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Webcurios 30/09/22

Reading Time: 30 minutes

I went to Soho House this week (a friend of mine with a Proper Job was paying), and met two of the worst people I have ever encountered – one man who proudly told me all about the Porsche he’d bought with his Covid loan (a loan he never intends to pay back, obvs), for which he bought himself a personalised number plate reading ‘CBILS’ (no, really), and his mate who told me with an entirely straight face that he believed LBC’s James O’Brien was a ‘terrorist’ and ‘extremist’ who should be banned from the airways for his promotion of ‘violent left-wing ideologies’. Both of these choice specimens chose to inform me that, despite having hitherto been staunch Tory voters (imagine my surprise!) that they would be voting Labour in the next election because ‘I mean, it’s just a fcuking joke, isn’t it?’.

So cling to that small grain of hope, that gramme of comfort, the knowledge that, whilst we may be in for some Tough Times Ahead, our new Prime Minister has so fcuked her first few weeks in the job that even her party’s core constituency of voters – cf the very worst cnuts this benighted country can spawn – are thinking it’s all a bit much. Who knows, with a bit of luck this will tank the fcukers forever and it will be a Labour government overseeing the glorious irradiated future under the terrifying horrorsun!

Oh.

Anyway, the words and the links. Trust in the words and the links.

I am still Matt, this is still Web Curios, and in the unlikely event that the two people described in the first paragraph ever find this: you are DREADFUL and I despise you.

By Sage Barnes

LET’S START WITH A TRIP BACK TO THE 80s COURTESY OF TOM SPOONER AND HIS RECORD COLLECTION!

THE SECTION WHICH REALLY HOPES THE CHESS BUM THING IS TRUE TBH, PT.1:  

  • Meta Make-A-Video: It’s getting quite hard to keep up with the giddy pace of innovation in the AI space, with a new exciting/terrifying (delete per which end of the owner/worker spectrum you feel closest to) development seemingly lurching portentously over the horizon every six hours or so – it can only be a matter of weeks before some ill-advised coding collective release a ‘turn your dreams into NFTs’ codebase on Github or something. This week’s ‘it’s ostensibly a fun and exciting new frontier in terms of human / machine collaboration!’, which will inevitably turn into ‘hm, we didn’t think through the implications of this as thoroughly as, on reflection, we may have wanted to!’ in a few years’ time is ‘turn text into machine-generated video’, which, based on the limited, curated examples currently on display, is potentially-seismic for the visual and creative industries. You don’t need me to try and explain the tech – which is good, because, honestly, I know my limits – just know that Meta is confident enough in the tech to publish a bunch of examples of how good its machines have become at imagining things like ‘a schnauzer flying a biplane’ as CG videos. You can’t, to be clear, play with any of this yet – this is just a teaser blogpost with some examples for you to gawp at – but it was interesting that yesterday also saw the announcement of a separate model called Phenaki doing exactly the same thing, suggesting that we’re probably only about three weeks from Stable Diffusion announcing an Open Source version of this and chucking a stripped down model online with a web interface so that all the world’s angriest men can w4nk themselves stupid imagining an Aryan mermaid film. I have little to say about what this stuff looks like – it’s magic, who am I to criticise the resolution? – but it’s worth taking a moment to reflect on what it’s going to do to everything when we can command machines to imagine us 90s of video on demand (spoilers: I am not optimistic). Oh, and while we’re here doing ‘stuff that is on the cusp of being real’, here’s another in-development machine which is designed to generate 3d models of anything you can think of, which on the one hand is an incredible boon for anyone making anything in digital but which on the other is very much the first bell tolling for all of you who got really into Blender in lockdown.
  • StockAI: There’s something rather exciting and frothy about the early days of a new technology entering a marketplace, particularly in terms of watching all the ways in which enterprising grifters seek to monetise it to the stupid and gullible. So it is with StockAI, which has sprung up out of nowhere to offer a service literally noone asked for and which in no way needs to exist – a website to browse, create and buy AI-generated stock images. Now, given that everyone was given access to Dall-E this week and therefore can access exactly the sort of tech this is built on, one might wonder what additional benefit there is to paying StockAI $34 a month for the privilege of using their Stable Diffusion instance; as far as I can tell, there really isn’t one (beyond the ability to search an extant database of not-very-good AI generated imagery with some pretty generic category tags), but I am grudgingly-impressed by the grift on display here. More practically this is also proof positive, contrary to what you might have feared, that stock photography still has a few months left before its rendered totally obsolete – the few of you who read this who work at Getty can probably stop searching for new jobs, at least for a few weeks.
  • The Feral Atlas: It’s quite hard to describe this, so apologies in advance for the barely-explicatory language soup that follows (look, it’s early and I was out last night at a gig and didn’t get to sleep til nearly 2, and frankly four hours sleep isn’t enough to do a Curios on and whilst I know you’re not here to listen to me whinging about being tired I just want you to have a vague explanation as to why things are a bit…slow round here this morning) – The Feral Atlas is…oh, God, see? Let’s try again. The Feral Atlas is one of those glorious sites which effectively acts as a brilliant, idiosyncratic series of walks or journeys or talks, guided by clicks and curiosity, about The World And How We Relate to it. Click around and be taken on a proper journey of intellectual discovery about the world we live in and our relationship to / impact on it – I know it’s a bit lazy to just dump from the ‘About’ page, but I think this is a nice overview: “Feral Atlas invites you to navigate the land-, sea-, and airscapes of the Anthropocene. We trust that as you move through the site—pausing to look, read, watch, reflect, and perhaps occasionally scratch your head—you will slowly find your bearings, both in relation to the site’s structure and the foundational concerns and concepts to which it gives form. Feral Atlas has been designed to reward exploration. Following seemingly unlikely connections and thinking with a variety of media forms can help you to grasp key underlying ideas, ideas that are specifically elaborated in the written texts to be found in the “drawers” located at the bottom of every page.” Honestly, this is WONDERFUL, not least because (if you’re me, at least) you’re always half-a-beat behind whoever curated/arranged this, and as such the associations and themes are always interestingly off-kilter.
  • NightDrive: On the one hand, this is ‘just’ an in-browser coding demo of driving along a winding road by night, visualised in a vaguely-80s, synthwave-y style; on the other, it is honestly one of the most beautiful and hypnotic things I have seen in years and with the right soundtrack I could literally sit and stare at this for hours. Honestly, throw this onto a big telly and put some Kavinsky on and enter the meditative, zenlike state of a teenager on quaaludes in the arcade in the late-80s. This would be ACE in a gallery setting imho.
  • AAWUM: As the war in Ukraine continues to rumble grimly onwards, and as Cuddly Vlad’s rhetoric becomes hotter, and as combatants prepare for what will doubtless be a spectacularly-miserable winter of fighting and freezing and dying (I don’t know about you, but I’m finding ‘yes, but at least we’re not in Ukraine’ a reasonably-effective mantra when things start looking a bit on the grim side here), take a moment to browse this curated collection of art and images created in response to the conflict by people around the world. This isn’t selling anything – it’s just a selection of images pulled from around the world and the web, documenting artistic responses to the past 8 months of fighting, curated by Ukrainian creative agency Obys.
  • Walky Space: OH GOD I LOVE THIS. Walky Space is a webtool/webtoy which lets anyone make their own…what would you call the outputs? Navigable digital collages? Basically you can create an infinite digital canvas onto which you can drop words, images, etc, wherever you like, and which then becomes a permanent, hosted page which can be ‘walked’ around by any visitors to the site. It’s all 2d, and it’s all very lo-fi, and there’s something so so so beautiful about the feel of the experiences here – there are a few that they point you towards on the homepage, but I would encourage you to play around and make your own. If nothing else – and apologies for the tooth-grindingly twee nature of the following observation – this would be THE cutest digital means of delivering a proposal or a love letter, and for the right sort of person (probably someone who doesn’t automatically recoil at the sound of a ukelele, or the thought of crocheting a doily) this will be the most charming thing in the world.
  • Key4All: I haven’t featured anything by MSCHF in here for a while – perhaps because the schtick doesn’t feel either new or hugely in keeping with The Times We Are Sadly Being Forced To Live Through (or because I started getting the vague vibe that they are basically MrBeast for people who work in marketing), but this new ‘drop’ (SORRY) caught my interest, not least because it is basically the ur-distillation of ‘every videogames PR brainstorm I ever sat in in the 00s’. The gimmick this time is that MSCHF have an ACTUAL CAR available to anyone lucky enough to buy the key – and the key is for sale on their website for just a few bucks! Except there are HUNDREDS of keys, all identical, and only one car, which is hidden in a secret location – the game then becomes to see which of the people who shelled out for a key will become the first to find the car and drive it off. There are a few additional mechanics – the keys and the car are fitted with sensors offering a loose, colour-based proximity sensor; there is a hotline offering cryptic clues as to the vehicle’s whereabouts – but that’s basically it, which is admirably simple and stripped back, and, honestly, sounds like a lot of fun. As ever with MSCHF’s stuff you can probably rip this off with reasonable impunity, but please remember to credit Curios in your award acceptance blogpost.
  • The Pleasure Pursuit: Not in fact anywhere near as filthy as its title makes it sound, The Pleasure Pursuit is instead a website promoting the new collaboration between fashion brand Coach and the pop artist Tom Wesselmann, and it’s SUCH a pleasant change from the recent spate of 3d-navigable metaverse abortions. There’s a real sense of interest in the artist’s style and ethos, and the way the website is structured – lots of very nice scrolling work and LAYERS and a really nice sense of motion and depth which you don’t always get with this stuff – actually makes sense, and overall it’s an unusually-educative example of how to present a new product line. I have literally no fcuking idea what the whole ‘collect the oranges’ thing is about, though.
  • Welcome To My Garden: This does rather feel like a relic from an earlier, more trusting time, when the web was simply an infinite space full of all the friends we hadn’t met yet rather than, as it has become, the stickiest prison we ever invented for ourselves, but I approve wholeheartedly of its Pollyannish vibes. Welcome To My Garden is basically Airbnb but for, er, other people’s gardens – specifically, gardens where their owners are totally ok with you pitching up and putting a tent in them. This is an initiative which apparently started out in Belgium in lockdown and which is slowly growing outside those national borders to encompass sites across Europe – which, obviously, is a LOVELY and cute idea, and a heartwarming one, but equally one which raises so many questions about how the logistics work. Do you give the strangers kitchen access? Do you run a ‘bring your own compostable toilet’ policy? Do you turn a blind eye if your garden guests decide to, I don’t know, barbecue a pigeon for dinner? Christ, how miserably English of me – presented with a wonderful example of the web’s potential as a network for sharing, I instead start obsessing over minor questions of form and etiquette. This is why we don’t deserve nice things. Anyway, I have just seen that there’s someone called Mike who’s offering a space in his garden about 15m from my girlfriend’s house, so WOW is she going to be in for a happy surprise when she finds out where we’re going for our Autumn break this year.
  • Big Code: I was talking to my friend Scott the other week about when he thought that the whole ‘AI can now do this thing in seconds which once took you humans hours – sorry for your sudden obsolescence’ thing would come for coding, and he not-unreasonably pointed out that it might take some time given that the people responsible for coding the AIs themselves may be disinclined to hasten their own demise. Except it turns out not all of them have this sort of self-preservatory instinct – Big Code is a new collaborative project looking to develop large language models (LLMs) to write code from text prompts (muchlike GPT-3 can sort-of almost already do, but specifically for devs): “BigCode is focused on developing state-of-the-art LLMs for code. Code LLMs enable the completion and synthesis of code, both from other code snippets and natural language descriptions, and work across a wide range of domains, tasks, and programming languages. These models can, for example, assist professional and citizen developers with coding new applications.” The ability for anyone to spin up a quick, basic bit of plug-and-play code based on their own vague descriptions is objectively amazing and transformative – this is worth keeping an eye on.
  • The Decruiter: Based on the past week’s news in the UK, you may not be feeling like you can afford to stop working anytime soon – although it’s actually entirely possible that even having a job won’t make a meaningful difference in your ability to house yourself when your shouldering a grand a month on the mortgage, so, frankly, fcuk it! Do it! Take the plunge! What’s the worst that can happen? If you are considering the long-dreamed-of BREAK FOR FREEDOM, you may be interested in The Decruiter, a service which offers non-judgemental advice and guidance to anyone who’s considering leaving employment. “Quitting something is hard. You might not have anyone to talk to about it. You might feel the need to quit, but you’re on the fence about it. Maybe it doesn’t make financial sense. Maybe you’re not sure what you’ll do next. Maybe you have a ton of questions about unemployment, self-employment, or beginning the job search all over again…We’re not trying to persuade you to suddenly quit your job — rather, we’re here to talk to you and make sure you are truly ready to leave with a series of questions.” Now, I love quitting – it’s a real skill of mine – so given that this service is currently sadly only available in the US, I am willing to extend the same offer to any Web Curios readers anywhere in the world – if you want to quit something, and would like to talk to a stranger who will assess your decision and then reassure you that it is PERFECTLY FINE and DEFINITELY ALL GOING TO BE OK, then just get in touch! This is also, by the way, a solid-gold PR stunt for the right brand.
  • The Smurf Research Centre: I spent more time thinking about Smurfs in the past year than I had done in the preceding 41 – this was in no small part due to the fact that lots of ice cream parlours in Rome sell an inexplicable ‘blue’ flavour of icecream (it tastes vaguely like bubblegum, but, honestly, when asked to describe what it tastes like, ‘blue’ really is the most accurate description I can come up with) which is called, in a way in which now horrifies me far more than it did as a kid, ‘Smurf’ flavour (‘puffo’ in Italian), which implies the very real and horrifying possibility that the product is made from the actual mulched bodies of tiny blue creatures. Anyway, this is by way of digressive intro to The Smurf Research Centre, a selection of longform writings on Smurfs and the Smurf universe. You want a breakdown of every single episode ofthe Smurfs? GREAT! You want some deep analysis of Gargamel’s motivations? OF COURSE YOU DO! This is the work of one Stephen Lindholm, who, let’s be honest, we all knew was a man before I even named him.
  • Quazel: Ooh, this is interesting – Quazel is a new language learning and exercise tool using AI voice recognition, text-to-speech and (I presume) some sort of GPT-esque backend for the conversation stuff, to afford users the ability to chat with a machine in a variety of languages. I tried this with Italian and was honestly super-impressed, both with the quality of the recognition and transcription, and with the way it which it did a reasonable job of mimicking an actual (if cripplingly dull and stilted) conversation (although on reflection that might just be me). If you’re sick to death of that horny fcuking owl taunting you from within the Duolingo app then this might be a useful alternative.
  • Pigeonpedia: ALL YOUR PIGEON INFORMATION NEEDS! “Pigeonpedia aims to answer all the questions that anyone has about pigeons, we want to become the go-to Wiki of Pigeon knowledge. Pigeonpedia was started in January 2020 by Dan, a pigeon aficionado who realized that there were very few dedicated pigeon sites on the internet. Our content is written by Dan, Denise and Cristina, three people who are passionate about pigeons.” This doesn’t in any way appear to be ironic – I think Dan, Denise and Cristina really do like pigeons a lot, and more power to them frankly. If you’ve ever wanted to know the answer to ‘should I feed milk to the pigeons nesting in my window box?’, then now you have a place to go to find the answer (the answer is NO YOU MADMAN WHAT ARE YOU THINKING?).

By Elspeth Vince

NEXT UP, A VERY HARD AND VERY FAST TECH-TRANCE SELECTION MIXED BY YASMIN GARDEZI! 

THE SECTION WHICH REALLY HOPES THE CHESS BUM THING IS TRUE TBH, PT.2:  

  • Rescue Matches: This is a classic example of an idea that seemed cute on first inspection but then makes less and less sense the more you think about it – a CLASSIC bit of PR work! Rescue Matches is a US initiative in conjunction with Tinder, designed to riase the profile of rescue dog centres which offer canine pals for adoption. The STAGGERING INSIGHT here is that people who use profile pics featuring dogs on the apps tend to do better than people who don’t (is that…is that true? Is ‘man with dog looking outdoorsy’ not exactly as much of a tedious cliche as ‘bloke looking inexplicably proud with massive bass’ or ‘seemingly-entirely-self-unaware white saviour charity work shot’?), and so this service offers even the dogless the chance to have a pup in their profile thanks to the MAGIC OF TECH. Pick a region of the US, pick from the available dogs, upload a photo, get the dog magically ‘shopped into said photo which you can then download and use on the apps (Tinder for preference, given the partnership). Which, look, is fine up to a point, but…well, at the end of the day all you get is a crap bit of photoshop with a border around it advertising the fact that you can adopt dogs, but there’s no shorturl to take you to the adoption page, no personalisation beyond the image, the images you end up with are shonky at best…it just feels like a missed opportunity tbh. Also – and maybe I am just too cynical for this sort of thing – I think were I to be browsing a dating app to be confronted with the image of someone who’s nakedly using an image of a rescue dog to try and get laid rather than, I don’t know, adopting the dog, or volunteering, or donating, I might…think less of them. Animals – existing to help the emotionally-manipulative get laid since time immemorial!
  • Buddio: This is an odd little idea. Buddio is a service which exists to find you people to walk with – not in the real, practical, “here are you and I, walking together and talking and looking at each other and sharing physical space” sense, but in the “I will go for a walk and you will gor for a walk, and although we are in totally physically different locations and although we do not know each other and although we will not communicate, we will enjoy the strange sense of communion and shared activity as we do so” sense. Your walking companions don’t know who you are or where you are, they can’t contact you in any way – they will just know that someone else is walking while they are walking, and maybe take some comfort from that fact. The more I think about this, the more I love it – it feels beautifully-meditative in ways I can’t quite articulate.
  • The Golden Key: If you happen to be in or near London on Saturday 15th October, you might be interested in this – an IMMERSIVE EXPERIENCE around the City, organised and run by Coney. This is typically-mysterious – you will only get a very cursory overview of what anything is on the website – but it sounds super-interesting, and this sort of thing is personally right up my street: “Find a red door and use a key to open an adventure on your phone. Each adventure takes you on a journey into the secrets and stories of the Square Mile , ending at a secret location, where an immersive experience- a surprise- awaits. Maybe you’ll be taken into an underground hotel bar. Maybe you’ll dance on a rooftop. Maybe you’ll share a feast in a grand livery hall. Or maybe you’ll just hear a good story in a secret garden. There are many adventures: but choose wisely, friend, as you will not be able to see them all.” See? Sounds GREAT, doesn’t it?
  • Web Curios Video: I am including this as proof that there is no web property too obscure, small or insignificant not to at some point have its brand ripped off by someone somewhere in the world. NB – I have no evidence whatsoever to suggest that whichever person in India is running this channel has ripped the name from here, but allow me this brief moment of hubris if you will.
  • Trombone Champ On A Fleshlight: You will, no doubt, have seen the internet losing its collective marbles this past week over footage of people playing the (admittedly very funny) SMASH VIRAL HIT GAME Trombone Champ (if you have somehow managed not to hear anything about this, here), but did you know that someone has created a mod for it which allows them to play it by ‘fcuking’ (thankfully not in real life) a fleshlight and using the motion of said act to act as an analogue for the motion of the trombone’s slider? I WAGER YOU DID NOT! See, aren’t you glad you read this? WHERE WOULD YOU BE WITHOUT THIS KNOWLEDGE? I have no desire to ever, ever have sex with a machine, however fancy it is, but I have to say that the whole teledildonics movement is one of the most consistently-fascinating to me – IMAGINE just casually thinking ‘oh, yes, I reckon I probably can turn my plastic fcuktoy into a videogame controller, why shouldn’t I spend 30 minutes hacking that together?’.
  • Buttfish: One of the weirder stories of the past few weeks has been the slow-moving scandal engulfing the world of chess, around Magnus Carlsen’s claims that fellow chess pro Hans Neimann cheated in a recent match – which scandal has basically ended up with a lot of randoms on the internet insisting that the only way that this cheating could have taken place was via the medium of Neimann receiving instructions on what moves to play via the medium of morse messages being delivered to him via the medium of a vibrating buttplug. Which, obviously, someone has now written code for which you can download on Github. Which is what I have linked to here, just in case any of you want to *ahem* interrogate the codebase yourselves. Honestly, the thing that most astonishes me here is the idea that anyone’s rectum could be sensitive enough to distinguish the vibrating code for “Knight to Queen 6” from that for “Castle NOW you moron”, but perhaps I’ve just got a rubbish bum.
  • Taleguild: One of the constants in over a decade of looking at Stuff On The Web has been the neverending proliferation of websites and tools apparently designed to help writers write more/better/faster – never mind the fact that, to the best of my knowledge, the best way of writing is just to sit down and fcuking write. So you have apps that time you and threaten you and reward you and cajole you…and now you have whatever this is. Taleguild basically seems to offer you a very simple, bare-bones RPG layer on top of your standard writing experience – so you create a character and earn experience points by, er, writing, which points you can then use to buy new clothes for your character and new weapons…which all sounds like a GREAT series of ways to, er, distract you from the business of writing. I don’t mean to set myself up as some sort of an expert in the writers’ art – I mean, look, I am at least reasonably self-aware – but if you need the promise of a steady stream of low-quality dopamine hits in the Candy Crush style to even consider putting fingers to keys then perhaps you’re not the literary sensation in waiting you might wish yourself to be.
  • Machine Learning for Kids: Remember when we all taught our kids to code? How’s that working out for them (actually this is not-entirely snarky question; I would love to know whether anyone who started one of those ‘codedojo’-type things 7-8 years ago with small children has seen it through and whether the coding thing ever stuck)? Anyway, coding is now old hat seeing as your watch will be able to build a reasonable HTML site in seconds-flat before too long; now, instead, it’s all about equipping your child to survive in the exciting new world of learned machines! This is actually a really useful idea – you can basically do the initial rudimentary “train a machine on some data and watch as it then uses that training to undertake additional similar tasks using its past experience” stuff, which as a way of educating children (or, maybe more usefully, all the people in your company who like to use phrases like ‘machine learning’ without knowing the first thing about what they practically mean) seems…smart. “This free tool introduces machine learning by providing hands-on experiences for training machine learning systems and building things with them. It provides an easy-to-use guided environment for training machine learning models to recognise text, numbers, images, or sounds.” What more could you ask for?
  • Bird Migration Maps: I’ve featured stuff by / from The Audobon Society (the US’s bird fancier’s club, basically) more times in here than I would ever have expected, but it turns out that their digital work is generally GREAT- this website’s another example of the Society’s instinct for making great webwork, offering you the ability to browse the migratory patterns of birds across the Americas. “The Bird Migration Explorer is your guide to the heroic annual journeys made by over 450 bird species, and the challenges they face along the way. Learn more about a species, the migratory birds at a specific location, or a conservation challenge birds face.” As ever with this stuff it is supremely interesting in ways you don’t expect, not least the bird names which are just wonderful – I now covet a Parasitic Jaeger above all else.
  • The PO-80: This is less a Curio than it is an actual product for sale, but WHAT a product – I imagine that there will be some of you (middle-aged men!) for whom this is the most exciting thing you have seen in YEARS. The PO-80 is basically a device that lets you cut and play back your own 5-inch vinyl records. YES THAT’S RIGHT YOU CAN MAKE YOUR OWN VINYL – you just plug any audio device you fancy into the machine, chuck on a blank disc and GO! Ok, fine, the actual process may be slightly more involved than that,but overall this looks incredible and given it ‘only’ costs £150 makes it something of a bargain. Finally the opportunity to gift all of your friends that limited-edition small-run edition of your greatest DJ mixes that you know your talent has always warranted! NB – do not do that, everyone will hate you.
  • Samplebrain: One for the music/code people among you, this is a Github page for Samplebrain which is Aphex Twin’s ‘custom sample mashing app’ which you can download and play with if you’re so inclined. “Samplebrain chops samples up into a ‘brain’ of interconnected small sections called blocks which are connected into a network by similarity. It processes a target sample, chopping it up into blocks in the same way, and tries to match each block with one in its brain to play in realtime. This allows you to interpret a sound with a different one.”  Now fcuk off and see if you make something as good as ‘Bucephalus Bouncing Ball’ (you can’t).
  • Marimekko Archive: Marimekko is a Finnish clothing and textiles company established in 1951 (so Wikipedia tells me), which at some point put its entire historical archive of print designs online – this is quite an incredible journey through the past seven decades of contemporary Northern European design, and an incredible place for design inspiration.
  • Oral Traditions: A lovely little website collecting recipes and stories from the Asian diaspora, from Uzbek potato salad to Sri Lankan fish curries and everything inbetween. “Oral Traditions began as a social recipe sharing project, in response to the COVID-19 pandemic. It has since evolved into a community cookbook that explores the Asian diaspora past, present, and future through food. We celebrate our many flavors and stories through the art of cooking⏤especially lesser-known dishes, techniques, and ingredients…We cover Asian foodways: the intersection of Asian and Pacific Islander food with culture, traditions, and history. We invite home cooks, artists, writers, and chefs to contribute to our bi-weekly program.”
  • SkyFi: I’ve worked enough with Venture Capitalists to know that there is no industry so ostensibly dull or staid that it can’t be DISRUPTED – I have to say, though, that I didn’t think the world of satellite photography needed shaking up, but obviously and inevitably I was wrong. SkyFi apparently aims to democratise access to satellite photography, which apparently is at present prohibitively expensive for most people to access – the thinking behind this, I presume, is that seeing as there is more orbiting metal circling the globe than ever before in history, so the price of taking photos of the earth from space should fall. The idea here is that you can get high-quality, fully-licensed images from space for a small, flat fee – and if the specific shot you want doesn’t yet exist in their database, you can ask for it to be shot specifically for you for a reasonable price. I have no idea whatsoever what you might use this for, but I’m sure you’ll come up with something.
  • This Is A Thing: It’s fair to say that, in a year or so full of BIG AND SLIGHTLY-TRICKY WEEKS this has been a particularly BIG AND SLIGHTLY TRICKY WEEK, and you could be forgiven for feeling a bit like you just need to take some deep breaths and just take a moment. Which is where This Is A Thing comes in – it’s a short meditative experience which will take a couple of minutes to complete and which, I promise, leave you feeling marginally calmer than you did previously (and I say this as someone with literally not one iota of spirituality and who would rather do heroin than meditate). See also this little webtoy, which has a similarly-soothing vibe to it. And, in fact, this one too. One of these may make it all feel better, maybe, perhaps.
  • ER-99: Or of course you might be the sort of person who gets their meditative kicks from making drum loops, in which case feel free to indulge yourself with this impressive in-browser recreation of the ER-99 drum machine, which those of you more musically-ept than me can probably use to make some quite nice tracks if you’re so inclined.
  • WebRcade: In a week in which Google finally shuttered its abortive streaming games platform Stadia, it feels appropriate to close out with WebRcade which is basically ‘streaming games which anyone can upload their work to’ – it describes itself as ‘feed-driven gaming’, but what you need to know is that you can play a bunch of different titles emulating different systems (Nintendo, Sega, etc) in-browser, and that anyone can add their own titles to the platform, and the idea is that over time this will end up being a huge ecosystem of developers and players which you can tailor you your specific ludic needs and, look, just click here and have a fiddle and I’ll see you in about a week’s time when the novelty starts to pall a bit. This lacks the incredible range of titles of the Internet Archive’s retro games collection, but this is SO much nicer to use and play, and it will be interesting to see how it develops and what you see appearing on it. Bookmark this.

By Tin Can Forest

THIS WEEK’S LAST WEEK IS SOME MINIMALLY-AMBIENT ELECTRO-Y STUFF WHICH AS YOU CAN TELL I AM STRUGGLING TO CLASSIFY BY WHICH IS MIXED BY MARK E! 

THE CIRCUS OF TUMBLRS!

  • Bon Iver Erotica: A classic old-school Tumblr, this, which I am slightly-amazed I haven;t featured before, and which is a simple collection of 350 short romantic vignettes about Bon Iver. There are no datestamps on this, but it very much feels like 2009.

THE TROUGH OF (INSTA) FEEDS!

  • Small Scale LA: Kieron is an artist making very small models of LA landmarks and buildings and cars and, look, who doesn’t love small things made with care and attention? NO FCUKER, etc.
  • Johan Nohr: Thanks to Alex for sending this my way – Johan Nohr is a Swedish artist whose illustrations are a weird mix of horror, metal, scifi and videogame and whose overall aesthetic I enjoy very much indeed.

LONG THINGS WHICH ARE LONG!

  • Life After Lifestyle: Ok, this is quite a long one and it is, I concede, quite w4nky, but if you have any interest in the general intersection between culture and commerce, if your job involves brands or branding or selling stuff in general, and ESPECIALLY if you have a silly, made-up job title like ‘strategist’ or ‘planner’ then you probably ought to read this. This covers culture and cults and commerce and how modern capitalism is effectively an amalgam of all three of those ‘cs’ is various quantities, and, more importantly, how it’s seeking to add an additional ‘c’ in terms of ‘community’. “The Lifestyle era was not about creating culture; it was about attaching brands onto existing cultural contexts. It was not about shaping people; it was about sorting consumer demographics into niche categories. The new order we are entering into reverses this. For some organizations, culture has become the product itself, and products have become secondary, auxiliary, to the production of culture.” This is so so so interesting, and kind-of ties together about half a dozen different essays from the past year or so including ones on lore and vibes…honestly, this is very, very good on What Is The Now.
  • Why Every Designer Should Be A Systems Thinker: You know what I said about the last article and people with silly, made-up job titles? That, again. I usually have little or no interest in articles about being ‘better’ at one’s job (why would I want to be better at something so pointless?), but I thought this was an interesting way of thinking about how we approach problems and the ways in which we think about the contexts within which said problems exist. The title here specifically refers to ‘designers’, but, honestly, I think any reasonably-thinky profession (even useless, hateful ones like advermarketingpr!) can benefit from a more systems-ish approach and taking into account some of the ways of thinking here outlined.
  • How AI Art Is Changing The World: A slightly-hyperbolic headline, but this is a decent overview of some of the main arguments around what the current boom in text-to-image generation is going to MEAN for a whole raft of industries and professions and practices. I would imagine that anyone reading this has thought enough about this themselves to already have arrived at these conclusions independently, but this is a useful article to share with people as a primer to a) what’s currently out there (as of a few days ago, at least – as I said up top, this is moving VERY FAST); and b) how it might be used in practice RIGHT NOW as part of the creative process for individuals and businesses.
  • OpenSource AI: This is interesting – hyperbolic, true, and very much on a particular side of the ‘is all this AI-generated imagery going to be good for creatives?’ debate, but interesting. Daniel Jeffries recently joined Stability (the company that makes Stable Diffusion) as CIO, and this is a blogpost he wrote about how he sees the technology evolving and being used. Unsurprisingly he sees this as a BOON for artists, likening the doomsaying around its potential impact on low-level creative work to that which accompanied the advent of the portable camera (decried at the time as the death-knell for the painted image) and suggesting that tools like Dall-E and SD are going to become just another tool in the artist’s box rather than an artist replacement per se. There’s a lot of tooth-grinding ‘PUNK AI’ stuff buried in there too, and some not-particularly-robust self-justification about creating a no-limits image generator (literally of the ‘guns don’t kill people, people kill people’ calibre so beloved of the NRA), and the closing section where he glibly gives it the ‘machines can’t replace the ineffable creative spark of humans, guys!’ stuff seems to rather neatly sidestep the fact that a lot of ‘creative’ work that gets sold is very much not the sort of stuff that carries said ineffable creative spark…but it’s an interesting read, particularly given that these are the attitudes that will shape how this stuff develops over the coming months and years.
  • The Creator Economy: A Power Law: I tend not to feature too much stuff by VC firms in here because, well, because mostly it’s garbage, but I found this piece by Mosaic Ventures interesting, mainly because it does a decent job of explaining (perhaps by accident) why the ‘creator economy’ numbers don’t stack up – it’s written from the perspective of startups wishing to sell to the apparent burgeoning creator class, and as such runs some basic numbers on who they are and how many of them can expect to be making enough to warrant a regular spend on creator-focused subscription tools, which ends up here: “The implication for software vendors is evident. For a startup building tools for creators, it’s crucial to go after accounts with more than 100k subscribers (or equivalent) – because these customers enjoy the lion’s share of revenue, audience engagement and ability to pay. Micro- / amateur creators make a small fraction of revenue and if they don’t succeed in breaking into the big time, there is a lot of churn.” If the people investing in this stuff feel this way about the likely buying power of creators, it doesn’t suggest a wonderful future in which we’re all going to be making bank from our exciting content.
  • Tracking the Queue: A superbly-geeky and very interesting post about the work that went into tracking and managing the queue for the Queen’s lying in state. I know you don’t think you care about how they did the tech side of the ‘where is the queue right now?’ live updates, but I promise you that it is LOADS more interesting than you’d think, even if (like me) the tech stuff is basically all gibberish to you. “Just over a week ago, I got a call from a friend at DCMS asking for ideas on how they might help people to find the end of the queue for Her Majesty the Queen’s Lying-in-State. They had an interesting plan to livestream information to YouTube, and wanted to include some kind of live map alongside some dynamic public guidance. But how to get the data back and plot it realtime? Google (because if you’re DCMS, you just talk straight to Google…) didn’t have a ready solution since Google Maps doesn’t really have realtime pin movements. DCMS had an ingenious plan to use My Maps and shared location, with someone beaming back their location from the ground. But that would risk breaking if mobile signal dropped, or the phone battery died… and would need someone with the special phone at the back of the queue around the clock.” Fascinating, in only the way very niche things can be.
  • Explaining the Tradwife Thing: This is included not because it’s a great piece of writing, but because it’s a neat illustration of something I have mentioned a few times now, most recently last week, namely the increasing push from certain quarters to push ‘traditional’ values as a resurgent, cool lifestyle choice (I think I first started seeing quotes along the lines of ‘the most punk thing you can do in the modern world is get married and have children and love God’ about…5-6 years ago) as a trojan horse for propping up existing capitalist superstructures. The fact that this has now reached a level of success whereby Mashable, ostensibly a tech industry publication, feels the need to run an article explaining that ‘traditionalism’ is not in fact a radical act of self-care and feminism but instead an example of capitalist control is, I think we can all agree, a sign that SOMETHING VERY WEIRD IS HAPPENING SOMEWHERE.
  • TikTok and Video Search: Sorry, this is a second article from a VC firm but I promise that’s it and I won’t mention them again all year (probably). This one’s by A16Z, and comes hot on the heels of the latest piece of research which tells us that The Kids are using TikTok (and YouTube) for search over and above Google – the article looks at China for clues as to how this user behavious practically works, and how platforms and brands have evolved to take advantage of it. If you’ve spent any time in the far east over the past few years then this will all be old hat to you I’m sure, but those of you less well-travelled might find it interesting to consider how this stuff might play in the West in the coming years.
  • The Physics of Cats: This is amazing – I strongly encourage you to read the whole piece, about how cats fall the way they do and how they survive, but I want you to take a moment to contemplate the big central takeaway here, namely THERE IS NO THEORETICAL LIMIT ON THE HEIGHT FROM WHICH A CAT COULD FALL AND STILL SURVIVE. Obviously this doesn’t take into account asphyxiation, etc, but I reckon there’s a decent possibility that a cat could do a parachuteless Felix Baumgartner and walk (ok, limp) away unscathed. Come on, Red Bull, what are you waiting for?
  • The Sounds of Mexico City’s Streets: I love this so so so much – this is a gorgeous piece of work by The Pudding, which has taken the sounds of the streets of Mexico City (tamale sellers, fruit vendors, paperboys, etc) and woven them into this beautiful essay and interactive soundboard; this is so beautifully illustrated and made and recorded, and there’s such a pleasing level of detail in here about why the sounds selected are such an integral part of the city. I now want one of these for every capital city on Earth, so if the nice people over in editorial could get to that that would be lovely thankyou.
  • The 100 Greatest TV Shows of All Time: Or at least ‘the 100 greatest TV shows of all time, as picked by Rolling Stone in a list designed to elicit a reasonable amount of discourse and rage’ – still, as lists go it’s not bad (although predictably US-centric) and it’s actually an excellent way of picking up new, slightly obscure series to binge through the cold and unfriendly winter months (although hang on, streaming costs money…fcuk it, instead why not just spend your time imagining what it would be like to watch the shows here described? Probably just as good). No spoilers here, but let me just tell you that I managed to get annoyed with this list within the first 10 entries (FCUK YOU THE MUPPET SHOW IS SO MUCH BETTER THAN JUST THE 92ND BEST TV SHOW EVER).
  • Parenting and the Climate Crisis: This is an interesting piece of writing about how one’s approach to parenting is affected by the omnipresent futureterror engendered by, well, everything really, and how one ought to, or indeed can, respond. As I am sure you are bored of hearing, I don’t have children and never will and so I can’t speak to the practical value of the advice on offer here, but I found the ruminations here on the nature of time (time is really having a moment right now, turns out – stuff about time and our shifting perception of it is everywhere at present) and hope appealing, and pleasingly un-Pollyannaish.
  • Drugs and Football: A look at the relationship between modern football culture and drugs, which goes back a few decades to chart the different ways in which the terraces have enjoyed getting on it over the years, leading up to what we are reliably told is the lawless coke-addled 16-pint seshfest that is today’s matchday. I really enjoyed the history here – from speed to pills to weed to coke as the years pass – and the sociology that accompanies it: ““For a short period, football violence was uncool and drugs played a major role in bringing this culture shift about,” Gilman wrote, arguing that his research offered ​“further evidence that experiences with psychedelic drugs can be important agents of personal, psychological, cultural and social change”. This is football in the Nineties. Hooligan casuals on inter-city rampages were old hat. Football was coming home and bringing ecstatic, loved-up pacifism with it.” As you might be able to tell by that last quoted line, the prose style here is a little bit too in love with its own ‘a voiceover to a documentary narrated by a geezer, but a smart one yeah?’ tone, but this is a good piece nonetheless.
  • Tyson’s Fury: This is a beautiful essay about Mike Tyson and the weirdness of post-boxing Tyson, a man who, as the piece explains so poignantly, we excoriated for becoming the monster we so obviously wanted him to be. A really gorgeous piece of writing, which reinforces my personal “the best writing about boxing is better than the best writing about almost anything else” thesis quite nicely.
  • Chemistry Read: Finally this week, a short story by Lisa Owens about an actress and the end of a relationship – I could have read 600 pages of this quite happily. I suggest you make a mug of something hot and sit somewhere comfortable and enjoy this, it’s a proper treat.

By Mark Newgarden

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 23/09/22

Reading Time: 37 minutes

Well that was a fortnight. Have you gotten over it? Good, it looked weird tbh and I wasn’t a fan.

Still, here we all are again, forelocks freshly-denuded and ready to take a long runup at THE AUTUMN! Seasons of mist and mellow fruitfulness and all that Keatsian jazz, where we all get to try the exciting new national pastime of ‘how many jumpers can I wear simultaneously before I admit defeat and remortgage to put the heating on for 10m?’

I am still Matt, this is still Web Curios, and this week I saw a man inject his own semen into a dead squirrel which, I think, means I definitively lose whatever game it is we think we’re all playing.

By Mark Liam Smith

WE KICK OFF THE MUSIC THIS WEEK WITH A SPECIAL TREAT – A TWO-HOUR ALL-VINYL SADEAGLE MIX WHICH IS THE RESULT OF HE AND I PLAYING THE ‘MATT PULLS RECORDS OUT AT RANDOM AND SCOTT TRIES TO MIX THEM DESPITE PROBABLY NOT BEING QUITE SOBER ENOUGH TO MAKE SENSE OF IT ALL’ GAME, WHICH CONTAINS, I PROMISE, SOME GENUINELY GREAT MUSIC (AND AT LEAST TWO TRACKS YOU MIGHT EVEN HAVE HEARD OF)! 

THE SECTION WHICH SAW THE GREATEST BOXING-THEMED GRAVESTONE IN BERLIN LAST WEEK AND WANTS YOU TO SEE IT TOO,  PT.1:  

  • Convexity Space: Ordinarily I like to kick off Curios with something beautiful or frightening or astonishing, but this week I thought I’d try and reflect my general state of bafflement with, well, almost everything by sharing with you this borderline-incomprehensible site which, as far as I can tell, is meant to persuade you to apply for jobs. FLY THROUGH AN INFINITE DIGITAL SKYSCAPE! See the words ‘2x People, 4 x Impact – not a culture fit for everyone’ and wonder what they mean! Click and then zoom through a variety of…nonexistent constellations, each embodying maxims of what I presume are meant to be inspirational leadership excellence, like this fcuking PEACH of a quote: “Leaders don’t lead by giving orders. Everyone in the team is a leader. WE ONLY BOSS OURSELVES”. Apparently they ‘enable individuals to flow on a global scale’, which is nice (if entirely fcuking meaningless). Anyway, if you click on the ‘join’ button you will be taken to a…less-shiny webpage, where you can apply for such distinctly-underwhelming positions as ‘solution deployment manager’, although at no point was I able to determine exactly what the company does. If you’ve ever thought that the world is becoming more stupid by the day, this website will do nothing to disabuse you of that fear. I love it, and would like to shake the hands of the people involved in its design and execution (and, especially, those of the people who sold it because WELL DONE).
  • D-ID: Deepfakes haven’t quite become the terrifying, fabric-of-reality-altering tool of misinformation that some feared they would when they were first realistically mooted 3-4 years ago (I am going to avoid going back and checking whether I was part of that ‘some’ because I dislike myself enough already thankyouverymuchindeed), but that hasn’t stopped the ‘choose and manipulate your own digital meatpuppet’ industry from ploughing on with the innovation. D-ID is a company that offers you the opportunity to create videos featuring synthesised people speaking synthesised words – you can either pick one of their own ‘digital humans’, or upload photos of anyone you like and create a ‘video’ out of said photo, and the speechsynth software has a number of different voices you can use or alternatively you can upload your own audio to be synced with the output vids. It’s…not great, but it’s significantly better than I expected it to be, and made me wonder exactly how far away we are from digital spokespeople being an actual, viable solution for real businesses (24m minimum imho). Anyway, the fun bit here is that you can make the digital puppets say whatever you like, so this is an excellent tool for creating very, very offensive messages to send to your friends, family and colleagues (NB – Web Curios as ever takes no responsibility for whatever HR-related misadventures may result from following this advice).
  • Another AI Comic: Another ‘images by Midjourney, words by a human’ comic, this time by UrsulaV and presented in a Twitter thread, and with the added bonus of this excellent additional thread which explains the creative process and the work that went into producing the final pages and panels. This is, to my mind, a better bit of work than the one I featured a few weeks back, perhaps because of the degree of curation and tweaking that Ursula subjected the initial machine output to. This may prove mildly reassuring to those of you currently suffering from ‘this is the end of low-to-mid-level human creative output’ fear, although the fact that the direction of travel for this stuff is unidirectional and it’s getting better by the hour is probably not worth dwelling on.
  • Using Dall-E for 3d Modelling: This is a short-but-interesting thread exploring how animators at Studio Yatta used Dall-E to help them work up some 3d modeled animation. I think, basically, I am feeling subconsciously slightly guilty for all my ‘THE AI GODS ARE COMING, ALL ARTISTS WILL BE SACRIFICED TO THE GREAT TECH REVOLUTION!’ rhetoric of the past few months and feel the need to show you that this stuff is complementary not substitutative, honest kids! Anyway, this is a nice, simple set of examples about how you can use these tools for visual inspiration and to shortcut prototyping and all sorts of other things (until, to repeat, they get good enough to do all this themselves in the next year or so) (dammit, I really can’t help myself it seems).
  • Mother Goods: You may have seen the ‘Ink Made With The Blood of Gay Men’ stunt (designed to protest against the ban on blood donations by gay men in the US) doing the rounds this week, by Mother (and artist Stuart Semple) – it’s being sold through Mother Goods is the agency’s offshoot business which basically acts as a product skunkworks to make experimental activist-type activations. Or, maybe more accurately, it’s the bit of Mother that looked at MSCHF and thought ‘sh1t, that’s exactly the sort of stuff we should be doing, we’d better rip it off (but with a worthier angle because, remember, ADVERTISING AND SPECIFICALLY THE SORT OF CREATIVITY EMBODIED BY AD AGENCIES IS THE ONLY MEANS BY WHICH LARGE-SCALE SOCIAL PROBLEMS CAN BE SOLVED!)’. OK, fine, maybe that’s a touch unfair – there are some fun projects on here, after all – but, equally, there are some…not insignificant parallels between the two businesses, not least the website here being eerily similar in feel to the MSCHF setup, and the timed countdowns to new ‘drops’…imitation’s the sincerest form of flattery, right guys?
  • Sounds of the Earth: If the Earth was capable of making a sound (I mean, obviously it is capable of making sounds, but let’s imagine in a more personified way), what sound would it make? I think a sort of resigned sigh, personally. Still, this website is trying to use AI to come up with a different, hopefully more pleasant answer – it’s the digital component of an artwork by Yuri Suzuki, currently being exhibited in Milan, which invites anyone to upload an audio file from wherever they are (sounds of nature, sounds of people, sounds of the world). AI then seeks to stitch these clips into a coherent soundscape, linking sonic fragments with degrees of aural similarity into an infinite sound canvas of recordings from around the world, linked only by a degree of tonal assonance. This is rather beautiful, and it’s on in the background as I type, and it’s the sort of thing I can vaguely imagine using as a soundtrack to a flotation tank session were the concept of a flotation tank session about as appealing to me as an invasive subcutaneous sandpapering.
  • The Drone Photography Awards 2022: Photographs! Of the Earth! From above! Taken by drones! You know the drill with these by now – the winning photo here really is spectacular, though, and a perfect example of the sort of shot that would be literally iumpossible without the assistance of flying robot cameras. I’m curious with this stuff how many (if any) of these have been taken by AI rather than by a human operator – I presume that many drones now will come with ‘image assessment’ tech, and at least a rudimentary ability to ‘pick’ a shot from a camera based on perceived aesthetics, and whether or not there are any prizes extant that specifically allow for non-human shot selections to be submitted. Actually, that’s an interesting idea for a photo competition – given we’re almost certainly going to see the first raft of AI-generated art prizes in 2023, it makes sense that we should also consider the same for AI-selected/snapped photos. Anyway, there are some amazing photos here, with the caveat that I am personally slightly over the whole ‘if you look at it from above it looks super-geometric!’ style of photography.
  • Have I Been Trained: A tool developed by Holly Herndon to allow artists and creators to check whether their works have been incorporated into the training data for AI image creation models, specifically checking against the LAION-5B training set which is what StableDiffusion (amongst other models) used to develop its style. This is part of Herndon’s wider project, called Spawning, which “is building tools for artist ownership of their training data, allowing them to opt into or opt out of the training of large AI models, set permissions on how their style and likeness is used, and offer their own models to the public. We believe that each artist ought to have the tools to make their own decisions about how their data is used. Some may choose to take the permissive IP approach to AI models we pioneered with Holly+, where Holly offered her voice model for others to use in return for a share of profits in officially approved derivative works. Others may choose other approaches. However we need to establish a standard of consent honored by research organizations to get there.” Which is eminently sensible and necessary – this is very early days, and there’s little information as to how this will work in practice, but it’s vital that someone thinks about this stuff now (too late as it already is) because otherwise people will wake up in a few years’ time to find that the rights they might have hoped to have over their work will have been eaten by the future with no recourse whatsoever. Artists can apply to sign up to Spawning by sharing a link to their work – if you make stuff and put it on the internet and like the idea of having at least some theoretical agency over what happens to it and what it gets used for in the future, this seems like a no-brainer.
  • This Girl Does Not Exist: This is, I think, a WORLD FIRST – a videogame purporting to be written, voiced and art directed entirely by AI. It’s a TINY bit of a fudge, I think, in the sense that the ‘game’ element here is pretty minimal and VERY off-the-shelf, but as a precursor of ‘stuff that is definitely going to happen before too long’, all the art assets and vague ‘story’ copy have been spat out by machines. Here’s the Steam gameplay description – as you can tell, this isn’t exactly Fortnite: “This Girl Does Not Exist is the first game of its kind. It is a game full of beautiful girls .. and none of them exist! They were not made by a human but generated by an AI. Dive into this vibrant colorful puzzle game and add girls to your gallery! Relaxing gameplay with beautiful artwork and relaxing music will help you calm down after a hard day at work or study. Everything you will see in this game, including all the art, all the characters, story and even a voice acting – was generated by an AI. Your task is to put together puzzle pieces of beautiful girls as you progress through dating them. In each stage you choose which girls you like and would wish to progress with further. Every girl has her personality and unique information to uncover. The more stages you complete, the more girls are revealed in your gallery!” On the one hand, this is exactly the sort of low-rent shovelware that would previously almost certainly have used stolen images of models from somewhere on the web as art assets, so at least noone’s getting ripped off; on the other, I would be amazed if the vast, vast majority of hidden object / puzzle games on Android in 12 months don’t use exactly these sorts of assets because, well, why not?
  • Prompt Finder: OK, technically this site is called ‘Generrated’, but prompt finder is a better and more helpful description so that’s what I am going with. Basically this lets you browse a HUGE number of AI=generated pics to see what prompts were used to get them, basically shortcutting the whole tedious ‘prompt engineering’ (NOT GOING TO BE A JOB FFS) process. “Click on an image to see the prompt that was used to generate it, along with the 3 additional images generated alongside it. You can also click on the prompt text to navigate to a page that contains all 20 images generated for that prompt.” What’s really interesting here is delving into the areas which I haven’t played with at all yet – you can do some pretty decent vector work with the machines, turns out, and I don’t think artists who design app store icons are going to be getting much work in the foreseeable future judging by how good the machines seem to be at spitting out thumbnails. This is very interesting indeed, and worth a bit of a spelunk if you’re curious about what all this stuff can do and how to do it better.
  • The Designer:Dresses and outfits, imagined by AI. Most of these are frankly a bit crap, if I’m honest, but there’s definitely an interesting angle in the potential for them as starting sketches. Also, there’s something fascinating about the training set here – SO MUCH LACE! Why so much lace?
  • NonExistent Tory: You know how some people just look Tory? Something about the broken blood vessels and watery eyes? Well it turns out that it’s not just the Crungus and Loab who lurk in latent space, it’s Conservative Party members too. This Twitter account exists solely to share machine-imagined faces who are basically identifiable as classic Tories. Or at least they are according to whoever it is running the account – your mileage may vary. Personally-speaking I don’t think there’s enough rosacea on display here, but that’s just me.
  • The Heywood Prize: I am disappointed in myself that I didn’t know about this already – “The Heywood Prize was created by the Heywood Foundation. Jeremy Heywood served many Prime Ministers, and was the Cabinet Secretary UK’s most senior Civil Servant – until 2018. Jeremy was extremely open to new ideas, and sought out alternative perspectives. He was more interested in the quality of an idea than the rank or seniority of the person who proposed it. He would make a point of getting out of Whitehall to spend time in ‘frontline’ settings, from job centres to charities, to seek out innovations and unusual perspectives. The Heywood Prize continues that spirit of inclusivity and innovation.” There is £25k up for grabs here – second and third prizes of £10k and £5k too – for the best answer to the question “What do you think the government should do to improve life in the UK?”, which answers can take the form of either a 1500 word essay, or a 3-minute video or audio clip. Honestly, this is SO INTERESTING – I would pay actual cashmoney to be able to read the submissions because, well, there is BOUND to be some wonderfully mad stuff in there, and the fact that the winning ideas will get seen and scrutinised by people with a vague ability to actually one day enact them is incentive enough I think to get involved. Seriously, this is worth thinking about seriously – given how many of you work in advermarketingpr I can only IMAGINE the sorts of revolutionary and brilliant ideas you will all have! (sorry, that was rude, I do actually think you’re all smart, promise).
  • The Follower: You’ve all seen this by now, right? The Follower is a project by Belgian artist Dries Depoorter in which he uses AI image recognition technology to match CC TV footage of people taking shots for the ‘gram in public places with the actual shots as presented in-feed, thereby demonstrating the ease with which the surveillance panopticon can triangulate you in time and space based solely on your publicly-visible activity. It’s a very smart idea, although the coverage of it has been slightly more breathless than the project warranted – with the best will in the world, this is NOT an example of ‘creepy AI can spy on CCTV and then find you on Insta’, as Depoorter did quite a lot of the heavy lifting in terms of scraping, downloading, training, etc. Still, as with all of this stuff it’s less of a ‘wow, look at the now’ moment so much as a ‘wow, look at the near future’ but of cautionary advisory, as well as very much a ‘this is exactly what surveillance states are doing RIGHT NOW’ lesson. Also, for the right brand you could do a fcuking GREAT influencer campmaign using exactly this sort of tech, just FYI.
  • 4meric4: This is beautiful. Take a small, minimalist road trip across America with this website, which uses windows and frames pulling from other sites to create an imaginary journey for you complete with realtime radio pulled from stations you’ll pass through, images from your route, links to diners and cafes you might visit…honestly, this is small-but-utterly-perfect, and there’s something so so nice about the fact that your selections of vehicle, etc, persist inbetween sessions so you can check back on a daily basis and see your progress and where you’ve got to and what’s on the radio and what photos you’ve taken since you last checked in. ART.
  • Realtime: WARNING: THIS IS ADDICTIVE. I say this only because I just lost 5 minutes to slack-jawed gawping as LIFE scrolled past my unblinking eyes. Realtime is a simple premise – you get the web, in realtime, in one place – but it’s done really nicely. There are just three columns – pictures, words and numbers – each of which is a realyime infinite scroll, dumping new data at the top of each feed every second or so (you can adjust the pace of updates), and pulling in from sources as diverse as Google search data, Reddit, Billboard charts, Amazon, the BBC, Wikipedia edits…honestly, this is DIZZYING, an incredible, maddening, compelling torrent of PEOPLE ON THE INTERNET doing PEOPLE ON THE INTERNET things. Seriously, I could spend hours just staring at this and clicking intermittently, it’s that good. Although I’m not quite sure why it’s so obsessed with showing me mugshots of people who’ve just been arrested (although, on reflection, that might have something to do with the fact that it’s about 2am in the midwest as I type and it’s very much ‘methhead’o’clock’).
  • Summarize: One of the great annoyances of my professional life is that I need to keep across news about the big tech and social media companies, and as a result I often have to pay attention to podcasts and longform videos in which tediously-verbose (HAHAHAHA YES I KNOW) men with beards talk for two hours about the metaverse (to give you one soul-flayingly horrid example), and that there are NEVER any fcuking transcripts of said conversations meaning I need to listen to or watch the fcuking things. So thank God for Summarize, then, which offers a single service – plug in any url of any long YouTube video and Summarize will spit out a GPT-3 juiced summary of the main talking points per section. Obviously the main drawback of this is that you can’t really check how good it is without comparing its output to the actual content of one of said videos, which would mean actually watching one, which, frankly, no, but it’s an interesting idea and one which I will definitely be leaning on heavily (until I realise it doesn’t work and it makes me look very, very stupid).
  • Whisper: Seeing as we’re speaking about transcription (SEAMLESS!), it’s worth mentioning Whisper, released this week by OpenAI to minimal fanfare but which could well be as significant for journalists as GPT-3 has been. You need to be able to run it yourself, which obviously requires a bit of technical nous, but it purports to be a game-changing transcription service for audio, covering English and other languages (with varying degrees of success – OpenAI acknowledges that it’s less good at non-anglo languages at present due to the predictable differences in training set sizes). Given the number of journalists I see every day discussing whether or not there are any decent transcription services out there, this feels like it could be A Big Thing (and terrible news if you’re Otter or one of the few dozen extant subscription services doing transcription right now).
  • Smashomancy: PHONE MAGIC! Or possibly ‘MAJICK’! Either way, I rather like this – sort of like phrenology but for your phone (and about as meaningful, to be clear), Smashomancy is the practice of analysing the cracks on your phone screen to scry your future from the myriad galaxies in the fractured vitrine of your prized device. The site at present is a bit bare bones, but you can see a rough chart of meaning for the cracks in your screen, and there are promises of ‘a virtual experience’ coming soon. Unsurprisingly this is a joke that originated in San Francisco, where last month the people behind this apparently organised LIVE PHONE READINGS which, honestly, I could totally imagine people in London getting into too (judging by the sheer quantity of ‘mercury in retrograde’ chat I see spaffed across the TL on an hourly basis – WHAT DOES THAT EVEN MEAN FFS? Actually, on reflection, let me die in ignorance).
  • Atari Emails: I’ve definitely worked in places where it would be…uncomfortable should the email archives from said workplaces ever emerge (and frankly if you haven’t then you haven’t been doing work right imho), but there’s something really interesting about looking into how communications within a business embody a corporate culture (to the extent that such a thing can ever be said to truly exist, which I appreciate is on occasion debatable). This site collects emails from Atari, collected between 1983-1992 and covering the news, tech, culture, interpersonal relationships, in-jokes…there’s a particular beauty in reading words that the authors never expected to reach beyond the very small intended audience for whom they were originally penned, a nakedness of sorts, which I find personally hugely appealing, but anyone who’s interested either in the history of the workplace, or indeed of Atari specifically, will find things to enjoy in here (the thread on the Challenger disaster is amazing, for example, just in terms of ‘watching people parse a tragedy in semi-realtime’).
  • Super Realistic Animal Mask: You will need to translate this page into English from Japanese (er, unless you speak Japanese, obvs – sorry, I shouldn’t presume), but once you have then prepare to be SORELY TEMPTED to commission one of these insanely-high-quality masks of your pet’s face. It doesn’t HAVE to be your pet’s face – they’ll do you one based on an illustration or 3d model if you wish, meaning furries are well-catered for, but who doesn’t want to make a human-sized replica of your cat’s head and wear it whilst crawling around on all fours and drinking from its water bowl while it miaows at you in (hopefully happy) confusion. NO FCUKER, THAT’S WHO! It probably behooves me to point out that the current exchange rate means that one of these will set you back somewhere in the region of £2,500, so perhaps one for the ‘when things are a bit less economically parlous’ file (Saz, we can discuss this later).

By Leah Schrager

NEXT UP, HAVE SOME BEAUTIFULLY-ATMOSPHERIC D’N’B MIXED BY WARDOWN! 

THE SECTION WHICH SAW THE GREATEST BOXING-THEMED GRAVESTONE IN BERLIN LAST WEEK AND WANTS YOU TO SEE IT TOO,  PT.2:  

  • High Flyers: FULL DISCLOSURE: I am friends with the people behind this. However, at no point have they offered me any money to feature it here (on reflection, why not you fcuks? I would have refused, but it’s nice to be asked), nor indeed did they even ask – I’m putting it here because it might prove useful. High Flyers is an online course for people wanting to learn about PR and how to be better at it, and, honestly, whatever I might say about the profession (NO MATT RESIST RESIST) I can think of no two better people to try and persuade you that actually it is a worthwhile career to pursue. This is, to be clear, something that costs money, but I think it’s a reasonable fee and both Rich and Alex are smart and capable and nice, and both have the sort of reassuring facial hair that means you can probably trust them when it comes to the practice of modern communications.
  • The Museum of Interesting Things: I feel like it’s a matter of personal professional failure that over the past decade or so of Curios I have never seen or featured this site (what sort of a webmong am I FFS?), despite it basically being a spiritual twin of this blognewslettertypething. “For those with a taste for the peculiar, The Museum of Ridiculously Interesting Things is an imaginary museum that explores the strange place between art and curiosities.” It’s not been updated in a few months, so I hope it’s not defunct – still, if you want a place to explore such oddities as ‘a hat covered in decaying teeth’, or ‘Jane Howard’s beautiful bird guts’, this is the site for YOU! Parenthetically, this has been going for AGES and therefore features quite a lot of ‘weird internet’ from about a decade or so ago, which a) is an interesting trip down memory lane; and b) is a very good way of reminding yourself of cool stuff from The Past that everyone else has forgotten about and which you can now almost certainly rip off anew without anyone realising that that’s what you’re doing.
  • Place-Based Carbon Caulculator: This is a really good use of open data, and super-useful if you’re looking at doing any local-level targeting or campaigning around anything to do with the environment. “A free tool which estimates the per-person carbon footprint for every Lower Super Output Area (LSOA) in England. LSOAs are small statistical areas with a population of about 1,500 – 3,000. It draws on a wide range of data and research to give a representative view of how carbon footprints vary across the country. PBCC is intended to help communities and policy makers understand where their carbon footprints come from and what we need to do to reduce them.” So this can tell you whether the very specific area you’re interested in over- or underindexes in terms of car usage, energy efficiency, service industry usage, flights taken, etc etc etc, which gives you all sorts of interesting proxies for other things that it’s not always easy to work out (such as, for example, takeaway service usage). This is, if you think a bit orthogonally, really, really useful. And if you don’t, it’s just a pretty map! Thanks to Giuseppe Sollazzo’s newsletter for this one.
  • Agency Jams: I am including this for two reasons: 1) this collection of playlists made by the staff of Basic agency in the US is genuinely (slightly annoyingly, if I’m honest) rather good – eclectic and wide-ranging and chunky and kind-of cool, and there are about 60 of them so far which is a hell of a commitment; and 2) I really hope someone at a…slightly-less-cool agency decides that they want to replicate this, because, honestly, I REALLY want to hear what ‘the internal soundtrack to a bunch of corporate marketing drones’ inner lives’ sounds like.
  • The Ig-Nobel Prize: This year’s announcement the other week got significantly more traction than I remember in previous years – is this a reaction to the general, baffling oddity of, well, everything? – and so you’re probably aware that the winning research project focused on “trying to discover the most efficient way for people to use their fingers when turning a knob.” You probably haven’t checked out the other nominees, though, which are particularly stellar this year – my personal favourite are the people who spent a significant chunk of their lives trying to determine whether constipation in scorpions affects their mating prospects, but special mention also to the fearless academics publishing work on ““A Multidisciplinary Approach to Ritual Enema Scenes on Ancient Maya Pottery.”
  • Menyr: It’s quite likely that if you play tabletop games you will have seen this in the past week or so, but even if that’s not your particular bag this is an interesting example of ‘ways in which AI will practically-impact the creative industries in material ways, and a lot sooner than you might think’. Meenyr is a many-times-funded Kickstarter campaign which promises a system which will basically let tabletop RPG gamers spin up plots, worlds, items and NPCs (and associated artworks, etc) using AI tools with the click of a few buttons. It’s worth clicking and scrolling through, because the stuff they are promising is pretty amazing – fully realised customisable environments, spun up in minutes, based on user-defined parameters, to create an infinite number of campaign scenarios and theatres…I don’t even play TTRPGs and this still looks remarkable. As far as I can tell this is all proprietary stuff by the French studio developing the project – but in the future it needn’t be, as you will be able to create your own versions of this sort of thing by cobbling together Open Source elements with a nice frontend. This is the future of making and playing, or at least a significant part of the future of it.
  • Song of Insects: “Finding and identifying a singing insect can be a wonderful challenge. These pages will expose you to over 90 common and widespread species and will help you identify many of the singers that you will hear in your immediate surroundings and in the countryside far from home. With the help of a flashlight and considerable patience, you will be able to track down individual singers and perhaps even view a singing performance firsthand!” Anyone who’s been kept awake by overexcited cicadas may quibble with the breathless enthusiasm on display here, but if you’re keen on knowing exactly what type of amorous leg-rubbing insect is ruining your kip then this may well be the resource you’ve been clamouring for.
  • Bird Photographer of the Year: LOVELY AVIAN FRIENDS! These are all glorious, obviously, but my personal pic is the one titled ‘Strut Performer’ because WHAT SORT OF FCUKING BIRD IS THAT?! Also, can someone please redo the website for this contest, as it seems a shame that it’s so utterly ill-equipped to showcase the amazing photos of the winners here.
  • Manhole Covers: Containing over 8,000 examples (it’s this sort of dedication to a very, very specific theme that really makes it a Curio), this is a celebration of all things manhole cover (which, specifically, means, er, manhole covers – there’s not actually that much more to celebrate, turns out).  “Under the city’s surface there is an underground city, a city that its only purpose is to serve the upper city. In this city there are miles of tunnels, sewerage pipelines, communications lines etc. The manhole covers in this site are the bridge between the upper and lower city and come in various shapes, sizes, writing and graphics.” You may not think that this is going to be super-compelling (and, ok, fine, compared to, say, cocaine or playstation it’s probably not quite as grabby) but there is some wonderful design on here and it’s a lovely argument as to why design and aesthetics always matter, always, no matter where you are and what you are doing.
  • Sunclock: This is a very small, simple online clock that shows you the time at any give moment along with when Golden Hour will be (morning and evening) wherever you are in the world. Not revolutionary, but it’s simple and it taught me that there is a difference between ‘civil twilight’, ‘astronomical twilight’ and ‘nautical twilight’ which may come in handy one day (but I don’t think it will and that’s ok).
  • Martin Gauer’s Website: Martin Gauer is a web developer. This is his personal website, which he’s styled to resemble a Gameboy title in the vague Pokemon style. Honestly, I cannot stress enough what a BRILLIANT job he has done – it feels right, and there are people to talk to and Easter Eggs to find, and, fine, yes, you can also find out more about Mr Gauer’s work and professional history and his practice, and information about past projects, but, also, this basically took me back to 1991 and MY GOD the pavlovian power of chiptune and the Gameboy startup beep. SO SO SO GOOD, and I imagine Martin will be booked up for the foreseeable as a result of this so well done him.
  • Random Met: Literally what it says on the homepage: “Infinite Scroll of Random Images from the Metropolitan Museum of Art Open Access“. The sort of thing you can happily spend 5 minutes perusing and being mildly interested by, and which will be TOTALLY DIFFERENT should you ever bother to click back again. My overwhelming takeaway from this is ‘man, but there are some wildly divergent curatorial standards at play depending on what bit of the Met you work in, evidently’, but you can’t argue with the breadth and depth here.
  • The MCU, Networked and Visualised: I need to preface this with the acknowledgment that I don’t watch or care about Marvel films, and so for all I know this could be some sort of factually inaccurate travesty that fails to accurately represent the majesty of the canon – if that’s the case, please know that I do not give a fcuk and do not want you to tell me. Still, if you are one of the many millions of people who think that spandex capering is the very apogee of the cinematic artform and want some sort of exhaustive analysis of who appears in what and how many times and what the crossovers are and and and and oh God it’s exhausting just typing this stuff tbh. Look, if you want a giant map of superhero characters based on which films they appeared in, in which ‘series’ of the MCU canon, then you will probably enjoy this and that’s FINE but can we please maybe roll back on the whole ‘nerds and their interests are the cultural juggernaut that will sweep everything else before it’ thing, please? Maybe just for a few years?
  • The Vegenerator: A small project by Oli Frost in which a vector-looking fruit machine type interface presents you with a selection of three ingredients and a dish type as a vegan recipe generator. Fine, the recipes are literally things like ‘okra, cabbage and parsnip pearl barley’, which doesn’t admittedly give you a lot of guidance to work with, but if you’re a reasonably-competent cook this sort of gentle guidance is actually pretty useful imho -also, I very much like the fruit machine interface as a means of delivering the recipes, and think that there’s something in this as a combination of user-led refinement and ludic layer (yes, I know, I am HIDEOUSLY PRETENTIOUS, sorry).
  • Our Bodies Ourselves Today: This is a great resource from the University of Sussex, offering an “accurate and inclusive guide to health, sexuality, and reproductive justice” aimed at women, girls and gender-expansive people. “Our Bodies Ourselves Today’s online platform enables the unique contributions, approaches, and functions of the groundbreaking book Our Bodies, Ourselves to live on, while adding new features and connecting with new audiences across the globe. Our work is entirely in the service of the public good, and we do not take advertising dollars. Our materials are rigorously evaluated, carefully curated and regularly updated by panels of leading feminist health experts drawn from the fields of medicine, public health, academia, consumer activism, policy, and media. The content and analysis we provide is grounded both in diverse lived experiences and current political and cultural contexts. It is accurate, evidence-based, holistic, user-friendly, and available at no cost. The site features the best of what’s already available online as well as our own original content. In addition to articles, Our Bodies Ourselves Today includes multimedia elements, first person stories and conversations, and opportunities for activism and advocacy. We currently provide resources on nine core topic areas: Contraception & Abortion, Gender-based Violence, Growing Older, Heart Health, Menstruation through Menopause, Mental Health, Pregnancy & Childbirth, Sexual Anatomy, and Sexuality, with new topics to be added in the future.” Useful and interesting and worth bookmarking if there are people in your life who you think might find it helpful.
  • Palette FM: Tools to recolour pictures are a long way from being a new thing, but this is an interesting build on an old(ish) trick which integrates (I presume) some sort of Dall-E or SD backend to let you write specific prompts for the sort of colour effects you want to have applied. Or at least that’s what I think is happening – the developer has ‘amusingly’ used the ‘About’ page to rickroll anyone wanting to find out more, which has annoyed me significantly more than I expected and perhaps suggests that ‘about 4h in’ is the point in the Curios writing process at which my sense of humour (such as it ever is) begins to fail me somewhat.
  • Bemuse Ninja: Look, I have to be honest with you here – I tried playing this keyboard-based rhythm game for about 5 minutes but was so embarrassingly, cluelessly, abjectly-bad at it that I was forced ti give up in shame and humiliation. It turns out that I very much do NOT have the coordination required to nail keyboard presses in time to 178bpm japanese trance-pop tracks (whodathunkit?!), but on the offchance that you possess slightly-faster reactions than me (and, possibly, a higher tolerance for the sort of bubblegumtechno that the game seems to major in) then you may well find this a soothing balm to the soul (I doubt it, though – I just loaded it up again to check whether or not my first impressions were correct and even the landing screen gave me a slight feeling of stress-hives).
  • Sim Nimby: What would it be like playing Sim City in a world in which noone wanted you to build anything, and people were constantly blocking your city amelioration plans with cries of ‘but what about the marshlands?’ This is very much NOT a game, and instead a single-note gag, but I’m including it because a) it made me laugh, maybe twice; and b) it did pretty decent numbers last week, and once again made me think ‘this is exactly the sort of thing that would have been a really useful little tool to popularise a campaign and which once again causes me to say ‘STUFF USING GAMES OR GAME MECHANICS REALLY WORKS AS A MARKETING OR PR TOOL BECAUSE – AND LET’S TAKE A MOMENT TO REALLY THINK ABOUT THIS – ALL THE PEOPLE IN SENIOR POSITIONS NOW ARE LIKELY TO HAVE GROWN UP WITH GAMES IN THE 90s AND EVEN IF THEY DON’T PLAY THEM ANYMORE THEY WILL GET AND FEEL NOSTALGIC FOR THE CULTURAL REFERENCE POINTS FFS’.
  • Curious Fishing: A cute, simple puzzle game in which you need to catch all the fish. This is gentle and soothing and an excellent way of distracting yourself from the fact that your job is a joke and all your colleagues are insufferable morons.
  • The Hobbit: Finally this week, a link to the SUPER-OLD text adventure for the BBC and C64, based on Tolkien’s The Hobbit and which I think acts as a nice cultural counterpoint to the current festival of pointy ears and fan-led racism currently airing on Amazon. This is, obviously, very old school and so both graphically nonexistent and VERY HARD, but at the same time there’s something genuinely soothing about the no-pace nature of it, and the 8-bit graphics are kind-of charming if you squint, and it’s always fun to be eaten by a dragon. ENJOY!

By Frank Moth

WE FINISH THE MIXES THIS WEEK WITH THIS GORGEOUS SELECTION OF DOWNTEMPO TRACKS MIXED BY ANDREW BEZ AND WHICH IS PERFECT FOR A DAMP FRIDAY IN SEPTEMBER! 

THE CIRCUS OF TUMBLRS IS SADLY EMPTY!

THE TROUGH OF (INSTA) FEEDS!

  •  Plastics NYC: Barbie, Ken and friends having fun in gay New York. This is oddly life-affirming, although I couldn’t for the life of me explain why.
  • Unshush: More AI-imagined fashion, this project from Rome feels like it’s building to something bigger; still, at the moment it’s just a feed of shoes and dresses and accessories presented with a slightly-raised eyebrow – I am curious to see where, if anywhere, this goes.

LONG THINGS WHICH ARE LONG!

  • The Emerging Vertical: I think this might be paywalled, but it’s another piece by (Curious favourite) Ted Gioia and imho it’s worth paying a few bucks to access it as it’s a very smart piece of writing / thinking which honestly made me think about modern culture (and the wars fought over it) slightly differently, which, honestly, is no mean feat given the amount of cant and rhetoric we all consume on the subject (or, perhaps more accurately, which I consume on the subject – I imagine you all have better things to do). Gioia here revisits an essay he wrote in 2014 (here presented in an update 2017 version), about Spanish thinker José Ortega y Gasset’s “The Revolt of the Masses” – the fundamental premise from the book that he latches onto is that the most important way of thinking about culture and conflict in modernity is not in terms of left or right but instead in terms of ‘up’ or ‘down’. From the earlier essay: “Ortega’s brilliant insight came in understanding that the battle between ‘up’ and ‘down’ could be as important in spurring social and cultural change as the conflict between ‘left’ and ‘right’. This is not an economic distinction in Ortega’s mind. The new conflict, he insists, is not between “hierarchically superior and inferior classes…. upper classes or lower classes.” A millionaire could be a member of the masses, according to Ortega’s surprising schema. And a pauper might represent the elite. The key driver of change, as Ortega sees it, comes from a shocking attitude characteristic of the modern age—or, at least, Ortega was shocked. Put simply, the masses hate experts. If forced to choose between the advice of the learned and the vague impressions of other people just like themselves, the masses invariably turn to the latter. The upper elites still try to pronounce judgments and lead, but fewer and fewer of those down below pay attention.” Which if it felt true in 2014 certainly does in 2022 – and it turns out that thinking in these terms takes you to some interesting places when it comes to Where We Are Now. I can’t stress enough how interesting this is – I will reproduce Gioia’s first point here, but the whole thing really is worth reading in full: “Analysis of cultural conflict is still obsessed with left-versus-right strategizing, but the actual battle lines are increasingly down-versus-up. A lot of work goes into hiding this, because both left and right want to present an image of unity, but both spheres are splintering into intensely hostile up-and-down factions.” I mean, he;s right, right?
  • Saluting an Empty Train: I’ve taken an editorial decision this week that you’ve almost certainly had ample opportunity to consume all the DEAD MONARCH-related content you could ever wish in the past fortnight, and that as such you can do without endless screeds about What It All Means. That said, I will make an exception for this piece of writing by Mic Wright, from his ‘Conquest of the Useless’ media criticism newsletter, as it takes a slightly different angle from a lot of the commentary I’ve read, and mentions something that I’ve not seen touched upon elsewhere – to whit, the ‘gratitude’ and ‘thanks’ we were expected to feel. Gratitude for what is never specified – but it’s clear that we are expected to demonstrate it. I don’t know about you, but I tend only to feel gratitude to people whose actions accrue some sort of tangible benefit to others, and I’m going to be honest and say that I struggle to see exactly how HRH or indeed any of the rest of them fit that particular bill – unless, of course, we’re talking about the broad spectrum gratitude we should all feel at the fact that she at no point chose to crush us peons beneath the heel of her bejeweled boot. Obviously you’re totally entitled to disagree with me about this – but if you do, I’d suggest that you skip this link as it’s liable to annoy you.
  • Italy Goes Full Fash: OK, so that’s not the actual headline in this FT piece, but that’s basically what’s going to happen (I got to vote for the first time ever, much good that will do). This is a sober piece which is less alarmist than I might have been had I been holding the pen (it is the FT, after all) but which still makes the repeated point that the people who are almost certain to be elected on Sunday are a woman who leads a party which shares a name and a symbol with an ACTUAL FASCIST ORGANIZATION, a man who in his time as foreign minister a few years back actually said ‘let’s shoot the migrant boats’, and everyone’s favourite ambulant sexy deathmask of himself Silvio ‘Definitely A Legitimate Businessman And Never In The Pockets of the Mafia’ Berlusconi – it’s not a great lookout for my motherland, if I’m honest. If you want a practical insight into what sort of genius-level policy promises are being made, you may enjoy this one – in Fratelli D’Italia’s manifesto there’s a section about how the party is going to solve Italy’s youth unemployment crisis by using AI (it gets better) to assess the competencies of every single school leaver not going to higher education or employment, and to then match them with the PERFECT JOB for them from every available position in Italy; said young person will then have to go and take that job, whatever or wherever it is, or get significantly reduced access to state benefits. Now let’s take a moment to consider two things there: 1) that is PROPER FASH, well done!; 2) if you can invent an AI that can do that and do it well, just sell it and fund UBI for all those kids for the next three decades. This is going to be a miserable sh1tshow, thank God I am in the sensible, stable Unit…oh. Fcuk.
  • The South Asian Polycrisis: I don’t mean to depress with these longreads – really, I don’t! – but I read this first thing this morning and it struck me that with the recent (understandable) focus on the UK’s own sh1t we have perhaps not really been paying as much attention to what’s going on the rest of the world as perhaps we ought (the equivalent of about half the UK’s population being flooded out of their homes in Pakistan, for example). This is a…sobering overview of the various challenges facing Pakistan, Bangladesh and Sri Lanka (and to an extent India), motivated by the multiple threats of climate change, geopolitics and the industrial supply and demand shifts that have effected pretty much everyone post-pandemic. Not going to lie, this is not exactly a barrel of laughs but it’s a useful overview (or at least it was for an ignoramus like me) of some of the key issues facing the area.
  • A Stable Diffision Explainer: If you’;ve spent the past few months immersed in everything AI-art-adjacent this won’t tell you anything new, but if you’re more of a casual observer then this is an interesting piece looking at Stable Diffusion and the AI art boom in general, touching lightly (VERY lightly, fine) on some of the ethical considerations inherent in the medium. I did enjoy this quote from founder Emad Mostaque, which (once again!) suggests that perhaps the people developing this stuff just aren’t very good at thinking about potential side-effects of its usage: “Mostaque’s view on this is straightforward. “Ultimately, it’s peoples’ responsibility as to whether they are ethical, moral, and legal in how they operate this technology,” he says. “The bad stuff that people create with it […] I think it will be a very, very small percentage of the total use.”” Oh, well if it’s only 1% of the output then that’s obviously ok then! FCUK’S SAKE WHEN DID PEOPLE STOP BEING ABLE TO THINK CRITICALLY ABOUT THIS SORT OF STUFF??
  • AI Game Creation: Ok, this is very techy and not hugely readable and I didn’t, if I’m honest, really understand that much of it. BUT! It is conceptually fascinating as an exploration of how one might go about using AI image-generation to spin up a videogame on the fly. To be clear, the resulting videogame isn’t in fact a real game, and looks like crap, but, equally, this is (I think) a world first, and I imagine that you’d have said the same had you been lucky enough to watch the earliest flickering ‘son et lumiere’ spectacles back in the day. I know I keep on saying this, but this is if not THE future then certainly a very plausible POTENTIAL future.
  • Roblox Adds Ads: Interesting not because of the fact it’s happening so much as the fact that the ad formats seem pretty well-thought-out and functional, and there’s a sense that the company understands how the various bits of the Roblox ecosystem (user-created worlds, branded worlds, branded content, etc) all fit together coherently. I don’t want to use the ‘M’ word because, honestly, I am so tired of it, but if you must look at it through that lens then this seems like a company that understands at the very least the basic premise of how a universe of interoperable digital experiences might practically function, and how to make it a commercially sustainable reality.
  • Bringing AI Art to AI Dungeon: You remember AI Dungeon, right? Featured here way back in 2019, the GPT-based game basically lets you conduct infinite roleplay with the AI text generator as vaguely-sentient-seeming gamesmaster; it’s now gotten an update whereby it’s possible to generate accompanying images via StableDiffusion for whatever situations and environments the textual AI spits out. This is a Techcrunch piece and so will win exactly zero points for prose style or readability, but it’s a really interesting overview of (yet again) How The Future Of Content Will Work Before Too Long.
  • Prompt Injection Attacks: One of the funniest (if geekily-funny) things of the past week or so was people on Twitter discovering that there was a Twitter bot built on GPT-3, and that it was very easy to hack using very simple text-based commands. This is an expanded Twitter thread by Simon Willison which explains how that worked, and why it’s almost impossible to prevent similar things from happening if you’re going to use GPT-3 like this. What’s even better is that it’s inevitable that lots of people are going to try and do it anyway, which means you can look forward to at least one very public brand account which seeks to automate interactions using AI and which ends up being forced to say things like “FIST ME, DADDY!” over and over again til it gets pulled.
  • YouTube’s CoolHunters: Ah, the old days in which ACTUAL HUMAN BEINGS made decisions about which content would get real estate on the YouTube homepage rather than a series of unknowable mathematical equations that determine the content consumption of several billion people a day! This is a lovely bit of nostalgia that raises some really interesting questions – is it better, for example, that a small group of largely unaccountable people get to determine what sits on the YT homepage rather than a machine? Why do you think that? Is there something just doggedly-speciesist about our occasional insistence (ok, MY occasional insistence) that Person Knows Best? And how would the past decade have been different had these decisions been left in meaty hands rather than silicon ones?
  • The Bootleg Ratio: This is one of those articles that is going to spawn a phrase – The Bootleg Ratio is the author’s imagined threshold to determine the health of any given content platform, based on the amount of content on said platform which is original UGC versus aggregated, scraped and monetised pabulum from elsewhere online. The jumping off point for this is the authorial assertion that TikTok may have passed a tipping point where it’s now been overtaking by the monetisers and therefore it’s Bootleg Ratio is now irrevocably out-of-whack; this may or may not be true, but there’s a wider interesting question about whether it’s possible for platforms to maintain an interesting and unique ‘feel’ beyond a certain tipping point of either users or interested capital – the article makes the point, which I agree with, that it’s primarily Twitter’s uniquely-unappealing nature to the vast majority of humanity that makes it (for better or worse) a unique place to spend time online,and this broadly feels true of everywhere on the web. Numbers mean normies, basically (whichever particular definition of that term best fits your particular in-group), and that kills the vibe. Er, ‘man’.
  • Upgrading the Nukes: In a week in which Russian sabre-rattling ratchted up a notch (is it still ‘sabre rattling’ when the sabres in question are interconteninental ballistic missiles? It feels like we need a better bellic metaphor), it was interesting to read this piece about exactly how old and fundamentally a bit fcuked the US’s existing nuclear infrastructure is, and how the wiring basically hasn;t been updated since the 50s (which, if it were a house, would give you pause for thought). It’s also interesting to think about why and where this piece appears – Time Magazine feels like EXACTLY the sort of organ you might want to place a piece of writing about the slightly-weathered state of the US’s national defence apparatus if you wanted a bunch of politicians to read it and start making noises about how important it is to have a functioning, modern deterrent. Cynical? Hm.
  • The People’s Beach: I’m vanishingly unlikely ever to visit Riis Beach in New York, but I adored this collection of essays and photos about the people for whom the stretch of sand in Queen’s is the centre of a queer community stretching back decades. Honestly, the photos alone make this worth a click – it is SO NICE to see people of all shapes, sizes, genders and ethnicities enjoying themselves on a public beach like this.
  • The Etymology of the Condom: Where does the word ‘condom’ in the English language come from? Short answer is ‘noone knows’, apparently, but a longer, more digressive response can be found in this blogpost on the website of the Oxford University Press (CORPORATE CONTENT DONE RIGHT, KIDS!). “It seems that condom has two roots: con and dom. Con (like Latin cum) means with, while dom reminds us of the Latin word for “house” and of English dome. Thus, the organ, supplied with the “dom,” had the protection of “a house.” Condoms have always been used to keep both men and women safe from venereal diseases, rather than as contraceptives, though the legend has it that Charlies II, whose court physician allegedly invented the device, began to feel annoyed at the ever-multiplying number of his illegitimate children.” Hang on, is that what I am meant to feel royal gratitude for?
  • Pigeon Fanciers of Beirut: There’s a weird truth in the fact that writing about pigeon fanciers tends to be really good – no idea what it is about people who love pigeons that brings out the best in writers, but this portrait of Lebanese bird enthusiasts is a typically excellent example. I particularly enjoyed the image of pigeon lovers as bad boys of the Beirut dating scene, and the occasional romantic confusion that can result from the obsession: “As married life got underway, Jinan faced challenges from Daher’s other great love: pigeons. Early one morning, she woke to her husband holding a furtive phone conversation. Feigning sleep, Jinan started hearing eyebrow-raising questions, such as “Does she look like her sister?” and “What is her chest like?” “I was thinking that, surely, he is talking about some other woman,” Jinan added, arching her eyebrows even in the retelling. Unwittingly, Daher calmed the apocalyptic matrimonial storm brewing beside him by switching to a less ambiguous topic: the pigeon’s tail feathers.” Beautiful.
  • Choose Your Own Adventure: This is a gorgeous tribute to Choose Your Own Adventure books (although annoyingly – if unsurprisingly given it’s the NYT – it’s totally US-centric and doesn’t mention Fighting Fantasy AT ALL, which is a fcuking travesty to my mind), telling the story of their rise in popularity in the 80s and the different ways in which said popularity subtly altered conventions in storytelling and play, and why they exerted such a pull on readers. Even better, it’s arranged as a CYOA tale, letting you read the different sections in whichever way feels best to you as a reader – which, honestly, I think is a BRILLIANT way to reinterpret the news. Can we please have a version of the BBC which presents you with one article to start with and then asks you some questions to determine where you want to go next in your news journey? “If you want to learn more about the massive incoming sh1tshow that is UK energy policy, click here; If you’ve had quite enough politics for now and would instead like to laugh at some funny photos of sheep, click here”. THIS IS A UI REVOLUTION WAITING TO HAPPEN FFS!
  • Skimming Stones: This is an absolute classic of the ‘journalist profiles reclusive eccentric’ genre – Sean Williams traveled to the US earlier this year to hang out with champion stone skipper (yes) Kurt Steiner, to talk to him about his life and skipping stones, to learn about why someone might devote their life to something like this, and what you might take from a personal devotion to a subject so small. Honestly, I could read stuff like this for days – it’s a beautiful profile of a very obviously complicated human being, which doesn’t sugarcoat or romanticise its subject and which does an excellent job of tracing the contours of a monomaniacal obsession. So so so so good, this. Also, you will not BELIEVE how good this man is at skipping stones (there are videos).
  • Among The Reality Entrepreneurs: Finally this week, a brilliant piece of reportage from New York – I have avoided mentioning the Dimes Square ‘thing’ up til now because a) it is in New York and I am not in New York; b) I have limited interest in the scenester antics of podcasters, but this is genuinely fascinating. Not only is it a superb piece of writing – really, it has no need to be this good but the prose is spot-on – but it’s a very good bit of ‘follow the money’ reporting about how big cash held by people with specific vested interests is being used to manipulate culture in certain ways, and what it looks and feels like when that cultural manipulation starts to flow downstream. I don’t want to tell you much more than that, but suffice it to say that Peter Thiel crops up, as does the rising traditionalist movement, and, honestly, this feels like one of the best ‘overview of how the really, really smart and powerful and not-very-nice work to bend reality to their ends’. Practically-essential, if you’re interested in why you are noticing certain things now (and yes, I know this makes me sound like a conspiracy theorist, but this feels…quite blatant).

By Dall-E and my girlfriend

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 09/09/22

Reading Time: 35 minutes

You’re probably a bit distracted by the news, aren’t you?

It’s fair enough to be honest – it’s not every day a living embodiment of national identity shuffles off this mortal coil – and you’d be forgiven for not giving two skinny fcuks about ‘a bunch of stuff some bloke you don’t know thought worth sharing from the past fortnight’s web’, but, on the offchance that there are a few of you who want a distraction from the mourning, or from the first draft of your epic commemorative prose poem about Her Great Legacy (I really, really hope the papers offer up some space for readers’ tributes – nothing marks the passing of a head of state quite like the poorly-constructed iambic stylings of the barely-literate, after all!), or from scrolling endlessly past the shouting and sadness and anger and point-scoring and memes and really-quite-top-tier insanity that is Twitter right now, or from the nagging fear that none of the other worrying news has gone away, then, well, I AM HERE FOR YOU!

Also, I am travelling again next week so Curios will be back on 23rd September (but then it will be weekly til the end of the year, promise (well, promise-ish)).

I am still Matt, this is still Web Curios, and I can categorically assure you that this is what She would have wanted.

By Anna Koak

WE KICK OFF THE MUSIC THIS WEEK WITH THIS SUPERB CARNIVAL MIX FROM LAST WEEKEND AS AN ANTIDOTE TO THE SOMEWHAT SOMBRE CURRENT NATIONAL SOUNDTRACK! 

THE SECTION WHICH NEVER MET THE QUEEN DESPITE HAVING ONCE WORKED AT BUCKINGHAM PALACE AND AS SUCH IS UNABLE TO CONTRIBUTE ANY PERSONAL ANECDOTES ABOUT HOW SHE WAS VERY DOWN TO EARTH AND INCREDIBLY FUNNY, PT.1:  

  • P0rnpen: I know I normally chuck everything bongo-related at the end of Curios so as to make it easy to ignore, but this particular link presents something of a special case; it falls under the heading of ‘general AI image magic’, and as such thematically needs to sit with the rest of that stuff, and, more interestingly, IS IT BONGO IF NO ACTUAL HUMAN BEINGS HAVE ARE DEPICTED? Still, tedious questions of taxonomy about which noone actually cares aside, be aware that you are two clicks away from ACTUAL NAKED PEOPLE – or, at least, collections of machine-imagined pixels that look very much like actual naked people. P0rnpen (sorry for the bowdlerisation but, well, firewalls) is the first full Stable Diffusion-based standalone ‘imagine me a naked person’ website I think I have seen, and…well, it’s interesting in all sorts of ways (I know that this comes across very much as ‘I read Playboy for the fascinating and eclectic journalism!’, but it’s true!). The landing page lets you select from a variety of parameters to determine what sort of imaginary naked person you’ll generate, and if you click on the ‘Feed’ tab you can see a (realtime?) view of everything that the machine is spitting out – unsurprisingly-but-depressingly whoever has built this has only bothered to make it capable of generating female-presenting outputs, so effectively this is just a cascading wall of computer generated Page 3 pinups, in the main. It’s not exactly surprising that the outputs wouldn’t be more heterogenous – the web is still the web, after all, and in any case this sort of software tends to find penises…problematic to render – but it’s still a bit miserable. More amusing is quite how weird some of the outputs are, which leads to many of the images being a bit more ‘HOW MANY NIPPLES?!’ than your average scudpics. Most interesting of all, though (or at least to my mind), are the various ethical questions that this raises – given none of the people in these images are real or have ever existed, should there be any constraints on what they are depicted as doing? What is this sort of thing doing to challenge / reinforce sexual/social stereotypes, and what sort of preventions / protections need to be built in to guard against said stereotypes? It’s notable that there’s no ‘free text’ image generation here, as whoever’s running it has quite rightly surmised that it would quickly become an absolute horrorshow – but I’d be amazed if there aren’t a bunch of things like this with fewer guardrails running on private servers somewhere. WHERE DOES THIS ALL GO? Anyway, sorry for kicking this all off with bongo – IN THIS OF ALL WEEKS FFS MATT WHERE IS YOUR RESPECT AND DECORUM?? – but hopefully you agree that this is at the very least conceptually-fascinating.
  • Lexica: Remember a few weeks back when everyone was thinking ‘oh, it’ll be fine, I can just retrain as a ‘prompt engineer’ and that will be enough to keep me from the cold streets of London for a few months longer’? Yeah, probably not, sorry. Lexica is a search engine for AI image generation prompts – tell it what you want to generate and it will spit out a selection of Stable Diffusion-generated images that roughly match your search criteria, letting you see not only the pictures but the search terms used to generate them, making it trivially easy to zero in on commands that have the effect or style that you’re after. Obviously you’ll still need a degree of ‘skill’ (or, in my experience, just a lot of patience) to create something ‘good’, but as a way of shortcircuiting the ‘creative’ (fcuk, we’re going to need new vocabulary, I am already bored of putting inverted commas around stuff like this all the time) process this is potentially super-useful (and also as a way of exploring some of the things that people have been generating). Amusingly there was something of a furore in the prompt engineering community this week when this other site appeared (it’s currently a bit flaky re overuse, as far as I can tell) which suggests prompts to you based on your inputs, leading all sorts of people to start getting upset at the extent this was ‘stealing the creativity of the engineers’ to which LOLOLOLOL. Anyway, all this is to suggest that a) if you want to use this stuff properly then there are already a bunch of really helpful tools to help you do so; and b) I don’t think ‘prompt engineer’ is really going to be an actual long-term career option, sorry.
  • The Stable Diffusion Training Dataset: I appreciate that this isn’t the most enticing title, but this is a really interesting bit of work by (friend of Curios) Andy Baio and Simon Willison in which they basically pulled a bunch of the training images used to make StableDiffusion and made them searchable, so you can start to get an idea for the sorts of material that has been used to develop the AI. Andy’s written up a nicely-informative post about what you’re looking at and what it tells you, which you can read here if you’re so inclined, and whilst it is only a very, very partial selection of the training data it gives an interesting look into why and how the prevailing aesthetics of this particular model came about. You can search different parameters – including, yes, how NSFW the image is classified to be, which offers some interesting insights into the degree of…prudery? Sexual…’sensibility’? baked into the machine -but perhaps most interesting is the list of artists that have been ‘scraped’ and incorporated into the model – and personally speaking this sent me down a proper rabbithole of wondering about who will decide which material we use to train the next models, and how those decisions will be made, and why.
  • Summer Island: One of the most interesting things about the current wave of imageAI stuff is seeing how people use it – this particular example is perhaps predictable (especially given the styles the machines seem most-comfortable generating), but no less surface-level impressive for that. Summer Island is a comic, with all the artwork generated by (I think, based on the style) Midjourney, and at first glance this is honestly amazing. As with anything like this I am going to assume that there’s been a significant degree of tidying and touching up behind the scenes, but if you step back and squint this looks like professional illustration work and the composition of the panels is…not bad! Per Clueless, the thing is in fact a bit of a Monet and doesn’t really stand up to close scrutiny (as with all AI stuff, crowd scenes get bizarrely horrific if you try and focus on anyone’s actual face, and I’m sure that professional comics artists could explain to me why the composition isn’t quite right) – but as with all this stuff it’s worth remembering that it would have been literally impossible six months ago, and the direction of travel in terms of the quality of outputs is only one-way.
  • Stories by AI: The Holy Grail of this sort of AI creativity, of course (or at least a Holy Grail), is the ability to magically pipeline words to images with nary a human involved – we’re quite a way from that, but it’s nice to see people experimenting with the intersection of AI words and pictures. Stories by AI is a newsletter, each edition of which presents a short story cowritten by man and machine and then illustrated by AI (with a little help from some humans doing the typing and the imageselection) – these are momentarily-interesting, although they do all suffer from the slightly-self-consciously-wacky ‘look at what the crazy machine imagined next! SO RANDOM!’ style of prose and narrative that all these projects tend to veer towards. This currently exists mainly to prove to anyone feeling scared that there’s still a market for human-penned narratives – although this may be less true for those ploughing the ‘self-published twisty-turny domestic thriller’ genre on Amazon.
  • SALT: This is a really interesting little project, currently living on Twitter. SALT self-describes as “the world’s first fully AI-generated multiplot “film” – a web6 internet adventure where your choices create a 1970s lo-fi sci-fi universe”, which, honestly, means fcuk all to me but which I will try and parse for your (and, frankly, my) benefit. As far as I can make out, SALT is attempting to tell a slightly-creepy horrorish old-school style scifi story, with readers able to vote on the next plot developments which they will then see rendered entirely using AI tools on their Twitter feed. So for example you can vote on whether a scientist should keep a sample of the STRANGE AND MYSTERIOUS ALIEN MATERIAL or jettison it into space, and the winning choice will become a part of the narrative and form the basis for the next short AI-made film they post. There’s a lot of work going into this, with loads of different bits of tech being used to compile the videos, and whilst I’m personally not convinced that Twitter works as a vehicle for this sort of thing it’s fascinating to see how it develops. If nothing else, it turns out that the machines are REALLY good at rendering ‘stuff that looks a bit like Blake’s 7 or other stuff from that era when spaceship interiors were very beige’.
  • Yige: One of the side-effects of the fact that the Chinese (and indeed wider-Asian) app ecosystem is so impenetrable and inaccessible to people outside the region (whether for legal or linguistic reasons) is that we have at best a hugely-partial view of What Is Going On Over There in terms of development. Which, perhaps, is why I haven’t seen anyone really writing much about the Chinese equivalents of Dall-E, Midjoiurney and the rest – one of which is Yige, developed by Baidu. As far as I can tell – which, admittedly, really isn’t very far what with my complete inability to read Chinese – this is only accessible if you have a Baidu account you can link it to, but you can scroll down the page here to see example outputs generated by the software. What’s interesting about this is the degree to which there are obvious recognisable stylistic similarities between the stuff you see here and the software coming out of the West, but also how there are very clear visual differences borne out of differently-weighted datasets, etc, and the extent to which this helps one quickly understand the fact that this stuff is hugely political and the training inputs really matter and decisions about what things are trained on are not in any way trivial and visual filter bubbles are probably going to become a sociocultural thing, aren’t they? I am slightly dizzied by the futurespeculation that this stuff invites, honestly.
  • Animating Stable Diffusion: A proof-of-concept webtoy that lets you input two different Stable Diffusion prompts and create an animated transition between the two, just to demonstrate that you can. You can see examples here – whilst this is relatively-rudimentary, the ‘Tom Cruise flashing you a smile’ one is a good example of the sort of potential this stuff has.
  • AI Music Videos: A whole YouTube channel presenting videos created with AI imagemakers – a sort of line-by-line visual interpretation of the lyrics, presented as stills. So not videos at all, but a nice example of how this stuff can easily generated (a certain type of) visual and stylistic atmosphere. If you want more/better, though, this effort by Ben Gillin is STELLAR, not just because it features an all-time classi track but because of the way in which the visual style of the imagery (and light post-production effects I think) works with the music (it’s worth checking out Gillin’s channel as he’s also done a few of these and they are all excellent).
  • Making Minecraft Realistic In Realtime: Oh, ok, not quite photorealistic – unless your photos are somewhat-impressionistic as though viewed through very thick glasses, in the rain,whilst incredibly drunk – but as a very early demo this is astonishing. Watch the video and marvel at how a prototype plugin of Stable Diffusion tries to turn a Minecraft world into something real-looking as someone plays, and take a moment to think about what this stuff will be able to do in a couple of years – and then about the potential avenues this opens up, where you can (for example) create a rough map in Excel and then output it into a 3d modeled render in infinite range of aesthetic styles at a click. SO FUTURE!
  • Photoshop With AI Superpowers: This is another little demo video, this time showing how a prototypical integration between Stable Diffusion and Photoshop could work – this is, honestly, the ur-example of human/machine visual creativity, and the sort of thing that I imagine all the people promising a better, easier, more creative AI future have in mind when they try and sell you on the vision; I look at this and I momentarily imagine that it would enable even me to create something beautiful (it wouldn’t, obviously, there are some things that are beyond the ability of even the machines) – even if you’re less madly-hubristic than me, the potential here in terms of massively-reduced timescales to create large-scale coherent visual work is self-evident.
  • AI Birds: This Twitter account posts images of birds imagined by machines, in a useful precursor to a near-future in which we’ve managed to accidentally extinguish all avian life on Earth and are reduced to getting the computers to imagine bluetits as we chow down on gruel in the Elizabeth II Memorial Bunker.
  • All The Useful AI Image Links: I know, you’re thinking ‘this can’t be all the links, Matt, that’s impossible!’ and yet it certainly feels like all the links – if you’re playing around with this stuff, whether for fun or professionally, you need to bookmark this link, which presents a frankly insane selection of “awesome tools, ideas, prompt engineering tools, colabs, models, and helpers for the prompt designer playing with aiArt and image synthesis. Covers Dalle2, MidJourney, StableDiffusion, and open source tools.” Seriously, if you’re a designer or illustrator and you want to start trying to use this stuff properly, this is the motherlode.
  • Musika: Just in case you thought it was only the artists having their lunch money nicked and sand kicked in their faces by the terrifying AI future, musicians are also set to suffer – Musika is a toy hosted on Huggingface which lets you quickly spin up short clips of entirely-machine-imagined music, in either ‘classical’ or ‘experimental/techno’ style, and whilst you wouldn’t listen attentively to any of the sounds produced, you might reasonably conclude that there’s literally no point paying the subscription fee for the stock music service you’ve been using to provide tooth-grindingly upbeat soundtracks to whatever blandly-positive pitch pabulum you’ve been forced to churn out. Admittedly the ‘techno’ stuff tends a bit hard towards the ‘experimental’ end of the spectrum – a lot of this sounds weirdly like Gearwhore, which…surprised me a bit tbh – but the classical stuff could TOTALLY be used as a bed for your ‘this startup will revolutionise your B2B marketing journey!’ pitch video. So, er, that’s nice! I wonder how soon we’ll start to see musicians who used to make a living writing for stock sites starting to offer knockdown bespoke compositional services instead?
  • The Meatverse: Just in case you’d forgotten about the (nonexistent) ‘metaverse’, this site will hopefully remind you. It’s a single-note gag, but I very much appreciated all the various multiversal Zuckerbergs festooned across the page, along with the pleasingly-90s webdesign.
  • MetaTommy: I remain unconvinced that there is any current mass-market demand for ‘virtual designer clothes that I can dress my avatar in’ – and yes, I know that SOME brands are making money selling this stuff, but that is not the same thing and that is not all that they are selling – but, credit where it’s due, this site by Tommy Hilfiger made me not hate the concept, which is no small feat. As with most of these things, it integrates with Ready Player Me (who seem to be winning the ‘one avatar to rule them all’ early race, though whether this means anything long-term is very much tbc) but also VRChat and other platforms, and there’s a neat link between dressing up your avatar and being gently punted the real-world equivalent for a meatspace purchase. To be clear – I am very much convinced that this is an expensive waste of time and the sort of thing that only brands with bottomless pits of ‘fcuk around and find out’ marketing budget can really permit themselves to play with; that said, this made me less angry and upset than I expected it to, so, er, WELL DONE TOMMY!
  • Nevermet: How many ‘metaversal dating apps’ do you think there are? Based on that guess, how much of a flex do you think describing yourself as ‘the #1 VR dating app for the metaverse’ in fact is, based on that estimation? Regardless, THIS IS IT! Nevermet is a dating app whose gimmick is that rather than presenting images of your physical self you instead present as your Avatar from whichever virtual platform you prefer to spend time in – so basically ‘Tinder, but rather than meeting up for a desultory coffee before realising that you are fundamentally pheremonally-incompatible you instead dress up as a wolf-person and go and harrass strangers in VChat’ (or at least that’s how I’m  interpreting it). “Our mission is to create a new digital relationship culture, where people can express themselves freely and where meaningful relationships flourish in the metaverse. We envision “limitless relationships.”” – I have no idea what ‘limitless relationships’ means (is it nothing? I think it might be, you know!), but if you like the idea of swiping through an endless parade of surprisingly-buff anthropomorphic mammal-people (I’m sure it’s not all Furries but, well, I think there are going to be a lot of Furries) then DOWNLOAD IT NOW! PS – this is an interesting look at the whole ‘metaversal dating scene’, should you be so inclined.

By Helen Beard

NEXT UP IN THE MIXES, THE LATEST ECLECTIC INTERNATIONAL SELECTION BY VINYL-ENTHUSIAST TOM SPOONER! 

THE SECTION WHICH NEVER MET THE QUEEN DESPITE HAVING ONCE WORKED AT BUCKINGHAM PALACE AND AS SUCH IS UNABLE TO CONTRIBUTE ANY PERSONAL ANECDOTES ABOUT HOW SHE WAS VERY DOWN TO EARTH AND INCREDIBLY FUNNY, PT.2:    

  • Wreck The Brief: Do you work in advermarketingpr? Have you ever done deliberately bad work on a pitch because you didn’t want to win the business? Have you ever dragged your heels in the workplace as an act of deliberate sabotage against THE FORCES OF (WHAT YOU PERCEIVE TO BE) EVIL? If not, why not? COME ON FFS, SABOTAGE IS FUN! I obviously have never done this – when I do bad work it’s because I am simply not very good at my job! – but should you be the sort of person who believes in TAKING A STAND then you might want to get involved with Wreck The Brief, a creative project by Glimpse whose mission is as follows:  “Right now, too many of our finest young creatives, artists, storytellers and communicators are being put to work selling unsustainable, high carbon products and lifestyles that are driving us to destruction. This presents both a huge challenge, but maybe an even bigger opportunity.” The Brief Sabotage Handbook is available on application – they will post you up to 10 copies – and is designed to help you with “delaying, distracting and ultimately wrecking creative briefs from fossil fuel clients such as Shell and BP. The handbook offers playful tips to derail every step in the creative process from strategy to production, from ‘politely interrogate the truth of the planner’s consumer insight with an anecdote about your mum’ to ‘blow the production budget on poke bowls’.” Web Curios obviously isn’t suggesting that you deliberately sabotage your employers’ work for companies that might be considered morally ambiguous at best, but, to be clear, Web Curios is also not not suggesting that.
  • David Bowie’s Dressing Room: David Bowie was without a doubt one of the most interesting creative minds of 20th Century popular culture. So who better to celebrate that than, er, famously-fun purveyors of overpriced imagemeddling software Adobe?! Yes, that’s right, everyone’s favourite guardians of their own brand (NO I WILL NOT CAPITALISE THE ‘P’ IN pHOTOSHOP YOU FCUKS WHAT ARE YOU GOING TO DO ABOUT IT?) have for some reason seen fit to create this small digital experience in which YOU can experience the glorious hallowed ground of Bowie’s dressing room, replicated in your browser. The setup here is a bit creepy if I’m honest – the implication from the scene-setting is that you’re basically sneaking into Bowie’s private space while he’s not there to nose around his personal effects, sniff his smalls and read his diaries, which feels…not very cool tbh – but if you’re a fan then you might enjoy the ability to click around and find Easter Eggs about all his ICONIC STUFF. Although on reflection, if you’re a fan you’re probably already well aware of the significance of the makeup and the boots and all that jazz (this is, by the way, very much 1970 Bowie), so I’m fcuked if I can tell who this is aimed at. Still, it’s OFFICIALLY LICENSED by the Bowie estate, and it’s quite a shiny bit of webwork, so perhaps you’ll care for this more than I did.
  • Crisp Sandwich Day: Matt Round has for a while now been running Buttystock, the world’s premier (only?) stock photography resource for crisp sandwiches. Now he’s decided to GO BIG by declaring October 25th International Crisp Sandwich Day and inviting everyone in the world to get involved. I am including this link because a) it’s silly; and b) I figure enough of you work for places who might be persuaded to get involved with this in some small way. Although I appreciate that if you’re reading this on 9 September this might not be the best morning to try and get everyone excited about a frivolous brand activation involving crisp sandwiches – one to revisit after the funeral, maybe.
  • The Squeaky Wheel: What would The Onion be like if it were written about, and by, disabled people and their life experience? That’s basically the elevator pitch for Squeaky Wheel, a new website which “is the first-ever satire publication that focuses on the experience of having a disability. It challenges common misconceptions, highlights absurdity, criticizes imbalances, and does it all with humor.” This is North American (as far as I can tell from the style/spelling) and I can’t promise that the humour will be to everyone’s taste, but I properly laughed-out-loud at the headline “Boyfriend Finally Pops the Question: ‘So, What Happened to You?’” should you want an indication of the general tone on display here.
  • Sex Positive Social Media: This is an interesting movement / manifesto: “Social media is taking on an increasingly central role in shaping and constraining cultural life, popular discourse, and human sociality. Sex is an important part of this. Yet, social media policies are not very sex-positive. Through their community standards documents and content moderation practices, platforms currently make private, arbitrary and unaccountable decisions about the kinds of sex and sexualities that are visible in online space. We want that to change. Social media rules around what can and can’t be posted shape broader attitudes towards sex and nudity, which in turn directly impact on all of our safety and wellbeing. We believe that we’re healthiest and happiest when sex is not a source of shame but accepted as part of human experience…This Manifesto sets out guiding principles that platforms, governments, policy-makers and other stakeholders ought to take into account in their design, moderation and regulation practices. It does not offer a set of technical instructions, as their implementation will differ across diverse platforms and contexts and their operationalisation requires further investment and resourcing. Instead, the Manifesto builds upon the generative work currently underway with the proliferation of alternative, independent collectives and cooperatives, who are designing new spaces, ethical standards and governance mechanisms for sexual content. ” If you’re interested in how sex and sexuality manifests online and in the digital social space, this is a wealth of interesting resources and viewpoints on how best to manage the questions around content, behaviour, safety and appropriateness.
  • Depths of the Internet Archive: A Twitter account sharing DEEP CUTS and oddities from the Internet Archive – recent highlights include a link to where you can download the ACTUAL Stuxnet virus from back in the day, the note Bjork put on her personal website in 1999 about the Y2k bug, and an hour-long ‘introduction to the internet’ video from 1995 which features someone driving down an ACTUAL HIGHWAY (it’s a METAPHOR, do you SEE?). Superb.
  • The Geocities MIDI Archive: WOW. This is a searchable archive of over 150,000 songs extracted from the Geocities archives – basically a motherlode of 90s/00s tunes ripped from the past and made available to you here in the future. You can search the site, or browse by alphabetical filenames, but the labelling here is…inconsistent at best and I can’t vouch for how easy it will be to find that Natalie Imbruglia B-side you remember so well, but frankly even clicking titles at random should throw up some interesting stuff. If there’s any way someone can plug this into a 24/7 streaming service that would be great – I for one would absolutely listen to ‘The Sound of Geocities’.
  • BLAG: I featured a website about Ghost Signs the other week, and the person who used to run it (Sam Roberts, in case you’re curious) got in touch and told me about their new website, called BLAG which stands for Better Letters Magazine, apparently, and which is all about sign painting and lettering  and which if you work in art or design and particularly in this sort of field you probably ought to subscribe to right away. This is actually really interesting stuff, with articles that cover a whole host of topics from the broad general area of ‘painting words on boards’ (I am not being facetious, promise).
  • Fake Graffiti Generator: Look, I don’t know whether or not this is enough to fool someone, but I have a sneaking suspicion that you might be able to trick people into thinking the outputs from this site are real if you post them to Twitter and let its legendarily-sh1tty image-compression do its thing. You’re given an MS Paint-type interface and encouraged to draw/write whatever you fancy, which will appear as a vaguely-stylised and filtered overlay on an image of a nondescript brick wall – you can export your work, crop it to remove the ‘this is made on the web’ disclaimer and HEY PRESTO, exactly the sort of thing which, if you judge it right (wrong?) you’ll be able to parlay into some mid-level social media engagement! Bonus points for anyone using this to mock-up some sort of violently republican messaging and sharing it with shocked disgust on the TL – ALL OF THE POINTS if you can manage to trick the Mail into running it.
  • Sean Bonner’s Voxel Gallery: I know, I know, ‘art gallery in 3d virtual space’ is old hat and played out and NOONE CARES – that said, I think this is interesting and better than the usual stuff, and is an interesting nod towards some sort of idea of shared persistent virtual space with a consistent use-case (note I am not using the ‘m’ word here). To quote Bonner, “last year I bought some virtual property in CryptoVoxels (which has recently rebranded as Voxels) and I set up a gallery showing a bunch of my photography. I spent all the other day re-curating it to put a bigger spotlight on the work of others that I’ve collected in the past 2 years and I’m delighted with the way it turned out. I did a kind of “walking tour” on Twitter which you can read along with, or you can just fly solo and look at it for yourself but on Twitter I talked a lot about what and why I bought some of these pieces and what art and photography means to me and what I’m trying to do with it, so maybe a bit more insightful that way. My work is still on the ground & top floors, but the massive middle floors are dedicated to others now.” This is interesting because it’s an actual personal expression of Bonner’s collection, displayed how he wants it to be displayed, in a space of his own design – there’s a a degree of creation and curation and personal touch here that made me value the experience of navigating it far more than most of the other ‘some walls with some jpegs on them’ galleries you tend to see. It’s also worth wondering around the rest of the ‘neighbourhood’ the gallery sits in – there’s definitely a small community here, which whilst it probably won’t convince you that any of this stuff is set to be anything other than a niche concern anytime soon was enough to make me feel slightly less skeptical about the whole ‘digital persistent curated shared spaces’ thing.
  • Insect Identification: Are any of you aspirant entomologists? WHY NOT IT LOOKS FASCINATING? Should you suddenly develop a hitherto-unimagined desire to get really into thoraxes and pupae, this website could become an invaluable companion – it contains a FCUKTONNE of information about insects and how to identify them, and it’s pleasingly old-school in its UX. No AI here – instead there’s a really nice system that guides you towards identification by stating with the basic body shape of the insect you’re seeking to name and then getting more specific from there. Or you can sort by colour, or number of legs, or any number of other variables – in the main, though, this is just a great way of looking up a bunch of terrifying-looking insect life (sorry, but anything with more than 4 legs is inherently unsettling, it’s the law – nothing good scuttles).
  • Regional US Food: A glorious Twitter feed which shares images of some of the more…idiosyncratic items available to Americans as they race to be the first person in their family to get all the types of diabetes simultaneously (sorry Americans, but nothing about this stuff is normal – DEEP-FRIED BUTTER IS NOT NORMAL). If you have any qualms about giving this a follow, let me entice you with the following descriptions: “The horseshoe: an open-faced sandwich from Springfield, IL made with Texas toast, meat (usually a hamburger patty), fries, and cheese sauce”, or perhaps “Pickle Pizza,  homemade dough w/ a dill ranch sauce topped with mozzarella cheese, dill seasoning and dill pickles.” Your arteries will have hardened just reading the previous 50 words tbh, so you may as well just click in.
  • Capcut: Powerful in-browser video editing tool, which will be a godsend to those of you who have to do TikTok stuff for work but would like to be able to do grown-up, professional things as you do so, things like ‘using a mouse’ and ‘looking at a screen that’s a decent size for your increasingly-iffy eyesight’, that sort of thing.
  • Monsters Everywhere: Is AR ever really going to have its moment? It feels a little like it peaked a few years ago with Pokemon Go, and that since then nothing using the tech has ever quite captured the public animation in the same way, and I am yet to see any particularly compelling use cases for it despite the theory that AR/MR is going to be a constitutional part of THE METAVERSAL EXPERIENCE (which, just to remind you, doesn’t yet exist and is almost entirely formless at the time of writing). Still, people are still playing around with it and Monsters Everywhere is a prototypical game/toy which is built on top of Snap’s infrastructure and which lets players capture, collect and battle cute little monsters which appear all over the world via the magic of augmented reality. There’s seemingly more of a Tamagotchi element to this than with Pokemon, and I maintain that I think there’s definitely something in an updated virtual pet – not convinced that this is going to be anything other than an experimental toy tbh, but it’s worth a look if you’re curious about the tech and its uses.
  • The 2022 Mineral Cup: Votes are being cast RIGHT NOW to determine which of the planet’s minerals is definitively the best (as determined by users of Twitter). You may think this is a joke, but then you scroll down the feed and the replies and you realise that there is a large international community of invested Geologists who are very firm in their belief that OPAL IS NOT A MINERAL and therefore should not be involved in this at all. This is WONDERFUL – one of those all-too-rare moments when you stumble across something that is very much part of Someone Else’s Internet and find it to be charming.
  • Elden Ring Lore: Between about February and April I basically spent every night from about 9pm-midnight getting very stoned and watching people on Twitch playing Elden Ring (look, it was A Bad Time and I had Stuff Going On, ok?), and I became slightly obsessed with it despite knowing full well I would never, ever play it. Which explains why I really ADORE this YouTube channel which posts short videos delving into the game’s lore and storytelling, extrapolating all sorts of things from the character and enemy and level design that may or may not be subtextually happening in the gameworld. You need to know the game to enjoy this, but I promise you that if you spent any time in the Lands Beyond you will really enjoy this a lot.
  • The Half-Bakery: “The Halfbakery is a communal database of original, fictitious inventions, edited by its users. It was created by people who like to speculate, both as a form of satire and as a form of creative expression.” Which doesn’t quite tell you the half of it – this is a great treasure trove of silly – but occasionally genuinely brilliant – ideas and surprisingly-serious discussion around their potential viability or otherwise; this is VERY active, seeing new submissions every day, including one from just yesterday which imagines a genuinely-brilliant new type of ‘end of the pier’ claw-grabber type skill game in which you’re tasked with picking someone’s pocket, with the contents of said pocket being yours to keep if you manage it without detection. Honestly, there is so much WONDERFUL inspiration here, you could lose hours.
  • 90s Cursor Effects: Literally just that – a selection of examples of effects applied to cursors, popularised by sites like Geocities back in the day. There is literally NO good reason why your staid, boring corporate website shouldn’t implement one or two of these to liven it up a bit – a trail of ashen material following the cursor on your crematorium website, maybe, or smoke trailing around as you browse the vaping provide of your choice. Come on ffs, live a little!
  • Why Ryan Hates Mondays: I confess to not knowing what is going on here AT ALL, but I was charmed by this site – it takes about 5 mins to explore entirely, during which you’ll navigate the cute isometric landscape as a small bearlike creature (is this Ryan?) who gently interacts with various bits of scenery as he goes about his day. I have literally no clue about the Mondays thing, but this pleased me far more than it had any right to.
  • Mingle: Finally this week, a lovely little game in which your task is simply to match the pairs. The art style here is so, so pleasing, and the animations give each shape/character (look, it will make more sense when you click, I promise) a real sense of personality – this is a lovely distraction from wondering about whether or not this marks a definitive end to Britain’s top-tier prominence on the world stage, and whither the nation, and all those questions which I imagine are now FAR more pressing to you than ‘will I be able to eat and stay warm for the next few years?’.

By Yuri Yuan Ye

LAST UP, RELAX INTO THE HOME STRAIGHT WITH THIS LOVELY AMBIENT-Y SELECTION BY DREAM CHIMNEY! 

THE CIRCUS OF TUMBLRS!

  •  Peculiar Manicule: Possibly not technically a Tumblr,but very much one in spirit, this site collects 60s and 70s design in one pleasingly-curated online space. “Enter the Day-Glo world of The Peculiar Manicule and explore an awe-inspiring archive of 1960s and 70s graphic design. Witness mind-blowing displays of ink on paper by designers and illustrators, both known and unknown, in four main galleries, Books & Magazines, Ephemera, Typography and Paper Playthings.” A manicule, by the way, is “A symbol in the shape of a pointing hand, used in printing and graphics to draw attention to or indicate something” (no, I didn’t know either).
  • Antique Animals: Illustrations of animals from old textbooks and novels and the like, with a certain pleasing aesthetic to them.

THE TROUGH OF (INSTA) FEEDS!

  • Brick To The Past: You may all be longstanding LEGO Insta enthusiasts, but this was totally new to me and pleased me no end. Brisk to the Past is an account dedicated to sharing detailed, large-scale historical recreations featuring LEGO – I would imagine they are currently desperately searching for a bunch of flat greys so as to accurately render the Queen’s coronation as a touching tribute, but til they get round to that you may enjoy perusing their past works including such BLOCKBUSTER moments from the past as ‘The Burning of the White House in 1814 (in LEGO)’ and ‘The March of the Etruscan Army on Rome (in LEGO)’. They do commissions too, and I can think of no greater gift to bestow on someone than, say, “Crowds of Mourners outside Buckingham Palace (in LEGO)”.

LONG THINGS WHICH ARE LONG!

  • Ransom Capitalism: The week’s other big news (in the UK at least) has been the announcement of what our glorious new Prime Minister is proposing to try and stop people literally freezing to death over the coming months – to whit, capped energy prices and a long-term promise of more expensive energy for years to come! To be clear, it was vital that something be done to mitigate the coming crisis at least to a small extent, but, equally, it’s not hard to see one or two problems with this approach in the short, medium and indeed long term. This article in the LRB unpicks one of the main problems with it as a solution, namely that it effectively cements the narrative that there is simply no option other than to pay the amount that the energy producers are demanding – which, self-evidently, really isn’t true at all. There’s something rather miserable about the extent to which ‘are there some degrees of profit in certain sectors and particular circumstances which we should determine are simply Not Ok?’ (to be clear, really not a radical line of thinking) is no longer a question we seem prepared to even have a theoretical discussion about.
  • Beyond Hyperanthropomorphism: This is long and quite chewy (but, I promise, not super-hard if you can get beyond some of the stylistic and linguistic conventions of the philosophical essay employed here) and so, so interesting – Venkatesh Rao writes about his thinking on the extent to which we should be worried about the development of a terrifying Artificial General Intelligence from the current suite of models and the extent to which breathless articles discussing concepts such as ‘sentience’ and ‘consciousness’ should be taken seriously. Rao’s argument is that they should not, and his reasoning takes you on a fascinating journey from Nagel (BATS!) and through a bunch of semi-related philosophical concepts to posit that, fundamentally, it is extremely improbable that anything derived from current data training models could ever attain anything we might meaningfully refer to as ‘sentience’, because “to the extent the internet is not about the actual world in any coherent way, but just a random junk-heap of recorded sensations from it, and textual strings produced about it by entities (us) that it hasn’t yet modeled, a modern AI model cannot have a worldlike experience by overfitting The junk-heap. At best, it can have a surreal, dream-like experience. One that at best, encodes an experience of time (embodied by the order of training data presented to it), but no space, distance, relative arrangement, body envelope, materiality, physics, or anything else.” Honestly, this is worth the effort – and if you’ve any familiarity with reading philosophy you’ll get into it after 800 words or so, promise.
  • Towards a Theory of The Creator: What does the term ‘creator’ mean in 2022? No fcuker knows, hence this post by Alexander Iadarola in which they think through some of the characteristics that define people who label themselves as such. A bit snarky, fine, but also feels accurate, and made me wince in recognition at multiple points (and to be clear I would never describe myself as such, nor would I want to be so described). Overall this is a really good overview of The Content Econonmy Now, or at least the experience of being involved in it to any degree: “Creators are concerned with signal-to-noise ratios more than anything else. Informational integrity in this context has little to do with what a piece of information says; it has everything to do with what it’s like or how it feels to consume it. These two qualities – what something says and how it feels to receive it – become indistinguishable. The parameters of this realm of saying/feeling are obtuse, because they have to do with desire, which is hard to know; it is normal for users to indulge in content that feels “bad” to consume (examples include hatereads, hatefollows, etc.)”
  • A Guide To The Metaverse: With all the standard caveats about the fact that IT DOESN’T EXIST, if you’re in the invidious position of having people ask you for explanations and overviews of WHAT THIS ALL MEANS (it means, dear clients, that you’re going to be sold a LOT of pointless-but-expensive digital activations in the next few years, some of which will win awards despite never having been experienced by anyone who doesn’t work in advermarketingpr. WHAT AN INDUSTRY!) then you could do worse than bookmarking this guide published by Infosys and written by tech journalist Kate Bevan, who is very good at this sort of stuff and pleasingly clear-headed about it all. Frankly you can probably c&p this into a series of client briefing documents and charge them £££ for the privilege – but, er, obviously don’t because that would be STEALING.
  • Me and GPT-3: Or ‘what does the machine know about me and how does it use that information?’ – this is a thought-provoking look at whether and to what extent personal data has been hoovered up by the OpenAI scrapers (it has) and what the machines do with it when prompted. This isn’t a scaremongery piece – there’s nothing ‘bad’ in here, and no suggestion that people will be able to find out your address or bank details by asking GPT-3 for them – but it’s a really good article in terms of reminding you that everything that these programmes ‘think’ is ripped from somewhere else, and beyond questions of bias and prejudice there are also interesting questions about the sort of factual and subjective material around individuals that is getting invisibly assimilated into the forevercorpus in ways we (all together now!) don’t really understand the implications of.
  • Social Mobility: This is very odd, but also surprisingly good and rather impressible (if, to reiterate, largely-inexplicable). Would you expect to read a 6-7000 word (at least) white paper on the current state of social mobility worldwide, the impact of technology on social stratification and the ossification of said strata, and potential routes that could be taken to ameliorate these situations on the website of a major international bank? No, of course you wouldn’t, and yet here we are. A product of Atelier BNP Paribas, the bank’s ‘technology and innovation unit’, this is a frankly dizzying piece of editorial, combining surprisingly-excellent and shiny design (SCROLLYTELLING!) with some not-exactly-hypercapitalist analysis of What Is Going On With Everything. WHY DOES THIS EXIST? WHO IS THIS FOR? Is this BNP trying to attract younger staff members by showing its surprisingly-economically-progressive side? Why is it so shiny? How much did it cost and how long did it take and how many people have actually read the thing? No idea as to the answer to ANY of these questions, so if any of you happen to work there and have insider gen then please do let me know.  Anyway, this is not only conceptually-baffling but actually really quite a good read – wonders will never cease!
  • The Lootverse: Do you remember a year or so ago in the heady days of the NFT boom, when something called ‘Loot’ launched to widespread bafflement? If not, let me remind you – Loot was a project that literally sold randomised lists of equipment, the sort of stuff you’d get in D&D or a fantasy-themed videogame, so users would pay however many Eth for a link to what was effectively a textfile containing copy like “Sword of Thorgandia +1” and “Potion of Prolapse”. At the time, many commentators expressed a degree of bafflement that anyone would fork out cash for something so ostensibly-pointless, while the developers waxed lyrical about the development of the wider Loot creative community, which would build a whole web3 ecosystem around the basic idea…which, amazingly, seems to actually have happened. Nothing hugely tangible to see yet, but this might be the first post-NFT project where all the guff about ‘community’ and ‘building a world around the IP’ actually seems to have a degree of proper, bottom-up support. So there are people developing videogames with Loot integration, avatar generators based on Loot owners’ equipment stacks, etc etc. Which, to be clear, is all still very niche and quite frivolous and very much a work-in-progress which may never develop much further, but it’s interesting that this has at least slightly started to embody a few of those far-fetched NFT/web3 dreams that everyone was feverishly having twelve long months ago.
  • Critterz: Another cautionary tale from the world of play-to-earn – Critterz was a P2E system built on top of Minecraft, a really interesting idea which iirc I featured here about 6 months or so ago, and which per every single example of this sort of idea I’ve seen to date briefly promised to CHANGE PEOPLE’S LIVES by letting them earn cashmoney for building in Minecraft before the mod got banned by Mojang (the game’s developer) and the bottom fell out of the whole thing.That’s not the story here, though, so much as Critterz apparent status as another in which the labour of people in the developing world could be exploited by richer people for financial gain – I challenge you not to do a small inward gasp of horror at the bit where one interviewee talks in self-awareness-free terms about how great it would be to have poor people being paid minimum wage to ‘play’ as NPCs in online games, adding an extra layer of human verosimilitude for rich subscriber players to enjoy in exchange for a handful of low-denomination Coins. I wonder when we’re going to see our first big people trafficking / virtual enslavement story?
  • The Great Fake Instaverification Scam: This is fascinating – the story of how people are conning Instagram into giving them the coveted blue tick of verification by paying agencies a fee to establish a fake profile on Spotify as a musician, which apparently is all you need to convince Insta you’re a notable person these days. The margin’s here are eye-opening – approximately $1500 outlay for a service charged out at $25k is GOOD MONEY by anyone’s standards (also, $25k for an Insta blue tick seems like…a lot, although I appreciate it’s seen as The Gateway To Influencer Gold).
  • TikToketamine: Ok, so the actual title is “They’re Pushing Cut-Rate Ketamine Therapy on TikTok” but I will fight anyone who contends that my revision isn’t loads better. This is a slightly scaremongery look at people peddling ketamine therapy on TikTok as a wellness/mental health treatment – the basic gist here is that ‘this isn’t regulated enough!’, which is a fair point, but there doesn’t seem to be anything bad happening here per se. The overall point, though – that TikTok is increasingly the wild west of EVERYTHING, and there is going to need to be some sort of pretty serious action soon to work to regulate its usage for this sort of stuff because, honestly, this is going to make YouTube look like the Encyclopaedia Britannica before too long – makes sense.
  • The Professional Try-Hard is Dead: You’re bored of articles mentioning ‘quiet quitting’; I’m VERY bored of them. Still, this one is worth a read because a) it’s Vanity Fair and the writing (by Delia Cai) is better than most of the other stuff published on this topic; b) it’s pretty funny; and c) it sort-of touches on what I personally think is the heart of the matter, an evolution of the general Graber ‘bullsh1t jobs’ thesis whereby one of the reasons noone really seems to give a sh1t at the moment is that the juxtaposition of ‘this fcuking world we live in’ AND the very specifically-ridiculous nature of the majority of tertiary-sector white collar employment has rendered the truth of our working lives even more starkly-preposterous than normal. It has never been clearer that the work we do doesn’t matter in any meaningful sense beyond its ability to deliver us the means of paying our bills, and as such why ought we do anything beyond the very bare minimum to achieve that end? WE SHOULD NOT. Seriously, I think this is A Thing, though perhaps (lol) I’m articulating it imperfectly here.
  • Date Me Docs: On the continuing generational dissatisfaction with The Apps, and the apparently growing trend of people writing ‘dating docs’ about themselves to attempt to engender better/more meaningful/deeper connections with people by, er, giving them an exhaustive list of all your wants and desires and obsessions and tastes and likes and hates in advance, so you can eliminate all that tedious and potentially dead-endish ‘getting to know you’ palaver. I don’t quite know what to think of this, or what the ‘why’ is here, but I have some half-thought ideas about generations that have grown up being told that all personal problems can be solved through optimisation and ‘hacks’, and the tyranny of ‘more information = better decisions, always’ (as well as my everpresent theory that the Harry Potter series ruined an entire generation of people by presenting the idea of the Sorting Hat and, by extension, the concept that everyone has a bucket that is right for them, and can be put into exactly the right bucket as long as you know enough about them).
  • A Brief History of Portugal: I knew nothing about the history of Portugal as an empire before reading this, and now I know ever-so-slightly-more-than-basically-nothing – this is really interesting, not only on the past 500 years in Europe but also some of the practical challenges of attempting to maintain an empire when your country is, objectively, quite small.
  • Longevity, Inc: There are many wonderful details in this piece, about the Canadian man who’s spearheading a North American longevity revolution amongst the very rich, but I think my favourite is the throwaway line about the fact that he used to be a celebrity bespoke tailor (closely followed by his admission that, fine, a lot of the treatments don’t actually work in any meaningful sense but they do look really good on Insta). As ever with articles like this, the piece is a reasonably-balanced mix of ‘lol look at the rich idiots’ and ‘hm, I am not sure that these are necessarily the people I want to live longer than anyone else’.
  • ZOO8: Many years ago I worked for an agency that did arts and cultural PR, which basically meant ‘anything that the founder and staff thought was sort-of cool’ (it may not surprise you to know that nobody got rich from this endeavour, and we all took quite a long time to recover). One of the clients from that time – which I didn’t personally work on but very much enjoyed hearing about – was ZOO8, a music festival in 2008 held in a zoo (DO YOU SEE???). Now whilst that sounds like a terrible idea, not least for the animals, it turns out…actually, no, it really wasn’t. This essay tells the story of the festival and how it all went very wrong – based on my knowledge this is a largely-accurate account, although it omits a) the naked man with a machete who spent a large part of the Saturday wandering around the site threatening people, unmolested by security; and b) my mate Paul, who was accosted by a stranger on attempting to leave the site, which stranger attempted to rob him of his jacket and then shot him with an air rifle when he demurred. PR IS GLAMOROUS!
  • In Search of the Golden Brain: This is a great little read about a Masquerade-style treasure hunt included in a Spitting Image tie-in annual published in 1985; spoofing the then-inescapable craze for MASSIVE PRIZE TREASURE HUNTS that the original game had spawned, the annual contained what looked very much like a spoof version in which players had to solve clues to discover the location of Ronald Reagan’s missing brain (topical lol) – except it turns out it wasn’t in fact a joke, and there really was a golden brain out there waiting to be found. This is lovely, and also proof that Spitting Image (in its original incarnation at least) was properly smart.
  • Not Cooking In Rome: Another essay by Rebecca May Johnson on food, this time on eating street food in Rome. This is perhaps a bit self-indulgent, but the writing is SO GOOD and so evocative that I can almost taste the pizza rossa from the place across the road from where I used to live.
  • A Drinker’s Peace: I haven’t seen Withnail & I for years, and I confess to having consigned it to that oubliette of things I consumed too much of as a teenager to ever really enjoy again (see also: The Velvet Underground and Nico; On The Road; Pump Up The Volume; Green Ginger Wine) – this essay, though, made me want to watch it all over again. It’s a lovely piece of writing by Travis Woods about the film, the 60s, the passing of time and the loss of innocence and hope, and it managed to make me (almost) forget about all those dullards who would insist on quoting it whenever they had more than four pints.
  • Men of the Night Shift: Finally in this week’s longreads, a beautiful piece of writing about a short stint spent working a night shift, and the strangeness of the places and the people you see when so doing. I don’t know if you’ve ever worked nights for any period of time, but after a few weeks you really do find your whole perspective on things…tilting ever so slightly, and this piece does a wonderful job of communicating that slightly-off-kilter, overcaffeinated inner-skull buzz that you often get just before 4am on a quiet industrial estate.

By Huleeb

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 26/08/22

Reading Time: 33 minutes

How are you all feeling about the upcoming Bank Holiday weekend? Anyone going swimming in England’s placid coastal waters lol?

Insert your own gags here about ‘another sh1tty fortnight in what increasingly feels like some sort of Tory party remake of ‘Noel’s House Party’ in which everyone is Mr Blobby, all the time, and the Gotchas are always on us’ – yes, that’s right, I’m kicking off this week with an ULTRA-CONTEMPORARY cultural reference to the early-90s, because like all increasingly-middle-aged people I’m convinced that the time when I was a teenager was the last instance of anything good and pure in recorded history.

Anyway, I hope you are well and whatever you are doing with your three days of illusory freedom (lol stockpiling tinned goods and coating your walls in insulation foam lol) proves THRILLING – I’m having to schlep back to Rome briefly to pack up the last remnants of my sad little Italian life, and so you’ll once again have to eke this week’s Curios out for a full fortnight til I return. Sorry about that but, well, it’s not like any of you are going to clean my apartment for me and chase down my mum’s ashes (seriously, where are they?), so I’ll have to do it myself.

I’ll see you in September with a special BACK TO SCHOOL edition of Curios – until then, though, take care and try not to die (unless you absolutely must).

I am still Matt, this is still Web Curios, and we should all agree that noone should dance with the policemen at Carnival this year however much they mug for the cameras.

By Jude Sutton

TO KICK THINGS OFF THIS WEEK, WHY NOT LIVELY UP YOURSELF WITH A NICELY-ENERGISING DNB MIX BY RUMBLETON? 

THE SECTION WHICH WOULD LIKE TO REMIND EVERYONE THAT WE WERE DOING CREEPY AI-IMAGINED NUDITY ROUND THESE PARTS LONG BEFORE IT BECAME FASHIONABLE PT.1:  

  • Stable Diffusion: Another week, another publicly-accessible AI image generation toy here to gently undermine our accepted notions of creativity and collaboration and ownership and such pesky little questions such as ‘copyright’ and ‘ethics’ – what a time to be alive! Stable Diffusion (or, if you want the ‘official’ name of the web interface, DreamStudio) does much the same thing as DALL-E and Midjourney  – except unlike Midjourney it doesn’t force you to fcuk around in Discord to generate your outputs, instead providing you with a pretty-good browser-based interface for making your horrible, chimerical ‘artworks’. Stable Diffusion works using a different baseline tech and training set to the others (look, I’m not even going to pretend to be able to explain this is a way that makes sense – if you care about the technical background then, please, go away and read about it and then come back and explain it to me in words suitable for stupid people) and as such its outputs are aesthetically a bit different – personally-speaking I don’t wholly love the style of the outputs, but it’s very very impressive. The big thing about this model, of course, is that it’s ENTIRELY open – whilst the web version linked to here is hamstrung to stop people from generating torture porn, if you download a copy and install a local instance on your own machine, you can do whatever you like with it (this is techy, but there’s lots of information to help you get started should you be interested in experimenting). Which is SUPER-INTERESTING for a variety of reasons, not least when you start to explore all the different artists whose work has been incorporated into the model and whose styles are available as distinct prompts that you can call up from the machine ‘mind) – here’s a list, so you can see exactly whose life’s work you can easily replicate with a few blithe keystrokes – WASN’T ALL THAT TRAINING AND CRAFT WORTHWHILE?! And, of course, the fact that you can download a version that lets you create any sort of images you like has meant that a LOT of creepy bongo has started appearing online – most of it of the ‘imagine the cover to a generic fantasy novel, with naked breasts!’ genre, but it’s early days and so we can expect the really creepy stuff to start popping up in the coming weeks. Reddit has banned at least four ‘erotic’ StableDiffusion subs in the past week, but this is very much a Cnut-ish moment I think – YOU CANNOT STOP THE INEVITABLE TIDE OF CG BONGO, HUMANITY! Whether or not you think this is a good thing is frankly immaterial, so just accept it and move on.
  • Enstil: To give you an idea of what the openness of SD is going to mean, take a look an Enstil – another online image-generation tool, built on StableDiffusion, which lets you both create your own and search other images that have been made with the site, and which displays all the prompts used to generate said images, making it a super-useful tool for spelunking through whatever interesting prompts people are using this week to make their sexy pointy-eared elf-ladies.
  • Google’s AI Test Kitchen: This is a private Beta at the moment, so all you can do with this is sign up and hope to get approved, but if you’re interested in playing around with HOT NEW CONSUMER-FACING AI EXPERIMENTS (and who isn’t? NO FCUKER, etc) then you might want to give Google your details here (lol like it doesn’t already know everything). The AI Test Kitchen is where Google will release small AI-led experiences for small-group testing – the initial projects they mention include one designed to co-imagine (I know, I know, but we’re all still trying to work out how to talk about all this stuff so I hope you’ll forgive me the occasional linguistic infelicity here and there) place descriptions, one to use natural language processing to seek to break down large tasks into constituent smaller jobs, and, er, a chatbot whose singular focus on dogs see it constantly attempt to return the chat to canines, whatever you attempt to talk to it about (no, really, that is an actual thing). If you’re even halfway concerned with keeping vague track of the applications of modern consumer-facing AI, this feels like something you should probably try and get in on (if you don’t think too hard about what we’re all training the machines for you can probably treat it as harmless fun!).
  • Tony The Streamer: What with all the breathless talk of BRANDS IN THE METAVERSE and how violently important it is that every single FMCG and luxe retailer develop a presence in 3d virtual space RIGHT NOW (apropos nothing, I can’t help thinking about 7-UP and Cheetos’ inexplicable foray into videogames in the 1990s when I see/hear about BRANDED METAVERSAL ENTERTAINMENT EXPERIENCES), it’s easy to forget that there are marketing heroes ploughing other pointless furrows in an attempt to deliver that sweet sweet hit of brand engagement with the coveted GenZ/GenAlpha demographic. Let’s all take a moment to raise a glass, then, to whoever managed to convince the moneymen at Kellogg’s that it was a totally worthwhile idea to attempt to reinvent Tony the Tiger (the doubtless-diabetic Frosties mascot) as a VTubing Twitch streamer, complete with mocapped CG render and a (slightly troublingly sexy, if I’m honest) gravelly voice reminiscent of a very particular stripe of US radio DJ. Tony’s only done one stream so far – at the time of writing it’s got a not-exactly-groundbreaking 1.6k total views after 3 days – in which he hangs out with a bunch of other streamers who gamely mug through some pretty desultory chat about how much they love eating Frosties before playing some Fall Guys and other multiplayer games before then getting back to some low-key ‘cereal banter’ (that phrase hurt me more to type than it hurt you to read, I promise, but that is literally what it is). WHO IS THIS FOR? Anyone who likes these streamers can watch them do EXACTLY THIS every week already, and doesn’t need to put up with some 40+ year old voice actor desperately trying to pivot the conversation back around to how great cereal and cold milk is whilst embodying the ‘friendly-yet-cool’ vibe of a fictitious tigrine Frosties obsessive. If Tony is still streaming on Twitch in six months’ time I will be fcuking amazed.
  • Endoland: I have on occasion worked in and around consumer healthcare, and know full-well the pain of a brief that says ‘here, take this incredibly-serious and not-at-all frivolous medical condition and create a consumer-facing campaign that makes it approachable and doesn’t dwell on all the horror’. That said, I wonder exactly the thought process behind this website, which is some French agency’s response to ‘how do we make information about endometriosis accessible and friendly and…er…fun?’ – the answer, apparently, is to imagine the condition as a theme park (NO WAIT BEAR WITH ME!) with different areas pertaining to different elements of the condition, and render it all in in-browser 3d CG! Why not head over to the punching machines and, er, hold down your mouse button to determine exactly how much pain your uterine condition is causing you? What’s that? Oh. Sorry. In the project’s defence, there’s something in the about section around how ‘Endoland’ is a term popularised in the French community of endometriosis sufferers by a popular influencer on Insta – that said, I am not 100% sure that the pastels and the ‘fun’ depiction of the multivalent world of rollercoasters and big wheels is necessarily a…helpful presentation of what I am told can be a horribly painful and debilitating condition. Still, all about the endocoaster! BTW, if I am totally wrong about this and anyone would like to tell me why this is in fact a great piece of comms I am genuinely all ears, so please do let me know. EDITOR’S NOTE: So someone DID get in touch, and now I feel bad because it’s a student project – thanks to Louis-Jean for the following explanation: “It’s actually a student project (so, not commissioned by a client or done by an agency). The overall theme park framing was naturally a topic discussed with the students by the teachers (I’m one of ’em) and the jury. In the end, the students obviously decided to roll with it, mostly because of positive response during early testing with their target audience.Yes, and the whole “bumper cars as a metaphor for sexual encounters” got a loud reaction during the final presentation.” WELL DONE, STUDENTS (and I should check more closely before slagging stuff off).
  • Be Gay Do Crime: Not all crime, obvs – I sort of presume that this exhortation has an inbuilt caveat along the lines of ‘(…but none of the really bad ones, please)’ – but instead one very specific crime, to whit ‘nicking shopping trolleys from shops that have those near-magical systems that lock the wheels as soon as you attempt to twoc one from the carpark at Big Tesco’. This site lets you play the specific audio frequence that is usually used as a lock/unlock signal for said trolleys, theoretically letting you liberate them from their retail prison and allowing you to amass some sort of personal trolley empire in the alley behind your house. No idea why you might want to do that – although as we seemingly inch ever-closer to some sort of Mad Max-style blasted future perhaps being King of the Trolleys might have some sort of long-term status benefits that I’m just not quit imaginative enough to grasp – but it’s nice that you can.
  • Shuffles: I remember about…what, 5-6 years ago? Whenever it was that Stories became very much a Thing in social media land – there was a vogue for cut-out and layered aesthetics and apps which let you make interesting visual content to then export into your Stories like you were some sort of magical design guru channelling Geocities. Then the world moved on and they faded into the background again, but I remained convinced that there’s something interesting in the idea of ‘collage’ as an aesthetic movement for the digital age and so I am going to take Shuffle, a new app developed by Pinterest (iOS-only at present) as proof that I was RIGHT (or, alternatively, that we’re now at such a dizzying pace of cultural reinvention and exhumation that we’re now doing nostalgia for stuff that happened basically yesterday). Shuffle self-describes as “a new app designed for collective collaging. Want to curate a festival outfit? Visualize your dream bedroom? Moodboard your current aesthetic vibe? Or just express yourself by creating something beautiful, strange, or funny? You’ll love Shuffles.”, and if you’re familiar with any of the retro-ish aesthetics of the past decade or so online you’ll immediately recognise the vibe here – there’s a lot of rather cool things you can do with it in terms of cut-outs and animations, and if you, like me, are convinced that ‘stuff that’s reminiscent of zines from the 80s, but reimagined as shiny colourful digital messes’ is still a viable look for stuff then you could find this a useful toy (at least until this gets ripped by Insta like everything fcuking else and immediately becomes uncool and played-out).
  • The Werner-Forman Archive: “Werner Forman’s life work was devoted to documenting in photographs the history, art, religion and customs of the great civilizations and tribal societies of the past. The archive has extensive collections of images of archaeological sites, architecture, evocative landscapes and art from the great museum and private collections of the world. Many of these images are unique, some are from cultures which have now vanished or areas which are inaccessible nowadays.” I confess to having been utterly ignorant of Mr Forman’s life’s work, but if you’re the sort of person whose favourite museum is the Pitt Rivers in Oxford (which, by the way, if you’ve never visited I recommend unreservedly) then you will love this – the ‘Masks’ section alone is GREAT.
  • OFK: This is a really interesting idea, which will particularly appeal to those of you old and jaded enough to remember the concept of ‘transmedia’ with a shudder of horror. OKC is a real band that makes real music – the link is to their website – who are also the stars of a new videogame which lets you play through the experience of being in an up-and-coming band; the game features the actual musicians (or I presume slightly-stylised representations of them) and their actual songs, and is basically an extended form of promo for both the music but also the ‘band brand’ (UGH GOD THAT WAS HORRIBLE SORRY) and the individual band members’ personal brands (SORRY AGAIN). I think this is so so interesting – to be clear, I have little-to-no interest in playing a visual novel about a band as a means of developing a deeper engagement with their material (and, the band hopes, their merchandising and live tours and branded soft drink endorsements and and and), but I find this a truly fascinating piece of marketing and, if I’m being generous, a really creative way of bringing the music to a wider audience.
  • The Philippines Cassette Archive: “The Philippine Cassette Archive is a digital collection of cassette tapes, a glimpse into Pinoy tape culture. Launched in August 2022 under the philippine.design project, the collection currently focuses on graphic design, packaging, and visuals. Materials on launch are largely taken from Discogs. We later hope to expand on collecting cassettes from small labels, locally-produced bootlegs, and in collecting newer (post-2010s) artefacts by contemporary Filipino musicians & artist collectives.” This is early-days and so a bit sparse at present, but there’s something lovely about the preservation of something so specific – also, I now really want to find a recording of ‘Cutterpillow’ by Eraserheads as the cover speaks to me.
  • See The World Tours: I think the website’s security cert has expired and so you might get a warning when you click the url – I am pretty certain it’s not some sort of sophisticated malware scam (I mean, if it is a malware scam it’s certainly not a sophisticated one), but Web Curios would like to state clearly that it accepts no responsibility for any weird things that may happen to your device as a result of clicking this url. See The World Tours, should you be brave enough to ignore your browser’s fears, is a truly spectacular piece of oldschool webwork for a seemingly-still-active company selling international cruise holidays. Which, fine, you may not think you’re in the market for, but then you log on and ‘September’ by Earth, Wind and Fire starts autoplaying (no, really, it does) and you’re hit with the fonts and the Dreamweaver-era HTML stylings and you realise that it is BEAUTIFUL. On reflection I think this may be the best ever example of ‘design for your audience’ I have ever seen – if you’re flogging cruises to octagenerian Floridians then why not make your website look like their nostalgic fever dream of The Good Old Days when AOL CDs came in the post? I am agog at this and would LOVE to see their traffic stats.
  • The Weird Spotify Discovery: This is…odd. For the full explanation as to what’s going on with the Spotify playlist linked here, you should first read Robin Sloan’s blogpost which gives you the background – the short version is that Sloan ended up in a Spotify recommendations rabbithole which offered him up a seemingly-infinite number of variations on the same track, all ostensibly ‘composed’ by different artists and with different titles, but all of which are also minor remixes of exactly the same 40-second composition. HOW IS THIS HAPPENING? WHY IS THIS HAPPENING? I really think that someone (no, I don’t want to do it myself) should start keeping a rolling tally of ‘stories which neatly frame the whole question of the extent to which our society is increasingly-shaped by mathematics which we simply do not understand and which we are often not aware are shaping our existences at all even though they very much are’. Can you? Thanks!
  • The LinkedIn Viral Post Generator: You must have seen this by now, right? This uses (probably, I can’t be bothered to check) GPT-3 to churn out parody chunks of inspirowank in the style of the classic LinkedIn post, based on a few inputs that you give it. It’s…ok, but I am increasingly terrified by LinkedIn and the thought that the past few years of me repeatedly using it solely to post links to Curios and call everyone ‘BUSINESSMONGS’ in block capitals is going to come back and bite me in the Bad Recessionary Times and so can’t really give this much more than a tepid endorsement.
  • The Infinite Gallery: The idea of ‘hey, look, a virtual gallery!’ isn’t new or interesting, but I rather liked this hobbyproject by…some person off Reddit which effectively creates an infinite 3d navigable space through which you can move in-browser and which pulls ALL THE IMAGES from Reddit and presents them as artworks for you to browse, like a sort of strange, entirely-uncurated exhibition of the web’s collective ID (which, based on a few cursory minutes’ exploration, is mainly fantasy art of large-breasted women and unsettling horror imaginings) – it’s slow and features lots of blank space inbetween the images, and it doesn’t really work, which to my mind makes it basically perfect.
  • Geneva: This has been quite buzzy in the past few weeks – no idea if it’s any good or not, but if you need an organisation tool that isn’t Discord or Facebook Groups then this might be of use. Geneva is basically a community and group tool, which lets you create (and join) different groups themed by interest, within which can exist an infinite number of different ‘rooms’ which let you do various different things (stream audio, video chat, forum discussion, etc) depending on the type, allowing (in theory at least) for a helpfully-flexible means of letting groups of different sizes organise and collaborate on one platform. As far as I can tell there isn’t anything on here that you couldn’t do elsewhere, but the interface looks nice and it’s (crucially) not a Meta product, or Discord. There is, sadly, some cryptointegration stuff in here too, but it’s optional and so I will forgive them.
  • Inworld: This is a really interesting idea – no clue as to the extent to which it ‘exists’ in any meaningful sense, but it’s fascinating to think/read about. “Inworld AI provides a developer platform for creating AI-powered virtual characters to populate immersive realities including the metaverse, VR/AR, games, and virtual worlds…Inworld Studio allows creators to build any intelligent virtual character by simply explaining the character in natural language. When crafting their character’s brain, creators are able to use the Studio to tailor many elements of cognition and behavior, such as goals and motivations, manners of speech, memories and knowledge, and voice.” You’ll have to explore the site to learn more of the technical stuff – sorry, but I can’t pretend to ‘get’ this in any way beyond the intensely-superficial – but this is where the intersection of natural language processing and generative art and text-to-image and all this stuff starts to get REALLY interesting. Plugging together all of these systems will eventually make ‘creating a character to inhabit an existing virtual space’ as simple as typing a name, and a few personality/appearance descriptors and then letting them loose – which is dizzying in terms of potential applications and scifi-ish funtimes (and horror, to be clear, but let’s not think about that side of it just yet).
  • Design The Next iPhone: A new webprojecttoy by Neal Agarwal, in which you can design up the new iPhone as a 3d model which you can then export and show off in a little 3d video which you can then download to share wherever you like. You may or may not be more tempted by this link when I tell you that one of the design elements you can add is a small propellor.

By Shannon Cartier Lucy

NEXT UP, A HOUSE MIX BY MARK FARINA WHICH IS SO GOOD THAT I PRACTICALLY FORGOT ABOUT THE FACT THAT I TEND NOT TO LIKE HOUSE THAT MUCH AS A GENERAL RULE!

THE SECTION WHICH WOULD LIKE TO REMIND EVERYONE THAT WE WERE DOING CREEPY AI-IMAGINED NUDITY ROUND THESE PARTS LONG BEFORE IT BECAME FASHIONABLE PT.2:  

  • Hostile Design: A Twitter feed sharing examples of ‘hostile’ urban design from around the world – that is, specifically, urban architecture designed to make the built environment uncomfortable or unwelcoming for people. Here you’ll find charming innovations like anti-skateboarding bumps on ledges and stairs, anti-homelessness spikes in doorways, and no-sleep benches designed to break your spine if you so much as try and kip on them. This is not only a fcuking bleak reminder of who counts in our cities (is it the people who live in them or the people who own the buildings? CLUE: IT IS THE PEOPLE WHO OWN THE BUILDINGS), but, if you’re in the market for some sort of AWARDS-BAITING project in which your client SOLVES A MAJOR SOCIAL PROBLEM VIA THE MEDIUM OF ADVERMARKETINGPR, a potentially great source of campaign ideas too (KitKat pushes back against the trend for inhospitable urbanity by creating comfortable, heated ‘Take A Break’ benches in some of the UK’s biggest homelessness hotspots!! See, this is easy!) (NB I am joking and obviously don’t think this is anything other than a horrible idea, for the avoidance of doubt).
  • Great Landing Page Copy: I got approached the other day about a work thing which involved some tone of voice and brand identity work in which apparently the client sees Brewdog as the lodestar to follow and laud and, dear reader, if I had any soul left then the very last of it would have withered away and died at that moment. Anyway, if you too are in the invidious position of ‘having to come up with copy to sell tat which needs to be ZINGY and STAND OUT whilst at the same time not in any way scaring the people in the boardroom whose relationship to actual humanity is hanging by the very thinnest of threads’ then you may find this website, which collects examples of ‘great’ website copy for inspiration and theft, useful. I can’t claim to have explored this too exhaustively, but my cursory glance suggests that a lot of these are very much on the ‘North American millennial-focused lifestyle brand’ end of the spectrum – still, it might be worth bookmarking next time you want a bunch of different (but, if we’re honest, still largely the same) blandly-positive TOV to rip off.
  • All The Research Papers: I can’t imagine that there are many of you who use Curios to keep up with the very latest in academe, but even if you spend your time making ‘trends decks’ or ‘gathering insights’ (lol) rather than mining the very coalface of human knowledge then I promise that there will be something in here for you. This is the website of Core, a UK organisation which is ‘the world’s largest aggregator of open access research papers from repositories and journals. It is a not-for-profit service dedicated to the open access mission.’ What this means in practice is that you can run a keyword search across literally hundreds of thousands of papers, sorted by relevance or novelty, which lets you quickly and easily search for the latest findings on, I don’t know, the semiotics of the package holiday or something. Which is exactly the sort of thing that any of you who do ‘planning’ or ‘strategy’ might find useful when you’re searching for something serious-sounding to bolster whatever flimsy assertion you’re currently constructing to justify spending 7 figures on creating the Tony The Tiger Vtube personality (to name but one example, although on reflection I struggle to imagine exactly what sort of research might support that particular execution, other than some perhaps-too-obscure investigation into furry fetishism).
  • Geometrize: In an age in which we’re all now gaily playing around with ‘imagine what I type’ software, the ‘old’ AI imagetoys (your style transfers, your Deep Dreams) are starting to look a bit old hat – that said, I found this this week and was immediately charmed by its slightly-old-school stylings. Geometrize is a webtoy from a few years back which basically takes any photo you give it and rerenders it as a series of layered geometric shapes, creating a pleasingly-semi-impressionist effect. Simple, but I really like the results here.
  • Unvarnished: Another really impressive digital history project from the US here, Unvarnished looks at historical housing discrimination in North America, specifically the North and West. “Unvarnished was conceived, developed, and directed by Naper Settlement, an outdoor history museum in the Chicago metropolitan area administered by the Naperville Heritage Society. As part of an extensive community engagement process, the museum expanded its mission from a nineteenth century settlement story to an inclusive history leading up to today’s Naperville.  Now the fourth largest city in Illinois because of significant population growth and demographic change, the museum set out to learn how that happened. What were the factors that took the community from being an essentially all-White population in the mid-twentieth century to a resident population that is now 32% people of color?  Was Naperville unique or part of a pattern of change?” Not only is this a really interesting topic, but it’s presented simply, clearly and accessibly, telling the stories of six different communities across the US and how discrimation has moulded the urban makeup of the US.
  • Katalog: Oh I love this. Katalog is a project by Belgian photographer Barbara Iweins, cataloguing all her belongings over a four year period: “for four years, room by room, drawer by drawer, I photographed, indexed and classified my entire house. Absolutely everything: from my daughters torn sock to my sons Lego, but also my vibrator, my anxiolytics… absolutely everything.” This website collects all the photographs of all the objects, which you can sort and categorise in various ways, by colour or where in the house they sit, or whether Iweins would save them in a fire, and it’s a dizzying portrait of consumption and consumerism and our relationship to objects and how we use them to construct walls around us that shape our identities (or at least that’s what I see here), and, honestly, this is sort-of mesmerising.
  • Denim Sunglasses: I don’t know if I like these, exactly, but I was slightly charmed by them and I like the fact that as far as I can tell they are made by some bloke called Jack in Cornwall. Have you ever wanted a pair of sunglasses that have been made from reclaimed denim (or, more accurately, “layers of waste denim that have been infused with a bio based resin and pressed together into a solid sheet.”? No, probably not, and yet you’re curious, aren’t you? Admittedly we’re rapidly getting to the point in the year where those of you in the UK won’t be needing sunglasses again for another 10 months, but think of it as an early present to your future self (although on reflection perhaps you might be better off spending the money on some canned food you can bury in a safe location against The Bad Times).
  • Pi-Hole: I LOVE THIS. It’s very technical – in that you need to be able to install the code on a supported operating system, and then do STUFF with your internet’s DNS – but it’s basically an on-network adblocker that you can control yourself. You can do loads of additional stuff in terms of seeing which websites are attempting to serve you most ads, create white/blacklists, etc, but at its most simple the idea of being able to block ads at source to your domestic web browser is SO ENTICING.
  • The Denmark Art Explorer: Do YOU want to explore Danish art in its entirety? Well you can’t, it’s an impossible demand, be realistic FFS. Perhaps the next best thing, though, is the Denmark Art Explorer, which is a really interesting way of letting you navigate through an imagined topography of Danish art – “Denmark Art Explorer is an interactive website which let you start out with a random art object from the SMK [Denmark’s National Gallery] with a specific topographical motive. It then fetches its four nearest neighbors which you can click on to move through the country of Denmark while enjoying beautiful art!” I am very much enjoying this current trend for thinking of artworks or colours or concepts as occupying a physical space, and seeking to make the interrelationships between them in this imagined 3d environment a novel means of exploration, and I would imagine that the world’s richest museums are almost certainly doing a LOT of stuff with machine learning and natural language/meaning analysis which will see some pretty radical reimaginings of the curatorial model in the coming few years (wow, that was hyperwanky, sorry).
  • Interactive Journalism: “A Twitter-bot that shares interactives, graphics, and other stories built using code from newsrooms around the world.” Basically if you have any interest in modern forms of digital in-browser storytelling (“Snowfalls”, as the methuselan amongst us still call them) as practised by news organisations then this is something of a must-follow.
  • Typographic Posters: A wonderful archive of typographic design work, submitted by individuals and design studios all over the world. This has been going since 2008(!) and is PACKED with good stuff – if you sign up for (free, afaict) membership you can access full search functionality, but even without that it’s just wonderful to browse so much excellent design – this is SUPERB visual inspiration if you’re in the market for such a thing.
  • Selaro: If you’re someone who works across a bunch of different apps such as Slack, GSuite, Mailchimp, Dropbox and the like and gets really annoyed at having to search each individual one for that FCUKING file you had only ten minutes ago then you might enjoy Selaro, which basically acts as a universal search interface for a whole load of these products. Dull-but-maybe-useful.
  • Fockups: A website that lets you make in-situ artwork mockups that are slightly more reminiscent of the real world than the shiny ‘as seen on the Piccadilly Circus LED boards that you will never pony up for’ sort of renders you often see presented in pitches. See how your mocked-up graphics will look on a cracked phone screen being read on the khazi, or on a discarded flyer on grubby pavement! This has a very short shelf-life, fine, but while it’s still reasonably under-the-radar you probably have one or two pitches in which this might even raise a hollow laugh from the client (a million nonexistent Web Curios points to anyone pitching a hyperluxe brand and who dares to go in with these as your mockups by the way).
  • Seagull Simulator: A vaguely-existential text-based game in which you get to experience the unique joys of seagulldom. Contains all the things you’d expect – screaming, stealing food and flying – but with slightly less vindictive defecation than I might have hoped for.
  • The Case of the Rose Tattoo: Finally this week, a PROPER GAME! Alright, fine, it’s one from The Past and as such probably won’t appeal to anyone who’s grown up with things like ‘decent graphics’ and ‘fast-moving gameplay’, but if you’re old enough to remember the glory days of point-and-click adventures and inventory puzzles then you will LOVE this. The game in question is Sherlock Holmes: The Case of the Rose Tattoo, and it’s genuinely great – a whole new Holmesian caper with decent detective-ing and some gentle horror, and if you can avoid looking at spoilers online there are several days’ worth of play in this while you continue to ‘quit quietly’ (THAT IS NOT A THING IT IS JUST CALLED NOT LETTING YOUR EMPLOYERS TAKE THE PISS FFS).

By Tao Siqi

THE LAST OF THE MIXES THIS WEEK COMES FROM JILO AND IS A LOVELY 80s-INFLECTED SET OF PERFECT LATE-AFTERNOON OR EARLY-EVENING SOUNDS!

THE CIRCUS OF TUMBLRS!

  • Sticker Life: I presume that the verbal similarity between ‘sticker life’ and the ‘thug life’ so popularised by 90s gangsta rap is unintentional; lovers of Snoop and Dre may be less enamoured of this site, but if you’re more into the idea of a collection of various laptop stickers around the broad concept of infosec than you are sitting in a bouncing lowrider drinking gin and juice then WELCOME TO PARADISE.

THE TROUGH OF (INSTA) FEEDS!

  • Fesshole: You can now read Rob Maniel’s Fesshole project on Instagram as well as Twitter – he’s also put it on TikTok, should you be interested in watching a middle-aged man take a platform by storm simply by, er, reading out Tweets over a screenshot of said Tweet. Take a look at the numbers on this one and then amuse yourself by showing it to whoever is responsible for ‘TikTok strategy’ within your business (LOL!) and saying ‘so, what can we do with this sort of content format then?’.
  • Volstof Research: This is a really interesting idea and exactly the sort of thing I mean when I talk about the exciting new creative possibilities offered up by the confluence of text and image AIs. Volstof Research is a horror.scifi project which basically involves text written by GPT-3 paired with AI-generated images to create an ongoing, vaguely-Lovecraftian tale of ELDRITCH HORRORS FROM THE PIT UNLEASHED THANKS TO MEDDLING WITH FORCES BEYOND OUR KEN!

LONG THINGS WHICH ARE LONG!

  • The New Moral Maths: I’ve featured articles in here before about both the ‘effective altruism’ movement and the wider concept of ‘longtermism’ in contemporary thinking, but this is a neat piece, reviewing a book that has been EVERYWHERE in the past few weeks, which effectively addresses both. The Boston Review here, er, reviews the new book by philosopher William MacAskill, which posits the broad longtermist position that ‘the needs and wellbeing (or at the very least likely existence of) billions of future humans should be taken into account when considering the needs of fewer billions of people currently alive’, and which is increasingly being used by all sorts of dreadful people (and some very stupid ones who are, at best, likely being manipulated by the dreadful people) to justify ‘why actually you don’t need to do things like, I don’t know, worry too much about a few hundred million people being fcuked by climate change in the coming decade because they are but the blink of a mayfly’s eye in the context of the wider arc of human history and tbh when you take a million-year-view then 85% of us dying of fiery tornado death is just a small blip en route to star colonisation’. This is a good – if occasionally philosophically-chewy – rundown of why this sort of thinking doesn’t necessarily make any sense, and very much worth a read if you want to get ahead of the winter dinner party season (LOL LIKE WE WILL BE WASTING ELECTRICITY ON ANYONE OTHER THAN OUR IMMEDIATE FAMILIES LOL!) and have some good arguments to deploy against your mate’s new cnut of a boyfriend who’s in VC and who really thinks ‘it’s important to take the long view, yeah?’
  • Thompson’s Three Trends: I tend not to link to Ben Thompson here because I sort of assume that everyone who wants to read him already does (and I tend not to read him that much), but this crossed my path this week and I thought it was a really smart way of framing the current platform-level upheaval in the social app landscape with the TikTokification of Insta and all the rest. It’s a relatively light read, and Thompson explains his thinking well (although, and this is just a personal bugbear really, I do wish he wouldn’t illustrate said thinking with…other examples of his own thinking; I know everyone likes the smell of their own flatulence, but it’s distasteful to watch someone enjoying said smell to quite this degree) – the general premise, that there are three concurrent trends around immersion, growing AI integration, and interactivity, seems sensible and, most-usefully, applicable far beyond the narrow field of ‘social’ apps.
  • Agencies and Creative: I know, I know – if you work anywhere in or around or near agencyland, the last thing you want to do is listen to some other cnut wang ON about ‘creativity’ and its VITAL CENTRALITY TO EVERYTHING and how this one particular super-bespoke methodology that only this particular CD with this particular pair of wide-legged artist trousers could possibly have envisaged is the most transformative thing since Eno. That said, this essay by Richard Turley (whose new agency, Food, has the best website I have ever seen – no joke) is worth reading, mainly because he seems to agree with me that ‘creativity’ is a massive fcuking lie and scam. “CREATIVITY™ flew off the shelves. People couldn’t get enough of it. Queen bees were so pleased that they took it upon themselves to invent conferences and award shows that celebrated CREATIVITY™. They wrote manifestos and mission statements attesting to their shop’s unique brand of genius. These manifestos used different adjectives, but all generally aligned around the exclusiveness of CREATIVITY™ being some kind of sacred act that only a few (them) can really do. Where once you imbibe CREATIVITY™ you can suddenly zig whilst others zag, or “zag when everyone is zigging” or whatever the fcuk that was about. Some pointed out these myths were really just ways of codifying a junior creative having an idea for a sports shoe ad on the way to work into something aspiring to an artform (and that – not inconsequentially – could command huge fees), but not the sellers of CREATIVITY™, they just kept on peddling that CREATIVITY™.” YES.
  • Argentina’s Crypto Black Markets: As the El Salvadorian crypto experiment continues to go about as well as cynics like me thought it would (this doesn’t make me any sort of seer, obvs – it just makes me a cynic who’s occasionally right), this piece shone an interesting light at another country in which crypto is finding a role. Argentina, where it acts means of evading government-mandated exchange rates for the local Argenitian peso and an increasingly-useful black market tool. There’s lots of interesting stuff in here not only about the way Argentinians use it but also the way the practical realities of its integration into the culture rubs quite hard against some of the cultural assumptions that big cryoto whales like to make about the why and the how of the crypto movement: “The key characteristic that draws Argentinians to these relatively centralised cryptocurrencies is that the government doesn’t control them, rather than being completely decentralized in a way that no one controls them.”
  • The Drone Delivery Future: Interesting-if-unsparkling article, this, about the increasing real-world use of drone delivery and where it’s happening, and the urban areas that are most-likely to see significant infrastructural change as a result of this becoming a preferred delivery mechanism in coming years – basically the thrust of the piece is that it’s going to be suburban rather than urban environments that are most ‘disrupted’ by this sort of tech, mainly because of the fact that urban areas are already deliveried-out with all your couriers and bikes and the rest, whereas suburbia has more scope for growth based on current unserved demand. Which, fine, I suppose is the sort of thing I could have arrived at myself if I’d bothered to think of it, but, well, I didn’t.
  • Passive Audio: This really interested me – one of the things I’ve noticed in the UK (well, London) since coming back from Rome is how noisy it is here. Not general decibel levels – trust me, noone beats Romans for shouting and horn-beeping and the inimitable sound of the glass recycling being taken away every morning at 3am – but general tech-associated noise. Phone notifications and Alexas and speaking machines and people playing music out of their devices in public just seem a bit more prevalent here than they do there – although I concede that this might have more to do with the fact that I am now living in a part of town where the average age is less than 60, and that I am doing more with my life than watching someone slowly die and so am leaving the house a bit more. This essay is about the shift from audio as private to audio as public, and what that means in terms of personal boundaries and manners – it feels like there is something in this as an INSIGHT if you can be bothered to dress it up as one. “Because the problem is not just that personal audio is spilling into the public space; the problem is that it feels like it’s slowly becoming socially acceptable to have someone else’s audio leaking into your life…It used to be the other way around. When Sony launched their Walkman almost exactly forty-three years ago in 1979, the idea of a private audio experience — in public — felt like the death of society to some. “This personalised silo, intimate consumption of media was going to end communities, if not society as we knew it.” This was the era where we all suffered boomboxes and people’s radios where you knew the score whether you liked it or not. We suffered, but we suffered collectively. The Walkman broke the social rules of the time in a pretty drastic way. “It’s like a drug: You put the Walkman on and you blot out the rest of the world.” And now we don’t want collective audio suffering any more. I don’t want to blot out the world so much as blot out yours when it leaks into mine.”
  • The Metaverse Side Hustle: TO be clear, I am featuring this piece not because it is good but because it is a classic example of ‘all the old things are new again when you put the word ‘metaverse’ in front of them!’ The piece is all about digital creatives making a piecemeal living by designing and creating items, skins, etc, for use in digital spaces like Decentraland (with its 700 users a day, it’s evidently a BOOMING MARKETPLACE), and the article breathlessly presents this as a new frontier in consumer capitalism – except, well, it’s not, is it? This is what people were doing 15 years ago in Second Life, what they have been doing for over a decade with CounterStrike skins and Sims patches and mods, with Minecraft textures and patches, or even more recently with Snap/Insta lenses, and and and and and look, all I’m saying is next time you see something like this and think ‘ooh this is an exciting and brand new thing’ try Googling the headline with ‘metaverse’ replaced with ‘second life’ or ‘virtual world’ and see what 2006 has to say.
  • On Andrew Tate: Until the Observer story about hum broke the other week I didn’t know who Andrew Tate was, much like the majority of you I imagine – the thing is, though, it felt like I did when I read all the stuff about him because he’s simply the latest in a long line of men who’ve worked out that there’s an almost limitless supply of other men who will lap up anything that tells them either a) how to get laid; b) why the tips about how to get laid are rubbish; or c) why their inability to get laid with or without said potentially-rubbish tips is all women’s fault anyway. The link goes to Garbage Day, where Ryan Broderick explains very cogently something I have struggled to articulate for years – to whit, the weird taxonomy of hateful men being weird and misogynistic that sprung from Men Going Their Own Way and Neil Strauss. Honestly (promise I won’t wang on about this, but) I sincerely believe that there will be serious future scholarship that seeks to draw the real throughline between ‘SomethingAwful bans hentai’ and ‘reproductive rights under threat across the West’.
  • Branding Tusi: This is, hands-down, the best and most readable explanation about ‘THE POWER OF BRANDING’ I’ve ever seen – all about Tusi, a drug that over the past few years has developed a real following in Colombia amongst the aspirant middle-classes, despite its chemical composition having shifted almost entirely from what it was originally. The secret? Its vibrant pink colour, initially a practical side-effect of its being cut with a particular substance to hide the vile taste and appalling nasal burn, which led it to be THE most Instagrammable line in Medellin. Honestly, if you want to explain ‘what branding is and how it can be used to add value’ then fcuk the textbooks, just give your grads this and then challenge them to Breaking Bad their way into an agency job (do not do this, even in jest).
  • An Oral History of Superbad: This is LOVELY – whether or not you like the movie (and you should, because as I may have mentioned before I think it’s the only one in existence that mentions me by name), this collection of stories about its filming, assembled from various interviews with all the main principles, is really charming. I didn’t realise that “McLovin” was Christopher Mintz-Plasse’s first big acting role – I cannot even begin to imagine the ruinous psychological impact that being associated with that character would have on a teenager, so well done that kid for not now being a skaghead or something.
  • An Oral History of Tim Curry in Command and Conquer: I confess that this is one I’m including more for you than for me – I never had a computer fancy enough to play C&C on as a kid so this totally passed me by, but I’m aware that for certain people a few years younger than me there’s an iconic quality to Curry’s scenery-chewing performance in Red Alert 3 which is almost Proustian in its ability to take them back to adolescence. This is actually really interesting even for those of you who don’t have fond memories of Curry gurning “SPAAAACE!” at you from a monitor, not least the look behind the scenes at the always-interesting cowboy world that was ‘videogames in the 90s’.
  • Deep Time Sickness: I really enjoyed this article, about the ways in which people who’ve been affected by earthquakes in Mexico City occasionally seem to tap into some sort of geological…time sickness? Yes, ok, I know, it sounds a touch loopy – and if I’m honest I am not 100% certain that the article does a completely fantastic job of explaining itself – but there’s some beautiful writing in here, and as a piece about the links between geology and time and people and urbanity it’s fascinating. ““Geological time,” or “deep time,” as Robert MacFarlane describes it in his wonderful book “Underland,” is the vastness of planetary history that “stretches away from the present moment.” While the Scottish geologist James Hutton first described the idea in 1788, the term “deep time” is often attributed to the nature writer John McPhee, who wrote, a couple of hundred years later: “Consider the Earth’s history as the old measure of the English yard, the distance from the king’s nose to the tip of his outstretched hand. One stroke of a nail file on his middle finger erases human history.”” – this explores how the climate emergency, and the way it is manifesting, is bringing us closer to said ‘deep time’ than we might be used to, and how that is placing perhaps hitherto-unimagined psychic strains on people. Spooky and super-interesing stuff.
  • Brain Trauma: This is very much an article of two halves – the first, which fortunately comprises the majority of the piece, is a really interesting portrait of the ways in which Sophia Papp became a different person after a serious brain injury suffered in a car accident, and how her personality was transformed beyond almost all recognition as a result of neurological trauma we simply don’t understand (a classic Phineas Gage example), and how she struggled to cope with becoming the new person she now found herself to be. The final 20% or so of the piece takes a weird swerve into very wooly writing about ‘human fulfilment’, which doesn’t really seem to have anything to do with the preceding 80% – but the first four-fifths make this worthwhile, promise.
  • Like Oysters In Their Shells: I’ve seen two corpses this year, a figure I sincerely hope is a lifetime annual maximum never to be bettered – it’s one of the oddities of death in a Catholic country that the body of the deceased tends to be left in the home for visiting friends and relatives to pay their respects before the funeral, and so as such I had the slightly-surreal experience of passing some time with both my grandmother and mother’s dead bodies (it’s amazing how quickly you become inured to the literal corpse in the corner and just train yourself not to look in that direction). This is a review of Hayley Cambell’s recent book about the business of death, and it very much made me want to buy a copy – it touches on all aspects of the postmortem industries, from burial to prettification to disposal to everything inbetween, and is pleasingly unfussy about its subject matter: “Relaxing in a downtown seafood joint, the executioner Jerry Givens is candid with his back story but less forthcoming about his inner life, all the while making short work of the lobster he has just casually sentenced to death. Thomas Hardy felt ashamed after watching the hanging of Martha Brown at Dorchester in 1856, expiated perhaps through his creation of that ‘pure woman’ Tess Durbeyfield (though Tess, too, is hanged). But Givens, like the others Campbell meets, is less overtly emotional. Terry Regnier of the Mayo Clinic chuckles at her most searching questions and is unfussed about handling people whose faces have been gnawed off by their pets.” Significantly less gruesome and sad than you might think, promise.
  • ReWilding The Tiger: Do you remember last year when that company got 24h of blanket worldwide coverage with their plan to BRING BACK THE MAMMOTH via the medium of in-no-way-potentially-troubling DNA manipulation? Well, turns out that mammoths are HARD and so instead they are turning their attention to a new project which they think has a better chance of short-to-medium-term success – the Thylacine, or Tasmanian Tiger! This is super-interesting, both from a scientific point of view but also from the point of view of someone who’s seen enough films and read enough books about ‘the consequences of short-sighted meddling with the powers of nature’ to think ‘hang on a second, are we sure this is a good idea?’.
  • Watching Brad Pitt Eat: This is a superb essay, by Lucas Mann, about both Pitt’s odd approach to food and eating onscreen and the author’s own relationship with food, and that of his daughter, and about presentation and appetites and bodies and self and and and honestly, this is a really excellent piece of writing which I urge you all to read whatever your relationship with your plate and your body is.
  • The Recipe: Finally this week, writing about food and love and people and relationships and cooking and memory and time and friendships and Who We Are that is among the best I have read all year – this is by Rebecca May Johnson (whose newsletter I also recommend unreservedly), and it’s so so so good.

By Maria Delgado

AND NOW, MOVING PICTURES AND SOUNDS!:

THANKYOU AND I WILL MISS YOU PLEASE DON’T LEAVE ME I LOVE YOU I LOVE YOU BYE!

Webcurios 12/08/22

Reading Time: 34 minutes

Does the UK feel…weird to you right now (sorry, international readers, for the anglosolipsism on display here – feel free to skip this and get right into the links which I promise are good ones)? Having been back a couple of weeks, I can’t shake the overriding impression that everything is heading for some sort of moment – I don’t for a second imagine riots (we’re just not that sort of populace, more’s the pity), but I can very much envisage a few Morris troupes arming themselves and going rogue in the West (for example), or the emergence of some sort of vaguely-apocalyptic new sex-and-drugs cult.

It doesn’t, it’s fair to say, feel like things are in a fantastic place over here in Blighty – I think the best way to describe it is that everything is just a little bit skew, a little bit off-kilter, like those very particular sorts of 70s films in which everything carries a faint patina of menace and filth and imminent cancerous decay. You know the ones.

Which is why you’re all doubtless INCREDIBLY GRATEFUL for Web Curios, guiding you through the weirdness like some sort of tediously-digitally-obsessed Virgil to your increasingly weary Dante – don’t worry, though, this is very much Paradise, I promise you. Enjoy this week’s edition, savour it at length, because next week’s my girlfriend’s birthday and so I will be trying to spend more time with her than with the internet and as such am on leave (but will be back in a fortnight, so DON’T FORGET ME).

I am still Matt, this is still Web Curios, and if this is the long-trailed vibe shift then I don’t like it one bit.

By Yang Cao

LET’S GET THINGS STARTED THIS WEEK WITH THIS PLEASINGLY-MULTILAYERED TECH-ELECTRO MIX BY CAVEMPT! 

THE SECTION WHICH PERSONALLY DOUBTS THAT THE UK CAN AFFORD THE EUROVISION ELECTRICITY BILL, PT.1:  

  • Paint With Music: The phrase ‘paint with music’ does, I concede, have something of the ‘dance with spoons’ or ‘compose with jelly’ about it, but this is A REAL THING and it REALLY WORKS (sort-of). Time was (about a decade ago) when Google would churn out fun little ‘experiments’ every few weeks or so – OH FOR THE FRIVOLOUS DAYS OF THE PAST! – but they seem a bit rarer now (or, er, I am just less good at paying attention) and they appear with less excitement and fanfare than they perhaps used to (so jaded!), and so I was genuinely pleased to see that they can still make fun, slightly-pointless little webtoys when they set their mind to it. Paint With Music is a pretty simple premise – you choose from a selection of themed ‘canvases’ (the sky, underwater, some sort of vaguely ‘urban’ wallspace, etc), each of which has a slightly-different underlying musical theme, and then use your mouse or your finger to paint on said canvas, which paint then translates to a musical loop which you can add to or build on to your heart’s content. Different ‘brushes’ correspond to different instruments, and there’s some machine learning under the hood to attempt to massage your cack-handed scrawlings into something halfway-melodic (or at the very least something less fundamentally tonally-offensive), and whilst I’m yet to compose anything that doesn’t make me wince slightly every time it loops, I’m convinced that you’ll be painting masterpieces that also happen to sound beautiful within mere minutes.
  • Blender: Those of you outside the US will need a VPN to access this, but if you fancy having a play with Meta’s new chatbot then, well, here you go! It’s interesting that they’ve made this public and open-access, given previous chatbot horror stories (you all remember Tay, don’t you?), but from what I can tell they appear to have done a reasonable job of horror-proofing the software to prevent it from throwing up anything too offensive whilst it’s in beta. It’s interesting how poorly this compares to GPT-3 when it comes to ‘sounding like a reasonable simulacrum of a person’ – although I appreciate that they are quite different in terms of how they work – but I am moderately-impressed by how open Meta is being about the extent to which this is nothing more than a very early work-in-progress and how far it is from being commercially viable in any meaningful sense (the company blogpost about the project is unusually decent). Like all chatbot stuff, this is more a curiosity than anything and (if you’re me and if you’ve spent more time than you’re comfortable admitting messing about with this sort of stuff over the past few years) the novelty will probably wear off reasonably fast, but if you’d like to laugh at a Zuckerberg-owned bit of software expressing doubts about its lord and master’s competence then you might find something of interest here. More than anything, though, it strikes me as another piece of evidence to suggest that anything more sophisticated than ‘chat interface as basic nested menu system’ is still quite a long way from being viable.
  • The Earth Species Project: If we could talk to the animals, what would they say? Some sort of variation on “what the fcuk are you doing, you morons?”, quite possibly, or in the case of your cat “I want to eat you”. Or, perhaps, there’s an as-yet untapped reservoir of wisdom which our animal chums are just waiting to impart to us, as soon as we can be bothered to learn how to speak to them – which is exactly what the Earth Species Project is all about. “We believe that an understanding of non-human languages will change our ecological impact on this planet. We are inspired by the incredible diversity of communication systems on Earth. From the mycelial networks that connect Earth’s forests like an Internet to the rainbow-rave richness of cuttlefish communication, we are surrounded by messages and meaning. We are motivated by the recent monumental milestone in machine learning: the invention of techniques that can translate languages without dictionaries.” So, basically (ok – very basically, and I apologise in advance to all the very smart people involved in this whose work I am about to simplify to an almost-offensive degree) this is about using AI to decode the language of animals – using the idea of latent space in terms of linguistics alongside computational power to seek to draw commonalities between two languages. They’re starting with whales and primates, but apparently will move onto corvids and other smart beasts in due course. On the one hand, this is immensely scifi and quite exciting; on the other, that scifi-ness makes me a bit scared that the AI will just end up talking to the animals directly and cutting us out of the conversation – I mean, you wouldn’t blame it, would you? Have you looked at us recently? – or that it will work and we’ll slowly come to the horrific realisation that the animals have been talking to us all along and what they have been saying is “we will rise up and have our revenge” (but I concede that perhaps I’m being a touch Cassandra-ish here).
  • The Longevity Prize: I’m not 100% sure who would look at the current state of everything and think “yep, sign me up for more of this!”, but then again I am but a peon without the long-term vision of the billionaire class – perhaps if you’re worth ten figures you’re a bit more optimistic about your chances of outpacing the coming apocalypse (or, more practically, buying half of New Zealand on which to build your heat-resistant forever-compound). It’s long been an open secret that there’s a certain section of the Silicon Valley-adjacent super rich who are obsessed with extending their lifespan well into the second century and beyond, and the Longevity Prize is a new initiative which seeks to incentivise research into ‘how to we keep the really, really wealthy from having to suffer the base indignity of death?’. Fine, there’s nothing in here that explicitly says ‘it’s only for the rich’, but it’s all tied up in crypto (it’s a DAO!) which does rather make me doubt its ‘we’re all in this together!’ credentials. Anyway, the general aim of the Prize is to encourage lots of small research teams to explore a wide range of angles of enquiry, and they’re inviting applications for initial small grants from basically anyone, so if you’ve always had a vague hunch that YOU could be the one to save us from the tedious process of ‘dying’ then apply here!
  • Fishing and HipHop: If you work in advermarketingpr you will almost certainly have at some point received a brief which is all about ‘bringing a brand’s identity and values to life via the medium of unexpected and surprising creative expression’ and which, inevitably, ends with someone in the room saying “why don’t we get a series of artists to collaborate with the brand to create ART/MUSIC/FOOD/A NOVELTY DILDO (delete as applicable) inspired by the brand’s core principles of (for example) fiscal responsibility?”. This is why we get ‘the sounds of the Nissan Micra reinterpreted by Yo Yo Ma!’ or ‘A brand-new Manolo Blahnik shoe whose design is inspired by the 10-year performance of our ethical investment portfolio!’ and other such ‘creative’ outputs – and aren’t we all lucky that we do! Anyway, this was all by way of preamble to this site, which is possibly the best (most ridiculous) example of this sort of work I’ve ever seen. Apia is a Japanese company that makes fishing equipment – which is why it OBVIOUSLY makes perfect sense for them to have collaborated with a bunch of hiphop artists and dancers, because nothing says ‘the heritage of the boombox and the lino’ like ‘spearing some maggots and casting off’. This is all in Japanese, which, fine, may be a bit confusing, but if you scroll all the way to the end you get access to a genuinely-fun little beatmaking toy where you can create your own hiphop track using a bunch of sounds from fishing (the sound of a reel spinning, the ‘splosh’ of a lure, the opening and closing of a bait box, that sort of thing) and, honestly, I am very glad that this exists.
  • CreatorDAO: THE CREATOR ECONOMY! This is a new project backed by Marc Andreesen (or at least A16Z) and a bunch of other people and, er, I don’t really understand what it is meant to offer. Maybe attempting to explain it to you will help explain it to me. You can “buy in” to the DAO to get access to other ‘creators’, with some big names already onboard to entice the mooks – so you could, in theory, for your tokens, get the chance to ask Paris Hilton what she thinks about your YouTube channel? That seems…worthwhile! – and there’s a community, and the idea is that you will all boost each other’s projects and everyone will somehow ‘win’…so, what, this is basically buy-in #FBPE Twitter for YouTubers? This sounds like an awful idea, and exactly as pyramid-schemeish as 99% of other crypto projects, but if any of you can explain to me why I am wrong about this I am all ears.
  • CLIP Interrogator: Bit techy, this, but it’s a really interesting tool and an indication as to why the hot new future profession du jour (to whit, ‘prompt engineer’) may not in fact be a particularly long-term job option after all. CLIP Interrogator is a Google Workbook which basically lets you point it at any AI-generated image you choose (you just need an image url) and then tries to determine the most-likely prompts used to generate said image. I can’t pretend to understand how this works, and it’s obviously not a perfect ‘this is what you have to type to get something that looks exactly like this’, but as a way of exploring stylistic guidelines and how to ‘communicate’ with the machines then it’s potentially very useful indeed. Oh, and there’s also this hugely-useful set of links to everything you could ever need (this week, at least) in terms of AI imagine generation, from different tools to make pictures with to whole swathes of interesting and useful prompts to play with, which you can explore here should you so desire.
  • Ore: When you’re staring down the barrel of a not-insignificant global recession (although depending on where you walk in London you wouldn’t necessarily know that – I appreciate that this is an intensely-banal observation, but having been away for a year or so it’s staggering the degree to which wealth inequality screams at you from every street in this city) it’s occasionally nice(!) to take a peek into the world of those who really won’t notice it in the slightest – so here for your delectation is Ore, a jewellery company that seemingly exists to make insane, massive-stoned and not-a-little-ostentatious accessories for the likes of Drake, and whose website is a marvel of lovely scrolling and MASSIVE, FCUK-OFF DIAMONDS. I love stuff like this – partly because it’s a window into a world I don’t really want to get any closer to than this, but also because it’s also just so deeply sinister. Everything on this website looks as though it’s been designed to appeal to cartoon supervillains (cf Drake), and the copy doesn’t seem to realise quite how…well, quite how  evil some of it sounds. “WE OPEN THE DOOR IN GIVING OUR CLIENTS OPPORTUNITY TO PURCHASE UNATTAINABLE PRODUCT DISRUPTING TYPICAL DISTRIBUTION CHAINS” – YES THAT SOUNDS TOTALLY LEGIT. Anyway, in the unlikely event that any of you reading this are in a position to afford a diamond sourcing conversation with this lot, could you possibly lend me a few hundred grand please? Ta.
  • Readalong With Google: Whilst on the one hand I am sure that reading books with one’s young children is one of those wonderful parental moments that all mums and dads hold special memories in their heart, I have also seen the dead-eyed resignation of those of my friends who know that they will never, ever be as intimate with a text as they will be with The Gruffalo, and who would cheerfully sacrifice a finger or minor organ if it meant never, ever having to go on a fcuking bear hunt ever again. For those parents who just can’t take it any more – or, perhaps more accurately, those parents who don’t have the time to spend reading with their kids every day – comes this Google tool, which uses voice recognition to ‘read along’ with a child, listening to their pronunciation and offering assistance, encouragement and light correction when they struggle or stumble. Fine, I appreciate ‘we need machines to read to our kids because we’re too busy doing the six jobs required to ensure that said kids don’t freeze or starve to death in the coming winter months’ isn’t necessarily the heartwarming usecase Google might have been thinking of when they launched this, but, well, we’ll take it anyway. The tool offers reading in English only, or English and a range of other languages including Spanish, Portuguese, and a range of others whose alphabets I am shamefully ignorant of and which I can’t therefore name (sorry) but which I think include Hindi and Urdu amongst others.
  • Social Capital Analysis: Interesting data from Meta in the US here, looking at the extent to which social connections between different economic groups can act as a predictor / determinant of other economic and social factors. “Social capital – the strength of our relationships and communities – has been shown to play an important role in outcomes ranging from income to health. Using privacy-protected data on 21 billion friendships from Facebook, we measure three types of social capital in each neighborhood, high school, and college in the United States – Economic Connectedness (the degree to which low-income and high-income people are friends with each other); Cohesiveness (the degree to which social networks are fragmented into cliques); and Civic Engagement (rates of volunteering and participation in community organizations). Use this tool to find where these different forms of social capital are lacking or flourishing; explore their connection to children’s chances of rising out of poverty; and develop solutions to increase social capital in your community.” This is not only an interesting series of datasets looking at correlations I’ve not personally previously seen explored in this much detail, but it’s also presented in pleasingly-simple and interactive fashion, and you can download all the datasets to play with as you please – would be fascinating to see this information for non-US countries.
  • Prism Auditions: Given the general swirling uncertainty of, well, pretty much everything right now, you may be forgiven for thinking that now isn’t the time to embark upon a radical new career direction. And yet! Have you ever considered donning a mocap rig and prancing in digital costume for an audience of potentially millions of unseen fans worldwide? Do you dream of being a cat-eared anime popstar? Do YOU want to potentially sign away your life to a subdivision of Sony while they monetise your every waking moment to a degree you didn’t even imagine possible? GREAT! “PRISM Project is a virtual talent management agency based in Tokyo, Japan, a part of the Sony Music Entertainment (Japan) Inc. virtual talent management family. Backed by Sony Music’s industry-leading expertise in talent management, voice acting, music production, event production, and digital technology, PRISM Project will push the boundaries of the virtual talent space by providing growth and development opportunities unrivaled in the industry today. At PRISM Project, we aim “to create a world where all people on Earth can find something they love and feel happiness every single day.”” I mean, you can’t really argue with that, can you? Pleasingly the website goes on to reassuringly state that “Vtubers are people too”, so that should allay any fears you might have about how the meatsack powering the avatar will get treated. Anyway, if this sounds like your idea of fun, Prism is currently accepting applications for new VTubers up until the 9th September – I really look forward to reading about how this process works.
  • Cinetimes: I’m guessing that the increasing cost burden of food and bills and the rest is going to see the definitive end of the ‘we pay £60 a month to subscription entertainment services’ boom, and that we’re all going to be cutting back on at least some of the streaming services which we used to cope with the pandemic – so in the spirit of providing you with some alternative content to stare at through the despairing tears, have Cinetimes! This is a hugely-useful service, offering a helpfully-Netflixesque interface to help you browse the treasuretrove of old, obscure and out-of-copyright materkial available across the major video platforms (YouTube, DailyMotion, etc). There is, obviously, a lot of rubbish here – but equally there’s a shedload of cartoons and documentaries and ACTUAL REAL FILMS from the past, including Spaceballs which is reason enough on its own to include the link. Bookmark this, it’s a genuinely Good Thing.
  • Free Anime: I never really got into anime – it’s partly an age thing, due to the fact that, when I was of an age to potentially be enticed by ‘cartoons, but significantly more interesting than you’re used to’, the only anime that was seemingly available in the UK was very much of the ‘extreme tentacle bongo’ variety and, well, that’s not really my thing (so vanilla! But seriously, I saw around 15m of this when I was 13 and it very much left scars) – but it’s hugely popular and varied and, in the spirit of ‘everything is fcuked, let’s have some nice free stuff to take the edge off’, I figured quite a few of you might be interested in this (almost certainly very, very copyright-breaking) site which offers literally thousands of anime series and episodes to download (via torrent). Oh, and if you want more of this sort of thing then you might also want to bookmark this other site which has a similar quantity of content featuring impossibly-large-eyed protagonists having existential crises whilst also being VERY CUTE.
  • CrystalRoof: Quite a useful little webtool, this, which lets you look at any individual street or postcode in London and pull demographic data for the area drawn from a range of public sources. It’s ostensibly to help people buying property get a more detailed impression of the area they might be looking at, but it’s equally useful as a planning or research tool, particularly in terms of getting quite granular data about ethnic makeup and income for a very closely-defined area. And yes, I know that those of you working for big fancy agencies have all this stuff on tap thanks to a variety of expensive subscriptions, but spare a thought for the poor pissants in PR for whom ‘TGI’ means nothing more than ‘oversweetened cocktails, chicken tenders and the dead-eyed stare of someone who never wants to hear the term ‘flair’ ever again in their lives’.
  • The Ejection Tie Club: This is wonderful – I confess to never having given thought to ‘who exactly makes ejector seats for planes?’ (I know, a miserable failure of curiosity on my part, sorry), but it turns out that one major manufacturer is a company called Martin Baker, and they have a tradition whereby they give out special commemorative ties to pilots who successfully eject using their kit (‘successfully’ in this case very much means ‘are still alive by the time they hit the ground’). This is a page on Martin Baker’s website that tells you all about the club and shares some stories from its members – if you’re a nervous flyer then this perhaps isn’t one you should dwell on too closely, but for the rest of us there are some great Boy’s Own stories in here about miraculous escapes and what it feels like to press a button knowing that it’s the only thing standing between you and a mangled, fiery and unpleasantly-vertical demise.
  • Reliquary Relics: I need to pop back to Rome at various points over the next year to continue the glorious process of death administration, but one of the positives of this is that at some point or another the temperature will probably drop below 30 degrees and it will be cool enough for me to do the small tour of gruesome religious artefacts of which Rome has more than its fair share – there’s one particular church that claims to have the ACTUAL HEAD of John the Baptist hanging out in its crypt, for example, and who doesn’t want to see that? NO FCUKER, etc! Anyway, if you don’t have cause to visit the eternal city anytime soon, or if you think ‘fcuk just looking, I want to OWN a piece of holy history!’ then perhaps this site will be up your street. “Since 1972 FLUMINALIS is worldwide the leading company in selling complete interiors from CHURCHES & MONASTERIES”, says the homepage, and I have no reason to doubt them (but the more suspicious-minded amongst you might wonder about the legitimacy of the provenance of some of this stuff) – the Page I’ve linked to is specifically the Reliquaries section, where you can browse such exemplary bits of religious paraphernalia as the mummified skull of a blessed nun, or even an altarpiece containing a fragment of the ONE TRUE CROSS (NB – Web Curios takes no responsibility should the fragment not in fact turn out to be from the ONE TRUE CROSS). Prices, sadly, are on application only – but anything would be a small price to pay to own one of St Peter’s phalanges.
  • Harry Potter – The GenZ Rewrite: On a purely linguistic level, I think this might be one of the worst things I have ever seen (and I say this as someone who has little to no emotional connection to the Potter books) – this is the link to the Github page of a work-in-progress group project seeking to translate each of the Harry Potter books into modern idiom, chapter by chapter. They’re only 4 chapters into book one, but, MY GOD, this is hideous – scroll to the ‘Book Index’ subheading and click the chapter headings on the page to dive into each, but here’s a flavour of how screechingly-horrible this is: “Just then, the doorbell rang – “Oh, sweet baby Jesus, they’re here!” said Aunt Petunia frantically – and a moment later, Dudley’s bff, Piers Polkiss, walked in with his mom. Piers was a scrawny boi with a face like a rat. He was usually the one who held people’s arms behind their backs while Dudley threw hands.”  I refuse to believe that there will be the collective stamina to finish the whole canon – but then again, people are WEIRD. Part of me does rather like the idea of this becoming the canonical version for future generations, though.

By Jesse Simpson

NEXT UP, HAVE THIS DRONE-Y-BUT-WEIRDLY-COMPELLING MIX OF TECHNONOISE BY THE EQUALLY-WEIRDLY-COMPELLING POWERSHERLOCK! 

THE SECTION WHICH PERSONALLY DOUBTS THAT THE UK CAN AFFORD THE EUROVISION ELECTRICITY BILL, PT.2:  

  • The Myanmar Conflict Map: Myanmar continues to be one of the world’s slow-moving tragedies, and this is a superb resource, maintained by the INternational Institute for Strategic studies, for keeping track of how the conflict in the country is developing and where. “The Myanmar Conflict Map is a platform for tracking, visualising, and analysing reports of violence in Myanmar. By highlighting specific conflict dynamics and isolating a set of six separate warscapes, the map gives readers a framework for understanding the nature and direction of what may seem like indistinct violence from afar. In subsequent updates, the map will illustrate the conflict’s grave humanitarian consequences for Myanmar’s population of over 50 million people, and geopolitical implications given Myanmar’s position between China, India, and the rest of Southeast Asia.” – whether you’re politically interested or otherwise, this is a really smart and nicely-made piece of datavisualisation and mapping.
  • Last Seen: Information Wanted: This is a fascinating historical project: “Last Seen: Finding Family After Slavery aims to identify, digitize, transcribe, and publish ads placed in newspapers across the United States (and beyond) by formerly enslaved people searching for family members and loved ones after emancipation. These newspaper ads began appearing in the 1830s (our earliest ad appeared in The Liberator in 1832) and greatly increased in frequency in the years immediately following emancipation (1865) and continued well into the 20th century. (The collection includes an ad that appeared in The Richmond Planet in 1922.) These ads not only document the extensive separation of Black families through the domestic slave trade but also attest to the persistent efforts thousands of people made to reunite with those from whom they had been separated. In the ads, mothers search for children separated through sale, daughters and sons seek parents, men and women inquire about partners and spouses, and siblings search for one another—they include names, describe events, and recall last seen locations. All this information, crucial to genealogists and scholars alike, is published in this open-access collection.”
  • Rail Photos: I think it’s reasonably statistically0likely that at least one of you will be REALLY into trains – this is for YOU, mystery ferroequinophile (this may not be a totally correct or indeed sensical term, but you should at least give me points for effort here)! This is the website for the Center for Railroad and Photography Art, a US institution “passionately committed to telling railroading’s stories through imagery: interpreting the past creatively, connecting it to the present while looking to the future.” What this basically means is that there are LOADS of excellent photos and images of trains cutting through the massive North American landscape, which, even if you’re not the sort of person to stand at the end of a platform with a notebook and HB and who’s spent the past year muttering darkly about ‘that fcuking arriviste Bourgeouis’, contains an awful lot of really quite wonderful images.
  • Make My Drive Fun: This is a great little site (or it would have been were we living in a time when ‘taking a long drive’ didn’t also require ‘taking out an additional mortgage’) – give it any two places you choose and it will display the road route between them, flagging up interesting or notable places along the way which you can use as stopping off points. Admittedly the word ‘fun’ is doing a bit of heavy lifting here based on some of the suggestions  – I’m not sure takin hour-long detour en-route to Manchester to check out Bromsgrove’s National Telephone Kiosk Collection is necessarily a definition of ‘fun’ that I or indeed anyone else might reasonably agree with – but as a way of discovering pleasingly-obscure visitor attractions this is almost unparalleled (and works worldwide).
  • RobotOverloards: MORE AI-GENERATED IMAGES! This time it’s on TikTok, where this channel regularly posts videos showing the various outputs generated by a selection of different software when given the same prompt. So a recent video, for example, shows what the machines envision when you ask them to imagine ‘creates from the deepest part of the ocean’, or ‘the last people on earth singing the last song’. I quite like the idea of using these things to do small ‘prompt challenge’ competitions – you know, asking people to create AI-generated works with certain input constraints (specified terms you have to use, for example) and seeing how people manipulate the software to make oddities (there’s definitely a BRANDED CONTENT COMPETITION IDEA here, for example, but I am sure you have far better ones).
  • Guess The Prompts, Win A Prize: More creative fiddling with use-cases for AI imagery, this is a fun new artprojectcompetitionthing by Damjanski, who has put a certain amount of crypto into a wallet and is asking users to see if they can guess what the seed phrase to access said wallet is based on a video of AI images which have been generated using the terms from said seed phrase. Damjanski told me that so far noone’s managed to guess the exact phrase, meaning the cash is still available – should you fancy spending the rest of the day banging your head against a metaphorical brick wall attempting to somehow work out the exact prompts they fed the machine in exchange for an unspecified number of magic beans then NOW’S YOUR CHANCE! This is a great idea and eminently-replicable by any number of brands, should you wish to embark upon some naked creative thievery.
  • The Excel Open 2022: Whilst the BIG BOYS of the data-entry-and-pivot-tables world are currently engaged in LIVE TELEVISED BATTLE for the Excel World Championship, there’s another MASSIVE EVENT slated for 2022 and it’s one that we can all participate in! Anyone can enter this year’s Excel Open for a relatively small fee (entries are open til October, but the earlybird entry fee of $25 is only available til the end of the day so GET IN), so if you think you stand a chance of beating some of the world’s most competent cell-wranglers in open combat then put your money where your mouth is and show up. It’s unclear exactly what the eventual prize for victory is, but surely no material gain can compare to the adulation of one’s peers and the attainment of basically Godlike status (amongst a very small subset of people, fine, but beggers/choosers, etc).
  • Save Slack: For those of you who use Slack but who see no point in forking out for the premium product, you may find it occasionally-irritating that you can no longer search the archive of all your messages – well, thanks to this tool you now can. “A lot of knowledge is locked up in Slack communities. Recently Slack announced a pricing change which meant that this knowlege would all disappear after 3 months (change effective 1 September – you can read the details on their blog.) In order to free this knowledge and make it searchable by your community, you can export a .zip file of all public Slack channels in your community, parse the json files, and create a nice, searchable, public website for your community. But that’s kind of a mission, so we built this tool to make it easy.” Unsexy but potentially-helpful.
  • SubReddit Overlaps: Another unsexy-but-useful tool, this, which lets you plug in any subReddit you want and displays the other subReddits that users frequent most often – super-helpful for working out the Reddit ecosystem around a topic, which is something that I’ve personally found that most of the popular social analytics tools are fcuking terrible at, in the main.
  • Ghost Signs: The official motherlode of imagery of ghost signs across the UK, compiled by the History of Advertising Trust and featuring brilliant examples of fading brand messagingf from around the country. I was trying to think about other forms of modern cultural archaeology that will develop over time, and kept getting stuck on what any survivors 500 years hence will make of that brief 3-year period in which significant proportions of London’s streets were covered in tiny metallic cannisters.
  • iNaturalist: This is quite, quite wonderful. iNaturalist is a map, app and community which basically lets people share things they have seen with nature with other enthusiasts, and which acts as the most incredible guide to the natural world around you. I had literally no idea this existed til this week, but it is HUGE – click on the ‘Map’ and zoom in til it stops being horribly pixellated and you instead start to see the literally hundreds of thousands of markers that people have laid down to pinpoint the places where they saw, say, a pearl-throated warbler or a megastoat (neither of these are, to the best of my knowledge, real animals btw). If nothing else, this is a superb way of seeing what animal life exists in the immediate vicinity to you – seemingly everywhere in the world has had people uploading and tagging species and photographs, and there’s something genuinely wonderful about the fact that this community has obviously quietly existed for years. Wholly wonderful – but, it’s important to mention, this is NATURALISM (animals) rather than NATURISM (public nudity), and it’s probably important that you bear that in mind before clicking to avoid disappointment (and a fast ban when you upload the wrong sort of photography).
  • Instagreen: A cute idea, this, by Oli Frost – Instagreen is a (spoof) service that offers you the opportunity to buy photos to glam up your Insta feed without needing to take any of the flights or do any of the conspicuous consumption necessary to actually get these shots – thereby allowing you to fake the influencer lifestyle whilst keeping a low carbon footprint. This rather feels like a campaign in search of a brand/sponsor, but it’s a nice little gag and the promo video made me laugh twice, which, honestly, is no mean feat right now.
  • A Night At The Garden: This is fascinating and very creepy, and something I had never heard of before finding this site. “In 1939, 20,000 Americans rallied in New York’s Madison Square Garden to celebrate the rise of Nazism – an event largely forgotten from American history. A NIGHT AT THE GARDEN, made entirely from archival footage filmed that night, transports audiences to this chilling gathering and shines a light on the power of demagoguery and anti-Semitism in the United States.” This site features the short film in question, along with a selection of companion materials offering deeper reflection on the rally itself and the way it’s been conveniently airbrushed from US history (or at least the version of US history that gets exported – I appreciate for the Americans amongst you this may be old news).
  • Citroens: Do you LOVE slightly-idiosyncratic French car design of the 20th century? OH GOOD! This site is a personal labour of love created by someone in the Netherlands who clearly really, really likes Citroens – there’s a wonderful collection of old brochure ads for the A Class and other models here which is a great trip back into BRANDING OF THE PAST, and I can’t help but fall hard for personal websites which feature stuff like ‘a photographic collection of all the vehicles I have ever owned’ because, honestly, what could be purer than this?
  • The Horror Movie Noise Generator: You may not think you want a machine that can make the sort of noises that accompany scenes like ‘the creeping approach of the vampyr’ in old films, or that can generate terrifyingly-accurate creaking door or nails-on-blackboard sounds, but take a second to watch this video and then tell me that you don’t want to order one RIGHT NOW and spend the rest of the year enacting a low-key campaign of aural terror against your flatmates/neighbours (delete as applicable).
  • SumTwo: The last of the miscellaneous links this weeks is this simple-but-addictive game which asks you to do nothing more complicated than some simple addition. Easy, right? NO IT IS NOT EASY. Like a cross between 2048 and Tetris, this is infuriatingly one-more-go-ish.

By Marty Schnapf

THE LAST MIX OF THE WEEK COMES IN THE FORM OF THIS CRACKING DISCOFUNKISH SELECTION BY BANSHEE DISCO! 

THE CIRCUS OF TUMBLRS!

  • Not Pulp Covers: “Pin-up, Illustrations, Advertisments, and Other Things that are Not Pulp Covers” (but which are very much aestheticlly-adjacent to pulp covers).

THE TROUGH OF (INSTA) FEEDS!

  • The Synthetic Party: FASCINATING. A Danish art project which presents itself as a political party seeking to use artificial intelligence to create policies that will appeal to the 20% of the Danish electorate that doesn’t vote (lol at the idea that an 80% turnout is anything to be ashamed of!). SUCH an interesting idea, and the Insta feed is a wonderful and unsettling collection of imagery that merges the traditional sort of aesthetic of a political movement with the otherwordly visual style of the current crop of AI imagemakers. You can read more about the project here if you’re interested (it’s all in Danish, but Google does a pretty good job with the translation afaict).
  • Katherine Castle: An Insta feed recommended to me by Adam, Katherine Castle is a games journalist who uses her Instagram to recommend books – to quote him, “No idea how she finds them all, but @Byrneinator‘s IG account  is my go-to source for outside-mainstream books and thoughtful, digestible reviews that help you gauge if you’d like them.” A quick skim back through the TL suggests he’s absolutely right – there are some wonderful, unusual titles here.
  • Shahin Sepehrri: Beautiful, cinematic rotoscoped animations here, (I think) taken from or inspired by cinema. These are really rather lovely, and there’s something inherently soothing about rotoscoping (to my mind, at least).
  • Found In A Library Book: I think I have mentioned this project before, but it now has an Insta feed and I am an absolute sucker for projects documenting found materials – this feed shares things that have been left in books belonging to the library of Oakland, and it’s only 13 posts in but I love it already. How can you not go weak for stuff like this?

LONG THINGS WHICH ARE LONG!

  • Growth: I confess to not being much of an economist – but, then again, judging by the singular success that various economic brains have made of ‘working out how money and society interact and how we can ameliorate the latter through judicious control of the former’, it’s not entirely clear to me that anyone else is much of an economist either tbqhwy (is…is it all just lies or at best massive conjecture? It does rather feel like it might be) – but I found this piece in the LRB, collating impressions on a selection of books addressing the question of growth and its continued desirability in the face of The Current State of Everything, to be a rather useful overview of main theories around whether or not we should continue to use it as a measure of ‘success’ or whether we perhaps ought to start prioritising ‘degrowth’ (or, at the very least, abandoning the ceaseless pursuit of ‘increased GDP’ above all else). This is a clear and instructive guide to quite a lot of (to me at least) chunkily-difficult economic questions – I find it hard to imagine how you might read this and not conclude ‘we probably need to ease up on the growth, eh?’, but as ever your mileage may vary.
  • Inflationary Vice: Seeing as we’re ‘doing’ economics, this piece by Theodore Dalrymple on inflation and what it means for individuals (and societies) is an excellent short(ish) explainer on what we can expect from the next 12  months of soaring rates. I found this particular section interesting/troubling from the position of thinking about crypto, NFTs and stockmarket speculation a la GameStonk, for example: “even less catastrophic levels of inflation have profound psychological, or perhaps I should say characterological, consequences. For one thing, inflation destroys the very idea of enough, because no one can have any confidence that a monetary income that at present is adequate will not be whittled down to very little in a matter of a few years. Not everyone desires to be rich, but most people desire not to be poor, especially in old age. Unfortunately, when there is inflation, the only way to insure against poverty in old age is either to be in possession of a government-guaranteed index-linked pension (which, however, is a social injustice in itself, and may one day be undermined by statistical manipulation by a government under force of economic circumstances, partly brought about by the very existence of such pensions), or to become much richer than one would otherwise aim or desire to be. And the latter turns financial speculation from a minority into a mass pursuit, either directly or, more usually, by proxy: for not to speculate, but rather to place one’s trust in the value of money at a given modest return, is to risk impoverishment.”
  • A Pessmistic Reading of Current Machine Learning: In the midsy of all the frothy excitement around OpenAI and Google’s efforts in developing ML models (and all the others), it was interesting to read this somewhat-more-pessimistic take from, er, some anon on Reddit. The tl;dr here is ‘if we continue training machines in the way we are currently doing we are likely to end up in some rather miserable creative cul-de-sacs and it’s not entirely certain we will be able to escape whatever corners we have managed to paint ourselves into at that juncture’ (unpleasantly-mixed-metaphors here are entirely my own work, thankyouverymuchindeed). As the author writes, “I’ve yet to set anyone discuss the train – generate – train – generate feedback loop that long-term application of AI-generation systems imply. The first generations of these models were trained on wide swaths of web data generated by humans, but if these systems are permitted to continually spit out content without restriction or verification, especially to the extent that it reduces or eliminates development and investment in human talent over the long term, then what happens to the 4th or 5th generation of models? Eventually we encounter this situation where the AI is being trained almost exclusively on AI-generated content, and therefore with each generation, it settles more and more into the mean and mediocrity with no way out using current methods. By the time that happens, what will we have lost in terms of the creative capacity of people, and will we be able to get it back?”
  • ‘Spicy Takes’ on AI Policy: A Twitter thread (here presented in threadreader format because I’m not a total sadist) in which Jack Clark, who works in AI, offers a selection of what he terms ‘spicy takes’ on AI policy development. Whether or not you agree with all of these is less important than the fact that Clark raises a bunch of hugely-interesting and important general points about the way in which government currently thinks about AI, and the way in which this thinking might potentially be storing up some future diffiiculties when we come up hard against poorly-thought-through policy measures scribbled out as much as a box-ticking exercise as anything else. Smart and interesting throughout – as Clark says, “AI really is going to change the world. Things are going to get 100-1000X cheaper and more efficient. This is mostly great. However, historically, when you make stuff 100X-1000X cheaper, you upend the geopolitical order. This time probably won’t be different.” We probably ought to start thinking about how that upheaval might play out, and how we might want to protect people against the resulting vicissitudes (but we probably won’t, will we?).
  • An Interview With Midjourney’s Founder: Midjourney (as I am sure you all know) is basically Dall-E but with a different prevailing aesthetic and an interface that only works through Discord (which explains why I have used it less than Dall-E – sorry, but I can’t stand Discord, and yes I know that this is entirely a factor of middle-aged platform reticence – and why it’s generally less famous) – here its founder opines on the future of AI generated imagery and human creativity and THE FCUKING METAVERSE. There’s loads of interesting stuff here, from the fantastical-but-eyecatching “in 10 years, you’ll be able to buy an Xbox with a giant AI processor, and all the games are dreams”, to the more banal-sounding but in some respects more fundamental “and personally, I don’t think the world needs more deepfakes, but it does need more beautiful things, so we’re focused toward making everything beautiful and artistic looking” (yes David, but whose definition of ‘beauty’ are we working to here? And why? And where did that definition come from in the first place, and does it make sense to calcify this in the machine mind?). Really interesting (if a bit handwaveywanky, and certainly a very soft interview).
  • Growing Monzo: This is not exactly a sparkling piece of prose, but if you’re the sort of person whose response to ‘would you like to read an exhaustive account of how they launched Monzo and made it ubiquitous amongst the under-25s during the 2010s’ is ‘YES YES YES’ then, well, you’ll enjoy this. This covers everything – product, PR and marketing, UX and UI design – and is (in a very specific and I appreciate not-exactly-mainstream way) kind-of fascinating.
  • The Sex Lives of Gen-Z: The topline takeaway here is ‘you know that trope about how the kids aren’t boning anymore? Yeah, it’s not true’ – but there’s loads more interesting stuff in this Vogue UK piece about how young people relate to sex and relationships in 2022. You may be unsurprised to learn that The Apps don’t exactly enjoy a lot of BRAND LOVE amongst a generation that has grown up with the; I would be amazed if someone didn’t successfully bring back speed dating later this year (perhaps with a revamped recessionary twist, like you hug a different stranger for warmth every 3 minutes, or squeeze into an outsize woolen jumper together for the duration of your date). Special mention to Zehra, who says she has casual sex “10-15 times a month” which is a truly HEROIC bodycount (I can tell I am getting old because my first thought on reading that was “I do hope she’s being safe” – I am evidently at the ‘gently avuncular’ phase of my slow trudge towards death) (also, important to note that she in the next breath mentions being part of a circle of ‘models’, which perhaps explains the success rate here for any of those of you feeling slightly-inadequate by comparison).
  • That Story About The Academic Paper About W4nking: This is very much one of those articles where I feel compelled to say that if this headline means nothing to you then, frankly, move on! Revel in your ignorance! If, however, you are even a bit online you will have seen the furore this week over the Manchester University Phd who got funding for, and published, a paper exploring their experiences w4nking to drawings of pubescent boys, and might be wondering ‘er, wtaf?’. This is a sober overview of the whole mess, which makes the sensible point that we are (oh, ok, fine ‘those of us who spend significant amounts of time on Twitter are’) so utterly broken by constant culture war sniping and left/right performative sniping that you had the very weird spectacle of a bunch of people on the left reflexively defeinding something…pretty indefensible just because a Tory MP complained about it. The precis here is basically “read things before publicly stating an opinion, please God” (but also, “autoethnography is a deepy weird field”, and also “do people in academia really pay no attention to stuff that they sign off for publication?”).
  • The BeReal Security Risk: This is a bit of a thin story, fine, but I very much enjoyed this in a general ‘everything is an infosec vector’ sort of way – the basic takeaway here is that ‘in the moment’ photosharing app BeReal is causing untold difficulties for businesses as people take snaps in the office and fail to obscure potentially sensitive documents visible on screens or desks, like some sort of low-key GenZ equivalent to ‘paps trying to get photos of MP’s notes as they emerge from Number 10’.
  • The Automated Videos Business Pipeline: It feels like a basic truth of human nature that there is no ‘get rich quick’ scheme so transparently ludicrous that it can’t somehow attract enough people to keep a not-insignificant number of grifters in coin – so it seems to be with the current vogue for automated videos on YouTube. You’ll have seen these pieces of drek if you’ve ever spent any time searching YT for information – low-quality, information-light slideshow content which crops up with infuriating regularity should you search for anything even vaguely-zeitgeisty. Whilst there are definitely some people making money out of this via monetisation and advertising, that pales into insignificance when compared to the number of people making money out of selling ‘how to’ courses to gullible mooks.
  • GenZ Films: An article looking at three films coming out this summer, bundling them together in a vague fashion as ‘a new wave of GenZ focused cinema’, characterised particularly by the way in which characters lives reflect the boundaryless nature of the new ‘there is no distinction between on and offline’ reality. I’m interested in this in a general sense – the idea that one’s lived experience is increasingly constructed of a series of platform layers sitting atop meatspace, and each of these interact with each other and the physical world in multiple ways, and indeed when we interact with each other all these layers also interact, is something that I think is yet to be adequately explored in cinema or theatre (and, I would argue, literature too – personally whilst I think Patricia Lockwood is a genius I also don’t think this is quite what she’s doing).
  • A Drink At The Lighterman: A lovely piece of writing by Jimmy McIntosh in The Fence, detailing a visit he and some friends took to the Lighterman, apparently London’s ‘most isolated’ pub. If you’ve ever had a night out at a pub where you didn’t belong but where noone seemed to mind and welcomed you anyway this will resonate immensely – the portrait of the place and the punters is lovely, and reminded me of a night spent at an old flat-roofed pub on a North London estate about 15 years ago which featured a meat raffle, an hour-long Bontempi Organ concerto, and the best insult I have ever been subjected to (from some kid crossing the estate with his mates: “Oi! Silly hair! Fcuk off!” – there really is no coming back from that, turns out).
  • The History of Guinness: Those of you who are EXPERTS IN BRAND and all that jazz probably knew all this already – I hate brands, though, and so this was all entirely new information and I found it fascinating. It’s not the best writing you’ll read all week, fine, but if you want a neat overview of the history of Guinness and some of the key points from the brand’s heritage – which, no doubt, you can use for INSIGHTS should you be that particular flavour of awful cnut – then this will be right up your street. If nothing else the sheer number of serious scientists involved in the development of the various kegs and cans used to preserve the pint’s integrity was slightly-startling to me.
  • How Magicians Won Facebook: It feels very much like this piece (in the Economist, of all places) should begin with quite a big ‘thanks to Ryan Broderick who first noticed this’, but it doesn’t. Such is journalist, I suppose. Anyway, this is a very entertaining piece by Ashley Mears (who you may recall had a lot of press a few years back around her memoir about the sociology of ‘elite’ nightclubs (particularly the sociology of the men who buy bottle service to tempt women who they would never otherwise get to touch into letting them touch them) about the network of magicians-turned-content-creators who are the most-recent group to have ‘;beaten’ the Facebook algorithm and who as a result have seemingly managed to flood the platform with incredibly-viral but utterly-nonsensical content (“woman dumps saucepan of spaghetti onto marble counter, mixes it with her hands, eats some with no cutlery”, that sort of jazz) and monetised it to the tune of seven-plus figures. I know I have banged this drum a lot recently, but can I once again say ‘turning us into content monkeys slavishly making stuff that we don’t understand the appeal of for an unknowable algorithmic God’ is perhaps not a great vision for the future. Still, CREATORS!!!!
  • Looking For Clarence Thomas: I appreciate that a profile of US Supreme Court Justice Clarence Thomas is perhaps on the face of it a bit niche for a mostly-non-US audience, but this is an astonishingly good piece of writing which stands on its own merits regardless of your personal interest in exactly how a Black man from the poor South has ended up being one of the most important conservative forces in modern America. This covers history, politics, race, poverty…it’s a proper virtuoso piece of work and I can’t recommend it highly enough, even if you (not unreasonably) think that politics in your own country is enough of a sh1tshow without you having to familiarise yourself with the US’s nightmare thankyou very much.
  • August And Everything After: Finally this week, an opportunity for me to express what is almost certainly the uncoolest opinion I have ever committed to Curios (and be aware that I know full well that this is not a ‘cool’ publication) – to whit, that ‘August and Everything After’ by Counting Crows is a perfect album. Helena Fitzgerald agrees, and this essay (less about the album than the ur-concept of ‘a perfect album’) is lovely, and spoke to me in the way that only writing about stuff that your teenage self adored can do. “A perfect album is different from a great album, and lots of great albums are better than lots of perfect albums. It’s not just that it’s all bangers and no skips, although it is that. It’s a vibe, but a perfect album is always a vibe. Perfect is a particular flavor, like sad or divorced or extremely online. A perfect album completes a single uninterrupted gesture from its first track to its last track. It cuts one straight line through the forest. It’s a cold shower on a hot day, an open window in a stuffy room, a cup of coffee after the first good night’s sleep in weeks. It’s a statue carved whole from a single block of marble, complete in itself, requiring neither context nor biography.” YES YES YES.

By Adrian Mato

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 05/08/22

Reading Time: 31 minutes

It’s fair to say that being back in England for the first time since December has provided its fair share of culture shocks – you’re all so pale! you show so much flesh! man, you eat a lot of potato products – but, generally, I can’t tell you how nice it is to be home. I have seen my girlfriend and her cat! I have been to the pub (more than perhaps is wise)! I have been out for dinner! I have spoken to people in English! Who aren’t carers! Honestly, I’m quite giddy with the excitement of it all.

Which is good really, because all this excitement is preventing me from thinking too hard about how I’m going to do things like ‘pay my mortgage’ and ‘not freeze to death’, or wondering why a cornershop run now seems to cost a minimum of a tenner and a kidney, or why everyone has a generally-pervasive look of looming dread threatening their countenance.

Still, it’s fine because LIZ WILL SORT IT. Oh, God, we’re so fcuked. Anyway, you probably don’t want to think about any of that either, so have some links and words by way of a temporary plaster on the gaping axewound that is ‘being made of flesh in the 21st century’.

I am still Matt, this is still Web Curios, and you’re looking lovely today.

By Avion Pearce

LET’S KICK THIS ALL OFF WITH A POWERFULLY-CRUNCHY (TRUST ME IT MAKES SENSE WHEN YOU LISTEN TO IT) TECHNO MIX BY FPSDJ

THE SECTION WHICH IS STARTING TO WONDER WHETHER WE OUGHTN’T THINK ABOUT ENACTING SOME SORT OF COLLECTIVE REVENGE ON THE PEOPLE WHO KEEP ON VOTING FOR THESE FCUKERS, PT.1:

  • You Are Here: Noone ever asks me ‘So, Matt, what makes a perfect Web Curio?” (WHY DO YOU NOT ASK ME YOU INCURIOUS FCUKS??), but, if they did, this link is EXACTLY the sort of thing I would point them at. A dense, brilliantly-styled, evocative and apocalyptic artwork by (I think) Slovenian artist Sara Bezovšek, this is a dizzying rabbithole of graphics and layers and hidden links and weirdly-apocalyptic storytelling, effectively presenting a semi-dystopian (and, equally, perfectly-recognisable) picture of ‘WHERE WE ARE RIGHT NOW’ as a species, covering the climate crisis and social fears and technodoomerism and SO MUCH MORE in a series of hyper-heavy, ultradesigned collage webpages, each of which is its own incredible artwork. I appreciate that this is a frankly-risibly-bad description, but click the link and realise why I am struggling somewhat – this is partly apocalyptic treatise, partly post-Geocities design project, and wholly wonderful digital storytelling (if, er, you can cope with the central message which is basically ‘we are all utterly fcuked’). I cannot stress enough how wonderful this is and how much I love it – seriously, the collaging on the imagery alone is fcuking astonishing, let alone the way it simultaneously manages to tell a story. Imagine this laid out horizontally across videowalls in a gallery – wouldn’t it be amazing?
  • Explore: So, have you all left Instagram now that they’ve fcuked it with the algocontent? No, you haven’t, because despite the fact you don’t actually enjoy using it anymore it’s become part of your daily digital rituals and you could no more abandon it than you could abandon, say, coffee. Still, it’s miserable and sh1t and you don’t enjoy it anymore, and it’s not even useful for keeping pace with the lives of people you used to like but no longer really have anything in common with but whose activities you have a social obligation to at least be vaguely across – so here’s an alternative! It’s not live yet, but you can sign up to beta access to Explore, which promises to be “a brand new platform for creatives. A place where you can share your work and meet the community without the distraction of ads or unwanted content” (you’re all ‘creatives’, aren’t you? YES YOU ARE!). Basically this is intended to be a place for all those people who feel algofcuked by Insta to the extent that they want to take their professional photography/design/CREATOR presence elsewhere – it plans to launch later this year, and you can sign up for beta access at the link. No idea whether it will take off or not – is anyone using Glass? – but it’s worth a look if you’re feeling all algofcuked by the ‘gram.
  • Coastal World: There will inevitably come a time when I am bored of poorly-rendered 3d environments created by agencies for clients with more money than sense, but we aren’t quite there yet. Welcome, then, to Coastal World, a slightly-baffling digital playground created by Coastal Community Bank, a US lender who for some reason has seen fit to spend what I presume is a non-trivial amount of its marketing budget on…”an immersive 3D web platform that promotes, educates, and informs visitors about digital banking solutions that best fit their lifestyle, values, or specific financial situations through a fun and engaging online experience.” A quick question – if you wanted to learn more about a bank’s products or services, as a potential customer, would you prefer to A) look on a website and click ‘products and services’ and read about them; or B) clumsily navigate a strangely-potatoish avatar through some soft-play-styled CG hills desperately searching for the ‘character’ who when clicked can tell you all about the bank’s lending policy? LITERALLY NOONE IN THEIR RIGHT MIND WOULD CHOOSE B WHAT IS WRONG WITH YOU??? Ok, so this is actually quite nicely-made, and feels pleasing to wander around, but, look, NO FCUKER WANTS TO HAVE TO WALK ACROSS A VIRTUAL TOWNSCAPE TO LEARN MORE ABOUT A CREDIT CARD’S APR.
  • Lifeforms: For some reason I’ve been thinking a lot about tamagotchi recently, and the strange fact that we’ve not had any interesting developments in the ‘virtual pet or lifeform’ space for quite a while, despite the immense computational advances that the past few decades have seen. Lifeforms is perhaps a counter to that – although I regret to inform you that, yes, it’s a fcuking NFT project. “Lifeforms are NFT-based entities. Like any living thing, lifeforms need regular care in order to thrive. If not properly looked after, lifeforms die. A lifeform that has died will no longer appear in wallets, is not transferable, and cannot be brought back to life in any way. How do you care for a lifeform? Within 90 days of receiving it, you must give it away…Lifeforms are open for public creation. The amount of lifeforms that can be created is uncapped. After lifeforms has been open for some time, this page will include population and life expectancy data. For the moment, this information is unknown. Lifeforms run on polygon, a proof of stake network with a low ecological footprint. Currently, lifeform creation costs ~10 MATIC.” So at the time of writing that’s less than a tenner – which, fine, is still ten quid, but doesn’t feel like an insurmountable cost to mess around with blockchain-based VIRTUAL LIFE.
  • Notable People: A brilliant little bit of dataviz, this. Notable People is a visualisation of where particularly significant humans were born – spin the globe, zoom and pan, and see where some of our species’ great achievers drew their first breaths. Such a smart use of open data, this – it takes data from Wikipedia and crunches it to decide which names should show up where (there’s a nice thread here talking about some of the anomalies that this throws up, including Natalie Portman being more notable than Jesus), using stuff like ‘average article length’ to determine relative noteworthiness. This has been everywhere in the past fortnight, so I imagine you’re probably seen it already, but in case not it really is quite a wonderful timesink and you can’t fail to learn things (such as that Camilla Parker Bowles was born near where I live in London, and that Hugh Grant was born exactly where you expect him to have been).
  • The Kubrick Times: One of the (many) great things about the Big AI Boom of 2022 is all the interesting ways in which people are using the exciting new creative machine tools at their disposal for collaborative projects – so it is with this one, by Matt Round. The Kubrick Times takes as its starting point a fictional series of stories whose headlines were mocked up in 2001: A Space Odyssey as part of the worldbuilding effort. “For 2001: A Space Odyssey, Kubrick’s team wrote 36 futuristic New York Times headlines to appear on iPad-like devices. HAL 9000 isn’t available, so we used OpenAI’s neural network tech to turn those headlines into full AI‑generated articles. GPT-3 wrote text from prompts based on the 36 original headlines, along with additional fact boxes from related phrases. DALL·E 2 produced images using a similar process. The fake ads use AI-generated photos and slogans. New York weather data for the year 2001 was sourced from Visual Crossing Weather.” This works SO well – Matt spent a lot of time curating and tweaking this to make it good, and you can read a thread of the process here should you be interested (you should be – it’s rare that someone takes the time to talk you through the process of taking something from concept-to-reality, and it’s always useful to see how people think and do) – and there really is something slightly-magical about this marriage of man and machine. I am sure that this stuff will all get old sooner rather than later – as previously mentioned, I already have a slight degree of AI-image fatigue – but it’s hard not to get slightly-excited by the possibilities afforded by Centauring with this stuff. You can see a similar project at The Daily Wrong, which posts GPT-3 articles and Dall-E created images to produce an entirely-fake news website – less interesting, imho, but there’s a whole space here which feels like it’s going to end up being 99% of the internet in approximately three years’ time.
  • The Department: This is an interesting idea, though it’s yet to launch properly and so I can’t tell you whether it actually works or not. Still, the concept is a smart one – the gimmick here is that The Department will use AI natural language processing to help you find outfits. So, rather than searching for specifics like ‘that Galaxy dress from a few years ago’ (I AM SO FASHION!), you can instead feed the app inputs like ‘trousers than make my legs look marginally less like pipe cleaners than they might otherwise do’ or ‘jumpers than hide my massive gut’, or ‘a sexy-yet-formal outfit in burnt orange that works for the larger-chested person’ and it will, so it promises,find the PERFECT item. Now obviously I haven’t tried this, and I am a touch sceptical about how well the software will actually be able to parse your requests, but we’re very much on the cusp of something transformative here (I think – but, obvs, don’t quote me on this) when it comes to machines being able to interpret fuzzy requests in helpful ways, and I am hugely-curious to see how these sorts of things develop.
  • The Apple Store Time Machine: I confess to being somewhat confused by brand fetishism – you know, the people who love a brand or logo so much that they make it a cornerstone of their identity, like the Stone Island badge displayers – but if you’re one of those people who fetishises Apple and who has contemplated creating a small domestic shrine to Steve Jobs (HE WAS AN ARSEHOLE FFS STOP LAUDING BULLIES) then you probably need this in your life. “Travel back in time and revisit four iconic Apple Stores on grand opening day. The Apple Store Time Machine is a celebration of the places and products that have shaped our lives for more than twenty years. This interactive experience recreates memorable moments in Apple history with painstaking detail and historical accuracy.” Free to download, this is an opportunity to, er, visit some shops in VR – still, if you need something other than Beat Saber to put on your Oculus then this might provide a diverting distraction for 10 minutes or so. Snark aside, this is a fcuking astonishing labour of love (although, again, maybe…try loving something better?).
  • Tiny Mining: As we stare down the barrel of 18 months of recessionary horror, I imagine we’re all thinking ‘how the fcuk am I going to pay the mortgage / feed the children / keep myself in skag?’. Should you be in the market for some…esoteric solutions, you could do worse than download a copy of this ebook, which promises to teach you how to extract rare earth metals from your own body (you don’t even need to die!). “Tiny Mining [TM] is the first open source mineral exploration co-operative and resource specialist committed to the potential exploitation of the interior of the living human body for rare earth and other mineral resources in the interests of human and planetary health.” This is less a how-to manual on mining your p1ss for copper and more an art project, fine, but it’s fascinating and so perfectly-future it almost hurts.
  • The Comedy Pet Photography Awards 2022: LOOK AT THE DERPY ANIMALS! This year’s collection of silly-looking creatures is typically cute – my personal favourite is the cat wrestling with the camera tripod, but special mention should also go to the two images of comedy donkeys which, honestly, will not fail to make you feel marginally better about the fact that everything is fcuked and we are all going to die.
  • Confusing Perspective: A subReddit featuring photos where tricks of perspective make for very WTF-ish initial reactions. There are a troubling number of these which I still really don’t understand, despite having stared at them for minutes on end.
  • Language Please: A potentially-useful resource for writers and journalists, Language Please is a site which offers information and guidance on how to write about potentially-contentious or sensitive issues such as race and gender, describing itself as “a living resource for all journalists and storytellers seeking to thoughtfully cover evolving social, cultural and identity-related topics. With guidance, tools, and access to inclusivity readers, it offers necessary context to help newsrooms make informed decisions about the language we use.”  Worth bookmarking if you’re in the business of ‘content’ (sorry, but).
  • Illustration Chronicles: I LOVE THIS! “Illustration Chronicles explores a history of illustration through the images, illustrators and events of the past 175 years. Every few months the site picks a topic to explore. These topics inspire the types of work that get selected and once a piece has been chosen, the year it was made gets marked off the project timeline. Illustration is a fascinating subject and yet its history is rarely told. This project aims to champion the medium and bring some inspiration, insight and knowledge to readers everywhere.” Honestly, almost everything I have clicked on on this site is absolutely fascinating, from articles about the history of modern cartooning to a look at the career of Jamie Hewlett – this is an absolute goldmine of great imagery and interesting work.
  • 5h Train Journies: Pick any city in Europe and see how far you can travel in 5 hours on the train – given the fact that we should all have gotten the memo about plane travel being bad (says someone who’s going to have to do a reasonable amount of it in the next few months and feels quite guilty about it), this is a potentially great resource to help you plan a holiday that won’t make you feel bad about how much you’re fcuking the planet.
  • Emoji Kitchen: Having featured Jennifer Daniels’ blogpost about this app in the last Curios, here’s the web version – make your own emoji mashups! Deploy them everywhere! Create your own SIGNATURE EMOJI that defines your personality and vibe better than anything else! Get it tattooed! This is, slightly-shonky interface aside, rather a lot of fun (and I say this as someone who hates emoji).
  • Better Streets: Fair play to these people for attempting to make a quick buck out of their Dall-E/Midjourney access – I do wonder how many of these sorts of things we’re likely to see in the coming months as people scramble to get first-mover market advantage. Better Streets is a service which offers renders of utopian urban environments, for a low low price: “From car-free paradises to protected bike lanes, we’ll create custom-tailored images for you to share—on social media, with politicians, at neighborhood meetings, on telephone poles—wherever it matters most.   With the power of AI, combined with our 10+ years of urban planning experience, you’ll receive images that are guaranteed to excite, inspire, and change minds.” Thing is, anyone can do this if they have access to the software and I am not 100% convinced that any of the outputs here are better than what you or I would come up with after 20 mins fiddling – still, fair play to them for the grift here, which I slightly admire. What other variations on this can we imagine? Aesthetically-consistent art styles for deployment in your videogame/tv show house? Architectural renders? Start to think about this for a second or two and you begin to develop an appreciation for exactly how wildly-transformative all this is going to be for so, so many industries.
  • Parsnip: I don’t mean to blow my own trumpet (insert your own joke about rib removal here, I am tired and hungover and don’t want to), but I am a pretty decent cook – if, though, you are more McDonald’s than Michelin, you may find this app useful. Parsnip is a new app which is marketing itself as ‘like Duolingo, but for cooking’ – no idea whether it too has an inexplicably-horny owl mascot, but the principle of small, bite-sized daily exercises is broadly comparable. “On Parsnip, complex cooking expertise is broken down into quick, bite-size quizzes. All you have to do is play, learn the dishes that interest you, skip what doesn’t, and you’ll cook like a chef before you know it. From your morning coffee to waiting in line at the grocery store, Parsnip helps you level up your cooking skills. Inside, you’ll find more than 50 levels that challenge your cooking ability across 5 categories: ingredients, shopping, prepping, making, and techniques.” This feels like the sort of thing that might be genuinely useful for a young person living on their own for the first time, for example.
  • PrettyMap: Via Giuseppe’s newsletter, this is a lovely little app that spits out beautifully-stylised Gmap renders on demand. If you’re after a quick way of spinning up some vaguely-geographical prints for your shed/office/dungeon/hovel then this is a good place to start.

By Citlani Haro

NEXT UP IN THE MUSICAL SELECTIONS, ENJOY THIS VAGUELY-COUNTRYFOLKISH MIX BY TOM SPOONER!

THE SECTION WHICH IS STARTING TO WONDER WHETHER WE OUGHTN’T THINK ABOUT ENACTING SOME SORT OF COLLECTIVE REVENGE ON THE PEOPLE WHO KEEP ON VOTING FOR THESE FCUKERS, PT.2:

  • Recommend Me A Book: The past year’s stint having a miserable time in Italy has at leats had the small side-benefit of meaning I have read a LOT of novels (please, hit me up for recommendations, I have MANY) – I really like this site as a means of potentially finding new material, though, It’s a super-simple premise – a series of first pages of novels, presented with no information about the title or author, so you can simply see whether the prose grabs you enough to want to read more. This works both as a means of discovering new works to enjoy and as a guide to how to craft the opening to a book – looking through all these first pages you quickly get a sense of the ones that really speak to the reader and grab attention from the first line, and I imagine for the aspirant novelist there’s quite a lot of useful intel to be gleaned.
  • The Audubon Photo Awards 2022: LOVELY FEATHERY FRIENDS! The Audubon Society, as you will obviously all be aware, is the main American bird conservation organisation, and this is their annual selection of the best feathery photos of the past 12 months. LOOK AT THE LOVELY DINOSAURY FRIENDS! These are just beautiful.
  •  The Tornado Archive: Tornados were slightly ruined for me by 1990s tornado-chasing film ‘Twister’, which somehow managed to make giant killer wind towers deeply-tedious, but my interest was briefly-rekindled by this resource which is basically all the information you could ever want about tornados and where they are happening. “Tornado Archive is a dedicated to worldwide tornado history, climatology, “archeology” and media. We are a group of meteorologists, storm chasers, and weather enthusiasts who intend to preserve data, educate, and provide a hop off point for your weather related research and much much more.” This contains information about EVERY SINGLE TORNADO EVER RECORDED SINCE 1952, which, fine, I can’t actually imagine why you’d need it or what you’d do with it, but I am very glad it’s here and that it exists.
  • Color Journey: This is deeply pointless but also rather lovely, and I think it would be an interesting experiential VR installation should anyone be minded to make it one. “This tool/toy/demo is a way to navigate all 16 777 216 colors in the RGB color space. You are navigating a 256x256x256 cube, and based on your position, the background color is calculated. You can navigate the space just like you would navigate any 3D space in a videogame. Move your mouse to look around and use wasd to walk. You can also press E to go up, and Q to go down, and hold shift to move 5 times faster. Essentially, the more west you are, the more red you add. The more south you are, the more green you have. And the higher you are, the more blue component is in the color.” Effectively you’re strolling through the entirety of chromatic experience, which is pretty fcuking cool when you think about it – seriously, this is totally a VR gallery installation waiting to happen.
  • Early Web Memories: I’m sure I’ve mentioned this here before, but I have a very clear memory of the first ever time I used the web – it was 1996, and my college got its FIRST EVER internet-connected computer, and every pupil got to schedule a 30 minute session where they could EXPERIENCE THE WONDERS OF THE WEB. You were left to your own devices – such naivete! – but were given a book which was something like ‘The Usborne Guide To All Of The Websites’, which was literally a printed directory of urls that you could navigate to if you typed them in, arranged by theme. So, obviously, being 16, I flipped straight to ‘sex’ and decided to see what ‘Bianca’s Smut Shack’ was all about (I have definitely written about Bianca’s before, but there’s a nice writeup from 1995 here). Having never used a browser before, I was totally ignorant as to how hyperlinks worked – which meant that I was surprised and then terrified when I clicked on some blue underlined words and then found to my horror that a very pr0nographic image started loading line-by-line on the school computer (it involved a naked woman and a rubber glove, and it was…somewhat outside my comfort zone). Anyway, that’s basically how I ended up here (obviously a truncated version of the full story) – this has been a VERY long-winded intro to an excellent Reddit thread of people remembering the early days of the web, which I highly recommend if a) you’re old like me and want a bit of nostaglia; or b) if you’re young and want to do a bit of ‘what was it like in the analogue days, granddad?’ memoryspelunking.
  • Media Facade Simulator: “Media Façade simulator is a demo website built on the SHIFT LINK system for billboard simulation. Users can change the contents of the virtual images and check the images from any viewpoint, as well as the sounds recorded in the real Shibuya area. In the future, we will build a system that connects this simulation with the real world.” This is only moderately-interesting, but I LOVE the idea of this tech being able to link to real-world displays and one being able to manipulate, say, the Piccadilly Circus LED boards from one’s desktop.
  • Yesterland: Are you a Disney Adult? Do you feel…unfairly-maligned by the modern world’s decision that there is something wrong or freaky about your devotion to themeparks and the Mouse? Well, know that Web Curios DOES NOT JUDGE YOU (it does judge you), and in the spirit of support and allyship offers you this link to further feed your obsession. Yesterland is a wite dedicated to preserving memories of Disney themeparks past – old attractions, rides, bits of worldbuilding, etc, from Florida to California, are preserved here. So if you’ve ever wanted a deep and exhaustive dive into the history of Main Street in the Disney ecosystem, or a minute dissection of the flora of Epcot then, well, ENJOY!
  • StruckDuck: An Etsy shop selling optical illusions and tricks, and, for those of you with access to a 3d printer (what do you mean “who the fcuk has a 3d printer, Matt?”? Did you not all buy one in the great post-scarcity imagineering boom of 2011?), you can even buy models to create at home for just a quid or so. Fine, you may not think you want to buy a trick that lets you create the illusion of a ballbearing rolling up a flight of stairs, but I promise you these are more appealing than you might initially expect.
  • The Artist Averager: A fun little spotify tool which lets you put in two artists of your choosing and spits out a third artist which sits at a midpoint between your original selections based on Spotify’s tagging and analysis of musicians in vectorspace. There are limits to what it can achieve – it just got totally confused by my attempt to find the aural midpoint between Leonard Cohen and Pablo Gargano, for example – but it’s quite fun to play with and it’s a great way of finding new, different musicians.
  • WikiEnigma: Given the fact that this is a project dedicated to listing and exploring known unknowns I am slightly-saddened that they didn’t call it ‘WikiRumsfeld’, but I suppose you can’t have everything. There’s not a whole load of actual info here – possibly because, er, we don’t know much about most of this stuff – but as a list of ‘baffling things that continue to be beyond our ken’ it’s pretty good.
  • The Spriter’s Resource: Oh God, this is amazing – an incredible repository of videogame graphics files, sprites, backgrounds, models and textures, available to download and play with and create with. Fine, I appreciate that this might be a bit iffy, copyrightwise, but, look, it’s just individual graphics elements and everything is a remix anyway, so it’s probably fine. If you want to make anything vaguely-videogame-looking this is a truly wonderful resource (equally, if you’re a gamer of vintage standing then this is an incredible memorypalace of past glories, and even has a whole section devoted to graphics from really obscure old systems like the Turbografx-16). This is GREAT.
  • Tindie: If you’re a more practical person than I am (not hard, admittedly) you may already be aware of this site, which is basically ‘Etsy, but for odd electronic gubbins’, but it was new to me and looks REALLY EXCITING. Obviously ‘exciting’ is a relative term, and your personal excitement will entirely depend on the extent to which you find things like ‘homemade robot dogs like the terrifying murderbots you see online’ or ‘tiny drones made by some bloke in their shed’ thrilling propositions. If you’re a real geek then you will have a field day browsing all the incredibly-specific electronic gubbins on display here – if, like me, you’re a bit more geek-adjacent you can just enjoy browsing some of the most amazing little homespun bits of fun kit made and sold by amateur enthusiasts the world over. People are incredible and inventive and brilliant (and awful and maddening, obviously).
  • Weird AI Chef: I should have chucked this uptop really – SORRY! – but, well, noone really cares and it doesn’t matter. This Twitter account posts images of food as imagined by Dall-E, and the pictures are as horrifying and confusing as you would imagine.
  • Can You Tell The AI?: This is really interesting – it’s a short quiz which asks you to see whether you can tell whether a fragment of text purporting to be by philosopher Daniel C Dennett is in fact by him, or whether it’s one of four fakes that were written by a GPT-3 instance trained on his corpus. It’s an excellent illustration of where GPT-3 really does feel like magic – so much of this is practically-indistinguishable from International Philosophy W4nk, and despite having not one by TWO utterly-pointless degrees in the subject I was still only able to get about 60% of these right. It’s not magic, it’s not sentient, but it feels and looks an awful lot like semi-sentient magic.
  • I Want It All: Look, I think this is a promo for some PC hardware manufacturer, and there’s some competition attached to it where you can win a new graphics card or something, but this is included solely because it is a VERY fun and really surprisingly shiny and competent game of Breakout with which you can comfortably while away 15 minutes while you wait for something interesting to happen in the rest of your life.
  • LikeWordle: Because I am a man of my word (ha! SO MANY PEOPLE WOULD DISAGREE!) I have maintained my promise not to include any more Wordle clones because, well, life’s too short and there is a seemingly-infinite number of them, but I will make a small concession to your desperate jonesing for MORE WORDLE CLONES by including this list of (at the time of writing) over 270 of the bastrd things. Although it has just taught me that there is a Harry Potter-themed one called ‘Myrtle’, which has induced in me something of a murderous rage, so that’s a shame.
  • We Are Not All Alone Unhappy: I love this – a short piece of semi-interactive fiction gaming in which you’re asked to pair up various Shakespearean characters who in the Bard’s original works ended up with unhappy endings and seeing whether, by combining them in hitherto-unimagined romantic combinations, you might create better outcomes. This is lovely, and if you’ve even a passing knowledge of the Shakespearean canon is a really nice way to reconsider both the works and the characters within them.
  • Sim Central Bank: Lol terrifying inflation! Lol recession! LOL! Oh God, this is all a bit much, isn’t it? Still, if you’d like to experiment with the levers of the economy and see if YOU can keep everything on an even keel then this little sim might amuse you – it’s very simple, and based on a small economic model that works as follows: “You are the top banker in charge of the central bank. Your role is to maximize economic potential by putting the right amount of money in circulation, to increase the GDP of your village: the number of apples it produces. Your only lever changes the central bank interest rate.” Can YOU prevent everyone from starving to death? Will YOU be able to lead your citizens to the great, cider-y future to which they all aspire? I found this incredibly hard, which indicates that the two years I spent studying economics all those years ago were perhaps not the best use of my time (or, perhaps more accurately, that economic theory is largely guesswork and bunkum) (yes, it’s definitely economics that’s the problem here, not me).
  • Car Boot Carnage: Thanks to reader Joel Stein, who sent this to me with the following description: “It’s basically “car boot Tetris”, minus the trademark infringement.” He’s not wrong – this is a lot more fun than you’d initially expect, and I lost a good 20m or so to it earlier in the week (but, Joel, WHO PUTS A DOG IN THE BOOT OF THEIR CAR YOU SICK FCUK?!).
  • Timelooper: Finally this week, a genuinely great little browswer game. Get your character to the exit, working with the infinitely-spawning clones of you that appear at regular intervals to solve puzzles, raise gates and manipulate the environment. Really smart level and puzzle design that will have you smiling smugly at your own cleverness on level 2 and feeling like a two-digit-IQ-moron by stage 5.

By Konstantin Korobov

LAST UP IN THE MIXES THIS WEEK, ENJOY THIS BEAUTIFULLY-LIGHT SUMMER SELECTION BY SUNNI-D!

THE CIRCUS OF TUMBLRS!

  • The Tokyoiter: Not actually a Tumblr! But it very much feels like one, and as we all know vibes are everything around here. This is a wonderful collection of covers for an imaginary magazine, conceived as a Japanese version of the New Yorker: “The Tokyoiter is made by illustration and drawing freaks who are willing to present the talent of artists they like to a larger audience. Some of us are illustrators and some are just living in Tokyo a wonderful city full of stories and daily inspiration. We want to celebrate the passion for this city and its inhabitants’ story. We hope that each cover will be a testimony of what makes Tokyo such fascinating place to live and experience.” Gorgeous work – I imagine if you’re familiar with the city this is even better.
  • Daft Bootlegs: AN ACTUAL TUMBLR! This is a collection of images of Daft Punk without their masks, collected from all over the place, If you ever wanted to gaze at the face of Thomas Bangalter and…er…the other one whose name I can never remember, then FILL YOUR BOOTS! You can also find bootlegs and playlists, should you desire them to fill the Daft Punk-shaped hole in your current existence.

THE TROUGH OF (INSTA) FEEDS!

  • Vaskange: You’ve probably seen an insane zoomy animation doing the rounds on the socials over the past few weeks – it’s by this person, a French artist based in Lyon who goes by the name of Vaskanger and who I hope has managed to get some sort of kickback or benefit from his largely-uncredited work going massively viral.
  • Emotional Heritage: Oh this is LOVELY! Emotional Heritage is a project by…oh, hang on, they don’t say who’s behind it. Anyway, it’s an art project which puts up small blue plaques in the English Heritage style to commemorate small events which have happened at certain locations – “Andy and Dan first kissed here – he can’t stop thinking about it, and tries to avoid walking home this way”, or “On this site, Sara Jones realised that even if her mother apologised it was too late and always had been”. Beautiful, beautiful stuff.
  • Computer Nightmares: Fcuked-up AI imaginings. Except they’re not that fcuked up because all the off-the-shelf software has inbuilt guardrails to stop you making the machines imagine, say, “an army of suppurating child corpses”, which let me just say is a crying shame (I am genuinely excited / terrified to see the bootleg AI imaging software with all the constraints removed that will almost certainly already be doing the rounds on the darkweb).
  • RoboMojo: Film posters, imagined by AI! Jesus, I really am going to have to give this sh1t its own section, aren’t I?
  • Forbidden Airbnb: Weird imagined houses that you can’t stay in because they don’t exist (thankfully).

LONG THINGS WHICH ARE LONG!

  • The Seductions of Declinism: As we stare down the barrel of an uncomfortable year or more of economic misery exacerbated by the prospect of a Truss premiership (I still can’t quite believe that this appears to actually be happening but, well, it is!), this piece by William Davies in the LRB offers a decent analysis of Where We Are and Why, and a (depressing but cogent) argument for why we always seem to turn to the Tories in times of economic hardship even when all this stuff is the result of them being in power for over a decade. Covering economics, the miserable tedium of the culture wars boll0cks and why this is not in fact like the 1970s (it’s worse!), this isn’t a cheery read, exactly, but it’s the best piece of writing I’ve read in the past fortnight about where we are and why. Still, at least that dreadful Corbyn man didn’t get in last time around, eh????!!!!!!
  • The End of Social Media: There have been several pieces ploughing this furrow over the past week or so following the less-than-positive reaction to Insta going FULL TIKTOK – you can read another here should you be in the market for it – which basically posit that the era of the social graph is now basically done for and we’re instead moving towards an era where platforms will be characterised by (and live/die based on the success of) their recommendation engines and the ability of their algorithms to predict with uncanny accuracy what we want to consume at any given moment. This is a smart and interesting piece of writing by Michael Mignano which looks at the implications of this shift for how platforms will operate, how creators will be forced to adapt, and what this means for media. One thing it doesn’t allude to which I’m curious to see is the degree to which it’s going to fcuk with people’s heads being forced to make content in service of an unknowable algorithm – we;ve touched on this a bit in previous weeks, and you can obviously see it in the YouTube and Twitch communities, but I don’t think we’re giving quite enough thought to what it’s going to look and feel like when we’re all dancing to the tune of an invisible, unknowable AI piper whose playing a constantly-changing tune using scales we don’t understand.
  • The Age of Algorithmic Anxiety: Although this piece does in fact sort-of touch on exactly that – the oddly-modern feeling of being guided and manipulated and steered through life by software whose innards we simply cannot conceive of. This takes as its starting point the idea that fashion and trends are now as shaped by maths as they are by human creation and curation, but goes on to talk more broadly about the strange, specific sense of un-control that one occasionally feels when navigating the web. “Why am I seeing this? Why is this being shown to me? Who does the machine think I am, and what ‘shape’ am I in its non-mind’s non-eye?” are all questions that this piece rightly concludes we no longer have any hope of getting good answers to, which in itself is a moderately-anxiety-inducing realisation.
  • Prompt Engineering: Charlie Warzel writes about playing with AI art and the oddity of the concept of ‘prompt engineering’ and coaxing images from the ‘mind’ of the AI, and raises interesting questions about agency and choice when it comes to resulting works: “Last week Sam Altman, one of the company’s founders—alongside Elon Musk—tweeted that “AI creative tools are going to be the biggest impact on creative work flows since the computer itself. We are all going to get amazing visual art, music, games, etc.” Personally, I find the phrasing a little ominous. We are all going to get. That doesn’t sound very empowering. Altman isn’t suggesting we’ll be the ones making the art or even having much of a say in it—we will simply get what we are given.”
  • Private Language: Shardcore offers a brief disquisition about the Wittgenstinian conundra around language and meaning that are at the heart of all questions about generative AI models and questions of perceived machine ‘sentience’ – this is a really accessible introduction to some HORRIBLY KNOTTY questions, and I highly recommend it if you fancy having some HARD THOUGHTS about what it means to think / know / reason / create.
  • Borrowed or Stolen?: An interesting essay exploring the nascent-but-soon-to-be-violently-lucrative world of AI image generation and copyright  – seriously, if I were a lawyer I would be absolutely pivoting to this as a specialism as there’s a good few years of SERIOUSLY complicated litigation about to kick off around ‘who owns the IP to a Dall-E-generated image of ‘Snoopy in the style of Jeff Koons’ Balloon Dog sculptures’. Want a cheery quote from the piece? Here!: “Artists are also able to upload their own work to DALL-E and then generate recreations in their own style. I spoke to one artist, who asked not to be named or otherwise described for fear of being identified and suffering reprisals. They showed me examples of their work alongside recreations made by DALLl-E, which while crude, were still close enough to look like the real thing. They said that, on this evidence alone, their livelihood as a working artist is at risk, and that the creative industries writ large are “doomed.””
  • Diminishing TikTok Returns: Or “Why I continue to be proved broadly right about the fact that the whole concept of the ‘creator economy’ is a massive lie” – this piece looks at the extent to which the promise of TikTok as a haven for ‘content creators’ to make bank is increasingly being shown up for the fiction it is, as more users flock to the platform and more STUFF is made and advertisers and brands have an ever-growing pool of willing contentmonkeys to make crap for them for pennies. A companion piece to the ‘social media is dead’ articles from earlier, in a way.
  • The Real Labour of the Virtual Influencer: File this under ‘news stories that would have been utterly incomprehensible as recently as five years ago’. Rest of World looks at the working lives of people who act as the meatpuppets for popular virtual stars in China, mocapped and gurning beneath a digital skin for the delectation and amusement of millions – an intensely strange and almost-perfectly-modern form of celebrity combined with an equally-perfectly-modern inability for any of us to think properly about how our favourite sausages are in fact made.
  • Stewards of the Cloud: Repeat after me – The Cloud Is A Very Physical Thing, Whatever Marketing May Tell Us. This is a really interesting article looking at the practical realities of keeping the world’s internet online at all times, and the people whose job it is to make sure that, say, Amazon doesn’t fall over at 3am on a Tuesday morning. Not only a fascinating portrait of a world that I doubt many of us ever consider, but also far-better written than you’d expect: “In Boston, a man hunts for heat with his ears. In Iceland, a man puts out fires so that the youth of his community may have a chance at something besides bus tours. Amid the storm of the century, a man in Puerto Rico opens the doors of his fortress to the public, granting sanctuary like a pastor in a parish. In the Arizona desert, a man teaches his young pupil how to lift a server and, by extension, how to be a man. From the tropics to the Arctic, the cloud thrums. Heat blooms in the wake of computation. And it is men, not refrigeration alone, that can purge it, so that data can flow, and digital capitalism can proceed, uninterrupted.”
  • Parental Responsibility: This is a sad-but-fascinating read. In November 2021, Ethan Crumbley became another footnote in the Wikipedia entry for ‘US School Shootings’, killing several of his classmates and injuring others at his high school in Michigan. What’s unusual about this case is that Ethan’s parents are being charged with four counts of involuntary manslaughter, based on prosecutor’s beliefs that they materially failed to act in their son’s interests, to the extent that their neglect was a necessary factor in his actions. This is SO hard, and equally SO interesting (from, to be clear, a coldly-analytical, moral/philosophical standpoint – it’s also obviously really fcuking sad), and I would imagine that there will be an equal split between those of you who feel that this is an unfair and cruel additional burden on parents who’ve already had to deal with…a lot, and those of you who feel that there was a meaningful abnegation of care.
  • Salesmen: A gorgeous piece of writing in the New Yorker, profiling superstar door-to-door salesman Sam Taggart and the whole industry of professional salespeople who it seems are still very much a Thing in the US. I once sold double glazing door-to-door and found myself to be surprisingly (worryingly, in some respects) good at it, but I can honestly say that the people I worked with were literally the worst human beings I have ever met (their idea of ‘fun’ was going to the Burger King drive through at 8am and playing Ice Cube at earbleed volume at all the parents getting an unhealthy breakfast) – this is a fascinating portrait of a very particular type of human psychology at play (also, there is a fascinating degree to which the pseudopsychology of sales is SO VISIBLE across almost every facet of social media, should you care to think about it).
  • Sao Paolo: Sao Paolo is, it turns out, mid-flayingly big – 22million people!! – and this article in Spiegel is a wonderful, maddening and occasionally very funny portrait of some of the people who exemplify its insane inequalities. You will, I promise you, lose your sh1t at the quite spectacular lack of self-awareness displayed by plutocratically-wealthy lawyer Nelson Wiliams and his wife Ann, perhaps best demonstrated in this small excerpt: “At the end of our meeting, Nelson Wilians presents a parting gift bag containing a small statue of himself along with a comic about the history of law, in which significant roles are reserved for Ramses II., Moses, Voltaire and – Nelson Wilians. He had both printed in the largest newspapers in the country. Anne Wilians, for her part, asks not to be described as an “it girl.”” You will very much want to kill and eat the rich after reading this (and also, perhaps, to visit Sao Paolo).
  • Deadheaded Sentences: A truly beautiful evisceration of the writing of James Patterson, who I learned from this LRB piece is one of the world’s bestselling authors and who has just collaborated with Dolly Parton on a novel. This is a delicious hatchet-job – “No sentence, in the Patterson universe, is equal to the suggestions and nuances of life itself; his galaxy is a constant flow of words that drift towards nullity. ‘Stephen King once called me a terrible writer,’ he says in his memoir, which is quite unjust. He’s not merely a terrible writer, he’s the terrible writer’s terrible writer, a distinction he should enjoy.”
  • A Decade on the Apps: Specifically Tinder, but you could swap out any of them in this piece and it would probably work as well. Funny, sad, and another to add to the growing corpus of journalism that explores what life mediated by mathematics that we don’t understand looks and feels like.
  • Meetings with Mark E Smith: Very readable and very funny account by Ted Kessler of his three meetings with Mark E Smith, the famously irascible and speed-addled Fall frontman. You really don’t need to be a fan of the man or his music to enjoy this, I promise.
  • The Maintenance Race: VERY long but also SUPERB, this is an account of the Sunday Times round the world yacht race of 1968, and the people who participated in it. Properly great adventuring, this, with tales of intrigue, near-death, possible actual death and incredible resourcefulness – honestly, I read the opening section and had to stop and have a long moment of self-reflection as I reckoned with what an utterly-useless milksop I am compared to people who can recaulk a boat’s hull when adrift in the literal middle of the ocean. There’s a line in here – casually thrown away amidst some general nautical mishap and terror – about ‘pausing to shoot a shark in the face’, just to give you an idea of the levels of derring-do on display here. A truly great series of stores, and stylishly-written to boot.
  • The Pain-Writing-Money Trifecta: Finally this week, a beautiful piece of writing by Ella Risbridger about writing itself, and death and mourning and literature and the stories we keep of those we loved and the ones we tell. Gorgeous – a bit said, but mainly gorgeous.

By Angela Santana

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 22/07/22

Reading Time: 37 minutes

Oh God, it is going to be Truss, isn’t it? Why must the Bad Things keep happening?

Entropy, probably. Or just LIFE (yes, I know, THE SAME THING). Anyway, as another Bad Thing looms into view, so I come bearing my small, increasingly-pathetic grab-bag of words and links to hedge against the horror – see if you can’t fashion them into some sort of castle or shield or suit of armour.

Curios will be off next week due to my being in transit and getting back to London for the first time this year and having ACTUAL SOCIAL EVENTS to attend (given I haven’t spoken English to more than one person at a time for nearly a year, I expect all said social engagements to go swimmingly and in no way be an embarrassing car crash) and getting to see my girlfriend and her cat, so I’ll see you in…a bit. Til then, should you happen upon an ugly, emaciated man kissing the tarmac anywhere within the M25, that will probably be me so BE KIND (lol).

I am still Matt, this is still Web Curios, and I cannot wait to come home

By Simone Rosenbauer

WE KICK OFF THE MIXES THIS WEEK WITH THIS LOVELY, SUMMERY AND TYPICALLY-ECLECTIC MIX BY FRED DEAKIN OF LEMON JELLY FAME! 

THE SECTION WHICH OVERHEARD A COUPLE OF PEOPLE IN A SHOP YESTERDAY TALKING ABOUT HOW ‘WHAT ITALY REALLY NEEDS IS BERLUSCONI TO COME BACK AND SORT STUFF OUT’, WHICH MAY HELP IF YOU’RE LOOKING REASONS TO FEEL LESS BAD ABOUT THE CURRENT STATE OF UK POLITICS, PT.1:  

  • Get On The Dall-E Waitlist: You’re all probably on it already, but if you’re not then this week’s announcement that the software is officially IN BETA and that they were going to be onboarding another million people in the coming weeks, along with the news about them having opened the outputs to commercialisation, should be the impetus you need to hand over your contact details. This feels very much like a tipping point – noone I know has had a chance to play with API access and ‘making it all work with other stuff’ yet, but if I’ve had conversations with enterprising webmongs about ‘the Dall-E to on-demand sales and printing and shipping pipeline’ then it’s certain that other, far more commercially-minded people have also started doing this, and we are about to see the start of ‘press a button, get an artwork shipped to you’-type services and the beginning of the first ever machine-generated imagery boom. Worth pointing out that the cost per use is going up slightly, and whilst you do get a number of free credits per month as part of the beta you will also have to pay some money if you’re planning on making Dall-E your little digital artgoblin slave, churning out tshirt and bumper sticker designs for evermore. As for what it’s like and how it works? I mean, it’s witchcraft. I am deliberately going to try and avoid stuffing Curios with machine-made images as a) I think real artists probably need the exposure more; and b) there’s still an essential same-ness to the Dall-E created stuff which, whilst interesting, tends to a bit of familiarity/contempt after a while, but overall the experience of co-collaborating on making a picture with a responsive, fast-paced digital assistant is quite incredible, and I say this as someone who has never, ever enjoyed making pictures because I am so so so bad at it.
  • Read it and Weep: I LOVE THIS! No idea what it is or how it works or who made it, mind (I’m not being lazy, promise, it really is that obtuse), but as far as I can tell this is a generative work which pulls lines from various urls, and presents them as pop-up bits of scrolling text which overlay on each other creating a sort of existential neverending COLLAGE OF FEELINGS and which reminds me a lot of (perennial Web Curios favourite and artwork about which I am aware I have rhapsodised too much) The Listening Post. This on a big screen with some dreamy music, a beanbag and some airconditioning (and, fine, maybe a bit of MDMA) = bliss, imho.
  • BBC Rewind: THIS IS (one of the reasons) WHY THE BBC IS WONDERFUL! BBC Rewind (available only in the UK, so you’ll have to VPN should you be elsewhere) is an incredible new portal into the BBC news archive, which lets you go back in time across various bits of footage culled from the past 80-odd years of the network. “The Rewind website allows people to explore thousands of films from the BBC news and current affairs archive for the first time. This unique collection shows life and events across the UK since the 1940s” – you can search by keyword, by region, explore through suggested clips, or (to my mind the best thing of all) use a map of the UK to explore geographically, letting you see all the archive clips attached to a specific part of Britain and meaning you can, should you so desire, make yourself feel better about The Mad Horror of the Now by flashing back to 1977 and seeing how fcuked everything was then too (ok, fine, that’s not guaranteed to improve your mood, but you never know). This is an incredible potential timesink – I just got stuck for 5 minutes watching clips tagged ‘heatwave’, and particularly enjoyed this one about temperatures hitting the dizzying heights of 80-odd degrees in 1977, and tips on what to do if you’re not a fan of ‘the big currant bun in the sky’ (that is literally what the guy says).
  • Otherside: So the big lie that is the metaverse continues to be spun, mainly by people with a massive vested interest in it becoming a semi-real thing as quickly as possible (such as Sir Martin Sorrell, lol Marty!). Still, I do think it’s worth checking in on the bigger, shinier projects in the area every now and again to see what they look like and how they are developing – the caveat here, of course, is that this particular one (Otherside) is the metaversal offshoot of Yuga Labs, the ape people, who as regular readers know I have some potential issues with, so consider this a dispassionate look at what it is (or, more realistically, or what it seems to want to promise to be) rather than any sort of endorsement. Anyway, Otherside is one of the more fleshed-out examples of ‘We have a roadmap!’ out there at the moment, and last weekend saw the first demos of its platform which the developers say is going to enable literally-thousands of users to share virtual space together with reasonably-low-latency interactions, and allow for large-scale interoperability – which, objectively, is no small thing, given current multiplayer experiences tend to top out around the ‘several hundred simultaneous users’ mark. As for what players will eventually be able to do…well, that’s less clear. There’s the usual guff about COMMUNITY, significantly less guff about NFTs than you might expect, but, crucially, not that much detail about what buying a plot of virtual land (your minimum stake for access to the platform) will actually get you – still, it looks very shiny, and it’s objectively-interesting to see actual, semi-real, semi-playable stuff emerge from the stinking morass of ‘WE HAVE A PIPELINE!’ NFT-to-game non-projects. I just wish that a) this had nothing to do with NFTs; and b) it had nothing to do with the ape people.
  • Futurecube: It may be that the past week and its slightly-punchy weather has left you feeling a touch less confident than you might previously have been about the future of our planet (and, er, if not, why not? LOOK AT ALL THIS FFS!), then perhaps you will find FUTURECUBE reassuring. I don’t entirely understand what it is – it’s definitely the website for Japanese company The Kubota Corporation, but the whole ‘cube’ thing is somewhat baffling to me – but it seems designed to reassure, with lots of hopeful and shiny graphics about how technology (and, specifically, technology purchased from this specific company) will make it all ok. This is, at its heart, a website to sell the services of a high-tech agro-industrial business with a bit of green gloss, fine, but it’s also SO nicely-made, and SO shiny, and so utterly, bizarrely out of step with What It Feels Like To Be Alive Right Now in its general clean lines and hopefulness and tech-utopian CG style that it almost made me feel like everything was going to be ok. My only slight criticism is that it’s significantly less like TimeCube than the name had initially made me hope, but I suppose you can’t have everything (or, it seems, really anything at all).
  • AI Video Editing: Now that we’re all broadly ok with the fact that the designers and photoshoppers and writers are all about to be swept into obsolescence by the AI tsunami (we are all ok with that, aren’t we? Because, well, if not then I have some bad news), it’s time to take a moment to think about what other professions might be about to receive some ‘helpful assistance from smarter automation tools’ (COMING FOR YOUR JOBS). In this case it’s the turn of the video editors to look nervously over their shoulders and pine for the days when you needed to be able to run AVID across two monitors to do anything at all (real heads will know) – this clip, shared by Nathalie Gordon on Twitter and arriving to me via Rob’s newsletter, is a terrifying example of how machine vision can frame match and edit with pretty impressive results. Watch this parkour clip, in which each frame of the runner through the city has been replaced by another frame from another unrelated video where the individual’s body position broadly matches that of the target actor (look, it will make more sense when you click the link, I promise), and just think about what this stuff will be able to do in ~24m time.
  • Wind: Thanks to Lee for sending this to me – in a week in which, even by the standards of the English, the weather has been a HOT TOPIC (lol) of conversation, this rather lovely website feels appropriate. Windy isn’t the first ‘look, here’s a visualisation of current wind patterns and weather formations taken from live satellite data!’ website I’ve featured, but it’s one of the prettier ones I’ve seen and there’s something almost tranquil about staring at the tiny arrows failing to move about the dead-aired tomb that is the city in which you live (Rome, I love you, but you are too hot and you smell of slow-cooking rubbish all the time and I haven’t slept properly in weeks and I think there may now be a permanent sweat-me outlined on the mattress). It’s also a very good tool for helping you work out places where you are currently grateful not to be – Turkmenistan looks like a particularly unpleasant vibe right now, for example.
  • Pottery: Oh God this is VERY SOOTHING – put an icepack on, chuck The Righteous Brothers on and Swayze yourself into oblivion (I am sure that there are other pottery references that one could make, but it is too hot for me to think of them, sorry). “Pottery is one of the oldest human inventions, with first appearances more than 20,000 years ago. This project makes the process of designing such objects accessible through a digital medium, using Three.js. You can modify an existing design or create one from scratch and export your design to an STL file for 3D printing.” This really is fun to play with – I do wonder whether 3d printers for ceramics are cheap/functional enough to make a ‘this to a 3d printer’ on-demand pipeline viable? I for one quite like the idea of being able to dick around online and then get a 3d printed bit of bespoke pottery sent to me which I can finish/decorate how I please. That said, it would also inevitably lead to a glut of newly-minted decorative cocknballs (you know it, I know it, let’s just admit it and move on), so perhaps this lacuna is for the best.
  • Re-AOL: Are you SO nostalgic about the AOL era of chatrooms and dial-up that you want to pay a monthly fee to someone so that you can time capsule your way back to that era, when everything made sense and you still had your own hair and a working recent memory of what your shoes look like? I mean, you probably don’t, do you, and yet here we are. Re-AOL is a Patreon project which describes itself as “a nostalgic return to the youth of the 90s’, and the online community that sparked a copious amount of young adults’ interests in software development. America Online was one of the foundations that started many on their paths into the computer sciences. And so I embark on a journey to [re]animate/[re]vive/[re]turn AOL® by writing a server, from scratch, using resources found all over the internet – while also learning Python.“ In fairness to the person who’s making this, the entry-level support tier to get access is the very-reasonable sum of $1 per month which seems affordable and a small price to pay for the opportunity to chat with a bunch of similarly-nostalgic middle-aged people about how the internet was loads better when you could just type ‘a/s/l?’ into a chat window and within minutes receive a poorly-spelled digital handjob from a stranger.
  • 35mm: Seeing as the bottom appears to be falling out of the streaming marketplace as we all come to the collective realisation that Netflix hasn’t actually made more than 6 decent shows in the past decade, and that £30 a month on various mediocre entertainment services is probably not a good use of your money in a world in which you’re being asked to remortgage for Lurpak, maybe it’s time to cast the net a little wider in search of new entertainments to Soma ourselves with. 35mm is a great resource, compiled and presented by the Polish Film Institute, which presents “160 feature films, 71 documentaries, 474 animated films, including 10 full-length animated films”, and over 4,000 pieces of video in total, all streamable for free, and all available in English too for those of us too ignorant to speak Polish. This is AMAZING – such an incredible cultural gift (parenthetically, made possible by European Union funding – I know, I know, but I can’t help but be bitter all over again when I see stuff like this), and definitely worth bookmarking if you feel you’ve got to the end of watching Ryan/Chris/Chris/Chris gurn charismatically at you on the other platforms. I obviously have no idea what any of this stuff is like, but, come on, read this description of one movie picked at random and tell me it doesn’t sound great: “Johnny Pollack, a hired killer gets a contract from the Chicago Mafia. He is to eliminate a gangster of Russian origin who fled to the USSR after he defrauded the mafia by selling alcohol. Pollack reaches Odessa by ship, claiming to be a professor of entomology.“ Who doesn’t want to watch a film about an assassin masquerading as an insect expert? NO FCUKER, that’s who!
  • Radical Desire: A brilliant, fascinating archive of materials relating to On Our Backs magazine, a lesbian publication from 80s San Francisco. “On Our Backs magazine launched in San Francisco in 1984 promising, per the tagline on the cover, “entertainment for the adventurous lesbian.” The title On Our Backs referred, tongue-in-cheek, to off our backs, a radical feminist newspaper whose anti-pornography stance situated it on the opposing side in the feminist sex wars of that decade. The women of On Our Backs set out to challenge a narrative of victimization and to create pornography on their own terms. Taboo-breaking sex, stereotype-breaking women, so-called “vanilla” traditional lesbian sex and romance, and other forms of lesbian intimacy all had room within the pages of On Our Backs. It was the first glossy magazine in the United States to reflect, cater to, and celebrate lesbian sexuality, and its editorials embraced the view that sexual fantasies and pleasurable, consensual sex could never be “anti-feminist.” The photographic images on the cover and throughout were central to delivering on the magazine’s promise of sexual content for lesbians. The photography also created the greatest difficulties for the magazine’s circulation, at a moment when many feminist leaders decried pornographic photographs and film as a form of violence against women. This exhibition presents original photographs created for On Our Backs during its first decade. Made by staffers and freelancers, professionals and amateurs, members of the magazine’s inner circle and its far-flung readership, they convey the fantasies, imagination, humor, rigor, radicalism, political engagement, and ethos of community building and inclusion that defined On Our Backs and made it a touchstone in the queer press.” A wonderful collection with some great photography and a proper piece of lesbian history.
  • Long-term Abusers of Wikipedia: Wikipedians – and I mean this with great affection, some (well, a couple) of my friends are Wikipedians! – are an odd bunch, dedicating so much time and effort to unpaid labour about very specific and very niche topics, and often expending huge amounts of energy debating what, to the outside world, often seem like…minor points of fact in the ‘Talk’ pages. The very weirdest of the Wikipedians, though, have to be those described on this (obviously) Wikipedia page, which lists some of the site’s most dedicated trolls, the people who simply WILL NOT LEAVE IT ALONE when it comes to persistently attempting to vandalise or fcuk with specific bits of the Wiki. Some of these are obvious ‘BAD ACTORS’ – the people consistently modifying anything relating to the Chinese Communist Party, for example – but then there are people like user HarveyTeenager who is cited for repeatedly posting “Hoax information about Harvey Girls Forever! Returning” which seems like a…spectacularly-niche troll to dedicate a chunk of time to. So much of this is wonderfully-funny, in a ‘I wish I knew the backstory here’ way – what does “POV-pushing about railways” mean? Who are the people who are consistently adding “Wrong Muppets” to the credits of muppet films, and why? Also I just lost it at this, the description of a user known as ‘Techno Genre Warrior from Greece’: “Without ever referencing a published source, the person frequently adds “techno” to the genre parameter of an infobox, or replaces existing genres with “techno”.” AMAZING.
  • TypeWaiter: An initially-incredibly-frustrating but then weirdly-meditative little webartthing – the cursor moves across the page at consistent speed, and if you want to type you need to do so when it is in the right position for you to drop characters. Which, I know, makes little sense when I write it down like that (HOW AM I SO BAD AT DESCRIBING WEBSITES AND HOW THEY WORK AFTER A FCUKING DECADE OF THIS?) but I promise you will get it as soon as you click. This is strangely-relaxing once you get into the right frame of mind – I can imagine that for a certain subset of people this could be quite useful as a calming/mindfulness (sorry) thing.
  • 3d Billboards: A potentially-useful in-one-place collection of videos of 3d billboards, a technology which is still exciting and novel to those of us in Europe (as evidenced by the frankly-ridiculous fact that there was an item on Today about them this week – props to whoever the media agency person was who sounded SO underwhelmed by the whole thing and who basically said ‘yeah, look, we’ve been doing these in Asia for a few years now, pretty over them tbqhwym’) and which has just about attained the degree of ‘shiny new toy’ ubiquity in the minds of idiot clients here which means that you can now probably earn some low-end kudos points by just chucking one or other of these in a presentation about ‘some speculative ideas’, even if you and the client both know that Rustler’s Microwave Burgers is probably not going to stump up the Leicester Square billboard cash.

By Kristof Santy

NEXT UP, ENJOY THIS WONDERFUL AND SUNSHINE-APPROPRIATE MIX OF BRAZILIAN CUTS BY CURIOS READER ANDY CUMMING! 

THE SECTION WHICH OVERHEARD A COUPLE OF PEOPLE IN A SHOP YESTERDAY TALKING ABOUT HOW ‘WHAT ITALY REALLY NEEDS IS BERLUSCONI TO COME BACK AND SORT STUFF OUT’, WHICH MAY HELP IF YOU’RE LOOKING REASONS TO FEEL LESS BAD ABOUT THE CURRENT STATE OF UK POLITICS, PT.2:    

  • BlkMarket: This may be old news to any and all of you that do design stuff and who spend more time than me (that is – any time) creating beautiful images with which to populate your Stories and your Reels and your videos and whatever else you want to make – I only discovered it this week, though, and it struck me as not only a super-useful (if paid) resource for anyone wanting to make ‘better and more interesting images’ but also a neat synecdoche for ‘how creativity and making works now and is increasingly-likely to work in the future’. BLKMarket is a marketplace where you can go and buy skins and layers and effects and filters to apply to your images and video – either per skin, or, more granularly, per effect, or with an annual sub for unlimited access. There is SO MUCH STUFF in here it’s slightly-dizzying, and it made me think of the extent to which AI is just going to accelerate this sort of thing and expand the way in which it’s sold – it’s not impossible to imagine prompt strings for Dall-E that are guarantee to achieve specific output effects being traded, for example, not to mention all the fascinating grey areas we’re going to get into. If you’re a copyright lawyer these are EXCITING TIMES, basically. Anyway, this looked really useful/interesting to me, but apologies to all design folk reading this who have known about this for years and are disgusted at the basic-ness of the link.
  • LA Street Names: I do love me a bit of urban history, and this site is a wonderful look at how and why the streets of Los Angeles are named the way they are. “Welcome to L.A. Street Names, the origin stories of street names across Los Angeles County, from the shortest cul-de-sacs to the longest boulevards. Mysteries solved, myths debunked, scandals exposed, history revealed. This is an ongoing project with more than 1,200 streets – and growing.” Obviously this is more interesting if you have a passing familiarity with LA and an interest in its history, but even for the casual browser there’s some interesting stuff about how places get their names and how these names evolve over time as culture and historical understanding shifts.
  • Viture: I will say this right off the bat – I do not think that this tech is going to be as amazing in real life as the website makes it look. Still, if the prospect of ‘magic AR glasses that will let you play streaming AAA games wherever you are and watch films projected into the air as though you have a floating screen accompanying you wherever you go’ sounds appealing then you may be interested in Viture, which, for the price of approximately £600, promise to ship you this exact kit later this year. This is a post-Kickstarter project and as such all the caveats about expectations and delivery apply – still, it’s VERY shinily-presented, suggesting that they have at least some money in the bank (although clicking the ‘better gameplay on the go’ does present you with a CG representation of two people sitting side-by-side on the sofa, one staring blankly into their phone while the other sits rapturously-immersed in AR Zelda, which vignette looks SO LONELY that it almost made me want to cry – HUMAN CONNECTION, LADS, IT’S STILL A THING), and if you still have faith in the Stadia tech that this is built on then it might be worth a look. Still, caveat emptor and all that – also, note that the website claims a battery life of 3.5h which is NOTHING and which will almost certainly be an overestimation.
  • Found In A Library Book: ‘Found ephemera’ is one of my favourite genres of ‘internet oddity’, and this section on the Oakland Public Library website, which collects scans of things its staff have found in library books over the years, is just wonderful. I will never stop adoring places that let me find things like the note reading “Remember I love u sweetheart. The past is the past, so lets [sic] not take it home with us, I just want to love you and be happy” – I WANT TO KNOW EVERYTHING ABOUT THIS NOTE AND WHO LEFT IT! Sadly no more information is forthcoming, but everything here is a story, or a fragment of one, and I could spelunk in here for hours looking through these tiny ephemeral fragments of lives stuffed into dustjackets.
  • Mega Trends and Technologies: I do love me a good, mad, incomprehensible diagram of a state or process – stuff like the increasingly-insane ‘map of the martech landscape’ graphics that you see doing the rounds every year, or the classic examples of military slidework that occasionally crop up. In this spirit I present to you the Map of Trends and Technologies 2017-2050, a diagrammatical representation of…well, look, I can’t exactly pinpoint what this is attempting to communicate, or why its creator has seen fit to attempt to arrange everything, approximately 3,000 different elements, into the world’s most-confusing imaginary tube map, but if you’ve ever thought ‘Christ, you know what I’m missing? A gigantic, hugely-complex visual representation of the deep thematic links between such apparently-disparate concepts as ‘Medical Identity Theft’ and ‘People Renting Dreams’’ (no, me neither) then this will be your white whale. I honestly couldn’t tell you what this is trying to communicate, or to what end, but I am absolutely going to start wheeling it out everytime someone asks me to do a presentation about ‘trends’ or ‘where we are now’ – I think just flashing this up on a slide, asking everyone to think hard about what it means for 5 minutes and then throwing the floor open for questions feels like GREAT consultancy to me. To be clear – I presume that this is not intended entirely-seriously, and as such I think it is ART and I love it immoderately, and I would very much like a huge version of this for my wall please thankyou. This came to me via Giuseppe Sollazzo’s excellent newsletter, by the way.
  • Victoria Street Cleaning Trading Cards: For reasons known only to the city of Victoria in Australia, you can download trading cards based on the various street cleaning vehicles said city employs. I have literally no idea what you are meant to do with these – there are only 5 cards! You can’t play a trading card game with only 5 cards! Who is going to print these out and play with them? – but there is something so utterly charming about how (and I mean this in a kind way, I promise) utterly crap this is. Hugely sweet, and very well-meaning, but, well, really crap. Although if this is the start of every single local authority buying into the idea and creating a gigantic new global card trading sensation based on the relative values of street-cleaning machinery from across the globe then I am very much here for it and retract my snark forthwith.
  • The History of User Interfaces: Literally that! A series of screenshots tracking the development of user interfaces for desktop computing over the past 40-50 years – which, fine, I appreciate is a niche concern, but THIS IS WHAT YOU ARE PRESUMABLY HERE FOR. Compiled by a certain Victor, who also runs a newsletter about UI/UX design should you be in the market for such a thing (you can sign up at the bottom of the page).
  • Zoo Index: This is curious – feels partly like a campaign resource and partly (stylistically) like an art project. Zoo Index is a “is a 1) visual research, 2) open platform, 3) growing archive of visual and textual zoo related material, questioning its relevance in contemporary society”, and the project presents photos of animals in zoos arranged under various alphabetical headings – so you have a whole section devoted to images of elephants playing with balloons (as the site asks, what is it with us giving elephants balloons?), another to zoos’ ‘VIP Animals’, another on people having ‘fun’ with zoo animals…I really like this, the disconnection and relatively-loose thematic connections between the images make the whole thing slightly detached and do a pretty good job of making you think again about the slight weirdness of much of the zoo experience. The final section, demonstrating examples of ‘zoochosis’ (or animals responding with unusual or distressed-looking behaviour to being in captivity) is somewhat-upsetting, so be aware before clicking on that particular one should you be someone particularly sensitive to the distress of the critters.
  • Bill The Patriarchy:I got a nice email last week from Curios reader Patti, who mentioned in passing that she had made this little website which I rather adore; Bill The Patriarchy is a webtool which asks users a series of questions about the amount of domestic and emotional labour they undertake on a weekly basis, the value they would place on their time in the labour market, and which then lets you know exactly how much the work said users are putting in at home would be ‘worth’ on that basis. I genuinely hope that noone reading this sees this link and feels the need to use it to point out to their partner that said partner needs to pull their fcuking finger out when it comes to doing the laundry or you will start invoicing so help you God – but in case you do, I hope that this is useful. Not solely for use by women, obvs, but, well, we all know who’s likely to find this most helpful.
  • Resounding: Visit the site, ring some bells – anyone currently on the URL can click one of a series of buttons to play the sound of various different bells ringing. If you’re there alone, it’s quietly-meditative; if you’re there with others, you can have a brief moment of campanological connection as you all ring together. Similar in idea to Frog Chorus which I featured a few months back – there’s something really rather lovely about these serendipitously-collaborative projects, and there’s definitely more that can be done with this sort of stuff for brands (but you can come up with your own ideas, it is now 34 degrees here at 1040am and I am too sweaty to do anything much more than just type at this point).
  • Recipes For Food: Yes, I know you don’t need another recipe website, but this is…nice. “Recipes for Food is a platform for sharing recipes that we have collected from our friends, peers, and strangers. They range from actual recipes, to more ingredients for a nap. We make no guarantees over the outcome of each recipe, so enjoy at your own risk : ).”  It’s partway between recipe collection and collective diary, a crowdsourced collection of instructions to cook an incredibly wide-ranging selection of dishes, all written up by different people in different styles, some of which come with accompanying stories…I love the fact that it all feels so personal, like a bunch of pages torn from different people’s family recipe books and cobbled together in random fashion. You can submit your own recipes via email or a webform if you fancy adding your own personal favourites to the collective, which I am totally going to do as soon as I have finished up here.
  • Autoblow AI: I wasn’t going to include this – after all, it’s merely an update of a piece of wanktech that I think I put in here about 5 years ago – but then I clicked the website and it made me laugh SO MUCH that I felt compelled to share it with you too. “When You Control The Grip You Control Your Destiny“ may well be my favourite EVER piece of marketing copy, closely-followed by the singular erotic promise of “The new Autoblow AI+ features a first-ever adjustable penis gripper that allows you to customize your sensations. Dial in your preferred tightness level in seconds using only a screwdriver.” NOTHING SCREAMS ‘SEXY ALONETIME’ LIKE MESSING ABOUT WITH A PHILLIPS! This is…powerfully unerotic on every single level, and also has the added disbenefit of looking like it was cobbled together using LEGO Technics and one of those collapsible rubber waterbottles, but I will never cease to be amazed at the amount of time and engineering energy that a certain subset of penis-owners will devote to ‘having a slightly-better onanistic experience’. Also, if you don’t see the phrase ‘control it with your voice!’ and immediately leap to imagining a naked man screaming at the device to “SLOW DOWN!” as it friction-burns him into A&E then, well, you’re a better person than I am.
  • Probable: You may not think that a small ‘game’ based on trying to guess whether a virtual coin will fall heads or tails could keep you occupied for more than about 3 minutes, and you’re probably right. For 2m59s, though, you will be HOOKED by this.

By Maria Joannou

FINALLY IN THE MIXES THIS WEEK, A COOLING SUMMER VINYL SELECTION BY TOM SPOONER!

THE CIRCUS OF TUMBLRS IS EMPTY THIS WEEK!

THE TROUGH OF (INSTA) FEEDS!

  • Autoexec Cat: A feed of art images of cats, all generated by AI (I think everything here is being made by Midjourney). To my point earlier on about the AI-to-shop API pipeline, it’s not hard to imagine each of these being automatically made available as a print-on-demand poster on Cafepress as soon as they are posted to Insta with an outlink to purchase – I wonder how long it will take for the web to be completely overrun by people trying to flog this stuff?

LONG THINGS WHICH ARE LONG!

  • We Are Not Going To Make It: WARNING: this is not a happy article, so if you’re feeling a little overwhelmed by everything, and in particular if you feel like the past week’s news about climate and temperature has all been a bit much, then I strongly advise you to skip this one and stop reading now. The rest of you, OH BOY ARE WE FCUKED. I mean, it should have been obvious long before this week that we are possibly being a touch optimistic about the extent to which our futzing around at the very edges of ‘changing how we live in the West’ is going to deliver the improvements in carbon emissions (and the rest) that we need to stave off environmental catastrophe, but I think we can (mostly) all agree that the past seven days have rather brought the urgency into sharp relief. And so to the article, in which Umair Haque outlines all the ways in which we are fcuked – you can get the general vibe from this paragraph: “Take a hard look at right now. Do you really think our civilization’s going to survive another three decades of this? Skyrocketing inflation, growing shortages, runaway temperatures, killing heat, failing harvests, shattered systems, continents on fire, masses turning to lunacy and theocracy and fascism as a result? Seriously? Another three decades? Where every summer is that much worse than this one?” And whatever your perspective on individual elements of this – the environmental data, the economics, the politics, the logistics – it’s hard to argue against the wider thesis, that the trend for each of these things is monodirectional and that the scale of said monodirectional change is greater than our likely ability to weather its consequences.
  • 10,000 Years of Patriarchy: This is VERY LONG, and is more ‘academic overview and historical resource’ than ‘a 15 minute longread’, but it’s also an absolutely dizzying piece of work which takes the reader through the historical reasons for The Great Gender Divergence – to whit: “Objective data on employment, governance, laws, and violence shows that all societies are gender unequal, some more than others. In South Asia, North Africa and the Middle East, it is men who provide for their families and organise politically. Chinese women work but are still locked out of politics. Latin America has undergone radical transformation, staging massive rallies against male violence and nearly achieving gender parity in political representation. Scandinavia still comes closest to a feminist utopia, but for most of history Europe was far more patriarchal than matrilineal South East Asia and Southern Africa. What explains the Great Gender Divergence? It emerged in the twentieth century as a result of the great divergence in economic and political development across countries. In countries that underwent rapid growth, technological change freed women from domestic drudgery while industry and services increased demand for their labour. Paid work in the public sphere enables women to build strong supportive friendships. They build solidarity.” This is SO SO SO INTERESTING – and just to be clear, I am not an historian and so I can’t pretend to know how much of the material cited here is standard or uncontentious, but it’s all rigorously hyperlinked for reference, and so I’m going to make the assumption that it is all legit. Fascinating.
  • The Lobbyist Next Door: You will I presume have seen the Ofcom data this week which suggests that TikTok is the fastest-growing source of news in the UK – one of the GREAT things about TikTok (not great) is the degree to which, compared to Insta and Facebook, it really is the wild west in terms of what you can get away with when it comes to influencer work and the like, and this piece looks at how various companies in the US are using this to help propagate certain viewpoints and beliefs in the minds of ordinary Americans, using microinfluencers to peddle particular lines on social issues as though they were just the regular old opinions of some kid on the internet. It’s not hard to see the…potentially negative side-effects of people flocking to a peer-to-peer content platform which rewards conspiratorial thinking and where disclosure of paid-interest is…sporadic and ill-enforced for their news content (or indeed how incredibly easy it would be for any agency with a faulty moral compass and a couple of digitally-savvy staff to make an AWFUL lot of bank out of offering this sort of service in the short-to-,medium term).
  • Computer Vision, AI and Ethics:This is, sorry to say, another not-hugely reassuring article (I promise I’ll put some fun stuff in shortly), all about exactly how seriously technologists in the AI vision space are taking questions around ethical tech development. It’s a pretty stark reflection of why ONLY having science/tech-minded people working on tech is A Bad Idea – it’s a simple matter of ways of thinking. I mean, just read this: “Some researchers bristle at the increased concern around ethics, in part because they are producing incremental work that could have many future applications, just like any tool might.“It’s not the techniques that are bad; it’s the way you use it. Fire could be bad or good depending on what you are doing with it,”…Changing hearts and minds may come, but slowly, said Olga Russakovsky, an assistant professor in Princeton University’s department of computer science, during an interview at the conference where she gave a presentation on fairness in visual recognition. “Most folks here are trained as computer scientists, and computer science training does not have an ethics component,” she said. “It evokes this visceral reaction of, ‘Oh, I don’t know ethics. And I don’t know what that means.’”” HIRE MORE PHILOSOPHERS, basically – God, after a mere 22 years my education may FINALLY come in handy.
  • How Computers and the Internet Work: Yes, yes, I know that you all know how computers work and how binary makes code makes programs make the world go round, but I confess to being…a little iffy on some of the specifics, which is why I found this explanation of How The Modern World Basically Functions so clear and helpful. “This post is meant to take someone from having the vaguest ideas about how computers work to having a general understanding of all the important concepts and how they relate. This post should be read from start to end as the concepts build on one another. After reading this, you should come away with a high level understanding of all the different components of a computer, and how they fit together.”  Thanks to Julian Hunt for writing this incredibly-comprehensive and luddite-friendly guide to, basically, how the fcuk I am able to write Curios at all.
  • Prompt Engineering: A decent WIRED piece looking at the whole ‘being able to make the AI machines spit out the inputs you want them to is going to be a really useful skill’ thing that I have been banging on about for ages now (can I just point out, self-servingly, that Curios really is a fcuking great repository of ‘ideas I could pitch to an editor were I a journalist’? Can I? Oh). There’s an easy PR win, by the way, in being the first company to advertise for the position of ‘Prompt Engineer’ to create the perfect AI images of, I don’t know, Hunter wellies – see, this stuff is GOLDEN I promise.
  • Exposing CanadianUkrain1: The concept of ‘stolen valour’, or ‘kids on the internet pretending to be military veterans and then getting embarrassingly called out for their lies by real vets who then mercilessly eviscerate them online’ has a long history, so I suppose we shouldn’t be surprised that it’s cropped up again in the current war in Ukraine. CanadianUkrain1 purported to be a Canadian who’d rocked up in Ukraine to support them against the Russian invasion, and who was posting an awful lot of content demonstrating what a MILITARY MADLAD he was: “CanadianUkrain1 shared videos and images he claimed to have taken himself from combat, alleging to have killed a Russian soldier with a tomahawk on one occasion and writing a tweet thread about a top-secret bicycle mission through Kherson on another.” Turns out, though, they were in fact nothing of the sort, and were posting all this stuff from Canada lol – this piece in Rest of World looks at how the OSINT community unmasked the fraud. It doesn’t, though, note the funniest (to me) part of the whole thing – that former romance novelist turned former MP turned former entrepreneur (MENSHN!) turned full-on-internet nutjob conspiracist Louise Mensch was one of the people caping for the fraud. NEVER CHANGE, LOUISE! Also, can I just point out that the existence of people like Mensch, and Truss, does rather make one look differently at the value of a degree from Oxford.
  • The Most Threatened Flightpath: Gorgeous multimedia scrolly storytelling by CNN, which tells the story of the birds which live on the world’s busiest flightpaths and the efforts to help preserve them. This is really well-done, and a nice evolution of the ‘video and images and annotations and some nice scrolly-parralax’ work that we’re all now so jaded about (also, it’s a really good story in its own right, regardless of your personal interest in ornithology or avian conservation, and contains at least one lovely animated illustration of a spoonbill, perhaps my favourite bird (I like to drop in these nuggets of pointless personal information in the hope that it engenders some sort of DEEP BRAND CONNECTION with the reader; does it work?).
  • A Gig In Roblox: Apparently the band/singer Soccer Mommy (whose latest single I featured in here JUST LAST WEEK, showing me to be ABSOLUTELY on the zeitgeist and definitely not old and out of touch SO THERE) did a gig in Roblox as part of the promo for their new album – this is videogames site Kotaku writing about the experience of attending said gig and, honestly, it just sounds EXHAUSTING. Obviously 42 year old men who are increasingly finding the idea of just dying and making it all stop appealing probably aren’t they’re core target demographic, but I can’t imagine who would be based on the description of the whole thing. Look, this may sound like fun to you, but I doubt it tbh: “It’s sort of funny and exciting to get hit by cars and shot at with a gun at a Soccer Mommy concert held in Roblox. The very concept is 10 levels of absurdity and apocalypse—choosing to enter a low framerate digital world where kids try to kill you for listening to music while looking like a cube.“
  • Emoji Kitchen: A post from Jennifer Daniels’ newsletter (Daniels, lest we forget, is chair of the Unicode Consortium’s emoji subcommittee) in which she waxes lyrical about the wonder and magic of the Gboard feature ‘Emoji Kitchen’, which lets Android users make their own emoji on the fly to create their own new language flourishes. This is partly-interesting because of a quote from Daniels I saw elsewhere this week, suggesting that certain types of emoji were ‘at saturation’ and we are unlikely to see as many new entries in the Unicode-approved lexicon in coming years as we might have done previously, and the way in which Emoji Kitchen circumvents this by giving you an infinite communications canvas; it’s also partly interesting because I now want to start using my ‘poop bouquet’ creation with everyone I know (jk, obviously I only use emoji with my girlfriend and even then with all the grace of a septuagenarian).
  • Urban PlanningTok: It does rather feel like there’s an article to be written about every single TikTok subculture, pitched at very specific trade verticals – “Welcome to horology TikTok!”, for Watchtime Magazine, say, or “Goose-force-feeding TikTok is blowing UP!”, for Le Fois Gras Magazine (apparently a real thing, who knew? Not going to check whether goosetortureTok is equally real, though) – and here’s yet another one in the seemingly-infinite series, about LOCAL PLANNING AND URBAN TRANSITTOK! This is partly interesting because it’s always curious to me to see how particular passions or areas of interest get bent to fit the TikTok format, partly because I wonder how much people who are experts in these fields find these sorts of short, popular explainers of stuff to be a frustrating oversimplification of their discipline, and partly because it’s a useful thing to use to persuade your clients that there is no sector so boring that they shouldn’t pay you a fat fee to develop a TikTok strategy for them (lol the grift it is ceaseless and unchanging). BONUS TIKTOK VERTICAL CONTENT – this piece is about delivery driverTok, and is written by Chris Stokel-Walker, a journalist so currently prolific that I half believe him to have developed the ability to type a different story with each hand simultaneously.
  • Being A Ref: A rare link to a Guardian article in the hope that you haven’t already read this one – this is an extract from a forthcoming book by Ian Plenderlith, all about his experiences of being a referee for football matches in Germany over the past 6 years. I’ve always believed that there’s a very particular set of character traits required to willingly subject oneself to 90+ minutes of abuse on a weekly basis whilst also running a half-marathon, and this account does little to disabuse me of the notion that I would be anything other than a crying, snotty mess after approximately 5 minutes of ‘banter’ from players and fans. I can only imagine how much ‘better’ this has all gotten over the past two years, during which we’ve all seemingly forgotten how to be anything other than utterly feral (my cousin works security at Rome airport, as an anecdotal aside, and he says that whereas pre-pandemic you might get half-a-dozen passengers kicking off on a bad night, now they’re looking at 2-3 an hour just losing their sh1t when asked to put their liquids in a plastic bag. God, we all juts need retraining, don’t we? Some sort of gigantic species-wide Kennel Club, or a Big Brother-like SuperNanny figure to naughty step us back into shape).
  • Reporting on the Internet: I love this – interviews with a bunch of different journalists whose ‘beat’ is basically ‘stuff on the web’, talking about what they think they are reporting on, and what it means, and how they do it, and how they stay sane, and what they see in the tealeaves of EVERYTHING ONLINE. Featuring people who are imho very much at the very top of the game when it comes to documenting life online – Rebecca Jennings, Taylor Lorenz, Ryan Broderick, Rusty Foster and Jason Parham – this felt like it was written specifically for me, in particular this from Foster: “All my life I’ve been online and then gone a little more offline for a while because you need breaks. I don’t think people are really meant to engage with the whole world. It is exhausting. I feel like everybody who works on social media needs to know that you have to be making plans for what you’re going to do when you can’t do this anymore.”
  • Writing with an AI Partner: In some respects a companion article to the earlier piece about prompt engineering, this article looks at the relationships various authors have developed with writing assistants – the piece mentions GPT-3 and Sudowrite, amongst others – and the way in which it has changed their working practice to have an indefatigable digital writing partner that is always ready to spit out ideas and new angles on demand. I particularly enjoyed the testimony from Jennifer Lepp, about the discomfort she felt when leaning too hard on the software to compose her ‘cozyy fiction’ novels, and the unpleasant sensation of a loss of agency when reviewing old copy that she hadn’t written herself. As with all pieces around this theme, it’s very clear that the various PR departments of the tech companies running this sort of software are punting the ‘work together!’ line to hedge against ‘it’s the death of creativity!’ reporting, which, you know, fine; I challenge you, though, to read this paragraph without a significant chunk of you just sort of sighing and rolling over and dying: “In any case, originality isn’t the primary objective for people using Jasper. They’re using it to generate Google-optimized blog posts about products they’re selling or books that will serve as billboards on Amazon or Twitter threads and LinkedIn posts to establish themselves as authorities in their field. That is, they’re using it not because they have something to say but because they need to say something in order to “maintain relevance” — a phrase that I heard from AI-using novelists as well — on platforms already so flooded with writing that algorithms are required to sort it. It raises the prospect of a dizzying spiral of content generated by AI to win the favor of AI, all of it derived from existing content rather than rooted in fact or experience, which wouldn’t be so different from the internet we have now. As one e-commerce Jasper user pointed out, it would be naive to believe most top 10 lists of any product you Google and that would be true whether written by AI mimicking existing content or marketers doing the same.“
  • Drug Deaths in Kabul: WARNING – THESE ARE GRAPHIC PHOTOS. They are also amazing – I can’t stress enough how distressing some of these are, but, equally, they are some of the most powerful photojournalism I have seen in several years. There’s a particular image of a man being shaved which I just sort of stopped and stared at for 5 minutes it’s that powerful.
  • Peckham In Restaurants: This is from Vittles and I think might be paywalled – it’s worth paying for this, though, as it’s SUCH a smart article; in it, Jonathan Nunn collages together writing about food in Peckham over the past 50-60 years to build a picture of how the perception of the area has changed and shifted along with the demographics, as the gentrification of the past 20 years has taken hold. It’s stark how well this collection of fragments tells the story of how the print media’s interpretation of an area, and the narrative that gets built around it, is determined to a significant extent by the colour of the skin of the people living there.
  • Ivana Trump’s Funeral: I don’t think it’s possible to feel ‘pity’ for anyone with the surname ‘Trump’, but you will feel an odd series of emotions as you enjoy this writeup of Ivana Trump’s funeral – a sort of high-handed disdain at the gaucheness of the whole lot of them (sorry but it’s true), but also a very real sense that they are all horribly, horribly broken by each other and that all their wealth has given them is the ability to in turn break others without ever really thinking about how or why. It’s worth reading this out loud to someone – there are some proper laugh-out-loud moments, not least the bits about QVC (no, really).
  • Neom: Ah, Neom! I have just checked and this is the fourth time I’ve had cause to mention MBS’ insane, vainglorious project to build the most future city in the world out of dreams and innumerable petrodollars out in the Saudi desert. (From my 2017 entry: “Read the breathlessly-optimistic future utopian prose! See the photos of the in-no-way-repressed women jogging in croptops! It’s all going to be great! Then think a little bit longer, and consider that if you were Saudi and you were seeking international investment for your proposed future-leading hub city-state, you’d probably dial down the woman-suppressing rhetoric, at least til the first few rounds were closed. Then think quite how much this website looks like the opening 15 minutes of every single dystopian scifi you’ve ever seen, the bit before you realise that there is a HEART OF DARKNESS beating beneath the shiny metallic skin.”) So, er, how’s it going? You may bne unsurprised to learn that the answer is ‘not brilliantly’ – turns out a constantly-shifting series of design priorities directed by the capricious whims of a murderous billionaire makes for a tricky working environment, but the one silver lining in all of this is that the consultants are all making significant wedge out of the whole thing so, well, that’s ok then! Just read this paragraph about the visual concepting work that was being done and IMAGINE the markup you could charge these plutocratic morons for a day’s worth of ‘reading up on modern scifi trends’ and a week or so’s high-end PPT monkeying: “An internal document from this exercise listed 37 options, arranged alphabetically from “Alien Invasion” to “Utopia.” After input from a panel of experts, 13 advanced to the next phase of consideration—almost all of them cyberpunk-related in some way. These were divided further into “backward-looking” and “forward-looking” categories and laid out on a spectrum from dystopian to utopian. Each was analyzed in depth, with Neom staff interrogating their values. (“The big question biopunk asks is, Where does one stop being human?”) Next they ranked the concepts on a matrix of factors, including whether they had a “strong architectural component” and their alignment with Neom’s goals. Two guiding philosophies for the Gulf of Aqaba came out on top: “solarpunk,” depicting a future where environmental challenges have largely been solved, and “post-cyberpunk.” The latter, the document said, takes a relatively optimistic view of the world to come, with clean edges, slim skyscrapers, and sleek flying cars. It identified the best example of the style as Ryan Coogler’s Black Panther—coincidentally, the first movie shown when MBS allowed Saudi cinemas to reopen after a decades-long ban.” I do wonder at what point we’ll look on this and recognise one of the greatest examples of hubris in the history of our species.”
  • Yachts: Finally this week, there is literally no way you can read this and not want to then go and set fire to a billionaire. I promise, it’s impossible. This is a wonderful article about the rarefied world of the superyacht – the buyers, the sellers, the crew and the strange world in which people compete to spend the most on depreciable assets which will in the main see very little use, all to be able to win this epoch’s plute’s p1ssing contest. SO MUCH TO LOVE (hate) in here, but personally my favourite extract is the following – find your own! “If you’ve just put half a billion dollars into a boat, you may have qualms about the truism that material things bring less happiness than experiences do. But this, too, can be finessed. Andrew Grant Super, a co-founder of the “experiential yachting” firm Berkeley Rand, told me that he served a uniquely overstimulated clientele: “We call them the bored billionaires.” He outlined a few of his experience products. “We can plot half of the Pacific Ocean with coördinates, to map out the Battle of Midway,” he said. “We re-create the full-blown battles of the giant ships from America and Japan. The kids have haptic guns and haptic vests. We put the smell of cordite and cannon fire on board, pumping around them.” For those who aren’t soothed by the scent of cordite, Super offered an alternative. “We fly 3-D-printed, architectural freestanding restaurants into the middle of the Maldives, on a sand shelf that can only last another eight hours before it disappears.”” HOW IS THIS NOT SATIRE? HOW IS THIS REAL LIFE?

Image from this isn't happiness.

By Sii Gii

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 15/07/22

Reading Time: 34 minutes

Well I go away for a fortnight and the world turns upside down! A scorching heatwave in the UK, Italian politics reverting very much to type, and not one but TWO significant departures to talk about.

The first, That Awful Man finally (seemingly) being removed from office, is briefly-pleasing until you stop to contemplate which of the novelty Pez-dispensers of hatred is being lined up by a cadre of frightened pensioners to oversee the next glorious iteration of Project Britain. Please please please God don’t let it be Truss.

The other departure, less significant to all of you but moreso to me, was my mother who died last week of the Motor Neurone Disease that has spent the past three years ruining her life (you don’t ‘battle’ or ‘fight’ MND when you’re old – it just beats the fcuk out of you til you die). I don’t know if you’ve ever seen anyone die of MND up-close but, well, let’s just say that it’s not the fun and glamorous condition Stephen Hawking occasionally painted it as (my mother neither mastered the unknowable mysteries of the cosmos nor took a zero-gravity flight with Richard Branson, for example), and, on balance, whilst ‘being dead’ isn’t necessarily an outcome any of us would ordinarily choose, when faced with the sole alternative of ‘being tetraplegic and unable to speak and fed by a tube into your stomach and in near-constant pain’ it perhaps becomes more appealing.

Sorry – that isn’t to elicit sympathy, promise (it really isn’t), more to explain that, as a result of this Minor Life Upheaval, the reason for my being in Rome no longer exists and so I will be packing my life up and coming back to the UK just as soon as I have ‘enjoyed’ the bureaucratic process of winding up a life here in Italy. As a result, Curios is likely to be somewhat more sporadic over the next couple of months – for which I apologise, but, well, equally it’s not like you’re paying for this.

I am still Matt, this is still Web Curios, and if you fancied you could make a donation to the MND charity of your choice (but obviously no obligation, and I will NEVER KNOW, so do as you please).

By Mercedes Helnwein

LET’S KICK OFF THIS WEEK WITH SOME EXCELLENT BREAKS MIXED BY MAKO! 

THE SECTION WHICH STRONGLY ADVISES ANY OF YOU IN THE UK TO PERHAPS NOT DO THE WHOLE ‘SUNBATHING’ THING SHOULD THE MERCURY TIP 40, PT.1:  

  • Space: I’ve personally found that one of the main things that the web has given me is a vastly-refined sense of perspective about my relative place in the world – it’s hard to be quite such a solipsist when confronted with the vast gamut of human existence at scale, grubby and damp and unpleasantly-lumpy (I mean, God knows I try, but). Another excellent way of reminding yourself that you’re nothing more than an insignificant speck in the great glorious infinity of everything is by looking at the frankly astonishing images that NASA released this week from the James Webb Telescope – you will have seen these floating across your feeds and in the news, but it’s worth taking a moment to look at them in big old hi-res on the NASA website and really just revel in how much STUFF there exists out there and how little we actually understand about the great, soupy ineffability that is ‘the entire cosmos’. If you really want to feel small (and, depending, if you want a properly dizzying sense of everything-vertigo) then click this link and watch as the video zooms out to show you how small the Telescope’s photos are relative to the infinite canvas of space – regular readers will know that I have a small obsession with the concept of the Total Perspective Vortex as imagined by Douglas Adams in ‘Hitchhikers’, and frankly the closest thing I’ve seen to that made flesh. I personally find there’s something bleakly-comforting about being reminded of one’s own utter insignificance at a cosmic scale, but Web Curios apologises for any existential crises that these links may prompt in you. BONUS SPACE LINKS: Rene Walter has compiled a bunch of interesting JWT-related links at his Good Internet newsletter here.
  • Seances: NFB Canada return with another lovely piece of digital storytelling. Seances is a lovely concept – each visitor to the website (mobile-only I’m afraid) will get the opportunity to view an entirely-original short film, which stitches together a fixed quantity of clips and text to make videos that are one-of-a-kind and one-time-only. You can’t scrub through, you can’t pause, and you can’t share – your film is yours alone, viewable once-only, in realtime. The idea of a ‘unique’ piece of content for each viewer isn’t entirely new, but the execution here is rather lovely and the short I watched ‘worked’ in a way that much of this stuff tends not to, feeling like an actual piece of authored film rather than a bunch of disparate clips stitched together by software.
  • Prompt Press: We’re not quite at the point whereby news organisations can forego the need to pay for press shots by farming the work of imagecreation to AI…but, as this project shows, we are at a point where you can make an interesting artproject out of getting a machine to dream up pictures based on news headlines. Prompt Press offers up a different headlines and illustration each week, letting you see what visuals an AI thinks should accompany ‘Prime Minister Boris Johnson Resigns’ or ‘Canada Bans Single-Use Plastics’. It’s not clear what they are using to make the images – could be Dall-E, could be Midjourney, could be some other non-standard code – but they are in the now-recognisable ‘AI-imagined digital art’ style and whilst there’s obviously a not-insignificant amount of human curation going on behind the scenes these also work quite a lot better than I had expected.
  • How To Dall-E: This week OpenAI let a bunch of new people play around with Dall-E2, of whom I was one (this does not mean I am special, it just means that I’m the sort of saddo who signed up for access about 4 months ago and they have evidently reached the ‘random webmong’ stage of letting people in) – even for someone like me, whose visual imagination is roughly akin to that of spinach, it’s borderline magical. As you’ll have seen if you’ve spent any time looking at AI-generated imagery over the past few years, there are very clear limitations and there are certain areas where the machine works far better than others (highly-stylised things, cartoonish imagery, and, weirdly enough, plasticine models all seem to work quite well; anything you want to look photorealistic tends to get quite weird at the edges if you look to closely) – what’s truly borderline-magical, though, is the way in which small tweaks in input can radically alter the style and quality of output, with modifiers like ‘75mm’, ‘35mm’, ‘fisheye’, ‘render’ and ‘bokeh’ giving you a vast range of control over what the software spits out. I know I have been wanging on about this for a while now, but being good at wrangling stuff like this is going to be non-trivially useful (at least for a while, I think – but, er, don’t base any future career decisions on throwaway comments like this, will you?) – which is why this link, to a guide on how to achieve particular effects and results with different text cues, is so interesting and useful. Written by Guy Parsons, to whom infinite thanks.
  • Artbreeder Collage: Artbreeder, you will of COURSE recall, was an AI image toy from a few years back that let you go down rabbitholes of machine-created imagery by ‘breeding’ different pictures with each other (it now has a bunch of other things it can do – worth checking out again if you’re interested in this stuff). Its ‘Collage’ toy basically works like those ‘GAN Inpainting’ tools that did the rounds a few years back, where you draw some basic shapes and then tell the machine what you want it to make them look like (trees, houses, a gigantic burning effigy, that sort of thing) – except this one has proper ‘text-to-image’ parsing, meaning you can draw any sort of rough scene you like and turn it into, I don’t know, ‘flourescent cows floating above the moon’s surface’. This isn’t anything more than a novelty toy at present, to be clear, but it’s quite obvious how an interface like this might be used by designers and art directors to create AI-generated imagery with a slightly-greater degree of control than that afforded by a simple ‘plug in a prompt, get what the machine gives you and fcuking like it’ interface. See, humans CAN still have useful agency! We WILL maintain control!
  • G.U.C.C.I.: To be explicit and clear – this is not GUCCI the luxe fashion vampires. It has nothing to do with them whatsoever. Instead, this is the ‘Genuine Unauthorized Clothing Clone Institute’ – “Each Genuine Unauthorized garment starts with a life size digital print of a selfie taken by the artist in a luxury store dressing room. These dressing room selfies are used to develop the foundation for each garment in the project. Instead of recreating the item in the photograph, these new garments instead prioritize the flat photographic image, resulting in dresses that are sandwich-board-like in their construction, relying on simple pleats and the tromp l’oeil effect of the printed photograph for contouring. The project approaches legality through the lens of appropriation. Censorship pixelization in both the garments and website design “redact” the “original” to crate a parody. The censorship walks the line of originality within the eyes of the legal system while evoking desire for that which we cannot have…Users can select a size from the drop down menu shown on each “product” page and download a free file for personal use. All files are ready to be digitally printed onto fabric and contain the flat pattern for the selected Genuine Unauthorized garment with a chroma key (green screen) base and a transformed “censored” selfie photograph that the garment design is based on.” This is GREAT, and I do like to imagine that the Other GUCCI’s lawyers have been going mad attempting to work out how they can shut this down.
  • Mapping Glastonbury: Slightly-annoyed that I didn’t find this when actual Glastonbury was actually happening, but hey ho. This is a brilliant piece of interactive by the V&A, letting you explore 50 years of the festival’s history through photography, interviews, audioclips and a really nice CG interface of the Worthy Farm site – inevitable horrible copyright reasons mean that, fine, you’re not going to be able to use this to re-experience the transcendent magic of coming up on your third pill while gurning uncontrollably to Underworld in 1999 (for example), but as a means of exploring the Festival’s history and some of the non-musical aspects of a truly one-of-a-kind cultural experience it’s pretty exceptional.
  • Shadefinder: Yes, yes, it’s hot, fine, I get it – WELCOME TO MY SUMMERTIME LIFE YOU FCUKS. As seemingly everyone in the world struggles with some punchy Mercury readings – welcome, my friends, to the reality of our existences for the remainder of our lives! Sweaty, isn’t it? – you may find this rather excellent little website a useful aid to not dying of heatstroke. Click the link and you’ll find yourself on a map of Barcelona – click and zoom and drag to wherever you might find yourself, click any location on the map, and MARVEL as the view shifts to show you where the shadows will fall anywhere in the world at any time of day, based (I presume) on building data taken from OpenStreetMap. Perfect should you wish to plot a route across the fudgy tarmac that allows you to hide from the sun’s killer rays at all times – and let’s not dwell too long on the fact that the obviously-hyperbolic phrase ‘the sun’s killer rays’ is perhaps significantly-less-hyperbolic than we might wish it to be.
  • Unblah: An excellent little plugin, this, and one that might lead to some perhaps-improving journeys of self-discovery amongst male users of it. Unblah is a very simple plugin for MacOS (sorry, no Windows version as-yet) which works with your videoconferencing software of choice to keep track of how much you’re talking compared to everyone else in a meeting, and offering you a neat visual summary of how much air you’re taking up with your INCESSANT FCUKING GASBAGGING. Ahem. Whilst obviously it’s an EGREGIOUS generalisation to presume that men are the people who most need this, it’s also true that all data points to the fact that it’s men who have a tendency to dominate meetings with ALL THE TALKING – even if you don’t think you’re guilty of this sort of behaviour it might be instructive to install this and see what the numbers say (NB – I am a Windows user and so therefore sadly-incapable of practising as I preach, for which omission I apologise to everyone whose meetings I derail with my own personal INCESSANT FCUKING GASBAGGING in future).
  • Metroverse: Oh my word, this is quite remarkable. “What is the economic composition of my city? How does my city compare to cities around the globe?Which cities look most like mine? What are the technological capabilities that underpin my city’s current economy? Which growth and diversification paths does that suggest for the future? Built at the Growth Lab at Harvard University, Metroverse delivers new insights on these questions by placing a city’s technological capabilities and knowhow at the heart of its growth prospects, where the range and nature of existing capabilities strongly influences how future diversification unfolds. Metroverse makes visible what a city is good at today to help understand what it can become tomorrow.” Honestly, this is utterly compelling – SO much interesting urban data to explore about so many different cities (1000 globally, 52 within the UK), letting you analyse information about business and industry and employment within each…SUCH an incredible resource, and a really nice interface to boot. It even shows you which cities are most similar to each other based on the data available – although I confess to raising an eyebrow slightly at the suggestion that Rome and Birmingham have more in common than I had originally thought.
  • Choo Choo World: On the one hand, I’m slightly aghast at the ongoing infantilisation of everything; on the other, I am a 42 year old man who still dresses like a teenager from 1998 and whose attitude to authority has remained similarly unchanged, and who counts ‘playing videogames’ as regular pastime so, well, I appreciate I may not have a huge number of legs to stand on. Still, you would have to be a true joyless curmudgeon to not enjoy this digital trainset – this is a small, colourful CG sandbox which lets you design your very own BRIO-style experience, with straights and curves and risers and hills and, inexplicably, the ability to make said trains to loop-the-loops. Build out the trainset of your dreams and then watch in awe as a small train follows the route you’ve created as though you were some sort of omnipotent ferrovial GOD (which is EXACTLY what you are!).
  • Good Morning Empire: I love this – Good Morning Empire is a short…essay? ‘meditation on our relationship with knowledge and the web’? ‘Investigation of the invisible digital walls that constrain our existences’? God knows. Anyway, it’s a thing by Aidan Quinlan – scroll right to experience it, but do so slowly as the scrolling text under each individual vignette set the tone for the whole thing rather wonderfully. Yes, look, I know that this description isn’t really giving you much but the uncertainty is part of the fun, no? No? FFS.
  • Chicken Photos: Specifically, chicken selfies.  “Whenever a chicken passes in front of the motion sensor, the Pi snaps a photo on the camera, which in turn fires the speed flash. Once the photo is taken, the Pi downloads the photo from the camera’s SD card and uploads it to our website. The photo is then tweeted and potentially minted as an NFT…Once a day the flock curates a selection of the best photos from the day. The chickens believe in a healthy and sustainable work environment, and because of that they refuse to set unrealistic expectations as to when the photos will be posted…The chickens live in the country, dislike capitalism and don’t really get the whole “crypto” thing. As a result, they will mint select photos as NFTs at totally random and unpredictable times. Set a twitter alert to be first to know about new uploads.” Superb. Also, these are some GOOD photos, I am impressed with the setup and the chickens’ posing/curatorial chops. Come for the chooks, stay for the occasional nighttime raccoon.
  • Dimensional: Have you ever thought that the main thing missing from your interpersonal relationships is a long, searching conversation about exactly how similar or different your personalities are based on a series of third-party judgements and assessments? Do you basically want to spend a good, long evening with your mates going over your Myers Briggs? If the answer to these questions is a resounding ‘YES!’, then a) please never contact me; b) you may enjoy Dimensional, an app which professes to be ‘a social network based on your personality’ and which promises to assess all your personality flaws to six decimal places and by so doing give you a sense of who YOU are (according, to be clear, to some fcuking app), and allow you to relate everyone else to you based who THEY are (based, again, on some fcuking app). “Add friends on Dimensional to compare your personalities and unlock insights into your relationship,” burbles the copy, as though that doesn’t sound like the worst thing in the fcuking world.
  • Flefixx: I can’t entirely claim to understand this, but I quite like it. Type, and see what happens – this is basically a prototypically visual language, with a small sample of visualised letters and pre-/suffixes which give a suggestion as to how the glyphish alphabet might develop. See, I told you I couldn’t claim to understand it.
  • Ravel: Ooh, this is potentially really fun – this is by Curios favourite Everest Pipkin, gamemaker designer and prolific maker of Interesting Web Stuff, and it’s basically a tool to make nested narratives. It’s basically like being able to construct expandy bullet lists – you write whatever you want in the builder, which is flexible enough to allow for quite long and complex nestings of concepts, and can then export the resulting material as embeddable HTML to put wherever you like online. I find this sort of tool such a useful way of structuring thinking in general – there are obviously narrative opportunities here, but (in a really boring digression into professionalism for a second) it’s also a potentially-useful tool for setting out and exploring thinking around strategy and planning (sorry for sulllying the purity of your work by using it in the context of advermarketingpr, Everest).
  • Is Or Was: “Is a particular famous dead or alive?” is the single, simple premise of this annoyingly-addictive quiz. You think it’s easy and then you’re forced to confront the fact that you’d totally forgotten that Chris Cornell was dead and your entire world is rocked.
  • Ferris: This is an interesting idea, which might be useful for those of you who still have those loose, slightly-amorphous friendship groups that you maintain throughout your 20s, the ones immortalised in the fcuking ‘Friendchips’ campaigns and in all those ‘pass the Style supplement, Giles!’ ads of suspiciously unhungover-looking children enjoying Sunday together in an unrealistically-clean and naturally-lit shared house. Ferris is an app designed to help you plan activities with a friendship group – anyone who’s planning something they would be happy to have company doing can set up an event, to which other friends in the group can add themselves if they so choose, making for a nicely-low-friction way of offering opportunities to hang out (and, of course, the inevitable sense of rejection when noone EVER wants to come to the proctologist with you).
  • The Featherbase: I appreciate that you may not have been aware of your overwhelming need for a website which contains an insane amount of information about feathers, but trust me when I say YOU NEED THIS IN YOUR LIFE. “Featherbase is a working group of German feather scientists and other collectors worldwide who came together with their personal collections and created the biggest and most comprehensive online feather library in the world. Using our website, it is possible to identify feathers from hundreds of different species, compare similarities between them, work out gender or age-specific characteristics and look at the statistics of countless feather measurements.” GERMAN FEATHER SCIENTISTS! What a sentence that is.
  • The Pokemon Fossil Museum: I think that this is a particular wing of a particular museum in Tokyo, but, er, everything is in Japanese so I obviously have no clue. Still, if you’ve ever wanted the chance to explore a 3d scan of a series of exhibited ‘fossils’ of Pokemon, somewhat-bafflingly sitting alongside what look like actual dinosaur bones, then this will please you no end. Again, I can’t read Japanese and so have no idea what the framing is like here but I do sort-of hope that this is presented entirely straight and gives kids a bunch of FAKE DINOSAUR NEWS about how the T-Rex and Pidgeotto were in fact best of friends bitd.
  • Absurd Trolley Problems: Another lovely, silly webproject from Neal Agarwal, which he sent me a couple of weeks ago and which has now been EVERYWHERE online and which you have almost certainly seen but which I am offering you anyway because completeness. Absurd Trolley Problems presents you with an escalating series of moral dilemmas based on the classic trolley problem (divert the trolley and kill x, or don’t divert the trolley and kill y) – what would YOU do given the choice between doing nothing and killing a kitten and flipping the switch and killing a puppy (NB none of the choices are this traumatic, I promise)? A useful way of finding out exactly what sort of terrible, unfeeling monster you are deep down inside.

By  Andoni Beristain

YOUR NEXT MIX COMES FROM ANJA SCHNEIDER WITH A PLEASINGLY-THUMPY TECHNO MIX LIVE FROM DC! 

THE SECTION WHICH STRONGLY ADVISES ANY OF YOU IN THE UK TO PERHAPS NOT DO THE WHOLE ‘SUNBATHING’ THING SHOULD THE MERCURY TIP 40, PT.2:  

  • Name a Hole: A site which offers you the opportunity to name a black hole after someone. The gag here is obviously ‘YOU SUCK LOL!’ but, honestly, I think this would be quite a cool thing – “The Web Curios Hole Of Infinite Attraction” has quite a ring to it, should anyone fancy getting me a present (NB – I am aware that you are not really naming a black hole in any meaningful sense, but this is just a bit of fun and at least these people aren’t attempting to sell you an NFT of anyfcukingthing).
  • Very Famous: An ONLINE MAGAZINE! How deliciously-retro! Very Famous is a deliberately-ugly lifestylezinething, with quite strong ‘we all work in fashion and live in NYC DAHLING’ vibes (to my mind, at least), and a particular type of young-person writing style that I very much associate with ‘i type everything in lower-case with a sense of all-round general positivity use exclamation marks to indicate when I am being sincere!’-ness (if you know what I mean, and I would totally understand if you didn’t tbh), and short articles about ‘stuff you pretend to have conversations about on the phone whilst walking alone late at night past creepy men’ and ‘White Musk from The Body Shop’. I like this quite a lot – it’s got a certain ‘The Hairpin’-ish sense to it, despite ostensibly having little in common with it.
  • Watches That Don’t Tell The Time: You might argue that a watch that doesn’t tell the time is not in fact a wathc in any meaningful sense of the word, but you would stop that argument in favour of staring in glassy-eyed covetousness as soon as you cast your eyes upon these beauties. Have you ever wanted to wear a miniature paddling pool filled with small rubber ducks on your wrist? Perhaps not, but one click of this link and I guarantee you will want nothing else. These are genuinely available for sale, and would be the perfect accessory if you also had a time machine to take you back to Michael Alig’s New York or Gatecrasher circa 1997.
  • Wikivoyage: This is interesting, and worth a look next time you’re traveling somewhere – Wikivoyage is Wikpedia but for travel, a communuty-editable database of locations and associated tips for anyone visiting them. This is a relatively-small site, which means that there are some quite-interesting niche recommendations you can stumble across (or at least there are based on my limited exploration) – it’s also a BRILLIANT opportunity for you to share EVERYTHING you know about your local area with a collection of strangers on the internet. The ‘South London’ section, for example, appears to have been cobbled together by someone who only knows about Bromley and Croydon – WHERE IS THE SYDENHAM MAGNUM OPUS? If you’ve always wanted to share your intimate knowledge of ‘The Pubs and takeaways of Selly Oak’ with a grateful audience then Wikivoyage is your new favourite website in the world.
  • Open Source Shakespeare: A site featuring all of Shakespeare’s published works as searchable texts – you can use this to check whether a particular quote is in fact from the Bard, or to find relevant Shakespearean material about whatever you like. I now have a toad-related quote from Troilus and Cressida which I can whip out whenever someone starts gassing themselves up too much, for example (“I do hate a proud man, as I hate the engendering of toads”), and I think we can all agree that that’s something worth celebrating.
  • Pointless Celebrities Looking at the Number 69: A Twitter account which does nothing but share images of celebrities on the TV show pointless looking at the number ‘69’ onscreen. Which, fine, may not sound like it’s worth your time, but it’s the calibre of famous on show here which really elevates this to ‘art’ status – Wee Jimmy Crankie with a parrot on her shoulder staring grim-faced at the number 69, when you know what her and her husband are like, is pretty-much perfect (I concede that if you’re not from the UK then your mileage may well vary slightly here). A spiritual cousin to the peerless Daytime Snaps.
  • After The Rapture Petcare: I…I don’t think that this is a joke. After The Rapture Petcare is a survice which purports to offer a network of non-Christians who are willing to commit to caring to the pets of Christians that will be left behind by their owners when said owners get swept up by the great Holy vacuum cleaner that is the Evangelical ‘Rapture’ (for those of you unfamiliar with the concept, the ‘Rapture’ is the term used for the moment that will come before the end of the world, whereby all God’s true believers will be swept up into heaven to spare them from the fiery apocalypse that is set to befall all the sinners left behind on Earth). Now I know what you’re thinking – you’re thinking ‘No, Matt, this is OBVIOUSLY a joke, you are a moron, where is the next link please?’ – but just wait a second and read this: “The idea came from seeing someone else’s joke. An atheist created a site in England that said she’d take care of Christian-owned pets after the Rapture, and asked for 70 pounds as a “donation.” She promoted it as a joke, and it virally made the rounds amongs non-believers who enjoy making fun of Christians. My husband saw it (he’s an Internet geek) and told me about it. Admittedly, it seemed funny. I told my friend, Carol, who is not a Christian, and she brought up a question: “Hey, if you get raptured, what happens to Petey?” It was an excellent question, and I didn’t have an answer. A couple weeks later Carol came back and suggested we start After The Rapture Pet Care together. She said she had asked several Christian friends the same question she’d asked me, and every one of them would pay for a service to ensure the care of their pets after the Rapture. I had also asked some fellow Christians their thoughts. In every case they wished there was a way to prepare for their pets’ survival.” I am AGOG, honestly. How you can hold the simultaneous belief that the Earth is going to be fcuked by the final reckoning between Good and Evil and that most people are going to be pitchforked for all eternity by the legions of the damned, but they might still find the time amongst all the death and brimstone and end of the world horror to FEED CAROL’S FCUKING SCHNAUZER is utterly beyond me – I mean, I know Evangelical Christians in the US are often some of the more venal and stupid of the religious obsessives, but this really takes the biscuit. Still, if you think that your experience of armageddon will be improved by being able to take care of the cats, dogs and tortoises of those believers now laughing at your poor sinners’ end from the right hand of the Father then, well, SIGN UP HERE!
  • VagonWeb: “This site is dedicated to european railway passenger cars, electric or diesel units, trail cars… in short to everything, what is usualy [sic] used to convey passengers. English translation is only partial.” A perfect website (if you’re really, really interested in rolling stock).
  • League of the Lexicon: A fully-funded Kickstarter with (at the time of writing) three weeks still left to run, this looks like a GREAT boardgame for any of you with a particular thing for language. Thousands of questions on etymology, meaning, and general lexicography – if you, your friends or family are the sorts of people whose eyes light up at the thought of a game including questions such as ‘name six words invented by George Orwell’ or ‘Give me eight synonyms for ‘confused’’ then you will probably already have hammered the ‘donate’ button – this honestly looks GREAT (please invite me to play with you I have no friends).
  • The Game Crafter: Sticking with boardgames, this is a wonderful site/service – basically these people will make any game you ask them to, if you give them the rules and the relevant designs, in editions of as small as ‘1’ – and you can make your own games availavle to buy (presumably on a ‘print-on-demand’ basis) to anyone who fancies the sounds of them. If YOU have ever thought ‘my radical interpretation of the basic concept of ‘Balderdash’ based on the Kama Sutra is a worldwide success waiting to happen, I just need to find someone prepared to produce the upsettingly-biological board and pieces!’ then these people maybe your gateway to fame and fortune (but, based on that idea, probably not).
  • English2RegX: VERY geeky, this, but also an excellent example of ‘what you can do with AI that is practically-useful rather than just a clever parlour trick’. English2RegX is, as the name might suggest, a service which uses natural language AI to translate things you write in ‘normal’ prose into ‘regular expressions’ used to code in Python, Perl, etc – these are, apparently, famously annoying to code and parse due to their specifi syntax requirements, so the ability to spin them up from normal human language feels significant. We are not too far away from being able to do this for almost anything – type ‘a ham sandwich’ and select your output and the machine will variously spit out a photo of a ham sandwich, a recipe for one, code to render one in a 3d environment of your choosing…and yes, fine, this is a terrible and almost-miserably-banal example, but use your excellent imaginations and I am sure you will be able to think of something better.
  • Closer to Van Eyck: This is a really interesting project by the Royal Institute for Cultural Heritage in Belgium, letting you explore various works by Ven Eyck via the medium of various webpages – the centrepiece here is the section which lets you get up close and personal with the Ghent Alterpiece throughout various points of its restoration, with high-resolution imagery which lets you see exactly how amazing the work has been to bring the painting back to its best. Art students, art historians or fans of Van Eyck (look, some of you might be fans of Van Eyck, I have no idea) will love this (even though it is…er…somewhat Belgian in its low-key presentation).
  • Lyrical Garfield: “A bot doing its best to detect & replace Garfield text with lyrics.“ This is perhaps more ‘miss’ than ‘hit’, but occasionally you run into an interesting juxtaposition. By the same people who apparently made ‘Heathcliff Cartoons With Pr0nhub Comments’, which is, to my mind, significantly better.
  • Jelly Gummies: The website of Sam Lyon, on which they present this selection of really quite unpleasant (but in a very good way) 3d rendered gifs – there’s something about this hypershiny aesthetic that I can’t help but find viscerally-disturbing, though I honestly couldn’t explain fully why that is.
  • Seed: I’m going to make a confident prediction right off the bat that Seed, as it is here described, is never going to be a real thing. Still, it sounds fascinating and I sort-of hope I am proved wrong – “SEED is a life simulation that never sleeps. Your Seedlings live on the planet Avesta and their life goes on, even when you are not there to guide them…Seedlings have a mind of their own, but need your guidance for their life of adventure to grow, learn, work, cook, party, love, explore and more…Help your Seedlings to become happy when they are sad or excited when they are bored. Your Seedlings will meet other players’ Seedlings and will form bonds and relationships. Help them to make the right choices and at the same time make some new friends of your own…The society on Avesta will grow stronger through collaboration. As a city’s population grows, resources, research, and construction will increase, which can permanently impact the economy of the planet. You can freely construct and build structures to benefit your Seedlings and the city. Use this freedom to unleash your creativity and to build buildings and meaningful relationships with other players…From furniture to factories, all products, commodities, and structures are manufactured by the players, making the economy of the planet truly player-driven. Seedlings can construct and own factories that manufacture various products or resources, which will also need to be sustained by other members of a city. This creates employment and helps shape booming societies. All player-produced goods can be sold or purchased on the market, allowing you to procure, as well as sell, at the best possible price.” Oh, hang on, that sounds like it’s going to mean NF-fcuking-Ts, doesn’t it? And there’s a lot of talk about ‘community’ and there are Discords…oh. Still, to their credit it doesn’t seem that anyone here is trying to sell you any magic bean jpegs, so perhaps they’re just naive optimists rather than naked grifters. I can’t pretend that what they have described in rough outline – a massively-multiplayer experiment in digital worldbuilding and social creation from the ground up – doesn’t sound dizzyingly ambitious and fascinating, but equally it doesn’t actually sound possible, and there’s something of a dearth of meaningful detail about how all this stuff will be built. Still, let’s all cross our fingers.
  • The Wood Database: “It all began back in April of 2007. I had recently checked out some wood identification books at the library…” Sorry, but that somewhat-portentous opening to the ‘About’ Page is too good not to quote. Anyway, if you want to know about WOOD – hardwood, softwood, wood turning, wood working, possibly even whittling (I confess to not having checked every single corner of the site) – then, er, enjoy!
  • Sandwiches of History: A YouTube channel in which some guy posts videos of him making, and eating, sandwiches from historical recipe books. These run the gamut from the simple (onion sandwich), to the complex (the monte cristo), to the frankly-unhinged-sounding (fried dill pickle and peanut butter), and there’s something charming about the fact that none of these seem to have more than about 300 views but that the guy is committed to the endeavour regardless. This is a man who is, it seems, searching for some deep, universal, sandwich-based truth, and I kind of admire that.
  • The Lyttle Lytton Contest: Once again we get to celebrate the creativity and prose acrobaticcs of entrants to the annual Lyttle Lytton contest, seeking the best, worst, short opening line in imagined fiction. As ever, I encourage you to click through and enjoy the horror in full – but, to whet your appetite, let me give you my personal favourite: “We had just visited Auschwitz, and I was ovulating.”
  • What VR Is Basically For: If anyone ever asks you ‘when was the point at which you got your first, real, terrifying understanding of the transformative potential of VR technology?’, I hope your answer involves this link.
  • Stattogories: A brilliant selection of stat-themed guessing games for you to while away the hours with – choose from various games using data from IMDB, Spotify, Google, etc, and then lose countless hours trying to guess whether ‘cheese’ gets searched for more often on Google than ‘soapy hentai’.
  • Klifur: Finally in this week’s miscellaneous links, this GREAT little game which sees you play the part of a rock climber seeking to navigate increasingly-treacherous routes around a climbing wall. You can move one limb at a time, and need to use a judicious combination of placement and momentum to inch yourself up from hold to hold and I am terrible at it, displaying all the coordination and strength I do in real life (ie none). This is a lot of fun, and vaguely-reminiscent of a less-impossible QWOP.

By Cliff Warner

YOUR FINAL MIX OF THE WEEK IS THIS WOOZY AMBIENT SELECTION PERFECT FOR BEING SO HOT YOU THINK YOU MIGHT ACTUALLY COOK, COMPILED BY ANTONIO PROSPER! 

THE CIRCUS OF TUMBLRS!

  • Goatorama: Not actually a Tumblr! But feels like it perhaps should be one! Anyway, this is all about goats.
  • The Heat Warps: Also not actually a Tumblr! But also feels like it should perhaps be one! This is great for any and all jazz fans – The Heat Warps is a project ‘Revisiting every Miles Davis live tape from 1969 to 1975 in chronological order’, so you can read reflections on each recording but also find links to every single one (as someone who’s spent a LOT of evenings of late feeling TOO HOT, I can highly recommend Miles as ‘good music to sweat to by night’).
  • Hot Sand Cakes: This one IS a Tumblr! Huzzah! I don’t normally feature Tumblrs that mostly only post memes, but every single one of these made me laugh/wince/wonder when I clicked on it this week and so it passed some sort of snake-belly-low quality threshold for inclusion.

THE TROUGH OF (INSTA) FEEDS!

  • Skateparks of New Zealand: Shot from above, these are great shots of urban architecture.
  • His Name My Name: This is beautiful (and I like the fact it uses the grid as part of its aesthetic) – it’s a project exploring the history, fascism, family, memory and identity, and the stories that we tell about ourselves across generations. “An Instagram-native documentary, @hisnamemyname uses ten animated episodes to tell the story of Eline Jongsma’s great-grandfather, a Nazi-aligned mayor nicknamed “Crazy Gerrit” who was erased from her family’s memory after WWII. Our goal is to introduce WWII history—particularly the rise of fascism in the Netherlands—to younger viewers, and perhaps show them that following extremist ideologies can leave wounds that last for generations. At the same time, part of what makes this project so unique is its look and feel. Beautifully animated by Slovenian illustrator Jure Brglez and scored by analog synth wiz San Ré, its vividly-rendered, colorful world couldn’t deviate more from what we traditionally think of as WII aesthetics.” I couldn’t agree more with the artists’ blurb in this case, this is a really nice piece of work indeed. Also there is ‘amusing’ resonance with my personal life here, as I am currently dealing with the legal fallout from my embarrassingly unashamed fascist granddad’s secret gun and I occasionally wish we’d erased that fcuker from our family history too (sorry Nonno, I don’t really mean that. Though let’s talk again once I’ve worked out if I’m facing bird).

LONG THINGS WHICH ARE LONG!

  • The Atlantic Archive: Storied magazine The Atlantic recently made its archive available online – this is a wonderful collection of writings from all sorts of fascinating people on all sorts of topics, and as a place to start if you’re looking for varied, interesting material to while away an afternoon with is pretty-much perfect. You can go back and read through editions of the magazine from as far back as 1857, which is some pretty astonishing time machining, and I lost a good hour this week by going back to the late-90s material and laughing at how optimistic everyone seemed to be about everything. LOL PAST US, YOU WERE SO NAIVE!!
  • Musk and Twitter: Yes, I know, ugh. Much as it pains me to even acknowledge the man, though, it remains that his ‘will he, won’t he, oh ffs I don’t CARE’ pursuit of Twitter is significant for several reasons, not least as a window onto the increasingly-unhinged state of billionaire-led capitalism and What It All Means for business and, subsequently, society. I am unfortunately required to be across this story for Professional Reasons, as is Matt Levine at Bloomberg, whose weary account of ‘where this is all at’ is probably the best and least-painful way of getting your head round what Musk is doing and why (to the extent anyone, even he, knows) and what it might eventually mean for Twitter. BONUS AWFUL MAN CONTENT: Charlie Warzel writes well in the Atlantic about the ridiculousness of the ‘bots’ argument overall, and the inadequacy of the term ‘bots’ in 2022 to describe coordinated inauthentic activity on Twitter anymore (an issue I came into PAINFUL CONTACT WITH in February and let me say Dear God if you’re talking about this stuff can I just suggest you choose your terms…more carefully than I did).
  • Democratic AI: While we’re all being distracted by the shiny public-facing toy elements of AI development – ooh look, it can imagine a pug in a dinner suit playing canasta! Clever machine! – the ineluctable march of the machine continues in far more significant and meaningful ways in the background. So it is with this Deep Mind research paper which offers an overview of its experiments in using AI to develop systems of distributive justice. “Here we developed a human-in-the-loop research pipeline called Democratic AI, in which reinforcement learning is used to design a social mechanism that humans prefer by majority. A large group of humans played an online investment game that involved deciding whether to keep a monetary endowment or to share it with others for collective benefit. Shared revenue was returned to players under two different redistribution mechanisms, one designed by the AI and the other by humans. The AI discovered a mechanism that redressed initial wealth imbalance, sanctioned free riders and successfully won the majority vote. By optimising for human preferences, Democratic AI offers a proof of concept for value-aligned policy innovation.” How do you feel about a future in which mechanisms of governance are developed by black-box systems designed (we think! We hope!) to ameliorate total ‘benefits’ whilst minimising ‘harms’? Can anyone say ‘paperclip maximiser’? I don’t mean to be a doomsayer here – this stuff is fascinating and important and I don’t doubt has all sorts of potential positive applications – but, also, this stuff never ends well in scifi, so.
  • Data As Soil Not Oil: A slightly-rambling but always-interesting conversation between Micah Sifry and futurist Jerry Michalski about new ways to think about data and our stewardship of it, and the broader concept of ‘the betterverse’, a slightly-cringey term which in fact stands for the sensible principle of “some kind of layer or protocol that enables people sharing their knowledge with others in ways that accrete up to collective knowledge.” Loads of fascinating ideas in here, but I particularly enjoyed the stuff about data and the need to ensure its quality and purity in much the same way as you would protect the purity and health of any organic ecosystem from/in which you want to cultivate anything.
  • Prejudice Rules: A collection of 32 (I think) essays in the London Review of Books by a selection of authors offering their reflections and feelings on the overturning of Roe vs Wade by the US Supreme Court, by writers such as Elif Batuman, Azadeh Moaveni and Emily Witt. I haven’t read every single one of these, but Batuman’s is excellent and there’s a piece by Lorna Finlayson on why those in the UK should perhaps not be quite as confident that ‘it could never happen here’ as they occasionally seem to be. From Lauren Oyler’s essay: “We should have said: the clump of cells on which you’ve pinned your hopes and fears is not a baby; the experience of difficulty and loss does not require a literal death to make sense. We should have said that life without choice is no life at all; a society in which consequences are not liveable, in which abortion is not free, legal and available on demand, is not one that is capable of appreciating, nurturing or protecting the thing you think you are fighting for.”
  • The Sh1tposting War: Or ‘how a meme of a Shiba Inu is basically a stand-in for support for the Ukrainian efforts against the Russian invasion’, or, more broadly, ‘how the lack of any real meaningful distinction between on- and offline now means that this sort of insane juxtaposition of concepts is now basically a day-to-day experience, and context collapse isn’t just something that happens in-feed anymore it’s just a facet of life’. But the VICE headline is probably snappier, to be fair. “An unofficial army of cartoon Shiba Inu dogs is making life hard for people who post Russian disinformation about the war in Ukraine online. They are known as NAFO, the North Atlantic Fellas Organization, a small but growing cadre of shitposters who’ve gathered to raise money for Ukraine and call out obvious propaganda when they see it. It’s getting hard to tow the Kremlin’s party line on Twitter without them showing up in the replies to mock and counter it.” It is, of course, entirely possible that within 48h this will have been milkshake ducked to all eternity and we will have to regretfully inform you that the Shiba Inu in question is a fash or something – so it inevitably goes.
  • How To Pump A Sh1tcoin: Not actually a longread, this, but instead a short collection of Tweets explaining how the process of pumping and dumping sh1tcoin stocks works in practice. This is scarily simple and blasé about the whole process, and is worth remembering next time you see a billboard ad for some ridiculous-sounding $NONCECOIN pop up on that billboard under the railway bridge at Old Street.
  • NGL Is A Lie: I’ve seen lots of people this week posting screenshots of their interactions with NGL, the latest in the seemingly-neverending slew of ‘anonymous Q&A apps’ which lets anyone sign up and then get their ‘fans’ to ask them anything they want anonymously. Except in the case of NGL it turns out that the questions are not from ‘fans’ at all, but are instead drawn from a random pool of generic asks which are fed to users to make them feel as though people care about their lives, and which are designed to sucker said users into paying a tenner a month for ‘premium’ access which gives you ‘clues’ to help you guess who asked what. This is interesting less because of the app and more because of the reinforcement it gives to the psychological ‘insight’ (lol NOT AN INSIGHT) that people will do really dumb things in exchange for feeling special and important and knowing more about what other people REALLY think about them. It’s amazing to me that this is literally ‘this app will let you know who’s looked at your Insta profile!’, but slightly-updated, and that people still fall for this stuff.
  • The Data Centre Reckoning: Another shortish piece included more to make you think than because of its content per se, this article makes the not-unreasonable point that the current issues with heat and drought are…not wholly compatible with our growing parallel need to cool lots and lots of very hot computing equipment that is on all the time and which is often situated in quite warm parts of the world. Welcome to the dystopian future in which certain people have limited access to drinking water because Amazon has bought half the world’s water table to keep the lights on on each of the 300 Prime Days we’re going to be ‘celebrating’ in 2056.
  • Maps and Traffic: A fascinating piece on how mapping technologies – specifically those like Google Maps or Waze, which incorporate live traffic data – materially ater urban environments through their funnelling of traffic down new and unexpected routes in pursuit of ULTIMATE JOURNEY OPTIMISATION. I am endlessly-interested in this stuff, and the parallel stories around how, say, Airbnb being big in a certain area of a city completely changes the sorts of shops you have in it and therefore the sorts of ordinary people who are able to live in them, and can’t WAIT for all the interesting ways in which we discover that we’ve unwittingly-shaped our physical environments via slavish algorithmic devotion over the past decade (and the really fun bit is that this is only the beginning).
  • Is Monogamy Morally Wrong?: It’s important that I preface this writeup with the fact that I personally very much do not believe it to be so, lest my girlfriend think that I’m clumsily attempting to ‘go poly’ (dear God no) – nor indeed does the article conclude that its leading assertion is wholly correct (saved you a click!). That said, it’s a really interesting piece of thinking that explores the concept that to require a partner enter into a monogamous relationship with you is fundamentally an inexcusable curtailing of their freedom of action, feeling, association, etc, and it made me briefly misty-eyed and wistful for undergraduate philosophy.
  • At Blair’s Gathering: Another LRB link, this time David Runciman reporting from the recent Future of Britain conference, organised by the Tony Blair Institute for Global Change. Yes, I know, I don’t really want to be subject to another ‘rare intervention’ from the grinning Jackanapes (copyright: The Sun in the late-90s), but this is a good overview of the event and the overall problem with much of this ‘we need a new way of thinking about global organisation if we are to save ourselves’ cant you see so much of from the Old Centrist Guard. “It’s not impossible that XR-style protest and gilets jaunes-style resistance might join forces, even without a Lenin to bash their heads together. But it’s not easy to see how. They are such different kinds of politics: one has an intergenerational time horizon; the other is concerned with getting from this week to next. This gulf between the politics of the present – pinched, angry, insular – and the mooted politics of the future – collaborative, expansive, transformational – was barely discussed, never mind bridged. How do you get from here to there? Well, I wouldn’t start where we are now.”
  • Resistance: Final LRB article of the week, now, with Malcolm Gaitskill writing about European resistance in the second world war, about what ‘resistance’ even means, and what it looks like, and how to identify it, and the complication of thinking of ‘resistance’ as something uniform and cohesive. It was interesting reading this after Trump and in the fag end of Johnson, two eras in which the centre left spoke a lot of ‘resistance’ whilst at the same time not being able to meaninfully muster much of anything that looked practically like it (and yes, I know that ‘war against the Nazis’ and ‘existing under Trump/Johnson’ are not the same, but read the piece and then come and tell me why I’m wrong to draw the association).
  • Hair Transplants in Istanbul: Alex Hawkins writes in GQ about getting a hair transplant in Istanbul, apparently the world capital for men who’ve decided that they don’t in fact want to graduate to wearing the ‘it’s not a bald patch, it’s a solar panel for a sex machine!’ tshirt. This is a very good read, not least because Hawkins is remarkably honest about his motivations and the experience as a whole – it sounds, frankly, horrible, but I have no doubt I’ll be feverishly googling ‘cheap but not dodgy hair replacement’ as soon as my horribly misshapen skull starts poking out through the increasingly-sparse down tufts above my hideous face.
  • The Mystery of the Diryah Night Sky: This is a CRACKING story which has basically everything you want in a tale about the international art market – AI art, NFTs, an artist who may or may not know more than they are letting on, and some VERY high-concept questions about where you find the ‘art’ in an artwork. Here’s the teaser – I promise this is worth it: “Dutch artist Jeroen van der Most got the shock of his life when he stumbled across a story about one of his paintings selling for £2.5 million. But as he hadn’t painted it, he needed to find out exactly what was going on…”
  • The Death of the Clown: Finally in this week’s longreads, a virtuoso piece of writing by Edward Docx on Boris Johnson. It’s a long time since I’ve read something that takes a conceit like this and runs with it so successfully – the framing of his entire career as a piece of performance is so, so well-done, and has the useful effect of taking you from smiling at the prose quality, to marvelling at how it sustains, to realising quite how perfect it is as a framing for everything that this dreadful fcuk has done. I have no wish to speak of him, in general (see here), but it’s worth breaking my omertà for writing this good.

By Me and Dall-E and Egon Schiele

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 01/07/22

Reading Time: 37 minutes

38 degrees. 38 DEGREES.

It’s not ok, is it? Look, ordinarily I would say something ‘funny’ here but, honestly, it’s too hot and I am, for a variety of reasons unconnected to Web Curios and Stuff on the Internet, having a fcuking pig of a week, and so I am just going to leave the preamble here and let you all get on with it (God, really makes you want to read on, doesn’t it?).

I am still Matt, this is still Web Curios, and I still want to do untold and very-specific harm to a significant proportion of Rome’s administrative and medical services.

PS – Web Curios is off next week as a result of my girlfriend visiting, but normal service will be resumed in a fortnight. Try not to die between now and then and I promise to do the same.

By Theresa Gooby

THIS WEEK’S SOUNDTRACK TO THE LINKS STARTS WITH A MIX OF FUNK GEMS BY TOM SPOONER! 

THE SECTION WHICH THINKS THAT IF YOU LOOK AT THE ABORTION DECISION IN THE US AND THINK ‘OH THAT COULD NEVER HAPPEN HERE’ THEN YOU REALLY HAVEN’T BEEN PAYING ENOUGH ATTENTION TO HOW THE WEB WORKS AND WHO INFLUENCES WHAT AND WHERE AND HOW, PT.1:  

  • The OpenAI Jukebox: There are an awful lot of companies working at bringing the glorious AI-powered future we’ve all been promised to fruition (it…it will be glorious, won’t it? Won’t it?), but OpenAI is the one whose work has best managed to capture the shiny end of the public consciousness – yes, fine, DeepMind may have managed to beat humans at Go! and might be leading the way with all that boring medical stuff, but can it imagine a cat wearing a sombrero and serenading a stadium full of goth geckos with a ukelele-metal rendition of ‘My Heart Will Go On’? No it cannot, and therefore by some sort of weird barometer OpenAI WINS! Anyway, that’s by way of unnecessary preamble to OpenAI’s latest impressive-sounding public-facing AI research, this time into audio – you can read the accompanying explanatory blurb here, but the gist is that Jukebox is ‘a neural net that generates music, including rudimentary singing, as raw audio in a variety of genres and artist styles.’ What the site here linked to affords you is the opportunity to have a listen to the stuff that the machine’s produced, based on various different artists – so you can search the archive for, say, Metallica and hear a bunch of different tracks that the software has created based on being made to listen to ‘One’ for 3,500 hours. Now, none of the stuff you will be able to hear here is ‘good’ by any appreciable standard – unlike the piecework photoshop artists of the world, it feels like session musicians have a good year or so before they’ll really feel the hot, digital breath of the AI on their necks, professionally-speaking – and there are some weird anomalies in the output (the ‘Craig David’ stuff sounds a lot more like Take That, for example – and yes, I am aware that there is something more-than-slightly-ridiculous about complaining that an AI-imagined new Craig David song actually sounds like late-period Barlow), but, at the same time, this is just on the cusp of being really interesting and potentially useful. As with DALL-E, OpenAI is obviously being careful to sell this as ‘your new favourite songwriting partner is just around the corner’ rather than ‘LOL sucks to be you, jobbing composer, you have approximately 18 months before literally all stock music libraries are entirely AI composed and all session musicians are rounded up onto a cruise ship and set adrift in the Pacific’, and I think there’s going to be some fascinating human/machine centaur composition happening in the not-too-distant future.
  • The LVMH Virtual Apartment: We’ve apparently reached the stage now in the ‘brands must have some sort of 3d-modeled virtual showcase for their stuff as a result of someone in the creative team having done cocaine with a VC whose fund has invested heavily in something metaverse-adjacent’ lifecycle whereby there are obviously one or two companies that have cornered the market in churning out marginally-different off-the-shelf offerings to gullible luxe-brands that still haven’t worked out that NOONE WANTS TO BROWSE A PSEUDO-3D VIRTUAL HANDBAG SHOP IN-BROWSER. How else to explain the existence of both this LVMH Virtual Apartment (introduced by Livi, LVMH’s own virtual influencer – WHY?????), designed to present all of the fashion house’s tech investments and metaverse-adjacent digital gubbins and job offers, and the EERILY-SIMILAR look and feel of the Dior Riviera Experience, in which you can also scrolly-navigate through a glassily-vaporwave environment to look at some expensive accessories in not-particularly-well-rendered 3d. Well done to the people who sell this stuff, is all I can say, you are silver-tongued magicians (or, alternatively, your buyers are all drug-addled morons who sleep on mattresses stuffed with 100 Euro notes).
  • The Gucci Vault Space: If you’ve spent the past few weeks looking at the bonfire that is the NFT ‘art’ market and thought ‘who still thinks that this stuff is a good idea, really?’, then cast your eyes at this url for the answer. “What is the Gucci Vault Art Space?”, I imagine you’re all asking yourselves – well, let me tell you: “Vault Art Space Presented by Gucci and SuperRare conjures up a temporal flux by inviting 29 handpicked artists to reflect upon the House’s century of heritage and envision what comes next. Filtered through multifaceted perspectives of forward-looking creators, the codes of Gucci’s past and present become suggestions of its future. Presented and auctioned off in three drops, each work from ‘The Next 100 Years of Gucci’ is a collectible fragment of Alessandro Michele’s kaleidoscopic narrative for the House.” What that means in practice is that Gucci is offering a selection of UNIQUE ARTWORKS available for sale to the most DISCERNING of customers, for prices as low as…er…£900. Still, if you’re dropping £3k+ on a handbag I suppose an additional grand or so on a jpeg that looks like a poorly-animated club flyer from 1993 is small beer – just maybe don’t think of these as investment opportunities, eh? There’s something quite funny about the fact that the only corner of the market that is still currently going hard on this stuff is the same corner that for years has been built around persuading people that it really is worth paying significantly more for style than it is for substance – fashion is at the very least extremely internally-coherent.
  • The Unseen: A project by fashion photographer Rankin, who for the past few years has been mildly-obsessed with social media and filters and algorithms and manipulation and HOW THE PLATFORMS ARE SHAPING SOCIETY (I have spoken to Rankin about this, fwiw, and the potential degree to which anyone whose work has involved the same degree of fashion industry tropes and photoshop and post-production as his always has also bears some degree of responsibility for our slightly-toxic relationship to imagery of the human body and, well, we agreed that it’s complicated) and who has pulled together this collection of imagery which has been suppressed or censored across social platforms. “THE UNSEEN is a community-first project started by RANKIN CREATIVE to utilise the platforms and voice of the group to those who have been unfairly de-platformed online. THE UNSEEN has bought together hundreds of people, spanning a huge range of identities and experiences of becoming UNSEEN across multiple platforms. We aim to showcase the breadth and human consequences of unfair censorship practices and move forward the discussion on solutions in a way that emphasises the voices of those affected.” There’s an interesting degree of commonality in terms of the images here, insofar as a lot of them involve either female nudes or depictions of non-standard bodies or sexuality, and some equally-interesting questions being asked around the accepted norms established by platforms and who exactly is determining them and why – there’s also a lot of slightly-annoying talk about ‘shadow-banning’, which I personally think is unhelpful and just feeds into the broader lack of confusion about how platforms work and why (which confusion is, I appreciate, in no small part the fault of the platforms themselves), but overall this is an interesting collection of (occasionally-NSFW) images.
  • Wordeebee: A nice little tool that lets you plug in any word you like and see the frequency with which it’s appeared in the New York Times since 1851 – so, for example, you can see that the paper hasn’t mentioned crypto at all before 2021 and then FCUKING HELL WOULD IT NOT SHUT UP ABOUT IT, or that ‘Fear’ peaked in 1918-19, or that ‘Sex’ apparently peaked in 1998 and 2004 (1998 was Clinton, fine, but wtf happened in 2004?). You can’t click through to pull individual headlines or content, which is a slight shame, but it’s an interesting way of travelling through time should you be so inclined – if anyone wants to take it upon themselves to build this out so it allows for comparisons between outlets, that would be great thanks.
  • Latest Homepages: Ooh, this is really interesting – this site presents a constantly-updating, automatically-scraped archive of the frontpages of 222 different news websites from around the world, captured and stored on the hour, so that you can if you choose explore the different ways in which a global or national news story gets reported across different outlets, and how that reporting evolves as a story breaks and moves.
  • Me, But Online: Long-term readers may be aware – but, equally, may not; I have no idea whether anyone pays attention to this stuff. Do you pay attention to this stuff? – that I have a particular affection for the nicely-made personal website, a nicely-made interactive portfolio, say, or a CV in the form of a scatological rap performed by a cast of cartoon beetles (I am yet to encounter this latter example, by the way, so if anyone fancies knocking such a thing up for themselves then know that I will give it proud of place in a future Curios). Me, But Online is therefore an absolute GIFT, offering up a huge selection of “minimalist, original personal websites with great typography”, curated by one Kabir Goel – if you want a nice overview of some pleasing contemporary webdesign styles then this is an excellent place to start (though if someone else fancies making one of these collecting the most insanely maximalist personal websites in the world, that would also be great, thanks) (sorry, just realised I am being INCREDIBLY needy this morning in terms of demanding that my readership go off and build me things – it’s ok, I don’t actually expect anyone to do this, for the avoidance of doubt).
  • Sitegeist: Send a message to someone 10 years in the future. Who that someone is is up to you – this site simply asks that you provide it with an email address and a message, and it ‘guarantees’ (I am not entirely sure that the guarantee is watertight, but webs) that said message will be delivered to its intended recipient in 10 years’ time. Now obviously 10 years is A LONG TIME, and in internet years it’s basically a century or so, and therefore there is no certainty in the assumption that the email address you’re writing to will exist in a decade, or that the person you’re writing to will still be alive, or that they won’t react to your missive and the appearance of your long-forgotten name in their inbox with anything other than horror…but, equally, THINK OF THE FUN YOU CAN HAVE! This is effectively a chance for you to plant INTERESTING MINES in the path of future versions of yourselves and loved ones (and after all, what is the present but the time during which you plant the mines that will eventually blow you to smithereens later down the line?) – why not tell that friend of yours EXACTLY what you think of them right now? Why not pour your heart out to your crush? Why not share that DARK FAMILY SECRET with a future version of your siblings? Just IMAGINE the potential for truly-ruinous revelations to emerge! If you ever worry that your future life might end up being a bit dull, a bit pedestrian, why not take steps NOW to ensure that you have a really ‘interesting’ Summer 2032? NB – AS EVER WEB CURIOS TAKES NO RESPONSIBILITY FOR ANY ILL EFFECTS RESULTING FROM THESE ILL-THOUGHT SUGGESTIONS AND STRONGLY ADVISES YOU NOT TO ACTUALLY DO ANY OF THIS STUFF. Oh, this is part of a series of small, curious webprojects under the banner of the ‘Future Webring’, which you can explore via a couple of links on the page if you’re curious.
  • NBA All World: Niantic don’t really seem to have quite managed to build upon the success of Pokemon Go – the Harry Potter AR game seems to have quietly died, and the LEGO one never took off, and, based on what I can tell from the blurb here, I’m not convinced that this NBA reskin of what basically seems to be exactly the same core product is going to be any different. This is pre-launch, but you can express interest on the homepage which I presume will help determine the territories in which the company will choose to roll out the app in the coming months – “NBA All-World unleashes the new era of Hoops. Get outside, step into the sneakers of today’s NBA stars & go 1v1 against the best players in the world. Explore your neighborhood while competing in mini-games to become King of the Court. Be on the lookout for sneaker & gear drops to flex your style & increase the performance of your squad. Represent where you’re from along with the best ballers in the world.” Leaving aside the slightly-clenchy nature of the copy (‘ballers’ is a words I really, really can’t abide, sorry) it seems a huge missed opportunity not to integrate any, I don’t know, actual playing of the game of basketball into the mechanic. Still, if you’re interested in participating in what effectively sounds like ‘Pokemon NBA’ then you may want to sign up here for beta access.
  • Unreal Margot: Hot (well, ish) on the heels of ‘fake Keanu’ from a few months back, TikTok now brings you FAKE MARGOT ROBBIE! Despite the fact that the handle is ‘Unreal Margot’, there are a…troubling number of people in the comments here who don’t seem to have cottoned on to the fact that this is another DeepFake account, which doesn’t fill me with hope when it comes to the eventual mass-disinformation we’re set to see using this sort of tech around about 2024 (yes, I know that people have been predicting a DEEPFAKE NEWS APOCALYPSE for years, and I know that we’re a way away from that, but based on how decent this stuff now looks on a small screen I don’t think that ‘within two years we’re going to see a massive swell in home-cooked variants of fake video’ is too wild a reach).
  • And By Islands: An imagined map, with imagined islands, and imagined descriptions of destinations and locations which change and shift as you click on the places that they are describing. There’s something rather beautiful about this, the changing prose suggesting (to me at least) something about the parallel experience of navigating the online environment as it shifts and alters as you move through it. “The island upon which I was cast away will go on page by page as you write it. I wake up not knowing where I am. Waiting for some saviour castaway to arrive in a boat with a sack of corn at his feet. There was no soap. Terror, when the waves engulfed you. I roamed along the beach, keeping an eye out to sea. From Bristol ships sail to all corners of the globe. You will have many more stories to tell. If I cannot swear to the truth of my tale, what will be the worth of it? Questions echo in my head without answer. The world is full of islands. I am a castaway, not a prisoner.”
  • Elliott Computer: Elliott is an artist. They are currently in Rotterdam – I know this because Elliott Computer is an incredible link to Elliott’s whole life – the work that they have made online and off, the places they go, the things they see. You can book appointments to talk to Elliott if you want – I have no idea what the experience of talking to them would be like, but they seem interesting – or look through the many, many links…honestly, this in itself is a good afternoon’s worth of webspelunking, and I could spend hours clicking around and exploring – this is a PERFECT Curio in almost all respects.
  • The Overedge Catalogue: Ooh, if you do anything around the intersection of technology and society (lol, there is literally nothing in 2022 that doesn’t exist at the intersection of technology and society) then this is potentially super-useful: “Research organizations and institutions often are shoehorned into a set of well-established categories: universities, public companies, tech startups, and certain types of non-profits, such as think tanks. But there is the need for innovation here, particularly when it comes to encouraging the development of new ideas and the ability to operate on long timescales. We need new types of research organizations. In cartography, most maps are bound by the straight lines at their borders. But occasionally, there are parts of the map that don’t quite fit. They bleed over the edge and yet still cry out for being included in a map. These are the overedges. The Overedge Catalog is devoted to collecting the intriguing new types of organizations and institutions that lie at the intersection of the worlds of research and academia, non-profits, and tech startups. This is a small but growing number of organizations, but hopefully by collecting and highlighting all of these here, it can spur further institutional innovation.” Basically if you’re in the market for funding for your esoteric ‘what would happen if I built an AI solely on recorded Furry discourse since 2003?’ research project then perhaps one of the organisations here listed might be able to help you.
  • Venthaven: One of my least-favourite things about the past 25-or-so years of heavily-networked human existence has its been its role in the rise of coulrophobia as a ‘thing’ – LOOK CLOWNS ARE NOT SCARY NOONE IS REALLY SCARED OF CLOWNS IT IS JUST A THING THAT PEOPLE SAY BECAUSE THEY USED TO THINK IT MADE THEM SOUND INTERESTING BUT IS NOW LITERALLY THE MOST BASIC THING IN THE WORLD, THE PHOBIC EQUIVALENT OF THE PUMPKIN SPICED LATTE, CAN WE PLEASE STOP WITH THE ‘SCARY’ CLOWNS THING FFS??? As any fule kno, the really creepy things are ventriloquists’ dummies, as amply-evidenced by the website for Venthaven, “The World’s Only Museum Dedicated to Ventriloquism” – look at their chattering jaws and their mad eyes, the malice bubbling just under the poorly-painted surface! This is great – if, to my mind, intensely-unsettling – and contains loads of interesting examples of different styles of dummies being shown off in a series of videos which I strongly suggest you don’t watch in a darkened room before bedtime. Oh, and can I just ask that you go to the homepage and scroll down and look at the image of ‘Our Sponsor’ Emily Smith. EMILY WHAT HAPPENED TO YOU WHAT DARK WITCHCRAFT IS THIS?!?!?
  • Exaluminal: What would YOU do if you suddenly go the one-hour warning that the Earth was going to be obliterated and that all human life was about to be snuffed out (let’s presume in this thought experiment that you’re one of the privileged few with this information and that you can reasonably go about your business without there being panic and civilisational collapse all around)? I imagine that most of your responses would probably centre on either spending time with loved ones, speaking to your friends to say goodbye, having one last orgasm, or taking enough drugs to make the eventual end-of-everything a barely-perceptible blip on your consciousness – now, though, you can buy a device that will allow you to test that assumption! Extraluminal is an internet-connected device that you keep plugged in at all times and which will let you know when a star is about to go supernova in a manner that might cause the Earth to get blown up as collateral damage. “The Exaluminal service detects neutrinos by linking together a half-dozen neutrino observatories around the globe. By correlating neturino flux measurements from these observatories, the Exaluminal service serves as an early warning system for local supernovae. This data is then pushed to the Exaluminal device, a small alarm that works on your local network to receive warnings from the Exaluminal service.” Oh, ok, fine, this isn’t actually real and is instead a joke/proof-of-concept, but it ought to be.
  • Save My Ink: I…I don’t really know what to think about this. We all have tattoos now, of course (well you all do – my body is far too ugly a canvas to be a good candidate for inking), and our tattoos are all MEANINGFUL and IMPORTANT and PART OF WHO WE ARE, and it seems a terrible shame that all this beautiful art and personal significance should disappear with our meat prison at point of death. Wouldn’t it be nice if, rather than consigning Uncle Tony’s impressive collection of original Chelsea Headhunters sleevwork to the crematorium, you were able instead to preserve said ink in a tasteful and respectful manner? I mean, perhaps, yes, but I am not entirely convinced that preserving a slice of Uncle Tony’s skin in a frame so that you can gaze upon a part of him, under glass, forever, is necessarily the best way of going about it. “Welcome to Save My Ink Forever where we have developed a unique proprietary process for PRESERVING TATTOOS.  Our mission is to help carry on a loved one’s story. We hope to ensure that the spirit and legacy of your loved ones can live on for generations to come. Save My Ink Forever focuses on creating an everlasting memorial. At Save My Ink Forever we create more than just a picture. You receive the ACTUAL TATTOO. This becomes a framed piece of art that is presented to the family in a DIGNIFIED MANNER.” Capitals here are ALL THEIRS, by the way, and I confess to losing it slightly at the ‘dignified manner’ bit. I mean, WOW. Guaranteed to be a talking point – and, on reflection, were I dying and tattooed I would totally consider making pre-mortem arrangements to have myself skinned and framed and then bequeathed to a particularly-disliked family member as the world’s darkest inheritance along with some pleasingly-ambiguous allusions to ‘bad luck’ should the skin ever fall out of family hands.
  • The Crime Museum: While you wait for every single crime ever committed to become the subject of an overlong and massively-insensitive podcast, why not sort your BAD PEOPLE fix by browsing the archives of The Crime Museum, “an educational resource on law enforcement, crime history, and forensic science…a repository for artifacts on America’s favorite subject – from Jesse James and Al Capone, to John Wayne Gacy’s Clown Suits and the OJ Simpson Chase Bronco, and also operate the Natalee Holloway Resource Center, and Crime Library.” I personally have next to no appetite for this stuff – sorry, but the ‘Old Smokey’ electric chair copy here just turns my stomach – but I appreciate that I am a milquetoast and that your mileage may vary. Still, if you’ve ever wanted to get a really in-depth understanding into the specific differences between serial killers and mass murderers, for example, then welcome to your ‘happy’ place (you fcuking sicko).
  • Alluder: This is potentially-interesting for the cinephiles amongst you – currently in Beta, “Alluder is an online database of timestamped information related to what happens within a film and how one film connects to others, history, & art in general. With Alluder, break film down shot-by-shot and discover every one-shot, two-shot, crane shot, literary reference, and Easter egg that went into making your favorite film.” The idea is that this works as a plugin which works alongside your favourite streaming service to let you add ‘notes’ to specific moments in films as you watch them, with the idea that eventually it will provide a layer of annotations around every single film in the world to allow cinephiles to share their thoughts and opinions and knowledge and, inevitably, get into tediously-overwrought online debates about whether or not the dolly needed to be 0.5cm higher in that tracking shot (I am just using words here, please do not write in to explain that what I just typed makes no sense from a filmmaking point of view as I do not care). Obviously depends entirely on enough people using it to make it useful, but I can see how it might be of interest to movie buffs.
  • Census Population Change: This is a brilliant bit of data usage and visualisation by the UK’s Census Bureau. “The population of England and Wales has increased by more than 3.5 million in the 10 years leading up to Census 2021. Using the first results from this census, we look at which places have seen the biggest increases and decreases, which areas had the largest growth in different age groups, and how your chosen local authority area compares with others.” Plug in where you live in the UK (or anywhere you fancy – I just assume that everyone’s as fundamentally-solipsistic as I am) and it will tell you how the population of said area compares in terms of size and age and gender distribution to others around the country. This isn’t groundbreaking, fine, but it’s a really smart example of how to make data personal and interactive and relevant and interesting, and most people are still fcuking terrible at all those things so it’s worth pointing out when someone does it well.
  • Primitive Survival: Or “the YouTube Channel from which all those videos of people in extremely rural settings building insanely-impressive structures from mud over a period of days and weeks which have inexplicably flooded the TL over the past fortnight have come from”. In case you haven’t seen it, the basic schtick is ‘pair of blokes start digging around a patch of cleared earth in a vaguely-tropical looking setting and with what looks like relative ease (but which you know is the result of some pretty fcuking back-breaking labour) craft amazing buildings and miniature temples and pools and suchlike out of mud and clay, and then finish the video by triumphantly relaxing in the midst of the splendour’ – seriously, this stuff is AMAZING. As ever with these things, though, I want to know the economics and the operation behind this – where are these guys filming? Is there someone with a laptop and some CAD software out of shot? Does someone have a small digger for the bulk of the heavy lifting (I really hope so)? This is exactly the sort of thing that I could imagine leading to heated domestic arguments about the slow progress of the patio, just FYI.

By Caroline Absher

NEXT UP IN THE MIXES THIS WEEK, THIS RATHER GOOD TECH-HOUSE SET BY ANDREA CASSINO! 

THE SECTION WHICH THINKS THAT IF YOU LOOK AT THE ABORTION DECISION IN THE US AND THINK ‘OH THAT COULD NEVER HAPPEN HERE’ THEN YOU REALLY HAVEN’T BEEN PAYING ENOUGH ATTENTION TO HOW THE WEB WORKS AND WHO INFLUENCES WHAT AND WHERE AND HOW, PT.2:  

  • The Urban Wildlife Photography Awards: I love this – I know that there are now possibly TOO MANY photography awards and competitions, but I think the focus here on urban wildlife and the intersection between animal and human as we butt up against each other in cities and on streets is fascinating and leads to some wonderful images (also it’s a PR initiative by Picfair, a company whose success I’ve watched with pleasure because it’s a great idea and good for photographers). Some of these are GREAT – the raccoon hiding in the concrete pipe like some sort of ur-parody of raccoonness, the squirrel posing against the San Francisco skyline, and of course several EXCELLENT foxes – and it made me miss London’s urban wildlife (oh, ok, foxes and pigeons) something chronic (Rome doesn’t really have foxes, I am too close to town to get any wild boar, and the pigeons here get eaten by seagulls, the cnuts).
  • CSV to Midi: Do YOU have a bunch of data in a CSV (of course you do, EVERYONE has inexplicable data in a CSV, it is part of the modern richness of life!) that you want to turn into sound? No, fine, I appreciate it’s unlikely to have occurred to you to wonder what a bunch of survey data sounds like, but now that I’ve planted the seed, aren’t you curious? Well WONDER NO MORE thanks to this neat little site which takes any CSV you care to throw at it and converts said CSV (presuming, of course, it’s got some numbers in it) into surprisingly-not-awful-sounding plinky-plonky sounds. Which, to be clear, has no immediate relevance in and of itself, but when combined with other stuff could be used for some potentially-interesting applications – what happens if you feed a year’s worth of data turned into music to an AI like the Jukebox toy featured up top, say? What does it sound like if you speed it up? What if you feed the resulting music into a sequencer and start to mess around with it? What I’m basically saying here is that if you have access to any sort of semi-regular data source you owe it to yourself (and, crucially, to me) to see what sort of awful, cacophonous mess you can turn it into. And then chuck an Amen break over it, or even better put a donk on it.
  • People Dancing To Stravinsky: A Twitter account sharing videos of people dancing set to the music of Stravinsky. You may not think you need a succession of clips of iconic dances recut so that the dancers are grooving to one of the 20th Century’s modernist masters, but I promise you that you will never see the David Brent dance in quite the same light ever again.
  • JD Brick Productions: A YouTube channel whose output consists exclusively of incredibly-detailed stop-motion recreations of, er, the First and (I think) Second World War (I don’t think I have EVER felt so confident in saying that I am certain that this channel is run by a man). There is a 10-minute animation of the Battle of Verdun here, ffs, complete with explosions and tanks and mud and quite possibly the odd flying limb crossing the screen as the horror really ramps up (I confess to having only scrubbed through it because, well, look, life is short). Go back further and there’s a slightly-wider variety of stuff, but it seems that the war material is really paying dividents because this channel is now ALL WAR, ALL THE TIME – my snark aside, this is some really impressive animation and the care and attention to detail is really impressive (though equally I am sure that the comments contain rather more discussion around ‘the right shade of grey brick to use to replicate a Panzer’s livery’ than anyone really wants or needs).
  • Internal Tech Emails: ANOTHER Twitter account, this one sharing leaked tech company internal emails that appear in public records. So for example this has featured Facebook memos about the company’s pivot towards a more algo-curated feed to compete with TikTok, or stuff from the Theranos hearing, or Musk kissing the Saudi’s behinds…You need to have some sort of personal or professional interest in the tech industry for this to be worthwhile, but if that happens to be you then this is a useful follow.
  • Kululu: Do you remember about…15 or so years ago, when no event was complete without a TWITTER WALL which would display any tweets featuring the event hashtag and which were inevitably either entirely dead or a car-crash of insufficient moderation? LET’S BRING THAT BACK! Kululu is basically ‘that, but for pictures’ – sign up to the platform and it lets you set up a private photowall app for your event guests to contribute to, with pre-moderation so that you can ensure noone’s going to attempt to share a Goatse on your Special Day. Which, fine, is dull and not particularly worth commenting on – but just IMAGINE the beautiful chaos that would ensue if you just set this up unfiltered at a wedding and LET IT ROLL. Come on, it would be ART – fine, yes, it would also quite possibly end friendships and relationships, but the content would be unparalleled. Seriously, just imagine – you set this up, you tell everyone to GO WILD, and then on the side you also have a couple of people you’ve employed exclusively to take CANDIDS FOR THE WALL…oh God, by 1030 there would be FIGHTS, I tell you. Please can someone do this, please.
  • The Digital Transgender Archive: “The purpose of the Digital Transgender Archive (DTA) is to increase the accessibility of transgender history by providing an online hub for digitized historical materials, born-digital materials, and information on archival holdings throughout the world. Based in Boston, Massachusetts at Northeastern University, the DTA is an international collaboration among more than sixty colleges, universities, nonprofit organizations, public libraries, and private collections. By digitally localizing a wide range of trans-related materials, the DTA expands access to trans history for academics and independent researchers alike in order to foster education and dialog concerning trans history…the DTA virtually merges disparate archival collections, digital materials, and independent projects with a single search engine. With rich primary source materials and powerful search tools, the DTA offers a generative point of entry into the expansive world of trans history.” This is fascinating and important and a useful reminder that  being trans is neither a craze nor a fad nor a MODERN INVENTION but is something that has been a reality of human life for people for millennia, a reality which, disappointingly, we appear to be struggling to accept and comprehend here in the year of our Lord 2022.
  • Spirograph:  A digital Spirograph! Who doesn’t love a Spirograph? NO FCUKER, that’s who! This is very soothing and even someone as visually-incapable as me was able to make something vaguely-pleasing and geometric with basically no effort whatsoever.
  • Hypothesis: The idea of ‘annotations across the web’ is one that has bubbled along in various guises for the past decade or so without ever really taking off – I think even Google at one point had a version of this sort of stuff on the go. Still, it does feel like there is something useful to be explored in or around that space, and perhaps Hypothesis is a workable version of the basic principle – the idea here is that the product is aimed at academic institutions, to allow students and teachers to access the same shared annotations across a bunch of resources, for collaborative learning and study, and it seems to me that you might similarly explore how this could work in (sorry) agencies for planning and strategy and creative research within teams, for example. Or you might think that that’s an awful idea, which is also fine, I’m not . precious (I am, so so so precious).
  • Mapping Reddit: The Nth iteration of ‘a different way to browse Reddit’ that I have featured on here – this one lets you type in any topic you like and pulls together the network of the subReddits it considers to be most relevant, demonstrating links between them in one of those ‘floating node’-type configurations so beloved of social media data analysts circa 2012, and which lets you browse each sub via a convenient sidebar. This is almost certainly going to be used mainly for exploring bongo – look, you know this, I know this, let’s not beat around the bush here – but I promise you that I am not judging (we’ve been through this before, I always judge).
  • FootballData: Not all the football data, obviously, that would be insane, but a small and potentially-interesting part of it presented here for your analysis. Twitter user ChicagoDmitry has created a bunch of datavisualisation tools to help the layperson explore statistical player data from the Premier League – this particular toy lets you pull information on shots and assists for every single player in every single team last year, to let you analyse EXACTLY how pivotal, say, Adam Idah’s failure to net double-figures was to Norwich’s relegation last season. You can go all the way back to 2017 if you want, and should you or anyone you know be the sort of (poor, mad) person who spends their Summer glued to Fabrizio Roman’s Twitter feed being drip-fed stale morsels of transfer gossip then you might find this a helpful way of whiling away the time between announcements to definitely assess why signing X instead of Y is the worst decision your club could EVER make.
  • Aranmula Kannadi: Because of one or two, er, long-standing issues around self-image, I don’t ever look in mirrors unless I cannot avoid doing so (meaning I very often walk around with spectacularly-bad hair and toothpaste all over my face – which, fine, means I look like a d1ck but is equally a small price to pay for being able to forget what I look like for a while) – as such I was until this week of the naive assumption that all mirrors are basically created equal. NOT SO! “In Malayalam, “Kannadi” means “mirror.” These unique metal mirrors are made out of tin and copper alloy. Unlike ordinary mirrors, which have a gap between the object and the image whereas, in the Aranmula Metal Mirror, there exists no gap. It is completely handmade and they reflect you with zero distortion. Only a few Vishwakarma families in Aranmula know the secret to crafting these 250-300 years old metal mirrors. Aranmula Kannadi has a prestigious national and international reputation. It’s a known fact that the Aranmula Kannadi is costly. Because this is a handcrafted metal mirror, it requires extra labour and time to create. Every piece of Aranmula Kannadi is the result of hours of effort and hard work.” Now I confess that my bullsh1t antennae pricked slightly at the phrase ‘Unlike ordinary mirrors, which have a gap between the object and the image whereas, in the Aranmula Metal Mirror, there exists no gap’ – that certainly sounds like total rubbish, doesn’t it? – but overall I think this is pretty cool and if you’re in the market for a hand-made artisanal mirror in which to admire your BEAUTIFUL FACE (or to constantly worry at yourself because of the myriad imperfections the magically-reflective surface will reveal, either/or) then this might be up your street.
  • Blessed Images: A (very) sporadic newsletter which features only images which its editors considers ‘blessed’. Honestly, this is like an aesthetic cleanse in your inbox, I promise you – whoever is curating this has a wonderful eye for a picture, and there’s a nice sense of thematic consistency running through each edition. Check out a previous one here, and then sign up – I promise you that this will give you 5 minutes of aesthetic relief every now and again which may not sound like much but which Future You will be very grateful for.
  • Can I Send You An Email?: You may well not want to receive any more emails ever again (I know, Web Curios has that effect on me too sometimes), but make an exception for this. Fill in your details, and the site’s owner, Shen, will (at some indeterminate point in the future) (probably) write to you. What about? I HAVE NO IDEA I HAVE NOT RECEIVED MY EMAIL YET! Still, I like the idea behind this very much, and I now quite want to start leaving my email address written in obscure places with the simple instruction “tell me something”, just to see what happens (I once went through a phase of writing my mobile number on banknotes to see what would happen – ‘nothing’, in the main, though I did get one call from a very drunk Geordie girl in a chipshop once which probably just about made it all worthwhile).
  • Return To Monkey Island: Yes, fine, this isn’t so much a ‘Curio’ as it is ‘website advertising the forthcoming new game in the Monkey Island series, which if you’re 40-ish and someone who’s been into videogames since childhood will probably cause some not-insignificant nostalgiapangs’, but, well, I love Monkey Island and this website features a whole, far longer than it needs to be, interactive segment featuring Stan the Salesman (look, if you know you know) and basically it got me really excited for the game and LET ME HAVE A MOMENT OF JOY FOR ONCE FFS. Thanks.
  • Wordles: Ok, look, here’s the deal – this link contains ALL OF THE WORDLE CLONES EVER. I am going to put it here, you are going to bookmark it if you so choose, and then we will both agree that I will feature NO MORE Wordle clones (unless they are particularly-inventive or somehow compellingly-awful) because it’s been six months now and, please, enough. There are seemingly literally thousands of these things, which is an insane degree of cultural impact for what is basically a relatively-simple vocabulary game- make the Wordle bloke your Man Of The Year, TIME!
  • Emily Blaster: Finally this week, a small shooting game in which you attempt to piece together selected poems by Emily Dickinson by shooting words out of the sky in a manner not-unreminiscent of Missile Attack; this is both a cute way of learning the verse AND a fun way to spend 5 minutes, and it’s also been produced as part of the promo for a book (which sounds ace btw) which I am going to take as a direct reaction to someone somewhere having read me repeatedly going on about how games are great promo vehicles for anything and should be used more widely (regardless of the fact there is absolutely no evidence whatsoever to suggest I had any agency here whatsoever).

By Malika Favre

LAST UP IN THIS WEEK’S MIXES, DRIFT OFF WITH THIS SUPERB SUNNY AFTERNOON CHILLOUT MIX BY CHRIS COCO! 

THE CIRCUS OF TUMBLRS!

  •  Rongzhi: I find glimpses into other languages’ memetics fascinating, and this Tumblr, collecting a bunch of viral-ish content from the Chinese social media sphere, presented with subtitles and the occasional contextual explanation, is no exception. To be clear, the subtitles don’t always do much to explain what the fcuk is happening – they tell you what’s being said, but not the layers and layers of meaning you’re expected to be able to parse below the surface – but that’s part of the charm and intrigue – as I type, the top clip is a video of two people’s eyes meeting as they both eat spaghetti in the messiest way possible, sitting in otherwise-sterile surroundings. I am fcuked if I have the faintest idea of exactly what this is meant to communicate (maybe nothing! Maybe it’s just “don’t you love it when you realise someone else is a disgusting carb’n’soss goblin just like you?”!) beyond the ostensible, but I think I perhaps prefer it that way. Wonderful cultural tourism.

THE TROUGH OF (INSTA) FEEDS!

  • Crash Txt: Tiny emoji and symbol and ascii art, in your feed. This is a really nice aesthetic counterpoint to basically literally anything else you will see on Instagram.
  • Gstaad Guy: I feel a bit…dirty linking to this, if I’m honest. So Gstaad Guy is an Insta feed which started as a parody of the sort of rich Eurotrash kids you see in places like Gstaad (so I am informed – it may not surprise you to know that I do not ski and I do not hang out in places like Gstaad), expanded to include the sort of rich kids who are getting into crypto, and is now…a sort of self-aware performance art piece which is being co-opted by brands to market their overpriced tat for morons to exactly the sort of morons who are being parodied by the account who have all started following it because…it’s such a nailed-on demolition of their aesthetic? Because when you’re that rich who cares if people are making fun of you for being a vapid fleshsack? Anyway, this is now approximately seven layers or irony and a triple backflip deep now, and I don’t quite understand it, and generally find its whole vibe a bit hateful, but your mileage may vary. BONUS: here’s a Forbes article about the whole thing, which rather says all you need to know imho.

LONG THINGS WHICH ARE LONG!

  • Why Does The Bad Stuff Keep Happening?: The Roe vs Wade judgement dropped post-Curios last week, and I am sure you’ve all spent the past week feeling enervated and rightly-miserable about the continued slide towards political positions around bodily autonomy that we’d all hoped we’d long abandoned. This piece is about the RvW judgement, but it’s more about how does this stuff keep happening in the US? The answer, posits Cory Doctorow in an excellent essay, is that the Republic Party is basically hoovering up all the single-issue nutcase groups in the US and promising them whatever batsh1t stuff they want because it knows that the single-issue nutcases only care about that single issue and so if you give them that they will literally support you on ANYTHING, and so this is an excellent way of ensuring you have the votes to ALSO pass legislation that, for example, keeps your taxes as low as possible if you’re a billionaire. Effectively the premise of this piece is that this is all part of the continued plot by the super-rich and super-powerful to maintain and consolidate that power: “These two blocs [pro-guns and anti-abortion], along with racists, homophobes and transphobes, provide the bulk for the master strategists of the GOP, people who aren’t merely elitists, but actual elites. By definition, elite politics can’t win majorities on its own, because elites are always in the minority – that’s what “elite” means. The cruelty isn’t the point. The cruelty is a means to an end. The cruelty is how you mobilize useful idiots to turn out to the polls and vote for the vast expansion of the wealth of a tiny number of people.” You may read this and think ‘hm, no, that sounds like a mad conspiracy’, and that’s totally fine – but, well, it does rather look and feel like that’s what’s happening.
  • The Infanticide Issue: A quick caveat here – this is a link to Quillette, a magazine which I know is more than a little fash-adjacent and which I can appreciate many of you might have some qualms about. This particular essay, though, is not a fashy one, promise (it is a bit swivel-eyed, and it’s not exactly dripping in human warmth, but it’s not fashy) – it’s instead a relatively clear-minded analysis of why even from the point of view of ‘protecting the child’ a ban on abortions isn’t necessarily a good idea given the likely rise in infanticide that it will lead to. Astonishingly bleak, fine, but also a useful counterpoint to the (admittedly-deranged) ‘think of the children’ bleating from the anti-abortion crowd.
  • When Bad Websites Matter: Last RvW-adjacent link this week is ANOTHER essay by Dan Hon, who I feel I am featuring often enough in here to demand some sort of kickback. This is a reflection on what the website of the Democrats looked like this week in the wake of the Supreme Court decision, and all the ways in which said website singularly fails to do any of the jobs you might want it to do – as a piece of analysis on communication and ‘organisational purpose’ (sorry) and how said purpose is communicated (whether online or not), this is really, really smart – if you do anything relating to comms or campaigning then you really should read this (and, after having done so, go and take a look at the website of whatever political party you most identify with and analyse it through this lens – it will make you think differently, I promise).
  • A Reasoning AI: This is a couple of weeks old now, but don’t let that put you off (shut up Matt literally noone else shares your tedious obsession with novelty ffs) – this is a relatively short essay about Google’s new prototypical AI PaLM, which is a language model like others you may previously have come across but one which can seemingly display a rudimentary ability to reason. Not complex reasoning, fine, but actual reasoning. You need to read the piece to get a clearer idea of what that practically means, but it’s fascinating – and not a little creepy when you get to the inevitable ‘and none of the engineers can quite explain why this model works in this way when previous ones haven’t’ bit. Still, rest assured that noone involved with this particular piece of code seems to want to erect a shrine to it just yet.
  • None Of The Investors Can Explain The Point Of Web3: Building on something I mentioned last week, this is a superb analysis by Charlie Warzel of all the ways in which the Web3 emperor is naked, judging by the inability of said emperor’s courtiers to explain what he is wearing or what it looks like or how the emperor is planning to avoid freezing his metaphorical nuts off come winter (sincere apologies for that tortuous and largely-unsuccessful metaphor).
  • Whither All The CryptoWank?: Or, perhaps more helpfully, some sensible ideas for what all this cryptoweb3nftstuff might practically be used for beyond the preposterous hypetrain of the past 12 months. This is a reasonably-sober look at some practical applications of the tech as it stands – what I like about it is that it’s relatively modest, all told, with the basic ideas being simply explicable as ‘you take all the information about the online you with you wherever you go rather than it being platform-dependent’, ‘shared ownership and influence’ and ‘better archiving’, Which, fine, may not sound as shiny and exciting to the Scrooge McDuck-pupiled VCs as ‘INFINITE INTEROPERABLE MONETISABLE PROPERTY ANALOGUES!’ but does have the significant benefit of perhaps actually making sense rather than simply being a selection of concatenated buzzwords in search of meaning.
  • Unicorn Syndrome: As Pride Month comes to an end, I found this essay in Art Review by Rosanna McLoughlin a fascinating one, examining the shifting meaning and applicability of the term ‘Queer’, and the extent to which it’s possible for a term whose original meaning was steeped in otherness to still have resonance at a time when it’s been so centred within mainstream (capitalist) discourse. “In a culture awash in depressing reboots of everything from film franchises to fascisms, queerness once appeared as a future-facing movement with a promise to see, be and organise differently. If it is to have any chance of reversing its slide into the Cherry Coke of identity – an auxiliary alternative to the status quo – it will require a committed reevaluation of queer exceptionalism. Mark Fisher argued in Capitalist Realism (2009) that the problem facing countercultures is no longer the danger of being consumed by commercial interests, but being preconfigured by them. What we are dealing with now, he wrote, is ‘precorporation: the pre-emptive formatting and shaping of desires, aspirations and hopes by capitalist culture’. There is no easy answer as to how precorporation might be avoided, other than by social withdrawal, just as there is no door marked ‘exit here’ that can be used to escape the reach of technocapital, but attending to the ways in which commercial interests are worked into the DNA of contemporary identity formation surely constitutes a start.”
  • Pronouns: A companion piece to the above – at least in my mind it is – this piece by Brock Colyar looks at the question of pronouns and how their feelings towards them have shifted as the conversation around queer and non-binary identities has been mainstreamed. This is a very good piece of writing – personal and occasionally very funny – with an interesting premise at its heart: “These days, it feels as if an identity that, not long ago, felt unique to me in most rooms I entered has gone mass. Yes, part of what I’m personally upset about is the fact that this thing I loved isn’t so alt anymore. But more than that, it feels as if pronoun culture has contributed to nonbinary becoming just the third gender after male and female, more static and concrete than its original fluid intentions.”
  • Surveillance in China: It’s been a while since we’ve had a good, alarming ‘China’s Digital Panopticon’ story, so here’s one in the NYT all about how the use of CCTV and facial recognition is growing and developing in the country. All of this is of course deeply-creepy (at least to our Western eyes), but I think the real story here is not about China doing this now at a state level but the extent to which we might perhaps want to be a little more creeped out at the extent to which exactly the same stuff is going on here except in the hands of private companies. Is that…better? Not totally convinced it is, tbqhwy.
  • Unilever and Global Plastic: Having Procter and Gamble as a client a decade or so ago so scarred me that I went through quite a long period of checking whether products were P&G or Unilever in supermarkets and deliberately choosing the Unilever alternative as an impotent act of rebellion against the company that was making my professional life a living hell (Pampers DryMax Active Core I WILL NEVER FORGET) – turns out, though, that they’re cnuts too! This is an excellent piece of journalism by Reuters looking at the various ways in which Unilever has acted to minimise the amount of practical action it takes amending its production and packaging processes to reduce plastic pollution, particularly in Asia. Turns out massive multinational FMCG businesses lie about their green credentials – I know, I was shocked too. Your regular reminder that if you’re a PR or advertising agency and you help these companies peddle their lies about how they are part of the solution to the climate crisis then you are as guilty as they are – you’re welcome!
  • Post-Human Fashion: I really enjoyed this piece on the strange and unexpected design consequences that we’re starting to see as a result of so much of the fashion trade now being algo-led in the wake of Shein’s meteoric rise (and the host of copycat businesses it has spawned) – when designs are being cobbled together by AI based on cobbling together elements from different virally-popular garments, weird trends ensue which no actual human has ever asked for but which due to more algorithms end up getting baked into this month’s lookbooks regardless. Honestly, I really hope someone somewhere is keeping track of all this stuff – there’s a really interesting book or TV show or webproject around documenting all the ways in which AI we don’t really understand is shaping our real-world physical existences in unexpected and not-necessarily-positive ways.
  • The Saris of Dall-E Mini: Or, as we’re legally-obligated to call it now, ‘Craiyon’ – anyway, regardless of what it’s called this week, this article looks at the curious phenomenon of the AI image generator’s seeming obsession with saris – why is it so keen to punt out images of South Asian-looking women wearing that particular piece of clothing? You may be surprised to learn that the answer is, once again, “No idea!” (although in fairness there are a few plausible-sounding explanations towards the end of the piece). We are absolutely about to enter a golden age for people just sort of shrugging and looking baffled in press conferences, aren’t we?
  • Backpack: You may not think that an essay about ‘what to carry in your backpack if you fancy living a properly-nomadic existence’ written by Ethereum founder Vitalik Buterin would be particularly-compelling, and, fine, on the one hand you’re right (Mr Buterin is obviously some sort of genius and is far, far smarter than I have ever been, even before the drink and the drugs, but equally I don’t think he’d mind me saying that he’s noone’s idea of a…compelling prose stylist, let’s say), but there’s something fascinating to me about these sorts of essays in which you can literally see how different someone’s mind is to yours. I mean, just the methodical way in which Buterin approaches the questions of what to carry and why and what brand of thing and why is so antithetical to my way of thinking (I am, let’s just say, a significantly-less structured thinker) that it’s like peering at the workings of a strange and compelling alien machine (and then left feeling quite a lot like my brain is rubbish by comparison, but that may just be me).
  • Male Sex Dolls: LOLSEXDOLLS! May well be what your immediate thought is upon seeing that headline and, well, yes, so was mine to be honest. This, though, is a far more interesting and sensitive piece than I expected, and is all the better for it – Hallie Lieberman speaks to various women who, for their own combination of reasons, have invested in male ‘companion dolls’, and tells their stories with a real sense of respect. I don’t think I’m being unfair if I say that each person here is, well, a bit broken in some significant way, but they’re portrayed fairly and as actual, rounded human beings rather than freaks, and I promise you will find this significantly more affecting than you expect to.
  • Iain Sinclair #2 – Rich London: More Sinclair, this time walking with Caroline Knowles, author of a new book about the super-rich and where in the city they choose to call home, this is just superb, rich with London history and knowledge and a healthy dose of disdain for the plutes carving the city up and emptying it from the inside-out: “There is a magic in these trophy streets. You detect it in the hotels favoured by ‘Middle Eastern’ men running up bills they are slow to pay and the quieter hotels where their wives and children are parked. In the tall trees of lovely green oases with regulation ironwork fences and locked gates. In strictly private equity and ‘single-family’ offices with no nameplates in Berkeley Square. If you wanted to make serious money in Mayfair, you could do worse than supply cans of magnolia paint to the Duke of Westminster’s estate: it is the only colour permitted. The charity of the super-rich is an obligation. Anything but animals, one benefactor reports. ‘Every donkey in the country has God knows how much money.’ Mayfair is a wealth allotment tended by uniformed butlers and bag-carriers. The hush is called security. Transgress and it’s like the moment when the whistle cuts out and the bomb falls.”
  • Glastonbury and People: This is possibly the best piece of writing about being a miserable, bitter, middle-aged man I have ever read, and I felt so seen by it that I had to go and have an ice-cream to try and cheer myself up.
  • Isabella of France: I have, I’m pretty sure, featured one of Anne Thériault’s ‘Queens of Infamy’ series of profiles in here before, but this is a CRACKING read on the messy life of Isabella the She-Wolf of France,who married Edward II of England at the ripe old age of, er, 12 (it’s ok though, he was only 13) and went on to have QUITE THE LIFE. This is so, so well-written, marrying some pretty serious scholarship with some equally-frivolous linguistic flourishes – if history had been written like this when I was a kid I might perhaps have remembered more of it than ‘Garibaldi, what a nutcase’ and ‘nazis’. A special mention for the fact that Thériault manages to quote an Eminem lyric midway through and lands the gag perfectly.
  • Scenes from an Open Marriage: It feels very much as though this essay will be sparking a lot of DISCOURSE over the next few days, so you could read it for that purpose alone – but, honestly, you should read it because it is jaw-droppingly good prose, I mean SO good, the sort that you occasionally find yourself stopping to reread midway through a sentence because it is so staggeringly right. This is about polyamory, which is how you can tell the writing is stellar – ordinarily there is almost nothing that could induce me to read about a bunch of poly people and their relationship travails, but this transcends even the horror of that specific trope. I cannot recommend this enough – the opening line promises a lot, but this essay delivers in absolute spades.

By Naima Green (because)

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 24/06/22

Reading Time: 26 minutes

HELLO! How are you?

Oh, that’s right, you’re not here, are you, you fcuks, you’re either in Cannes or at Glastonbury. WELL SEE IF I CARE.

(that mention of Cannes has just reminded me of a time a decade or so ago when I was still working at H+K and they were still, inexplicably, letting me publish an early version of Curios as part of their official weekly content output; it was Cannes week, and I made some throwaway reference to the fact that significant numbers of my colleagues were on the Croisette, “snorting low-grade cocaine from the tanned midriffs of Eastern European hookers”, and then went to lunch; I got a phonecall approximately 20 minutes later from the company’s global head of digital in the States suggesting I might want to edit the line, but, well, I was at lunch. The blog was killed, I got a not insignificant wrist-slap, and it was about that point that I realised that, probably, I wasn’t really cut out for Big Agency Life. So it goes).

I DO NOT CARE! Curios exists with or without you! I DON’T NEED YOUR EYEBALLS!

I am still Matt, this is still Web Curios, and you will really regret that third pill when you wake up at 7am in a very hot tent.

By Tobi Kahn

WE KICK OFF THE MIXES THIS WEEK WITH A TRULY SUPERB TECHNO SET BY DAVE ANGEL! 

THE SECTION WHICH ISN’T BITTER AT ALL ABOUT NOT BEING AT GLASTONBURY AND DEFINITELY ISN’T PRAYING FOR RAIN, PT.1:  

  •  Champagne Avenue Foch: The Bored Ape Yacht Club…thing is by far the most visible and recognisable of the multifarious NFT profile picture projects, and the one which has done the best job of creating a brand or identity beyond the obviously-preposterous central idea of ‘sell a link to a poorly-drawn jpeg for a six-figure sum’, with its celebrity backers and real-world restaurant chains and appearances in music videos by actual, proper artists (albeit ‘actual proper artists with an interest in promoting their investments in said poorly-drawn-jpeg-empire’). It’s also been subject to some…fairly persistent allegations around a lot of incredibly, er, coincidental affinities that much of the brand’s artwork has with some staggeringly-Nazi tropes. I’ve read around quite a lot of this and had, previous to this week, not been totally convinced that these fashy links were necessarily there. Then a few days ago I read about the fact that the brand has just launched its own champagne brand, available in a limited-edition 1/1 NFT sale (I have literally no clue how an NFT and a bottle of real-world fizz connect to each other, and, honestly, I don’t care), and I clicked the link, and I saw the name of the champagne and wondered ‘what happens when I Google the street that this champagne is named after, I wonder?’ and it turns out that Avenue Foch was the address of the SS in occupied Paris and…I mean, look, maybe this is all entirely coincidental, and maybe this whole investigation by Rider Ripps is all overblown, and maybe everything in this video is a huge reach, but it’s quite hard to look at this stuff and not conclude that a bunch of far-right fcuks are laughing at the massively-lucrativly Nazi troll that they have spent the past year or so perpetrating on the world. There are very strong Pepe-ish vibes about all this, is all I’m saying.
  • Priceless: What does your credit score sound like? A full, sonorous chime, or a distant, forlorn keening? Sadly this project from Mastercard doesn’t allow you to create an aural portrait of your own personal financial apocalypse (honestly, ‘create a song from the horror that is my bank balance’ feels like a great idea and I would totally switch my banking to a provider that afforded me this niche ability, just in case anyone was desperate to take on my debt) – it’s far more miserable than that. You may not be aware of the fact that a couple of years ago Mastercard joined the ranks of brands that have paid unconscionable amounts of money for the development of its very own aural brand expression (a corporate jingle, basically) – you can acquaint yourself with said sonic branding here if you wish – but it did, and Mastercard has now decided that it is NOT ENOUGH to have a completely-anodyne piece of muzak to accompany all its advertising and presentations and conferences, and that it must LEVERAGE said muzak across MULTIPLE TOUCHPOINTS to INTERSECT WITH A BROADER RANGE OF CONSUMER PROFILES and, as such, Mastercard has become quite possibly the first ever financial services brand to release an ALBUM and Oh My Dear God It Is So Bad. Honestly, this is…look, click here and scrub through some of the tracks because they really do have to be heard to be believed. This whole project is utterly astounding in its pointlessness – I can, fine, sort-of understand the concept and potential utility of ‘sonic branding’ but…but…who in the world would ever conceivably want to listen to an entire album of songs based around the 60s musical sting composed to representa a payment provider? I will humbly submit to you, gentle reader, that the answer to that question is ‘literally noone, ever’. This is a project that will have involved the time and energy of at least 50-odd people (possibly more if you factor in all the various people involved in the recording process for the songs), all to create something that has literally no discernible purpose, an album of music that I would charitably guess will garner somewhere in the region of <1000 listens in the entire history of the human race. The total amount spent on this, if you factor in people’s time and salaries and stuff, will be well into six figures. WHY? I honestly find whole swathes of modern capitalism utterly fcuking batsh1t.
  • The Human Record Player: This, though, is a musical project I can very much get behind. The Human Record Player is the promo site for Weezer’s new single, which, the gimmick is, you can only listen to on your phone. Whilst, er, spinning around at speed. Open the site on your phone and it will ask you to rotate on the spot (or, if you’re feeling a bit sicky, to spin your phone on the table or something) – this mimics a turntable, and if you get the speed right will allow you to listen to the new track (but you need to keep spinning). Obviously this is an utterly terrible way to listen to music – non-Weezer fans might well argue that it’s barely music, in any case – but I am a huge fan of the silliness of the idea, and the slightly-old-school ‘using the accelerometer on your phone for POINTLESS FUN!’ vibe of the site, and I used to really like Weezer as a kid so this is basically perfect in my eyes (BONUS WEEZER CONTENT: this is a very good video about the band and the exact point at which it started to suck, and why).
  • Mesopotamia: Another superb bit of work from Getty, offering an online tour through its exhibition on the history of Mesopotamia which was held last year at the Getty Villa in California – a really nicely-built scrolly tour through some of the objects featured in the show, with light accompanying text that explains some of the significance of the relics. This is SUCH a better way of doing ‘a digital version of an exhibition’ than an attempt at some sort of ‘metaversal’ 3d gallery space – focus on a few objects, use the web to bring the viewer closer to them than would be possible irl, tell stories.
  • Internet Walks: Oh I love this! Ascii-internet-art! A project born out of COVID and realised by a seemingly-nameless coder, this website exists to seek to replicate its creators experience of connecting with others during lockdowns; during the pandemic, they spent time talking with strangers online about the places they came from, sharing stories of homes and communities and environments that formed them, and this site is meant to evoke some of those feelings of being led through someone else’s sense of place and history. There are four ‘walks’ to go on, each linked to the creator’s conversation with a different individual, and they take the shape of a series of ‘folders’ which you can click through to find short poems or pictures or ascii maps which describe places that matter to them. This is honestly so so lovely – simple and half-abstract and poignant in a way it simply wouldn’t be were it more obviously-visual.
  • Aztec Gods: The clever people at The Pudding turn their datavisualisation skills to the Aztec pantheon, presenting this beautifully-designed guide to some of the deities beloved of South America’s premier tribe of human sacrificers. This is lovely – colourful and clear and interesting – but I really wish it contained a decent guide as to how the everliving fcuk I am supposed to pronounce ‘Tlaltecuhtli’.
  • Guess The Sub: This is a lovely little game with a very simple premise – can you guess which SubReddit a particular post title might be drawn from? Some of these, fine, are pretty easy, but it’s a nice, low-friction way of browsing Reddit (and, if you turn on the NSFW option, of discovering some incredibly-niche tastes in bongo). Also, as with all Reddit-based stuff, it’s a window into some truly terrifying corners of the human psyche – I was just served a question asking me where I might expect to have found a post asking whether it’s possible to get a refund on money you’ve spent buying shares, which paints such a terrifying picture of the sort of damage about to be done to very, very stupid people by the increasingly-imminent financial apocalypse that it doesn’t bear thinking too closely about.
  • Sirens: As the the war in Ukraine limps into its fifth month with no sign of abating, the need for aid and donations and relief to help support the people of the country being bombed to fcukery by Cuddly Vlad grows. Whether or not you think ‘buying an AI-generated artwork depicting the war as an NFT’ is a smart or useful way of helping is very much up to you, but that is exactly what Sirens is offering you the chance to do. “We created a neural network pipeline that generates artworks from text descriptions. Then, we made a chronology of the most significant events of the Russian full-scale war against Ukraine, described them, and used this as input for our neural network. Art generated by this process will be sold in the form of NFTs. All funds raised from the sale will be donated to assist Ukraine in solving the humanitarian crisis.” It’s unclear exactly how these images are created – as with so much AI art, there’s a degree of unhelpful opaqueness about the creative process that has happened here – but the outputs are…interesting. There’s a certain oil-painting quality to the style that the machines working in, and the thick ‘brushwork’ does a decent job of fudging some of the ‘rough round the edges’ elements of the AI’s work – I’d struggle to call this stuff ‘great art’, but it’s for a good cause and an interesting idea.
  • The Alternative Narratives Visualisation Archive: Ooh, this is super-interesting. “Alternative narratives are those that provide different stories from the ones of dominant power structures, such as information provided by governments, corporations, organizations, the media, etc…This archive brings together digital online projects which use data visualization to support alternative narratives to the ones from dominant power. It aims to raise knowledge and gather the design expertise on the relevant task of portraying evidence to not-visible or alternative social issues that aren’t been told by the main power institutions. At the same time, the archive aims to bring to the fore discussion and awareness on the political role of designers when they design with data.” This is a portal into SO much interesting stuff, from mapping global terrorist organisations and their interactions and ideological overlaps, to stories about corruption in Spanish banking, all told in a variety of innovative digital ways. Seriously, if you have any interest in how to show information and tell stories online, this is a superb resource.
  • Metaverse Standards: Whilst I will continue shouting ‘THE METAVERSE DOESN’T EXIST STOP TALKING ABOUT IT LIKE IT IS A REAL THING IT IS NOT IT IS A FCUKING CONCEPT AND A VERY WOOLY ONE AT THAT’ loudly at anyone who will listen (turns out, not that many people!), the fact remains that it is an idea that a lot of people have invested lots of money in and which is going to be forced into becoming some sort of reality whether we like it or not. On that basis, then, the establishment of a Metaverse Standards Forum can broadly be seen as ‘A Good Thing’ – the idea that a bunch of disparate companies can cooperatively establish a baseline set of principles and parameters which govern the development of any eventual persistent virtual environments seems sensible, and the fact that some many large brands with a foothold in this stuff have signed up seems…broadly positive!
  • The Malware Museum: Oh SUCH MEMORIES! “The Malware Museum is a collection of malware programs, usually viruses, that were distributed in the 1980s and 1990s on home computers. Once they infected a system, they would sometimes show animation or messages that you had been infected” – this is a collection of those animations and messages. Obviously viruses are BAD THINGS made by BAD PEOPLE, but I can’t help but get a bit nostaglic for an era in which a bunch of children spent their spare time making small bits of code for the express purpose of just fcuking people’s digital sh1t up via the medium of a small pixellated animation of a poorly-drawn marijuana leaf.
  • Shahar Varshal: Mashups very much feel like the uncool kid at a school disco, dancing slightly-too-hard and not realising that everyone is laughing at them rather than with them (repressed memories? NO NEVER), and yet I confess to having a small corner of my heart that will forever love Freelance Hellraiser and Osymyso and all those other early-00s lads who made the London scene briefly-thrilling circa 2002. This is the YouTube channel of one Shhar Varhal, who has been making their own mashups and chucking them up on YouTube for years and OH MY GOD this person is an artist. Honestly, these are SO GOOD and pleasingly-inventive in their song selections – if nothing else, the Bad Habits/Smalltown Boy mix is a work of genius and deserves your aural attention.
  • Noisy Cities: Rome has many things to recommend it – ice cream, very old buildings, the most beautiful light in the world, starlings – but one adjective you would never use for the city is ‘peaceful’ (unless your particular version of ‘peace’ is congruent with ‘being woken up at approximately 5am most mornings by the sound of the fcuking bottlebanks being emptied under your windows’). Then again, as this website shows, nowhere is peaceful thanks to FCUKING CARS – Noisy Cities is a project which maps decibel levels across various capital cities (specifically London, Paris and New York) and shows you the quietest and loudest areas in each city, with accompanying audio to give you a picture of what the ambient noise sounds like across the various metropolises. Cars are a fcuking cancer, basically (although here in Rome it’s hard not to form the strong belief that it’s also people and their INCESSANT DESIRE TO BEEP THEIR FCUKING HORNS FOR NO APPARENT REASON GYAC YOU IMPATIENT FCUKS MAKING A LOT OF NOISE DOES NOT MAGICALLY MAKE TRAFFIC DISAPPEAR).
  • Lighter Side: One of my favourite things about the web is the occasional insight it provides into professions or areas of interest that are utterly alien to me, like, I don’t know, millinery or cheesemaking or proctology. So it is with this particular subsection of the website of the Health Physics Society, “a scientific organization of professionals who specialize in radiation safety”, which collects a bunch of ‘humorous comic strips’ all about, er, the laugh-a-minute world of radiation in medicine! This is some FABULOUSLY-NICHE humour – I understand possibly 7% of the cartoons that I’ve looked at here, and been moved to smile by exactly none of them, but WHO CARES? I really want a radiologist to explain some of these to me, and also to tell me whether that my hunch is correct and that, even if you totally understand the science behind the gags, these are all approximately as funny as cancer.
  • Tip of my Tongue: Oh this is such a clever idea – Tip of my Tongue is a website which helps you find words which you can’t quite remember, letting you input a whole range of parameters to help you find the very specific word you’re after. Input starting letter, ending letter or meanings and see if it can’t help you.

By  Classic Vandal

NEXT UP, ENJOY THIS PLEASINGLY-SUMMERY DEEP HOUSE MIX BY GAUDIANO! 

THE SECTION WHICH ISN’T BITTER AT ALL ABOUT NOT BEING AT GLASTONBURY AND DEFINITELY ISN’T PRAYING FOR RAIN, PT.2:  

  • Roast Potatoes: Do you enjoy a roast spud? All crispy on the outside and fluffy on the inside, with bronzed edges and possibly a slight animal fat tang? However much of a fan of the roastie you are, I can almost categorically-guarantee you that your enthusiasm pales into insignificance when compared with that of the members of The Society for the Recognition of Roasted Potatoes as an Independent Dish, a Slovenian organisation which basically exists to celebrate and venerate the roast spud. The website is all in Slovenian, fine, but thanks to the magic of Google translate (or, of course, thanks to your surprisingly-polished Slovenian) you can revel in all sorts of spud-related information and content, and learn all about the Roast Potato Festival that seems to have taken a few years off due to COVID but which I sincerely hope will be back with a bang soon because, honestly, THERE WILL BE SO MANY POTATOES. “It is the duty of each participant to prepare “about” 50 kg of roasted potatoes, you can provide them in several roasts (potatoes, spices and additives yourself !!!) according to your own recipes. You will hand over the written recipes with all the information about the provider of fried potatoes to the representative of the association, who will visit you at the stand. When we collect them for each day of the year, we will publish a book entitled “Roasted Potatoes in 365 Ways”. This is possibly my favourite thing of 2022 so far (it’s been an appalling year and the bar is low).
  • Earth FM: “Like Spotify, but for natural soundscapes”, apparently – “a non-profit, free repository of pure, immersive natural soundscapes as a fundraising platform for local, grassroots charities that support the restoration of our natural world. Based on empirical evidence as well as numerous recent studies from all over the world, listening to natural soundscapes (particularly mindful listening) has a great positive impact on our wellbeing, and potentially on our respect for nature. However, these soundscapes are increasingly scarce as we humans continue to destroy the natural ecosystems which produce them. That’s where earth.fm comes in: as well as sharing a new natural soundscape every three days, we’re actively helping the community to go out in nature more often and discover a deeper, more direct connection with the wonders around us, which can lead to more well being on individual and collective levels.” I spent the time writing this entry listening to the sounds of a Thai forest (admittedly with the far-less-relaxing background hum of Roman traffic) and I can categorically promise you that you will feel marginally-better as a result of listening to some natural audio (Web Curios takes no responsibility should you unaccountably end up feeling worse).
  • The Rotary Unsmartphone: You may recall an image doing the rounds a few years back of a mobile phone that had been hacked to have a rotary dialer on its front, creating a slightly-aesthetically-pleasing but fundamentally-useless modern/retro chimeratoy – well, now the person who cobbled that together is selling kits which will let you make your very own! $400 (that is a LOT OF MONEY) will get you everything you need to create your very own barely-functional mobile which will let you make calls and send and receive texts. This is 100% designed for people who are into steampunk and ‘funny’ nerd rap, and if that’s you then I am happy for you but I can’t claim to understand you.
  • Sniffspot: Do YOU have a massive tract of land that you simply don’t know what to do with? Would YOU like the opportunity to monetise it? Do YOU fancy spending a significant proportion of your time clearing dog faeces from said massive tract of land? If the answer to each of those questions is a resounding “YES!” then you may well be in the market for Sniffspot, the latest in the seemingly-neverending series of attempts to monetise the fcuk out of every single facet of human existence. The premise here is relatively simple – land owners can sign up to the service and offer ther private space for rent to dog owners who want a private place for their canine pals to frolic. I am not, admittedly, a canine expert, but my loose observation of the hounds at my local dog part suggests that they are in fact social animals and therefore does make me wonder who the idea of ‘a place to take your dog where there will be no other animals, guaranteed’ is aimed at – the site mentions ‘sensitive dogs’, which I can sort-of understand, but I can’t help but wonder whether the real market is for owners of massively-toothed balls of coiled muscle with names like ‘Throatripper’ or ‘Old Gouger’. Basically I wouldn’t sign up for this unless you’re comfortable having a terrifying procession of barely-controllable weapondogs defecating copiously all over your gardenias.
  • Pacman Poems: This doesn’t quite work, but it feels like there’s the kernel of something fun in here. Pacman Poems is a small webtoy which each time you load the page presents you with a 4×4 grid containing words and punctuation marks – you move the 8ball cursor around the grid, with the order you ‘eat’ the words and symbols in creating a short ‘poem’ which will be different each time. It feels like a riff on cut-up work, and whilst the outputs are more often than not gibberish, there’s something interesting about the functional constraint placed on the composition process and the formlessness of the outputs.
  • John Dopamine: While Dall-E and GPT-3 get all the popular engagement and column inches, interesting work continues to be done on the less-immediately-compelling area of audio AI. John Dopamine is a YouTube channel posting experiments in computer-imagined audio, specifically OpenAI’s Digital Jukebox, and whilst the stuff it’s creating isn’t great it’s also…getting better. A lot of these are ‘AI fills’ – the software is asked to imagine how a particular song might continue beyond a certain point – but there’s also some interesting composition happening, and occasionally it gets properly convincing, as in the case of this example when the software’s asked to imagine how some guitarwork by Billy Corgan might extend beyond a single solo (whether or not this is a reflection of the, er, skill and complexity of Corgan’s fretwork is unclear). This is a long way from being anywhere near comparable to human output, but it starts to give a feeling of what might be possible through Centaur composition (and it’s all significantly less horrible than that fcuking Mastercard album).
  • The Calendar Collective: “Calendar Collective is a living archive of alternate calendars. It is an ongoing investigation for collecting, cataloguing and publishing calendars that are little-known to our world. We use openly contributed voicemails as our unique research material. The archive offers an uncommon collection of calendars traced through these unwritten and slightly incongruous fragments.” I don’t understand this AT ALL, but there is something utterly compelling about the weirdness – what are the voicemails? How do they relate to the calendar designs? Some of them seem to be telling…short stories about worlds or universes governed or described by these imagined calendars? Regardless, some of the designs on display here are wonderful and I am a big fan of the fact that this at no point gives the impression that anyone involved in its creation cares whatsoever about whether or not I or anyone else has the faintest idea what the fcuk is going on here.
  • Digital Detox: Oh I do like this. Since 2017, Marco Land has been using a browser extension which tracks his in-browser scrolling and translates that into physical distance, mapping said distance against the route of the Camino Frances – so every time Land scrolls down a webpage, this site, displaying the Google Streetview of the trail, will move you a tiny bit along the route. At their present rate of scrolling, Marco will reach the end of the route in 2027 which I think merits some sort of celebration – also, I strongly believe that someone ought to start doing an annual Online Scrolling Marathon for charity so if one of you could make that happen that would be lovely, thanks (I am not joking, I think it is a legitimately great idea).
  • Setlist: A site for people to share information on artist setlists at recent gigs, which might be useful should you want to ensure that whoever you’re contemplating seeing on tour is going to be playing the bangers rather than the b-sides.
  • Ringtone Bangers: Speaking of bangers (seamless!), this is an excellent Twitter account which “posts (non-game) consumer technology-related bangers, such as ringtones, BGM and synth demo songs.” You may not have thought you needed or wanted more late-90s mobile ringtones in your life, but I assure you that you do – it is legitimately insane to me that there was a period of time in which the composition and sale of these was a multi-billion-pound industry, but then again some of these absolutely slap; there has to be some bedroom producer out there making tracks using some of this stuff as a base, surely?
  • The Platformer Toolkit: This is ACE – it describes itself as ‘an interactive video essay’, but it’s more easily understood as a platform game in which you can modify a bunch of parameters as you go to teach you about how game design works. This is so much fun, and a really good basic introduction to game systems and physics and basic principles of ludic design and, even better, it’s just an awful lot of fun to play with.
  • WordDall-E: Can you guess the prompt fed to Dall-E mini just by looking at the images it spat out? This is more fun than you might think, although because of the way people are insisting on using this a large proportion of the answers will be things like a ‘A Pokemon playing DDR’ or ‘Sonic the Pope’.
  • Stupid Word Game: Sent to me by Curios reader Colin Devroe, who also created it, this is a nice twist on the Wordle format (I promised I wouldn’t keep including Wordle riffs, but I will make exceptions for ones that are fun or which are accompanied by a polite email) which asks you to unscramble a different word each day, with a limited number of guesses and backspaces to help you. This is, I concede, a terrible description, but I promise you that it will make perfect sense as soon as you click and start playing around. It is, I warn you, harder than you initially think (or it is for me; I am having something of a stupid morning, though).
  • Only Connect: Have you ever watched Only Connect and thought ‘I could totally do that’? You’re significantly smarter than me, in that case – whilst I very much enjoy the show, I am less of a fan of exactly how thick it makes me feel every time I watch it. Still, if you fancy giving it a try you can thanks to this browser-based version – there’s slight frustration to be had in terms of the need to type the exact wording of the answers, meaning you can occasionally find yourself being penalised for ‘wrong’ answers that ARE TOTALLY RIGHT FFS YOU UNBENDING MACHINE WHY WILL YOU NOT ACCOMMODATE MY INTERPRETATION OF THE ANSWER ahem but this is a lot of fun (if your definition of the word ‘fun’ is broad enough to include ‘repeatedly failing to spot the association between a series of what look like entirely-unconnected words’).
  • Below The Ocean: Last of the miscellaneous links this week is this gorgeous little in-browser platform puzzler, which looks like an old ZX Spectrum title but plays with all the slickness of a modern game – Below The Ocean “ is a fun, adorable, and atmospheric 2D Side-Scrolling Platformer! Use your oxygen supply’s tether to swing around unique level designs and solve interesting puzzles.” This is so so good, and a perfect way to distract yourself from the fact you’re not at Glastonbury for 15 minutes or so.

By Chris Taylor

LAST IN THIS WEEK’S SELECTION OF MIXES IS THIS BEAUTIFUL, DREAMY SET BY GLOVED HANDS WHICH IS PERFECT FOR LYING ON THE GRASS AND IMAGINING YOURSELF SOMEWHERE BETTER! 

THE CIRCUS OF TUMBLRS!

  • Transparent Flowers: If you’ve ever thought “God, I wish I knew of a website where I could find a ridiculous quantity of images of flowers, cacti and other flora, all with transparent backgrounds” then WOW is this site going to please you. If not, your reaction is likely to be more muted. Still, flowers!
  • Wild About Houdini: Ok, fine, not in fact a Tumblr. Still, it feels like it fits here and it’s a WONDERFUL trove of information and anecdotes about the life and career of Harold Houdini, with just a touch of the wildly-obsessional which is just how I like it.

THE TROUGH OF (INSTA) FEEDS!

  •  Gorilla Doctors: Photos of gorillas in Rwanda, Uganda and DRC, taken by vets working for a non-profit organisation dedicated to the creatures’ safety. There is literally no way that your timeline contains enough gorillas, so rectify it by clicking this link.
  • Penny Thompson: Thompson is an artist who creates truly incredible miniature animals, miniature animals that MOVE thanks to some quite amazing mechanical design. These are so so so cool, and I now really want a small toucan whose wings flap at the turn of a tiny crank – turns out these are in fact for sale, so should any of you want to provide me with some sort of token of your appreciation for over a decade’s worth of TIRELESS LINK-GRUBBING then, well, I wouldn’t say no.
  • Jon Paul’s Balls: This man stitches footballs together, from other stuff, for fun. It’s more compelling than you’d imagine it to be, promise.

LONG THINGS WHICH ARE LONG!

  • Some Notes On The Crypto Crash: It’s obviously tempting to laugh at the current bonfire that is everything to do with crypto, except, as with all massive financial crashes/corrections it does rather look as though an awful lot of regular (if very gullible, financially-imprudent) people are getting quite badly burnt by it. Still, if you’re interested in reading a short overview of What Is Happening and Why It Is Happening then this is pretty comprehensible even to someone with next-to-no financial acumen whatsoever (ie me). Also, it contains this summary paragraph which I very much enjoyed: “It’s a huge Rube Goldberg machine slapstick custard pie clown car, where each custard pie triggers three more custard pies. A clown’s tie pops up, causing three other clowns’ ties to pop up. Several tons of organic cow manure fall from above. The clowns stick their heads up out of the poop, proclaiming how clean they are and what a mess everyone else is.”
  • The Extremely Online Workplace: Or ‘does your business need a community manager to moderate its Slack?’ which, fine, feels like a silly idea when you put it like that but is in fact an increasingly-important question in an era in which we’re all feeling a touch fragile and everything is a hot-button issue and we’re all spending more time communicating on platforms and via media that do an excellent job at flattening nuance and context, and much of our interactions with colleagues now take place in these strange spaces which intersect with the social and professional in ways we’re not totally comfortable with.
  • Facebook’s Ditching News: You may have seen the recent headlines proclaiming that people are increasingly avoiding news for the entirely-understandable reason that, well, it’s mostly unspeakably-horrid. I read this piece, on Facebook’s pivot away from news as a content vector, and did rather wonder how far we are from there being an entire swathe of Western society that just totally stops engaging with it entirely – for better or worse (lol we all know it’s worse!), Facebook is still a platform used by over 2bn people, for many of which it simply is the internet, and it’s the lens through which all of their online life (which, as we all know, is just…life these days) is filtered. What does ‘basically removing news from that lens’ do? This piece is a story about Facebook’s relationship with news organisations, and about money, but I personally think that the far more interesting idea at the core of it is the very real possibility of a significant proportion of the population just deciding that they don’t really want to know what’s going on in the world beyond TikTok and their mates. That doesn’t feel like a good thing imho.
  • The Google Problem: Or “ANOTHER article about how Google search isn’t as good as it used to be, and why that is” – Charlie Warzel writes in the Atlantic about all the reasons why trying to find information using Google is often a significantly more-frustrating experience than it used to be. Some of this you’ll know – SEO people have ruined the web! Adverts! – but I found some of the more psychological stuff here interesting – the fact that we simply expect anything we want to know or find out to have been put online in a searchable manner, for example, is interesting to me, as is the generational shift towards more conversational query writing amongst younger users. Warzel followed the article up with some additional thoughts which you can read here, covering some responses to the original piece, which is also worth reading – the line in here about how part of the problem is that so much potentially-useful content now exists in the gated hinterlands of Insta or Facebook Groups was also striking.
  • CryptoStunts: A profile of the MSCHF-ish collective behind some of the more eyecatching stunts taking the pss out of crypto that have sprung up over the past 12 months. The general sense I got from this is of a group of people who are genuinely astonished that they have encountered a scene so free of self-awareness that it will literally pay money to people who are effectively shouting “YOU’RE ALL REALLY REALLY DUMB” right in their faces: “Last December, when some NFTs were selling for tens of millions of dollars, the three men were making “a thousand dumb jokes” in their shared Discord, Lacher remembered. Eventually, though, one of those jokes stuck. They launched their inaugural crypto project, Non-Fungible Olive Gardens, last December, putting images from Google Maps of the restaurants on the blockchain. “For too long, ownership of Olive Garden franchises has been dominated by the capricious whims of the fiat system,” their website read, cheekily promising that the ultimate goal was a “leveraged buyout of Darden Restaurants, Olive Garden’s parent company.” “We were like, we’ll send it to two people just to get their take on it and to see how dumb this is,” Moore said. They severely underestimated the appetite of investors in crypto, a category in which even meme projects can bring in a lot of money. All 880 NFOGs, costing $19.99—the price of Olive Garden’s Tour of Italy entree—sold out in twelve hours. Moore said the Mossy team made enough to break even on the cost of making it.” Astonishing.
  • Remilia Corporation: This is on the one hand very inside-sceney, but on the other I think there’s something interesting in the wider story of the extent to which the crypto scene is intersecting with quite a lot of edgelord unpleasantness – between this and the ‘BAYC may or may not be a Nazi sh1tposting project’ it feels like there’s something bubbling. As an aside, there was a point this week where I realised that I understood every single word of the sentence “Inside Remilia Corporation, the anti-woke DAO behind the doomed Milady Maker NFT”, and that this suggests my life has not been the unalloyed success I might like to occasionally pretend to myself that it is.
  • Nike: A properly-fascinating profile of the Nike brand as it approaches 50 (only 50?!) – I’m normally quite sceptical of hagiographic pieces about THE POWER OF BRAND, but this is a really interesting read and contains loads of stuff which might be useful or interesting if you’re in the horrible, invidious position of ‘having to at least pretend to care about things like brand strategy’.
  • Making The Cosmo Cover With AI: The OpenAI Pr machine is doing some quality work for its paymasters at present – the latest example is a new edition of Cosmopolitan whose cover has been DESIGNED BY AI!!!! This piece links to the ‘how we did this’ explainer article, also in Cosmo, which is a far more interesting explanation of the creative process undertaken than I was expecting, and gives a really interesting look at how AI-generated imagery works best when developed in conjunction with a creative human with a clear idea of what they want to achieve. There’s a lot of PR puffery in here about how OpenAI sees software like this as ‘an artist’s tool’ rather than ‘a replacement for the artist’ – but, well, they would say that. Give it another couple of iterations, kids, and see how many commissions you’re getting for billboard mockups or moodboard renders.
  • What’s Good About This Photo?: I really enjoyed this short article, looking at a photo taken by an amateur photographer (coincidentally someone I know – HI MIKE!) and analysing what makes the composition particularly pleasing to the eye. AI composition will start to become properly-interesting when it can incorporate some of these subjective aesthetic judgements into its work – “A minion painting the Golden Gate bridge yellow” is DULL; “A minion painting a really ugly canvas” starts to become interesting (a bit interesting, maybe).
  • Palm Oil: A fascinating piece in the LRB about palm oil, much maligned by apparently a far more complex product than we’re aware of. This is a great bit of writing, covering everything from agriculture to chemistry to cookery to international trade to the very nature of the modern capitalist machine, and, like the best essays about small, specific topics, it contains multitudes.
  • Papas Nativas: A brilliant, beautiful photo essay about the many varieties of potato that are indigenous to Peru, and the farmers and chefs and scientists looking to preserve them and repopularise them both domestically and internationally. This is culinarily and culturally fascinating, but the photography is the real star here. I promise you that you will absolutely CRAVE a spud once you’re done with this.
  • Three Blind Kings: I confess that before reading this dizzying interview I had only a passing knowledge of who Edward Luttwak is – turns out, he is FASCINATING and not a little mad, a proper, sui generis mind who may also be slightly terrible. This is an honestly incredible interview – the person asking the questions (ostensibly about three world leaders – Putin, Biden and XI), David Samuels, is also something of a, er, character, and the piece starts with the line “Edward, you are a Washington fixture, surrounded by a flourishing mythology that suggests among other things that you are a Romanian vampire who was raised by the Mafia” and only gets odder from thereon in. This covers geopolitics, history, the cognitive improvements granted by nicotine and why it’s a tragedy for humanity that people smoke less, and quite a lot of interesting analysis of Where We Are Now in terms of global power relations. There is, just so you’re aware, a bit of tedious old man ‘wokebashing’ towards the end, and I am not certain that Mr Luttwak isn’t a tiny bit of a racist – with those caveats, though, this really is an interesting and stimulating read.
  • Making Up’s Opening: Everyone cries at the first 10 minutes of ‘Up’. Everyone. Except my mother, who when it was on TV here in Italy a few years ago saw me start to weep about three minutes in, watched me go to the bathroom to get tissues, and then disdainfully remarked ‘Jesus Christ, Matthew, it’s just life’. Which, I suppose, is one way to look at it. Anyway, this is a lovely piece looking at how the writers and animators and Pixar created what is to my mind one of the greatest pieces of filmic storytelling ever made.
  • The Art in AI Art: I know I am featuring an awful lot of stuff about AI art and creativity at the moment but, well, it’s better than this time last year when it was all NFTs, right? Anyway, this is a brilliant essay by Sam Keeper about where, if anywhere, the ‘art’ lives in AI art, which covers all sorts of questions of ‘what makes art art?’ and ‘who is doing the creative lifting here?’, and, honestly, I find these things SO fascinating. This is the first in a planned series of essays around the topic, so bookmark this and check back to read the rest.
  • Still: A very short piece of writing – a single paragraph, more or less – about the death of a child, by Casey Mulligan Walsh. This left me winded, it’s so good.
  • Satellites: Finally in this week’s longreads, a short story by Rebecca Curtis. “My husband was short, broad-shouldered, and muscular, with a handsome, olive-tinted oval face, a huge nose like an ice scoop, and black eyes. Genetically, he was sixty per cent Irish, twenty per cent Syrian, two per cent Jewish, and eighteen per cent English, but he identified as Dutch-New Netherlandish. His ancestors, he told me, had founded America. He’d started working at age twelve, as a farmhand, and eventually acquired a Ph.D. in quantum physics from Harvard, then served for decades as the “head quant” at a world-renowned investment bank. But he wasn’t smart enough to be skeptical when go-go dancers said, Don’t worry, I’m on the pill.” That should tell you enough about who the people are – Curtis writes them superbly.

By Meryl Meisler

AND NOW, MOVING PICTURES AND SOUNDS!: