Is it now a *thing*? Do we have to accept that we now live in an era in which every time the mercury tips past 30 degrees a significant portion of the population decide that the only possible response is to do a race riot?
Yes, it’s been another great (not great, fcuking terrible) week in this year’s popular TV series “The UK Decides To Bring Back All The Horrible Racism of the 70s and 80s, But Now More Mainstream and With Powerful Incentive Structures and Reward Systems!”, and once again we’re left contending with the fact that, however often Sir Keir might stand at the podium and say that “this is not who we are” it does, in fact, appear that this is very much who we are these days and we are not ashamed.
I have been away for two weeks, I have a bumper collection of links for you, and I am so sleep deprived right now that I am actually seeing double – distract yourself from All Of The Misery And Horror with some nourishing URLs and the vague sense that if you click them all in some sort of weird OCD ritual everything might just be ok (I mean, who knows? You might as well try).
I am still Matt, this is still Web Curios, and you might be reading this because you heard me do a talk yesterday and I just want to tell you right now that you can stop here, I will never know and your life will be immeasurably better for it.

By Roger Haus
WHY NOT EASE INTO THIS WEEK’S LINKS WITH THIS TWO HOUR APHEX TWIN SET FROM A FEW YEARS BACK?
THE SECTION WHICH DOESN’T THINK IT SHOULD BE POSSIBLE FOR A BRITISH POLITICIAN TO EARN MONEY FROM ELON MUSK FOR BEING A RACIST PIECE OF SH1T AND YET HERE WE ARE, PT.1:
- Arena Hypernormalisation: I did a talk yesterday about ‘Why Everything Online Is Weird Now’ (it was fine, I think, thanks for asking, although – ASTONISHINGLY – after 25 minutes of me talking very fast and swearing at my audience literally not one person was motivated to come and offer me any extremely-lucrative gigs, the fcukers), but in retrospect I could have saved myself the whole 30 minutes of prep time and just put this on a screen instead, it is BEAUTIFUL and PERFECT and also the most incredible illustration of the extent to which Adam Curtis’ work is a triumph of editing, vibes and framing. Arena Hypernormalisation is a really smart little use of the Are.na API (Are.na, you will doubtless be aware, is the sort of scrapbook-ish platform beloved of a certain type of digital design/creative type person), which pulls images and text from various bits of the site and puts them into a slideshow with music over the top…just like an Adam Curtis doc! Seriously, you need to experience this to appreciate how perfectly it works – the juxtapositions here are almost uncannily-good, as though they’re being directed (no idea what, if any, filtering/matching is going on behind the scenes), and the whole effect is just perfectly redolent of everything being colossal and jagged and mad and dizzying and terrifying and awful and TOO FAST AND TOO MUCH and and and. Click the link, click ‘Go’ and prepare to be slightly hypnotised by the Horrors Of Late Capitalism – GOD IT IS NICE TO BE BACK WITH THE COMFORTING LINKS, EH??
- The AI Piecework Future: Now that we’re into the sixth month of 2026, careening towards the fourth anniversary of the DAWNING OF THE AI AGE (aka the launch of chatgpt way back in 2022), how are we feeling about the whole ‘likelihood of complete professional collapse’ thing? Should you be experiencing some light terrors about the likelihood of your career extending much beyond Christmas, you might find some small crumb of comfort in the fact that it’s now possible to earn pennies – yes, that’s right, literal PENNIES! – providing data to the theoretical next generation of AIs. The link here takes you to a platform called Kled, which markets itself to model owners as a place for them to get fresh, new, bespoke training data to feed The Machine, but which markets itself to us meatsacks as an EXCITING EARNING OPPORTUNITY! Would you like to spend a few hours filming your point of view as you undertake a series of simple, repetitious tasks like, I don’t know, filling a kettle or emptying a dishwasher? Would you like the opportunity to be paid ACTUAL CASHMONEY (ok, fine, vanishingly small amounts, but still) for said tasks? OH GOOD! I can’t stress enough quite how existentially-troubling I felt this – is this what it’s going to come to? Endlessly washing the same pan with a phone strapped to my forehead in an attempt to earn enough money to afford this month’s clean water? Anyway, this is either some sort of dystopian precursor horror moment or a sign of quite how much silly money is floating around the market at the moment for anything AI-ish – see also this company in NYC, which is offering to clean people’s apartments for free in exchange for said cleaning process being filmed and used to train future domestic robotic companions (presumably) – so what if your whole flat is mapped and detailed and ingested by The Machine? What’s the worst that could happen? You will, sadly, only be able to participate in this Exciting Machine Training Earning Opportunity if you’re in the US at the moment, I think, but it’s only a matter of time before this is the new ‘I’m going to do some shifts on Uber’ sidehustle imho – there’s a decent longread on this here should you wish to find out more about exactly how unlucrative this stuff is and how…bleak it all feels.
- All Of Bluesky At Once: Is it dying? Oh, who cares ffs, there is nothing more tedious than social platforms debating their own health. HYPOCHONDRIA IS DULL. Ignore existential questions around What Will Become Of Social Media and instead immerse yourself in the full glory of the Bluesky firehose, presented as a sort of inbox-analogue – this is a genuinely terrible way to consume the feed, but does have that pleasingly-anaesthetising feeling of just letting the posts wash past you, the weirdly-comforting sense of low-level conversational buzzing and NOT BEING ALONE IN THE WORLD which is oddly-reminiscent of early socials. Also, this being Bluesky, it’s probably a very good way of getting unexpected eyefulls of furry erotica should you toggle the NSFW switch, so win/win really.
- The Map of Metal: Are YOU a fan of metal (the music, not the conductive material)? OH GOOD! This is a very cool piece of design, presenting the history of music’s least-cool (sorry, but you know it’s true) genre as a…er…map (you guessed that from the title, didn’t you?), taking you from metal’s origins in the 60s all the way to the present day, with curated YouTube playlists for each subgenre, taking you through speed metal, black metal, death metal, viking metal, trance metal and a frankly exhausting range of other minor variations on the ‘people play guitar loudly and shout at you about vaguely-mythologically-themed stuff’ theme – it’s even designed in a way vaguely-reminiscent of the general denim’n’sweat aesthetic. This feels like it’s about 12 years old, so fcuk knows how I have failed to find it until now – only three links in and I feel like a failure, this is going to be a LONG MORNING.
- Spinning YouTube Videos: Plug in the url of any YouTube video you like and watch as it spins at an RPM of YOUR choosing! I just loaded this up and it made me feel VERY sick, if you want an indication of quite how well I am coping with the whole ‘waking up at 6am to write this fcuker’ thing this week (I will stop complaining now, I do it to myself, etc).
- Weather Rothkos: You might have seen this – it’s been everywhere in the past week or so – but in case not (and even if you have tbh, remember I do this for me and never, ever you) then please enjoy this clever little site which takes live weather data for wherever you are in the world and uses it to pull a meteorologically-appropriate Rothko from the artists’ archive, showing you one of his pictures that best matches the general weather vibe outside your window. This is SUCH a nice use of live data and archive material, and there’s a nice, larger-scale variant build of this using, I don’t know, the full archive of the National Gallery, which I would very much enjoy seeing. Should you be curious as to which Rothko best connotes the London sky as of 728am on 5 June 2026, it is THIS ONE.
- Murrell’s: A LITTLE BIT OF SATIRE! I very much enjoyed this site, made by Rory Flint (who you may recall made the Guardian Blind Date dataviz site a few months back), which takes all of the STUFF bought by Peter Murrell with the money he nicked (you know who I’m talking about, the former SNP Chief Exec who embezzled a bunch of money and used to buy a collection of amusingly-mundane tat) and displays it as a faux-Amazon style shopfront. This is, oddly, a really effective way of communicating the scale of the fraud, but the thing I love most is the sheer MUNDANITY of it all – passionfruit shower gel! Some of those perspex containers into which people inexplicably decant cereal (WHY??? IT COMES IN A PERFECTLY GOOD BOX ALREADY FFS!)! A surprising and, honestly, wholly-unnecessary volume of Dyson products! FOUNTAIN PENS!!!! Beautiful work.
- Wikigraph: Not the first ‘hey look! Here’s wikipedia presented as a bunch of nodes so you can get a vague idea of how concepts interrelate and cluster and link across the whole of the site!’ thing I have featured in here over the years, but this is a nice riff on the general genre and I particularly appreciate the way in which you can plug in any two entries you like and see exactly how you can leap from one to the other in a sort of conceptual hopscotch (yes, that’s right, CONCEPTUAL HOPSCOTCH, it’s a perfectly-reasonable term, stop looking at me like that).
- The Wall: I’m always a sucker for massively-multiplayer collaborative online drawing projects, and even moreso when they result in a) genuinely-impressive artworks; and b) no nazis at all, so congratulations to the community behind this site (which is officially called ‘Filian Is Lost’ and which appears to be part of some much wider lore project around a Vtuber called Filian who has ‘gone missing’ and, look, I have no fcuking idea and life is honestly too short, but there’s a BIG META THING going on here under the surface which you might find it interesting to dig into). This has only been going for a few days, I think, and yet the several hundred people who’ve participated have turned it into an anime graffiti wall demonstrating impressive degrees of pixelart skill and collaboration – it’s all very uwu, which isn’t my personal vibe, but I can’t help but applaud at the craft here. If anyone knows what the fcuk the whole Filian thing is about btw, please do feel free to tell me.
- Far Out Company: Per the blurb here, “Far Out Company is dedicated to unearthing the work of under-appreciated artists of the 1960s and ‘70s counterculture” – what that means in practice is a growing, searchable archive of old footage of hippy culture, so lots of Big Sur and Esalen and the general sense lurking just below the surface (or at least to me) that all of this was one bad trip from descending into something very, very bad indeed (remember, kids – lol, kids, you’re all fcuking old like me – that if you scratch a hippy hard enough a lot of the time you’ll find a fascist just under the surface!). I’m not sure why I get such catastrophically bad vibes from this stuff – I think it might have something to do with a subconscious association between this sort of film stock/grading and really unpleasant horror films (it’s all very Cannibal Holocaust), but I find absolutely everything in here VERY UNSETTLING.
- Indiecon: “Indiecon is a joint effort of independent magazine, book, art print, zine, newsletter, podcast and website publishers from all over the world. The three-day publishing festival is based at Hamburg’s Oberhafen, a former freight yard now creative quarter right in the city centre” – the page I’ve linked to takes you to the list of the winners of travel grants to the festival, which also doubles up as a SUPERB archive of new and interesting magazines from around the world, with links to their Instagrams and websites. If you have any interest in What Independent Magazines Look Like In 2026 then this is a superb resource – as it is if you’re looking for things to read, or places to pitch your own writing. This makes me very very happy, and I continue to be broadly bullish about ‘magazines’ as a thing for the next few years (this is almost certainly a kiss of death, so apologies to all of the publishing initiatives I have just doomed with that endorsement).
- Birds Heard Recently: Ooh, this is a cute idea – a(n I think vibecoded) site which takes audio data from…wherever it’s based, analyses it for birdsong, and then presents a visual overview of all the birds that have been identified in the past hour, or week, or during the duration of the project. Simple, but a really nice idea – I have no fcuking clue where this is based (I think North America, but can’t be sure) or who made it, but, er, THANKS, ANONYMOUS AVIAN ENTHUSIAST!
- The Last Museum: *Slightly* better in theory than in practice, this site is basically intended to function as a universal search engine for artworks in museum archives – as the site explains, “The Last Museum is the largest search engine for museum art. It uses semantic search, allowing you to search for artworks by theme, style, subject, vibes, or any description you can imagine. We currently have around 5 million artworks indexed, and strive to eventually index all museum art in the world.” It doesn’t work AMAZINGLY – the search isn’t quite as effective as the description makes it sound – but it’s a hell of a way of falling into a 15 minute art rabbithole.
- Outcry: This is an interesting idea – Outcry is an LLM designed specifically and explicitly to help activists plan campaigns, with the additional plus that it can be run locally and as such is theoretically more secure should said activism potentially involve activities which might be lightly-sanctioned by law. It’s creator is apparently someone who was involved with Occupy back in the day, which may or may not fill you with confidence based on the long-term success of that movement in engendering anything resembling meaningful change, so its bona fides seem reasonable, and while I don’t currently have any activism on the go (lol, of course I don’t, we’re all going to die, who cares?) and so haven’t had the opportunity to kick the tires on this, I think their mission statement feels…good? See what you think: “We are creating a Superintelligent Activist AI devoted to furthering social protest, mass mobilization, and the acceleration of collective power. The task is urgent and singularly focused: harness the radical potential of AI to create mass mobilizations that solve the greatest challenges—not by perpetuating stale protest scripts, but by reimagining the mechanisms of activism, movement-building, and social transformation.”
- Curated Festivals: Are you planning on gurning in a field somewhere this summer? Want a helpful site that can assist in determining exactly where you might want to do that? OH GOOD! Curated Festivals contains details of 125 European festivals which you can filter by genre, location, date and the like (although annoyingly not by artist, which is a shame imho) to find the one that is perfect for YOU. I am personally astonished that there appear to be a dozen or so psytrance festivals taking place this year, but I am happy for all the white people with dreadlocks out there.
- Roost: Are…are birds having a MOMENT? I appreciate that that is an entirely ridiculous thing to type, but, also, I swear I am seeing a LOT of bird-themed stuff around at the moment…am I going mad? Anyway, this is another datapoint for my HOT BIRD SUMMER thesis, and an app which I really wanted to like more than I do. The gimmick is fun – a messenger app which rather than sending your communications immediately instead lets you send them via simulated carrier post, selecting from a range of different birds, which fly at different speeds, to deliver your missive to its recipient; SLOW COMMUNICATION FOR OUR HYPERSPEED AGEzzzzzzzzzzzzzz. Except, obviously, this only works if you know other people on the app – otherwise there’s a slightly-clunky ‘penpal’ matching mechanic to pair you with people to correspond with, which, I don’t know, makes me think this is just going to end up being coopted by men attempting to…flirt…very…slowly, although perhaps I am being very unfair. Anyway, if YOU would like to correspond at glacial pace with a stranger from anywhere in the world via the medium of simulated pigeon post, then, well, HAVE FUN!
- The Afro Index: I featured something similar to this during covid, a database of afro hairstyles for game developers and coders, to help improve representations of non-white hairstyles in gaming (this one, in fact); this is a different project but with largely-similar aims. “As a Black illustrator and digital designer with a degree in Applied Computer Science, I work closely with character design and digital systems. In both spaces, I kept encountering the same problem: Black hairstyles were often miscategorized, lacked angles, or reduced to the same few repeated references. Afro Index is an attempt to build a structured, culturally informed reference system: one that reflects the real range, technique, and identity behind Black hair. It’s both a design project and an evolving archive, focused on improving representation through better tools. No longer will creatives have to suffer through the “Killmonger locs” era.”
- The Baguette Index: Every nation gets the data projects it needs, and so it is that some French person has vibecoded this site which maps the price of baguettes across the country so you can see exactly how much you’re being fleeced in Paris. I can’t get over the fact that you can still apparently buy an actual baguette from an actual bakery for less than a Euro – WHY THE FCUK DOES IT COST ME FOUR FCUKING QUID AT THE MARKET THEN YOU FLEECING CNUTS? That may well be the most privileged, London middle-class thing I have EVER written here, so well done me.
- Yeet Dating: Another attempt to UNFCUK DATING – I am very much not the target market for this, but Yeet markets itself as an ‘AI Dating App’ and…look, maybe I am getting old, but can anyone look at this and tell me what the fcuk the gimmick is here? Because, honestly, the site is NONSENSICAL – what does ‘No ghosting & swiping, Just real-time vibe check’ mean?! As far as I can tell the AI agent will bring matches to you rather than requiring a swipe, and this will apparently…ensure that you don’t get ghosted? HOW? I think, based on screenshots, that the weird little bot thing will also prod you to keep the chat going with someone who you’ve neglected to reply to, which, honestly, sounds like a passive-aggressive nightmare, but if you feel like you’ve fetted your way to the bottom of Feeld then maybe this might hold some appeal (but the language very much suggests that it’s aimed at people in their 20s, so, er, presuming you’re of a more traditional Web Curios vintage then maybe just leave the kids to it, eh?).
- London’s Water Fountains: So it’s currently very grey outside my window and…not that warm, but it was only a few days ago that we were all sweating ourselves 3kg thinner and thinking we were going to die of hot, and it’s probable we’re going to have at least another couple of spells of Unpleasant, Miserable Heat before the Sad Times kick back in again, so why not bookmark this map of all of London’s civic water fountains so you need never have to buy bottled water ever again? Obviously this is only of use to Londoners or people visiting, but, let’s be honest, noone else counts. BONUS LONDON HEAT LINK! A site which helps you find places in the city with aircon (Americans will be appalled to know that this is not necessarily standard), which, again, BOOKMARK IT, future you will thank you.
- Roundabout Dogs: Apparently ‘crudely-made wooden dogs on roundabouts’ is a THING in Sweden – this site lets you purchase your very own crudely-made wooden dog so you too can join in this fine Scandi tradition. The dogs are made from reclaimed materials, and the monies raised go to charity, and I for one would quite like to see these all over the place. Can we make this the summer of roundabout dogs as opposed to fcuking St George’s Crosses? Eh? Oh, fine, please yourselves.
- Mouchette Music: Mouchette, featured in Curios years ago, is a longtime webart superstar – this is a little project on their website which…oh, here, read this: “You have always known me as a web superstar, but now you will discover me as a pop singer. I made music and I composed these 7 songs for you. They have no words, no title, but I am sure you will understand their meaning. As tiny as they are, each of them is a complete song, a whole piece of interactive music which you can also see and touch. Their interaction is not so much in the mouse clicks than in your own reactions. The last of these 7 songs will be my very last song. You may recall it, play it again, but it will link you nowhere. Its lack of interaction will leave you alone with your own reactions.” This made me feel VERY UNCOMFORTABLE; your mileage will vary, but I enjoyed it a lot while also feeling…quite grubby while participating. I won’t explain why, you can find out for yourselves – but, er, you probably don’t want anyone else to be able to hear the audio while you’re doing this.
- The Anti-Bongo Deterrent System: I am, of course, certain that each and every one of you has a relationship with bongo which could only be described as ‘healthy’ and ‘in no way obsessional’, and wouldn’t for a SECOND think that any of you might be afflicted with the sort of obsessive, compulsive desire to spend every waking moment of your life masturbating to juddering, convulsive climax that derails your entire life…but, y’know, maybe you know someone with that sort of problem. If so, they might welcome this wonderful bit of code which promises to CALL YOU UP AND SHAME YOU every time you attempt to visit a scud site. “Swan is a browser extension that helps you break out of the porn addiction cycle by calling you at the moment of urge. It is built for people who want a transparent recovery-support tool they can inspect, install, and connect to their own provider accounts. What Swan Does: Monitors browser navigation for configured NSFW domains; Starts a phone call when a tracked domain is opened; Redirects the browser to an intervention page.” I unironically love this – the only way it could possibly be better is if it let you LLM clone a version of your mum’s voice to shout at you down the line.

THE SECTION WHICH DOESN’T THINK IT SHOULD BE POSSIBLE FOR A BRITISH POLITICIAN TO EARN MONEY FROM ELON MUSK FOR BEING A RACIST PIECE OF SH1T AND YET HERE WE ARE, PT.2:
- Mega Browser Rave: Honestly, when I found this site this week I had a momentary pang of…almost nostalgia for covid (not for the killer virus, to be clear, but to that specific moment in digital culture during which the idea of creating shared digital experiences to replace the ones we couldn’t have because of the global airborne death pandemic), and all those attempts to replicate clubs in a time when the clubs were all shut. Except it turns out that most of the clubs haven’t reopened, a whole swathe of people seems to have forgotten how to have fun or exist in public space in general, and so perhaps it’s not too much of a surprise to find that someone’s attempted to recreate the concept of NIGHTCLUB BUT MAKE IT METAVERSAL that characterised so many projects c.2021-2. The DJ sets are pulled from a curated YouTube playlist, you can ‘dance’ your little avatar around in the virtual club, you can talk to other dancers, and, in general, it’s quite a cute place to spend 5 minutes enjoying a moment of connection with strangers – it’s also, fundamentally, still not actually that fun to pretend to dance with a little Roblox-esque avatar, if I’m honest, and the whole thing caused my laptop to practically take off with exertion, so I can’t say that I am minded to try it again, but it’s a nice idea and a nicely-made variation on the theme.
- Inga Rose: It’s been a while since I checked in on the state of AI-generated music, but this week I stumbled across Inga Rose, a nonexistent, AI-generated singer (the lyrics, per the ‘artist bio’, are human-written, but the songs are all spun up by one or more musicgenAIs) whose whole vibe is ‘strong, independent black woman’ and whose most-listened-to song has 6.2million streams – take a listen, see what you think. Leaving aside questions of who, exactly, is the person behind this (because you really hope it is a black person, because otherwise it starts to feel even ickier), what I thought was interesting about this is the extent to which the most popular track shares a lot of musical DNA with the other breakout AI song from last year, that country and western-ish number (you remember, this one) – there’s a similar pace to it, there’s a similar cadence to the way the lyrics are delivered, and I wonder whether this is a sweet spot for the current iteration of the musical Machine, this slow-ish, vaguely-ploddy, BIG SWELLING VERSES AND CHORUS vibe…anyway, listening to Inga Rose made me feel…I mean, on the one hand it made me feel nothing whatsoever, but there was also a creeping sense of ickiness at the uncanniness of the whole thing, and also the number of comments under the vid talking about how empowering it was and how it had helped listeners come to terms with HARD LIFE FACTS and…Christ, I can’t tell you much I fcuking hate the fact that it is IMPOSSIBLE to know whether anything is real anymore. Real people commenting? Bots? Both? WHO FCUKING KNOWS???? BONUS AI MUSIC WEIRDNESS!: this, by way of contrast, is, er, viking-themed AI ‘rapper’ Ravnlore (I mean, lol) whose output is PROLIFIC and whose songs are some of the worst things I have ever heard (NB – I don’t think that this is a nazi or fascist thing, although it’s always a bit hard to tell with anything that leans hard into this sort of aesthetic).
- Sayso: How do you like your news? I mean, increasingly the answer is ‘I don’t, it’s all fcuking horrible, why must it keep happening at me?’, but should the answer to that question in fact be ‘delivered to me by anonymous people off social media who may or may not know what the fcuk they are talking about but with whom I am developing a slightly-weird parasocial relationship’ then OH BOY do I have the app for you! Sayso is “a news content app designed for your growth. We curate real stories from vetted creators, delivered daily in a format that’s easy to absorb and impossible to doom scroll. Follow the voices you trust, explore the topics you care about, and walk away better informed.” Exactly what this means in practice is entirely-unclear (the app is pre-release at the moment), but i am SO curious as to how they are going to source the creators, how they will be ‘vetted’ and by whom, how the fcuk this thing thinks it’s going to monetise…I can’t imagine you will EVER hear of this again, but there’s something interesting in the idea of leaning into ‘news filtered through influencers’ as an idea – not ‘good’ interesting, to be clear, but ‘interesting’.
- Uproot Excavator: A YouTube channel which shows nothing but footage of tree stumps being pulled up by large-scale mechanical equipment. Why? WHY THE FCUK NOT! I just realised that there will be at least one regular viewer of this channel for whom these videos constitute an almost perfectly-erotic experience because, well, there will be, won’t there?, and I can’t tell you how momentarily happy that has made me.
- InkField: Ooh, this is lovely, or at least it would be were I not so artistically-disinclined. This little browser toy basically replicates the action of painting with ink brushes in that specific, Japanese style (you will know what I mean when you try it, promise) – there are a bunch of different modifiers you can apply which change the way in which the ink behaves on the canvas, meaning you can do a reasonable job of aping calligraphy styles and the particular aesthetic of wet ink drying on paper…honestly, I think you could create something beautiful with this given a bit of time, practice and patience.
- A Really Good Typing Tutor: Yes, ok, it’s not exciting or sexy or FUN (unless you have a very niche and specific definition of the word), but I firmly believe that everyone’s life is improved by being able to touch-type and this is a simple and lightweight tool to help you get better at it.
- MUDA: MUDA is a museum of digital art in Zurich, which I know literally nothing about but whose website I fcuking ADORE, exclusively because of the way in which its menu system works – click the link and MARVEL AT THE BEAUTY of the floating menu button which gently glides down the page with you as you scroll. It’s a very small, entirely-cosmetic and wholly-pointless design flourish which is so, so pleasing to the eye. Honestly, you will do a small ‘ooh’ of pleasure, guaranteed (and if you don’t, honestly, what is WRONG WITH YOU?).
- The Landing Films: A collection of short films by Ben Templeton, who wrote to me to tell me about his new series of “short documentaries going behind the scenes at land-based businesses and communities. Five projects, five episodes, 12 minutes each and one big question: what can a wonky world learn from the businesses bringing us back to the land?” Ben explains, “my motivation was a few fold – to add energy to a movement I believe we need more of in the face of rising inequality / loneliness / social division / mean dumbf*ckery everywhere; as a personal learning journey (you’ll see in Ep 2 I’m a hippy kid with visions of a land-based educational-cum-storytelling project) and ultimately to build a platform to tell more land-based stories as the world around us collapses.” This is, in general, not really My Sort Of Thing (I don’t really do videos, I am not a nature person and I have no hope whatsoever), but I watched a few of these and found them significantly more interesting than I thought I would – there are some interesting projects being profiled (although the collective of posh kids playing farmer in the last episode made me…quite stabby), and there’s something very appealing about Ben’s curiosity and interest which make them an enjoyable watch. Worth a look for those of you who occasionally dream of GOING BACK TO THE LAND.
- The Vampire Lottery Survival Simulator: Nick Drage and Matt Ballantine have written a book, called Random, which is all about “how randomness and uncertainty benefit our lives and suggest strategies for making the best use of randomness and managing those situations where uncertainty is unavoidable.” As a small promo for it, they’ve made this very silly visualisation of How Probability Works – per the explanation, “You have just awakened to eternal life — but eternal life without wealth is no life at all. A vampire of your calibre deserves a castle in the Scottish Highlands, a fleet of blacked-out limousines, bespoke coffins lined with the finest silk, and an endless supply of… refreshments. The lifestyle befitting the undead does not come cheap. Your mortal savings won’t last a century, let alone eternity. There is only one solution: win the lottery jackpot. With immortality on your side, you have all the time in the world — literally. You will play the UK National Lottery and EuroMillions every single draw until you finally hit the jackpot and claim the fortune a vampire truly deserves.” If you ever needed a way of neatly demonstrating that playing the lottery is a mug’s game – EVEN FOR AN IMMORTAL BEING FFS – this is very much it.
- Missed You: Missed connections pages have been a staple of local papers for an age now, but there’s still something slightly-beautiful about the romance implicit in strangers pursuing a fleeting connection in the hope of something more. This site is a collection of missed connections bulletin boards for various cities across the US – unless you live in New York, LA, SF or one of the other featured locations it will be practically useless to you, but I have to confess to losing a good ten minutes going through the posted entries because it turns out I am a sucker for this sort of vaguely-romantic thing which, ngl, feels…troublingly-off-brand for me, perhaps I am getting ill. Also, some of these are POETRY – I particularly liked this closing line, speculating as to whether the intended subject had in fact clocked the writer, and wondering “maybe it was my hair, which is rather confusing. describe it to me so i know it’s you.” CONFUSING HAIR! Amazing.
- Searchable Attenborough: An INCREDIBLE project by Sophie Warnes, via Giuseppe, who has done God’s work in creating a searchable database of everything David Attenborough has ever done, EVER (or at least, everything in the field of televised nature documentary), meaning you can now, should you wish, find every single instance of Sir David, I don’t know, purring appreciatively over the majesty of the poison dart frog. “Sir David Attenborough just turned 100. In recognition of his brilliant career and life, here’s everything he’s ever worked on, in one place.Nearly 5,000 episodes across 90 series — from Zoo Quest in 1954 to Secret Garden in 2026. Search by animal, habitat, location, natural phenomenon, or theme to find exactly the episode you’re looking for.” Seriously, if you’re a nature fan or Attenborough fanatic this is all your Christmases at once.
- Parallel Cities: Have you ever wanted a tool that lets you quickly and easily see which cities exist along the same parallel? No, of course you haven’t, what the fcuk could you possible need that for? And yet, someone has seen fit to make it, so it now behooves you to work out a reason for it to exist. No, sorry, you do, I don’t make the rules (I do, in this specific instance).
- The Sound of Ocean Heat Energy: Ooh, I do like a sonification project and this is very much one of those. “This is a data sonification (a presentation of data as sound) of the world’s ocean heat content from 1970 to 2025. It represents the energy absorbed from heat by playing denser chords (with pitches drawn from an 11-limit tonality diamond) when the energy quantity is higher.” OK, it’s fair to say that this is unlikely to fill any dancefloors, but I have had it on in the background as I’ve been typing this section and there’s something undeniably quite cool about the ambient, threatening drone produced by the sound of us slowly boiling all the fish alive.
- The FiveThirtyEight Index: Do you remember that brief period of time when Nate Silver was considered GOD by a certain swathe of politically-interested wonks? Wow, you really fcuked that up, didn’t you Nate? Anyway, hark back to the days before he’d comprehensively embarrassed himself with this archive of all the old FiveThirtyEight materials from before they were killed by Disney earlier this year (two things – why the fuck did The Mouse buy a political datawonkery platform/community? And why must big media keep doing stuff like this? Yes, I know the answer in both cases is ‘capitalism, you fcuking moron’, but still) – you can “explore 38,593 articles, datasets, podcasts, graphics and illustrations”, so, well, go on then.
- Tin Toy Robots: Do YOU like toy robots made out of tin, particularly those from Japan? OH GOOD! “This section will be a perpetual work in progress, where I’ll attempt to document history and anecdotes of some well-known tin toy robots from Japan. I hope to evolve it into a resource for folks looking to learn more about their legacy and variety. Also, I plan to eventually add some sorting and filtering UI to this page as the list grows. I’m by no means an authority on tin robots, I’m just a fan of the art form – and compiling information from whatever sources I can dig up: books, message boards, videos, etc. That said, I want the information to be accurate, so I’ll do my part to keep it updated along the way as I learn.” There is something very charming to me about the admission of dilettantism here, and the toy robots are VERY CUTE. Also, click the link and tell me you don’t covet a Space Elephant.
- Mama Magazine: FCUKING HELL this is…I don’t really know how to explain or describe this, you sort of just need to click the link and read it, but let me give you a flavour of the ‘about’ text which I think will explain most of what you need to know: “WE LIVE IN AN ADULT DAYCARE WORLD. You know it. I know it. Everyone’s known it for years. You sit in the fluorescent bleakness of it, nodding along, waiting for a cataclysm to set you free. But the cataclym never comes. THIS IS REALITY AND NOBODY IS DESCRIBING IT. Traditional men’s magazines politely pivoted and became women’s magazines. Meanwhile podcaster chuds pump multilevel marketing schemes. Everyone’s selling scams or anal sex. There’s no voice for men who aren’t gay or retarded. Like actually retarded.” Yes, that’s right, it’s THAT sort of register, very much a 2026 US vibe that’s beginning to creep over here too (if you speak to guys in their 20s you will hear quite a lot of them beginning to sound a bit like this, in my recent experience), almost like the past 22 years have never happened and Tucker Max is still a NEW PUBLISHING SENSATION and The Game is just a bit of fun…I actually read a piece from this this morning and fcuking hell it was bad – not just vile tonally, to be clear, but really fcuking badly written, like some sort of parody of mid-00s sleaze resurrected in zombie MAGAfashion, like a very particular strain of anonymised sex blogs that I remember from the early-00s…to be clear, this is a horrid website featuring bad writing by cnuts, but I think it’s worth a look as a cultural artefact and a slight warning about Where Things Are At Right Now, Culturally And Socially And Politically-Speaking.
- Plano: Oh this is FUN and very cool – I am 100% not the right audience for it, what with being about as creative as mince, but if you’re someone with IDEAS and THE NEED TO MAKE THINGS then you could find a lot to love in this small tool built on Itch.io. Per the very minimal blurb, “plano is a tool for making small digital collage games. place photos, gifs, and text to create a little world for a character to walk around in!”; I think you can use this to make games and small pieces of interactive fiction, but also, I think, with a bit of imagination it’s probably very flexible and could be used for a bunch of other things too should you so desire. Definitely worth a play, particularly if you’re the sort of person who previously enjoyed V Buckenham’s ‘Downpour’ tool.
- Play It By Trust: How well do you know the first level of Super Mario Bros.? Do you know it well enough to complete it blind? FCUKING PROVE IT THEN. This is an excellent little bit of artgamewank by Curios favoutite Pippin Barr – it’s the whole of Mario’s first level, but the whole screen is just blue and you can’t see anything at all (you can, though, hear the music and SFX). If you can complete this, you are both an incredible and special human being and, simultaneously, someone who has wasted their life.
- Headlines: Can you guess the year from the news headlines? I, mostly, couldn’t, turns out, but maybe you’re less sh1t at history than me.
- 82-0: This is only going to be of interest to you if you have a deep and encyclopaedic knowledge of the NBA and its history – if that’s you, then this will be CATNIP. You basically just have to pick a team from the entire history of the NBA – every player, every year, every team at your disposal – with the goal of selecting a group of players whose stats, if combined, would guarantee an 82-0 winning season. The game itself, honestly, isn’t that interesting – what struck me is that this is an entirely vibecoded project which means that you can expect this EXACT mechanic to be replicated for the Premier League within days.
- FoodGuessr: Can you guess which country each foodstuff is from, based on a photo of it and a list of its ingredients? WELL CAN YOU????
- Wordslop: I enjoyed this much more than I was expecting to – type, discover categories of things, fill up the categories with more things, win POINTS! Yes, OK, that was a truly-appalling description, sorry, but I promise this will make sense when you click and start fcuking around with it.
- Eyeball: Another project by Rory Flint, this is a simple yet FIENDISHLY-addictive game where you have to find the click the right point on a horizontal line based on the where exactly you think a number sits along it. WHAT DO YOU MEAN THAT DOESN’T MAKE ANY SENSE EITHER? Ffs.
- Are You Washed In The Blood Of The Lamb?: A very creepy, very visually-effective little short interactive story – this is…quite horrible, honestly, but in the very best way. Takes about 15 minutes – ideally play this in the dark with the volume up.
- I See A Butterfly: I think this is SUCH a clever little bit of storytelling – again, this is sinister and a little bit unpleasant, but I thought the way it did the slow reveal was very impressive. “I See a Butterfly is a short psychological horror experience where you interpret a series of shifting inkblots, unraveling a story about obsession, anger, and something buried beneath the ink.” Enjoy (again, ideally, in the dark).
- Step’n’Smush: Have you ever thought “what if the original, top-down GTA games but instead of being a crime simulator you are instead playing the role of a giant being who for reasons never really explained has to destroy all the buildings in a city and who, again, for REASONS, can choose to deploy a special attack which sees you level entire blocks by sitting on them, leaving not-inconsiderable arseprints on the terrain”? If so, congratulations on having a far-weirder subconscious than I do, but also you will fcuking LOVE this.

OUR LAST MIX OF THE WEEK IS THIS SELECTION OF SYNTHY80SISHHOUSE-TYPETUNES, MIXED BY VIRAGE!
THE CIRCUS OF TUMBLRS!
- Super Chart Island: Not in fact a Tumblr! Still, I fcuking love this project and you will too (if you are someone who grew up in England in the 80s and 90s and has a fondness for the computer games of the era as part of the slow nostalgiacreep that will eventually consume you as modernity becomes too confusing and horrid) – Super Chart Island is a project looking back at the games sales charts of the era, and writing about the games that topped them. “Piecing together a list of chart-topping games is a mission in itself. Doing so can tell a story about what games people were actually buying and playing in the UK, rather than what has made it into the popular memory, and about the UK public’s evolving relationship with games. That’s why I’m playing and writing about every game to have been #1 in the UK’s games sales charts, from 1983 to the present day.” This is SUCH an interesting cultural history project, and a wonderful reminder of how fcuking terrible videogames mostly used to be in the 80s (seriously, they were awful, retrofetishism is a cancer).
- Context-Free Judge Judy: An actual, honest-to-goodness REAL TUMBLR, just like it’s 2011 all over again! Maintained by writer Christina Martin, this is an oldschool, does what it says on the tin collection of moderately-wtfish screencaps from Judge Judy – I had no idea that the producers were such big fans of creative aliases, honestly.
THE TROUGH OF (INSTA) FEEDS!
- Fontanesi: It feels like an age since I last featured a good, honest ‘weird aesthetic’ account – this, the Insta feed of an artist calling themselves Fontanesi whose schtick, as far as I can tell, is artfully-composed cut-and-shunts of two disparate images into an oddly-unsettling new whole. These are lovely, not least because the weirdness often only becomes apparent after you’ve spent a second or two parsing the image.
- Semi-Detached Reality: A feed collecting the batsh1t interiors of properties for sale with online estate agents. These are all nicked from various places – I don’t quite believe they are original finds – but if you want a semi-regular dose of carousel posts of troubling interior design then OH GOOD IT’S YOUR LUCKY DAY.
LONG THINGS THAT ARE LONG!
- Southampton and the Creator Economy: I am going to kick off this section by doing something vaguely-icky for which I apologise up front – this is, er, a link by ME. That said, it feels just about borderline OK because I haven’t seen anyone else making the point that I am doing in this piece, specifically that the culture around streaming, social media and the ‘creator economy’ has created a whole new different series of incentives and behavioural drivers when it comes to ‘protests’ (riots!), and how it doesn’t really feel like anyone has quite gotten to grips to which the extent to which CONTENT and the creation (and, if you get lucky, monetisation) thereof is making practical differences to the way in which people behave on those warm summer’s nights when the only possible thing to do is to lob rocks at the police because you’ve decided that being white is TOO HARD. I don’t really want to include anything else about this week’s events in Southampton here, in the main because it’s so fcuking depressing to see the racism in media dial get turned ever further towards the ‘actually quite reminiscent of the BNP’ and I honestly don’t know what can be done at this point because we’ve seemingly decided to accept fiction (two-tier policing and racism against white people my fcuking ar$e) as fact. As an aside, though, I was fcuking right about Great Yarmouth being a lot more significant than anyone seemed to realise last month.
- The Problem With Political Advertising: Semi-related, if you’ve been following the byelection campaign in Makersfield over the past few weeks – specifically the social media ads being deployed around the area by Reform and Restore in particular – you will have seen that there is some…quite unpleasant stuff being punted into the feeds of the 90k-odd voters in the area. “MASS DEPORTATIONS!”, scream the Reform ads, while Restore make coded (I mean, not particularly well-coded, but still) appeals to ‘patriots’ to join them…this is a submission to a Parliamentary inquiry by the Campaign to Reform Political Advertising, which does a neat job of summarising some of the reasons why political ads on social media really do need to have some attention paid to them because they’re currently entirely unregulated and this means that, for example, Faraga can run ads that literally say “people from the UK are being replaced by goatherds from Afghanistan” (this is an actual ad Reform was running last month), a statement which would almost certainly get your collar felt on ‘incitement to racial hatred’-type charges were you to utter it on telly but which, amazingly, you are entirely-entitled to pay a few hundred quid to fire into the faces over 100,000 people with total impunity. FEELS BAD, MAN.
- How Fcuked Universities Are: I have no personal connection with the University sector, but I know enough people who work proximate to it to have heard a few years of fairly-consistent warnings about how the whole thing might be about to fall apart – this piece in the LRB by Stefani Collini is a really comprehensive (and well-written, as per) rundown of the how and the why the sector is heading for some, er, very unpleasant and existentially-quite-hairy reckonings in the near future. This is…not exactly cheering, if I’m honest (don’t worry! There are funny essays later, I promise!), but it feels like an important and underreported/discussed set of facts which we could probably do with facing up to sooner rather than later.
- Gad Saad’s Terrible Book: Because I am in the unpleasant position of having to pay attention to what Elon Musk says (for Professional Reasons), I am sadly all too aware of the horrible apartheid toad’s obsessive veneration of ‘academic’ Gad Saad, whose perpetual insistence that ‘suicidal empathy’ is DESTROYING THE WEST has become a convenient smokescreen for the sort of funtime fascism that THAT RACIST FCUKING CNUT is spending increasing proportions of his time advocating for. This piece in Jacobin is an entirely-unsurprisingly but very, very funny destruction of Saad’s latest book – there’s a very pleasing glee in the author’s deconstruction of the emptiness of the book’s arguments that I very much enjoyed, although said enjoyment was tempered slightly by the thought that, well, it doesn’t fcuking matter if a leftwing magazine takes this down because Elon’s spraying this w4nk to hundreds of millions of people in his happy nazi echochamber on a daily basis.
- The Philanthropy Problem: LOOK I PROMISE WE WILL GET TO THE CHEERFUL STUFF SOON! Lol, jk, there *is* no cheerful stuff! This is an excellent – and, I promise, very readable – academic paper that looks at the ways in which philanthropy currently functions and the role it plays in entrenching specific, existing power structures with capitalism. I’m going to paste the whole abstract, because it’s a neat precis and it’s a lot clearer than my explanation would have been – honestly, though, this is a decent read, don’t be put off by the academese: “First, philanthropy enables capital accumulation both by creating new markets, and by consolidating elite class interests through the intergenerational transfer of wealth and philanthropic legacy. Second, it frames organic crises wrought by capital accumulation as problems amenable to technocratic solutions, diverting attention away from their root causes in exploitative accumulation itself, and defending capitalism. Third, it engineers ‘philanthropic fixes’ to crises that offer temporary ‘fixes’, while creating future assets and markets for capital accumulation, thus perpetuating the cycle. In the rise of contemporary authoritarianism across the globe, we begin to see elite philanthropy further supporting capitalism’s cyclical maintenance in new ways. Rather than simply working with the state, we conclude that philanthropy’s influence ultimately lies in its unique ability for ‘scale-making’, as it increasingly works on the state to secure elites’ class interests.”
- The Agentic Divide: Rina Chandran writes for Rest of World about the coming inevitable problem of model inequality, and the ways in which it could exacerbate existing socioeconomic divides between the developed and developing world, the rich and the poor; as is often the case, RoW takes an angle that I haven’t seen meaningfully considered elsewhere and develops it thoughtfully. Can’t wait for AI poverty to become another inequality vector! “Adoption of generative AI is growing worldwide, but there is a widening gap between wealthy nations and poorer nations. With agents, there is a risk of “sharper divides, because access to a base model is not the same as access to a reliable agent,” Matthew Sharp, a research affiliate at the Oxford Martin AI Governance Initiative, told Rest of World. “Every layer above the model including scaffolding, tool integration, security, workflow design, and supervision reintroduces skill and capital barriers,” he said. These inequalities will appear between countries, but also within wealthy countries, between firms, and between individuals. A well-resourced firm can integrate agents into its proprietary data, software systems, procurement processes, customer operations, and decision-making workflows. Similarly, a wealthy person can use premium agents to navigate legal systems, improve financial decisions, negotiate contracts, or access public services, Sharp said.”
- Selling A House With AI: I found this piece…somewhat distressing, honestly. Stuart A. Thompson writes in the NYT about his experience of selling his house using an AI agent rather than going through an estate agent (I am sorry, ‘realtor’ is a preposterous term) – it’s a fairly factual account of the process and how it worked and how it went (spoiler: it went fine, they sold the house, they got a reasonable price for it, the Agent didn’t fcuk anything up), but I couldn’t help but feel…discomfited by the tone at various points in the piece where the author basically says on a couple of occasions “It does rather feel like I am abandoning any sense of agency I might have had and allowing myself to simply be led by The Machine…but I suppose that’s fine!” and, honestly, I don’t think it is that fine actually, sorry. In particular this para, halfway though, struck me as…quite important, but, by the end, Thompson is happily set to outsource another big project to his Helpful AI Companion. We’re all fcuked, aren’t we? Can’t wait for the 2030s, the slack-jawed decade. “I had started this experiment thinking that the chatbot would create a superpowered version of myself — combining my own judgment with its vast knowledge. But once I started relying on A.I., witnessing its know-it-all competency with basically everything, my shortcomings started to feel enormous and even risky. I had thought I was elevating my own skills. In reality, I was replacing them.”
- The Text-To-Song Trend: People are, it turns out, feeding their ‘funny’ text conversations to music generators like Suno et al, to create comedy tracks to share on social media – which, honestly, I couldn’t personally care less about, but it’s an interesting example of an area in which AI ick doesn’t appear to apply – as the piece notes, we seem to have reached a point where using it for ‘fun’ purposes is probably normie-acceptable, but there’s a potential implication for other cultural products because EVERTHING IS THE ATTENTION ECONOMY: “Olivia Jones, an analyst at the music and entertainment research firm MiDia, sees an emerging new lane of “consumer creators” using full-song generation tools like Suno, separate from our traditional idea of musicians, artists, and producers. These consumer creators “may not ever intend to be professional music creators,” Jones says. “They’re playing around with these tools more as a way of expressing their creativity, as a hobby.” Suno’s Brody sees the hobbyists and musicians as coexisting. Using the video analogy, he argues that shortform video content creators and livestreamers haven’t done away with existing video, TV, and film jobs. “Hollywood blockbusters still exist,” he says, “National Geographic photographers [still] exist.” But as Jones sees it, even if these “consumer creators” don’t think of themselves as professional musicians, they’ll still end up competing with them. She mentions research indicating that people using AI voice and music tools “are often more likely to engage more with fan-created versions of an entertainment than the entertainment itself.” For example, Jones says, people might be “making songs about a TV show they like, then listening to other people’s songs and remixing them, and it becomes a cycle where they keep doing that even if they’re not watching the show anymore.””
- Clipping In Nigeria: Oritsejolomi Otomewo writes in Communique about how clipping (see Curios passim) is having the same sort of dominant effect on social media and culture in Nigeria as we’ve seen it have in the West; there’s an interesting wrinkle here about the tension between the people making the original videos and the clippers themselves, and who’s accruing the value, but the main takeaway here is, as repeated other pieces over the past few months have pointed out, that culture is being manufactured by these mechanisms and the idea of anything being ‘organic’ anymore feels weirdly distant in a way that I don’t think I’ve experienced before.
- The Nollywood Film Audio Archive: Sticking with Nigeria, this is a really interesting piece in The Quietus looking at how Nigeria’s prolific Nollywood film industry is struggling to maintain its soundtrack archives amongst deteriorating physical media and the changing presentation of Africa by digital platforms which no longer necessarily sees the messy, homespun stylings of the Nolly audio aesthetic as being quite of the moment. I thought the closing point here – about algodefined culture and the sameness of data-led creation – was well-made and worth repeating: “To view the early Nollywood soundtrack era simply through channels of ironic, millennial nostalgia is a profound failure of cultural criticism. These composers built a sonic architecture that perfectly captured the terrifying, exhilarating chaos of a nation in flux. As the last of those VHS tapes succumb to the Lagos heat, turning into unplayable spools of blank plastic, we are not just losing funny, low-budget movies. We are losing the loudest, clearest, and most unpretentious record of exactly who we were, right before the algorithm arrived to teach us how to behave.”
- The Biggest Christian Film You’ve Probably Never Heard Of: I sort-of assume that none of you are evangelical Christians – although I do know there’s one retired priest who reads Curios (HELLO!) – and as such I feel reasonably-confident most of you won’t be aware of The Chosen, a crowdfunded TV series telling the Biblical story with the sort of modern production values you might expect from a third-tier HBO production. This is a really good piece – I was expecting it to descend into some sort of tale of grifting and Terrible Hypocritical Behaviour, but it’s in fact far more interesting than that; the cast of characters behind the productions, and their motivations, is interestingly nuanced and I didn’t come away from this feeling that anyone was having their faith mined for money…or at least no more than any church does. Aside from anything else it’s a fascinating example of how to build a niche (ok, not niche, Christianity is…quite popular, but you get my point) fandom outside of the mainstream, and how possible it is now to build media empires that noone outside of your intended demographic will ever have heard of. I mean, listen to these numbers: ““The Chosen” is a powerhouse that retains some of the charisma of an upstart. When the first two episodes of Season 3 were shown in movie theatres, in November, 2022, most box-office analysts didn’t include the screenings in their forecasts. It had the second-biggest opening that week, outperforming every film in wide release on a per-screen basis, apart from “Black Panther: Wakanda Forever.” The show has grown only more popular since, spending dozens of weeks in the Top Ten on Prime Video, where it now streams. More than a hundred thousand people donated over seventy million dollars to produce Season 6, which will be released this fall.”
- 160GB: This isn’t long, but I rather loved this piece by Nicolas Cevallos about the iPod, objects, permanence and ephemerality – it’s from a(nother!) new magazine, this one called Culture Slop, whose first issue contains several decent pieces and which I would generally recommend checking out: “There was a moment when the acquisition of new goods was informed by the idea that they would be passed down. Holding the responsibility of caring for those items and making space to keep them, having the knowledge to know what’s worth investing in and the wisdom, or even pragmatism, to know when to stop. Now, owning property is no longer a middle-class right, we buy cheap, modular, or disposable, just good enough for today. Nothing stays with us for so long, we resell, we donate, we switch from trends and styles, always looking for the next thing, the next upgrade.” BONUS IPOD ESSAY: this one, by Steven Watson, collected by Mortar (a Magazine of Magazines), which is a more nostalgic take on the phenomenon of ‘all of your music in a box’ and how its design and limitations informed a generation’s attitudes to music.
- Would You Like To Come To A BBQ?: Nat Guests writes persuasively about why BBQs, in the main, fcuking suck (NB – for the avoidance of doubt, this is the white English conception of barbecue (pasty-legged men burning flavourless proteins in the direct sun while drinking too much strong, continental lager) rather than the American cooking style) – this is very, very funny, and much better than I expected it to be, and, fundamentally, Nat is RIGHT.
- The Body in the Wheelchair: This is a heartbreaking – and excellent – piece of writing and journalism, by Andrew Kersley in the Londoner, a story of urban social decay, a failing social security system and how easy it can be for lives to fall through the cracks in a big city. This isn’t an easy read, or a happy one, but it’s sensitively done and very well-written imho: “In the morning of 7 November 2023, 77-year-old Joan Turnell dressed her daughter Tracey in her bright red raincoat, sat her in her wheelchair and set out from their block of flats in Whitehouse Mews, Leyton. It could have been like any other day if, instead of heading left towards Walthamstow’s town centre, they had made the usual turn right to the nearby park. And if it wasn’t for the look of panic on Joan’s face, the pair of housing officers following the pair discreetly and the smell seeping from the wheelchair, a mix of faeces and decay. Grey clouds had blocked out the sun by the time she pushed the chair the mile and a half to Walthamstow’s bustling street market. There, in between the Peacocks and the police station, they were joined by a police squad, who asked Joan to stop and escorted her to a secluded car park. When the officers pulled back Tracey’s hood, they discovered a near-skeletal corpse. She had been dead for over a year.”
- Esperanto: I’ve always liked the idea of Esperanto far more than the execution – I remember hearing people speak it once, and to my ear it just sounds like Polari gone wrong (but I do love the fact that if you have any other European languages at your disposal it’s entirely comprehensible when written down). This is a lovely piece on the language, its genesis and the small community of weirdo obsessives (yes, but really) who are keeping it alive – Katie Thornton travels to the 110th annual World Esperanto Congress to hang with the experimental linguists and the people who unaccountably still believe that a manufactured language really CAN bring about world piece. This could have been sneery, but, remarkably, isn’t at all, and I found myself feeling a strange sense of affection for the Esperantists by the end.
- Chippies: Another week, another great piece in the Dispatch – this one’s a, er, dispatch from Scarborough in the North of England, where the town’s fish and chip shops are struggling to manage rising costs of fish, fuel and labour; this is a piece about an industry (and area) in decline which manages to tell the story of the businesses and residents without being condescending or pitying, and it does an excellent job of explaining the raw economics behind the sector’s difficulties in a way which didn’t make my eyes glaze (no small feat).
- Judson’s Last Ride: This is an…unusually-sentimental piece for Curios, fine, but I found this account by Sean Trende, of his son Judson’s last day at school, almost unbearably moving. Judson, as Trende explains, is very severely autistic – the sort of severe that pretty much precludes independent living and which means that the experience of living as an adult is necessarily fraught with anxiety for those around him who worry about what his place in the world will be; this is honest and clear-eyed and it slightly poleaxed me about halfway through because it turns out this is the sort of story that can and will reduce me to emotional jelly, but it’s also a very beautiful love letter from a father to his son, and a thankyou to the system that has taken care of that son for the last 15 years, and I thought it was lovely.
- The Loneliness of the Quizzer: On being a high-level quiz person (sorry, QUIZZER) and the odd, existential horror of knowing that however good you might be, however deep and broad your knowledge, you will ALWAYS lose to the fcukers with eidetic memories, and the fact that that doesn’t matter because THE REAL FRIENDS ARE THE FACTS WE LEARNED ALONG THE WAY! “What was the right reason to play quiz? For Leslie, trivia is about community. For Raj, it’s something like Bildung, that German ideal of education as a form of growth and self-expression, the student like a flower blossoming into new and richer life. For me though, I have to admit, I agree with Eduard. I play trivia because I want to win. I want to be better than other people. I’m vain. I’m prideful. I’m one of those pedants, for Montaigne, who “go picking knowledge here and there . . . and hold it at their tongue’s end, only to spit it out and distribute it.” And the more I struggle to get a foothold in the real world, the easier it becomes to take solace in intellectual achievement. In facts, which are comforting and solid and easy to handle. Facts are right or wrong. Black or white. Maybe we were all searching for the fact that would change our life.”
- I Fed The People Building The Metaverse: An essay by someone who worked as a baker at one of Meta’s data centres (no, really), with one of the best authorial pseudonyms I’ve ever seen. This is very very good: “I had interviewed online during Covid, so my first day onsite felt surreal. I remember pulling up and thinking, “holy shit, this looks like a prison.” A really expensive tech prison, but still. Cement buildings. Security gates everywhere. Bleak fluorescent lighting. Stainless steel industrial kitchens. The whole campus had the emotional warmth of a refrigerated Costco. The inside wasn’t quite as dystopian as the exterior, but it was still obnoxiously sterile in the way modern tech campuses are sterile. Hyper-optimized. Weirdly juvenile. Like if a WeWork and a boys’ dormitory had access to unlimited venture capital. The break rooms had foosball tables, video game consoles, giant couches, and fully stocked snack areas where employees could grab basically anything they wanted for free. Including alcohol. Rumor had it Meta software tracked who took what and how much. I have no idea if that was true, but I chose not to care. I pilfered enough sodas, chips, and full-sized candy bars that whoever stopped at my house for Halloween was leaving with the junk food equivalent of a college fund. One time I was hiding in a couch during my 10 a.m. lunch break trying not to be perceived by another human being for thirty consecutive minutes when a middle-aged white guy walked in, silently took a shot of Jameson, and walked back out to continue building the future. I genuinely do not think he even knew I was there. There was also a kombucha club for a select group of engineers called Faceboosh. These are the people building the future.”
- Meeting Tilly Norwood: honestly, I wasn’t expecting to even read this ‘interview’ with ‘AI actress’ Tilly Norwood, and then I saw that it was written by Taffy Brodessen-Acker and so obviously I did read it and fcuking hell is this an infuriatingly-brilliant piece of writing, one of those ‘oh damn you, this is a horrible reminder of my own essential mediocrity and the distance between what I can do and what someone Actually Good can do’ – honestly, even if you are sick to the back teeth of everything to do with AI I promise you this is a virtuoso piece of writing and it contains some truly superb lines.
- Sound Prayers: Our final link in this section is to a poem rather than an essay; in the last Curios there was an essay about clowning, whose title inspired my friend Rishi to write a poem; I loved it, and maybe you will too. Funny, sharp, clever, Rishi’s work is ace and you should read more of it.

AND NOW, MOVING PICTURES AND SOUNDS!































