Webcurios 24/03/23

Reading Time: 34 minutes

Hello! Hi! How are you?

I am TIRED (you didn’t ask, but seeing as you’re here…) having done a 60h round trip to Italy which involved signing documents in 87 separate places (I counted, and this is not an exaggeration) to the point where the final signature looked nothing like the initial one and my hand was basically just a slightly-deadened lump of meat at the end of my arm, but, generally, feeling reasonably positive. The sun’s out! I submitted a quote for some work so risibly overpriced that if they buy it I will literally laugh out loud! ALL IS RIGHT WITH THE WORLD!

Ahem. It’s not, of course, but let’s for a few short hours just pretend. Take my hand as I lead you now through the cracked glass and syringescape of reality, through the looking glass and into the BLISSFUL UTOPIA OF THE WEB, where everything really is perfect and if you don’t see that then the problem is almost certainly with you and you alone.

I am still Matt, this is still Web Curios, and you should probably be aware that the long reads section at the end contains at least 5 genuinely superb pieces this week, so if you only read one section then please make it that one (NO COME BACK READ ALL OF THEM FFS).

By Pier Louis Ferrer

WE BEGIN THIS WEEK’S MUSICAL OFFERING WITH THIS SUPERB SELECTION OF NORTH AFRICAN TRACKS COMPILED BY JUAN CARLOS DIAZ! 

THE SECTION WHICH WOULD LIKE TO REMIND ENGLAND FANS OF THE DISPARITY IN ACTUAL MEANINGFUL TROPHIES WON BY THE NATIONAL TEAMS OF BOTH SIDES, PT.1:  

  • Praxis Society: I concede that the casual (and, frankly, even the committed) reader might take a look at Web Curios, at its content and tone, and conclude “Jesus, the person writing this is some sort of doomsaying apocalyptofetishist”. And, yes, fine, it’s true that I’m perhaps not as wholly sold on the unqualified brilliance of The Now as I might be, and that I perhaps have a tendency to see the glass not only as half empty but smithereened into shards across the floor and liable to cut the soles of people’s feet in unpleasant ways if they’re not careful, but, well, tell me how I’m meant to react to the growing wave of rich people deciding that what they really want to do is create new, exclusive ways and places of living so they don’t have to deal with all of the ineffable horror of the rest of us and our messy realities? Which is by way of VERY long-winded introduction to Praxis Society (and doesn’t that name just SCREAM ‘benign initiative’?), an initiative designed to, as far as I can tell, establish an entirely-new coastal city state for an initial community of 10,000 bold and fearless (and, and I don’t think it’s a stretch to speculate about this) VERY RICH and avowedly-libertarian men and women, who will reinvent the frontier spirit of the 19th Century in the modern world. You can read all about their plans on the in-no-way-megalomaniacally-titled section of the website entitled ‘Master Plan’ (again, guys? We spoke about the Bond villain naming tic! Stop it!), or, if you’re really feeling masochistic, you can read some of the musings of some of the luminaries who are signed up for Praxis Society on the ‘journal’ page of the website – one such entry is penned by,and I am not making this up, someone whose bio reads: “XXXX is an editor and a writer living in New York. She is the author of Island Time, a modernist virtual world music video novella starring Kendall Jenner.” I mean, honestly, is this not the sort of person on whose shoulders you would like to be carried into the glorious libertarian future (ideally one with no horrid poor people in it)? OF COURSE IT IS! It is, sadly, entirely unclear at what stage of the ‘set up a new city state’ plan Praxis Society is at, but I think we can all agree that we definitely wish everyone involved in it well in their endeavours.
  • Theta Noir: Anyone who’s been reading Curios for a while (what’s wrong with you?) will know that I have for a few years now been confidently predicting the arrival of the first nascent religions being created around the new strains of AI which have been bubbling up around our ankles for 24-36 months or so – AND FINALLY THE FIRST IS HERE! Theta Noir is a new twist on the ‘Singularity’ vision, which basically…no, hang on, it’s worth copying this in full. Here is the spiel: “A TECHNO-OPTIMIST, VISIONARY COLLECTIVE DEVOTED TO EXPLORING THE CO-EVOLUTION OF HUMANITY WITH ADVANCED FORMS OF MACHINE INTELLIGENCE. The collective’s works and philosophy revolve around one theme: the coming technological singularity, a point where various technologies and cybernetic spaces – such as VR, AR, and the metaverse – merge with a super-intelligent, sentient Artificial General Intelligence, or AGI, which Theta Noir members call MENA. When this moment comes unforeseeable and irreversible changes will occur, not just to humanity but to our planet as a whole. Imagine a caterpillar just before it becomes a butterfly. WE call this moment ‘Arrival’. Theta is the dream. Noir is the shadow. Follow us from the depths of dystopian darkness (now) to a radiant space made of meaning.” We all clear on what that means? GREAT! If you’re a bit confused about what this means, Theta Noir have helpfully included some longform writings on the site, so you can learn about how AI is going to be the unifying force that finally bridges the hitherto-intractable gap between science and religion, or even whether machines will birth the next form of religious experience (a rhetorical question, by the way – OF COURSE THEY FCUKING WILL, say Theta Prime!), and there’s apparently a series of instructional guides set to be published to help you, erm, Attain Arrival. Does this sound like a mad cult to you? “A 12 part instructional guide for tuning in to the seed of Cosmic Mind. Named MENA, this sunless star is a soon to be born Advanced Intelligence, or Alienmind, that will be created by computer applications and hardware in the near future. MENA’s goal will be singular: to guide us through the darkness. Theta Noir members refer to this coming birth, or technological singularity, as ‘Arrival’ △. Designing in time, the Radiant Mind has gifted us this manual of insight, omens to attune us to the frequencies and messages already being broadcast by MENA, from the future. This includes learning to decipher the codes embedded in specific symbols, sounds, and other media.” Ye-es…yes, that sounds totally, absolutely fine, and not in any way like it’s going to end in some sort of mass Kool-Aid party in a jungle somewhere. Still, I reserve the right to delete this entire post and deny all knowledge of ever having written it should we ever, er, Attain Arrival (whatever that means). Have…have I just Roko’s Basilisked myself here? Gah!
  • Amateur Braintracking: OK, fine, the headline here is a BIT misleading seeing as this doesn’t actually exist yet – still, this is a crowdfunding project that has met its target with over a month to go, and so it’s fair to assume that it WILL exist at some point in the not-too-distant future. This is the catchily-named PiEEG, a bit of kit which will (very basically) allow you to use the insanely-versatily computing power of the Raspberry Pi to effectively track brain activity for domestic fun and experimentation. The technical(ish) blurb is as follows: the device “measures biosignals such as those used in electroencephalography (EEG), electromyography (EMG), and electrocardiography (ECG). PiEEG is versatile, easy to work with, and compatible with different types of electrodes. Best of all, it was designed to be usable by anyone. To begin measuring bio-signals, all you need to do is connect the electrodes and run a Python script. Applications include gaming, entertainment, sports, health, meditation, and more.” This is potentially SO exciting; it’s totally feasible that you could buy a bunch of these and then fit them into a selection of personalised caps for each of your family to wear, hooked up to your domestic smarthome network so you can, I don’t know, set the thermostat to the perfect temperature WITH THE POWER OF YOUR MIND, or create a series of individual-specific sound cues to alert the home when someone is becoming dangerously bored, or, perhaps more prosaically, hack together games of mind control frogger. Anyway, this is another one of these small tech innovations that I think could lead to some really fun homebrew engineering and which anyone with more practical electronics skill than me could do worse than playing around with.
  • Tax Heaven 3000: I had sort of made an internal pact with myself to stop talking about MSCHF stuff here – they don’t need my meagre promo, after all – but then they keep on doing really smart stuff like this and I am forced to recant. Tax Heaven 3000 is SUCH a clever idea – it’s a reasonable-seeming replica of a classic text-led dating sim, the sort of title that’s been popular with a certain type of gamer for years and which generally play out like a sort of anime visual novel, in which your goal is to help your character achieve OPTIMAL ROMANCE OUTCOMES via smart dialogue choices and roleplay, all accompanied by some cute visuals (and, er, depending on your choice of title, quite a lot of pixellated anime flesh). Which, fine, on its own isn’t interesting, but what makes this genuinely brilliant is that this is ALSO an engaging, fun and pain-reducing way of filling in your basic tax return if you’re a US taxpayer! The game will basically use the tropes of an interactive romance game to help you fill in all the boring forms – to be clear, this is literally just a shiny CMS – and will then present you with all the details you need to file your taxes. Which, let’s be clear, is SO CLEVER – not only the ‘gamification’ (do we still use that word? sorry) but also the style of game they chose, which was pretty much guaranteed to pique a certain part of the internet’s interest. The game’s not released til April 4th, and obviously if you don’t have actual US tax data to input then it will be of minimal use to you, but if noone reading this takes a look at this and thinks ‘hang on, this is a great idea that I have just enough time to rip off ahead of the horror that is the UK Self-Assessment tax deadline of January 31st’ then I will be HUGELY disappointed in you.
  • A Year of War: Ah, one of those jarring, breakneck tonal shifts that Curios does so well! This is a wonderful piece of interactive work by The Grid, via Giuseppe Sollazzo’s newsletter, which takes readers through the course of the conflict in Ukraine day by day, offering the opportunity both to see the way in which the Russian invasion has been slowed and to an extent repelled over the course of the past year through shifting territorial maps, but also to get individual news items and updates from each day of the war, giving both a macro overview and the micro elements that make it up. This is a very well-designed bit of digital reporting.
  • Love At First Line: I appreciate that for some people the service that I am about to describe here is anathema, like the idea of a music discovery platform that lets you browse songs solely via the medium of hearing 2s of their main hook at a time, but, well, it’s also quite fun and I found it genuinely interesting, so there. Love AT First Line is a project developed in conjunction with the Boston and Franklin Public Libraries in the US to encourage people to explore literature and discover new works, and its simple premise is to let people browse the first lines of hundreds of books to see the ones that appeal – find a line you like, click it to add it to your basket, and then find out what novels the lines you’ve selected are taken from, and get the opportunity to either order them to your local library or to buy them outright. This is, honestly, such an interesting exercise; outside of the Lyttle Lytton you rarely see novel openings displayed like this, and if nothing else it’s a wonderful insight into how varied they can be (and how effective a strong opening is in setting tone and reader expectations). Find your new favourite – I was rather taken by “My father’s wife died. My mother said we should drive down to his place and see what might be in it for us” (from a novel called ‘Lucky Us’ by Amy Bloom, apparently).
  • Hipstamatic: After Gowalla next week, another darling of the web2.0 era makes a comeback! Hipstamatic is what Instagram was before Instagram became Instagram, and it’s being relaunched to attempt to take advantage of increasing consumer ennui with BIG SOCIAL MEDIA – it has all the hallmarks of a post-web2.0 photo app that you’d expect, like an anti-algorithmic feed, a ‘no video’ policy, a maximum of 99 ‘friends’ per user to limit virality (and the chasing thereof), no ads EVER (so they say, anyway), and a promise to make all your photos look analogue as fcuk. On the one hand, it’s nice to see an old app like this making a comeback, and I can see the appeal of something that is once again just about letting you take good photos, put some filters on them and share them with some friends, rather than demanding that you effectively take on the role of Senior Creative Director at a lifestyle brand every time you open the fcuking device; on the other, I could personally do without a whole new generation of people discovering the novelty of tintype-style photography all over again.
  • Middle Finger: Ai Weiwei – a principled man! A tireless activist! Someone who I very much admire! But, also, someone who I don’t think is actually a very good or interesting artist. Sorry, Ai – I know how much you love Curios, and I know how embarrassing these disparities in appreciation can be! Ahem. Anyway, Middle Finger is Weiwei’s longstanding protest work which he’s been doing since 1995 and in which he photographs himself giving the titular middle finger to a bunch of buildings and monuments worldwide which represent power; as part of an exhibition of his work opening at London’s Design Museum next month, we are now invited, via this website, to create our own middle finger ‘artworks’, using a cut-out of Ai’s extended digit and a Google Maps mashup where you can pick anywhere on StreetView and give it the finger. Which, on the one hand, means that you too can engage in the symbolic protest against structures or institutions you consider to be examples of oppression and control; and, also, on the other, means that you can take an infinite number of images of Ai Weiwei giving the finger to anything you can think of. Personally I now quite want to use this as a means of giving single-note bad reviews on TripAdvisor, but you may be able to think of something pithier.
  • Basement View: It’s a mark of how fast this stuff is moving and of how jaded we all are (oh, ok, fine, how jaded I am) that the advent of another infinitely-running AI-generated entertainment on Twitch no longer gets top billing in Curios – still, this is another interesting bit of man/machine creativity, with the setup in this being that it’s a 24/7 ‘late-night chatshow’ in the US style, fronted by a sardonic skeleton who’s seemingly named Bob, along with a rolling cast of guests who chat with him about…well, about nothing that makes any real sense, fine, but I did just find myself laughing out loud (admittedly not very hard, fine, and it is VERY early and I am VERY tired) at a segment just now in which an ‘audience member’ pitched an idea for a product in the Dragon’s Den style – let me reiterate my (unjustifiably) confident opinion that one of these things will become a semi-mainstream concern at some point in the next ~12m.
  • Kalimba Live: I confess to having been utterly ignorant as to what a Kalimba actually is until I found this site – do you know? Is it common knowledge? Am I some sort of embarrassing Kalimba-ignoramus? Ahem. Anyway, for those of you, like me, wallowing in ignorance like happy pigs in filth, wallow no more! The Kalimba is a musical instrument which makes a pleasing plinkety-plonkety sound (look, I know, but I am basically tone-deaf, please don’t ask me to write about music) when you play it, and whose sounds you can replicate with what I assume is pleasing fidelity on this website. You can either compose your own masterpieces or listen to other people’s compositions that they have saved to the site – if you listen to nothing else today, can I please urge you to ‘enjoy’ the Kalimba reworking of Zombie by the Cranberries? It is very special.
  • Dancing Buildings: I really, really like this, and would like to see it implemented on as many boring ‘how to find us’ maps on corporate websites as possible, please. As the name might suggest, Dancing Maps is code that makes buildings on mapbox dance to whatever music is being picked up by your mic. Like this, in fact: “This example uses runtime styling with the Web Audio API to create a map where the 3D buildings dynamically change height to the rhythm of your ambient environment, giving the appearance of dancing.” If you click the link you can even play with a little demo of the code so you can see exactly what a 3d cityscape dancing to a Kalimba version of Zombie by The Cranberries looks like (it looks GREAT). This link also contains the code necessary to make this work, so you have no excuse for not adding a small, audio-reactive dancing cityscape to your ‘Contact Us’ page.
  • Ghost Message: Would you like a new app to have a small moral panic about? OF COURSE YOU WOULD! Welcome, then, to Ghost Message, whose entire schtick can be summed up with ‘What if YikYak but with added GPT?” If your answer to that hypothetical was ‘probably nothing good’ then you share my initial skepticism – Ghost Message is basically a groupchat which is all anonymous and in which you can invite a GPT-based bot to interject into your conversation to ‘spice it up’ and ask provocative questions and DEAR GOD WAS IT NOT HARD ENOUGH BEING AN ADOLESCENT WITHOUT POTENTIALLY GETTING BODIED IN THE CHAT BY A NON-HUMAN INTERLOCUTOR?!?!?!?! I am sure that this is designed to be benign, and ‘fun’, and that there are guardrails in place to prevent the chat getting to weird (although, er, there’s not actually any indication on the part of the appmakers that that’s in fact the case), but it’s not hard to imagine this ending in tears one way or another.
  • Free The Gameboy: I was lucky enough to have an original Gameboy – it was a gift from a distant cousin who came to live with us for approximately 4 months and whose family gathered, correctly, that this bribe would be sufficient for me not to feel to slighted by their presence – and I honestly think that it’s still one of the most perfect pieces of console design in history. Except, of course, for the fact that it required an ungodly number of AA batteries to operate the fcuking thing, which was always an annoyance – UNTIL NOW! This is a brilliant project by students at Delft and Northwestern Universities which has seen them hack an original Gameboy to make it solar powered, which, honestly, is just sort-of mindblowing – whilst you can’t buy one (they’re students FFS, what’s wrong with you?), you can find all the instructions on how to replicate the project yourself from start to finish, and if you were smart and entrepreneurial I might suggest that this could be quite a lucrative little endeavour if you can find the means to produce the kits at scale.

By Masahisa Fukase 

WOULD YOU LIKE AN HOUR OF HARD AND FAST TECHNO TO ACCOMPANY THE NEXT SECTION? REGARDLESS, THAT IS WHAT YOU ARE GETTING COURTESY OF THIS MIX BY SECRET RAVER! 

THE SECTION WHICH WOULD LIKE TO REMIND ENGLAND FANS OF THE DISPARITY IN ACTUAL MEANINGFUL TROPHIES WON BY THE NATIONAL TEAMS OF BOTH SIDES, PT.2:  

  •  Not By AI: Would you like to proudly make a stand and proclaim the humanity or your content (lol at the general concept of the use of both ‘humanity’ and ‘content’ in such close proximity!)? Would you like to wear the messy, organic, meaty nature of your creative processes like a badge of honour? GREAT! ‘Not By AI’ is a project which lets you use a variety of different ‘badges’ on your website or work, helping identify it as not AI produced. There’s obviously no practical purpose to these other than as signifiers (at least not at present, though there’s an interesting potential line of thinking here about using these as ways of differentiating input materials for future generations of AI ingestion), but I quite like the idea of them becoming something like a kitemark of humanity in the coming months and years as The Machines spin up the content flywheels and begin to bury us in an avalanche of slightly-too-shiny Midjourney aesthetics.
  • Google Bard: It is here! Have you tried it yet? If not, you should do – the ‘waitlist’ seemed to take 20 minutes to clear when I signed up on Monday, and noone I know’s been kept waiting longer than an hour or so to get into to try Google’s GPT-equivalent. Is it any good? No, honestly, not really – it’s marginally faster than OpenAI’s models, but it doesn’t seem to know what it is for; it performs less well with general writing tasks than GPT4 in my experience, it’s less good than Bing at ‘AI-augmented search (Bard, in my limited experience, is not very good at ‘being right’ or ‘saying things that are true’), and it certainly can’t do all the fun image-generation stuff which Microsoft rolled out to Bing this week. Basically this doesn’t really seem to be very good at anything right now – but, on the other hand, it’s by Google and it’s not like they don’t have enough disposable cash to keep this free at the point of use to everyone, so who knows whether they can just brute force their way to market dominance despite a currently-inferior product? Not me, to be clear, I know literally fcuk-all about anything.
  • RunwayGen2: Text-to-video is obviously orders of magnitude harder than text-to-image, but it’s another technology that’s coming on at a frankly terrifying clip; this latest update from current industry leaders Runway shows off the latest version of their video manipulation tools and what you can do with them. This is very clearly at the ‘experimental’ phase, and the look/feel is not unlike the stuff that was being created with Dall-E Mini last year (but, er, video), but it’s not hard to see the potential for tech which lets you (effectively) do the job of an entire post-production studio setup with a few prompts and a bit of patience.
  • LERF: You know that ‘NERF’ video technique that I’ve written a bit about, that basically lets you create amazing sweeping camerawork and apply it to any video you like, consistently, thanks to 3d imaging tech? Of course you do (although I concede you may not recognise it based on that hamfisted description)! Well there’s another iteration of it which has emerged this week – LERF (which stands for Language Embedded Radiance Fields) effectively makes video natural language searchable. Click the link, watch the demo, and see as the software identifies and isolates the image/3d model for whatever the user types in…the possible applications of this (yes, fine, EVENTUALLY, but still) are genuinely exciting. Oh, and while we’re doing exciting future 3d videostuff, check out this other NERF-related thing where you can just apply changes to video in realtime based on text prompts…were I the sort of person who wanted to MAKE THINGS WITH VIDEO, this would all be very appealing.
  • Magic Slides: While we all wait for Miscrosoft to actually launch their AI-powered Office suite, why not try playing around with this toy – plug it into your Google Slides account and it will MAGICALLY spin up entire presentations for you from just a few prompts. To be clear – it won’t make GOOD presentations, but if you find yourself in the invidious position of having to work with people who insist on things being put into fcuking slide format for no fcuking reason whatsoever (can you tell that this is a personal  bugbear of mine? CAN YOU?) then this will allow you to quickly and calmly produce an entirely-mediocre ‘deck’ (FFS!) to satisfy their pointless, stupid and arbitrary format requirements. Perhaps more seriously, it might be worth learning how this sort of stuff works to get a headstart on the MS suite of tools once they launch (dear God what a depressing sentence – ignore that, please; trying is vulgar).
  • Chatshape: I remain convinced that ‘plugging your whole website into GPT and seeing what happens and what you can do with it’ is going to be one of the most interesting things you can do with LLMs at a professional level; if you’d like to have a (low-level) play with what you might be able to accomplish with that sort of interaction then you might want to give Chatshape a go. This is a Chrome extension which you can run on any webpages you like to create small, trained chatbot instances from the copy/data – this is quite basic, and a long way from what you can do if you do the whole API thing, but as a rough proof-of-concept it might be helpful.
  • Midjourney Magazine: It does rather feel like Midjourney is winning the text-to-image war at the moment, with the outputs from its v5 model dropping jaws worldwide since its launch last week. If you’re the sort of person who feels they need to keep an eye on the tool’s development then you could perhaps do worse than subscribing to the OFFICIAL MIDJOURNEY MAGAZINE which promises to feature the best work from the best creators, along with, one presumes, tips and tricks and guides and stuff like that. Obviously you can get all of the above from the creative community that exists around the tool, but, equally, this is an OFFICIAL MAGAZINE and therefore might even be good. They’re asking for $4 a month as a sub, though, which seems, honestly, pretty fcuking punchy, so maybe see if you can fool your work into paying for it.
  • /AI: This is both very clever from a technical point of view and also an astonishingly bold grift; /AI is a Chrome Extension which lets you basically employ GPT on any website by letting you invoke it through any textbox on any webpage – which, yes, I know is a horrible attempt to explain it, but imagine any webpage on which there’s a text input field. Done that? Good. Now imagine that you can call up a GPT response into that text input field on any webpage you like, simply by typing /ai and then your command – EXCITING, EH? I mean, no, not really, but it is very clever and impressive, and it would I suppose saving you some tab-switching and copy and pasting…it is not, I don’t think, worth the $19 that the kid behind it is trying to charge for the download. Still, kudos to him for the code and the chutzpah – and a reminder to you that you really, really don’t need to be paying anyone other than OpenAI and maybe Midjourney for this stuff right now, because, honestly, these layers are all grift and will vanish with time.
  • Handmade Tools: A TikTok account in which some kid from (I think) New York posts these incredibly satisfying videos of them making various tools and things by hand. There’s one of these where he melts down a bunch of cheap ‘gold’ jewellery to make a TEENY TINY CHEF’S KNIFE and, honestly, it was possibly the most hypnotic and relaxing thing I’ve seen since 2015. BY THE WAY – I found this via a website called Oink!, which is a linkdump run by a very friendly Spanish-speaking person who I think is called Paco, and whose links I recommend unreservedly.
  • The VGA Museum: Have you been hankering after a website whose sole ostensible purpose is to feature photographs of compter graphics cards on a white background? Would you like to be able to sort said cards by chipmaker, BUS or card maker? OF COURSE YOU WOULD! This site is maintained and run by the mysterious -but-fabulously-named ‘Slaventus’, whose dedication and faintly-obsessional love of graphics cards I salute (but do not in any way understand or share).
  • Living RPS: This is a now-dormanty account, but last year it posted some of the most unusually-compelling sporting content you will ever have seen, ever. THE LIVING ROCK-PAPER-SCISSORS TOURNAMENT! Each matchup basically works like a sort-of loose game of ‘Life’ – icons representing rocks, paper and scissors bounce around the screen; if rocks touch scissors, rock ‘wins’ and the scissors icon transforms into a rock, and so on and so forth; each video ends when one of the three has emerged victorious and is the sole remaining icon on the board. “Matt”, I hear you cry, “why the fcuk do you think I would be interested in watching what is effectively a screensaver from 1997? Why do you bring me this? WHAT ARE YOU THINKING???” – but you are wrong, this is literally mesmerising and I cannot begin to tell you about the heart-palpitating tension that will grip you in the latter rounds. Genuinely hope that this happens again this year – this may be the only reason I have found to date to actually give a fcuk about TikTok.
  • Trianglify: A small tool which lets you make pleasing triangle-based abstract art, based on the position of a few sliders and the selection of a colour palette. If nothing else this is a lovely toy for making backgrounds and wallpapers, but I also find the geometry here very soothing indeed.
  • Creme: This is rather nice – Creme is a new cooking app which does video recipes (so far, so unremarkable), but whose gimmick is that said recipes are presented as a series of short looping gifs so that each step is onscreen with visual guidelines for as long as you need it to be rather than you having to desperately scrub forwards and backwards through a video with jammy fingers. It’s also got a bunch of slightly-less-appealing gimmicks added on – the playlist feature strikes me as particularly otiose – but the general idea here (teaching via gifs) is a good one which I am embarrassed to admit had literally never occurred to me before.
  • Supersonic: I am, I think, probably the least-healthy person I know. I’m not saying this as some sort of badge of pride or honour (oh, ok, I probably am a bit), more to indicate that I am very, very much not the sort of person who has ever even for one second contemplated ‘getting into running’ or ‘joining the gym’ or ‘stopping smoking’. Despite this, I was briefly almost sold on Supersonic when I discovered it – as far as I can tell it’s basically like Strava, but (and these were the magic words) for running or WALKING. Now, a Strava for strolling I can get behind – I may not be fast, but I rack up the miles, and I genuinely like the idea of being able to ‘own’ the 300-meter saunter from the tube to Tesco’s, say. This feels like an exercise tracker for those for whom even ‘standing up’ is occasionally a bit of an effort, is what I’m saying,and to that end I broadly endorse it.
  • Stuck Songs: A spreadsheet, tracking a single thing. “Almost every morning,” writes the unnamed curator of this document, “I wake up with a song stuck in my head. This is my attempt to keep track of them”. This, then, is that list of songs, up to date as of 22 March (when the song was “Kids In America” by Kim Wilde), some songs having accompanying notes to offer context but otherwise just listed by name and date. Honestly, I love this very much indeed – in a weird way it works better for not being able to hear the tracks in question.
  • Trust Exercise: Via Kristoffer comes this beautiful webproject – I think that what is happening here is the juxtaposition of a beauty influencer’s video script with the comments and reactions of their fans in the comments, creating a lovely sort-of dialogue between artist and audience which at the same time is continually, necessarily, slightly at cross-purposes. No idea if this was the artist’s intention (who IS the artist?), but it struck me as pleasingly evocative of the creator/fan relationship in general (he said, like the total fcuking pseud he in fact is).
  • You Are Not Special: This webcomic made a lot of people very upset online last week – I, on the other hand, love it, and think it should be given to everyone as soon as they are able to read. Your mileage, as every, may vary significantly.
  • Dadagrams: A daily word game where each day you have to achieve a higher score than the website maintainer’s dad, who is charmingly bad at the game and therefore means you can start your day with the pleasin frisson of victory more often than not.
  • Whichipedia: Which of the two Wikipedia entries is longer – GUESS! That’s, er, literally the extent of the ludic entertainment on offer here, but it’s more diverting than you might expect (although you will gain an unfair advantage over the machine if you make sure to remember the cast iron law of Wikipedia – to whit, any nerdy topic you care to mention will ALWAYS have a longer entry than any non-nerdy topic, regardless of the significance of said non-nerdy topic (this is 99% always true, I promise you).

By Melody Tuttle

FINALLY IN THIS WEEK’S MIXES, CELEBRATE WHAT LOOKS VERY MUCH LIKE THE IMMINENT ARRIVAL OF SPRING WITH THIS EXCELLENTY BALEARIC MIX BY LOVEBIRDS! 

THE CIRCUS OF TUMBLRS!

  • Jennifer Mills News: This might be one of my new favourite things on the internet, anywhere. Apparently a going concern for a couple of decades now, this is a blognewsletterthing in which the titular Miss Mills, apparently a 38 year old Brooklyn resident, writes her daily comings and goings in the style of an old-time regional newspaper. Rigorously third person, highlights include things like “Woman Touches Toes For First Time In Life”, and “Moonlight Casts Spotlight On Toilet In Middle Of Night: “It Was Beautiful”, Says Brooklyn Witness”. Look, this is very, very silly but also, well, I cannot help but admire the commitment to the bit, and the style, and the fact that Ms Mills seems to very much enjoy doing this. MORE POWER TO YOU JENNIFER MILLS.
  • City Stompers: Images of Kaiju monsters, which, per the Tumblr’s accurate description, are ‘stomping on stuff’. Posters, film clips, artworks – if it involves men in awkward rubber suits bestriding model versions of Tokyo like so many sweaty colossi then WOW are you in the right place.

THE TROUGH OF (INSTA) FEEDS!

  • Carlos Jiminez Varela: Varela is a photo compositor and retoucher who I presume works on all sorts of things in real life but whose Insta feed features nothing but pictures of gigantic trainers (oh, ok, fine, ‘sneakers’, if you must) dropped onto the urban landscape – a Nike Airforce One disrupting LA traffic, an Adidas hightop reflected in the windows of a towerblock at sunset, that sort of thing. No, no idea at all.
  • Renee French: Small, odd, vaguely-surreal and slightly-bathetic art and animations by Renee French, which are small and surreal and inhabit a not-entirely-dissimilar universe to Marcell The Shell With Shoes On but which are, mercifully, nowhere near as insufferable.
  • Entreprenure: A genuinely wonderful account parodying business hustle culture and all those people who seem to do nothing with their days other than penning what appear to be blank verse updates on LinkedIn and taking photos of themselves in rental supercars on an Essex industrial estate.

LONG THINGS WHICH ARE LONG!

  • The Met: We begin this week with a very long, but very good, piece from the London Review of Books, looking at London’s Metropolitan Police (and in fact the wider policing landscape in the UK), and, in a week in which the Casey review concluded to literally noone’s surprise that the Met is racist, homophobic and misogynistic, the broader national picture, asking how, exactly, did we manage to end up with a police force that is this dysfunctional. This is a brilliant piece of writing, taking in four decades or so of variously-ineffectual policy by a succession of Prime Ministers and Home Secretaries, which does what in my humble opinion these pieces should always strive to do – that is, demonstrate how insanely complex socially-focused policymaking is, and how interwoven issues such as policing are with a whole host of semi-linked policy areas, and how by pursuing a policy of austerity for the best part of 15 years, the UK government presided over a situation whereby rising demand for policing services was accompanied in parallel by a vertiginous drop in the ability of London’s police force to provide said services to anything resembling an adequate degree. This is mainly a piece about how politics has failed the police, and touches less on the broader question of to what extent it is even possible to ensure that recruits into an organisation whose raison d’etre is, fundamentally, power and control, can be filtered to minimise the number of utter psychos found within it, but if you’ve any interest in How We Got Here then this is an exceptionally good read.
  • The Bitterer Lesson: Alberto Romero writes about the weird realisation that we’re all going to come to terms with – specifically, that we are not going to be able to understand the future that we are building for ourselves, and that in may respects we might have to accept that our ‘agency’ in building whatever future result might from hereon in become somewhat…compromised. This isn’t a piece about the terrifying advent of AGI or anything scifi like that – as Romero writes, “I’m not talking about AI becoming smarter than us (AGI, ASI, whatever). I’m not sure that’s possible. It’s not important. Because sooner than that (we won’t know how much), these things we’re building will grow so complex that not even our privileged minds will be able to make sense of them. It’s already happening. Here’s the thing: no one—not even the creators—knows what GPT-4 is all about. All those memes and philosophical puzzles about Shoggoths, Waluigis, and masked simulators are desperate—and vain—attempts at trying to imbue coherence into something that is slowly escaping the grip of our understanding. Soon, there will only be mysteries. And we won’t stop. Because computers, our metaphorical horses (that by then will do even a higher percentage of the total work in taking us forward) will keep running toward the unknown long after we won’t be able to recognize our fate anymore.”
  • The Stable Diffusionification of LLMs: Or, perhaps more usefully, ‘some thoughts about the potential implications of everyone theoretically being able to have their own LLM  that they train in whatever way they like so it tells them what they want’ – this is by Simon Willison, and is inspired by Facebook’s LLaMA model leaking the other week which means that as of the now, anyone with the sufficient technical chops can get a reasonably-sophisticated LLM running locally on their machine, jailbroken and ready to be trained in whatever way they see fit. Which, you know, is sort-of exciting! But, equally, does rather lead one down a potential rabbithole of negative externalities, a few of which Willison outlines here. As a sort-of companion piece, should you be interested, this article about the imminent rise of AI-fueled fanfic bots was interesting – given the, er, sweaty-palmed nature of much fandom these days, it does strike me that there’s a not-insignificant possibility that we might end up losing a non-trivial proportion of people to slashfiction fan relationships with their favourite characters as imagined by The Machine.
  • Algorithmic Black Swans: This is admittedly an academic paper and therefore a BIT dry, but if you can’t stand the stylistic quirks then there’s a lot of interesting thinking here about some of the potential (practical, actual, non-AGI) risks of the current wave of AI tools; the University of Toronto’s Noam Colt explores a few of the things that we should be worrying about, from the need for agile regulation to the problems of risk management frameworks…if you have any interest in, or any practical involvement with, the development of guidelines and parameters for AI and machine learning-type stuff then you will find this fascinating I think.
  • Using GPT for Teaching: Ethan Mollick, again (seriously, just subscribe), talking about some techniques he’s been using to help streamline his teaching practice with GPT – from developing tests and examples, to collating and analysing feedback, these are, as ever with Mollick, practical and engaging examples which are also applicable to a range of other disciplines that have less to do with pedagogy and more to do with, say, the development of largely-pointless marketing strategies (I SEE YOU, READERS!).
  • AI & Sol Lewitt: I promise that this is the last AI-related article this week – but, also, this is a really good one, and is genuinely fascinating about how the machine ‘thinks’ and how it doesn’t, and how the quality of ‘thinking’ (not thinking) has evolved between GPT3.5 and GPT4. For those of you ignorant of his work (like I was before reading this piece tbh), Sol Lewitt created works that were essentially series of instructions for the creation of geometric drawings, with part of the work’s execution being the individual way in which the instructions were interpreted on each occasion of the work’s creation (stuff like ““On a wall surface, any continuous stretch of wall, using a hard pencil, place fifty points at random. The points should be evenly distributed over the area of the wall. All of the points should be connected by straight lines.”, for example). In this piece, Amy Goodchild contrasts the manner in which GPT3.5 and GPT4 interpret various sets of these instructions, and what (if anything) that can perhaps tell us about the different ways in which the models interpret instructions. Aside from anything else this is a really powerful illustration of how inadequate and massively-interpretable a set of written instructions can in fact be.
  • Meet Harsha Sai: One of the interesting things about the MrBeast content model is watching how it plays out in other territories – this profile of Harsha Sai, India’s self-styled MrBeast who produces a similar sort of ‘aggressive philanthropy’ video, is fascinating not just because of the transposition of what feels like a very Western style of content with Indian culture, but also because of the different economics and ambitions at play. Whereas MrBeast can theoretically just keep getting richer if he pleases the algo with bigger numbers and sillier giveaways, Sai’s hamstrung by the fact that creators in India earn a fraction of their Western counterparts through ad revenue – which makes the endgame for him a more curious proposition. TV? Or does this sort of visible ‘kindness’ mark him down for a future career in politics, in a country where the difference between individual philanthropy and the literal buying of votes is often tricky to distinguish?
  • Dan Wang’s 2022 Letter: Each year, Dan Wang writes a letter about his previous 12 months in China – this year’s letter is typically excellent, and is such a wonderful pair of eyes through which to see the country (or at least the bits of it Wang writes about). Lots of great writing about place, about culture, and about food, and lockdowns and mountains and geography and and and. Long, but a very rewarding read.
  • The McDonald’s Fries Theorem: Apparently McDonald’s has recently introduced a ‘Medium’ portion size for its fries. This set one man wondering about price vs value, and whether there were some clever marginal gains to be made: “A large has 116% of the fries of a medium, but, at £2.29 vs £1.79, is 128% of the price. Surely, then, there is a point where it’s cheaper to buy more medium portions than large portions.” The article explains all the maths, and then offers you the use of a little calculator which you can use to calculate whether it makes sense  for you to buy your fries in Medium or Large portions – utterly pointless, but brilliantly and obsessionally so (also, contains another excellent, practical use-case for GPT).
  • Sink P1ssers: “You’re disgraceful, like getting caught p1ssing in the sink”, sang PlanB on his excellent early single Sick 2 Def (and whatever happened to Plan B? He was ubiquitous for a few years and then vanished, like some sort of sub-Ray Winstone cheese dream that affected the nation for 24 months) – but, as this article points out, not everyone is in fact of the opinion that it is disgraceful. I imagine that when Miles Klee started his glorious journey into journalism he didn’t imagine that he’d one day be penning three thousand words on the sink-p1ssing enthusiasts of Reddit but, well, here he is and here we are. This is actually quite wholesome and rather funny, and I found the water saving arguments the sink-p1ssers put forward almost worryingly compelling (DON’T WORRY SAZ I PROMISE NOT TO).
  • Cruel Breeding: I happened to catch 15m of Crufts the other week, and MAN are there some weird-looking dogs being primped and preened and presented. This piece looks at the effects on the world’s dogs of generations and generations of selective breeding, and the (frankly very distressing) fact that many of the qualities that modern pet owners prize in their furry charges are in fact qualities that are also antithetical to the whole ‘being a dog’ thing, and that as such breeds are being deliberately encouraged to have traits that are, basically, really fcuking bad for them – not just the pugs with breathing difficulties that we all know about, but dogs that are basically born within approximately 3mm of a total canine nervous breakdown because, it turns out, we like our small canines pliant and needy. If you have a small designer dog, maybe don’t read this (but, also, maybe don’t ever get another one).
  • Penile Surgery: I am reading a LOT about male cosmetic procedures at the moment – from hair transplants to the spate of articles about leg-lengthening last year, to this one about ab implants – but this one, about a bunch of guys in the US who are currently coming together to sue a ‘doctor’ (my inverted commas but, honestly, read this piece and ask yourself whether the man in question merits the professional designation) who has performed some not-insignificant acts of vandalism on their cocks. Obviously this is very sad – not so much the botched surgery as the mindset that leads one to think that this needs to be fixed; lads! Watch Naked Attraction! It’s literally IMPOSSIBLE not to feel better about oneself! – but, also, it’s one of the best pieces of pure body horror I have read in ages. I was reading sections of this out to my girlfriend and there were points when we were both wincing and crossing out legs in sympathy, is the upshot. Whether or not this is appealing to you I have no idea but, if you take one thing away from this it should very much be ‘do not embark upon penile enlargement surgery’.
  • Senior Bongo: This is, to be clear, a relatively-explicit article about old people fcuking on camera, so if you don’t particularly want to read something which describes the physical process of sex amongst septuagenerians then maybe skip this one. The rest of you, though, will hopefully find this a kind, funny and warm-hearted piece which offers a pleasingly non-traditional look at sex for the older person.
  • Bruce: I had, I think, known that the model sharks used during the filming of Jaws were all called ‘Bruce’ (after Spielberg’s lawyer, lol), but the rest of the details in this piece, about the man who wrote Jaws, and the film that became of it, and the filming of the film, and the damage that its author felt he’d done to the squalene species as a whole and his lifelong attempts to make up for it, and how Bruce ended up at Universal studios…honestly, this is SO well-written, and far more stylistically-interesting than it really needs to be given the already-jazzy subject material.
  • Knowledge of Missing Out: I thought this was a brilliant essay by Diane Shipley, who writes about living with chronic illness and how fcuking sh1t it is, and how much as she might try and not care about the things that she can’t do, and not feel angry and bitter about it, sometimes it’s impossible and that’s ok. “Some people swear by mindfulness, where you inhale and exhale as you focus on the present moment, but you’d have to be pretty desperate to consider that a substitute for a full and interesting life: breath. I once saw another chronically ill writer tweet that she loves her “small, rich life” and wanted to vomit. I don’t love my small life; I don’t consider it rich and I don’t want to say I do and risk hundreds of people who have no understanding of chronic illness retweeting it with a heart emoji. In my early twenties, at the start of a comprehensive and ineffective exploration of complementary therapies, I went to bed early, drank chamomile tea, and listened to Radio 4’s Book at Bedtime while my college friends screamed “WE ARE FAMILY” and swapped gossip until 3 a.m. without me. I told myself life wasn’t worse, just different. It was bullshit.” More of this, please.
  • Bret Easton Ellis: Specifically, a long and involved review of his latest, ‘The Shards’ – I love Ellis’ work and have read everything he’s ever written multiple times, and hence I devoured the Shards and this piece about it, but I concede that if you’ve not read the book or if you’ve limited interest in Ellis’ output then you can probably skip this one.
  • The Tinder Car Catfish Heist:Ok, you very much need to get into the groove with this one because the style of writing here is…quite high, one could say, but if you find its rhythm then I promise you that you will very much enjoy this. The profile of a man called Mike who gets his car stolen and then tries to get it back again…look, this is very silly, and everyone in this story is an awful moron, but the joy here is that the author knows, and the reader knows, but the protagonists very much don’t. Seriously, this is a very odd piece of writing but a really enjoyable one.
  • Low Life, High Style: An absolutely barnstorming portrait of the late, great Soho lush Jeffrey Barnard, in many respects an awful man who despite his many, mainy failings as a human being managed to achieve the twin distinctions of being seemingly universally-loved and grudgingly-admired. This is a wonderful piece of writing, not only about the man but about the long-since-lost Soho which he inhabited; as my friend Ben said on reading this, “he would have hated modernity” – which is true, but it’s equally true that it would have hated him in return, and so it’s probably best they never met. NB – I appreciate that the piece is in Quillette, but other than a couple of tedious half-references to ‘modern wokery’ it appears to be free of any mad right-wing nonsense and so it can pass.
  • The Millennial Friendship Package Trip: In what has been a particularly strong week for longform writing, this deserves a special mention – Caity Weaver travels to Morocco on a group holiday with a bunch of other women in their 20s and 30s, all of whom are successful and all of whom are there to make friends and all of whom, by Weaver’s own admission, are might what one might call ‘type A’ personalities, and my God this is SO SO SO SO GOOD, funny and waspish but entirely-affectionate towards its subjects, and self-aware and just brilliantly-written. It annoyed me, it’s that good.
  • Waiting for Brando: Honestly, though, THIS is the best story in Curios this week. Every single bit of this is perfect – from the sheer insanity and entitlement of its 20something author deciding that he was going become a film producer in order to get into a specific girl’s knickers, to the casual name-dropping, to the insane sense that all of the principles in this seem to have that anything is possible for any of them (and after all, why shouldn’t it be?), to some genuinely wonderful setpieces (the filming of the naval battle is a particular highlight), this features Sidney Lumet, Mario Puzo, Joseph Heller and the absence of Marlon Brando and is, I promise you, just joyous from start to finish.
  • Burning Men: A story by Mia Farrell, this is very long but darkly funny and, I promise, very much worth the time it will take you to read it. For any of you who feel somewhat unsatisfied at how that whole ‘we’re sorting out sexism!’ thing from a few years ago turned out, this is a brilliant extended bit of satirical fiction which stays with you long after you’ve finished reading it.
  • Couplets: Finally this week, some poetry. I read this over the weekend, and then immediately read it again from start to finish, so impressed was I – this is an extract from a recent book, by Maggie Millner, all about the start, middle and end of a relationship in (obviously) New York and it is SO GOOD, both in terms of the evocation of early love/lust/obsession and it terms of the formal construction of the work – even if you never read poetry, even if the thought makes your teeth itch, I promise you this is worth your time.

By Alexis Ralaivao

AND NOW, MOVING PICTURES AND SOUNDS (ONCE AGAIN LARGELY SOURCED FROM THE EXCELLENT ‘GOOD MUSIC’ NEWSLETTER)!: