the market. An interesting piece in Rolling Stone which looks at how the metrics have shifted over the course of the past few years, and how even a single writers credit on a big-name artist’s album track won’t keep the wolf from the door anymore. Annoyingly there’s a lack of focus on the ‘why’ behind this, but it’s hard to see beyond a combination of shifting revenue models and an overabundance of supply being two of the major driving factors; which, and I’m sorry to say this, doesn’t make me feel super confident about the long-term future of music as a viable commercial career in a world in which the models are only going to get more stretched and the supply issue is about to explode.
  • RIP WC: I can confidently say that I have never featured an article from The Beauty of Transport in here, nor indeed have I ever written anything extolling the beauty of old train station toilets. Well, there’s a first time for everything – I promise you that this is LOADS more interesting than you’d think a piece about, er, old urinals in British train stations ought to be, and it features a bunch of gorgeous photographs of some beautifully-designed pissoirs, and it’s more generally interesting as a meditation on how we might think about preserving these sorts of architectural and design oddities, and why this doesn’t happen more often. I PROMISE YOU THIS IS GOOD, I PROMISE.
  • Guiliani: The first of two London Review of Books articles this week; this one is a wonderful review of a new biography of Rudy Giuliani, a man who is now just a rather sad punchline to a tired joke (which wasn’t hugely funny in the first place), but who in the 1990s was genuinely seen as something of a visionary, the man who turned New York from a place that was perceived as a hotbed of violent criminality into the world’s number one city by the end of the decade. Fine, so a lot of the policies that he enacted to achieve that transformation were…a touch illiberal and arguably quite racist, and his monomaniacal focus on crime meant that large swathes of the rest of the city’s administration were comparatively neglected, but, well, omelettes and eggs, right? This contains some frankly staggering anecdotes, including one that will make you revise the whole ‘Phil Collins chucking his wife by fax is the worst dumping story EVER’ narrative in your head (also, justice for Phil as that story isn’t in fact true anyway).
  • Illegal Gold Mining In South Africa: Thanks to Michael for sending this my way – this is an astonishing story, not only really well-written but full of bits that will make you pause and shake your head and mutter “hang on, WHAT?” to yourself – I mean, just take this short passage as an example: “In 2015, Simon entered the mines by paying a thousand dollars to a local syndicate boss, known as David One Eye, who allowed him to walk into the tunnels via an inclined shaft just south of Welkom. One Eye, a former zama-zama himself, had risen from obscurity to become one of the most fearsome figures in the region. He was powerfully built from lifting weights, and he had lost his left eye in a shooting. The syndicate would charge Simon more than twice as much to exit the mines. He remained underground for almost a year, subsisting on food provided by One Eye’s runners. He came away with too little money, so he went into the mines again, paying the same syndicate to lower him with a rope. He became accustomed to life underground: the heat, the dust, the darkness. He planned to remain there until he was no longer poor, but in the end he came out because he was starving.” A YEAR?! A YEAR LIVING UNDERGROUND IN AN ILLEGAL GOLDMINE?? This, honestly, is full of bits like this – the South African mining community doesn’t come out of this particularly well, it’s fair to say (you know who else comes from a South African mining family? You do, don’t you!).
  • Can You Ever Escape London?: The Fence magazine recently asked people what journalistic tropes they expected to be heartily sick of by the end of 2023, and a surprising number of people cited ‘articles about moving back to London’ – in deference to that, then, here’s the only piece of that ilk I will put in Curios this year (A PROMISE, unless, er, I forget, or someone writes something really brilliant). Clive Martin, who moved to Somerset a few years ago, returns to the capital and shares his thoughts – I very much enjoy Clive’s writing and would basically read his shopping lists were it not a singularly-creepy way of displaying my appreciation, and this is no exception; it’s full of observations like this, which I particularly liked: “There was something else I noticed: the signage. London appears to be reaching peak Helvetica, with endless notices spelling out the machinations of the city in a cloyingly apologetic, faux-human tone that suggests either ChatGPT or a legion of disillusioned copywriters all working on the same brief. At the Waterloo branch of Foyles – always a nice respite from commuter chaos – there was a refurbishment notice. But instead of it reading simply, “This shop is closed for planned renovations”, it read, “We know shutting up shop isn’t ideal, but we’ll be back soon, new and improved”. Small beer, perhaps, but the language felt very HR, like London was about to call me upstairs and slide a P45 across the desk.”
  • The Care Crisis: This is long, serious and pretty much the opposite of cheerful – it’s also very well written and very well argued, and is this week’s second LRB article. Here, James Butler reviews three recent books on the current care crisis in the UK, and through so doing presents a (frankly miserable) picture of where the country is and how it got here.You will either know about all of this stuff already as a result of personal circumstances (and in which case, solidarity), or you won’t but you will probably know deep down that you are going to need to get your head around it soonish because, well, this is all of our futures. It’s impossible to read this without thinking, variously, a) the systems that govern pay and remuneration are broken; b) there are some areas on life where it is not possible for the private sector to play a positive and ameliorative role; and c) I really, really hope that the care robots get invented soon, because otherwise I am 100% topping myself when I start to get a bit wobbly.
  • For The Love Of Losing: A brilliant piece of writing by Marina Benjamin in Granta, about her stint as a card-counting pro-gambler and the way in which we think of luck and loss, and how sometimes the losing is the point. There’s a very specific oddity to those who gamble very seriously (whether as professionals or as people with a very expensive hobby) which this piece captures perfectly – I remember being on a train back from Oxford one weekend and spending the entire journey transfixed by the conversation of the table full of professional contract bridge players in the same carriage as me, who, despite looking like a bunch of minor, unsympathetic characters in the novels of Jane Austen, were describing lives full of bacchanal and sauce, and whilst this doesn’t quite touch on any of that stuff it does manage to communicate that slightly…other-ish sense you tend to get from these types of people.
  • The Teacher Crush: This is very good indeed – Jessica L Pavia remembers her schoolgirl crush on a teacher, a crush that went unrequited and unacted upon but which even in its chaste recollection opens questions of volition and complicity…I really enjoyed this, partly because the prose is great but also because it didn’t quite go in the directions I expected of it.
  • Tiddler: A very short story by Charlie Gilmour, about childhood and sibling-ness, which is practically-perfectly-formed.
  • I Should Have Left Him Then: The final longread of the week is this not-particularly-long piece of short nonfiction by Hayli Cox, about the realisation that you should leave someone and that in fact you should have done it a long time ago. There’s a formal ‘thing’ that this does which I very much enjoyed, moreso than I expected, and which I felt made the whole thing feel personal to the reader in a way that it wouldn’t otherwise – see what you think.

By Jesse Homer French

AND NOW, MOVING PICTURES AND SOUNDS!: