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Webcurios 11/11/22

Reading Time: 32 minutes

Many years ago – I think it was 2012 – I was unexpectedly approached on LinkedIn about a job at Twitter (they were looking for someone to run their comms in the UK and Europe, suggesting someone somewhere was very much having a laugh when they suggested me). I had several interviews in London, and was even flown out to San Francisco (economy class, though) for a final interview with a bunch of important people including their then head of legal and even Biz Stone. I didn’t get the job, mainly because of the fact that I was woefully unqualified and definitely not a safe pair of hands (there may also have been an embarrassing moment when the head of legal pulled up a Tweet I had sent to Sir Martin Sorrell asking about the whereabouts of my ‘fcuking bonus’ that they seemed to think indicated ‘poor professional judgement’, the dullards), and it’s a good thing that I didn’t because I would have been fcuking terrible at it, not least because back then I was even less worried about such piddling niceties as ‘not going out for a three hour lunch’ and ‘being sober on the job’ than I am now (and trust me, I still don’t really care that much).

I still, though, don’t think I would have made as much of a pig’s ear of that gig as Elon seems to be making of the whole company.

Anyway, I’ve spent too long this week being forced to pay attention to, and think about, that fcuking man, so let’s stop there and get on with this week’s links which I promise will continue to work even if Twitter suddenly dies at some point in the mid-afternoon.

I am still Matt, this is still Web Curios, and you are inexplicably still reading this self-evidently phoned-in introduction for reasons that, frankly, escape me.

By Charles Burns

WE KICK OFF THIS WEEK WITH A BRAND NEW MIX FROM SADEAGLE’S VOLUMINOUS COLLECTION OF VINYL ODDITIES, WHICH THIS TIME IS BROADLY LATIN-ISH AND IS TYPICALLY EXCELLENT! 

THE SECTION WHICH THINKS IT’S A GENUINE SHAME THAT ELON MUSK IS UNLIKELY TO EVER PARTICIPATE IN IACGMOH AS RIGHT NOW IT WOULD REALLY LIKE TO FEED HIM A FRANKLY-UNCONSCIONABLE QUANTITY OF RAW ANIMAL VISCERA AS PUNISHMENT FOR ALL THIS, PT.1:  

  • The Tweet Museum: It does rather have the feel of the last days over at Twitter right now – the only good thing about this (unless of course you’re of the general opinion that Twitter is a cancer and should be excised from society) is that one hopes it may prove to be a nail, however small, in the coffin of the idea of ‘Musk as intellectual ubermensch’. Should you be in the process of dealing with the tough realities of your (ok, fine, my) favourite timesink potentially going to the great server in the sky, you may be comforted slightly by this website where a person known only as ‘Ian’ is collecting screencaps of THE BEST TWEETS EVER to preserve for posterity (or, more likely, as long as he can be bothered to pay for the domain). This is…look, it’s an uncomfortable admission but I think I can probably admit here to the fact that I spend more time online than is probably strictly healthy (I went to a thing last night that was basically about ‘weird sh1t on the internet’ and I already knew everything, which felt quite wrong) and that as a result a significant proportion of the tweets here captured feel like ACTUAL CULTURAL ARTEFACTS. The King’s Hand! A cat in a yurt! God, I’m getting preemptive nostalgia just typing this stuff. Click this link, scroll the ‘exhibits’, and weep internally for all that we are almost certainly about to lose thanks to one pr1ck’s hubris/desire to usher in a new politico-financial world order (delete as applicable).
  • Twittoons: I’ve mentioned this here before, but don’t think I ever linked to the site – Twittoons is where former Twitter employee (as of a week or so ago) Manu Cornet hosts their satirical cartoons about the company, which they produced throughout their year working there as a reflection on the weirdness of the place and its role in the global politicomediaclusterfcuk. As you can imagine, Cornet has…opinions on the Musk situation. This is half-funny and half just sort of…sad, to be honest.
  • Who Blue?: You know what it’s like when you launch something, right? SO MUCH WORK and stress and horror and fear and everything being glued together with string and sellotape, and when you launch it and it works NOONE EVER KNOWS just how rickety and close-to-collapse everything was behind the scenes. Except this week, with the launch (or, more accurately, attempted launch) of the revamped Twitter Blue subscription project, which has demonstrated exactly how every website and business is just one billionaire’s brainfart away from total collapse at any given moment. At the time of writing, the whole subscription product has apparently vanished from the app – whether that means it’s been canned or whether something has just fallen over in the back end is unknown, and I’m pretty sure that Elon doesn’t quite know either – but, should it ever return, this Chrome plugin will apparently help you distinguish between people whose blue ticks were ‘earned’ (LOL) through professional competence or general notoriety vs the FILTHY ARRIVISTES who bought them. Except according to Elon, all legacy blue ticks will be sunsetted anyway, so who knows whether this will work in 48h. Or indeed if the website it’s meant to work with will make it through the next six months. INTERESTING TIMES! Oh, and here’s another extension which will apparently level the Twitter playing field by unverifying everyone, just in case you fancy such a thing.
  • Visualising Stable Diffusion: There’s something interesting in the fact that every single thing you can imagine seeing as an image can in theory be mapped in latent space, the idea that the sum of visual imagination is also, basically, maths (or it’s intensely creepy and makes the world feel unpleasantly-deterministic; take your pick) – this is a visualisation of the Stable Diffusion-generated images that have been included in the search set for prompt database Krea, and it’s sort-of wonderful; the standard view is a constellation of datapoints with each being an image, their relative position being determined by the elements they share. So basically this is a GALAXY of AI-created pictures which you can zoom around and explore a bit, and it’s in part a wonderful window into all the things that people have asked the machines to imagine as well as being an interesting taxonomical exercise in how the machine ‘thinks’ of the images. I think everything in here is SFW, but please don’t come blaming me if you end up in one of the seamier arms of the AI hentai galaxy.
  • Amazing AI Camera Thingy: I appreciate that even by my standards that is a…shonky descriptor, but I honestly have no idea how one might describe this in a single sentence. Er…ok, so imagine that you have taken a video of something? Are you imagining that? GOOD. Now imagine that the camera movements that you undertook whilst filming that something can be transposed to a video of ANY OTHER digital thing – so, for example, you could take a particularly well-executed tracking shot and apply it to a digital object in digital space. And yes, I know that that’s a fcuking horrific description that barely makes any sense, but YOU try putting the future into words and see how you get on. Honestly, this is so interesting – I don’t have the first idea of how this works, but the potential executions are fascinating. I really like the idea (for example) of taking a single 30s camera movement and challenging people to create scenes that use that shot in interesting ways, or the (admittedly slightly-fanciful) idea of being able to take iconic directorial styles and transpose them onto other works. It’s a real shame we’re all in the process of killing ourselves at a species level, because some of this future stuff really is fascinating.
  • Draw Things: OK, so this is iOS-only and so I confess to not actually having tried it out, but various people online have spoken glowingly about this and so I feel reasonably-safe recommending it – it’s basically AN Other AI image-generation toy (I presume based on Stable Diffusion) but it’s an app and non-browser-based and therefore might be slightly less clunky than the mobile web interfaces for Dall-E and the rest. Web Curios obviously takes no responsibility whatsoever for any appalling things that may happen (but which probably won’t, honest!) to your mobile device as a result of installing this.
  • Hublot Loves Football: I have never gotten the impression that Zuckerberg and Musk are friends, but I can only imagine the degree of gratitude that the Meta CEO feels towards the squarial-faced emerald scion this week; it speaks to journalism’s Twitter sickness that the loss of 11,000 jobs at one of the most significant companies in modern human history has been largely ignored, comparatively-speaking, in favour of endless column inches about WHAT WILL HAPPEN TO THE BIRD SITE. Still, let’s take a moment to pour one out for the many thousands of people who have just been sacrificed to the Great Metaversal Revolution – and, while we’re here, shall we check in on how that’s going? GREAT! Hublot make watches – look, my arms are thin and my wrists are very breakable, and I could barely lift a luxury timepiece, don’t ask me any more about Hublot – and are sponsors of the World Cup, and have decided to ACTIVATE THAT SPONSORSHIP by, er, entering the metaverse! Do you know what that means? THAT’S RIGHT THEY HAVE BUILT A MISERABLE, SH1TTY LITTLE 3D EXPERIENCE!! What does the World Cup mean to you? Schumacher/Battiston? Fabio Grosso? Or the ability to ‘explore’ a poorly-rendered CG football stadium in painfully-slow detail, and possibly the chance to stand next to a heavily-pixelated image of a FIFA ambassador? If you answered ‘give me the CG, daddy!’ then WOW will you enjoy this – honestly, even by the standards of p1ss-poor ‘metaverse’ rubbish this is particularly poor, from the low-quality graphics to the fact that it’s just so…big and empty (I like to imagine that this was a deliberate design choice by the team to artificially juice the dwelltime statistics) and there is simply nothing to do and nowhere to go and no sense that anyone involved in the project had ever experienced football (or sport, or joy, or the touch of another human being). Perhaps worst of all – certainly from the point of view of the idiot brand moron who signed off on the spend and the partnership with ‘metaverse destination’ Spatial for the delivery – is that, beyond the name, I have no fcuking clue whatsoever what this has to do with selling overpriced timepieces to beefy-wristed time enthusiasts.Spectacularly sad and pointless – not unlike the World Cup itself (yes I am bitter that Italy didn’t qualify, what of it?).
  • The Metaverse Festival: Did you spend Sunday morning desperately refreshing the Glastonbury page and hoping against hope that you were one of the lucky ones? Or did you instead consider waking up and then think ‘no, fcuk it, I do not ever need to go camping again and there is no way in hell I am ever forking out for a luxury yurt and so I will leave it to the children’? If the former, well done you and I hope you got lucky; if the latter, then perhaps you would rather check out the Metaverse Festival (lol!), taking place THIS WEEKEND and featuring actual proper people that you may have heard of, like Metallica and Bjork. It’s taking place in Decentraland, which basically means that the experience will be like listening to a poorly-encoded MP3 through someone else’s iPod headphones from two rooms away while a bunch of poorly-dressed sub-Roblox avatars teabag each other with energetic abandon, but, well, BJORK!
  • The Universal Poem: This has been going for a few years now but I only stumbled across it this week – Universal Poem is, er, literally that, an ongoing work of collaborative poetry that has been written by hundreds (thousands?) of strangers from across the world over the past couple of years. This is, fine, a bit of a mess, unsurprisingly, but there’s also something lovely about the slightly infinite corpse-ish nature of the exercise. For reasons I don’t quite understand, submissions in Spanish vastly outweigh those in other languages (there’s a map of where contributions have come from and the UK is only on about 60-odd lines, which is frankly embarrassing) and as such your ability to appreciate the content of the poem will in part depend on your ability to parse lines such as “¡Érase el hombre malo de la Pradera!”, but there’s something genuinely wonderful about the fact that this is slowly growing day-by-day a strangers around the globe drop in to add lines to it.
  • A Gift From Ukraine: ARE YOU FEELING FESTIVE YET YOU CNUTS? No, me neither – it turns out that one’s desire to revel in the idea of cosy, festive warmth is somewhat muted when the reality of existence for many is less ‘chestnuts on an open fire’ and more ‘soft, vulnerable flesh pressed against a burning brazier’ – but I appreciate that it might not be possible for you to totally ignore this year’s festival of conspicuous consumption and that, as such, you may be in the market for presents and things like that. A Gift From Ukraine is a service set up by a family of Ukrainians currently living in the UK, offering Ukrainian products and pro-Ukrainian merchandise for sale, with proceeds going to charity – this looks and feels legit and like A Good Thing, but obviously I apologise in advance if in fact this is just a scam run by a man called Tony from an industrial estate in Harlow.
  • The Wordcraft Writers’ Workshop: This is interesting – Google recently published the results of an experiment it ran with its LAMDA text AI (you know, the one that the engineer thought was Jesus – Christ, was that only this year?) and a collection of authors which the company invited to explore co-creation with the machine; this website collects the essays that they wrote. There’s a full description on the site, but this is a helpful summary: “Wordcraft is a tool built by researchers at Google PAIR for writing stories with AI. The application is powered by LaMDA, one of the latest generation of large language models. At its core, LaMDA is a simple machine — it’s trained to predict the most likely next word given a textual prompt. But because the model is so large and has been trained on a massive amount of text, it’s able to learn higher-level concepts. It also demonstrates a fascinating emergent capability often referred to as in-context learning. By carefully designing input prompts, the model can be instructed to perform an incredibly wide range of tasks. However this process (often referred to as prompt engineering) is finicky and difficult even for experienced practitioners. We built Wordcraft with the goal of exploring how far we could push this technique through a carefully crafted user interface, and to empower writers by giving them access to these state-of-the-art tools.” Honestly, this made me feel a bit…funny – these are real writers, several of whom I have actually heard of, and reading a few of these stories I had literally no idea at all whether I was reading words penned by person or by machine or by a collaborating pair…and that’s the point, I suppose. I would have been interested to read accompanying short essays by each author about their experience of the creative process, being demanding, but this is SUCH a fascinating experiment with some hugely-impressive outputs.
  • Are You Pressworthy?: Many years ago in the UK there was a particularly bleak summer for child abductions, which saw a young woman called Millie Dowler go missing and then, a relatively short while later, a pair of twins called Holly and Jessica. As is, inevitably, the way of these things, the latter disappearance totally overshadowed the former (after all, there were two of them!), and I remember stumbling across a website (this must have been, without checking…2003?) which riffed on this fact (in admittedly hugely tasteless fashion) by selling tshirts which read, in small letters across the front, “where the fcuk is Millie?”. Anyway, I was reminded of that by this website, which uses real data about the amount of press coverage devoted to various missing person cases to make the point that who you are, and what you look like, makes a significant difference to the amount of media attention you’re likely to get around your disappearance. Are you a non-white male? Don’t get expect a tabloid campaign to find you, basically. This is a nicely-made little site which communicates its central message powerfully.
  • Passive Cooking: I don’t normally feature PR stunts that are…good, but I very much enjoyed this bit of work by Italian pasta wonks Barilla (fun fact: the theme tune to the Barilla ads in Italy is so hard-wired into the psyche of every Italian that merely humming the first 10 notes can reduce even hardened expats to tears) which plays on the fact that domestic gas prices are horrific and that as a result even doing simple things like boiling a pan of water might feel a bit of the extravagant side – the site basically gives you instructions on how to cook pasta using the ‘soak in just-boiled water much like you would with rice’ method, rather than the ‘keep on a rolling boil for 10m’ method. Which, I confess, made me instinctively recoil, because no Italian has EVER cooked pasta like this, but which actually seems like a pretty smart idea and probably won’t end with an inedible plate of floury collagen. I particularly like the way the idea expands – yes, fine, at its most basic it’s just a list of different cooking times for different types of pasta, but there’s also an ACTUAL PASTA-SOAKING BASKET DEVICE that you can 3d print should you have the means, which feels like a nice extension. Oh, ok, if I’m being cynical it’s perhaps a touch awards-baity, but in general this feels…good! How odd to be positive for a change!
  • The Spaceshipper: A Twitter account sharing stuff relating to spaceships – fictional ones, in the main – from drawings to videos to film stills. Another of those occasional Curios links that feel like they should be catnip to a certain type of middle-aged man.
  • Locals: On the one hand, this is ANOTHER FCUKING APP, and it’s ANOTHER FCUKING THING where the ‘insight’ behind it is that ‘people are lonely in the modern  world!’ which is, honestly, a statement of such crushingly obvious banality that I want anyone using it in the future to be cast into some sort of eternal oubliette so they can realise the true meaning of solitude and suffering; on the other, maybe you will find it useful. Locals – currently live in London and LA, “Locals.org creates a safe environment for people who want to meet new people, have fun, learn new things, feed their souls with emotions and build meaningful connections”, which, as far as I can tell, seems to mean that you can browse events that have been created by other people to find things that you want to do and people you want to do them with, and create your own for other people to find. Which does sort of beg the question as to why you can’t just use one of the myriad other social platforms for the same purpose, and exactly what it is that Locals brings to the table besides a nice design and some VC money – although, as far as I can tell, there’s a degree of vetting to the community and so you’re perhaps less likely to get a sweaty-palmed wrongman turning up at your whist drive than you might be if you used Facebook for the same purpose.
  • The Magical Pantry:I am not entirely sure how it happened, but if you go to the US then you will discover that Kerrygold butter is some sort of hipster product, trading on its IRISH GRASSINESS rather than being, as it is in London, what you buy in the cornershop in desperation when you realise the Lurpak’s gone rancid. Which perhaps explains why they’ve gone to the trouble of creating this rather swish site which presents a series of gently-interactive stories which double up as simple recipes – choose the story you want to ‘read’ and you’ll be guided through an (admittedly nicely-illustrated) tale with a light ‘BE KIND YOU FCUK’ moral which also doubles as a guide to cooking various buttery treats. This is aimed at kids, obviously – although show me a child who would be interested in cooking or eating a broccoli and potato gratin and I will show you a fcuking changeling – but there’s a general ‘read along as a family’ vibe, with the ability to print out the stories and keep them should you desire. This is…quite good, in a small sort of way, and I was particularly impressed by the fact that it lives at the very top of the homepage of the Kerrygold US site – if you’re going to make this sort of stuff, after all, you might as well tell people about it.
  • Pizza Flicks: Do you want a YouTube channel collecting a vast quantity of old films and TV episodes from the 1930s, 40s and 50s? YES YOU DO! There is basically a motherlode of kitsch here, and if you’re undecided as to whether to click then let me just tell you that this contains several films by the great Ed Wood, widely acknowledged as one of the least-competent directors ever to grace Hollywood and whose Plan 9 From Outer Space is still to this day one of the most incredible (and I mean that literally) examples of the cinematic art you will ever see.
  • Apple Rankings: A site which exists solely to rank the world’s apple varieties by quality, and to give you an honest-if-subjective opinion as to the strengths and weaknesses of various different cultivars. Which, ok, may not sound like loads of fun, but it’s elevated by the quality of the writing which has the air of being written by someone to whom apples have done a great but unspecified harm and who bears grudges. Witness this description of the Fuji, an apple which I don’t think quite deservces the following scathing review: “it has the taste of used sponge water and the consistency of the dirty leftovers it cleaned. This mushy, rough-skinned, Japanese experiment gone awry is perfect for anyone who enjoys the taste of an apple that feels like it’s already been eaten by someone else.” If you’ve ever wanted to read several thousand words of someone just basically beating the everliving textual sh1t out of some otherwise-blameless fruit then you will LOVE this.
  • Social Justice Kittens 2023: IT’S THAT TIME OF YEAR AGAIN! The Social Justice Kittens calendar returns again, juxtaposing lovely photos of kittens (and puppies!) with some of the more batsh1t examples of Tumblr-speak from the corners of the web, juxtaposed with some very cute animals. This is, as ever, a delight – my personal favourite from the 2023 selection is I think the little guy captioned with “Calling yourself a free thinker means you want to be free to think bad thoughts”, but, well, choose your fighter!

By Caleb Hahne Quintana

NEXT UP, AN HOUR’S D’N’B WITH MCING BY HARRY SHOTTA AND OTHER EXCELLENT PEOPLE!

THE SECTION WHICH THINKS IT’S A GENUINE SHAME THAT ELON MUSK IS UNLIKELY TO EVER PARTICIPATE IN IACGMOH AS RIGHT NOW IT WOULD REALLY LIKE TO FEED HIM A FRANKLY-UNCONSCIONABLE QUANTITY OF RAW ANIMAL VISCERA AS PUNISHMENT FOR ALL THIS, PT.2:  

  • Bubbles: A tiny webtoy that lets you blow bubbles. Move the fan! Move the spike! Watch the bubbles! I don’t know what it says about my current state of mind that I am hugely tempted to do nothing more for the rest of the day than stare at this and cry slowly, but probably nothing good.
  • IA Presenter: I tend to try not to feature too much stuff in Curios that’s directly-related to the tedious realities of the dayjob – you’re here for a good time, not a timesheet! – but occasionally stuff lurches across my radar that looks genuinely quite useful. So it is with AI Presenter, a tool for helping you make slideshows but which does so by seeking to change the way in which you think about said slideshows – so starting with the content and copy rather than slides, and encouraging the user to think about what they are trying to say before getting to the ‘putting it on slides’ bit. This is in closed beta, but you can apply for access, and if you’re the sort of person who starts work on something by just writing into a document to get ideas of structure and themes then you’re already doing what this is trying to teach you – but, on the other hand, if you’re stuck in a working environment in which you’re surrounded by morons who can’t do anything other than put things in fcuking PPT then you may find this a helpful way of retraining their slide-addled minds.
  • DMV Bot: One of the ‘fun’ things about California is the fact that anyone can theoretically have anything they want as a license plate (space permitting) – except, of course, you can’t have anything as it’s America and people might get offended to the point of firearm-assisted homicide if you were to emblazon something as controversial as, I don’t know, ‘free healthcare at the point of delivery’ on your vehicle. This is a Twitter account which shares real-life examples of applications received by the California DMV (Department of Motor Vehicles? Probably) in 2015-16, and whether they were approved for use or not along with the reason for the judgement – so, for example, I now know that someone tried and failed to get ‘HUF4RTD’ as their license plate and it was rejected because, and I quote, “It clearly reads ‘Who Farted’”. This is glorious.
  • Metaphor Search: Via Shardcore, this is an interesting idea seeking to apply some of the same sort of techniques used in generative AI to deliver results. “It’s a new type of search engine, built from scratch, and we’d love for you to try it. Search today looks largely like search 20 years ago. Search engines do a reasonable job at returning results that match the literal content of your query but often fail to understand your real goal. The effect is that even for simple questions, it’s often quite easy to get lost in a sea of irrelevant results. Metaphor is a search engine that understands language – in the form of prompts – so you can type what you’re looking for in all the expressive and creative ways you can think of. The model that powers Metaphor is trained using a form of self-supervised learning, the same paradigm behind models like Stable Diffusion and GPT-3. Stable Diffusion tries to generate images based on their captions, GPT-3 tries to predict the next word based on the previous ones, and the model behind Metaphor tries to predict the next link on a webpage based on all the words that come before it.” I;ve yet to have a proper play, but a cursory examination suggests that you can find some rather cool stuff with this – a search for “a website featuring great links”, for example, magically pulled up a few of my favourite link repositories which strikes me as a good sign. One to keep an eye on and maybe bookmark.
  • Crowd: Ooh, this is *such* a smart idea and one which definitely has some interesting applications that I haven’t quite managed to think of yet but which someone as clever as YOU will definitely be able to work out. The blurb is as follows: “This website is a small experiment, where each visit to the page deteriorates the main image. Every 400 visitors a reset button appears on the bottom, which can be used to restore the image back to its original quality. You could see this website as a metaphor for the effects of tourism, how humanity affects nature, or how meme quality degrades over time as they are shared.” What might you use a degrading website for? An image that only reveals itself to the nth visitor to a page, containing a secret message or instructions (START THE KILLING) or some sort of clue? THE POSSIBILITIES ARE ENDLESS! At the very least I quite like the idea of a site that has an inbuilt shelf-life, degrading to the point of unreadability after a certain number of visitors and lost forever.
  • The HappyToast Tarot Deck: You may know HappyToast from other parts of the internet – he’s been making drawings online for years, and I first discovered his stuff through B3ta back in the day. He’s launched a Kickstarter to crowdfund a tarot deck he’s designed, with cards featuring descriptions of the meanings of all the arcana, and if you’re in the market for something that’s simultaneously a bit occult and a nice example of a singular artistic style then you could do worse than check this out (also, it’s already funded so there’s no risk of disappointment. Apart from from your eventual apocalyptic reading itself).
  • Die In The Game: Ok, so this isn’t technically  a thing so much as a proof-of-concept idea for a thing – still, it’s upsetting and a bit horrifying and so probably fits in well here. “If you die in the game, you die in real life” is a protoypical VR headset designed to deliver that exact experience – the device is inspired by manga/anime Sword Art Online, which features as part of its plot a scenario in which a bunch of gamers are trapped in a VR title which, if they die in-game, will kill them in meatspace too. Hence this model, which imagines what such a device might look like and how it might function, which in this case involves having a bunch of explosive devices attached to the headband of the headset, primed to go off should the user die in-game. “I used three of the explosive charge modules I usually use for a different project, tying them to a narrow-band photosensor that can detect when the screen flashes red at a specific frequency, making game-over integration on the part of the developer very easy.  When an appropriate game-over screen is displayed, the charges fire, instantly destroying the brain of the user.” I am genuinely fascinated to see which game is the first to offer a real permadeath mode using this kit – obviously this is sort-of a joke, but, well, I can also totally imagine a streamer eventually upping the ante to the point where this seems like the natural logical progression from emotes and subscriber drives.
  • TinyTV: I don’t generally feature links to things that are just ‘stuff you can buy’, but given Christmas is approaching I feel I can make a small exception for cool stuff like this. Admittedly it’s not cheap – £75 is a fair old whack – but the TinyTV is SO CUTE, and basically acts as a VERY SMOL monitor for whatever you want to play on it. “The TinyTV® DIY Kit assembles easily in less than 5 minutes with no soldering or special tools required. Load your own videos, movies, and TV shows easily using our TSVconverter – a free tool to convert any MP4 file. Then load the files onto the included MicroSD card, sit back, relax, and enjoy hours of entertainment! The TinyTV DIY Kit is 3D printed, has a rechargeable battery, 4 push-buttons, and an ON/OFF switch and it also comes with the Tiny Remote, so you can easily change channels, power on or off, and adjust the volume.” Look, if you’re not charmed by the idea of a tiny telly with its own, working, tiny remote control, you’re probably beyond help. I am now half-tempted to get one of these and a pair of hamsters in order to create a series of cosy, rodent-based domestic dioramas, and you might well be too after clicking the link.
  • Mad Heidi: I also don’t tend to feature links to forthcoming films, but this looks so…idiosyncratic that I thought I would make an exception (also, it will be available to stream for free on this website on release, so it basically counts as a Curio). This has been a 5-year labour of love, from a spoof movie poster created in 2017 through to the crowdfunded final film set to launch in a few short weeks. What’s it about? I am glad you asked: “In a dystopian Switzerland that has fallen under the fascist rule of an evil cheese tyrant, Heidi lives the pure and simple life in the Swiss Alps. Grandfather Alpöhi does his best to protect Heidi, but her yearning for freedom soon gets her into trouble with the dictator’s henchmen. The innocent girl transforms herself into a kick-ass female fighting force who sets out to liberate the country from the insane cheese fascists.” I mean, look, I think it’s unlikely that this is going to be anything other than a…knockabout romp, and I do wonder how long you can reasonably sustain a gag which at its heart is basically ‘Heidi, but with GUNS!’, and (whilst I’m maybe being unfair to the makers here) this does have rather a strong whiff of ‘could descend into late-nigh-Channel-5-softcore-at-any-moment’ about it, but at the same time it’s nice that the gag has reached its final evolution. Unlikely to trouble the Academy in the 2023 awards season, but perhaps worth a watch in the festive perineum.
  • Physics Interactives: A bunch of little physics toys and explainers designed to teach you the basic principles of a few of the building blocks of the universe, or alternatively to let you press a few buttons and pull a few levers and scratch your head in blinking incomprehension at the ensuing movements. These look shonky, fine, but I promise you are surprisingly fun – I just lost three minutes attempting to save a dog from a rampaging alien being via the medium of simple physics puzzles, if you want an idea of the degree of concentration I’m bringing to Curios this week.
  • Dril Tracy: A little Twitter project which uses AI to identify dialogue in panels of the Dick Tracy comic and replace said dialogue with Dril tweets. Which is, obviously, sort-of pointless, which, obviously, makes it sort-of perfect.
  • Fashion Adviser AI: I have no idea whatsoever what this is built on – I presume GPT-3 or a variant thereof – but I am very taken with the idea of letting this (frankly a bit shonky) website determine my fashion choices for the foreseeable future. Why not let it determine your wardrobe choices for the next week? Ask the website any fashion-related question you like and it will attempt to advise you – recent questions asked of it include “what matches with blue trousers?” and “what colours can I wear with fuschia?”, although it was sadly incapable of answering my desperate cry for help around “how to look halfway fashionable when you haven’t bought any new clothes for approximately a decade”.
  • Feed Anus To Matt Hancock: Just in case you don’t think he’s being asked to eat enough animal protein of dubious origin during his jungle experience, here’s a simple mobile game in which you try and stuff as many kangaroo testes and dingo ovaries into his mouth as possible within a time limit. Briefly, on the Hancock thing – one of the things that people seem to underestimate about politicians is how fcuking weird they are. You know how weird they come across in general in TV appearances? That’s NOTHING compared to how weird they are in day-to-day life. Watching politicians being ‘normal’ is honestly one of the most unsettling experiences its possible to have outside of the occult, and it’s this that I think will make Hancock’s experience in the jungle so unpleasant for him – it’s not just the fact that he presided over the pandemic sh1tshow, it’s not the hypocrisy and whiff of corruption and the incompetence and the unrepentance and the hubris, it’s the fact that none of the other people in there will like him because, as a politician, he’s basically only on nodding terms with the basic tenets of ‘being a human being’.
  • Cactus Sim: Be a cactus! It’s not wildly exciting, fine, but it very much feels like an accurate representation of the spiny flora existence.
  • Teenyshire: Ooh, this is fun – a daily game (NOTHING TO DO WITH WORDLE I PROMISE) in which you are challenged each day to come up with the optimal placement of certain tiles; each can be placed with certain restrictions, and wins points based on certain criteria, and your challenge each day it to place them so as to get the highest score you can. This is a lovely, gentle little puzzle which you may find a nice addition to your daily ‘just one more frivolous website before I return to the grinding horror of my dayjob’ routine.
  • The CSS Puzzle Box: Last up in this week’s selection of random frivolities is this excellent little game – you know when you were a teenager and one of your mates had this incredible stash box that was from India or Tibet or somewhere and which looked like it was impregnable but which could, when manipulated in a very specific series of ways, be opened to reveal your very own personal stash of plastic-laden soapbar? Well it’s one of those, except a) digital; and b) to the best of my knowledge without the bonus of a poorly-weighed lump of petrol-y resin to reward you at the end. This is really very fun but also quite hard (which is why I was grateful for the fact that there were hints). I would like more of this stuff baked into websites – wouldn’t it be ace if clicking on seven very specific pixels on an ostensibly-boring corporate website took you to a secret easter egg-filled backend, for example? Yes it would. MAKE IT HAPPEN, CODEMONGS!

By Murray Fredericks

FINAL MIX OF THE WEEK IS ANOTHER 90S THROWBACK AS I GIVE YOU DANNY TENAGLIA PLAYING AT SXM FESTIVAL!

THE CIRCUS OF TUMBLRS!

  • Falgaia: I know pixel art feels a little like ‘stuff from the internet of a decade ago’, but I still rather like it and this is some high-quality work with impressive technical chops.
  • Tapefan: OK, fine, not actually a Tumblr, but it feels like it fits here. The website of a person who really, really likes cassette tapes, so much so that they maintain this page on which they document the various designs of the cassettes themselves and of the blank-ish sleeves they come packaged in. Or at least I presume what this is about – it’s all in Japanese, though, so apologise to the curator if I in fact minsterpreting their life’s passion.

THE TROUGH OF (INSTA) FEEDS!

  •  Peter Fredricksen: Fredricksen makes embroidered artworks, often of details of individual frames from cartoons, and whilst that description makes it sound frankly terrible, I promise you that in fact it is good. No really, it is.
  • SW Gouge: The Insta account of a woman who photographs horses. If you like horses, you will like this (and even if you don’t, frankly, the photos are lovely).
  • Julia Lillard: The bio to Julia Lillard’s Insta page reads ‘surreal digital collage’ and, honestly, that’s pretty much exactly right. This is some GREAT work.
  • Filter Drops: An new-ish Insta feed posting examples of Insta filters and general AR/XR work; worth a look and a follow if you’re interested in seeing what people are making with this tech at present.

LONG THINGS WHICH ARE LONG!

  • Jack & Elon: I’m sorry to once again lead this section with stuff about That Fcuking Man (as an aside, it’s genuinely distressing to me that this is the second time in the relatively short lifespan of Web Curios that I have had cause to apply that nickname to someone – noone should ever have to deal with more than one ‘That Fcuking Man’ in one lifetime, surely?), but, well, I do think that his purchase of Twitter is quite a big deal, whether because of the increasingly-likely fact that he is singlehandedly going to tank a business in a matter of what feels like weeks, or, if you take the central tenet of this slightly-conspiracy-ish blogpost seriously, because he’s using it as a means of bringing about a new world order. Look, to be clear, I am not saying that I buy into everything outlined in this post – which effectively suggests that the Musk/Twitter deal was effectively a step in the creation of a ‘multipolar power’ world and the global adoption of web3 ancd crypto – but, equally, I’m not saying I don’t believe any of it. If you happened to listen to Musk’s chat with advertisers the other day – which I did, and fcuk me do I wish I hadn’t – then you might have caught a fleeting mention of the possibility of using crypto to turn Twitter into some sort of universal FS product which, yes, fine, may well be just the latest example of Elon SPEEKING HIZ BRANES but which may equally be a sign that not all of the stuff set out here is entirely batsh1t.
  • How To Build A Winning Paid Membership Model: I feel I need to apologise again here for introducing a link to the corporate blog of VC nightmares Andreesen Horowitz, but in my defence this is a really smart piece of writing which neaty articulates all the ways in which one might go about establishing a functional, successful, mechanically-viable paid membership model, and why (parenthetically) none of what Twitter has done so far fits within that framework. I mean, yes, ok, a lot of this is also slightly bleak, in particular the relentless drive to incorporate game mechanics to incentivise member engagement and drive value to subscribers (which reads not-dissimarly from Adrian Hon’s excellent satirical Twitter thread on this from last week), but it’s also not stupid, and I still believe that if there’s a future for NFTs that it might come as part of this sort of paid membership structure for digital services.
  • Bring Back Forums: I can only concur. I spent a significant proportion of 2002-4 lurking on a range of forums and they were fucking GREAT – a combination of interesting chat, deep knowledge, terrible sh1tposting and a real sense of community, all happening at a manageable pace, with the best examples featuring decent moderation and a shared understanding of where the lines and boundaries were. Honestly, it’s a genuine shame to me that forum architecture has died off so much – I wonder to what extent that was facilitated by Google killing off the specific ‘search forums’ functionality way back in the day (and whether it’s recent decision to at least partially reinstate it will reverse that trend in any meaningful sense). This gave me a very real pang of nostalgia for Something Awful, and Popbitch (although, fine, that wasn’t technically a forum), and the days when B3ta was a bit more lively, and as soon as I’m done writing this I’m off to see whether Liphook’s still live (if you know, you know).
  • Theses on the Techlash: I very much enjoyed this piece, which examines what we mean when we talk about the ‘techlash’ and the extent to which said techlash is only ever partial because we understand that we are sort-of trapped within the machine and, perhaps, have developed a relationship with it so symbiotic that we couldn’t free ourselves if we wanted to and if we tried. I was thinking about this in the context of ‘how generally fcuked everything feels and how everyone seems to be slightly on the edge all the time, like they might start laughing hysterically and then never, ever stop’ the other day, and I wonder whether there’s a part of that that’s due to the creeping knowledge that we exist within systems that we have built to serve us which no longer serve us at all, and which instead seem to be doing us harm, and whether in fact it’s that disconnect and incongruity that causes the disaffection and wider sense of ‘this is all going wrong’ – the gap between what we have promised ourselves and the reality of the outcomes, and the poisoned space it leaves.
  • How The Tories Broke Neoliberalism: I think the title here’s potentially a bit optimistic to be honest (come back to me and say that when we’ve gone a decade without any fcuker citing Hayek as an inspiration or economic role model), but I otherwise enjoyed this piece setting out some of the reasons why the neoliberal project (and particularly the Trussian apotheosis thereof) floundered so badly. There’s lots of interesting analysis in here, but this paragraph in particular struck me as both fascinating and true, and made me wonder at the ‘why’ of the disconnect here outlined: “And yet, 40 years of neoliberalism have not bred a selfish “me” generation: we are surrounded by major illustrations of voluntary action, including large formal and informal protest movements; young people care seriously about climate change and biodiversity; it has become a cliché that the Covid lockdowns showed the depths of resources of neighbourly care possessed by societies around the world. But there is a general disconnect between this rich civil society and political communication. For a brief moment, it seemed that the pandemic would turn the direction of public political discourse in a collective direction, but the moment passed without significant change.”
  • AI Selfies: A post by Matt Haughey explaining how he played around with AI-generated self portraits, from training a model to generating the pictures. This is both a decent how-to guide on generating these things yourself rather than through a dedicated ‘AI portraits’ portal (which leads to more flexibility in outputs), but also a nice look at how incredibly good this stuff is. If I had a kid I imagine it would be really rather lovely to use this stuff to create a series of images of them embodying different scenarios and archetypes, and it would be a fun creative exercise to enjoy with them (as long as you don’t think too hard about where the images of said kid are going, and what they are going to be used for, and whether or not it’s ethical to effectively be handing their face to the infinite vision machines in exchange for a few pretty pictures).
  • Technique as Self-Service: This is quite system-y, but in an interesting way – a short post (oddly on the blog of Stripe Partners) about how it might be useful to think about tools such as Stable Diffusion in terms of their relation to the user, and the difference between ‘craftspeople’, ‘users’ and ‘technicians’ when it comes to making use of tools. This is quite wonk-y, fine, but it’s also a smart framework within which to think about any products and services you might be developing or selling, or indeed the people you might be attempting to sell them to.
  • The WeChat Apology Letters: On the one hand, this reads quite a lot like a joke; on the other, there’s not really anything that funny about it. Users of WeChat in China who get locked out of their accounts for perceived infractions are, apparently, occasionally required to demonstrate their contrition to the business in writing: “WeChat accounts are so essential to people’s social and professional lives that users, after getting banned, are willing to go to great lengths to retrieve them. In some cases, the app asks users for handwritten apologies before unlocking their accounts, and the users have complied.” So people pen self-flagellatory missives apologising to Big App for having dared to contravene its Ts&Cs in the hope that their access will be returned and they can do things like, I don’t know, leave the house and pay for groceries. You may laugh, but if you read this and don’t think ‘Yep, Elon would totally get off on people having to write him begging letters to get their ticks back’ then I, once again, have a bridge to sell you.
  • Qatar: Are you excited about the World Cup? No, me neither, and it’s not just because I appear to have lost the ability to feel joy about anything. It’s hard to get enthused about a tournament which better than even the mooted SuperLeague embodies the Mammonic insanity of modern football, and that’s without getting into the unique relationship that the Qatari regime has with human rights. With all that said – and with the knowledge that this is in part PR for Qatar in the classic sportswashing sense – I did find this series of essays and photographs, by Qataris and Qatari residents, about their lives and the national relationship with football and their hopes for the tournament, interesting and vaguely-hopeful (although, equally, I felt a bit uncomfortable about the number of times these pieces say things like ‘and you’d never believe how friendly and amazing Qatar is, nothing like what you read about!’).
  • The Scent of Flavour: A great essay about smell, taste and flavour, the difference and connection between the three, how they all work, how we can use chemicals and science to modify and augment them, and how language slightly fails us when it comes to talking about these things: “we lack a verb to describe the perception of flavor. Consider how we describe the sensations evoked by taste, smell, and flavor. I can say, “I taste sugar” and “I smell cinnamon,” but not “I flavor cinnamon.” Using “flavor” as a verb means to add flavor to something rather than to perceive the sensation of flavor. When we want to describe how we perceive the flavor of cinnamon we borrow “taste” and say, “I taste cinnamon.” This only adds to the problem.”
  • Vanguard Estates: I rather enjoyed this – a ‘choose your own adventure’-style short story about a future in which robotic care for the elderly is the norm, and the extent to which you might feel comfortable handing over a loved one into the care of the machines. I have only tried a couple of the branches, and whilst I haven’t found anything weird or traumatic in there I suppose I ought to at least acknowledge the outside possibility that one of the branches in the narrative ends up with some sort of horrible scene of snuff-gerontophilia, so, er, caveat lector.
  • How I Lost $1m In The Pandemic: Or “Stonks: Line Also Go Down”, to give it a plausible alternative title. This is from the Guardian, fine, but I don’t know how much traction it got this week and I think it’s a really interesting piece – the author writes about their experience briefly making it big in the pandemic stock market madness around Gamestop before (and I think the headline already gave this away and so I don’t feel bad for spoiling the surprise) losing it all again, and the emotional strain of having your mental and financial wellbeing yoked to the vagaries of a market being prodded by idiots with sticks. A useful reminder that the value of your investments really can go down as well as up, particularly at a time when we once again seem to be being bombarded with ads suggesting it’s a really good idea to get in on the ground floor of the trading and speculation marketplace (still, probably a better bet than crypto right now lol).
  • Buying a Goblin: This is a near-perfect piece of writing in which the author explores the possibility of buying a goblin (yes, a real one – OBVIOUSLY) from a Zimbabwean bloke on Facebook; the only downside is that the price quoted was too rich for the buyer, and so the goblin sadly went unpurchased, but otherwise everything about this is golden. I particularly enjoy the tediously-practical bits of advice for the spirant goblin keeper as peddled by the sellers – ‘don’t eat okra’, feed it milk, don’t have sex with any virgins while you’re in possession of said goblin, etc – and genuinely wish they had gone through with the purchase, if only to see what poor, benighted member of the animal kingdom eventually showed up half-dead in a fedexed parcel from Harare.
  • Modlins: A lovely story, this, in part historical detective work and in part a profile of a genuinely odd-sounding family, the Modlins, who fled the US for Franco’s Spain in pursuit of the artistic and cultural success they believe their genius warranted. This is a lovely piece of writing by Aaron Shulman, in particular for the portrayal of the titular family who are rendered with a sense of tragic sympathy throughout.
  • Mozarting The Mind: Finally this week, I adored this – I suppose I would call it a prose poem if pressed, but it’s just a gorgeous piece of writing from start to finish. Revel in the language, it really is superb

By Jang Koal

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 04/11/22

Reading Time: 38 minutes

OH GOD I AM SO BORED OF IT ALREADY PLEASE GOD CAN EVERYONE SHUT UP OR JUST SUPERGLUE HIS FINGERS TOGETHER OR SOMETHING SO THE ENDLESS MUSKIAN HYPECYCLE CAN STOP FOR A SECOND AND WE CAN GO BACK TO BURNING ASYLUM SEEKERS TO KEEP WARM OR WHATEVER IT IS THAT WE ARE DOING NOW IN RISHI’S BROKEN BRITAIN?

Ahem.

I have spent a reasonable chunk of the past few years successfully ignoring Elon Musk, and now here I am being forced to hang on every word he fcuking says for Tedious Professional Reasons and, let me tell you, I do not like it one bit. I know that phrases like ‘spare a thought for the poor journalists’ are unlikely to elicit widespread approval but, really, just imagine what it would be like to have to actually spend time thinking about that fcuking man and his horrible flying monkey sycophants (it is not fun, let me tell you).

I am still Matt, this is still Web Curios, and you should be grateful that this isn’t hosted on Substack and that I am not trying to push you into ‘Web Curios Chat’ because, honestly, can you IMAGINE?

By Jenna Barton

WE KICK OFF THE MIXES THIS WEEK WITH A NAME SO EVOCATIVE OF THE MID-90s THAT I CAN PRACTICALLY TASTE THE HOOCH – JOHN DIGWEED (AND JAMES ZABIELA)! 

THE SECTION WHICH. TRAGICALLY, PROBABLY WOULD PAY A FIVER A MONTH FOR TWITTER BUT WHICH WOULD NEVER, EVER, GIVE THAT MAN A FCUKING PENNY, PT.1:  

  • Mastodon: So, look, let’s get all this stuff out of the way quickly so we can go back to focusing on ephemera and not the seemingly-significant damage being wreaked on my favourite social media platform by a man who will, I strongly believe, soon come to realise that being responsible for what literally millions of people say on the platform you own is NO FUN AT ALL.  I obviously featured Mastodon way back in the day when it first launched, and I equally obviously created an account and signed up to an instance, and perhaps even more obviously have not gone back to it since because, honestly, it was empty and fiddly and no fun. BUT! If you are feeling like you simply can’t any more with Twitter, or at the very least want to explore somewhere to migrate to should That Man continue to dismantle it, you may want to explore Mastodon. It’s basically like Twitter, except it lacks the fundamental thing that makes Twitter good, namely ‘all the people’, and it’s…well, it’s a bit fiddly to get your head around how it all works. Effectively Mastodon operates on ‘instances’, each of which are basically a different version of the platform with their own rules on what is and isn’t acceptable, and all these different instances have varying degrees of contact and connection with other instances, and…oh, ffs, it’s just NO FUN. I have rather enjoyed seeing Mastodon advocates on Twitter this week attempting to educate normies on how easy it is to port your life over – “if you’ve ever run your own email server, this is basically a piece of p1ss”, ran one particularly optimistic comment, to which most reasonable people’s answer is “GYAC mate I have no desire to ever ‘run my own email server’, I just want stuff to work and to be able to get 16 RTs for a mild joke about Matt Hancock chowing down on wallaby sphincters” – but, honestly, it’s a bit of a faff. Still, should you be interested then there’s a helpful guide to the platform which does a reasonable job of explaining How It All Works and What It All Means, and here’s a tool to find people you follow on Twitter on Mastodon, and here’s a bit of code that lets you crosspost to both simultaneously if you feel like straddling the divide for a while (in my head this is a bit like JKVD in that now-iconic Volvo ad from about 10 years ago). Oh, and this is a typically-smart bit of writing by Dan Hon about Twitter and Mastodon and migration and communities and utility and fragmentation which neatly sums up a lot of how I feel about moving my digital life elsewhere (DONWANNA).
  • Nicheless: So one of the problems with ‘migrating to a Twitter alternative’ is that, fundamentally, Twitter does its ‘thing’ almost perfectly – or, at least, I can’t conceive of a better means to enable near-instantaneous textual communication from any individual to a potentially-infinite audience (let’s leave aside all the things that Twitter does very imperfectly, like context and nuance and user safety). Still, if you’d like something that is ‘Twitter, but slightly different’ and want to be one of what I imagine are literally HUNDREDS of people currently using a nascent social platform, perhaps Nicheless will be up your street. The gimmick here is that each post can be up to 300 words long, which the developers say will allow for NUANCE and DEEPER THINKING and LESS KNEE-JERK REACTION (lol these are human problems not software problems, kids), and which doesn’t have like counts or follower counts or anything like that. It also, from what I can tell, doesn’t have anyone really using it, but perhaps that will change after free Twitter becomes an unusable hellscape.
  • The DALL-E2 API: This is a very boring link and one which should only click if you are REALLY interested in API access to Dall-E2 – but for the two of you for whom that is the case, fill your boots! This is quite exciting, in a geeky sort of way – any developer can integrate OpenAI’s image generation magic into their site or app with a few lines of code – which, fine, you could do with SD too, but I think this is simpler and also ‘safer’ given the slightly more restricted nature of what you’re allowed to generate with Dall-E2. Basically expect to see every fcuking website under the sun chuck in some AI image generation magic over the next few months, because why not? Honestly, if you happen to work on any STAGGERINGLY DULL brands – think, I don’t know, a maker of cavity wall insulation – why not consider leavening your otherwise-skullfcukingly-tedious online presence with the ability for your customers to generate a sad-eyed puppy on a specially-dedicated webpage, driven by the ‘insight’ that people like puppies more than they like cavity wall insulation? You can’t think of a good reason, can you? See? That’s strategy, that is.
  • SD Libraries: Another week, another selection of Stable Diffusion models trained by other people and made available online. So here you can download and play with SD variants that have been specifically trained on the work of various different artists so as to mimic their specific style with particular efficacy. It’s not just artists, of course – for example, one of the 100+ models on here appears to have been trained exclusively to generate images of N64 consoles, which is a genuinely-odd thing to focus on – but there are a lot of what look like people’s names here, suggesting that a significant proportion are literally just designed to replicate the work of human artists. Which, obviously, is basically stealing, and is an excellent working example of how we really haven’t spent anywhere near enough time thinking ‘hm, how ought this stuff work to ensure that it is fair to the people whose output feeds the machines and to prevent them from being effectively marginalised by said machines to the point of obsolescence’ (ie we have spent no time at all thinking about this). If you’re interested in the questions around the rights and wrongs of this, there’s a good bit in the longreads section which touches on it – if, on the other hand, you couldn’t care less and just want to play with a stable diffusion model which has been taught to produce nothing other than images of a stranger’s border collie (no, seriously) then that’s ok too.
  • The Stable Diffusion Bias Explorer: The other thing that we’ve not really quite come to terms with is the fact of bias in models created by massive image sets – which is why this little toy on HuggingFace is a useful reminder of How This Stuff Works and The Assumptions That It Has Baked In As A Result. The tool lets you compare SD outputs for various professions, as well as letting you add adjectives to said outputs – so, for example, you can compare results for ‘engineer’ and ‘competent engineer’ and see how certain types of faces seem to be related to specific qualities in the ‘mind’ of the machines, and how said relationships can quite obviously be seen to be born of the very 20thC biases and assumptions of the images that the models were trained on in the first place.
  • Rewind: On the one hand, there is no way that this will work as well as advertised and as such it’s probably significantly less scary and scifi as it sounds on first investigation; on the other, FCUK ME THIS IS SO SCARY AND SCIFI (if I hadn’t decided a few years back that I wouldn’t use this comparison any more because it’s lazy and frankly boring, I’d invoke the spirit of that TV show about how technology can ACTUALLY sometimes have creepy and unintended social consequences!). Rewind purports to be “The Search Engine For Your Life”, which in many respects, fine, is effectively what things like Evernote have promised for years, except this takes things a step or two further by allowing you to search through ‘anything you’ve seen, said or heard’. It’s in early access, and it will be Mac-only, at least initially, but, honestly, this looks sort of like witchcraft – it’s worth watching the demo video, because whilst I’m usually sceptical about this sort of thing it really is rather impressive and made me momentarily think ‘hang on, this could be useful’ rather than my usual ‘I want to forget, not to remember, why must you make me remember?’. Basically if you’re the sort of person who believes in the vital importance of ‘keeping the receipts’ for everything, then a) you may like this idea a LOT; b) you’re kind of a nightmare and everyone finds you annoying, rein it in a bit please.
  • Breathhh: I think I’ve said before that I have…limited time for digital mindfulness tech, but this particular variant on the theme at least had the benefit of making me laugh out loud at how ridiculous it is. Breathhh (the name is, remarkably, not the most ridiculous thing about it) is a free browser plugin which purports to offer you AI-driven realtime advice on when you might want to do a small bit of mindfulness and meditation. I have dug through the site and they are…not exactly forthcoming about how this works and, specifically, what they mean by ‘AI’, but I am DEFINITELY SURE that this isn’t because it’s all made up lies. I am SO tickled by this – the idea that the app’s constantly watching your browsing habits and thinking ‘hang on, they’ve just sat staring at the Samaritans contact details for 20 minutes – IT’S TIME FOR SOME BREATHING EXERCISES AND MAYBE SOME POSITIVE AFFIRMATIONS!” I also particularly liked that, whilst the basic service is free, there is also a paid option, which strikes me as…optimistic. Still, who knows, maybe this really IS a magical solution that will enable you to browse the web in a more MINDFUL way! Please do let me know (and also, I have a bridge to sell you).
  • Horse Kicks: Via Lauren Epstein comes this EXCELLENT bit of odd – “Lexington, Kentucky is home to the world’s greatest equine athletes. For far too long, these multi-millionaires have been fitted with traditional, run-of-the-mill horseshoes. Horse Kicks is here to change that. Based out of Lexington, Kentucky, the Horse Capital of the World, Horse Kicks was founded to offer horses of all breeds and disciples the drip they deserve.” Yes, that’s right, this is TRAINERS FOR HORSES. Neigh-ki, if you will (COME ON THAT WAS A FCUKING GREAT GAG WHAT IS WRONG WITH YOU?). These are, as far as I can tell, an entirely-real thing, made to order by one Marcus Floyd, and I am SO HAPPY that this exists and I would like all the horses at the next Olympics to be wearing these for dressage please thankyou.
  • Introspectabilia: You know, whilst obviously it’s a terrible shame that quite a few people will have taken something of a haircut on the whole NFT thing, it’s also gratifying to know that the whole scene really was as empty and fraudulent as it looked from this angle. Still, it’s not totally dead yet, as evidenced by this website which is basically a showcase of a bunch of NFT art accompanying a real-life pop-up exhibition which is looking to tour in the coming year. “Introspectabilia is a pop-up exhibition of digital loops & physical artworks by design studio illo. It explores our relationship with technology by depicting 10 emotions we often feel online, despite being unnamed yet.” The website presents artworks from the exhibition, which are (sorry!) all available to buy as NFTs – but that’s got nothing to do with it really, and I can forgive the artists for having a go at monetising their digital art, and the work here is significantly more interesting than the glut of poor-quality vapourwave-aesthetic giffery that characterised the NFT boom of 2021. I…I like this, and I don’t think I’ve said that about anything NFT-related for over a year so WELL DONE EVERYONE!
  • The Miniverse: Another week, another entry for Matt’s Big Book Of Brands Who Have Been Absolutely Taken To The Cleaners By Some Silver-Tongued Metaverse-Peddling Snake Oil Salesman And Who Will Have Some Difficult Conversations About Value For Money And ROI Coming In The Next Financial Year If There’s Any Justice. This week it’s Mini who take the mantle of ‘idiots who should have known better’ – even worse, they have called their poorly-coded, pointless and unsatisfying digital sandbox ‘The Miniverse’, which is unforgivable and should alone be enough to condemn whoever’s responsible to an eternity of poorly-rendered VR experiences. The Miniverse (sorry) is – and this may shock you, so hold on to your seat – a series of 3d environments in which the user moves around…for no discernible purpose whatsoever! Exactly what the user is supposed to get out of this – a website in which you can ‘drive’ a Mini around a series of slightly-fantastical ‘zones’ – is unclear, but it’s certainly not ‘fun’; the environments are, fine, at least, pleasingly-odd and full of ramps and curves and loop-the-loops, but the experience of driving is genuinely horrible and glitchy and weightless and crap (contrast this with the Slow Roads driving toy featured last week which was pleasing and weighty and beautiful), and there’s simply no point to any of it – you don’t learn anything about the cars, and there’s not even the most basic ‘click to book a test drive near you’ functionality, and I just don’t know why it exists. Except I do – it’s because one of YOU fcuks, you advermarketingprdrones, sold them it. You should be ashamed.
  • All The Starlinks: This is a live(ish) map of all the Starlink satellites currently in orbit and FCUK ME are there a lot of them. Is…is there a plan for what happens when our orbit gets full? Because that’s sort-of possible, right? Is surrounding the planet with space junk going to be the sort of thing that comes back and bites us in a century or so when we’re finally in a position to try and escape the horrible burning mess of a planet we’ve created so as to go and do it all again a few hundred light years  away?Things I am simultaneously happy and sad that I will never know due to being long-dead.
  • Play Chess Against Grandmasters: I rather like this idea – this site has taken a bunch of matches played by ACTUAL CHESS GRANDMASTERS and used their moves to create a series of ‘bots’ against which you can play, which bots will attempt to play the moves that the GMs did in actual matches when confronted with the same board. Which in theory works fine, but which obviously only works if the board is configured in a way that matches one of the database entries for the GM you’re playing against – which means that if you’re, like me, a terrible chess player whose personal style can best be described as ‘suicidally idiosyncratic’ you will regularly find yourself arranging the board in configurations that would never happen during a match between two players who actually know what they are doing. Still, if you play a bit this could be quite a fun training toy.
  • The TIME Magazine Faces Project: Ooh I like this – “This is an examination of an archive of Time magazine containing 3,389 issues ranging from 1923 to 2014, focusing on images of faces. We extracted 327,322 faces from the archive, categorized all of them by gender, and obtained detailed characteristics of a subset of 8,789 of those faces. We use computer vision analysis, combined with contextual research and methods from the humanities, to elucidate trends and patterns in the visual culture reflected by the publication. In particular, we are examining how representations of the human face have changed over time, and seeking relationships between the visual features we discover and their corresponding socio-political contexts.” This is really nicely done – you can see the faces extracted and arranged by similarity, see how the average face featured in the magazine has changed over the years, see the proportion of faces of different ethnicities, etc etc. Aside from anything else this is a great resource for anyone looking to research the changing nature of How Media Represented The World in the 20th and early-21st Century.
  • Infinite Conversation: This is SUPERB – well done Giacomo Miceli, whose work it is. Infinite Conversation is another ‘look what you can hack together with all these exciting new AI tools!’ project, which in this case has created an imagined conversation between Werner Herzog and Slavoj Žižek – Giacomo doesn’t explicitly name the tools used, but I would imagine it’s a combination of GPT-3 and one of the voice synth toys (I seem to recall at least one of them has an off-the-shelf Žižek model) and the resulting output is, whilst obviously gibberish if you spend a minute listening to what they are actually saying, quite remarkable. There’s a fluidity to the dialogue that is oddly, almost unpleasantly, human, in part aided by the fact that both interlocutors aren’t native English speakers and as such the slightly-halting nature of text-to-speech software doesn’t jar too much, and it made me think that it’s actually going to be incredibly easy to create convincing audio fakes of people speaking in their non-native tongue. Honestly, this really is quite astonishing and made me feel a bit ‘funny’ in that now-familiar ‘I both like and fear this and don’t quite understand how to feel as a result’ way.
  • 3d Pollen: 3d models of pollen particles which, if you like, you can print out using the 3d printer that you OBVIOUSLY all have knocking around at home. If I had such a thing – which I don’t – I would use it to print out models of pollen and then hand them out to all my hayfever-suffering colleagues as a nice ‘here’s to the start of spring’ gift as soon as their noses started running, but I’m particularly nice like that.
  • Inside The Great Pyramid: I’m probably not going to ever visit the Great Pyramid of Giza – tangentially, there’s something quite oddly-liberating about admitting these things to yourself as you age; “nope, never going to swim with dolphins; turns out, don’t care!” is a freeing thought, for example – but I now feel like I sort-of have anyway, thanks to this really rather good 3d tour which has been created by (I think) the Giza project which is part of Harvard University. You can properly explore the inside, although I have to warn you that I wasn’t able to find any evidence of either mummies or some sort of murderous Anubis-worshiping cult anywhere in the interior, and it’s pretty fcuking incredible to be honest. One of those ‘oh, look, the internet is in fact actually really good after all’ moments which, honestly, are a bit rarer than I would like them to be.
  • National Parks: A map of all the national parks around the world, which is a GREAT resource if you’re the sort of person for whom a holiday has by law to involve thick socks, hiking boots and those sorts of weird skipole things that middle-aged German walkers seem to carry with them everywhere but which they never actually seem to do anything with other than gesticulating angrily at me to get out of their way as they pass me, wheezing emphasymatically (this may not be a word but I don’t care), on a mountain trail. Why does France have so few national parks, by the way?
  • Freetone: Adobe and Pantone have done a fcukery, which basically means that unless you pay a monthly subscription fee you will no longer be able to get exact Pantone colours in your Adobe products. Which, obviously, is something of a p1sser given the fact that Adobe have one of the world’s most hateful near-monopolies. You can read more about the issue here if you like, but the main link here takes you to artist Stuart Semple’s free plugin which will effectively let you get around this. “FREETONE by Stuart Semple contains 1280 colours including digital versions of his Pinkest Pink, Incredibly Kelinish Blue, Black 3.0 and TIFF. That unlocks a whole books worth of very Pantone-ish colours. 1280 Liberated colours are extremely Pantoneish and reminiscent of those found in the most iconic colour book of all time. In fact it’s been argued that they are indistinguishable from those behind the Adobe paywall.” Designers, fill your boots.
  • Moonwalkers: These look like a joke, but, apparently, is a REAL THING which has raise nearly £250k on Kickstarter with three weeks still to run. Do YOU want the magical ability to ‘walk at the speed of a run’? If the answer to that is abreathless, sweaty ‘YES MATT YES I DO’ then you might want to get involved with these – attachments which you clip onto your shoes and (as far as I can tell) turn them into what basically look like rollerskates BUT WHICH ARE ELECTRIC! So you’re basically strapping small cars to your feet which will help you walk more efficiently and faster and HOW IS THIS SAFE? HOW DO YOU KNOW THAT YOUR LEGS WON’T START MOVING AT WILDLY DIFFERENT SPEEDS? I can’t think about this without having very vivid visions of eating a LOT of curb, basically, and it’s freaking me out rather. Also – and this may or may not concern you, but it’s worth mentioning – these look REALLY silly, a bit like orthopaedic footwear of the sort that you’d normally associate with this guy (TOPICAL REFERENCE). Obviously these will become hugely popular because, as I have often and amply demonstrated, I am basically the anti-Nostradamus, so YOU SAW THEM HERE FIRST.

By Liz Sexton

NEXT UP, EVEN THOUGH IT’S A FEW DAYS LATE, HAVE THIS SLIGHTLY-HORROR-THEMED AMBIENT/FOLK-Y MIX BY THE EPHEMERAL MAN! 

THE SECTION WHICH. TRAGICALLY, PROBABLY WOULD PAY A FIVER A MONTH FOR TWITTER BUT WHICH WOULD NEVER, EVER, GIVE THAT MAN A FCUKING PENNY, PT.2:

  • Super Yu-Gi-Oh: There are a few aspects of the millennial experience that I simply do not understand, and card-battling games like Pokemon and Yu-Gi-Oh are some of them (see also: Dragonball Z, Harry Potter, Ariana Grande, Starbucks, giving a sh1t about stuff) – still, I understand that they are very popular and for some of you will be charmingly redolent of YOUTH and THE PAST and TIMES WHEN THINGS WERE SIMPLER AND BETTER. Even if you don’t have the first inkling about how Yu-Gi-Oh works, though, or even really what it is, you will be impressed by this link which takes you to a Twitter thread detailing how a French streamer has made a quite-incredible AR layer to allow themselves to do some next-level streaming of their card-based hobby. You have to watch the clip to get the full effect – and there’s a link to a YouTube video in subsequent tweets which will show the full extent of the build – but, basically, imagine that when you played a card you got to see the monster associated with said card doing all of its monster-y stuff on screen via the magic of AR and you get the idea. This is, to be clear, not technically revolutionary – this sort of thing has been on shelves for a while in various forms – but what’s amazing is that it’s all DIY. Again, one of the genuinely-exciting things about the past 12 months has been seeing the proliferation of insanely-powerful tech and software that can be frankensteined together like this to make some quite remarkable things – it makes one almost hopeful.
  • The Solo AI Awards: One of the occasionally-annoying things about not having the first idea as to who reads this and what they click on (a deliberate choice of mine, by the way, before anyone offers to build analytics into the Curios experience – honestly, I really don’t want to know how few people care) is that I have no idea whatsoever whether any of you will find this link interesting or useful. Still, fcuk it, I don’t do this for you, I do it for ME. Ahem. Anyway, the Solo AI Awards is a new prize for AI artworks which was announced recently and which is currently accepting entries – “SOLO AI ‘23 Awards is an open call that aims to foster, acknowledge and support the use of AI as an artistic tool within the paradigm of the digital world. AI’s new aesthetics and languages are shaping the contemporary art field at an accelerating rate, raising a full range of questions about the present and future of artistic creation regarding issues such as originality, creativity or authorship. For this reason, SoloJSN, hosted by Colección SOLO, creates SOLO AI ‘23 Awards to encourage artists to expand and enrich the possibilities around innovative digital art. SoloJSN will grant one artist 10.000 euros from among 10 finalists eligible for the possibility of taking part in a collective exhibition held at Espacio SOLO” I will be fascinated to see entries and winners from this – I hope that one of you knows someone who should enter.
  • NaNoGenMo: It’s November, which means NaNoWriMo (you don’t need me to explain this to you, do you? Good) but also its lazy cousin NaNoGenMo, in which coders work to create a generative novel through the month of November. It’s been going since 2013(!), and, honestly, this week I lost more time than I care to admit going back through the years and seeing how generative text has changed and evolved over the years. This is perhaps the first time that it’s feasible that someone could create something…actually quite readable, so this is probably worth keeping an eye on even if you’re not thinking of participating yourself. As previously noted, by the way, I think it would be quite a lot of fun to see if you could palm off a NaNoGenMo text as a NaNoWriMo text – although, fine, it would be Bad News for novelists.
  • This House Does Not Exist: You know the drill by now – imagined images of houses along with descriptions of said houses. These are really rather good – quite architect-y in style – and tbh I quite want to live in at least three of the ones I’ve spun up on the site.
  • Haircuts by AI: Using Stable Diffusion, this lets you upload three photos of yourself and then, if you pay the site a fiver, generate a bunch of different haircuts for you to see what you look like. What’s interesting about this is less the idea – so far, so standard – and more the monetisation model; whilst $5 seems a bit steep to me, I could totally imagine something like this being quite an attractive ‘fcuk around and find out’ toy for a $1 fee. Which, given how quick and relatively-easy it is to train and set this stuff up, means that an enterprising developer can set up a bunch of things like this with low-level price points and probably keep a reasonable peppercorn income coming in with a bit of light promotion across socials. This is, guaranteed, absolutely an area in which one or two people are going to make quite a lot of fast cash in the next 12 months or so.
  • Simpsons Albums: Album covers that look like single frames from The Simpsons, because it is law that there is no facet of human existence or experience that cannot be filtered through Matt Groening’s yellowfaced prism.
  • SuperTunnel: This is a lovely little student project by Vinicius Suerio as part of their MSc in interaction design, which lets you model a tunnel through the earth from any location. “For thousands of years, physical objects have been used to represent data – like using pebbles to account for votes in ancient Greece. Such representations, especially newly computer-supported ones, became the focus of an emerging field called data physicalization. As part of my master’s in interaction design, I explored how data physicalization and tangible interaction could be combined. More specifically, I studied how an object might convey data not through its shape, but only through our interaction with it. I proposed a tangible and embodied

artifact (a shovel equipped with orientation sensors) that could be used by visitors of Earth sciences museums. By pointing the shovel to the ground at different angles, visitors could learn where in the world they would end up, if they were to dig a hole towards that direction.” This is simple but SO nicely-made and  satisfying to play with, testament to the power of good interaction design.

  • Yarn Picker: I presume that, given winter’s closing in and we have all been told that our mortgages will cost eleventymillion quid a month and we can’t afford to turn the heating on, that you will all be planning on spending the winter months knitting an increasingly-voluminous series of scarves and hats and jumpers in an attempt to stave off both boredom and frostbite. In which case, you might find this site useful – you can pick any shade you like from a colourwheel, and the site will provide you with a bunch of yarn brands that you can buy that match the colours you’ve selected. The site’s American, and I know literally nothing about knitting and whether or not the brands it recommends will be available internationally, but, well, here’s hoping. If anyone wants to knit me a scarf, by the way, that would be lovely.
  • Lost Cat: Oh God I love this – WONDERFULLY pointless but very charming indeed, and I am slightly sad that it’s taken me this long to learn about it. Steve Chapman is one a mission to get as many copies of his ‘LOST CAT’ poster pasted up around the world as possible; currently it’s in over 50 countries, including Antarctica, but I think we can help spread it more widely. Steve explains: “One day whilst walking I saw a lost cat poster.  Whilst it was sad that somebody had lost their cat I couldn’t help but notice how majestic the picture was of the animal.  Tall, proud, slightly cross-eyed.   The picture made me wonder whether the cat was actually lost or whether the owners were just showing off what a great cat they had. When I got home I painted the cat and then decided to turn the piece into a poster to show off my painting of the magnificent beast.  A couple of days later I took a bunch of posters and put them in random places around London.  Surprisingly they elicited a remarkable response with pictures of  my (Not a) Lost Cat posters popping up everywhere on social media and people asking if they could get involved. On the back of the London experiment I decided to expand the project and see how many locations around the world I could get the (Not a) Lost Cat posters put up in.  Since then the project has taken on a life of its own with posters now in 52 countries across all seven continents.” If you happen to live outside the UK, could you maybe consider printing and putting up one of these? GO ON I NEVER ASK ANYTHING OF YOU GO ON FFS.
  • The Entertainment Memorabilia Auction: This is happening RIGHT NOW! And it is INSANE – there is SO MUCH in here, from silk suits worn by the Beatles to some cans of fizzy pop produced as props for the film ‘Joe Vs The Volcano’, to a bunch of Jim Henson’s Creature Workshop stuff from Labyrinth, to, er, a pair of headphones allegedly owned by Ed Sheeran. Honestly, there is absolute GOLD here, but bear in mind that the prices reflect that and there doesn’t seem to be much below the grand mark. Today is music stuff, tomorrow and Sunday film & TV – yesterday was, it seems, the day they flogged all the Star Wars stuff so if you were hoping to own a maquette model of a landspeeder then a) you can’t, sorry; and b) GROW UP FFS THERE ARE OTHER FILMS AVAILABLE.
  • The Spirit: This is an entirely-pointless but very pleasing bit of particle simulation in (I think) webGL – move your cursor around and enjoy the lovely, soothing particulate sweep as it wafts across your screen. This is going to sound silly, I appreciate, but there’s an odd sense of personality to the particles here which makes me like this a lot (see? Told you it would sound silly).
  • Reddit2Video: This feels a bit cheeky, but, well, all’s fair in love and content. See a video on Reddit that you think would make the basis for good content on another platform? Well use this service to rip the source and repurpose it for whatever other social network you choose – this will reconfigure vids from Reddit to work as material for TikTok, Insta and all your other favourites, which is particularly useful for the ‘I position myself as a talking head to opine over a heavily-annotated video’ content style so beloved of the kids. As an aside, I wonder what it’s going to be like in a few years’ time when literally everyone has spent their formative years training themselves to deliver monologues like a fcuking news anchor or late-night TV host (‘insufferable’ is the answer, in case you were wondering)?
  • Freja Christiana: The website of the collected projects of digital artist Freja Christiana, which are presented without much – if any – explanation and which are slices of small, beautiful digital play and experimentation. I strongly encourage you to take 10 minutes and just click around the various works and see which of them speak to you (I know, I know, but I promise that they will speak to you in some small way). This comes via Kristoffer’s ‘Naive Weekly’ newsletter, which I know I have recommended here before but which I would like to recommend again as it is a source of such WONDERFUL, odd little links and projects that never fail to interest and please.
  • European Wildlife Photographer of the Year 2022: You know the drill by now. Another photography prize with superb entries slightly let down by a website that simply isn’t very good at displaying photos – still, my tedious kvetching about webwork aside, this is another wonderful selection of images. My particular favourites are the one of the spider on the ceiling which is just all sorts of threatening and could basically be a movie poster for a particular type of arachnophobes’ nightmare, and the one of the kid in the bearskin looking like a real-life Max from ‘Where The Wild Things Are’, but, as ever, I encourage you to pick your own.
  • AdjectiveFinder: I confess to being a bit sniffy about writing, at least in terms of my willingness to solicit help from digital assistants and the like (of course, this sniffiness totally fails to take into account the very genuine feelings of horror and revulsion I occasionally get when I read back my work and I realise how often I reuse certain expressions or phrases – do you reckon Jay Rayner gets the same when he realises he’s once again described a dish as ‘spun through’ with something, or Grace Dent when she suggests for the nth-fcuking-time that a particular plate of food has been ‘titivated’? And do you think there’s anything more hubristic than some no-mark sitting in his pants writing a newsletter that’s read by, at best, a dozen or so webmongs comparing his output to two national newspaper restaurant critics?), but this one seems…quite good. Simply give it a simple adjective and it will suggest a superlative for said adjective – so, for example, ‘very open’ could be ‘exposed’, or ‘very stupid’ could be ‘feebleminded’. This seems to work quite well, and feels like exactly the sort of thing that would be superuseful if incorporated into GDocs.
  • Bauhaus Pedagogy: Now THERE’s an enticing title for you. Still, if you’re in any way interested in the Bauhaus movement, or indeed the general history of design, this is a very good site indeed. “With the project ‘Schools of Departure’, the Bauhaus Dessau Foundation is working on a digital atlas of Bauhaus pedagogy after 1933. This atlas combines research into the global interrelationships of Bauhaus with other twentieth century plans to reform design education. Instead of starting from the notion of “influence” of the Bauhaus based on the premise of the Bauhaus as a “centre” with movement to the non-European “periphery”, the atlas renders visible the diverse interconnections. In doing so, it proposes an interpretation of Bauhaus pedagogy as a constantly changing combination of approaches to education, thus challenging the idea of a self-contained Bauhaus teaching concept which was applied as a model in various schools. Travelling concepts in the context of this project are understood as figures of discourse, each with changing connotations of meaning, that keep the explorations of the different schools and learning collectives in constant exchange through their oscillation between disciplines and cultures.” This is actually a pretty-engaging way of learning about Bauhaus and what it meant and its influence.
  • DallE Album Covers: Specifically, a Twitter account that shares Dall-E generatyed images that would make banging album covers. If you are in a band you should probably consider nicking some of these as they all absolutely slap.
  • Flight Guesser: This is technically a game, but, honestly, unless you’re someone with a VERY detailed knowledge of flight paths then you’re unlikely to get much joy out of it. Still, for those of you who are AVID PLANESPOTTERS (who knows? Maybe one of my twelve readers spends all their spare time when they’re not reading Curios hanging out at the far runway at Gatwick South?) then you might enjoy this game – you get shown a ‘live’ map of planes, and clicking on any of them will let you guess where it’s going from, where it’s going, and even its altitude and the airline in question. Honestly, to my mind this is literally impossible, but, well, fill your boots.
  • You Have Not Died of Dysentery: Finally this week, a browser game which is basically the hoary old classic Oregon Trail but with less dying of dysentery. Your mileage here will largely depend on the extent to which you are familiar with the original, but there are some moderate lols here if you are – and, if not, this is still a better way of passing 15 minutes this afternoon than fiddling around with slides.

By David Alvarez

FINALLY IN THIS WEEK’S MIXES, ENJOY THIS COLLECTION OF DISCO-ISH HOUSE-TYPE STUFF (THAT’S THE TECHNICAL TERM) COMPILED BY NIGHT DANGER! 

THE CIRCUS OF TUMBLRS!

  • Awkward Spyro Photos:  Spyro the Dragon, looking awkward. I have a special place in my heart for Spyro from back in the day when I did PR for one of the (not very good) games in the franchise and my colleague Andrea had to do a media tour dressed up in a literal ‘Spyro’ costume like some sort of really sh1t mascot (we got a picture of her in at least one terrible consumer magazine so it was totally worth it), and this made me weirdly nostalgic.
  • Phoebe Bridgers Art History: Phoebe Bridgers is very much one of those artists that means nothing to me whatsoever but whose work I am pretty sure I would have adored had I first encountered it in my teens or 20s. Anyway, this is a Tumblr collating her song lyrics overlaid on artworks for PROFOUND EFFECT.
  • The Blorbo Project: There’s a lot of excited chat over on Tumblr ar the moment about how the recent reversal of the nipple ban combined with Twitter’s well-documented Muskian travails could potentially mean the site seeing an influx of FRESH MEAT and returning to its position as a hugely-culturally-significant platform; stuff like this seems to me to be why Tumblr is forever condemned to be ‘a bit niche’. Does this mean anything to you? If so, you possibly want to reevaluate your life in some small way: “Do you have a favorite blorbo? A poor little meow-meow? A cinnamon roll who never did anything wrong in their life? If so, then we’d love to hear from you! Tumblr and Twitter users who are familiar with these terms – or have at least seen them being used! – are invited to take this survey on what they mean, where we use them, and who they apply to.” All websites cause brainworms, but it’s fascinating to see how the specific nature of the brainworms varies from platform to platform.

THE TROUGH OF (INSTA) FEEDS!

  • Things We Won’t Keep: From the most recent Naive Weekly newsletter (mentioned and linked above) comes Kristoffer’s Insta account which he is using to sell off bits and pieces of stuff that he and his family no longer want or need. Which is both an interesting use of Insta, and a pleasing insight into the minutiae of someone else’s life as seen through material possessions.

LONG THINGS WHICH ARE LONG!

  • Twitter Thinkpiece The First: One of the most annoying things about the Musk/Twitter thing, from my selfish point of view at least, is that, as someone who writes about social media (not here, you understand; elsewhere, for a Real Publication that Actual People read), I now have to listen to what that fcuking man says and, even worse, because of who he is and the sort of people who seemingly enjoy nothing more than tonguing his slack and gamey bunghole, read a whole lot of commentary about WHAT IT ALL MEANS and WHAT IS GOING TO HAPPEN from some of the worst people on the web. Which is how I found myself reading Matt Yglesias’ Substack – not something I ordinarily do, and on this showing not something I will do again. I am including this link because it’s a neat example of how crap much of the ‘analysis’ about the Musk/Twitter thing is, and how much of said ‘analysis’ comes from the point of view of people who use the site in ONE VERY SPECIFIC WAY and don’t seem to be able to understand or empathise with other users who are not them, So Yglesias, a man who could famously beef with an empty TL, talks a bit about some fairly banal feature tweaks he’d like to see and then comes out with this STAGGERINGLY dumb line which I would like to reproduce in full so you can laugh at it too: “More broadly, I think left-of-center people working in media or creative fields or academia or political advocacy need to get used to the honestly quite banal idea that many successful and capable businesspeople have right-wing political views. The whole point of right-wing politics is that successful businesspeople should pay less taxes, so there’s a natural affinity there.” Take a moment to really ENJOY that final sentence – and that, friends, is why you don’t ever need to listen to anything Mr Yglesias says ever again.
  • Twitter Thinkpiece The Second: Look, you probably don’t need to read anything else about Twitter and Musk, but if you’re a glutton for it then this was one of the less-bad pieces I read in the past week, characterising the whole deal from the point of view of Musk as a poster, and the fact that a large part of the enjoyment of Twitter for a certain part of the userbase is watching people you perceive as enemies swill down huge quantities of what’s commonly known as copium, and how in a weird way there’s a significant part of all of this that is just about that. I know it’s a thesis of mine that’s a couple of years old, but I still reckon it’s true – you can file this under the wider heading of ‘everything everywhere is kayfabe’. .
  • Welcome To Geriatric Social Media: I thought this was a very good piece, though, capturing much of what I feel about the current State Of The Platforms and Where We Go From Here – specifically, the way in which the rise of video as a the de facto medium for social communication (or at least the medium that works for/is preferred by the largest number of people) is fundamentally altering the manner in which we use platforms and how they work, and how this is presaging a fairly fundamental difference in the way in which we present ourselves and communicate. It’s summed up in this paragraph, but I strongly encourage you to read the whole thing and see if it resonates: “This shift still feels like social media—but in the way that YouTube is considered social media. It’s about feeds and broadcasting in a way that, even with individuals, feels very conscious of people as internet brands. What feels much less ascendant is the more personal and informal status-update form of social media, which we’re seeing get funneled into siloed messaging apps, text threads, and chat communities like Discord. The broadcast-focused version of social media, as Munger suggested, is one with people who argue about politics in green-screened “videos that look more like a John Oliver or Tucker Carlson cable-news clip than anything else.” You could say that social media isn’t exactly dying, but bifurcating. Apps like Twitter—which don’t really offer the ability to split status updates and broadcast capacities or switch to short-form video posting—and Facebook—which are essentially so rotted out by network decay—are not fertile ground for this kind of consumption shift.”
  • Meta Myths: I don’t ordinarily link to Ben Thompson because I sort-of assume that all of you probably read him already, but this recent essay about why he is a bit more bullish on Meta’s prospects than perhaps some others is interesting. I broadly agree with much of what he says here – the decline of FB in the West is only part of the picture, it’s still on the upswing in the developing world, it’s still ‘the internet’ for a significant swathe of the world’s population who literally see its products as the only ways to use the web and the framework through which all their digital lives work, and it still has a really good ad product which is largely unmatched in letting anyone reach potential customers for pretty much fcuk-all money – but personally don’t think he’s critical enough of the metaverse stuff and the insane sums of money being invested in a vision that there is currently no evidence of anyone at all wanting outside of the people who want to monetise it. I actually thought that this article on VICE was a slightly-better ‘state of the Meta-verse’ (lol sorry) piece than Thompson’s, but they work quite well as a pair and if you’re in the business of Having Opinions About Big Tech then you might find them useful.
  • A Dose of Rational Optimism:  This is a review of, and discussion around, “Slouching Towards Utopia: An Economic History of the Twentieth Century” by J. Bradford DeLong, and it is GREAT – the piece analyses the book and its central question, to whit: ““Why, with such godlike powers to command nature and organize ourselves, have we done so little to build a truly human world, to approach within sight of any of our utopias?”, and offers a whistlestop overview of the economic trends which characterised the 20th century along with some interesting analysis of how they ended up failing us. SPOILER: the author argues, persuasively, that neoliberalism might not have been the massive success story its proponents like to claim, as summarised here: “The great puzzle of neoliberalism, DeLong astutely maintains, is how it preserved and even consolidated its intellectual grip even as it straightforwardly failed to achieve the social outcomes it promised. Milton Friedman, DeLong notes, insisted that repealing the elaborate economic management apparatus of the New Deal would produce price stability, something close to full employment, and a socially tolerable distribution of income. But none of that actually happened under Reagan and Thatcher. Inequality skyrocketed, as did unemployment. There are true believers who insist that their program wasn’t sufficiently libertarian—Social Security, the NHS, and defense spending all survived. But the retreat on fiscal and regulatory policy was real, and the results were higher unemployment and deeper inequality. That should have been enough to discredit the program. Instead, DeLong notes, Bill Clinton declared the era of big government to be over, and Barack Obama called for deficit reduction with unemployment over 9 percent.” This is a good read and made me actually want to read the book it’s about, which NEVER happens.
  • Get Blogging: One of the BIG THEMES of this year, at least from my vantage point, has been the sense of a reemergence of a sense of the independent web and individual projects, whether as part of the boom in available free tools for people to make words and pictures and videos with or as part of the creeping realisation that mass-reach social platforms are perhaps not the be all and end all of the online experience, and that in fact eschewing them can occasionally have positive effects. So it is that we now have websites like this, designed to encourage YOU (yes, that’s right, YOU! Or your friends or family or children!) to take up the exciting, Olde World mantle of blogger! I felt SO OLD when I realised that the author (quite rightly, I suppose) felt the need to explain the etymology of the term ‘blog’, but otherwise this is a really good, practical overview on how to get started if you want to make like it’s 2007 again and start SPEEKING YOUR BRANES on your own personal corner of the web. I honestly thing that it’s SUCH a good exercise for anyone who writes even a little, and that you could do worse than taking it up simply as a way of forcing yourself to practice, but as someone who’s almost certainly committed literally millions of words to HTML by now I probably would say that.
  • Becoming The AI Model:  Friend of Web Curios Andy Baio (HI ANDY!) speaks to artists who’ve found their work used to train AI models, and discovers that – unsurprisingly! – they have one or two reservations about the way in which their work has been commoditised. But! There’s nothing they can do about it! This article neatly-illustrates one of the central problems that we’re increasingly seeing with questions of training data and the like – that the technologists tend to simply not quite get the extent to which an artist’s style is an extension of them, and that simply ‘taking’ it and making it available to all can feel like a violation in ways that are significantly more complex than simple questions of ‘rights’. Andy quotes one of the model creators he spoke to as saying “artists won’t really have a say in how these models get written or not,” and it’s hard not to sadly agree.
  • Worldbuilding: File this alongside that longread about the emergence of ‘lore’ as a core part of brand identity from earlier this year – this is an essay (from the occasionally very good Dirt newsletter) which touches on the extent to which the creation of ‘worlds’ (wider narratives, multiple touchpoints through which to tell a brand’s story) is an increasingly important part of business. Much of this is the sort of thing which will have older veterans of advermarketingpr nodding sagely, smiling wryly (yes, I know, noone has ever ‘smiled wryly’ outside of really badly-written novels, but it’s a cliche’ that I can’t help but enjoy) and murmuring ‘ahhh transmedia!’ to themselves (although nothing quite as bad as that risible ‘is Taylor Swift building the real metaverse’ piece which I am linking to here solely to point and laugh), but I found the general concept to be persuasive: basically, “Consumer brands, from the iconic (Nike, LEGO, The Coca-Cola Company) to the newly emergent (Duolingo, Ruby Hibiscus Water, Poolsuite), are equally invested in developing product-oriented worlds. It’s the latest evolution in the ubiquitous pursuit of branding. “Brands” — agglomerations of logos, slogans, and signature aesthetics — are limiting, while “worlds” are immersive and interactive. Branding, then, is just the flimsy precursor to worldbuilding. To contend with our ever-slimming attention spans, even advertisements are concocting persistent storylines with fictional characters and backstories to compel consumers into caring. Jake from State Farm has a mini-series on TikTok, where he performs “good neighbor deeds.” If a story becomes exhausted, a franchise can simply explore more of its setting. A character with a singular narrative has limited branding potential. A world, by contrast, offers infinite possibilities.” Is this cheering? No, not particularly but hey ho – just think, even if you don’t ever get that novel written perhaps you can scratch that creative itch by contributing to the development of the Swarfega Extended Brand Multiverse.
  • History Repeating On You: I link once again to perennially-furious media commentator Mic Wright’s ‘Conquest of the Useless’ newsletter, which this week provided this excellent little bit of analysis of How Columns Work in the UK media – specifically, he dissects a recent bit of writing in the Times about how the 00s were a decade in which nothing happened and neatly demonstrates all the ways in which it is demonstrably either factually incorrect, poorly-argued or internally-contradictory. This is a very good piece of explanatory analysis which does the twin jobs of both exposing the flaws in the column and its writing whilst also demonstrating exactly how these things are constructed from the ground up; it provides yet another compelling argument for the increasingly-vital thesis that all UK newspaper columnists should, without exception, be forbidden from doing the job for more than a maximum of six months (or, perhaps preferably, at all).
  • The Moneyball Effect: Or, ‘why using data to make decisions about everything has perhaps not in fact made everything miles better’. This piece starts with sport and then expands to briefly touch on films and music, but I feel SO STRONGLY that this is effectively the case in almost every facet of human endeavour. Analytics leads to statistical bunching around the most effective strategies, which creates homogeneity, lessening edge-cases and generally making everything more boring. If all you do is listen to the data and the data says X is the most likely action to yield the greatest reward, then everyone who listens to that data will take action X – which means everyone will do the same thing. Which, yes, fine, is an appallingly-reductive and simplistic way of looking at things but, equally, it’s also true. I know that ‘data has ruined creativity’ is the sad, dying cry of the old adland warrior, bleeding to death from a thousand (budget) cuts, but, well, it sort-of feels true.
  • The Rise of the Millionaire LinkedIn Influencer: In a weird way this piece feels like an offshoot of the last – because what is the rise of the LinkedInfluencer other than LISTEN TO THE DATA writ large? People discovered that line-break business broetry delivered numbers, and LO IT CAME TO PASS THAT LINKEDIN IS NOW NOTHING OTHER THAN LINE-BREAK BUSINESS BROETRY! What I find most remarkable about this is the very real sense that…there is no value here. The LinkedIn posts are empty of meaning; the people selling the skill of how to write the LinkedIn posts are selling the ability to sell…nothing. The engagements resulting from the posts offer no tangible value whatsoever. There is no THERE there, no HERE here, it’s just some sort of ponzi scheme of bland business bromides as far as the eye can see. I know I’ve said it before, but I wouldn’t be wholly surprised if LinkedIn was revealed to be a two-decade-long performance art piece in a few years’ time.
  • Social Media As Evidence: We return once again to El Salvador! You might be asking yourself “well, we know that the whole Bitcoin thing has gone a bit sideways, fine, but let’s not judge poor Nayib Bukele solely on his absolutely-definitely-in-no-way-gak-addled crypto dreams! How’s he doing on the other key metrics of governance like, say, law and order?” Well I’m sorry to say that the answer appears to be ‘not so well’, as this report in Rest of World outlines, with ‘evidence’ collected from social media increasingly being used as grounds for prosecution. “The rise of social media-driven arrests in El Salvador came about as a result of Bukele’s push to get citizens involved in his crackdown by reporting suspected crime. In May, the Salvadoran police (PNC) opened an official, dedicated phone line to receive tips from citizens who suspected others of being so-called terrorists, as the government refers to gang members.”. Honestly, El Salvador right now is very much in the ‘fictitious setting for the new Far Cry game’ territory, which is all sorts of miserable. Poor Salvadorians.
  • A Throuple’s Geometry: I confess to having in the past been a bit sniffy about the idea of polyamory, not least because of the propensity of people who are into polyamory to go on about it all the fcuking time as though I am supposed to care about the extremely-tedious admin that goes into maintaining your fcuk rota. This article didn’t change my mind, but I did very much enjoy reading this account of the author, their husband, and the Summer they spent inviting a third man into their marriage.
  • Your Mental Illness Beliefs Are Incoherent: I’m increasingly of the opinion that much of the past decade’s focus on mental health – or at least the pastel-coloured ‘saddy waddy’ version of it that’s presented in the media and advertising – has been actively bad for our understanding of, and empathy with, people with serious conditions such as schizophrenia or bipolar disorder. Freddie de Boer agrees with me, as he argues in this excellent essay which I really strongly recommend you read all of but which can broadly be summarised in this paragraph: “So it’s a great time to be an upwardly-mobile Swarthmore graduate with a professional-managerial class job who never shuts the fcuk up about having adult ADHD and whose penalty for failing to take their medication is that they send only 80 emails in a day instead of 100. Those for whom mental illness is a hashtag. It’s a less cool time to be someone with severe paranoid schizophrenia whose medication comes with punishing physical and mental side effects and whose penalty for failing to take that medication is that they start muttering bizarre conspiracy theories about the Jews. For the former, online culture has limitless patience and support. For the latter, who violate identity norms when sick, online culture has only censure and blame. For years now, the severely ill have been pushed further and further into the backseat of the public discourse about mental illness. With the new insistence that mentally ill people never do anything really bad, that process is complete; those who suffer the least from mental illness now blot out the sun.” Seriously, I know I have made this point a few times of late but this is possibly the best articulation I have yet read about how I feel about the whole thing.
  • The Original Star Trek Pitch: OH GOD THIS IS SO GOOD! This is Gene Rodenberry’s original pitch document for the Star Trek TV show, which outlines the themes, characters and general vibe of the show, before Captain James T Kirk had even been thought of and when noone could possibly imagine how many ignorant space ladies William Shatner would end up having to explain the concept of ‘Earth Love’ to. Regardless of whether you care about Star Trek (and I really don’t), this is SO interesting, partly from the point of view of an early look at something that became a global cultural property but also from the perspective of how to package and sell an idea – this tells you EVERYTHING to give you an idea of what Star Trek could be with admirable clarity and economy of style, and frankly you wish your pitches communicated this well.
  • Common Misconceptions: Yes, ok, fine, this is ‘just’ a Wikipedia entry, but it is SUCH a good one and you will learn LOADS and, look, here’s a small taster: “The word “fcuk” did not originate in the Middle Ages as an acronym for either “fornicating under consent of king” or “for unlawful carnal knowledge”, either as a sign posted above adulterers in the stocks, or as a sign on houses visible from the road during the Black Plague. Nor did it originate as a corruption of “pluck yew” (an idiom falsely attributed to the English for drawing a longbow).[92] It is most likely derived from Middle Dutch or other Germanic languages, where it either meant “to thrust” or “to copulate with” (fokken in Middle Dutch), “to copulate” (fukka in Norwegian), or “to strike, push, copulate” or “penis” (focka and fock respectively in Swedish).[92][93] Either way, these variations would have been derived from the Indo-European root word -peuk, meaning “to prick”.[92] See? MAGIC.
  • Fin De Siecle: A lovely essay about San Francisco and decay and maintenance (recurring theme of the latter half of 2022) and money and inheritance and and and. I loved this.
  • Rabbit Test: Finally this week, an absolutely virtuoso piece of short story writing that imho is going to win awards. I don’t want to tell you too much about it, other than to say that you shouldn’t let the fact that it is technically scifi put you off – this is one of the best things I have read all year, genre fiction or no. Honestly, it is SO good, please do take the time to read this one.

By JC Gotting

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 28/10/22

Reading Time: 31 minutes

I AM RISEN! I appear to have survived covid (so far, at least – I am generally of the impression that that which does not kill you is merely operating in concert with that which eventually does, though, so am not getting ahead of myself), and have emerged, blinking, into a strange and terrifying new world in which the UK has a diminutive new leader (austerity, but this time funsized!) and Twitter has an egocentric new owner. WHAT MAGICAL TIMES!

Look, I can’t bring myself to opine on Musk and Twitter – you’ll get enough breathless analysis of WHAT THIS ALL MEANS from the world’s Twitter-sick journalists – other than to say how miserable it is that so much of our present and future is being determined by men who appear to be immensely rich 14 year olds. Zuckerberg – got rich off an app which let him get his own back on people better looking than him, currently involved in trying to replicate his favourite scifi novels which he didn’t realise are actually dystopian parables; Musk – literally a rich boy trying to buy friends, hates the fact that the really cool kids think he’s a d1ck; Bezos – a geek who got buff and is now enjoying dating a cheerleader…No wonder the future’s looking so bright!

I am still Matt, this is still Web Curios, and I promise you are unlikely to be infected by any of what follows.

By Herbert List

WE KICK THINGS OFF THIS WEEK WITH A WONDERFUL AND VAGUELY-CINEMATIC MIX OF TECH-ELECTRONICA BY PLEIZEL! 

THE SECTION WHICH WONDERS WHETHER THIS MIGHT BE THE BEGINNING OF THE END FOR SOCIAL MEDIA AS A MASS THING AND WHICH, HONESTLY, REALLY DOES HOPE SO BECAUSE FFS IT’S BEEN 15 YEARS AND WE’RE ALL VERY UNHAPPY, PT.1:  

  • AI Comes For Your Job: Yes, that’s right, YOUR JOB (this is, of course, based on the assumption that you, the reader, earn your coin doing advermarketingpr rather than anything more meaningful or fulfilling). Whether or not you see this as the beginning of the end of your professional relevance or instead as a merciful release from the obligation to pretend to care about the creation of ADVERTISING-RELATED CONTENT will depend on you, but I encourage you to see this as an opportunity rather than a threat. The link above takes you to a Reddit post, which in turn shows a video of the workflow for recently-launched AI ad creation platform Clickable (currently a limited-access beta), and is basically a vision of the future in which rather than you slaving for literally minutes to come up with the best possible creative and copy for some Insta or banner promos you instead leave it all to a machine and go and do something better with your time, like trepanning yourself. Obviously the outputs here are…a bit rudimentary, fine, and noone’s going to win a Golden Pencil for the copy or the artwork, but, well, WHO FCUKING CARES? 99% of all social content is pointless busywork that doesn’t need to exist and certainly doesn’t need anyone to spend more than 10s thinking about what goes into it (this is true and if you deny it then you are lying to yourself), and if any of you think that there’s craft and skill involved in the production of 500 different marginally-different variations of an ad that couldn’t be replicated, or indeed improved upon, by some brute-force machinework then I would like a dose of whatever magical hubris potion you’re currently imbibing. Oh, and this isn’t the only version of this sort of tech currently floating around, it’s just the most impressive – see also this, for another glimpse into a future in which machines are just better at your job than you are.
  • Stable Diffusion Hub: One of the interesting things about the open source nature of Stable Diffusion is the fact that anyone can effectively create their own version, trained on whatever they like. So obviously there’s now a place online where you can browse and download a selection of SD models trained by other people, and obviously a bunch of them have been trained on smut because, well, HUMANITY. There are half a dozen or so models available here at present, and, depressingly, they are all focused on generating ‘sexy’ pictures of imaginary women – you can’t see anything smutty at the link, but clicking the thumbnails depixellates them and so you should probably be warned that at least one of the available downloadable models is…very gynaecological.
  • Train Your Own SD Model: There are a few of these doing the rounds at the moment – the main link here goes to a webtoy called Astria, but there’s another one you can play with here called DrawAnyone – and they all work on the same premise, letting you train an SD model on a small number of photos (the sites tend to require a minimum of 20) and then use the resulting model to spit out any number of variations on your chosen theme. Obviously the big draw here is the ability for the machines to create portraits, fake photos and stylised artworks of anyone whose face you feed the AI – on the one hand, lovely and cute and fun, but, on the other, exactly the sort of thing that is going to be used to make all sorts of…questionable imagery. In a week in which BBC3 aired a documentary about the threat of Deepfake bongo, it feels rather like this stuff is about to surpass it entirely. Obviously there are loads of potential applications for this that don’t involve the creation of nonconsensual grot – for a start, if you’ve got a clearly-defined art style for a particular brand or business, training a model on your corpus of images seems like a quick and easy way to help conceptualise new shots, for example – but, look, we’ve had an internet long enough for us all to have a reasonable idea what this is going to be used for.
  • Making Videos With SD: This is a bit of speculative work by Dmitrii Tochilkin and it is DIZZYING – the speed at which people are managing to bend this stuff to their own ends is quite remarkable, as is the increasingly high-quality output they’re generating. The video here is a short, vaguely-surreal 40 second animated zoom through a bunch of rural scenes – the evident range of artists whose styles are being lifted here is mesmerising, as is the extent to which this looks…quite good? I mean, you can tell that it’s been machine-created, fine, but already the transitions and zooms and pans look less…wrong than they did in previous AI video iterations I remember seeing a month or so ago. For those of you significantly more technical than I am, there’s a host of explanatory notes in the Twitter thread that follows the video, but if you’re anything like me you’ll just sit and gawp at it whilst having no idea whatsoever how it really works.
  • Cobbling Together An AI Assistant: I think what I find most interesting about the current state of AI-wrangling is the sense that there’s a growing toolbox of toys that noone quite understands the potential of yet – watching people gingerly gaffertape various slightly-disparate bits of AI tech together feels a bit like those scenes in 1980s kids movies in which a bunch of near-teens manage to make a functional spacecraft out of colanders and an old Henry hoover. This is another short Twitter video demonstrating what you can currently do with a bunch of open access AI tech – here you see a developer who’s hacked together GPT-3, Stable Diffusion and Whisper (OpenAI’s audio recognition and transcription tool) to effectively make a VERY RUDIMENTARY digital assistant, who you can talk to and who will respond to your questions and commands and, honestly, this is FCUKING INCREDIBLE. Again, it’s important to remember how incredibly new this stuff is – six months ago, to create anything like what you see in this vid would have taken not only loads of time but also a LOT of coding chops, whereas now this is basically as simple as plugging a few things together and seeing what happens (ok, fine, not that simple, but almost). Just IMAGINE what will be possible in another year.
  • This Wallpaper Does Not Exist: AI-generated mobile phone wallpapers, just in case what you REALLY want as a reward for making it to the end of another week here at the exhausted fag-end of human civilisation is a vaguely-abstract background for your portable misery portal.
  • PromptIst: This is a cute idea – you know those ‘infinite canvas’ websites which let a theoretically-infinite number of webmonkeys create a theoretically-infinite painting on a theoretically-infinite bit of digital real estate? Yes, well this is that, but with Stable Diffusion – the idea here is that anyone can drop into the canvas, select an area, and create whatever they want within that area based on SD prompts; the canvas allows for inpainting and outpainting and in theory could be used to create a vast, neverending, sort-of-coherent whole. In practice, this currently seems to be a bunch of people adding their own stuff without any sense of collaboration, but it’s still interesting to see the different things that people are choosing to create, along with the dizzying array of styles and techniques that the software is able to produce. Special shout out to whoever it is that has decided that they want the AI to do nothing other than create stylised portraits of Tilda Swinton – although tbh that’s exactly what I imagine the AI itself might do should it ever attain sentience.
  • Clip Interrogator: This has done the rounds a bit over the past week, but that doesn’t make it any less useful – this tool lets you submit any image you like, and in return receive a textual description of what the AI thinks the image is of, which can then be used in conjunction with SD, Dall-E or whichever image generation model you have access to to create more images of a similar vibe. Which, obviously, is HILARIOUS when used to dissect images of you and your friends – I just fed it a photo of me out of curiosity, and may never recover from the textual bodying I just received (a ‘character portrait’? Why not just call me a funny-looking wrongman and be done with it?) – but is also more practically useful from the point of view of ripping off any particular visual style you care to mention. Got an artist whose vibe you can’t quite seem to adequately rinse? Feed some of their work to this and use the outputs to start generating replicas!
  • Hueman Instrumentality: Look, they choose to spell ‘Hueman’ like that, don’t look at me. Hueman Instrumentality (a spelling so upsetting it makes me feel physically unwell to even type it out) is another YouTube channel ploughing the ‘we make AI music videos’ furrow, but the craft here is better than most and the channel has been around for a while meaning there’s an interesting sense of evolution in terms of the quality and style of the outputs over the past six months as the tech develops. Has anyone used SD or similar to make a realtime AI-enabled music visualiser, by any chance? I reckon there’s something in that, so if any of you fancy taking this half-considered idea and making it reality then that would be ace, thanks.
  • The Feels Matrix: I have no idea AT ALL what this is, but my speculative guess is that this is a near-infinite canvas of AI-generated Wojack variants (which, fcuk, joins the growing pantheon of sentences that I really, really wish I didn’t understand and had never written). There’s no obvious purpose to it, but there’s something sort-of amazing about the variants and the dizzying army of memetic weirdness on display here – if anyone can explain or shed any light as to what the actual fcuk it is for or why it exists, please do let me know.
  • OutreachUK: Speaking of stuff I don’t really understand, here! OutreachUK is a very, very odd project which I am 99% certain has some sort of interesting and involved explanation or backstory that I am totally missing. Still, my complete lack of comprehension around what this is and what it is for hasn’t prevented me from really enjoying clicking around and being confused. I think that this is some sort of transmedia thingy – if you spelunk around long enough there are references to Swamp Motel, who are apparently “Multi-award-winning creators of immersive entertainment that blurs the boundaries between theatre, film & gaming – but, honestly,who knows? The ‘Info’ page is just a live webcam of (I think) somewhere near Bond Street, there’s a small, slightly-creepy and very odd Pico-8 game hidden on the site somewhere, a bit of interactive fiction, and, in general, a pervasive sense of weirdness which never quite resolves itself. Basically I have no clue whatsoever what this is or why it exists, and that’s probably for the best.
  • Astronaut: One of my very favourite things about the web is the feeling you get when finding something small, personal and utterly human, projects or photos or bits of writing which you know exist not because their creator needed or wanted an audience but just for the sheer pleasure or creating or recording or making or just existing. Astronaut is effectively a pure distillation of that, offering you the chance to see never-before-seen videos on YouTube. “Today, you are an Astronaut. You are floating in inner space 100 miles above the surface of Earth. You peer through your window and this is what you see. You are people watching. These are fleeting moments. These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unseen (by anyone but you).” This isn’t the first platform like this I’ve seen over the years, but the focus on new uploads means there’s a freshness to this that makes it all the more compelling – honestly, this, forever, on a big screen in a gallery, please.
  • Chptr: This may be a result of the fact that 2022 has been, for me at least, characterised by proximity to death, but it does rather feel like ‘online services dealing with the messy business of memorialisation’ are having something of a moment right now. Chptr is one such service, offering users the opportunity ‘to gather, share, and hold memories for a lost loved one’s life for generations to come’, which, as far as I can tell, effectively involves the creation of a shared in-app community where contributors can post images, memories and the like. Why exactly you couldn’t just use, say, a Facebook Page instead is somewhat beyond me – in the main, stuff like this just makes me imagine some incredibly petty post-mortem familial laundry airing taking place via passive-aggressive status updates and backchannel conversations (“I can’t believe she’s made the background sage green; Matt hated sage green, and anyone who truly loved him would know that”) and shifting app permissions. In fact there’s a half-decent short story in this space, if you ask me (which, I appreciate, not one of you fcukers ever has).
  • Campus FM: I tend to listen to Radio4 during the day, much to my girlfriend’s dismay (I enjoy Woman’s Hour much more than she does, turns out), but the past few weeks of news have stretched my tolerance for talking heads and IN-DEPTH ANALYSIS of exactly how fcuked everything is to breaking point. Which meant I was particularly pleased to stumble across this little portal, which lets you switch between a selection of US college campus radio stations at will; right now I am listening to some soft-voiced bloke on the graveyard shift at Virginia Tech University and it’s really quite pleasant (although now I focus a bit harder, turns out this guy is, going by his voice and the fact that he’s burbling on about dragons and moon moss, quite monumentally stoned). Anyway, if you’re curious to know what American college students consider to be Good Radio, this is worth a listen.
  • Big Pumpkins: I am slightly annoyed about the fact that Hallowe’en has become A Thing in the UK – or, more to the point, that it’s become A Big Thing In The American Style –  but I appreciate that many of you may feel more warmly towards it. By way of grudging acknowledgement of this year’s spooky jamboree, have this website devoted to the cultivation and display of absolutely MASSIVE pumpkins. Whilst it’s probably a touch on the late side for you to grow your own for this year, should you wish to embark upon some sort of huge squash project in 2023 then this probably contains all you need to know.

By Danielle Mckinney

NEXT UP, ENJOY THIS YOUTUBE PLAYLIST OF EXCELLENT BREAKS PULLED TOGETHER BY ADAM HOYLE!

THE SECTION WHICH WONDERS WHETHER THIS MIGHT BE THE BEGINNING OF THE END FOR SOCIAL MEDIA AS A MASS THING AND WHICH, HONESTLY, REALLY DOES HOPE SO BECAUSE FFS IT’S BEEN 15 YEARS AND WE’RE ALL VERY UNHAPPY, PT.2:

  • The Good Country Index: This is a fascinating concept – The Good Country Index “ measures what countries contribute to the world outside their own borders, and what they take away: it’s their balance-sheet towards humanity and the planet…Because the biggest challenges facing humanity today are global and borderless: climate change, economic crisis, terrorism, drug trafficking, slavery, pandemics, poverty and inequality, population growth, food and water shortages, energy, species loss, human rights, migration … the list goes on. All of these problems stretch across national borders, so the only way they can be properly tackled is through international efforts. The trouble is, most countries carry on behaving as if they were islands, focusing on developing domestic solutions to domestic problems. We’ll never get anywhere unless we start to change this habit. The Good Country Index isn’t interested in how well countries are doing, it’s interested in how much they are doing.” All the data used to compile this is from reputable sources, and, whilst there’s of course a degree of subjectivity in the weighting of the various factors and elements, this presents a really interesting and unusual way of considering the world and the role of nation states within it (Sweden, apparently, is the ‘best’ country per its contribution to the collective global good; the UK is 14th).
  • Routora: Boring-but-potentially-useful, this – Routora is a Chrome plugin that is designed to make it easier for travellers to plan more efficient routes. Go to Google maps, select your start and end destination and the stops you want to make along the way, press the MAGIC BUTTON, and Routera will calculate the optimal route to take, including all the stops, to minimise the time spent in the car. Now, I don’t drive and as such haven’t tried this out and therefore cannot guarantee that it won’t inexplicably decide to reroute you via Tring regardless of your intended destination, but if you’re willing to take a punt then this might be useful (I accept no responsibility whatsoever for any Tring-related detours you may end up taking).
  • 3d Text to Gif: Want to create a gif of animated 3d text saying WHATEVER YOU WANT IT TO? Of course you do – you may not realise it, but there is no better way to communicate your utter disdain for someone or something than by communicating in the sort of medium beloved of teenage girls in 2003. You can change the font, you can change the colour, you can change the ‘waviness’ of the resulting animation, and, honestly, if you don’t use this to send a variety of whimsically-profane messages to your friends and colleagues then know that I am deeply disappointed in you.
  • Bot The Flag: This is an interesting and smart little Twitter bot, which does one thing and one thing only – point it at any Tweet you choose and it will analyse the usernames and bios of everyone who’s ‘liked’ the Tweet in question, pulling out data on which particular flags said users have in their bios. Which might not seem useful until you consider that the ‘flag in bio’ thing is a reasonably-good heuristic for bots – this is a really useful quick-and-dirty way of seeing whether there’s a particular national group that is boosting a particular message (or whether there’s a particular national group that is being made to look like it’s boosting a particular message, for the more conspiratorially-minded amongst you).
  • Oral Histories of the BBC: Following on from the Corporation’s centenary last week, this is a wonderful, searchable archive of interviews about the history of the BBC, featuring “415 interviews from seven oral history collections. 688 audio files (471 hrs 32 mins), 623 video files (162 hrs 18 mins), and 451 documents. Discover the people and past of the BBC. Read original interview transcripts, hear and see interviewees, search the catalogue or browse the collections. For search help click on the question mark icon.” This will be super-useful to anyone looking to research the organisation, but equally to anyone who has an affection for it as an institution and would like to know a bit more about how it came to be. Special mention for way search works on this site – it is SO GOOD, seriously, and whilst a boring detail it’s worth praising because, frankly, most websites fcuk it up horribly.
  • Smores: On the one hand, ‘TikTok but for music’ is a pretty obvious elevator pitch that makes vague sense; on the other, er, isn’t TikTok already a pretty developed music discovery platform? Still, Smores (no idea what this has to do with a campfire marshmallow snack) is a smart enough concept – an algorithmically-juiced discovery platform which learns your likes and serves you up more bitesized musical snippets based on what it perceives your tastes to be – even if there’s something slightly-miserable about its approach to doing this. You see, the gimmick here is that Smores only serves you up the GOOD BITS – “S’mores grabs the sweetest part of a song and gifts it to you. As you listen s’more and s’more [sic], the app will begin to learn which part of a song you like the most – ie. what type of melodies, drops, choruses and verses you enjoy. S’mores will adapt to your own style of music, genre, artist, etc. and will introduce you with a variety of songs to help spice up your playlists! By creating a recommender system around snippets, we empower you to easily build playlists around both your liked and skipped songs. Our mission is to make the discovery process of new music incredibly easy, fun, and engaging so you can find and share your next favorite song!” – which does feel a bit like one in the eye for the musicians who composed the whole song and perhaps would like people to pay attention to bits other than the hook and chorus.
  • The People’s Graphic Design Archive: Oh this is GREAT! If you’re in any way into or involved with design, this is an absolute treasure trove of good stuff. “The People’s Graphic Design Archive is a crowd-sourced virtual archive of inclusive graphic design history. The Archive includes everything from finished projects to process, photos, correspondence, oral histories, anecdotes, articles, essays, and other supporting material. You’ll find all sorts of information and links to other relevant archives, too.” Honestly, if you want inspiration or direction or just to browse a whole load of amazingly-varied graphic design styles, this is absolutely perfect.
  • Websites By AI: This probably ought to be nearer the top with the rest of the AI stuff, so sorry about the lack of coherent curation here (I AM SORRY FFS). Websites By AI is exactly what it purports to be – look, the outputs aren’t great, and you won’t be winning any design awards for the aesthetic of whatever is created here, but I have to confess that I was MESMERISED by the process at work here. Tell the machine what you want to create a website about – what your business area is, from pottery to electrician to photography to, based on one slightly leftfield suggestion, lactation consultant – and watch as in approximately 30s it generates a business name, a url, copy, testimonials…honestly, this is fcuking witchcraft, basically, and made me think that a) Squarespace will have this sort of thing integrated within a year; and b) how incredibly easy it is to spin up enough digital real estate to give the illusion of a real company / business, and how consequently this all makes low-level fraud even easier to perpetuate. Not that I am advocating any of you commit low-level fraud, for the avoidance of doubt, just saying.
  • The Daft Punk Cafe: A small fan-made site paying homage to Daft Punk, which includes not only a bunch of their live shows and other tracks which you can stream, but which also (and this may be my favourite thing about it) includes a version of Tetris which you can play whilst listening to the music. This is LOVELY.
  • The SubContraBassoon: I am not, and never have been, a bassoon enthusiast, meaning I was until this week unaware of the fact that not only does there exist an instrument called the contrabassoon, but that since the 1800s there has been an imagined subcontrabassoon which would, if it existed, be capable of playing a full octave lower than the contrabassoon itself (the word ‘bassoon’ has now lost all meaning to me, fyi). Richard Bobo is a professional contrabassoonist (words that trip off the tongue – just say that out loud to yourself for a moment, go on; satisfying, isn’t it?) and has an ambition to make the subcontrabassoon a reality – he has built a prototype, but is currently seeking funding to turn it into a real, functioning instrument, and whilst I know that times are tough and we need to watch the pennies, can you honestly say that heating and feeding yourself is more important, on a species-level, than the development of an entirely-new and wonderfully-named instrument? I would argue that it is not.
  • Code Poetry: This is utterly sublime. “This website displays a collection of twelve code poems, each written in the source code of a different programming language. Every poem is also a valid program which produces a visual representation of itself when compiled and run.” Honestly, if you have any interest at all in either coding or poetry then this really is beautiful – a perfect marriage of form and function in each individual case.
  • Transform Your City: This is interesting – I think I featured the progenitor project to this a few months ago, a Twitter account that used Dall-E or SD to reimagine urban spaces, which has now spun into what looks like being a nascent campaigning and advocacy model for urban redevelopment, offering community groups who want to lobby for improved city spaces the opportunity to conceptualise the changes they’d like to see and use said visualisations to communicate their desires with policymakers. This is a VERY nascent project, currently only set up for NYC, but the idea behind it – and in particular the way it’s using openly-available AI tools for public good – is an interesting one, and I’m intrigued to see the raft of other initiatives along these lines that spring up as communities begin to become more aware of the power of these new tools which are increasingly at everyone’s disposal.
  • Discmaster: WARNING: this could, conceivably, steal your entire life. Discmaster is a search interface which lets you spelunk through literally MILLIONS of old files, hosted on the Internet Archive, searching by filename – seriously, you could lose yourself forever in here. Just type in anything you fancy and get back a dizzying array of images and gifs and text files, plucked from the CD Rom archives of the late-90s and early-00s; this is literally perfect for falling down half-remembered digital rabbitholes of your youth (or for finding an awful lot of very fuzzily-scanned bongo, depending on your proclivities).
  • Throttle Tabs: A browser extension that will physically limit the number of new tabs you’re able to open in a single window. I find the very concept of this offensive in the extreme and fundamentally antithetical to the Web Curios ethos, but I know that some of you perverts might find such a thing useful and so I am grudgingly including it despite my misgivings.
  • Regional US Food: A Twitter account sharing examples of some of the regional delicacies that visitors to the US can hope to experience. Frankly the vast majority of this does nothing to dispel my notion that the vast majority of American cuisine simply involves adding gelatine to tinned soup and topping it with bacon – I mean, honestly, listen to this, is this food? I posit that it is in fact no such thing: “a hotdish with potatoes, cheese, onions, cream of chicken or mushroom soup, sour cream, butter, and a layer of corn flakes or crushed potato chips.” Still, if you want to feel a vague sense of culinary superiority towards your fellow man then this will absolutely do the trick.
  • How Fateful: A bit more of a longread than a single link, this one, but it’s such a lovely project. Channon Perry wanted to work out how many times she and her partner almost-but-not-quite met in the years prior to their eventual meeting and getting together, so using each of their Google location data she calculated exactly that – all the times they were in the same place in the same city but never knew, and never spoke, and never met. This is quietly lovely, and gives a very real sense of the VAGARIES OF FATE and all that sort of thing – Channon includes instructions so that all of the rest of you who want to do something similar can do, although it’s worth bearing in mind that downloading and analysing all your partner’s previous location data might reveal things about them that you might wish you hadn’t known (“And you were spending all that time outside that school because…?”).
  • Nokia Ringtones: Does anyone keep their phone’s volume up these days? No, of course not, only a sociopath would do such a thing – anway, we’re all constantly glued to the bast4rd things, in any case, so it’s not like there’s any chance of us missing a call or notification. Still, if you’d like a memoryportal back to the good old days when you could listen to polyphonic symphonies on the top deck of the N32 then this will be exactly what the doctor ordered – there are literally THOUSANDS of the things on this GDrive folder, and I would imagine that if you’re a particular tyoe of music producer then you will find a veritable treasuretrove of sampleable material here for the retro garage banger you know you were born to pen.
  • Parkulator: Smart bit of code, this, which lets you select any area on a map and which then calculates how much of said area is given over to spaces for car parking – the idea being that it highlights the insanity of much urban land usage in terms of the relative space given to cars and people, and tells you how many houses could theoretically be built on the land instead. Obviously a BIT depressing, but the sort of thing that might be useful for campaigning or planning purposes.
  • Mar1d: “What if Super Mario Bros, but first person?” is a question that various people online have asked at various points in time (leading to some wonderful proof-of-concept imaginings like this one), but noone’s taken it to quite the extreme that the team behind Mar1d have – this is Mario in 1d, effectively reducing the players field of vision to a single vertical line of pixels. Obviously this is almost-entirely unplayable, but it’s sort-of fun at the same time; you will need to download the files to play it, but it’s worth it as frankly this is better than this sort of single-note gag really needed to be.
  • Old Games: I’m not 100% sure about the legality of the all the material on this site – pretty sure that there are a few titles on here that aren’t in fact quite as ‘post-copyright’ as they are made to seem – but, frankly, fuckit. If you want a repository of over 10,000 old videogames, searchable and downloadable and playable, then HERE IT IS! Honestly, if you’re in your late-30s to mid-40s then this is a portal right back to your teenage years – you can find EVERYTHING here, including what is still the greatest computer football simulation ever created.
  • Endoparasitic: I came across this as it has apparently now been turned into a full game – this is the demo version, produced fpr a game jam earlier this year, in which you play as a scientist who has unleashed UNTOLD HORRORS within their lab, and who must try and escape said horrors despite being infected with a ravening parasite and also having lost their legs. You move by dragging yourself around with your remaining arm, and it’s impressively horrible – try not to die too quickly.
  • Slow Roads: Finally this week, one of the most impressive bits of coding I have seen all year – Slow Roads is an in-browser, procedurally-generated driving ‘game’, where you pick the weather and the season and the type of vehicle you want to pilot, and then just gently guide it around the twisting, turning roads generated by the machine. Or, even better, just chuck on the autopilot and put on some nice music in the background and just enjoy the scenery sliding past as your computer chauffeur ferries you to nowhere. This is insanely impressive from a technical point of view, but it’s also perhaps the most relaxing website I have seen in months – honestly, I promise that however enervated you currently are it will evaporate in seconds as soon as you start moving. Cheaper than therapy, and probably as effective.

By Mercedes Helnwein

FINALLY IN THE MIXES THIS WEEK, ENJOY THIS SPARE-BUT-THRILLING SELECTION OF ELECTRONICA BY SSEAGULLS!

THE CIRCUS OF TUMBLRS!

  • This Is A Recording: Oh, ok, fine, not a Tumblr, but it sort of feels like one. This Is A Recording is an old-school blog where an anonymous online person writes about records in their collection, one a day. Small, charming and VERY eclectic.

THE TROUGH OF (INSTA) FEEDS!

  • Joseph Shara: Joseph is a visual artist working at Axis Studios – this is their personal Insta where they post their own work, and there’s something super-impressive about the digital composition in all of these images, not least because there’s a pleasingly un-digital feel to much of it.
  • Tokyo Build: An account sharing miniature models of buildings, and the process of making them. Which, fine, may not sound compelling, but I fcuking love me some miniaturism and I hope that you do too.

LONG THINGS WHICH ARE LONG!

  •  The Crypto Story: We start with something REALLY LONG – Bloomberg this week gave Matt Levine, business reporter extraordinaire, the whole issue to pen what they hope will be the definitive explainer on ‘crypto’ and what it is and what it might mean, and, honestly, this is SUPERB. Engaging – Levine really is a brilliant writer, even when dealing with concepts that are as ostensibly-confusing (and, frankly, tedious) as ‘distributed ledgers’, and the whole piece (which, to be clear, really is 40k words) is just a superb summary of what cryptocurrencies are, what ‘crypto’ is, and how the concept links to a bunch of wider, contiguous ideas around ‘web3’ and ‘the metaverse’ and the rest. Levine is admirably clear-headed and objective in his writing, neither eulogising nor decrying crypto as a whole, and if you want an objective, definitive guide to What The Whole Thing Is About and What It Might Become then this is pretty much the ur-text.
  • The Future According to Mckinzie: I have never been a management consultant, and I never will be, but I have sat in enough meetings with people in suits from Accenture and Mckinzie and the like to know that I fcuking hate them, as a rule, and think that in the main they are useless parasitic powerpoint monkeys with dust where their souls should be. This is a report by Mckinzie which purports to focus on ‘the next normal’ – stuff which in the 2030s will be commonplace – and I am including it not because it’s good (it really isn’t) but because it’s emblematic of the sort of bullsh1t, lazy, pseudo-futurology that masquerades as ‘insight’ when speaking to so many large agencies/consultancies. FLYING TAXIS! CONNECTED HEALTH! INTERACTIVE MOVIES! Er, lads, the world is on fire, we’re on the brink of a global recession, faith in technology has hit a 21st century low point, and literally EVERYTHING on this list has been on similarly-unimaginative other lists for the past decade or so. I think what really annoys me about this is that its emblematic of the soundbitey, LinkedInification of ‘thinking’ in the world of work right now; limited insight, limited analysis, even more limited reflection, and everything drawing on the same dozen white papers so that the thinking is exactly the same sort of tired beige as everyone else’s. Please, please, please, STOP PAYING PEOPLE LIKE THIS MONEY THEIR WORK IS FCUKING SH1T.
  • The Negative Appeal of the Metaverse: One of the few bright spots for Meta this week is the fact that the Elon Musk clownshow has distracted the press enough to ensure that they only spent a day focusing on the carcrash that was its latest earnings report. Still, it’s fair to say that the news from the Big Blue Misery Factory is not a sunny one at present – despite the $15bn investment to date (and take a moment, just one, to think of some of the other things that one might have chosen to invest $15bn in), it seems nobody really wants to be part of the Zuckerbergian metaverse vision. Po’ Mark! This piece by Charlie Warzel predates the results, but is a decent look at why the Meta metaverse is so unappealing – the short answer is ‘because the company seems to have no idea whatsoever what normal people want’, but the whole piece is worth reading as a useful precis of the company’s travails.
  • Dystopia For Realists: Or, “how might we protect the work of humans in the face of automation?” – this is a really interesting article in which the author argues for the necessity of more open and transparent software development, and a greater emphasis on outcome-led thinking when designing the AI and algorithmic systems that will increasingly govern our lives. Lizzie O’Shea frames this as a question of rights, arguing that  “If we think there is a role to play for automated technologies…and aspire for a world where productive work is minimized as a precondition of human liberation, then we have to accept that these technological systems must be built and maintained. To that end, it is worth remembering that the point of an algorithm is to discriminate. The point can never be to correct for this, but rather to ensure the discrimination is intentional. If the purpose of a system is what it does, we need to impart intention into our use of automated technologies by building in systems of rights for those who experience these systems in unintended ways.” I find the intellectual space around ethics in machine learning to be some of the most interesting at the moment, and this is good food for thought.
  • The Landlord’s Algorithm: An almost-perfect companion to the last article, this piece is all about a piece of software developed in the US which helps landlords optimise their rent prices to maximise income based on the current state of the market, effectively letting a machine determine the optimal pricing that they can get away with charging – software which, it seems, might be driving a nationwide increase in rental prices as the software moves the market in ways previously unthought of. What’s really interesting about this is not just the economics, but the psychology – handing over responsibility for pricing to the software obviates the landlord from moral responsibility (“it’s not me raising the rent, it’s just the software”), as neatly encapsulated in this quote: “The beauty of YieldStar is that it pushes you to go places that you wouldn’t have gone if you weren’t using it.” There’s something so horribly human about this, inventing software that turns the invisible hand into a fist.
  • The Art of Maintenance: Specifically, how the idea of maintaining things rather than replacing them is a declining one, but one which has resonance beyond simple questions of material goods. As ever with arguments of this ilk, I find myself nodding along but fundamentally thinking “yes, but, well, what about capitalism?” – per this paragraph, I am not quite sure what the solution is: “Under capitalism, maintenance is an ambiguous position, almost a kind of limbo. The economics are rarely cooperative. There are plenty of carrots from a technical point of view — make things safer, more reliable, longer-lasting — but often no stick. In the developing world (or budget-strapped transit agencies), sticks are everywhere. Cuba’s beautifully maintained mid-century automobiles owe their longevity to a cruel and arbitrary embargo. India’s long-standing repair culture is the byproduct of the country’s position at the bottom of the global supply chain, and even now is being undermined by rising incomes and consumption.”
  • IKEA’s Crimes Against Cartography: On the peculiar evil of the IKEA store floorplan and signage. I haven’t spent anywhere near as much time in IKEA as your average 43 year old man (in part because I have an attitude towards furniture that can best be described as ‘ambivalent’, in part because I don’t own a car) and so this was legitimately all news to me – you may already be aware of the labyrinthine nature of the warehouses, but this will give you a new appreciation of the how and the why of their design (and some useful tips for escaping via the hotdogs in the quickest time possible).
  • Mental Illness and Social Media: This was published ahead of Kanye West’s latest episodes, but feels very relevant in light of that – this article asks whether platforms should have a duty of care when dealing with content being posted by people who are quite evidently having a mental health breakdown and who could perhaps be argued to not be fully cognisant of what they are saying or posting, and to what extent people’s posting history and activity can and should be used to determine their mental state. This stuff is HARD – serious mental illness is messy and often ugly and frightening, but it also generates GREAT numbers (cf Kanye – who, by the way, doesn’t get a pass for being a pr1ck just because he’s bipolar), and surely there’s a principle of personal autonomy at play here vs a paternalistic desire to ‘protect’ the unwell…short answer is ‘I don’t really know how this should work’, but I do think that if you spend any time at all on any social platform you will before very long come across people who you have a feeling are…not really ok, and I think it’s increasingly important that we think about what we do about that and whether, and how, we attempt to help.
  • Outside The Gates of Europe: A snapshot of life in southern Spain’s refugee camps amongst the Algerian migrants seeking a new life in Europe, many of whom have been sitting, waiting, for years, in the knowledge that they will likely be refused the right to stay and will eventually be deported back again, with their ‘new life’ amounting to a few dozen months in a migrant processing centre. This is, honestly, a bit heartbreaking, but it’s a beautifully-written piece of journalism.
  • Stockholm’s Electric Bike System: …is, I appreciate, not the most enticing title for an article. BUT! This is genuinely interesting, promise – Stockholm, in common with many other cities, has a rideshare system in place; unlike other cities, though, Stockholm’s is dirt cheap: “a 24-hour plan “just to unlock a bike and enjoy Stockholm eBikes for 24 hours” costs 11 Krona, or 98 cents at current conversion rates. A 7-day plan is 26 Krona ($2.32). A 30-day plan is 35 Krona ($3.12). And a whole year of unlimited 90-minute e-bike rides costs a measly 157 Krona, or just about $14. If you want to ride more than 90 minutes in one trip, you will be charged an extra 11 Krona (about $1) per extra hour.” This piece in VICE looks at how the city has managed to set this up without massive subsidies – yes, fine, some of the usual caveats apply re the fact that it’s Stockholm, and everyone there is Swedish and so therefore obviously incredibly civically-minded, and the city is small, but there’s also a lot of sensible stuff in there about planning and zoning and systems infrastructure and, look, honestly, I fcuking hate working and having a job and I would happily never, ever do agency type stuff ever again, but I would LOVE to spend some time thinking about a problem like this and how to solve it.
  • Top Surgery: Naomi Gordon-Loebl writes in Esquire about their top surgery – the why, the how, and the why now, and it is a beautiful and gentle piece of writing and I thought this paragraph in particular was lovely, about the idea of transition and the idea of becoming into oneself: “I never hated my chest. It’s a perfectly fine chest; a good one, and I’m fond of it, even. It’s been with me for some 21 years. Everywhere my body has traveled, it has come along. Everything I have done, it has done too. It has been a part of me, and in some ways, it always will be. It needs to go now, not because it is wrong, or something worth despising, but simply because it is standing in the way of a life I can no longer postpone.”
  • Keep It Clean: This is a great essay by James Vincent in the LRB, reviewing a book about the idea of proxies or stand-ins (so, for example, the ur-kilogram), focusing in particular on the image of ‘Lenna’, the model whose Playboy photograph was used as the subject of the first ever JPEG, and the way in which these proxies act as shorthand for wider social and cultural themes, and how these encoded themes can render the proxy problematic over time.
  • Gouranga: This is a short essay about videogames and the imagination and the ways in which the idea of possibility is sometimes better than actual possibility itself, and it’s by Edward Smith and I loved it.
  • Greaser: A short story combining body horror, motorbikes and LOTS of engine noises – it’s ‘interactive’ in the sense that you need to click to advance the story, but otherwise this is just text and images and sound. This is super stylish, and I would very much enjoy reading (or even playing) more stuff set in this milieu.
  • Tuna: A superb essay in Granta by Katherine Rundell, all about tuna – the fish, the product, the foodstuff, the environment and the economics of it all. Contains LOADS of excellent knowledge as well as top-notch writing; the fact that Mitsubishi controls 40% of the world’s bluefin tuna market and is effectively buying it up as a speculative commodity is…weird, frankly (then again, Mitsubishi is one of those weird companies (see also Hitachi) that does literally everything – it wouldn’t surprise me if they’d even had a hand in the pills around ‘97), whilst the detail about the menu at Nobu is bleakly, hideously perfect.
  • Last of the Cockney Criminals: I know, I know, ‘profile of ageing gangster, loves his mum, bangs on about ‘claret’ all the fcuking time’ is SUCH a late-90s trope; still, this is better than your average crim-fetishisation, not least because its subject is very much of the non-violent variety and is full of charming stories like this one: “Some aspects of his life were conventional. He and Sylvie married young and had two children. Legitimate work threaded through his career as much as theft: he saw no contradiction between the two. On one short-term job with a logistics firm, he found out on his first day that drivers were instructed to leave loaded lorries outside the depot gates overnight, with the keys hidden under the front wheel for whoever was on the morning shift, so that depot staff didn’t have to get up early to open the facility. He tried to explain to his bosses how risky this was: “I told them that they were bound to get nicked by someone. But they took no notice of me, I was the new bloke.” Having given them what he felt was a sporting chance, he waited until some particularly enticing cargo was parked outside the gates, returned before dawn and stole the lorry. When he arrived for work at his usual time police officers were taking statements. He feigned outrage, shouting: “I fcuking told you this would happen!” Later, a popular crime-reconstruction show on tv wanted to recreate the theft and the film crew needed someone to play the part of the thief. Jackson enthusiastically obliged: viewers watched him grinning at the wheel as the presenter solemnly appealed for witnesses.”
  • The Doctor Said: This piece absolutely destroyed me when I read it last week. Judith Hannah Weiss writes about what it’s like to watch your mind disintegrate, to struggle for words and meaning, to grapple with aphasia and incomprehension and, worst of all, to know that this is what is happening to you even as it robs you of the ability to articulate it. Having spent much of the past couple of years watching someone’s world be shrunk to a pinprick by illness, I can’t tell you how devastating it is to read this – Weiss’s prose is beautiful and communicates the confusion and loss, but the thing that really finished me off is the past-tense coda of authorial achievements, achievements which belong to a different person. Honestly, this is devastating but so so so good.

By Takaya Katsuragawa

AND NOW, MOVING PICTURES AND SOUNDS!:

(Not quite) Web Curios 21/10/22

Reading Time: 2 minutes

HELLO!

Finally, after 30 months of successful evasion, covid finally got me – whilst I don’t think it’s likely to prove fatal, it turns out that it really does fcuk with my ability to concentrate for 6 hours whilst writing several thousand words about stuff on the internet (also, I physically couldn’t get out of bed at 6am today to write the fcuking thing – hear that? the sound of literally NO VIOLINS, right there).

So there’s no Curios this week – SORRY! – but I imagine that, what with the new Taylor Swift album, and all the news and stuff, you’ve probably got quite enough to keep you occupied.

On the offchance, though, that you’re DESPERATE for links, here are a few from what would have been this week’s selection. See? Even when I am AT DEATH’S DOOR I still care.

There you go. Links. EVEN WHEN I AM SICK. I’m like the Stakhanov of pointless webmongery.

Anyway, I hope that normal service will be resumed next Friday – til then, thanks for your patience and apologies for the reduced service (and please, if you preferred this shortened format to the standard logorrhoea, PLEASE KEEP IT TO YOURSELF).

BYE I LOVE YOU BYE!

Webcurios 14/10/22

Reading Time: 33 minutes

Are you aware of the concept of the ‘ratking’? It’s one of those things that’s become popular in the post-web age despite there limited evidence that such a thing has ever existed, but it works so well as a metaphor for so many things that it’s destined to be a part of collective mythology for evermore, regardless of its fictional nature or otherwise.

A ratking, for those of you unaware, is what apparently happens when a large number of rats are left together to breed and live in a small space for long enough, and their tails fuse together to create a writhing mass of claws and teeth and fur and bacteria, leaving the rats unwillingly attached to each other and, presumably, angry and toothy and bitey, and quite liable to turn on each other in an attempt to disentangle themselves from the doomed mass and escape to freedom.

Which is rather what the Government looks like from the outside, a bunch of vermin fused together by prolonged proximity and circumstance and, quite possibly, secreted filth, now turning on itself as the slow realisation dawns on the collective consciousness that the food can’t last forever and the pest control van’s well on its way.

See? I told you this week’s intro would be more cheerful!

I am still Matt, this is still Web Curios, and thank fcuk the web is still full of wonderful things otherwise I don’t know what I’d do.

By Emily Mae Smith

WE KICK OFF, AS IS NOW TRADITIONAL, WITH A MIX, AND THIS WEEK’S FIRST MUSICAL SELECTION IS COMPILED BY JED HALLAM AND IS TYPICALLY JOYOUS!

THE SECTION WHICH ONCE NEARLY GOT ARRESTED AT LIBERAL DEMOCRAT PARTY CONFERENCE FOR SMOKING WEED WHICH DIDN’T FEEL VERY LIBERAL AT THE TIME TBQHWY, PT.1:  

  • A Slice Of The Pie: It’s ART WEEK! Or at least it is in London, which means…well, for me it means fcuk all, seeing as the days when I used to be able to semi-legitimately blag my way into art world parties and neck as much free booze as possible before anyone realised are well over, but this time of year always causes me to flash back to An Earlier Time when I was younger and had bigger hair and would occasionally end up at launch events and get photographed by Martin Parr whilst holding a cocktail served in a hollowed-out pineapple. Anyway, this link isn’t about London art week at all – out of interest, is there anything interesting being presented from a digital/web art point of view this year? I haven’t seen/heard much, but that’s perhaps down to my own ignorance and lack of anything approaching contemporary knowledge rather than the Absence Of Work – and is instead a work currently being presented in Austria, at the Kunsthalle in Zurich. A Slice Of The Pie is a simple premise – there’s a work hanging in the gallery which consists of a circle divided up into six segments, each of which can be ‘rented’ by a viewer/participant who can pay a small sum (about £1.50, based on this morning’s exchange rate) in cryptocurrency Tezos (it’s ok, it’s one of the less-environmentally-ruinous variants) to fill one or more segments with whatever image or video they want, creating a dynamic(ish) canvas guided by the web, and visible both in-gallery and online via a livestream of the work in-situ. Based on some gentle tinkering earlier in the week, they don’t seem to care too much about what you put on there – so if anyone wants to stump up the maximum fee (around £20 buys you the whole pie to fill as you see fit) to show an advert for Web Curios to a bunch of confused and unappreciative Austrians then, well, you have my blessing.
  • The Christie’s NFT Shop: I am nowhere near close enough to any of this to have any sort of idea how the market for NFT art is faring after nearly 24 months of intensely-frothy speculation (and a lot of truly appalling ‘art’), but it doesn’t feel like it’s booming or that anyone who invested hundreds of thousands in a link pointing to a jpeg is feeling like they made a sensible investment. Still, the art world (or at least certain bits of it) spent so much time wanging on about NFTs and investing time and money promoting them as a viable thing (what’s that you say? The art world is a shameless den of grift and naked market manipulation that would make a pyramid salesman blush?) that they have to keep pushing (sunk costs and all that), which is presumably why Christie’s has recently launched its EXCITING NFT ART PORTAL (Christie’s 3.0, apparently, although the website is, perhaps predictably, light on detail as to what the fcuk that number might be meant to mean other than ‘this is where we will attempt to flog you a gif or two’) through which to conduct auctions of not very good clips of mediocre video art (sorry, but). This isn’t super-interesting other than as a snapshot of where the digital/NFT art market has settled in late-2022 after some of the excitement has died down – and where it is is people paying between £6k and £25k for links to some very short video work. Which is…a bit miserable really, if only because (perhaps unsurprisingly) the upshot of all the NFT and Web3 excitement about the art world has essentially boiled down to “it’s another way to sell the same old not-very-interesting work as before, except now we’re just selling a link to it” rather than anything conceptually novel or interesting. Still, if you fancy buying a REALLY EXPENSIVE bit of video to throw onto your smart telly in an attempt to present a veneer of sophistication then you may want to bookmark this.
  • Dance Diffusion: And lo! It came to pass that The Great AI Disruption did come for music, and the producers did quake! This is more one to file under ‘watch this space’ rather than ‘the magic is real and here and now!’, but if you’re a bit techy and musically-inclined then this might also be worth experimenting with a bit. This is new from the same people who created Stable Diffusion but is for music instead – the whole project is called HarmonAI (I know, sorry), and you can sign up for access to the community (WHY MUST THERE ALWAYS BE A FCUKING COMMUNITY THE WEB USED TO BE FOR MISANTHROPES FFS) should you wish – the original link, though, takes you to a Google Collab instance with instructions on how to fiddle with it yourself and use it to create short clips of entirely-AI-generated music, and whilst this isn’t the first of these toys to crop up (by any means), its pedigree suggests to me that this might end up being quite good quite quickly. You can read a bit more about the project here should you be interested – this is very much early days for AI music generation, but if it moves as quickly as text-to-image has done over the past 12 months then expect the suicide rate amongst composers of stock music to beginning soaring in around 18 months’ time.
  • NovelAI: I imagine that many of you are currently girding your loins and flexing your typing digits in preparation for the forthcoming ORGY OF WRITING that is National Novel Writing Month – this year, why not apply a twist to your (doomed) attempt to churn out a functional work of fiction in 30 days by getting an AI to do all the hard work? NovelAI is A N Other attempt by some enterprising folk to monetise GPT-3 – it’s a paid-for service (albeit with a free trial tier so you can play around with it) with subscriptions costing as much as $25 a month for the bells-and-whistles version, which effectively presents you with a nice front-end to make story creation with GPT-3 simple, letting you do all sorts of things like pick an authorial style, or a genre. There’s a degree of ‘memory’ in the system, with the software able to recall upto 8,000 characters of text (if you pay for the privilege), meaning it’s less likely to throw out stuff that bears no relation to what it wrote two paragraphs ago, and there’s also integration with some image generation software which allows you to churn out illustrations too. I had a quick play around with the free version earlier this week, and whilst I personally didn’t fall in love with it (I think it skews VERY hard towards your standard, online-weebish ‘fantasy and scifi and fcuking elves’ style and chafes slightly if you try and make it do anything a bit more realist-contemporary; either that or I was feeding it garbage, which, honestly, regular readers may well concur is more likely) I can see how it could be super-useful if you’re struggling for inspiration when penning the fifth in your nine-novel epic fantasy fanfiction Doctor Who-slash-Star Wars series (I physically recoiled when typing that, fyi). PLEASE can one of you use this to do NaNoWriMo, though?
  • PodcastAI: Welcome to the future, in which we reinvent everything by adding the letters ‘AI’ to the end of it. PodcastAI is (and I imagine you’re there already, but bear with me here) a totally AI-generated podcast! Fcuk knows why you would want such a thing, but it’s here! There’s currently one episode on the website, a simulated chat between Joe Rogan and Steve Jobs (if you want a distillation of some of the reasons why I am so, so tired of certain aspects of technology and web culture, by the way, the choice of those two people works pretty well) which…I mean, on the one hand it sort-of sounds like real people talking, which is undoubtedly impressive (although I’m not familiar enough with either Jobs’ or Rogan’s speaking voices to determine how faithfully they are reproduced), and the conversation flows, but on the other, well, the content is fcuking garbage and seems to just consist of each man simply spouting a few pat inanities as they pass the conversational baton back and forth; it’s a ‘conversation’ in the loose sense that there are two people talking, but there’s little sense that the two interlocutors are actually listening to each other or engaging in proper dialogue – SO IT’S JUST LIKE A REAL PODCAST THEN LOL (sorry)! Here’s how it works: “podcast.ai is a weekly podcast that explores a new topic in depth, entirely generated by artificial intelligence. The episodes are rendered using play.ht’s ultra-realistic voices, and transcripts are generated with fine-tuned language models. For example, the Steve Jobs episode was trained on his biography and all recordings of him we could find online so the AI could accurately bring him back to life.” So there. Obviously it’s churlish of me to complain about a proof-of-concept exercise that is in many respects sort of magical – I mean, the idea that machines can ‘imagine’ and render even half-convincing human chat is astonishing, and this is only going to become more impressive – but I can’t help but be a touch discomfited at the future this seems to presage, one in which all our entertainments are built from the ground up by AI, based on what it thinks we like. What will it look like when the AIs are making things having been trained solely on AI-generated output? I know it’s hideously-unfashionable to mention Infinite Jest in 2022, but I do wonder whether we’re on our way to the creation of exactly that sort of perfect ‘entertainment’ (don’t worry, though, a long way to go!).
  • CharacterAI: Honestly, I really do hope this naming trend stops soon. CharacterAI is something that I actually had on the list for last week and then dropped, thinking it looked a bit shonky and not actually that interesting, and then I read this piece describing it and explaining it was built by ex-Google people, and I thought that perhaps I should reconsider. The gimmick with CharacterAI is that anyone can create their own, er, AI character with whom they can then chat – characters can be defined as having specific traits or personalities, so current models include (inevitably) Elon fcuking Musk, and (equally inevitably and significantly-creepier) the AI from the film ‘Her’ which Joaquin Phoenix falls in love with. “Character.AI is bringing to life the science-fiction dream of open-ended conversations and collaborations with computers. We are building the next generation of dialog agents—with a long-tail of applications spanning entertainment, education, general question-answering and others. Our dialog agents are powered by our own proprietary technology based on large language models, built and trained from the ground up with conversation in mind. The Character.AI beta is based on neural language models. A supercomputer reads huge amounts of text and learns to hallucinate what words might come next in any given situation…At Character.AI, you collaborate with the computer to write a dialog – you write one character’s lines, and the computer creates the other character’s lines, giving you the illusion that you are talking with the other character.” Amusingly/not amusingly (delete depending on the extent to which you think stuff like this is potentially dangerous rather than a bit of fun) there don’t currently seem to be any limits on the sort of ‘characters’ you can create using the software, so, er, caveat emptor and all that. It’s worth having a browse through the existing character models that have been created – partly to get a feel for the sort of things that are being explored (lots of fandom stuff, unsurprisingly), but also to be surprised at the numbers – there are bots on here that have racked up literally hundreds of thousands of conversations, which considering this is only a few months old is pretty impressive (or, again, depending on the degree to which you think lonely humans talking to machines is somehow miserable, incredibly depressing!).
  • PixelFika: A potentially-useful website sharing examples of high-quality webdesign and copywriting, for all those of you who want an easy, one-stop solution next time you’re asked to come up with a selection of other people’s sites for ‘creative inspiration’.
  • MS Designer: Oh look, it’s Dall-E integrated into a Microsoft product! If you don’t think that AI design is going to change the world, then a) you are wrong; b) take a look at this and think again. The idea here is for it to be a simple, easy way of creating images for social media and websites – so banners, avatars, etc – and you can literally see the work pipeline to Fiverr drying up as I type.
  • Japanese Restaurant Videos: I have to be honest with you, gentle reader – I went out for drinks last night with some friends, and didn’t get to bed til gone midnight, and somehow woke up at 5am and couldn’t get back to sleep, and am writing this feeling a bit cold and sleepy and it’s all I can honestly do not to throw this video channel to the telly and wrap up in a blanket and just soothe myself to sleep rather than spaffing out all these words that none of you really need or want. BUT I RESIST, FOR YOU! Ahem. Anyway, that’s by way of needless preamble to this GENUINELY WONDERFUL YouTube channel, which as far as I can tell exists solely to profile a bunch of small restaurants in the Osaka area of Japan – each video is presented in lovely 4k, and features people cooking gorgeous-looking dishes (noodle-based, in the main) with occasional cameo appearances by customers and children and cats and, honestly, this is just the most soothing thing in the whole world – no dialogue, just ambient audio and the oh-so-pleasing spectacle of peolpe calmly doing their jobs very, very well indeed. Pleasingly the description for each video not only tells you where each restaurant is, should you ever want to visit, but also tells you what dishes you saw being cooked and, occasionally, how much they cost – if you live in London, you may weep slightly when you see exactly how nice a lunch about £7 buys you in Osaka.
  • Ride Review: There are many signs that I am inching closer to death – the vague feeling of senescence, the aches and pains, the almost-certainly-benign-so-let’s-not-check-eh?-lumps… – but perhaps most telling of all is the fact that I can’t help but make a slight, small middle-aged sigh of vague disapproval at the idea of electric bikes, WHY? WHY DO I CARE? E-bikes are good! They encourage people to cycle! They are clean! They are good for cities! Also, I don’t even ride a normal bike so why the fcuk do I care if someone else chooses to ‘cheat’ by having assisted pedalling? And why do I think of it as ‘cheating’?! No idea. Getting old is WEIRD. Anyway, should you be less of a purist w4nker than I am about your velocipedes, and should you be in the market for an e-bike (or e-scooter, or skateboard, or moped, or any one of a number of non-car vehicles that this site covers), this may be super-helpful – Ride Review is basically a review and ratings site for all these sorts of vehicles, which you may find useful when you’re considering dropping a few hundred quid on an urban getabout. Or, alternatively, the fat end of £20k on one of these mad-looking deathtraps that would absolutely get you killed after six minutes on the North Circular.
  • Talk To Books: This is a fun idea, made by Google (and found via the lovely Nag On The Lake) – Talk To Books doesn’t actually let you talk to books, obviously (you don’t need the web to do that ffs, chat with your paperbacks whenever you like!), but instead acts vaguely like a sort-of conversational search engine. Type in whatever question is currently troubling you – “What is the most evocative smell?”, “What does love feel like?”, “How do I stop worrying about the inevitability of my death and overcome my innate fear of the fact that we are all made of meat and gristle and, occasionally, hatred?”, that sort of thing – and the wite will spit out a bunch of quotes from GREAT WORKS to inspire and guide and educate. This is, honestly, really rather nice, and works both as a fun little literary toy and a good way of finding topic-specific quotes that haven’t already been done to death.
  • Dorsia: To be honest I am including this largely because of the name – a MILLION Web Curios points to any readers who get the reference here (Curios points can be redeemed for more links next week) – but there’s also something interesting about the idea at the heart of this app, which basically exists to let rich people jump the queue for restaurants by guaranteeing that they will drop a minimum amount if they get given a table. Which is, obviously, horrible – let’s add another layer of rich-person-only exclusivity to a scene which is already expensive and exclusionary! – but also feels very, very ‘now’ and like the sort of thing that will eventually cross the Atlantic and land in London. This is currently only in NYC, but it claims that it’s expanding to LA and Miami (obvs) in due course – will be interesting to see whether it gains traction.
  • The Hummingbird Clock: You’ll want to mute the tab as soon as you open it, FYI, but this is a genuinely-interesting thing that I learned about this week and which I now share with you. The Hummingbird Clock is an art project made six years ago for Liverpool Biennale, but  which I have just discovered: “The UK national electrical grid delivers power across the country. This mains power supply makes a constant humming sound, yet there are tiny changes to the frequency of this sound every second. Most recordings made in the UK have a trace of mains hum on them and this can be forensically analysed to determine the time and date they were made, and as a result, whether anyone has edited the recording. For over ten years, the UK government has used this technique as a surveillance tool. This is the Hummingbird Clock, an online time piece that aims at making this technique available to everyone.” So the clock tells the time, but also plays the sound of the National Grid which is…weird, but also sort-of cool. Beautifully, the project also offers you the chance to accurately date/timestamp any audio or video from the UK since 2016 – just submit the file and they will do the rest, which for any of you desperately needing to prove that you were or weren’t in a specific place at a specific time could be hugely useful (Web Curios obviously doesn’t judge, but obviously believes in you and your innocence).

By Konstantin Korobov

NEXT UP IN THIS WEEK’S SELECTION OF MIXES TO DELIGHT AND AMUSE IS THIS TRULY AMAZING COLLECTION OF MUSIC FROM ERITREA WHICH I PROMISE WILL SURPRISE AND DELIGHT IN EQUAL MEASURE! 

THE SECTION WHICH ONCE NEARLY GOT ARRESTED AT LIBERAL DEMOCRAT PARTY CONFERENCE FOR SMOKING WEED WHICH DIDN’T FEEL VERY LIBERAL AT THE TIME TBQHWY, PT.2:    

  • The Design Generator: “The Design Generator is a text-to-image AI trained on images of the V&A’s collection. Using prompts that combine key terms from the V&A’s collection categories (periods, styles, materials, techniques, etc.) it can generated new, imagined museum objects.” So there! This is the Twitter feed of said AI, which was spitting out the resulting images up until the end of September and then seemingly…stopped, which seems a bit rubbish frankly given the infinite generative capabilities of AI and the fact that you could literally automate the creative-generation-to-Twitter pipeline with very little work whatsoever. Still, here’s hoping that this gets resurrected as there’s something rather nice about having the day’s doomscrolling interrupted by a totally imaginary piece of decorative 18th century earthenware.
  • Wildlife Photographer Of The Year: Yes, ok, fine, every single newspaper website in the world will be running a selection of these today, given the winner was announced last night, but here’s the link to ALL OF THE PHOTOS for you to gawp at should you so wish (personally I find looking at them online far more pleasant than the inevitably-oversubscribed physical exhibition at the Natural History Museum). As ever with this award, the photography is amazing and pleasingly-clear-eyed; it’s nice to see a nature photography prize that acknowledges the fact that death is part of life, and also one which doesn’t shy away from documenting all the various multifarious ways in which we as a species have perhaps been less-than-lovely to our lovely animal chums over the millennia. That said, if you’re the sort of person who would prefer not to see any images of animals in distress then perhaps scroll carefully and be prepared to look away. My personal favourite this year is this shot, a Cuban guy feeding a bird with a seed from his mouth, but, honestly, these are uniformly astonishing.
  • Voicy: Has this been around for ages? It rather feels like I should have seen it before, but, well, I haven’t. Voicy is basically ‘Giphy, but for audio clips’ which on reflection isn’t something I can ever imagine anyone wanting, but still it exists. You can search clips, browse them by category, download them and use them however you wish – which strikes me as s the sort of thing which isn’t entirely ok from a copyright perspective, but if you’re after a free library of audioclips and sound effects and snippets of dialogue then it might be of interest. As far as I can tell a large proportion of this stuff is being created by children and is being used to make stuff in Roblox (fx for user-created games, that sort of thing), which means that the quality of clip on there is…questionable at best, but there’s something quite fun about the sheer oddity of the range of stuff on here (also there’s a whole soundboard of Pingu sound effects, which is never a bad thing).
  • OpenPeeps: Oh this is a GREAT idea (via Blort) – this is an open source library of line-drawn people, available to download, and all modular, meaning that you can mix and match faces and hairstyles and arms and legs to create exactly the sort of illustrated individuals you want, allowing for a diverse range of characters which all have a recognisable style. It’s SUCH a great resource for anyone who needs/wants to create something using character art, and the fact it’s all available under an ‘anything goes’ Creative Commons license is all the better.
  • The Syrian Cassette Archives: WOW. This is such an incredible resource and you could basically lose yourself in this until next week’s Curios without coming up for air. You ever wanted an incredible, exhaustive compendium of Syrian music as available on cassette tapes sold from small Damascene stalls in the late-20th/early-21st-Century? GREAT! The Syrian Cassette Archives is “an initiative to preserve, share and research sounds and stories from Syria’s abundant cassette era (1970s-2000s). We invite you to explore and immerse in the many sounds and images of the digitized cassettes as you navigate the site in Arabic or English. In our Features section, you’ll find specially produced audio, visual and written works developed by the SCA collective and its collaborators, including interviews with musicians and producers from the era, curated audio features and written contributions from a variety of writers and researchers.The growing collection features an overview of musical styles from Syriaʼs many communities and neighbors, including Syrian Arabs, Assyrians, Kurds and Armenians, as well as Iraqi cassettes and music from Iraqi’s that had been displaced by sanctions and war. Amongst the tapes are recordings of live concerts, studio albums, soloists, classical, childrenʼs music and more, with special focus on the regional dabke and shaabi folk-pop music, performed at weddings, parties and festivities. At the heart of the site’s initial collection are hundreds of cassette tapes purchased at music shops and kiosks throughout Syria by producer and archivist Mark Gergis during multiple stays in the country between 1997-2010.” The music fcuking slaps, as does all the cover art – honestly, this might on reflection be my favourite link of the week.
  • The Small World Photography Contest: More photographs! This time of REALLY SMALL THINGS! We return for another year to Nikon’s ‘Small World’ photo competition, which once again showcases some of the most impressive examples of photomicrography (I am happy to type that word, but please don’t ask me to tell you what exactly it means) from around the world. These are quite beautiful, although good luck working out what any of the images are of without clicking and reading the associated descriptors – do make sure to cycle through the different categories using the links at the bottom of the page, as the ‘highly commended’ and other non-prizewinning images are also wonderful (including this lovely one of a rat embryo, which isn’t a phrase I’d expected to type when I woke up 4 hours ago).
  • The OEC: My work doesn’t tend to involve me having to look at hard data about international trade, which is good as I would neither understand nor care what any of the numbers mean. Still, this site impressed / intimidated the hell out of me, and I imagine if you’re someone who does occasionally have to think about international trade and imports and exports and stuff like that (can you tell that I honestly don’t understand the first thing about business? No fcuking clue, honestly) then you might find this useful (or, perhaps more likely, you already know about it). “The Observatory of Economic Complexity (OEC) is an online data visualization and distribution platform focused on the geography and dynamics of economic activities. The OEC integrates and distributes data from a variety of sources to empower analysts in the private sector, public sector, and academia.” I have no idea how interesting or useful this might be to you, but I was momentarily fascinated to look at all the data on the UK and to find out that in 2020 we were the world’s largest exporter of ‘hard liquor’, which I feel isn’t something we shout about enough tbh.
  • Parties Started: A Twitter account which, fine, won’t be the most active that you follow but which is very much worth keeping an eye on – this will Tweet every time a new political party is registered in the UK. Which is how I know that we can all look forward to the ability to vote for the “Workers Voice UK” party in the next election, and that the party previously known as ‘The Children and Family Party’ (sounds a bit sinister) has changed its name to “Justice for Men & Boys” (sounds even more sinister and I sort-of wonder what happened to cause the change – I imagine she ‘took the kids, Dave’, but I’m just speculating here). Anyway, if you want to keep up-to-date with exactly when the first bunch of Tories jump ship and set up ‘The Continuity Conservatives’ or somesuch, watch this space.
  • Musk Messages: I imagine that most of you get your fill of Elon simply by existing – I understand, of course, the public fascination with the world’s richest man, I just wish he seemed…more deserving of said fascination. However, if you are itching to do a deep dive into all the texts that were made public around the “will he/won’t he?” (so bored of it, so want it to be over) Twitter acquisition and see exactly how banal his conversations with a bunch of other rich people desperately attempting to engage in some amateur nasal proctology are then this website will see you right. It’s been said before in discussion of these messages, but it’s a staggering window into quite how unremarkable the people running tech/VC/the world really do reveal themselves to be up-close – there’s nothing in here that you would describe as particularly smart, quite a lot that is self-evidently quite stupid, and everything points to the depressing fact that, no matter how rich and successful you are, there is always someone richer and more successful than you that you want to ingratiate yourself with. We really are just primates with pretensions, honestly.
  • The Descent of the Serpent: A nice little bit of ludic edutainment from Google, with this small ‘game’ (it’s only a game in the loosest sense of the word, but it’s cute and fun and so it probably gets away with it) which does a nice, light-touch educative job of telling kids (or frankly anyone, but I think the sweet spot here will be for children of about 9-10) all about the history of Mesoamerica. Wander around, talk to various historical figures, gloss over all the stuff about human sacrifice…it’s like a very small, very worthy Zelda, sort-of, but with more unpronounceably-concatenated consonants.
  • Splitter FM:. This is a really interesting idea which rather needs some more high-profile artists to properly take off. Splitter’s a service where artists can upload song stems for their work, thereby allowing fans (or just the curious) to mess with them to remix and rework existing tracks and make new material from the raw. This is LOADS of fun to play around with, as anyone who’s messed about with this sort of thing in the past will know – it’s also sadly lacking any artists who I’ve actually heard of (aside from long-time internet favourites Pomplamoose), although that may be a result of my being in my mid-40s and my musical tastes having long-since atrophied. Anyway, this is a really fun site to mess around on, but if any of you happen to work with any artists I actually like could you please persuade them to sign up for this so that I can produce my own tin-eared manglings of their back catalogue? Thanks!
  • Manhattan Population Explorer: As ever with this sort of New York-ish stuff I am including this mainly because I wish there was a version that did the same for London. This map shows you the distribution of people around the island of Manhattan over the course of 24h, with density represented by bar charts to create a rather pretty topography. “The visualization you see here is a model of the dynamic population of Manhattan, block-by-block and hour-by-hour for a typical week in late Spring. The model is currently fixed to your local time. The population estimates are the result of a combination of US Census data and a geographic dispersion of calculated net inflows and outflows from subway stations, normalized to match population daytime and nighttime estimates provided by a study from NYU Wagner.” So, er, can someone build this for my home city now, please?
  • Hahahahahahaha: A small webtoything, which would be literally PERFECT if only it had sound (but it doesn’t, and so is just ‘pleasing’. AIM HIGHER, ANONYMOUS WEBPERSON WHO CERTAINLY DIDN’T MAKE THIS LOOKING FOR MY APPROVAL!).
  • If You Lived: OK, I confess to not totally understanding what’s happening here, but I think that the gimmick is that the page is effectively mimicking the processes happening in a living body in realtime, but as back-end code functions. Look, this will be a lot simpler if you just click the link and follow the onscreen instruction – done that? Good. Do you see now? DO YOU SEE? I think this is quite beautiful, in a way I can’t quite put my finger on, and I would like to see it as a big, permanent thing in a public space (my word, I am FULL of never-to-be-fulfilled wants this week, it must be the lack of sleep).
  • Kevin Costner’s Waterworld: Finally in this week’s coveted ‘it’s the end of the miscellanea section, have a videogame!’ slot, KEVIN COSTNER’S WATERWORLD! Which you obviously are all aware is in fact a very small gag in the Simpson’s, where Milhouse plays approximately 3 seconds of the arcade game in question and dies immediately, and which has now been turned into an ACTUAL, REAL VIDEOGAME! This requires you to download and install it, but it’s small and it’s free and it will give you approximately 15 minutes of genuine (if frustrating and janky) joy, which is more than you can probably say for whatever bullsh1t ‘job’ you are currently pretending to care about. This is actually quite smart – the difficulty comes in that you are not controlling the game, you are controlling Milhouse’s arms controlling the game, making the whole thing an exercise in slightly-awkward metacontrols, but it’s worth persevering because there are quite a few solid gags in here and it’s an enjoyable play in a ‘ridiculous and shonky but good’ sort of way.

By Daisuke Ichiba

FINALLY THIS WEEK, A MIX BY FRENCH DJ DUST YARD WHICH CONSISTS OF SOME EXCELLENT DEEP HOUSE AND TECHNO! 

THE CIRCUS OF TUMBLRS!

  • The Modified Body: I was reminded earlier this week of being a lobbyist in the mid-00s and being so bored and hating my job so much that I basically took to browsing the most overtly-NSFW content I could in the office (no bongo, obvs, I’m  not an animal), which much of the time was the website of body modification publication BMEzine. Which meant that I saw a LOT of hooks-in-skin and suspensions and people ecstatically bleeding on each other – which is exactly what you’ll get from this site, showcasing both examples of body mods from around the world and throughout history, but also some more modern examples including scarification and suspensions and all that jazz. Obviously if you don’t want to see pictures of people’s skin being pierced by large hooks, don’t click this one.

THE TROUGH OF (INSTA) FEEDS!

  • Daniel Lazo: Daniel is a designer who works on films and as far as I can tell designs scifi-style user interfaces for imagined futurestuff – this Insta feed collects some of his work, and it is GREAT and make me wish that I wasn’t going to be long dead by the time stuff that looks like this is in circulation.
  • Automotive AI: “Automotive designs from a parallel universe, brought to you by artificial intelligence”, because concept car designers have no place in the AI future either.
  • Harry F Conway: I was in Harrow last weekend and saw a sticker on a lamppost advertising this Insta handle, and when I checked it out I was SO impressed; Harry F Conway (I feel the ‘F’ is important) takes shots of urban London and they are great – dogs, teeth, tatts, protest, madness, the works.

LONG THINGS WHICH ARE LONG!

  • Ark Head: Venkatesh Rao ishas over the past couple of years become one of my favourite writers about The Now, consistently readable and interesting and novel, and this piece is no exception; Rao looks at how and why people are reacting to the latest evolution of modernity and all the fear and uncertainty that that connotes, and puts forward a thesis about the extent to which said fear and uncertainty leads to what he terms ‘ark head’ – “We’ve given up on the prospect of actually solving or managing most of the snowballing global problems and crises we’re hurtling towards. Or even meaningfully comprehending the gestalt. We’ve accepted that some large fraction of those problems will go unsolved and unmanaged, and result in a drastic but unevenly distributed reduction in quality of life for most of humanity over the next few decades. We’ve concluded that the rational response is to restrict our concerns to a small subset of local reality–an ark–and compete for a shrinking set of resources with others doing the same. We’re content to find and inhabit just one zone of positivity, large enough for ourselves and some friends. We cross our fingers and hope our little ark is outside the fallout radius of the next unmanaged crisis, whether it is a nuclear attack, aliens landing, a big hurricane, or (here in California), a big wildfire or earthquake.” Which, I don’t know about you, just sort of feels accurate to me, and is a neat way of contextualising the past year’s drive towards small communities and local practice and small initiatives, because the big picture is too vast to focus on and too terrifying to digest.
  • The Thatcher LARP: The LRB on the current UK political sh1tshow, part 1! This is John Lanchester, with characteristic clarity, outlining exactly why the current Prime Minister’s evocation of a former one is nothing more than cosmetic, and why that matters. “ The uncosted new policy became, to markets, a signal that the new government is not serious and doesn’t know what it’s doing. Truss can wear as many pussy-bow blouses and sit on as many tanks as she wants, but while her policies continue to be uncosted, it’s Larp Thatcher, not the real thing. Markets don’t want a G7 economy to be led by people playing ‘let’s pretend’.”
  • Madman Economics: The LRB on the current UK political sh1tshow, part 2! At the time of my writing this, Kwasi Kwarteng is landing from Washington and is still Chancellor, although it’s entirely possible that by the time I’m writing the intro that will no longer be the case (and if rumours are to be believed, the Saj’s tactic of ‘just hang around long enough and keep the power stance and they’ll have to give you No.11 eventually’ may well be about to pay off); still, regardless of which particular moronic unfortunate has the job of carrying the poisoned chalice that is ‘the UK economy’ this week, this piece does a good job of explaining exactly why the past fortnight has been such a meteoric sh1tshow from a markets perspective, as well as offering perhaps the best explanation of why the current pair of morons may have decided to take this baffling course in the first place (I’m not saying it makes sense, by the way, I just mean that it’s explained well).
  • The Silicon Valley Podcasts: I recently had a conversation with someone about ‘doing content’ for a firm of VCs – it was an incredibly depressing conversation, mainly because when I asked ‘but why do you need content and what do you want people to think of you and the fund as a result of the content you put out?’ they weren’t able to offer a cogent answer and instead just sent me 200 links to every single VC newsletter in the world and just sort of gestured vaguely towards them and shrugged. This piece reminded me of that conversation – in it, the author spends a bit of time consuming ‘by VC, for VC’ content and comes to the conclusion that it’s all empty, meaningless and stupid, that it promotes values that might be described at best as ‘questionable’ and at worst as ‘nakedly sh1tty’, and that none of the ‘thought leadership’ contains any ‘thoughts’ or ‘leadership’ (plus ca fcuking change, eh kids?). I remain convinced that, when The Big Reckoning happens and we as a species do some soul searching about How We Got Here and Who Is To Blame, VCs will be right alongside the advermarketingpr drones when the firing squads start up.
  • Life In The Metaverse: As part of the press-prep for the unveiling of Meta’s new $1500 VR headset this week, a bunch of reporters from outlets around the world did the whole ‘I spent a week in the metaverse!’ thing (ignoring the fact that THE METAVERSE DOESN’T EXIST YET) – this is the NYT’s take, which is broadly more positive than others and paints a picture of a series of experiences that are on the cusp of maybe being interesting, possibly, in the future, with a lot of polishing and a lot more people using them. If you want to focus on the dystopian, though, the segment in there about heavy VR users sleeping in their headsets so that they can immediately wake up and log on is…pretty bleak! And this is a sh1tty, 1.0 version of the future – if it’s still enough to tempt people away from the mediocrity of meatlife now, just you wait til it’s all in glorious haptic 4k. Hundreds of thousands of people will choose over time to commit what will effectively be ludic suicide and never ever leave the machines (hyperbole, yes, but plausibly so imho). WHAT A TIME!
  • Zuck On The Metaverse: If you’re at all curious about Meta’s vision about whatever the fcuk the ‘metaverse’ will end up being, this interview with Zuckerberg is worth a read. It’s as personality-free as ever, although you can tell he gets…quite spiky when talking about Apple’s VR plans, but this is a really interesting overview of how the man driving all this sees it progressing and working. In particular I thought that his emphasis on Accenture and Microsoft as partners in developing the idea was interesting – if you’re looking for real-world applications for all of this as-yet handwavey potentialtech, corporate is probably the place to keep an eye on.
  • Mobile China: Thanks to my friend Alex for sending this to me – it’s a super-interesting piece looking at the ways in which China’s mobile-first online infrastructure has had interesting and unforeseen consequences in terms of human behaviour. There’s a lot of this which I think we’re going to see happening in the West too as a result of GenZ/GenAlpha (sorry, I know, these are made up demographic distinctions and I am SORRY for using them, I should know better) being so utterly mobile first, and the increasing ubiquity of mobile-only sites and products. “In China, the clear trend towards mobile drove start-ups to focus exclusively on mobile development, and content platforms that had legacy desktop versions further crippled their desktop products to increase mobile adoption. In the end, we get a fragmented information system where everything is trapped in an app and nothing can be “rediscovered.”” Well, quite.
  • The Self-Driving Car Lie: As a non-driver I am personally slightly annoyed that all the mid-10s promises made to me by people like Elon have turned out once again to be utter bunkum – I was personally really looking forward to being able to finally do the London-to-Ulan Bator roadtrip I’ve been dreaming of since my teens, especially when I could do it whilst incredibly stoned and being chauffered by machine. Sadly it seems that that vision may never come to pass, at least based on this Bloomberg piece which strongly suggests that pretty much everyone involve in the self-driving car game, Musk excepted, seems to be on the verge of accepting that this isn’t happening anytime soon. The piece does a decent job of explaining why that is, and details where the tech might end up going – the example they use at the end of quarries and construction sites is a fascinating one, and you’d expect that the design of both will become somewhat standardised over time to better-accomodate self-driving vehicles.
  • The Porcelain Challenge: Or “why you should rarely if ever believe moraql panic stories about social media”, or “it really should be harder than this to spoof international media”, or “man, fact-checking stuff like this is becoming near-impossible thanks to how TikTok is structured”. This is the story of Sebastian Durfee, who a few weeks ago invented a concept called ‘the porcelain challenge’ – a fake TikTok trend in which he claimed kids were snorting dust from ground-up crockery – and then attempted to spoof the media into thinking it was a thing. Which worked – and then worked again when he started posting spoof coverage of his spoof story, faking people into believing the media had been fooled by his initial prank…this is obviously all quite silly, but equally contains some serious points that reflect some of the stuff in that China link up there about the increased impossibility of doing adequate due diligence around content within TikTok.
  • The Death of Podcasting: Or, perhaps more accurately, ‘why isn’t podcasting producing any breakout hits and is it basically just radio now?’, to which the answers are, in order, “because most podcasts are self-indulgent crap which noone would read if it were written down but which people will deign to listen to because it requires no effort to let the voices of a bunch of people wash over you while you do the washing up or walk to the gym”, and “yes, basically”. “What does it mean if the primary reason a podcast gets any attention these days comes from its ability to drive newsworthy gossip or extend the brand of various A-listers, public personalities, and influencers-in-waiting? It means, as Snyder feared, that podcasting is or will become indistinguishable from corporate radio. Which would be a shame, given that podcasting’s explosive entrance into the mainstream eight years ago was principally defined by the medium’s possibilities as art.”
  • Mrs Hinch and the Fan Content Question: I confess that I hadn’t ever really given too much thought as to how the endless stream of SEO-bait articles created by online publishers actually works, but thankfully my friend Nick has and has written this explainer about the Mrs Hinch Content Industrial process – whereby articles are written ‘about’ Mrs Hinch and her cleaning expertise, but where the content is literally lifted wholesale from fan Facebook Groups and the like. “One recent story about Mrs Hinch fans sharing tips for removing condensation from windows appeared in no fewer than 24 (twenty-four) different Reach PLC-owned local and national news sites. Express, Mirror, Manchester Evening News, My London, Liverpool Echo, Essex Live, Belfast Live, Staffordshire Live, Suffolk Live and OK to name a selection. I did a search to find which Facebook page these comments were even from, and I couldn’t find anything: Either the posts have been deleted or they were taken from one of the private fan pages, which you can’t peruse unless you are already a member of the group.” Which is interesting for several reasons, partly because of the ‘ethics’ (LOL!) of the practice from a journalistic point of view, but also from the perspective of, again, checking and sourcing and attributability and oh God it does rather feel like we’re hurtling towards an age in which stuff just EXISTS online and finding out where it came from or how it started or whether it’s real is going to be like trying to decode the Voynich manuscript.
  • The Comedian Footballer: A lovely story, this, of a Spanish footballer who fell out of love with the game and reinvented himself as a standup comedian; this is particularly good in the parts where it explores why Zuhaitz Gurrutxaga stopped wanting to play football for a living, and the feeling of being an imposter in the sport he had grown up dreaming of playing.
  • Visiting The Body Farm: I featured a piece about a body farm a few years ago – that was about the largest one in the US, which is coincidentally (and comedically) pretty much next-door to Dolly Parton’s ‘Dollywood’ theme park, whereas this is about a smaller equivalent in North Carolina. In case you’re not familiar, body farms are places where the corpses people who’ve donate their bodies to medical sciences are left so that said scientists can study the effects of decomposition in the natural environment. I have a slight personal fascination with the mechanics of death (having to hang out with the corpses of both one’s mother and grandmother within a six-month period will do that, I found), and so this piece spoke to me (in a weird, creepy voice not unlike The Cryptkeeper), but even those of you who don’t have my morbid fascination with mortality and decay should find something interesting here (also, there are no photos of anything gross and limited descriptions of body horror, in case you’re feeling squeamish).
  • Diplomatic Dining: I know I spend a lot of time on here making fun of BRANDS and CONTENT and BRANDED CONTENT, but it’s important to give credit where it’s due and I think it’s only fair to acknowledge that WeTransfew does really, really good content. I mean, I have no fcuking idea how it helps them sell more premium file transfer solutions, and I question whether it in fact does, but I bet some cnut not entirely unlike me has put together a 60-slide presentation about why it’s EXACTLY the right thing for the business to do, and the resulting output is really far better than it probably needs to be. See, as an exemplar, this very good  essay (allegedly by Bompass and Parr but, from what I know of them, I do not believe that for a second) all about the role played by food in international diplomacy over the years, which includes LOADS of great anecdotes including one about George Bush Senior vomiting on the then-President of Japan at a diplomatic meeting in 1992, which apparently placed a certain froideur on US-Nipponese relations for a few years (so, Liz, console yourself that you’ve not hit rock bottom yet!).
  • Tory Conference: Laurie Penny is on spectacular form here as she recounts her experience of visiting the recent Conservative Party Conference in Birmingham. Honestly, if you have ever worked in or around politics then this will be joyously familiar; if you haven’t, know that this is EXACTLY WHAT IT IS LIKE, even in the years when the Tories aren’t having some sort of existential crisis (just like a fcuking Tory, too, to have an existential crisis that fcuks everyone else up). The little vignette right at the end about the sh1tfaced young Conservative is beautiful, and the whole piece is a perfectly-controlled dissection of the peculiar insanity that is ‘people who like politics far too much for their own, or indeed our, good, letting loose’.
  • Faking Car Crashes For A Living: This is a BRILLIANT story, which really is as insane as the headline makes it sound. Imagine, if you will, a man who decides to make a career out of recruiting a large body of accomplices with whom he stages car crashes to scam the insurance; a man who takes his job so seriously that he will personally thwack said accomplices about the head with a bottle of Jim Beam to simulate a decent concussion; a man who exerted such a degree of charismatic control over his team that they would do things like rip out their own teeth to create convincing crash sites…THIS IS THAT MAN AND HIS STORY. Honestly, this is so so so so good, and you can practically smell the cocaine sweat of everyone involved.
  • Stuff: A shortish essay about having things and not having things, about not really wanting things, and about loads of other stuff that is just sort-of alluded to between the lines and in gaps. This is…not unpretentious, but I really enjoyed it and I think that the writer (one Kris Bartkus) is at least a bit self-aware about said pretentiousness. Contains excellent paragraphs such as this one: “The young have a fundamentally different relationship to objects, a more artistic one. She convinced me to lug from Guanajuato all the way to New York (mercifully in an era of inefficient airline luggage pricing) an entire sink, which we found in a trash heap. What can one do with a sink? What can’t one do with a sink? One can leave it in one’s basement until one’s mother throws it away—the regret from its disappearance will power us to live another day.”
  • The Clinic In The Forest: Marcus John Henry Brown is a performer and artist and occasional trainer of speakers, and he used to work in advertising until he realised it was making him sick and so he stopped. This is him writing about part of that sickness and the need to be honest about the sickness, and about what you do (and what you don’t do) when you notice the sickness, and how other people relate to it (or don’t), and it’s a very brave thing indeed to have written.
  • The Secret Diary of a Ukrainian Soldier: Finally this week, this is just wonderful. It’s exactly what you think it is – except the soldier also happens to be a great writer. This is the first instalment in what I think will be a series, and covers his period of training after joining up with the army; in common with all great writing about war, it captures the insanity and ridiculousness and fear and boredom, and does so with humour and wit and heart. So so so so so so so good, this.

By Glenn Brown

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 07/10/22

Reading Time: 32 minutes

October! Pumpkins! The increasingly-heated domestic arguments about when, exactly, you are allowed to start looking longingly at the thermostat!  Yes, that’s right,  WE’RE INTO THE HOME STRAIGHT OF 2022! Basically from hereon in it’s just waiting for Christmas party season and for mulled wine to become an acceptable breakfast drink (third week of this month, fyi), and trying not to think too hard about all the people who are inevitably going to top themselves over the coming months as the relentless barrage of YOU WILL HAVE FUN IT’S THE MOST MAGICAL TIME OF THE YEAR collides hard with the dawning reality of ‘Great’ Britain in the modern age and how it costs not to die these days.

Still, that’s still to come – in the here and now we can still distract ourselves with shiny digital gewgaws, and so to that end let me present to you this week’s bulging haul of internet ephemera with which to delight and soothe. If you can’t find something in here to amuse you then, well, what the fcuk is wrong with you, frankly.

I am still Matt, this is still Web Curios, and I promise to be cheerier in next week’s upfront.

By Pablo Hurtado de Mendoza

WE START THIS WEEK’S MUSIC OFF WITH THIS SWEEPING MIX BY LOOMIS, WHICH COVERS AMBIENT, ELECTRO, BREAKS AND SOME LIGHT D’N’B AND IS GENERALLY GREAT! 

THE SECTION WHICH THIS WEEK HAS HAD HORRIBLE FLASHBACKS TO THE TIME IT HAD TO DO ALL THREE PARTY CONFERENCES BACK-TO-BACK IN THE EARLY-00s AND WHICH ON REFLECTION REALISES THAT SOMETHING IMPORTANT INSIDE IT DIED AS A RESULT, PT.1:  

  • The MetaOcean: I think I made some sort of half-promise to myself (I would never promise anything to you) a few months ago that I would attempt not to feature stuff in here for the sole purpose of giving it a kicking – after all, Web Curios is intended to be a celebration of the wonderful world of creative webwork and the kaleidoscopic cornucopia (can a cornucopia be kaleidoscopic? I feel I have lost control slightly here and it’s only the first link of the morning ffs) of idiosyncratic human interests! Positive vibes only! No haters! I was doing pretty well, I think, and then this floated into my field of vision and, well, I cracked slightly. THIS IS THE SH1TTEST THING YET TO BE BRANDED METAVERSAL AND EVERYONE INVOLVED IN ITS CREATION SHOULD FEEL SOME SMALL FRISSON OF SHAME AT ITS, AND BY EXTENSION THEIR, EXISTENCE. I have no idea whatsoever why it exists or what it is meant to prove, or exactly who the doubtless-clever people at Vogue think wants to explore a digital ocean in order to browse some low-quality CG artworks, or exactly what a single, browser-based 3d…thing has to do with the concept of ‘the metaverse’. You can, if you like, read more about the project here – it won’t make any sense of it, but you will get to experience sentences like this one: “the experience includes an above-water exploration followed by a mythical underwater world, featuring work by 24 artists including 3D digital sculptures, nominated by editorial teams from global Vogue titles including India, Australia, Mexico and Latin America, Japan and China.” So that’s nice. Honestly, I can’t stress enough how mesmerisingly-terrible this is – you click through, choose whether you want to explore the above-water or underwater METAOCEAN, and then pilot a small digital vessel with your WASD keys as you gaze at some poorly-rendered digital ‘art’ while your laptop wheezes like an emphysematic. The thing takes ages to load, the lag when it does is horrible, clicking on any of the artworks screws your ability to then  move around…none of it works, which when you consider that this is Vogue, and therefore meant to be quite shiny and high-end, feels a bit…embarrassing. Who signed this off? Is the person at the digital agency who built this sleeping with or related to someone in commissioning? Does Anna know?! Honestly, I can’t stress enough how majestically crap this is – if you have ever been involved in the creation of a slightly-rubbish digital thing and want something to make you feel better about your professional failings, this will salve your pride. This will have cost Vogue six figures, no doubt, for something that looks and feels like a cover-mounted CD demo from Playstation World in 2004. Still, at some point in the future you’ll be able to buy NFTs in the MetaOcean, so that’s nice.
  • Petaverse: Thanks to Alex Fleetwood for alerting me to this – he actually sent it to me last week, but it took me a while to come to terms with its brilliance. Petaverse (DO YOU SEE WHAT THEY DID THERE DO YOU SEE?) is a company which is ‘on a mission to bring your bestest animal friend to the magical world of web3’, and if that bit of copy doesn’t make you want to apply a cheesegrater to the shins of everyone involved in the project then, well, you’re a better person than I am. Send them a picture of your pet (oh, and 0.15ETH, currently about 1200 quid) and they will make you a digital version of it! As an NFT! Which you can then use in non-specified future digital ways (honest, guv!)! Look, whatever you want to do with your pet is up to you, but it’s worth pointing out that you can probably get it taxidermied for less than the cost of turning into a low-poly Nintendog.
  • Hume: I imagine that you, like me, spend much of your waking time on this fast-decaying planet thinking to yourself ‘Hmm, which of the current trappings of Western civilisation and culture would I most like to see ported to the glorious-if-entirely-theoretical metaversal future that we are being peddled by our tech overlords?’ – and I imagine that, also like me, you regularly think ‘yes, that’s it, RECORD LABELS! I want record labels in the metaverse!”. Well, it’s your LUCKY DAY, as Hume is apparently just that thing – the world’s first metaversal record label! Specifically, Hume is “a record label built for the future. A collective fueled by metastars. We are reshaping what it means to be an artist, what it means to be a fan.” What that means in practice is (and this may not come as a huge surprise to you) unclear, but seems to involve a whole load of largely-incomprehensible lore about a digital artist from the future called Angelbaby who has traveled back in time to save music and can only do so by, er, setting up a company designed to explore exciting new artist monetisation possibilities via the medium of NFTs. A brief aside – apart from the fact that ALL THIS STUFF IS FCUKING BULLSHIT AND THE IDEA OF FANS BUYING ‘SHARES’ IN ARTISTS LIKE THIS IS NOT NEW AND ALL YOU ARE DOING IS MAKING IT HORRIBLE AND COMPLICATED AND MISERABLE, why does every single one of these projects have to come with one of these excruciatingly-embarrassing backstories which always read as though a couple of stoned teenagers decided to write their own anime? Should you wish to know what sort of music you’ll be backing if you buy into the Hume ethos, it turns out that Angelbaby actually did perform at Art Basel last year – you can see / hear that performance here. Yes, it is exactly as fcuking awful as you might expect, and suggests that literally everyone involved in this project loves the idea of making money from idiots on the internet far more than they love music (it also suggests that they love cocaine a lot too, if I’m honest).
  • Istituto Marangoni in the Metaverse: Is the metaverse the ocean, then, per Vogue? Or is it yet another type of slightly-sh1tty web experience, pointlessly-overengineered and clunky and borderline-incomprehensible? Istituto Marangoni is “an internationally recognised leader offering higher education in fashion, design and art. For more than eight decades, it has witnessed and accompanied the flourishing of Italian fashion and the boom of ready-to-wear apparel, educating young designers who would later build their success” – so obviously it’s created this website in which you can learn more about it, not by reading or watching but instead by navigating your avatar through a series of small 3d environm…FOR FCUK’S SAKE EVERYONE CAN YOU STOP BUILDING THINGS LIKE THIS NOONE WANTS THEM NOONE NEEDS THEM ALL THEY DO IS MAKE INFORMATION HARD TO ACCESS! LITERALLY NOT ONE PERSON EVER HAS EVER THOUGHT “I WANT TO LEARN MORE ABOUT THIS THING, LET ME DO SO BY SPENDING THREE MINUTES MANOUVERING MY POORLY-RENDERED, JERKILY-ANIMATED CG FIGURE THROUGH A SERIES OF EQUALLY-POORLY-RENDERED ENVIRONMENTS SO THAT I CAN EVENTUALLY ACCESS A POP-UP OF EXPLANATORY TEXT!’ Although perhaps my anger is not so much to do with the pointless waste of time and energy that is embodied by stuff like this so much as the fact that noone is paying me any of the sweet, sweet marketing budget cash to make it. I am, to be clear, available at EXTORTIONATE consultancy rates to advise on whatever stupid sh1t you want!
  • Deforum Stable Diffusion: The pace of development in text-to-image generation continues to be dizzying; the original Stable Diffusion model from a few weeks back has already been tweaked and added to and modded in all sorts of different, powerful ways, and keeping up with them all is…tricky, frankly. If you’re in possession of a reasonably-powerful machine and can be bothered with the slight tech-hassle of installing SD locally, you might be interested in Deforum which is basically Stable Diffusion with knobs on and includes a bunch of additional mods and patches which let you do 2d and 3d animation through it (this sort of thing, for example), amongst other things. One for the more professional end of the AI art market rather than us dilettantes, but worth a look/play if you’re serious about the possible applications of this stuff.
  • Long Stable Diffusion: I continue to be in awe of the stuff that people are hacking together with these programmes (also, by the way, a slight aside – sorry to anyone who isn’t interested in this stuff AT ALL – I promise that once this initial wave of innovation has passed there will be less of it, honest. Remember NFTs? Weren’t they briefly really annoying and haven’t they now largely vanished? TRUST THE PROCESS), and this is a lovely example of creative deployment of text-to-image stuff. Long Stable Diffusion is a bunch of code on Github which you can use to illustrate full stories rather than short sentences – basically it chunks your story into sections, translates those sections into prompt-friendly English, gets outputs based on those prompts…OK, fine, it’s totally hacked together and not hugely user-friendly, but the potential here is vast; the idea that you can basically just give a machine 1000 words of story and get it to ping you back half a dozen illustrations to accompany it is basically magic. I know I keep saying this, but, honestly, the world is going to change very, very significantly when it comes to creation and I am not totally sure we realise how much it’s already happening at the edges.
  • Pokemon Text-to-Image: This makes Pokemon out of whatever you type in. Want to see what your name would look like as a pocket monster? Of course you do! I personally suggest you spend this afternoon seeing what the Pokemon version of your employer looks like and, if it’s any good, lobbying whoever your local ‘brand custodian’ (LOL!) is to get it adopted as an official corporate mascot. Do let me know how you get on.
  • MagicPrompt: This is a nice little prompt-creation assistance tool – basically you give it a fragment of what you want to create, and it will spit out a few worked-up variations for you to test out with SD, Dall-E or whichever text-to-image generator you prefer. So for example I just gave it ‘the interior of an office building’ as a seed prompt, and it returned various expansions of that including “the interior of an office building looking out to a cyberpunk rainy street, award-winning realistic sci-fi concept art by Jim Burns and Greg Rutkowski, Picasso, Beksinski, masterpiece, complimentary colors, James Gilleard, Bruegel, artstation, Alphonse Mucha, and Yoshitaka Amano”. As far as I can tell this was designed to help create fantasy illustrations, so probably skews towards that sort of aesthetic in the prompts it generates, but, again, this is less interesting for how it works now as it is for what it suggests about how this stuff can be used and adapted and deployed.
  • Imagen: Anything Meta can do…after the announcement last week of Meta’s text-to-video generation software, here comes Google with its own version; per Meta’s, the outputs are a bit fuzzy and bit messy and, equally, mind-flayingly impressive. As things stand, obviously, noone is going to be fooled by this stuff and the people who shoot stock footage can sleep safe in their beds for a few months longer – be clear, though, that we’re only about a year away from anyone being able to spin up 10s of video of ‘the river thames in Summertime with the Houses of Parliament in view’ in seconds. Google is, per its in-house text-to-image code, not releasing this publicly at present, citing concerns over ‘safety and ethical challenges’ – don’t worry though, as at least one alternative model is set to launch to the public in the next month or so. The next 12 months is going to see some truly-terrifying experimental machine-imagined bongo, just to warn you.
  • InteriorsAI: Again, an interesting idea rather than something that works particularly well at present – upload a photo of an interior space and this website will let you apply different ‘looks’ to it so that you can envisage what it might look like with contrasting design choices applied. This looks super-shiny and high-tech if you don’t focus too closely, but a more serious inspection of some of the outputs reveals furniture that appears to exist in both one and six dimensions simultaneously, and a slightly-troubling fixation with having inexplicable trailing creepers just sort of growing out of walls at random – actually, the more I think about this the more I think it might be some sort of sophisticated promo for a domestic horror film where the eldritch forces start bleeding through into the heroes’ kitchen midway through the first act.
  • This Movie Does Not Exist: You may have thought that we had done every single possible variant on ‘This X Does Not Exist’, but I’d apparently missed this one – the site spits out a different film, synopsis and poster each time you refresh. I just got “In 1930s Chicago, a crime boss hires a young Prohibition-era gangster to kill a rival”, which, honestly, sounds better than the current Netflix slate imho, although the star on the poster had a number of fingers which I can only describe as ‘troubling’.
  • Vidtranslator: I think this is built on top of OpenAI’s transcription tool which launched a week or so ago – in any case, this is a super-useful little Twitter bot which will, if you tag it in the replies of any non-English-language video posted to Twitter, will send you back said video with the audio captioned in English. It’s…imperfect, fine, but as a quick and dirty way of getting the gist of international news or entertainment content it is SUPER-useful. Oh, and here’s another tool that does something similar for YouTube videos – again, hugely useful.
  • Kandinsky: Another little Google toy, Kandinsky is another of the company’s experiments in combining drawing and sound – scrawl on the digital canvas, picking from one of three colourways (each of which relates to a different sound or instrument group), creating an abstract masterpiece, and the site will translate that into an impressively-undiscordant little bit of audio for you to enjoy. This isn’t exactly sophisticated (he says, sniffily, as though he has either the faintest idea of how this practically works or could make something comparable), but it does that lovely Google thing of being both fun to play around with and not letting you create anything that sounds too unpleasant – I imagine that small children would find this quite fun, should you have any to hand.
  • Tree Talk: A small webcomic about two trees in conversation. The artstyle and animation on this are just LOVELY – there’s something almost patchwork about the way in which the layers work on the page (it will make sense when you click, I promise), and it’s nice to see something which looks and feels aesthetically distinct and actually fresh.
  • Ivor Goodsite: I don’t know if you’ve ever noticed, but major construction works in the UK – the sort where the site is surrounded by billboards which feature EXCITING RENDERS of the future development, and occasionally INSPIRATIONAL QUOTES in cursive script, drawing on the area’s history and community and illustrating how committed the developers are to honouring the heritage of the site (whilst committing to no more than 5% of ‘affordable’ housing because history and community only get you so far in this economy, mate, and what am I, a charity?) – often feature a cheery CG person in hi-vis and hardhat, a child-friendly mascot for the construction industry, who is often pictured next to a list of site safety rules. I have for YEARS been fascinated by this figure, who basically looks almost-exactly like the sort of character model used in late-90s/early-00s videogames like Theme Park, and this week found out that THEY HAVE A NAME! Meet Ivor Goodsite, UK construction industry mascot, whose role is to, er, presumably entice kids into a career pointing at cement mixers and directing bulldozers, and whose website this is. Look, ok, this isn’t the most interesting link in this week’s Curios, but at the same time I am SO CHARMED by the idea that this thing even exists, that there will have been meetings and documents prepared agonising over Ivor’s name (how long, exactly, do you think it took to came up with it? By the way, construction is a progressive industry so you’ll be glad to hear that Ivor is joined by his..sister? wife? the relationship is unclear…anyway, he’s joined by Honor Goodsite, and, honestly, THOSE NAMES!), and by the fact that you could apply to hire an Ivor costume, presumably for Hallowe’en or for spicing up one’s love life with some hardcore roleplay. Sadly, clicking on the ‘costume hire’ section of the site informs me that “we are currently reviewing Ivor/Honor Goodsite and therefore the costume hire is currently unavailable until further notice”, which suggests that perhaps Ivor is not long for this world – please, take a moment to click this link and, er, honor him.

By K Young

NEXT UP IN THE MIXES, ENJOY THIS HOUSE-Y SELECTION FROM SAM HOPGOOD WHICH SOUNDS QUITE A LOT LIKE WHAT I IMAGINE WOULD BE THE PERFECT SOUNDTRACK TO ZOOMING AROUND A FUTURE CITY AT NIGHT IN A FLYING CAR (AND YES I APPRECIATE THAT THAT IS SPECIFIC, BUT TRUST ME ON THIS ONE)! 

THE SECTION WHICH THIS WEEK HAS HAD HORRIBLE FLASHBACKS TO THE TIME IT HAD TO DO ALL THREE PARTY CONFERENCES BACK-TO-BACK IN THE EARLY-00s AND WHICH ON REFLECTION REALISES THAT SOMETHING IMPORTANT INSIDE IT DIED AS A RESULT, PT.2:  

  • Crossroads: Long-term readers will know the immoderate degree of love that I feel for the digital team at NFB Canada, who for years have been making some of the most beautiful pieces of interactive digital storytelling anywhere on the web. Their latest (I think) is no exception – Crossroads is about the relatively-recent Canadian scandal surrounding indigenous populations and the Church, here described as: “In early summer of 2021, St. Ann’s Catholic Church, the building at the centre of Tyler Hagen’s 2013 interactive documentary Similkameen Crossroads, was burnt to the ground in response to the discovery of hundreds of unmarked children’s graves at the site of a nearby ex-residential school. Many other Catholic churches located on Indigenous land across Canada were also burned and vandalized. In this context of violent emotion, Hagen returns to the community and once again speaks with Carrie Allison, the church’s caretaker, to get her perspective on what happened. Situated at an elbow of the Similkameen Valley, a tall mountain is marked by a distinctive striped rock face. The Nysilcen word for it is Snaza’Ist, meaning “Striped Rock Place.” The story goes that Bear scarred the mountain here when he took a swipe at Chipmunk, and missed. Similkameen Crossroads is the result of time spent in this remarkable setting.” This is SUCH beautiful work – the stories and the way they are presented, and the combination of audio and video at play, renders this intimate in a way that very few bits of online storytelling tend to be. I can’t stress enough how much this benefits from using headphones – there’s a wonderful ASMR-ish quality to the voices here, if that’s your thing, but even if not there’s a depth of feeling that you get from having the stories right in your ear as you watch. This is about 25m or so long, but is very much worth it.
  • Kilogram: “What if Instagram, but all the pictures were 1k or smaller?”, thought Matt Round one day, and LO! Kilogram was born! This is another of Matt’s silly-but-actually-smart projects – obviously all the images are largely-incomprehensible due to the fact that they are all basically made up of around 30-odd pixels, but there’s also quite an interesting overall aesthetic to the whole thing, and there’s a thematic callback to the Old Web if you want a high concept to tie it all together. Alternatively, though, you can just enjoy the fact that it’s a silly gag executed to perfection.
  • Romania: Occasionally I think back to The Good Old Days of the Web (lol there was no such thing it has always been awful because people are awful GYAC) and reminisce about certain trends which have now long-since been left behind – one such trend was the late-00s decision made by the tourist boards of certain countries that they HAD to be on Twitter, which resulted in the very odd (and inevitably short-lived) spectacle of some poor social media lackey being tasked with embodying an entire nation, 140 characters at a time; unsurprisingly almost all of these were dreadful, apart from Iceland’s which was a joyous, whimsical and very silly account which was copywritten SO WELL that it was impossible not to read all its Tweets in that slightly-hurdy-gurdy voice that is, thanks to the Muppets’ Swedish Chef, the accepted sound of the Nordics for most non-Nordic anglophones (sorry, but it is). Anyway, that’s by way of needlessly-long-windeed preamble to the fact that Romania is on TikTok and it’s GREAT – I have no idea how they decided that the brand identity they were going to go for was ‘rural crafts and BEARS’, but they have leaned into it HARD. If you spend any time whatsoever looking at this you will become convinced that all that happens in Romania is woodchopping, traditional cooking over fire and interacting with terrifying ursine fauna – I am guessing that if you hang out in downtown Bucharest this is probably…less true, but who cares? This is how you sell a country on TikTok, basically. Can we have an ‘England’ one that is just Morris dancing and queues?
  • Shipwreck Simulations: Another TikTok channel, seeing as we’re here, this time featuring a man and some software which lets said man simulate the effect of massive masses of water on ships from history. Ever thought ‘hm, I wonder what the effect of a 100-ft wave on historical warship The Bismarck would have been?’ No, no, of course you haven’t – but this man has, and wants to share his findings with you. I don’t think I’m spoiling anything here by telling you that the ships tend not to come off too well from these encounters, but there’s something compelling about seeing exactly how fcuked up they get when being pummelled by several thousand tonnes of high-velocity brine. As an aside, there’s something interesting in the recent rise of ‘people sharing videos of them messing around with simulation software’ – between the people running the ‘cars struggle to cope with a giant pit in the middle of the road’ YouTube channel and this, it feels like we have unearthed some sort of fundamental human truth about how much we like to watch stuff play out in controlled environments – the first brand to turn its horrible non-metaverse into, I don’t know, some sort of incredibly-baroque no-limits torture sandbox will clean up, I tell you (PUT THAT IN A TRENDS PRESENTATION YOU COWARDS).
  • Collate: “Collate is a platform for political, cultural and intellectual leaders to have digital letter correspondences with each other and the public, in public.” Or at least so says the blurb – the idea here is that this platform has signed up a selection of public figures and ‘intellectuals’ to take part, with some of them engaging in epistolary debate/correspondence on the site. “Access and scrutinise your local MP, senator, favourite author or artist. Letters addressed to someone specific – which have a 100-word minimum and remain publicly readable – can only be responded to by the recipient. With no comments too, leaders have an abuse-free space to engage one-on-one with the public.” Obviously this only works if the people who blithely said “yes, of course!” to the initial request actually keep on engaging with the project in the long-term, which, honestly, is unlikely, but it’s an interesting concept with proper backing (it’s a University of Edinburgh thing, which perhaps explains how they managed to secure the participation of such ‘luminaries’ as Stephen Pinker and Yuval Harari (which names sort-of give me an idea of where this is being pitched, and make me think that I am never, ever going to look at this website again because honestly you can find more interesting thinking on Tumblr).
  • Illustration: It feels very much like I’ve spent the past year or so being some sort of miserable Cassandra to all of you who make and create, especially those of you who do so visually, ceaselessly shouting about how AI is coming to eat your lunch. Sorry about that. By way of small apology, let me share this link – Illustration is a website which exists solely to promote and celebrate some of the excellent work being done by illustrators to accompany articles in online publications, and which showcases some of the best examples as featured in the NYT, WIRED, Polygon, VICE and elsewhere. This is SUCH a great resource, not only for examples of styles and techniques but also in terms of finding people whose work you like to commission them for other projects – you can search by illustration style, and tone, to narrow down your search, but in general this is just a pleasure to browse through. OK, fine, maybe AI won’t steal all the illustration jobs – you just need to be as good as these people, ok?
  • The Media History Digital Library: “A free online resource, featuring millions of pages of books and magazines from the histories of film, broadcasting, and recorded sound.” You want a searchable digital archive of materials from historical issues of magazines like Variety? HERE! This is an absolute motherlode if you’re an historian of the Golden Era of Hollywood, but it also covers non-US titles including quite a few from the UK should you fancy doing a bit of a deep-dive into British Kinematography Magazine (you do, don’t you? GO ON).
  • Fat Bear Week: Is it that time of the year already? I swear, Fat Bear season gets earlier every year. Once again, the internet gets to decide which of the Fat Bears in Alaska’s Katmai Reserve is the Fattest of all the Bears – voting opened on Wednesday and runs til the 11th, so get clicking. You can also watch the Fat Bears on FatBearCam here should you wish – at the time of writing they are doing their ablutions and generally having a lovely time.
  • Spotern: This week’s ‘there is nothing new, only old things that new people have forgotten about and therefore are condemned to reinvent forever’ link comes in the shape of Spotern, which has literally invented ASOS from about a decade ago. ASOS, for those of you too young to recall, started its life as a website called ‘As Seen OnScreen’, whose gimmick was to share where to buy the looks of your favourite TV and film characters – over time, it became successful enough that it dropped that gimmick and instead just sold you sweatshop tat, dropshipped to anywhere for pennies and everyone seemingly forgot its origins, which, presumably, is why we have Spotern. Anyway, Spotern lets anyone upload their ‘Spots’ and earn pennies from affiliate sales, so if you have an encyclopaedic knowledge of where one can go to replicate the look of, I don’t know, the pointy-eared ones from the new Amazon Tolkiengasm then you can monetise it here. Next week I might try and tempt a bunch of VCs in their 20s into funding my revolutionary idea based around an online bookstore.
  • Juggling Simulator: This is MESMERISING – a little 3d CG model of a juggling figure, whose settings you can change to show different juggling patterns because juggling is just maths, basically, and so computers are pretty good at simulating it and OH MY GOD I totally lost a good 7-8 minutes by clicking different settings and trying (and failing) to work out how I would need to make my arms move to hit the transitions. Basically this makes me feel like my arms are made of overcooked spaghetti in terms of comparative motor control abilities, but it’s also so interesting in terms of timing and movement and technique (and maths). If you’re interested, by the way, this is a long-ish read about innovation in juggling and how it comes about, which is a nice companion to the sim.
  • Ocean Photographer of the Year: Lovely photos, these, although once again it seems…counterintuitive that a website celebrating photography should be so fcuking bad at showcasing said photography. The UI here is miserable, but you can see the different winners in each category by clicking on the category headings at the top of the page; these are obviously all amazing, but there’s a particular shot of a mother and child orca swimming together which is just stunning and is my personal favourite.
  • Cattera: A heavy metal band fronted by a cat. “Hailing from the literal streets of NYC, CATTERA is a feline four-piece fronted by reformed street cat Roope-Shakir, fur baby of Fearless Records product manager Anna Mrzyglocki.  100% of the track sales and any additional donations will directly benefit Whiskers-A-GoGo, the Brooklyn non profit volunteer-run cat rescue group that got Roope-Shakir off the streets and into his forever home.” This is obviously awful, but not noticeably worse than the vast majority of death metal/screamcore stuff, and it’s an EXCELLENT PR stunt so well done them and well done, er, Roope-Shakir (do you ever feel guilty that you don’t give your pets exciting enough names? When I was a child I called my cat ‘cat’, which I am now worried indicates some sort of deep absence of affect).
  • A Number From The Ghost: It’s been a while since I’ve featured a ‘website that is also a song’-type thing, so it’s particularly nice that this is such a good example. “A Number From the Ghost is Peter Adams. Each single I release will be a new level to explore” – that’s literally all you get in terms of explanation, but you don’t really need that much more. The first area lets you wander round a gallery-like space; there are various doors, only one of which is currently open but each of which will eventually take you to a different experience representing a different musical track. The current ‘game’, accompanying the song ‘Blackassette’, feels like freefalling through a CG environment while the track plays, soundtracking your descent… there will be more released over time, each with its own accompanying ‘game’ experience, and, honestly, I love this so so much. It helps that the music’s decent too, but more than anything it’s the sense of it as a proper fully-realised audiovisual project THING which I enjoy.
  • Making As Thinking: I love this – proper, conceptual webart! This is, as far as I can tell, part of someone’s degree or postgrad course, and is a response to the brief ‘to create an engaging web-based experience for a text that has 4,000 words without relying on the emulation of physical objects, eg digital page turns, etc’. So basically this is a series of explorations as to how one might conceivably present text on a webpage – but they are all WEIRD and broken and the overall effect is dizzying, like an odd post-digital twist on the cut-up method, or dada. Basically this makes no sense but is also utterly perfect, should those two concepts manage to coexist comfortably in your head.
  • Longitude One: I have for a little while now seen really fancy map renders doing the rounds online, which present wonderfully-detailed and shaded views of topography – turns out that these are all done by these people, Longitude One, who are using 3d modeling software like Blender to render maps in actual 3d and which means they can do all sorts of wonderful things with lighting to make the landscapes really POP. These are amazing, I promise, and will make you feel that weird magical tingle that you used to get as a child looking at maps of imaginary places.
  • The Interactive Fiction Competition 2022: I’ve been featuring the IF competition for years here now, and this year’s edition launched…sometime recently, and is already packed to the rafters with interesting, odd, brilliant and inventive work for you to play for free on the site. There really is something here for everyone, from goth bodicerippers to sensitively-handled explorations of difficult topics and everything inbetween, and if you’ve any interest in innovation in storytelling and how digital tools can subvert and refresh the narrative experience then you really have no excuse not to click. Helpfully the descriptions of the entries tell you how long each story lasts, meaning you can pick appropriately for the time at your disposal – I cannot stress enough what an excellent way of spending a few lunch hours this is.
  • Can You Negotiate Your Way Out Of A Ransomware Attack?: A game on the FT website which a) is sort-of fun; and b) I am including because I will never get bored of screaming “TURN YOUR BORING STUFF INTO A GAME AND IT WILL MAGICALLY BECOME 38% MORE INTERESTING” at disinterested account people.
  • Words Against Strangers: I had promised I wasn’t going to include anymore Wordle alikes in here, but this is too good to ignore. The Pudding have created this WONDERFUL mechanic whereby each day a different person is The Player against which the rest of the world can challenge themselves in a series of four short word games (these involve you basically having to come up with as many individual words as you can based on simple criteria like ‘starts with on’ or ‘ends in w’) – each day sees a different player, plucked from obscurity, for you to pit your wits against. You can apply to be a Player, or just match yourself against each day’s champion – the game will run daily til December 31st, and is a WONDERFUL addition to your morning coffee routine.
  • Moonslider: Finally this week, a truly-gorgeous browser-based platformer with a beautiful black and white art style reminiscent of the silent movie era. This is simple-but-satisfying, and so, so nicely-designed.

By Duri Baek

THIS WEEK’S FINAL MIX COMES FROM PRINCE MATTEN AND IT IS A VERY, VERY MEANDERING JOURNEY THROUGH AMBIENT AND WORLD AND FUNK AND ALL THE WAY BACK AGAIN!

THE CIRCUS OF TUMBLRS IS ONCE AGAIN EMPTY AND BEREFT!

THE TROUGH OF (INSTA) FEEDS!

  • An Improbable Future: Nonexistent design! “Industrial and Transportation Design of the future, influenced by the past. Designed by AI”. Whoever’s running this has their prompt-generation down, as the style on display is remarkably consistent (although as per there is limited info on the degree to which post-production has been involved in the creation of these images).

LONG THINGS WHICH ARE LONG!

  • Tech Futurism’s Blind Spot: Or, ‘The Curious Case of How All The Tech Boosters Seem To Ignore The Climate Thing’. The question is neatly-framed halfway through this essay by Dave Karpf as “How is it possible, in 2022, that Silicon Valley’s most ambitious visions still pretend as though the climate crisis will have no shaping impact on the future of how we use technology?” and, well, it’s a good question, Dave! It’s astonishing how quickly you will notice after reading this (obviously you may have noticed already, you’re not all as myopic as I am) how literally ALL of the big shiny tech stuff totally ignores the big, hot, burning elephant in the room, almost as though the people involved have all sort of just determined that the environmental stuff will just get sorted by someone else and therefore they can just skip to the utopian period after we’ve, I don’t know, solved scarcity and stopped industry or whatever. I particularly ‘enjoyed’ this section, which neatly addresses how none of the froth, and the money behind the froth, seems to be pointed in a useful direction: “Of course, all of these technologies could play some role in responding to the climate crisis. A fully-formed metaverse could play a useful role in climate adaptation. We’re going to need to burn less carbon on business trips. The metaverse could be a real upgrade over Zoom-meeting-hell. The blockchain could be useful for tracking carbon markets. AI could play a role in improving technical breakthroughs among climate scientists and engineers. But they have not been designed with this goal in mind.”
  • TikTok Politics: No, wait, come back! This is not about politicians on TikTok (thank fcuk) – it’s instead an interview of political science professor Kevin Munger by Charlie Warzel, which I read with an increasing feeling of self-0recognition and disquiet, in which he talks about the fact that TikTok is, amongst other things, demonstrating quite clearly that there are tools and techniques available to the modern communicator that may well be more effective than writing words, and that this is “going to shape how we communicate (or attempt to communicate) complex ideas and themes, and that this is necessarily going to impact the way in which Big Political Comms works. This isn’t about TikTok so much as it is about video and editing and information density, and, at heart, the fact that “the implicit belief in the efficacy of writing, deliberation and democracy held by words-style people has become increasingly incorrect.” Which, if you’re me and your entire life and risible joke of a ‘career’ have been built on communication with the written word, is something of a depressing, writing-on-the-wall moment of realisation.
  • The AI Bill of Rights: The Whitie House recently published “five principles that should guide the design, use, and deployment of automated systems to protect the American public in the age of artificial intelligence.” I have taken what can charitably be described as a ‘quick’ look at these and, honestly, they’re…pretty good! I don’t doubt that scrutiny will reveal them to be flawed and imperfect, fine, but it’s nice to know that this stuff is being thought about by administrations and that the thinking isn’t garbage. It’s worth having a look at this, even if in passing – ethics is only going to become more significant an issue in the development of tech, and I do rather hope that we’re coming to the end of the era in which it was possible to ‘just fcuk around’ with this stuff without any thought of what might occur when one did so.
  • Online Identity and Ownership: Over the past 18 months or so I have expended TOO MANY words slagging off NFTs and Web3 and the metaverse and associated gubbins (yes I know that they are all distinct things and concepts, before you start shouting at me, but they all exist within a widely-congruent space I like to call the GRIFTSPHERE and so it makes sense to talk about them as a vague bundle), and so it feels only fair to post a link to something that’s a bit more pro the whole deal. Sean Bonner is an artist and photographer (whose virtual gallery I featured in here a few weeks ago) who’s a bit of a web3/NFT evangelist, and he’s written a post thinking about how NFTs as digital identity markers function and how they practically work (and how they might evolve in the future) – whilst I don’t buy this stuff AT ALL, I do enjoy reading people who seem to be coming at it from the point of view of creation and play as opposed to cash.
  • The Tokenised Creator Playbook: Then, though, I read stuff like this and it all makes me want to be sick again. It’s subtitled ‘how web3 is subverting the online creation model’, but all it is is a list of different ways in which people can introduce transactional elements to concepts like ‘making an album’ or ‘being a fan of something’, and there is literally nothing in here that speaks to creativity or innovation outside of the very simple concept of ‘squeeze more pennies from each unit’ and, honestly, it’s soul-destroying. Honestly, read this and consider whether the people behind this stuff ‘care about the work’: “Rather than focusing on simply creating content themselves, creators have to become skilled at marketing, cultivating relationships, and community management from the outset (or deputize community members who possess these skills). They must function a lot like startup founders: raising capital, evangelizing their vision, and balancing stakeholder interests along the way. This is taken to the extreme under the increasingly popular CC0 model (“no copyright reserved”), wherein creators allow others to use their work in any way, including for commercial purposes. The role of a CC0 creator becomes more about community management and stewardship, rather than first-party content creation.” Miserable.
  • The Metaverse Should Look Sh1t: Ok, fine, I have paraphrased the title here, but I enjoyed this piece in the New Statesman arguing that it makes perfect sense that the Zuckerbergian metaverse visuals, subject to so much loling and online parody over the past few weeks, look shonky and crap, because that’s the digital experience for the vast majority of the 5billion-odd people currently online. The web, the author of the piece reminds us, is not ultrafast download speeds allowing us to stream realtime VR experiences; it’s low-res deepfried Whatsapp memes circulating amongst a billion Uncles and Aunties, it’s Farmville and Evony, it’s F2P gacha games…if you’re reading this, you’re probably not the target consumer, basically, which is something it’s probably increasingly important to remember about mass-market global webstuff.
  • Fizz: I am posting this here not because it’s a particularly vital piece of writing but instead because I want to make sure that if Fizz becomes the next BeReal (featured in Curios in March 2022, which makes me a TRENDSPOTTER) I can smugly say ‘you read it here first’ (as ever, whilst I know in my heart of hearts that the internet is not a race, I also know that it is one I MUST WIN). Fizz is basically YikYak but for people with a verifiable university email address, which in theory will make it less of a cesspit of bullying and tawdry gossip than its progenitor – the email address thing is presumably why people are giving the whole ‘THE NEXT FACEBOOK’ rubbish. Anyway, I confidently predict that this will have an 18m lifecycle at best, but, just in case I’m wrong you might want to keep an eye on this one (scare your social media manager by asking whether they’ve started working on their Fizz strategy yet!).
  • Positano and Instatravel: This piece has done the rounds this week, which honestly slightly surprised me as I didn’t think that ‘going to the same place as everyone else on Instagram is a recipe for a sh1tty time’ was a noteworthy observation here in 2022. And yet! Amusingly, I had actually pitched and had signed off a whole major international campaign based on exactly this ‘insight’ in 2019, only for COVID to happen and the global travel brand who were going to pay for it understandably had other things on their plate – still, we can look forward to thousands of ‘UnTourism’ campaigns being pitched in the coming weeks and months, so that will be nice. As an aside, having lived in one of the world’s ultimate tourist ripoff destinations for 18m (Rome, for avoidance of doubt) I can categorically promise you that none of the top 50 restaurants (probably 150 tbh) on Tripadvisor in ANY tourist city have achieved that ranking based on the quality of their food (in Rome, for example, the standard practice is to bribe you with free limoncello at the end of the meal and then aggressively stand over you til you hit that magical 5 circles rating), and that you will not, ever, have a good meal in a place where you have had to queue outside for an hour surrounded entirely by people who look and sound like you.
  • Vetted Men: I was in a pub the other day and whilst washing my hands saw a poster advertising a speed dating night, which was so surprisingly-retro that I half expected HardFi to come on the stereo. Still, it’s not surprising that the appetite for IRL dating events is on the rise based on everyone’s endlessly-unsatisfying app experiences – this is New York Magazine reporting on the City’s nascent market for dating events where all the men in attendance have been ‘vetted’ by an accompanying woman as being definitely, definitively, not a creep or loser or douche or fcukboi or whatever the epithet du jour is – which, honestly, sounds like a pretty good idea and exactly the sort of thing I would imagine could be easily picked up and branded by the right sort of lifestyle brand looking for some event-type engagement.
  • Germany After Hitler: I was recently in Berlin, and found myself wandering through a cemetery looking at the graves of people who’d died in middle age in the 1960s and thinking ‘so, er, were all of you lot basically Nazis then?’, which is obviously tremendously unfair on a certain level but, equally, well, you do wonder, don’t you? (NB – a note to any German readers – I obviously do not think that any and all Germans alive over the course of the second World War were Nazis) This is a really interesting extract from a new book about the immediate postwar period in Germany, an era about which I know nothing whatsoever, which answers some of the questions about attitudes and society and memory that inevitably arise from these sorts of questions – this is super-interesting history which is, I think, largely-unknown.
  • The Best Albums of the 1990s: A list by Pitchfork for you to get angry about. I, for example, was reduced to near-apoplexy by the fact that they have included the wrong Pulp album on here (His’n’Hers is a VASTLY superior record to Different Class and I will fight anyone who disagrees with me) (it will be a supremely ineffectual fight with lots of flailing). Also, I don’t think even Liz Phair would call Liz Phair’s album ‘Exile in Guyville’ the fourth-best album of the decade. Basically this is fodder for a good 90m of pub chat for middle-aged men; you’re welcome.
  • Happy 40th Birthday, CDs!: Daryy Worthington in the Quietus writes about the CD on the occasion of the format’s 40th birthday – there’s loads of interesting stuff here, not least the reminder of all the weirdly little musical innovations that CDs enabled. I remember that Spiritualized released a limited-edition version of ‘Ladies and Gentlemen…’ that had each song on an individual CD in its own pharma-aping blisterpack; there was also a Magnetic Fields album that came on 4 separate CDs which were designed to be played on four separate players for the ULTIMATE ACOUSTIC EXPERIENCE…You don’t get that on Spotify, is what I’m saying. It’s interesting – I hadn’t thought at all about the link between physical format and musical innovation, but I wonder whether some of that is lost without an object to associate the music with.
  • The Onion’s Court Document: I’m sure you saw the news relating to The Onion’s Supreme Court deposition, in which the satirical website weighs in on the side of a guy from Parma in Ohio who is being sued by his local police force for setting up a website parodying their own – I promise you, though, it really is worth reading the whole document because it is both very, very funny and very, very smart. Honestly, this is an object lesson in how to write in a manner that is clear, reasoned, structured and entertaining, and is proof that there really is no excuse for being boring, ever, because even the ostensibly-dull can be made beautiful with style.
  • Two Minutes of the Simpsons: The second very clever piece of writing about humour of the week, this came to me via Rob Manuel on Twitter and is an absolutely stellar piece of writing which dissects the opening two minutes of a particular Simpson’s episode and explains exactly why each of the (many) gags works, and how it works, and why it is written and shown the way it is and why that is key to the funniness of the gag in question, and, honestly, if you ever thought that comedy was a throwaway business or in any way ‘simple’ then this will quickly disabuse you of that notion. Neatly illustrates the gulf that exists between people who understand the craft of writing, and people who can just demonstrate a reasonable degree of facility with a keyboard (yes, yes, I KNOW, it hurts enough already, don’t rub it in).
  • Wacky Jabber: On reflection, there are an uncomfortable number of longreads this week that make me feel VERY stupid by comparison; this is yet another, in which Douglas Hofstadter writes amusingly about his struggles learning Swedish, and the language, and how nonsense ‘works’, and if you enjoy linguistics at all you will really, really enjoy this.
  • Who Will Win The Nobel Prize for Literature?: We now know the answer to this question (Annie Ernaux), but Alex Sheppard’s pre-announcement essay in the NEw Republic is 100%, hands-down the funniest piece of writing you will ever read about a literary prize. It helps if you have a reasonable idea of who the writers in question are, but, even if you don’t, the writing is just superb. Look at this paragraph, and then run and read the rest of this – it’s annoyingly brilliant: “Houellebecq won’t win, not because the Swedish Academy is too afraid of the lecture he would give (though it should be) but because it’s afraid of the cleaning bill that would follow—and also because a year ago it gave the Nobel to Gurnah for his moving portraits of migrants, and giving it to someone who thinks those people should stay where they came from is insane, even by its standards. J.K. Rowling won’t win, not because of her tweets or for her autofiction (crime novels about getting revenge on people who have tweeted mean things about you) or because she may be the single worst sentence writer of the last century, but because the Academy found her decision to write a three-hour movie about “Wizard Hitler” distasteful. Elena Ferrante won’t win, not because the Academy thinks she doesn’t deserve the Nobel Prize, but because it wants her to reveal her identity the right way (as a cannoli singing “That’s Amore” on The Masked Singer).”
  • Her Majesty’s Loyal Pleasuredrome: Last up this week, Huw Lemmey writes about what it was like to experience the Queen’s funeral at a gay sauna in London. This shouldn’t be the best thing I’ve read about England and Englishness in the wake of Queenie’s demise, but it absolutely is – and it’s almost certainly the only article about the funeral to include mention of the C0ck Destroyers.

By Shannon Cartier Lucy

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 30/09/22

Reading Time: 30 minutes

I went to Soho House this week (a friend of mine with a Proper Job was paying), and met two of the worst people I have ever encountered – one man who proudly told me all about the Porsche he’d bought with his Covid loan (a loan he never intends to pay back, obvs), for which he bought himself a personalised number plate reading ‘CBILS’ (no, really), and his mate who told me with an entirely straight face that he believed LBC’s James O’Brien was a ‘terrorist’ and ‘extremist’ who should be banned from the airways for his promotion of ‘violent left-wing ideologies’. Both of these choice specimens chose to inform me that, despite having hitherto been staunch Tory voters (imagine my surprise!) that they would be voting Labour in the next election because ‘I mean, it’s just a fcuking joke, isn’t it?’.

So cling to that small grain of hope, that gramme of comfort, the knowledge that, whilst we may be in for some Tough Times Ahead, our new Prime Minister has so fcuked her first few weeks in the job that even her party’s core constituency of voters – cf the very worst cnuts this benighted country can spawn – are thinking it’s all a bit much. Who knows, with a bit of luck this will tank the fcukers forever and it will be a Labour government overseeing the glorious irradiated future under the terrifying horrorsun!

Oh.

Anyway, the words and the links. Trust in the words and the links.

I am still Matt, this is still Web Curios, and in the unlikely event that the two people described in the first paragraph ever find this: you are DREADFUL and I despise you.

By Sage Barnes

LET’S START WITH A TRIP BACK TO THE 80s COURTESY OF TOM SPOONER AND HIS RECORD COLLECTION!

THE SECTION WHICH REALLY HOPES THE CHESS BUM THING IS TRUE TBH, PT.1:  

  • Meta Make-A-Video: It’s getting quite hard to keep up with the giddy pace of innovation in the AI space, with a new exciting/terrifying (delete per which end of the owner/worker spectrum you feel closest to) development seemingly lurching portentously over the horizon every six hours or so – it can only be a matter of weeks before some ill-advised coding collective release a ‘turn your dreams into NFTs’ codebase on Github or something. This week’s ‘it’s ostensibly a fun and exciting new frontier in terms of human / machine collaboration!’, which will inevitably turn into ‘hm, we didn’t think through the implications of this as thoroughly as, on reflection, we may have wanted to!’ in a few years’ time is ‘turn text into machine-generated video’, which, based on the limited, curated examples currently on display, is potentially-seismic for the visual and creative industries. You don’t need me to try and explain the tech – which is good, because, honestly, I know my limits – just know that Meta is confident enough in the tech to publish a bunch of examples of how good its machines have become at imagining things like ‘a schnauzer flying a biplane’ as CG videos. You can’t, to be clear, play with any of this yet – this is just a teaser blogpost with some examples for you to gawp at – but it was interesting that yesterday also saw the announcement of a separate model called Phenaki doing exactly the same thing, suggesting that we’re probably only about three weeks from Stable Diffusion announcing an Open Source version of this and chucking a stripped down model online with a web interface so that all the world’s angriest men can w4nk themselves stupid imagining an Aryan mermaid film. I have little to say about what this stuff looks like – it’s magic, who am I to criticise the resolution? – but it’s worth taking a moment to reflect on what it’s going to do to everything when we can command machines to imagine us 90s of video on demand (spoilers: I am not optimistic). Oh, and while we’re here doing ‘stuff that is on the cusp of being real’, here’s another in-development machine which is designed to generate 3d models of anything you can think of, which on the one hand is an incredible boon for anyone making anything in digital but which on the other is very much the first bell tolling for all of you who got really into Blender in lockdown.
  • StockAI: There’s something rather exciting and frothy about the early days of a new technology entering a marketplace, particularly in terms of watching all the ways in which enterprising grifters seek to monetise it to the stupid and gullible. So it is with StockAI, which has sprung up out of nowhere to offer a service literally noone asked for and which in no way needs to exist – a website to browse, create and buy AI-generated stock images. Now, given that everyone was given access to Dall-E this week and therefore can access exactly the sort of tech this is built on, one might wonder what additional benefit there is to paying StockAI $34 a month for the privilege of using their Stable Diffusion instance; as far as I can tell, there really isn’t one (beyond the ability to search an extant database of not-very-good AI generated imagery with some pretty generic category tags), but I am grudgingly-impressed by the grift on display here. More practically this is also proof positive, contrary to what you might have feared, that stock photography still has a few months left before its rendered totally obsolete – the few of you who read this who work at Getty can probably stop searching for new jobs, at least for a few weeks.
  • The Feral Atlas: It’s quite hard to describe this, so apologies in advance for the barely-explicatory language soup that follows (look, it’s early and I was out last night at a gig and didn’t get to sleep til nearly 2, and frankly four hours sleep isn’t enough to do a Curios on and whilst I know you’re not here to listen to me whinging about being tired I just want you to have a vague explanation as to why things are a bit…slow round here this morning) – The Feral Atlas is…oh, God, see? Let’s try again. The Feral Atlas is one of those glorious sites which effectively acts as a brilliant, idiosyncratic series of walks or journeys or talks, guided by clicks and curiosity, about The World And How We Relate to it. Click around and be taken on a proper journey of intellectual discovery about the world we live in and our relationship to / impact on it – I know it’s a bit lazy to just dump from the ‘About’ page, but I think this is a nice overview: “Feral Atlas invites you to navigate the land-, sea-, and airscapes of the Anthropocene. We trust that as you move through the site—pausing to look, read, watch, reflect, and perhaps occasionally scratch your head—you will slowly find your bearings, both in relation to the site’s structure and the foundational concerns and concepts to which it gives form. Feral Atlas has been designed to reward exploration. Following seemingly unlikely connections and thinking with a variety of media forms can help you to grasp key underlying ideas, ideas that are specifically elaborated in the written texts to be found in the “drawers” located at the bottom of every page.” Honestly, this is WONDERFUL, not least because (if you’re me, at least) you’re always half-a-beat behind whoever curated/arranged this, and as such the associations and themes are always interestingly off-kilter.
  • NightDrive: On the one hand, this is ‘just’ an in-browser coding demo of driving along a winding road by night, visualised in a vaguely-80s, synthwave-y style; on the other, it is honestly one of the most beautiful and hypnotic things I have seen in years and with the right soundtrack I could literally sit and stare at this for hours. Honestly, throw this onto a big telly and put some Kavinsky on and enter the meditative, zenlike state of a teenager on quaaludes in the arcade in the late-80s. This would be ACE in a gallery setting imho.
  • AAWUM: As the war in Ukraine continues to rumble grimly onwards, and as Cuddly Vlad’s rhetoric becomes hotter, and as combatants prepare for what will doubtless be a spectacularly-miserable winter of fighting and freezing and dying (I don’t know about you, but I’m finding ‘yes, but at least we’re not in Ukraine’ a reasonably-effective mantra when things start looking a bit on the grim side here), take a moment to browse this curated collection of art and images created in response to the conflict by people around the world. This isn’t selling anything – it’s just a selection of images pulled from around the world and the web, documenting artistic responses to the past 8 months of fighting, curated by Ukrainian creative agency Obys.
  • Walky Space: OH GOD I LOVE THIS. Walky Space is a webtool/webtoy which lets anyone make their own…what would you call the outputs? Navigable digital collages? Basically you can create an infinite digital canvas onto which you can drop words, images, etc, wherever you like, and which then becomes a permanent, hosted page which can be ‘walked’ around by any visitors to the site. It’s all 2d, and it’s all very lo-fi, and there’s something so so so beautiful about the feel of the experiences here – there are a few that they point you towards on the homepage, but I would encourage you to play around and make your own. If nothing else – and apologies for the tooth-grindingly twee nature of the following observation – this would be THE cutest digital means of delivering a proposal or a love letter, and for the right sort of person (probably someone who doesn’t automatically recoil at the sound of a ukelele, or the thought of crocheting a doily) this will be the most charming thing in the world.
  • Key4All: I haven’t featured anything by MSCHF in here for a while – perhaps because the schtick doesn’t feel either new or hugely in keeping with The Times We Are Sadly Being Forced To Live Through (or because I started getting the vague vibe that they are basically MrBeast for people who work in marketing), but this new ‘drop’ (SORRY) caught my interest, not least because it is basically the ur-distillation of ‘every videogames PR brainstorm I ever sat in in the 00s’. The gimmick this time is that MSCHF have an ACTUAL CAR available to anyone lucky enough to buy the key – and the key is for sale on their website for just a few bucks! Except there are HUNDREDS of keys, all identical, and only one car, which is hidden in a secret location – the game then becomes to see which of the people who shelled out for a key will become the first to find the car and drive it off. There are a few additional mechanics – the keys and the car are fitted with sensors offering a loose, colour-based proximity sensor; there is a hotline offering cryptic clues as to the vehicle’s whereabouts – but that’s basically it, which is admirably simple and stripped back, and, honestly, sounds like a lot of fun. As ever with MSCHF’s stuff you can probably rip this off with reasonable impunity, but please remember to credit Curios in your award acceptance blogpost.
  • The Pleasure Pursuit: Not in fact anywhere near as filthy as its title makes it sound, The Pleasure Pursuit is instead a website promoting the new collaboration between fashion brand Coach and the pop artist Tom Wesselmann, and it’s SUCH a pleasant change from the recent spate of 3d-navigable metaverse abortions. There’s a real sense of interest in the artist’s style and ethos, and the way the website is structured – lots of very nice scrolling work and LAYERS and a really nice sense of motion and depth which you don’t always get with this stuff – actually makes sense, and overall it’s an unusually-educative example of how to present a new product line. I have literally no fcuking idea what the whole ‘collect the oranges’ thing is about, though.
  • Welcome To My Garden: This does rather feel like a relic from an earlier, more trusting time, when the web was simply an infinite space full of all the friends we hadn’t met yet rather than, as it has become, the stickiest prison we ever invented for ourselves, but I approve wholeheartedly of its Pollyannish vibes. Welcome To My Garden is basically Airbnb but for, er, other people’s gardens – specifically, gardens where their owners are totally ok with you pitching up and putting a tent in them. This is an initiative which apparently started out in Belgium in lockdown and which is slowly growing outside those national borders to encompass sites across Europe – which, obviously, is a LOVELY and cute idea, and a heartwarming one, but equally one which raises so many questions about how the logistics work. Do you give the strangers kitchen access? Do you run a ‘bring your own compostable toilet’ policy? Do you turn a blind eye if your garden guests decide to, I don’t know, barbecue a pigeon for dinner? Christ, how miserably English of me – presented with a wonderful example of the web’s potential as a network for sharing, I instead start obsessing over minor questions of form and etiquette. This is why we don’t deserve nice things. Anyway, I have just seen that there’s someone called Mike who’s offering a space in his garden about 15m from my girlfriend’s house, so WOW is she going to be in for a happy surprise when she finds out where we’re going for our Autumn break this year.
  • Big Code: I was talking to my friend Scott the other week about when he thought that the whole ‘AI can now do this thing in seconds which once took you humans hours – sorry for your sudden obsolescence’ thing would come for coding, and he not-unreasonably pointed out that it might take some time given that the people responsible for coding the AIs themselves may be disinclined to hasten their own demise. Except it turns out not all of them have this sort of self-preservatory instinct – Big Code is a new collaborative project looking to develop large language models (LLMs) to write code from text prompts (muchlike GPT-3 can sort-of almost already do, but specifically for devs): “BigCode is focused on developing state-of-the-art LLMs for code. Code LLMs enable the completion and synthesis of code, both from other code snippets and natural language descriptions, and work across a wide range of domains, tasks, and programming languages. These models can, for example, assist professional and citizen developers with coding new applications.” The ability for anyone to spin up a quick, basic bit of plug-and-play code based on their own vague descriptions is objectively amazing and transformative – this is worth keeping an eye on.
  • The Decruiter: Based on the past week’s news in the UK, you may not be feeling like you can afford to stop working anytime soon – although it’s actually entirely possible that even having a job won’t make a meaningful difference in your ability to house yourself when your shouldering a grand a month on the mortgage, so, frankly, fcuk it! Do it! Take the plunge! What’s the worst that can happen? If you are considering the long-dreamed-of BREAK FOR FREEDOM, you may be interested in The Decruiter, a service which offers non-judgemental advice and guidance to anyone who’s considering leaving employment. “Quitting something is hard. You might not have anyone to talk to about it. You might feel the need to quit, but you’re on the fence about it. Maybe it doesn’t make financial sense. Maybe you’re not sure what you’ll do next. Maybe you have a ton of questions about unemployment, self-employment, or beginning the job search all over again…We’re not trying to persuade you to suddenly quit your job — rather, we’re here to talk to you and make sure you are truly ready to leave with a series of questions.” Now, I love quitting – it’s a real skill of mine – so given that this service is currently sadly only available in the US, I am willing to extend the same offer to any Web Curios readers anywhere in the world – if you want to quit something, and would like to talk to a stranger who will assess your decision and then reassure you that it is PERFECTLY FINE and DEFINITELY ALL GOING TO BE OK, then just get in touch! This is also, by the way, a solid-gold PR stunt for the right brand.
  • The Smurf Research Centre: I spent more time thinking about Smurfs in the past year than I had done in the preceding 41 – this was in no small part due to the fact that lots of ice cream parlours in Rome sell an inexplicable ‘blue’ flavour of icecream (it tastes vaguely like bubblegum, but, honestly, when asked to describe what it tastes like, ‘blue’ really is the most accurate description I can come up with) which is called, in a way in which now horrifies me far more than it did as a kid, ‘Smurf’ flavour (‘puffo’ in Italian), which implies the very real and horrifying possibility that the product is made from the actual mulched bodies of tiny blue creatures. Anyway, this is by way of digressive intro to The Smurf Research Centre, a selection of longform writings on Smurfs and the Smurf universe. You want a breakdown of every single episode ofthe Smurfs? GREAT! You want some deep analysis of Gargamel’s motivations? OF COURSE YOU DO! This is the work of one Stephen Lindholm, who, let’s be honest, we all knew was a man before I even named him.
  • Quazel: Ooh, this is interesting – Quazel is a new language learning and exercise tool using AI voice recognition, text-to-speech and (I presume) some sort of GPT-esque backend for the conversation stuff, to afford users the ability to chat with a machine in a variety of languages. I tried this with Italian and was honestly super-impressed, both with the quality of the recognition and transcription, and with the way it which it did a reasonable job of mimicking an actual (if cripplingly dull and stilted) conversation (although on reflection that might just be me). If you’re sick to death of that horny fcuking owl taunting you from within the Duolingo app then this might be a useful alternative.
  • Pigeonpedia: ALL YOUR PIGEON INFORMATION NEEDS! “Pigeonpedia aims to answer all the questions that anyone has about pigeons, we want to become the go-to Wiki of Pigeon knowledge. Pigeonpedia was started in January 2020 by Dan, a pigeon aficionado who realized that there were very few dedicated pigeon sites on the internet. Our content is written by Dan, Denise and Cristina, three people who are passionate about pigeons.” This doesn’t in any way appear to be ironic – I think Dan, Denise and Cristina really do like pigeons a lot, and more power to them frankly. If you’ve ever wanted to know the answer to ‘should I feed milk to the pigeons nesting in my window box?’, then now you have a place to go to find the answer (the answer is NO YOU MADMAN WHAT ARE YOU THINKING?).

By Elspeth Vince

NEXT UP, A VERY HARD AND VERY FAST TECH-TRANCE SELECTION MIXED BY YASMIN GARDEZI! 

THE SECTION WHICH REALLY HOPES THE CHESS BUM THING IS TRUE TBH, PT.2:  

  • Rescue Matches: This is a classic example of an idea that seemed cute on first inspection but then makes less and less sense the more you think about it – a CLASSIC bit of PR work! Rescue Matches is a US initiative in conjunction with Tinder, designed to riase the profile of rescue dog centres which offer canine pals for adoption. The STAGGERING INSIGHT here is that people who use profile pics featuring dogs on the apps tend to do better than people who don’t (is that…is that true? Is ‘man with dog looking outdoorsy’ not exactly as much of a tedious cliche as ‘bloke looking inexplicably proud with massive bass’ or ‘seemingly-entirely-self-unaware white saviour charity work shot’?), and so this service offers even the dogless the chance to have a pup in their profile thanks to the MAGIC OF TECH. Pick a region of the US, pick from the available dogs, upload a photo, get the dog magically ‘shopped into said photo which you can then download and use on the apps (Tinder for preference, given the partnership). Which, look, is fine up to a point, but…well, at the end of the day all you get is a crap bit of photoshop with a border around it advertising the fact that you can adopt dogs, but there’s no shorturl to take you to the adoption page, no personalisation beyond the image, the images you end up with are shonky at best…it just feels like a missed opportunity tbh. Also – and maybe I am just too cynical for this sort of thing – I think were I to be browsing a dating app to be confronted with the image of someone who’s nakedly using an image of a rescue dog to try and get laid rather than, I don’t know, adopting the dog, or volunteering, or donating, I might…think less of them. Animals – existing to help the emotionally-manipulative get laid since time immemorial!
  • Buddio: This is an odd little idea. Buddio is a service which exists to find you people to walk with – not in the real, practical, “here are you and I, walking together and talking and looking at each other and sharing physical space” sense, but in the “I will go for a walk and you will gor for a walk, and although we are in totally physically different locations and although we do not know each other and although we will not communicate, we will enjoy the strange sense of communion and shared activity as we do so” sense. Your walking companions don’t know who you are or where you are, they can’t contact you in any way – they will just know that someone else is walking while they are walking, and maybe take some comfort from that fact. The more I think about this, the more I love it – it feels beautifully-meditative in ways I can’t quite articulate.
  • The Golden Key: If you happen to be in or near London on Saturday 15th October, you might be interested in this – an IMMERSIVE EXPERIENCE around the City, organised and run by Coney. This is typically-mysterious – you will only get a very cursory overview of what anything is on the website – but it sounds super-interesting, and this sort of thing is personally right up my street: “Find a red door and use a key to open an adventure on your phone. Each adventure takes you on a journey into the secrets and stories of the Square Mile , ending at a secret location, where an immersive experience- a surprise- awaits. Maybe you’ll be taken into an underground hotel bar. Maybe you’ll dance on a rooftop. Maybe you’ll share a feast in a grand livery hall. Or maybe you’ll just hear a good story in a secret garden. There are many adventures: but choose wisely, friend, as you will not be able to see them all.” See? Sounds GREAT, doesn’t it?
  • Web Curios Video: I am including this as proof that there is no web property too obscure, small or insignificant not to at some point have its brand ripped off by someone somewhere in the world. NB – I have no evidence whatsoever to suggest that whichever person in India is running this channel has ripped the name from here, but allow me this brief moment of hubris if you will.
  • Trombone Champ On A Fleshlight: You will, no doubt, have seen the internet losing its collective marbles this past week over footage of people playing the (admittedly very funny) SMASH VIRAL HIT GAME Trombone Champ (if you have somehow managed not to hear anything about this, here), but did you know that someone has created a mod for it which allows them to play it by ‘fcuking’ (thankfully not in real life) a fleshlight and using the motion of said act to act as an analogue for the motion of the trombone’s slider? I WAGER YOU DID NOT! See, aren’t you glad you read this? WHERE WOULD YOU BE WITHOUT THIS KNOWLEDGE? I have no desire to ever, ever have sex with a machine, however fancy it is, but I have to say that the whole teledildonics movement is one of the most consistently-fascinating to me – IMAGINE just casually thinking ‘oh, yes, I reckon I probably can turn my plastic fcuktoy into a videogame controller, why shouldn’t I spend 30 minutes hacking that together?’.
  • Buttfish: One of the weirder stories of the past few weeks has been the slow-moving scandal engulfing the world of chess, around Magnus Carlsen’s claims that fellow chess pro Hans Neimann cheated in a recent match – which scandal has basically ended up with a lot of randoms on the internet insisting that the only way that this cheating could have taken place was via the medium of Neimann receiving instructions on what moves to play via the medium of morse messages being delivered to him via the medium of a vibrating buttplug. Which, obviously, someone has now written code for which you can download on Github. Which is what I have linked to here, just in case any of you want to *ahem* interrogate the codebase yourselves. Honestly, the thing that most astonishes me here is the idea that anyone’s rectum could be sensitive enough to distinguish the vibrating code for “Knight to Queen 6” from that for “Castle NOW you moron”, but perhaps I’ve just got a rubbish bum.
  • Taleguild: One of the constants in over a decade of looking at Stuff On The Web has been the neverending proliferation of websites and tools apparently designed to help writers write more/better/faster – never mind the fact that, to the best of my knowledge, the best way of writing is just to sit down and fcuking write. So you have apps that time you and threaten you and reward you and cajole you…and now you have whatever this is. Taleguild basically seems to offer you a very simple, bare-bones RPG layer on top of your standard writing experience – so you create a character and earn experience points by, er, writing, which points you can then use to buy new clothes for your character and new weapons…which all sounds like a GREAT series of ways to, er, distract you from the business of writing. I don’t mean to set myself up as some sort of an expert in the writers’ art – I mean, look, I am at least reasonably self-aware – but if you need the promise of a steady stream of low-quality dopamine hits in the Candy Crush style to even consider putting fingers to keys then perhaps you’re not the literary sensation in waiting you might wish yourself to be.
  • Machine Learning for Kids: Remember when we all taught our kids to code? How’s that working out for them (actually this is not-entirely snarky question; I would love to know whether anyone who started one of those ‘codedojo’-type things 7-8 years ago with small children has seen it through and whether the coding thing ever stuck)? Anyway, coding is now old hat seeing as your watch will be able to build a reasonable HTML site in seconds-flat before too long; now, instead, it’s all about equipping your child to survive in the exciting new world of learned machines! This is actually a really useful idea – you can basically do the initial rudimentary “train a machine on some data and watch as it then uses that training to undertake additional similar tasks using its past experience” stuff, which as a way of educating children (or, maybe more usefully, all the people in your company who like to use phrases like ‘machine learning’ without knowing the first thing about what they practically mean) seems…smart. “This free tool introduces machine learning by providing hands-on experiences for training machine learning systems and building things with them. It provides an easy-to-use guided environment for training machine learning models to recognise text, numbers, images, or sounds.” What more could you ask for?
  • Bird Migration Maps: I’ve featured stuff by / from The Audobon Society (the US’s bird fancier’s club, basically) more times in here than I would ever have expected, but it turns out that their digital work is generally GREAT- this website’s another example of the Society’s instinct for making great webwork, offering you the ability to browse the migratory patterns of birds across the Americas. “The Bird Migration Explorer is your guide to the heroic annual journeys made by over 450 bird species, and the challenges they face along the way. Learn more about a species, the migratory birds at a specific location, or a conservation challenge birds face.” As ever with this stuff it is supremely interesting in ways you don’t expect, not least the bird names which are just wonderful – I now covet a Parasitic Jaeger above all else.
  • The PO-80: This is less a Curio than it is an actual product for sale, but WHAT a product – I imagine that there will be some of you (middle-aged men!) for whom this is the most exciting thing you have seen in YEARS. The PO-80 is basically a device that lets you cut and play back your own 5-inch vinyl records. YES THAT’S RIGHT YOU CAN MAKE YOUR OWN VINYL – you just plug any audio device you fancy into the machine, chuck on a blank disc and GO! Ok, fine, the actual process may be slightly more involved than that,but overall this looks incredible and given it ‘only’ costs £150 makes it something of a bargain. Finally the opportunity to gift all of your friends that limited-edition small-run edition of your greatest DJ mixes that you know your talent has always warranted! NB – do not do that, everyone will hate you.
  • Samplebrain: One for the music/code people among you, this is a Github page for Samplebrain which is Aphex Twin’s ‘custom sample mashing app’ which you can download and play with if you’re so inclined. “Samplebrain chops samples up into a ‘brain’ of interconnected small sections called blocks which are connected into a network by similarity. It processes a target sample, chopping it up into blocks in the same way, and tries to match each block with one in its brain to play in realtime. This allows you to interpret a sound with a different one.”  Now fcuk off and see if you make something as good as ‘Bucephalus Bouncing Ball’ (you can’t).
  • Marimekko Archive: Marimekko is a Finnish clothing and textiles company established in 1951 (so Wikipedia tells me), which at some point put its entire historical archive of print designs online – this is quite an incredible journey through the past seven decades of contemporary Northern European design, and an incredible place for design inspiration.
  • Oral Traditions: A lovely little website collecting recipes and stories from the Asian diaspora, from Uzbek potato salad to Sri Lankan fish curries and everything inbetween. “Oral Traditions began as a social recipe sharing project, in response to the COVID-19 pandemic. It has since evolved into a community cookbook that explores the Asian diaspora past, present, and future through food. We celebrate our many flavors and stories through the art of cooking⏤especially lesser-known dishes, techniques, and ingredients…We cover Asian foodways: the intersection of Asian and Pacific Islander food with culture, traditions, and history. We invite home cooks, artists, writers, and chefs to contribute to our bi-weekly program.”
  • SkyFi: I’ve worked enough with Venture Capitalists to know that there is no industry so ostensibly dull or staid that it can’t be DISRUPTED – I have to say, though, that I didn’t think the world of satellite photography needed shaking up, but obviously and inevitably I was wrong. SkyFi apparently aims to democratise access to satellite photography, which apparently is at present prohibitively expensive for most people to access – the thinking behind this, I presume, is that seeing as there is more orbiting metal circling the globe than ever before in history, so the price of taking photos of the earth from space should fall. The idea here is that you can get high-quality, fully-licensed images from space for a small, flat fee – and if the specific shot you want doesn’t yet exist in their database, you can ask for it to be shot specifically for you for a reasonable price. I have no idea whatsoever what you might use this for, but I’m sure you’ll come up with something.
  • This Is A Thing: It’s fair to say that, in a year or so full of BIG AND SLIGHTLY-TRICKY WEEKS this has been a particularly BIG AND SLIGHTLY TRICKY WEEK, and you could be forgiven for feeling a bit like you just need to take some deep breaths and just take a moment. Which is where This Is A Thing comes in – it’s a short meditative experience which will take a couple of minutes to complete and which, I promise, leave you feeling marginally calmer than you did previously (and I say this as someone with literally not one iota of spirituality and who would rather do heroin than meditate). See also this little webtoy, which has a similarly-soothing vibe to it. And, in fact, this one too. One of these may make it all feel better, maybe, perhaps.
  • ER-99: Or of course you might be the sort of person who gets their meditative kicks from making drum loops, in which case feel free to indulge yourself with this impressive in-browser recreation of the ER-99 drum machine, which those of you more musically-ept than me can probably use to make some quite nice tracks if you’re so inclined.
  • WebRcade: In a week in which Google finally shuttered its abortive streaming games platform Stadia, it feels appropriate to close out with WebRcade which is basically ‘streaming games which anyone can upload their work to’ – it describes itself as ‘feed-driven gaming’, but what you need to know is that you can play a bunch of different titles emulating different systems (Nintendo, Sega, etc) in-browser, and that anyone can add their own titles to the platform, and the idea is that over time this will end up being a huge ecosystem of developers and players which you can tailor you your specific ludic needs and, look, just click here and have a fiddle and I’ll see you in about a week’s time when the novelty starts to pall a bit. This lacks the incredible range of titles of the Internet Archive’s retro games collection, but this is SO much nicer to use and play, and it will be interesting to see how it develops and what you see appearing on it. Bookmark this.

By Tin Can Forest

THIS WEEK’S LAST WEEK IS SOME MINIMALLY-AMBIENT ELECTRO-Y STUFF WHICH AS YOU CAN TELL I AM STRUGGLING TO CLASSIFY BY WHICH IS MIXED BY MARK E! 

THE CIRCUS OF TUMBLRS!

  • Bon Iver Erotica: A classic old-school Tumblr, this, which I am slightly-amazed I haven;t featured before, and which is a simple collection of 350 short romantic vignettes about Bon Iver. There are no datestamps on this, but it very much feels like 2009.

THE TROUGH OF (INSTA) FEEDS!

  • Small Scale LA: Kieron is an artist making very small models of LA landmarks and buildings and cars and, look, who doesn’t love small things made with care and attention? NO FCUKER, etc.
  • Johan Nohr: Thanks to Alex for sending this my way – Johan Nohr is a Swedish artist whose illustrations are a weird mix of horror, metal, scifi and videogame and whose overall aesthetic I enjoy very much indeed.

LONG THINGS WHICH ARE LONG!

  • Life After Lifestyle: Ok, this is quite a long one and it is, I concede, quite w4nky, but if you have any interest in the general intersection between culture and commerce, if your job involves brands or branding or selling stuff in general, and ESPECIALLY if you have a silly, made-up job title like ‘strategist’ or ‘planner’ then you probably ought to read this. This covers culture and cults and commerce and how modern capitalism is effectively an amalgam of all three of those ‘cs’ is various quantities, and, more importantly, how it’s seeking to add an additional ‘c’ in terms of ‘community’. “The Lifestyle era was not about creating culture; it was about attaching brands onto existing cultural contexts. It was not about shaping people; it was about sorting consumer demographics into niche categories. The new order we are entering into reverses this. For some organizations, culture has become the product itself, and products have become secondary, auxiliary, to the production of culture.” This is so so so interesting, and kind-of ties together about half a dozen different essays from the past year or so including ones on lore and vibes…honestly, this is very, very good on What Is The Now.
  • Why Every Designer Should Be A Systems Thinker: You know what I said about the last article and people with silly, made-up job titles? That, again. I usually have little or no interest in articles about being ‘better’ at one’s job (why would I want to be better at something so pointless?), but I thought this was an interesting way of thinking about how we approach problems and the ways in which we think about the contexts within which said problems exist. The title here specifically refers to ‘designers’, but, honestly, I think any reasonably-thinky profession (even useless, hateful ones like advermarketingpr!) can benefit from a more systems-ish approach and taking into account some of the ways of thinking here outlined.
  • How AI Art Is Changing The World: A slightly-hyperbolic headline, but this is a decent overview of some of the main arguments around what the current boom in text-to-image generation is going to MEAN for a whole raft of industries and professions and practices. I would imagine that anyone reading this has thought enough about this themselves to already have arrived at these conclusions independently, but this is a useful article to share with people as a primer to a) what’s currently out there (as of a few days ago, at least – as I said up top, this is moving VERY FAST); and b) how it might be used in practice RIGHT NOW as part of the creative process for individuals and businesses.
  • OpenSource AI: This is interesting – hyperbolic, true, and very much on a particular side of the ‘is all this AI-generated imagery going to be good for creatives?’ debate, but interesting. Daniel Jeffries recently joined Stability (the company that makes Stable Diffusion) as CIO, and this is a blogpost he wrote about how he sees the technology evolving and being used. Unsurprisingly he sees this as a BOON for artists, likening the doomsaying around its potential impact on low-level creative work to that which accompanied the advent of the portable camera (decried at the time as the death-knell for the painted image) and suggesting that tools like Dall-E and SD are going to become just another tool in the artist’s box rather than an artist replacement per se. There’s a lot of tooth-grinding ‘PUNK AI’ stuff buried in there too, and some not-particularly-robust self-justification about creating a no-limits image generator (literally of the ‘guns don’t kill people, people kill people’ calibre so beloved of the NRA), and the closing section where he glibly gives it the ‘machines can’t replace the ineffable creative spark of humans, guys!’ stuff seems to rather neatly sidestep the fact that a lot of ‘creative’ work that gets sold is very much not the sort of stuff that carries said ineffable creative spark…but it’s an interesting read, particularly given that these are the attitudes that will shape how this stuff develops over the coming months and years.
  • The Creator Economy: A Power Law: I tend not to feature too much stuff by VC firms in here because, well, because mostly it’s garbage, but I found this piece by Mosaic Ventures interesting, mainly because it does a decent job of explaining (perhaps by accident) why the ‘creator economy’ numbers don’t stack up – it’s written from the perspective of startups wishing to sell to the apparent burgeoning creator class, and as such runs some basic numbers on who they are and how many of them can expect to be making enough to warrant a regular spend on creator-focused subscription tools, which ends up here: “The implication for software vendors is evident. For a startup building tools for creators, it’s crucial to go after accounts with more than 100k subscribers (or equivalent) – because these customers enjoy the lion’s share of revenue, audience engagement and ability to pay. Micro- / amateur creators make a small fraction of revenue and if they don’t succeed in breaking into the big time, there is a lot of churn.” If the people investing in this stuff feel this way about the likely buying power of creators, it doesn’t suggest a wonderful future in which we’re all going to be making bank from our exciting content.
  • Tracking the Queue: A superbly-geeky and very interesting post about the work that went into tracking and managing the queue for the Queen’s lying in state. I know you don’t think you care about how they did the tech side of the ‘where is the queue right now?’ live updates, but I promise you that it is LOADS more interesting than you’d think, even if (like me) the tech stuff is basically all gibberish to you. “Just over a week ago, I got a call from a friend at DCMS asking for ideas on how they might help people to find the end of the queue for Her Majesty the Queen’s Lying-in-State. They had an interesting plan to livestream information to YouTube, and wanted to include some kind of live map alongside some dynamic public guidance. But how to get the data back and plot it realtime? Google (because if you’re DCMS, you just talk straight to Google…) didn’t have a ready solution since Google Maps doesn’t really have realtime pin movements. DCMS had an ingenious plan to use My Maps and shared location, with someone beaming back their location from the ground. But that would risk breaking if mobile signal dropped, or the phone battery died… and would need someone with the special phone at the back of the queue around the clock.” Fascinating, in only the way very niche things can be.
  • Explaining the Tradwife Thing: This is included not because it’s a great piece of writing, but because it’s a neat illustration of something I have mentioned a few times now, most recently last week, namely the increasing push from certain quarters to push ‘traditional’ values as a resurgent, cool lifestyle choice (I think I first started seeing quotes along the lines of ‘the most punk thing you can do in the modern world is get married and have children and love God’ about…5-6 years ago) as a trojan horse for propping up existing capitalist superstructures. The fact that this has now reached a level of success whereby Mashable, ostensibly a tech industry publication, feels the need to run an article explaining that ‘traditionalism’ is not in fact a radical act of self-care and feminism but instead an example of capitalist control is, I think we can all agree, a sign that SOMETHING VERY WEIRD IS HAPPENING SOMEWHERE.
  • TikTok and Video Search: Sorry, this is a second article from a VC firm but I promise that’s it and I won’t mention them again all year (probably). This one’s by A16Z, and comes hot on the heels of the latest piece of research which tells us that The Kids are using TikTok (and YouTube) for search over and above Google – the article looks at China for clues as to how this user behavious practically works, and how platforms and brands have evolved to take advantage of it. If you’ve spent any time in the far east over the past few years then this will all be old hat to you I’m sure, but those of you less well-travelled might find it interesting to consider how this stuff might play in the West in the coming years.
  • The Physics of Cats: This is amazing – I strongly encourage you to read the whole piece, about how cats fall the way they do and how they survive, but I want you to take a moment to contemplate the big central takeaway here, namely THERE IS NO THEORETICAL LIMIT ON THE HEIGHT FROM WHICH A CAT COULD FALL AND STILL SURVIVE. Obviously this doesn’t take into account asphyxiation, etc, but I reckon there’s a decent possibility that a cat could do a parachuteless Felix Baumgartner and walk (ok, limp) away unscathed. Come on, Red Bull, what are you waiting for?
  • The Sounds of Mexico City’s Streets: I love this so so so much – this is a gorgeous piece of work by The Pudding, which has taken the sounds of the streets of Mexico City (tamale sellers, fruit vendors, paperboys, etc) and woven them into this beautiful essay and interactive soundboard; this is so beautifully illustrated and made and recorded, and there’s such a pleasing level of detail in here about why the sounds selected are such an integral part of the city. I now want one of these for every capital city on Earth, so if the nice people over in editorial could get to that that would be lovely thankyou.
  • The 100 Greatest TV Shows of All Time: Or at least ‘the 100 greatest TV shows of all time, as picked by Rolling Stone in a list designed to elicit a reasonable amount of discourse and rage’ – still, as lists go it’s not bad (although predictably US-centric) and it’s actually an excellent way of picking up new, slightly obscure series to binge through the cold and unfriendly winter months (although hang on, streaming costs money…fcuk it, instead why not just spend your time imagining what it would be like to watch the shows here described? Probably just as good). No spoilers here, but let me just tell you that I managed to get annoyed with this list within the first 10 entries (FCUK YOU THE MUPPET SHOW IS SO MUCH BETTER THAN JUST THE 92ND BEST TV SHOW EVER).
  • Parenting and the Climate Crisis: This is an interesting piece of writing about how one’s approach to parenting is affected by the omnipresent futureterror engendered by, well, everything really, and how one ought to, or indeed can, respond. As I am sure you are bored of hearing, I don’t have children and never will and so I can’t speak to the practical value of the advice on offer here, but I found the ruminations here on the nature of time (time is really having a moment right now, turns out – stuff about time and our shifting perception of it is everywhere at present) and hope appealing, and pleasingly un-Pollyannaish.
  • Drugs and Football: A look at the relationship between modern football culture and drugs, which goes back a few decades to chart the different ways in which the terraces have enjoyed getting on it over the years, leading up to what we are reliably told is the lawless coke-addled 16-pint seshfest that is today’s matchday. I really enjoyed the history here – from speed to pills to weed to coke as the years pass – and the sociology that accompanies it: ““For a short period, football violence was uncool and drugs played a major role in bringing this culture shift about,” Gilman wrote, arguing that his research offered ​“further evidence that experiences with psychedelic drugs can be important agents of personal, psychological, cultural and social change”. This is football in the Nineties. Hooligan casuals on inter-city rampages were old hat. Football was coming home and bringing ecstatic, loved-up pacifism with it.” As you might be able to tell by that last quoted line, the prose style here is a little bit too in love with its own ‘a voiceover to a documentary narrated by a geezer, but a smart one yeah?’ tone, but this is a good piece nonetheless.
  • Tyson’s Fury: This is a beautiful essay about Mike Tyson and the weirdness of post-boxing Tyson, a man who, as the piece explains so poignantly, we excoriated for becoming the monster we so obviously wanted him to be. A really gorgeous piece of writing, which reinforces my personal “the best writing about boxing is better than the best writing about almost anything else” thesis quite nicely.
  • Chemistry Read: Finally this week, a short story by Lisa Owens about an actress and the end of a relationship – I could have read 600 pages of this quite happily. I suggest you make a mug of something hot and sit somewhere comfortable and enjoy this, it’s a proper treat.

By Mark Newgarden

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 23/09/22

Reading Time: 37 minutes

Well that was a fortnight. Have you gotten over it? Good, it looked weird tbh and I wasn’t a fan.

Still, here we all are again, forelocks freshly-denuded and ready to take a long runup at THE AUTUMN! Seasons of mist and mellow fruitfulness and all that Keatsian jazz, where we all get to try the exciting new national pastime of ‘how many jumpers can I wear simultaneously before I admit defeat and remortgage to put the heating on for 10m?’

I am still Matt, this is still Web Curios, and this week I saw a man inject his own semen into a dead squirrel which, I think, means I definitively lose whatever game it is we think we’re all playing.

By Mark Liam Smith

WE KICK OFF THE MUSIC THIS WEEK WITH A SPECIAL TREAT – A TWO-HOUR ALL-VINYL SADEAGLE MIX WHICH IS THE RESULT OF HE AND I PLAYING THE ‘MATT PULLS RECORDS OUT AT RANDOM AND SCOTT TRIES TO MIX THEM DESPITE PROBABLY NOT BEING QUITE SOBER ENOUGH TO MAKE SENSE OF IT ALL’ GAME, WHICH CONTAINS, I PROMISE, SOME GENUINELY GREAT MUSIC (AND AT LEAST TWO TRACKS YOU MIGHT EVEN HAVE HEARD OF)! 

THE SECTION WHICH SAW THE GREATEST BOXING-THEMED GRAVESTONE IN BERLIN LAST WEEK AND WANTS YOU TO SEE IT TOO,  PT.1:  

  • Convexity Space: Ordinarily I like to kick off Curios with something beautiful or frightening or astonishing, but this week I thought I’d try and reflect my general state of bafflement with, well, almost everything by sharing with you this borderline-incomprehensible site which, as far as I can tell, is meant to persuade you to apply for jobs. FLY THROUGH AN INFINITE DIGITAL SKYSCAPE! See the words ‘2x People, 4 x Impact – not a culture fit for everyone’ and wonder what they mean! Click and then zoom through a variety of…nonexistent constellations, each embodying maxims of what I presume are meant to be inspirational leadership excellence, like this fcuking PEACH of a quote: “Leaders don’t lead by giving orders. Everyone in the team is a leader. WE ONLY BOSS OURSELVES”. Apparently they ‘enable individuals to flow on a global scale’, which is nice (if entirely fcuking meaningless). Anyway, if you click on the ‘join’ button you will be taken to a…less-shiny webpage, where you can apply for such distinctly-underwhelming positions as ‘solution deployment manager’, although at no point was I able to determine exactly what the company does. If you’ve ever thought that the world is becoming more stupid by the day, this website will do nothing to disabuse you of that fear. I love it, and would like to shake the hands of the people involved in its design and execution (and, especially, those of the people who sold it because WELL DONE).
  • D-ID: Deepfakes haven’t quite become the terrifying, fabric-of-reality-altering tool of misinformation that some feared they would when they were first realistically mooted 3-4 years ago (I am going to avoid going back and checking whether I was part of that ‘some’ because I dislike myself enough already thankyouverymuchindeed), but that hasn’t stopped the ‘choose and manipulate your own digital meatpuppet’ industry from ploughing on with the innovation. D-ID is a company that offers you the opportunity to create videos featuring synthesised people speaking synthesised words – you can either pick one of their own ‘digital humans’, or upload photos of anyone you like and create a ‘video’ out of said photo, and the speechsynth software has a number of different voices you can use or alternatively you can upload your own audio to be synced with the output vids. It’s…not great, but it’s significantly better than I expected it to be, and made me wonder exactly how far away we are from digital spokespeople being an actual, viable solution for real businesses (24m minimum imho). Anyway, the fun bit here is that you can make the digital puppets say whatever you like, so this is an excellent tool for creating very, very offensive messages to send to your friends, family and colleagues (NB – Web Curios as ever takes no responsibility for whatever HR-related misadventures may result from following this advice).
  • Another AI Comic: Another ‘images by Midjourney, words by a human’ comic, this time by UrsulaV and presented in a Twitter thread, and with the added bonus of this excellent additional thread which explains the creative process and the work that went into producing the final pages and panels. This is, to my mind, a better bit of work than the one I featured a few weeks back, perhaps because of the degree of curation and tweaking that Ursula subjected the initial machine output to. This may prove mildly reassuring to those of you currently suffering from ‘this is the end of low-to-mid-level human creative output’ fear, although the fact that the direction of travel for this stuff is unidirectional and it’s getting better by the hour is probably not worth dwelling on.
  • Using Dall-E for 3d Modelling: This is a short-but-interesting thread exploring how animators at Studio Yatta used Dall-E to help them work up some 3d modeled animation. I think, basically, I am feeling subconsciously slightly guilty for all my ‘THE AI GODS ARE COMING, ALL ARTISTS WILL BE SACRIFICED TO THE GREAT TECH REVOLUTION!’ rhetoric of the past few months and feel the need to show you that this stuff is complementary not substitutative, honest kids! Anyway, this is a nice, simple set of examples about how you can use these tools for visual inspiration and to shortcut prototyping and all sorts of other things (until, to repeat, they get good enough to do all this themselves in the next year or so) (dammit, I really can’t help myself it seems).
  • Mother Goods: You may have seen the ‘Ink Made With The Blood of Gay Men’ stunt (designed to protest against the ban on blood donations by gay men in the US) doing the rounds this week, by Mother (and artist Stuart Semple) – it’s being sold through Mother Goods is the agency’s offshoot business which basically acts as a product skunkworks to make experimental activist-type activations. Or, maybe more accurately, it’s the bit of Mother that looked at MSCHF and thought ‘sh1t, that’s exactly the sort of stuff we should be doing, we’d better rip it off (but with a worthier angle because, remember, ADVERTISING AND SPECIFICALLY THE SORT OF CREATIVITY EMBODIED BY AD AGENCIES IS THE ONLY MEANS BY WHICH LARGE-SCALE SOCIAL PROBLEMS CAN BE SOLVED!)’. OK, fine, maybe that’s a touch unfair – there are some fun projects on here, after all – but, equally, there are some…not insignificant parallels between the two businesses, not least the website here being eerily similar in feel to the MSCHF setup, and the timed countdowns to new ‘drops’…imitation’s the sincerest form of flattery, right guys?
  • Sounds of the Earth: If the Earth was capable of making a sound (I mean, obviously it is capable of making sounds, but let’s imagine in a more personified way), what sound would it make? I think a sort of resigned sigh, personally. Still, this website is trying to use AI to come up with a different, hopefully more pleasant answer – it’s the digital component of an artwork by Yuri Suzuki, currently being exhibited in Milan, which invites anyone to upload an audio file from wherever they are (sounds of nature, sounds of people, sounds of the world). AI then seeks to stitch these clips into a coherent soundscape, linking sonic fragments with degrees of aural similarity into an infinite sound canvas of recordings from around the world, linked only by a degree of tonal assonance. This is rather beautiful, and it’s on in the background as I type, and it’s the sort of thing I can vaguely imagine using as a soundtrack to a flotation tank session were the concept of a flotation tank session about as appealing to me as an invasive subcutaneous sandpapering.
  • The Drone Photography Awards 2022: Photographs! Of the Earth! From above! Taken by drones! You know the drill with these by now – the winning photo here really is spectacular, though, and a perfect example of the sort of shot that would be literally iumpossible without the assistance of flying robot cameras. I’m curious with this stuff how many (if any) of these have been taken by AI rather than by a human operator – I presume that many drones now will come with ‘image assessment’ tech, and at least a rudimentary ability to ‘pick’ a shot from a camera based on perceived aesthetics, and whether or not there are any prizes extant that specifically allow for non-human shot selections to be submitted. Actually, that’s an interesting idea for a photo competition – given we’re almost certainly going to see the first raft of AI-generated art prizes in 2023, it makes sense that we should also consider the same for AI-selected/snapped photos. Anyway, there are some amazing photos here, with the caveat that I am personally slightly over the whole ‘if you look at it from above it looks super-geometric!’ style of photography.
  • Have I Been Trained: A tool developed by Holly Herndon to allow artists and creators to check whether their works have been incorporated into the training data for AI image creation models, specifically checking against the LAION-5B training set which is what StableDiffusion (amongst other models) used to develop its style. This is part of Herndon’s wider project, called Spawning, which “is building tools for artist ownership of their training data, allowing them to opt into or opt out of the training of large AI models, set permissions on how their style and likeness is used, and offer their own models to the public. We believe that each artist ought to have the tools to make their own decisions about how their data is used. Some may choose to take the permissive IP approach to AI models we pioneered with Holly+, where Holly offered her voice model for others to use in return for a share of profits in officially approved derivative works. Others may choose other approaches. However we need to establish a standard of consent honored by research organizations to get there.” Which is eminently sensible and necessary – this is very early days, and there’s little information as to how this will work in practice, but it’s vital that someone thinks about this stuff now (too late as it already is) because otherwise people will wake up in a few years’ time to find that the rights they might have hoped to have over their work will have been eaten by the future with no recourse whatsoever. Artists can apply to sign up to Spawning by sharing a link to their work – if you make stuff and put it on the internet and like the idea of having at least some theoretical agency over what happens to it and what it gets used for in the future, this seems like a no-brainer.
  • This Girl Does Not Exist: This is, I think, a WORLD FIRST – a videogame purporting to be written, voiced and art directed entirely by AI. It’s a TINY bit of a fudge, I think, in the sense that the ‘game’ element here is pretty minimal and VERY off-the-shelf, but as a precursor of ‘stuff that is definitely going to happen before too long’, all the art assets and vague ‘story’ copy have been spat out by machines. Here’s the Steam gameplay description – as you can tell, this isn’t exactly Fortnite: “This Girl Does Not Exist is the first game of its kind. It is a game full of beautiful girls .. and none of them exist! They were not made by a human but generated by an AI. Dive into this vibrant colorful puzzle game and add girls to your gallery! Relaxing gameplay with beautiful artwork and relaxing music will help you calm down after a hard day at work or study. Everything you will see in this game, including all the art, all the characters, story and even a voice acting – was generated by an AI. Your task is to put together puzzle pieces of beautiful girls as you progress through dating them. In each stage you choose which girls you like and would wish to progress with further. Every girl has her personality and unique information to uncover. The more stages you complete, the more girls are revealed in your gallery!” On the one hand, this is exactly the sort of low-rent shovelware that would previously almost certainly have used stolen images of models from somewhere on the web as art assets, so at least noone’s getting ripped off; on the other, I would be amazed if the vast, vast majority of hidden object / puzzle games on Android in 12 months don’t use exactly these sorts of assets because, well, why not?
  • Prompt Finder: OK, technically this site is called ‘Generrated’, but prompt finder is a better and more helpful description so that’s what I am going with. Basically this lets you browse a HUGE number of AI=generated pics to see what prompts were used to get them, basically shortcutting the whole tedious ‘prompt engineering’ (NOT GOING TO BE A JOB FFS) process. “Click on an image to see the prompt that was used to generate it, along with the 3 additional images generated alongside it. You can also click on the prompt text to navigate to a page that contains all 20 images generated for that prompt.” What’s really interesting here is delving into the areas which I haven’t played with at all yet – you can do some pretty decent vector work with the machines, turns out, and I don’t think artists who design app store icons are going to be getting much work in the foreseeable future judging by how good the machines seem to be at spitting out thumbnails. This is very interesting indeed, and worth a bit of a spelunk if you’re curious about what all this stuff can do and how to do it better.
  • The Designer:Dresses and outfits, imagined by AI. Most of these are frankly a bit crap, if I’m honest, but there’s definitely an interesting angle in the potential for them as starting sketches. Also, there’s something fascinating about the training set here – SO MUCH LACE! Why so much lace?
  • NonExistent Tory: You know how some people just look Tory? Something about the broken blood vessels and watery eyes? Well it turns out that it’s not just the Crungus and Loab who lurk in latent space, it’s Conservative Party members too. This Twitter account exists solely to share machine-imagined faces who are basically identifiable as classic Tories. Or at least they are according to whoever it is running the account – your mileage may vary. Personally-speaking I don’t think there’s enough rosacea on display here, but that’s just me.
  • The Heywood Prize: I am disappointed in myself that I didn’t know about this already – “The Heywood Prize was created by the Heywood Foundation. Jeremy Heywood served many Prime Ministers, and was the Cabinet Secretary UK’s most senior Civil Servant – until 2018. Jeremy was extremely open to new ideas, and sought out alternative perspectives. He was more interested in the quality of an idea than the rank or seniority of the person who proposed it. He would make a point of getting out of Whitehall to spend time in ‘frontline’ settings, from job centres to charities, to seek out innovations and unusual perspectives. The Heywood Prize continues that spirit of inclusivity and innovation.” There is £25k up for grabs here – second and third prizes of £10k and £5k too – for the best answer to the question “What do you think the government should do to improve life in the UK?”, which answers can take the form of either a 1500 word essay, or a 3-minute video or audio clip. Honestly, this is SO INTERESTING – I would pay actual cashmoney to be able to read the submissions because, well, there is BOUND to be some wonderfully mad stuff in there, and the fact that the winning ideas will get seen and scrutinised by people with a vague ability to actually one day enact them is incentive enough I think to get involved. Seriously, this is worth thinking about seriously – given how many of you work in advermarketingpr I can only IMAGINE the sorts of revolutionary and brilliant ideas you will all have! (sorry, that was rude, I do actually think you’re all smart, promise).
  • The Follower: You’ve all seen this by now, right? The Follower is a project by Belgian artist Dries Depoorter in which he uses AI image recognition technology to match CC TV footage of people taking shots for the ‘gram in public places with the actual shots as presented in-feed, thereby demonstrating the ease with which the surveillance panopticon can triangulate you in time and space based solely on your publicly-visible activity. It’s a very smart idea, although the coverage of it has been slightly more breathless than the project warranted – with the best will in the world, this is NOT an example of ‘creepy AI can spy on CCTV and then find you on Insta’, as Depoorter did quite a lot of the heavy lifting in terms of scraping, downloading, training, etc. Still, as with all of this stuff it’s less of a ‘wow, look at the now’ moment so much as a ‘wow, look at the near future’ but of cautionary advisory, as well as very much a ‘this is exactly what surveillance states are doing RIGHT NOW’ lesson. Also, for the right brand you could do a fcuking GREAT influencer campmaign using exactly this sort of tech, just FYI.
  • 4meric4: This is beautiful. Take a small, minimalist road trip across America with this website, which uses windows and frames pulling from other sites to create an imaginary journey for you complete with realtime radio pulled from stations you’ll pass through, images from your route, links to diners and cafes you might visit…honestly, this is small-but-utterly-perfect, and there’s something so so nice about the fact that your selections of vehicle, etc, persist inbetween sessions so you can check back on a daily basis and see your progress and where you’ve got to and what’s on the radio and what photos you’ve taken since you last checked in. ART.
  • Realtime: WARNING: THIS IS ADDICTIVE. I say this only because I just lost 5 minutes to slack-jawed gawping as LIFE scrolled past my unblinking eyes. Realtime is a simple premise – you get the web, in realtime, in one place – but it’s done really nicely. There are just three columns – pictures, words and numbers – each of which is a realyime infinite scroll, dumping new data at the top of each feed every second or so (you can adjust the pace of updates), and pulling in from sources as diverse as Google search data, Reddit, Billboard charts, Amazon, the BBC, Wikipedia edits…honestly, this is DIZZYING, an incredible, maddening, compelling torrent of PEOPLE ON THE INTERNET doing PEOPLE ON THE INTERNET things. Seriously, I could spend hours just staring at this and clicking intermittently, it’s that good. Although I’m not quite sure why it’s so obsessed with showing me mugshots of people who’ve just been arrested (although, on reflection, that might have something to do with the fact that it’s about 2am in the midwest as I type and it’s very much ‘methhead’o’clock’).
  • Summarize: One of the great annoyances of my professional life is that I need to keep across news about the big tech and social media companies, and as a result I often have to pay attention to podcasts and longform videos in which tediously-verbose (HAHAHAHA YES I KNOW) men with beards talk for two hours about the metaverse (to give you one soul-flayingly horrid example), and that there are NEVER any fcuking transcripts of said conversations meaning I need to listen to or watch the fcuking things. So thank God for Summarize, then, which offers a single service – plug in any url of any long YouTube video and Summarize will spit out a GPT-3 juiced summary of the main talking points per section. Obviously the main drawback of this is that you can’t really check how good it is without comparing its output to the actual content of one of said videos, which would mean actually watching one, which, frankly, no, but it’s an interesting idea and one which I will definitely be leaning on heavily (until I realise it doesn’t work and it makes me look very, very stupid).
  • Whisper: Seeing as we’re speaking about transcription (SEAMLESS!), it’s worth mentioning Whisper, released this week by OpenAI to minimal fanfare but which could well be as significant for journalists as GPT-3 has been. You need to be able to run it yourself, which obviously requires a bit of technical nous, but it purports to be a game-changing transcription service for audio, covering English and other languages (with varying degrees of success – OpenAI acknowledges that it’s less good at non-anglo languages at present due to the predictable differences in training set sizes). Given the number of journalists I see every day discussing whether or not there are any decent transcription services out there, this feels like it could be A Big Thing (and terrible news if you’re Otter or one of the few dozen extant subscription services doing transcription right now).
  • Smashomancy: PHONE MAGIC! Or possibly ‘MAJICK’! Either way, I rather like this – sort of like phrenology but for your phone (and about as meaningful, to be clear), Smashomancy is the practice of analysing the cracks on your phone screen to scry your future from the myriad galaxies in the fractured vitrine of your prized device. The site at present is a bit bare bones, but you can see a rough chart of meaning for the cracks in your screen, and there are promises of ‘a virtual experience’ coming soon. Unsurprisingly this is a joke that originated in San Francisco, where last month the people behind this apparently organised LIVE PHONE READINGS which, honestly, I could totally imagine people in London getting into too (judging by the sheer quantity of ‘mercury in retrograde’ chat I see spaffed across the TL on an hourly basis – WHAT DOES THAT EVEN MEAN FFS? Actually, on reflection, let me die in ignorance).
  • Atari Emails: I’ve definitely worked in places where it would be…uncomfortable should the email archives from said workplaces ever emerge (and frankly if you haven’t then you haven’t been doing work right imho), but there’s something really interesting about looking into how communications within a business embody a corporate culture (to the extent that such a thing can ever be said to truly exist, which I appreciate is on occasion debatable). This site collects emails from Atari, collected between 1983-1992 and covering the news, tech, culture, interpersonal relationships, in-jokes…there’s a particular beauty in reading words that the authors never expected to reach beyond the very small intended audience for whom they were originally penned, a nakedness of sorts, which I find personally hugely appealing, but anyone who’s interested either in the history of the workplace, or indeed of Atari specifically, will find things to enjoy in here (the thread on the Challenger disaster is amazing, for example, just in terms of ‘watching people parse a tragedy in semi-realtime’).
  • Super Realistic Animal Mask: You will need to translate this page into English from Japanese (er, unless you speak Japanese, obvs – sorry, I shouldn’t presume), but once you have then prepare to be SORELY TEMPTED to commission one of these insanely-high-quality masks of your pet’s face. It doesn’t HAVE to be your pet’s face – they’ll do you one based on an illustration or 3d model if you wish, meaning furries are well-catered for, but who doesn’t want to make a human-sized replica of your cat’s head and wear it whilst crawling around on all fours and drinking from its water bowl while it miaows at you in (hopefully happy) confusion. NO FCUKER, THAT’S WHO! It probably behooves me to point out that the current exchange rate means that one of these will set you back somewhere in the region of £2,500, so perhaps one for the ‘when things are a bit less economically parlous’ file (Saz, we can discuss this later).

By Leah Schrager

NEXT UP, HAVE SOME BEAUTIFULLY-ATMOSPHERIC D’N’B MIXED BY WARDOWN! 

THE SECTION WHICH SAW THE GREATEST BOXING-THEMED GRAVESTONE IN BERLIN LAST WEEK AND WANTS YOU TO SEE IT TOO,  PT.2:  

  • High Flyers: FULL DISCLOSURE: I am friends with the people behind this. However, at no point have they offered me any money to feature it here (on reflection, why not you fcuks? I would have refused, but it’s nice to be asked), nor indeed did they even ask – I’m putting it here because it might prove useful. High Flyers is an online course for people wanting to learn about PR and how to be better at it, and, honestly, whatever I might say about the profession (NO MATT RESIST RESIST) I can think of no two better people to try and persuade you that actually it is a worthwhile career to pursue. This is, to be clear, something that costs money, but I think it’s a reasonable fee and both Rich and Alex are smart and capable and nice, and both have the sort of reassuring facial hair that means you can probably trust them when it comes to the practice of modern communications.
  • The Museum of Interesting Things: I feel like it’s a matter of personal professional failure that over the past decade or so of Curios I have never seen or featured this site (what sort of a webmong am I FFS?), despite it basically being a spiritual twin of this blognewslettertypething. “For those with a taste for the peculiar, The Museum of Ridiculously Interesting Things is an imaginary museum that explores the strange place between art and curiosities.” It’s not been updated in a few months, so I hope it’s not defunct – still, if you want a place to explore such oddities as ‘a hat covered in decaying teeth’, or ‘Jane Howard’s beautiful bird guts’, this is the site for YOU! Parenthetically, this has been going for AGES and therefore features quite a lot of ‘weird internet’ from about a decade or so ago, which a) is an interesting trip down memory lane; and b) is a very good way of reminding yourself of cool stuff from The Past that everyone else has forgotten about and which you can now almost certainly rip off anew without anyone realising that that’s what you’re doing.
  • Place-Based Carbon Caulculator: This is a really good use of open data, and super-useful if you’re looking at doing any local-level targeting or campaigning around anything to do with the environment. “A free tool which estimates the per-person carbon footprint for every Lower Super Output Area (LSOA) in England. LSOAs are small statistical areas with a population of about 1,500 – 3,000. It draws on a wide range of data and research to give a representative view of how carbon footprints vary across the country. PBCC is intended to help communities and policy makers understand where their carbon footprints come from and what we need to do to reduce them.” So this can tell you whether the very specific area you’re interested in over- or underindexes in terms of car usage, energy efficiency, service industry usage, flights taken, etc etc etc, which gives you all sorts of interesting proxies for other things that it’s not always easy to work out (such as, for example, takeaway service usage). This is, if you think a bit orthogonally, really, really useful. And if you don’t, it’s just a pretty map! Thanks to Giuseppe Sollazzo’s newsletter for this one.
  • Agency Jams: I am including this for two reasons: 1) this collection of playlists made by the staff of Basic agency in the US is genuinely (slightly annoyingly, if I’m honest) rather good – eclectic and wide-ranging and chunky and kind-of cool, and there are about 60 of them so far which is a hell of a commitment; and 2) I really hope someone at a…slightly-less-cool agency decides that they want to replicate this, because, honestly, I REALLY want to hear what ‘the internal soundtrack to a bunch of corporate marketing drones’ inner lives’ sounds like.
  • The Ig-Nobel Prize: This year’s announcement the other week got significantly more traction than I remember in previous years – is this a reaction to the general, baffling oddity of, well, everything? – and so you’re probably aware that the winning research project focused on “trying to discover the most efficient way for people to use their fingers when turning a knob.” You probably haven’t checked out the other nominees, though, which are particularly stellar this year – my personal favourite are the people who spent a significant chunk of their lives trying to determine whether constipation in scorpions affects their mating prospects, but special mention also to the fearless academics publishing work on ““A Multidisciplinary Approach to Ritual Enema Scenes on Ancient Maya Pottery.”
  • Menyr: It’s quite likely that if you play tabletop games you will have seen this in the past week or so, but even if that’s not your particular bag this is an interesting example of ‘ways in which AI will practically-impact the creative industries in material ways, and a lot sooner than you might think’. Meenyr is a many-times-funded Kickstarter campaign which promises a system which will basically let tabletop RPG gamers spin up plots, worlds, items and NPCs (and associated artworks, etc) using AI tools with the click of a few buttons. It’s worth clicking and scrolling through, because the stuff they are promising is pretty amazing – fully realised customisable environments, spun up in minutes, based on user-defined parameters, to create an infinite number of campaign scenarios and theatres…I don’t even play TTRPGs and this still looks remarkable. As far as I can tell this is all proprietary stuff by the French studio developing the project – but in the future it needn’t be, as you will be able to create your own versions of this sort of thing by cobbling together Open Source elements with a nice frontend. This is the future of making and playing, or at least a significant part of the future of it.
  • Song of Insects: “Finding and identifying a singing insect can be a wonderful challenge. These pages will expose you to over 90 common and widespread species and will help you identify many of the singers that you will hear in your immediate surroundings and in the countryside far from home. With the help of a flashlight and considerable patience, you will be able to track down individual singers and perhaps even view a singing performance firsthand!” Anyone who’s been kept awake by overexcited cicadas may quibble with the breathless enthusiasm on display here, but if you’re keen on knowing exactly what type of amorous leg-rubbing insect is ruining your kip then this may well be the resource you’ve been clamouring for.
  • Bird Photographer of the Year: LOVELY AVIAN FRIENDS! These are all glorious, obviously, but my personal pic is the one titled ‘Strut Performer’ because WHAT SORT OF FCUKING BIRD IS THAT?! Also, can someone please redo the website for this contest, as it seems a shame that it’s so utterly ill-equipped to showcase the amazing photos of the winners here.
  • Manhole Covers: Containing over 8,000 examples (it’s this sort of dedication to a very, very specific theme that really makes it a Curio), this is a celebration of all things manhole cover (which, specifically, means, er, manhole covers – there’s not actually that much more to celebrate, turns out).  “Under the city’s surface there is an underground city, a city that its only purpose is to serve the upper city. In this city there are miles of tunnels, sewerage pipelines, communications lines etc. The manhole covers in this site are the bridge between the upper and lower city and come in various shapes, sizes, writing and graphics.” You may not think that this is going to be super-compelling (and, ok, fine, compared to, say, cocaine or playstation it’s probably not quite as grabby) but there is some wonderful design on here and it’s a lovely argument as to why design and aesthetics always matter, always, no matter where you are and what you are doing.
  • Sunclock: This is a very small, simple online clock that shows you the time at any give moment along with when Golden Hour will be (morning and evening) wherever you are in the world. Not revolutionary, but it’s simple and it taught me that there is a difference between ‘civil twilight’, ‘astronomical twilight’ and ‘nautical twilight’ which may come in handy one day (but I don’t think it will and that’s ok).
  • Martin Gauer’s Website: Martin Gauer is a web developer. This is his personal website, which he’s styled to resemble a Gameboy title in the vague Pokemon style. Honestly, I cannot stress enough what a BRILLIANT job he has done – it feels right, and there are people to talk to and Easter Eggs to find, and, fine, yes, you can also find out more about Mr Gauer’s work and professional history and his practice, and information about past projects, but, also, this basically took me back to 1991 and MY GOD the pavlovian power of chiptune and the Gameboy startup beep. SO SO SO GOOD, and I imagine Martin will be booked up for the foreseeable as a result of this so well done him.
  • Random Met: Literally what it says on the homepage: “Infinite Scroll of Random Images from the Metropolitan Museum of Art Open Access“. The sort of thing you can happily spend 5 minutes perusing and being mildly interested by, and which will be TOTALLY DIFFERENT should you ever bother to click back again. My overwhelming takeaway from this is ‘man, but there are some wildly divergent curatorial standards at play depending on what bit of the Met you work in, evidently’, but you can’t argue with the breadth and depth here.
  • The MCU, Networked and Visualised: I need to preface this with the acknowledgment that I don’t watch or care about Marvel films, and so for all I know this could be some sort of factually inaccurate travesty that fails to accurately represent the majesty of the canon – if that’s the case, please know that I do not give a fcuk and do not want you to tell me. Still, if you are one of the many millions of people who think that spandex capering is the very apogee of the cinematic artform and want some sort of exhaustive analysis of who appears in what and how many times and what the crossovers are and and and and oh God it’s exhausting just typing this stuff tbh. Look, if you want a giant map of superhero characters based on which films they appeared in, in which ‘series’ of the MCU canon, then you will probably enjoy this and that’s FINE but can we please maybe roll back on the whole ‘nerds and their interests are the cultural juggernaut that will sweep everything else before it’ thing, please? Maybe just for a few years?
  • The Vegenerator: A small project by Oli Frost in which a vector-looking fruit machine type interface presents you with a selection of three ingredients and a dish type as a vegan recipe generator. Fine, the recipes are literally things like ‘okra, cabbage and parsnip pearl barley’, which doesn’t admittedly give you a lot of guidance to work with, but if you’re a reasonably-competent cook this sort of gentle guidance is actually pretty useful imho -also, I very much like the fruit machine interface as a means of delivering the recipes, and think that there’s something in this as a combination of user-led refinement and ludic layer (yes, I know, I am HIDEOUSLY PRETENTIOUS, sorry).
  • Our Bodies Ourselves Today: This is a great resource from the University of Sussex, offering an “accurate and inclusive guide to health, sexuality, and reproductive justice” aimed at women, girls and gender-expansive people. “Our Bodies Ourselves Today’s online platform enables the unique contributions, approaches, and functions of the groundbreaking book Our Bodies, Ourselves to live on, while adding new features and connecting with new audiences across the globe. Our work is entirely in the service of the public good, and we do not take advertising dollars. Our materials are rigorously evaluated, carefully curated and regularly updated by panels of leading feminist health experts drawn from the fields of medicine, public health, academia, consumer activism, policy, and media. The content and analysis we provide is grounded both in diverse lived experiences and current political and cultural contexts. It is accurate, evidence-based, holistic, user-friendly, and available at no cost. The site features the best of what’s already available online as well as our own original content. In addition to articles, Our Bodies Ourselves Today includes multimedia elements, first person stories and conversations, and opportunities for activism and advocacy. We currently provide resources on nine core topic areas: Contraception & Abortion, Gender-based Violence, Growing Older, Heart Health, Menstruation through Menopause, Mental Health, Pregnancy & Childbirth, Sexual Anatomy, and Sexuality, with new topics to be added in the future.” Useful and interesting and worth bookmarking if there are people in your life who you think might find it helpful.
  • Palette FM: Tools to recolour pictures are a long way from being a new thing, but this is an interesting build on an old(ish) trick which integrates (I presume) some sort of Dall-E or SD backend to let you write specific prompts for the sort of colour effects you want to have applied. Or at least that’s what I think is happening – the developer has ‘amusingly’ used the ‘About’ page to rickroll anyone wanting to find out more, which has annoyed me significantly more than I expected and perhaps suggests that ‘about 4h in’ is the point in the Curios writing process at which my sense of humour (such as it ever is) begins to fail me somewhat.
  • Bemuse Ninja: Look, I have to be honest with you here – I tried playing this keyboard-based rhythm game for about 5 minutes but was so embarrassingly, cluelessly, abjectly-bad at it that I was forced ti give up in shame and humiliation. It turns out that I very much do NOT have the coordination required to nail keyboard presses in time to 178bpm japanese trance-pop tracks (whodathunkit?!), but on the offchance that you possess slightly-faster reactions than me (and, possibly, a higher tolerance for the sort of bubblegumtechno that the game seems to major in) then you may well find this a soothing balm to the soul (I doubt it, though – I just loaded it up again to check whether or not my first impressions were correct and even the landing screen gave me a slight feeling of stress-hives).
  • Sim Nimby: What would it be like playing Sim City in a world in which noone wanted you to build anything, and people were constantly blocking your city amelioration plans with cries of ‘but what about the marshlands?’ This is very much NOT a game, and instead a single-note gag, but I’m including it because a) it made me laugh, maybe twice; and b) it did pretty decent numbers last week, and once again made me think ‘this is exactly the sort of thing that would have been a really useful little tool to popularise a campaign and which once again causes me to say ‘STUFF USING GAMES OR GAME MECHANICS REALLY WORKS AS A MARKETING OR PR TOOL BECAUSE – AND LET’S TAKE A MOMENT TO REALLY THINK ABOUT THIS – ALL THE PEOPLE IN SENIOR POSITIONS NOW ARE LIKELY TO HAVE GROWN UP WITH GAMES IN THE 90s AND EVEN IF THEY DON’T PLAY THEM ANYMORE THEY WILL GET AND FEEL NOSTALGIC FOR THE CULTURAL REFERENCE POINTS FFS’.
  • Curious Fishing: A cute, simple puzzle game in which you need to catch all the fish. This is gentle and soothing and an excellent way of distracting yourself from the fact that your job is a joke and all your colleagues are insufferable morons.
  • The Hobbit: Finally this week, a link to the SUPER-OLD text adventure for the BBC and C64, based on Tolkien’s The Hobbit and which I think acts as a nice cultural counterpoint to the current festival of pointy ears and fan-led racism currently airing on Amazon. This is, obviously, very old school and so both graphically nonexistent and VERY HARD, but at the same time there’s something genuinely soothing about the no-pace nature of it, and the 8-bit graphics are kind-of charming if you squint, and it’s always fun to be eaten by a dragon. ENJOY!

By Frank Moth

WE FINISH THE MIXES THIS WEEK WITH THIS GORGEOUS SELECTION OF DOWNTEMPO TRACKS MIXED BY ANDREW BEZ AND WHICH IS PERFECT FOR A DAMP FRIDAY IN SEPTEMBER! 

THE CIRCUS OF TUMBLRS IS SADLY EMPTY!

THE TROUGH OF (INSTA) FEEDS!

  •  Plastics NYC: Barbie, Ken and friends having fun in gay New York. This is oddly life-affirming, although I couldn’t for the life of me explain why.
  • Unshush: More AI-imagined fashion, this project from Rome feels like it’s building to something bigger; still, at the moment it’s just a feed of shoes and dresses and accessories presented with a slightly-raised eyebrow – I am curious to see where, if anywhere, this goes.

LONG THINGS WHICH ARE LONG!

  • The Emerging Vertical: I think this might be paywalled, but it’s another piece by (Curious favourite) Ted Gioia and imho it’s worth paying a few bucks to access it as it’s a very smart piece of writing / thinking which honestly made me think about modern culture (and the wars fought over it) slightly differently, which, honestly, is no mean feat given the amount of cant and rhetoric we all consume on the subject (or, perhaps more accurately, which I consume on the subject – I imagine you all have better things to do). Gioia here revisits an essay he wrote in 2014 (here presented in an update 2017 version), about Spanish thinker José Ortega y Gasset’s “The Revolt of the Masses” – the fundamental premise from the book that he latches onto is that the most important way of thinking about culture and conflict in modernity is not in terms of left or right but instead in terms of ‘up’ or ‘down’. From the earlier essay: “Ortega’s brilliant insight came in understanding that the battle between ‘up’ and ‘down’ could be as important in spurring social and cultural change as the conflict between ‘left’ and ‘right’. This is not an economic distinction in Ortega’s mind. The new conflict, he insists, is not between “hierarchically superior and inferior classes…. upper classes or lower classes.” A millionaire could be a member of the masses, according to Ortega’s surprising schema. And a pauper might represent the elite. The key driver of change, as Ortega sees it, comes from a shocking attitude characteristic of the modern age—or, at least, Ortega was shocked. Put simply, the masses hate experts. If forced to choose between the advice of the learned and the vague impressions of other people just like themselves, the masses invariably turn to the latter. The upper elites still try to pronounce judgments and lead, but fewer and fewer of those down below pay attention.” Which if it felt true in 2014 certainly does in 2022 – and it turns out that thinking in these terms takes you to some interesting places when it comes to Where We Are Now. I can’t stress enough how interesting this is – I will reproduce Gioia’s first point here, but the whole thing really is worth reading in full: “Analysis of cultural conflict is still obsessed with left-versus-right strategizing, but the actual battle lines are increasingly down-versus-up. A lot of work goes into hiding this, because both left and right want to present an image of unity, but both spheres are splintering into intensely hostile up-and-down factions.” I mean, he;s right, right?
  • Saluting an Empty Train: I’ve taken an editorial decision this week that you’ve almost certainly had ample opportunity to consume all the DEAD MONARCH-related content you could ever wish in the past fortnight, and that as such you can do without endless screeds about What It All Means. That said, I will make an exception for this piece of writing by Mic Wright, from his ‘Conquest of the Useless’ media criticism newsletter, as it takes a slightly different angle from a lot of the commentary I’ve read, and mentions something that I’ve not seen touched upon elsewhere – to whit, the ‘gratitude’ and ‘thanks’ we were expected to feel. Gratitude for what is never specified – but it’s clear that we are expected to demonstrate it. I don’t know about you, but I tend only to feel gratitude to people whose actions accrue some sort of tangible benefit to others, and I’m going to be honest and say that I struggle to see exactly how HRH or indeed any of the rest of them fit that particular bill – unless, of course, we’re talking about the broad spectrum gratitude we should all feel at the fact that she at no point chose to crush us peons beneath the heel of her bejeweled boot. Obviously you’re totally entitled to disagree with me about this – but if you do, I’d suggest that you skip this link as it’s liable to annoy you.
  • Italy Goes Full Fash: OK, so that’s not the actual headline in this FT piece, but that’s basically what’s going to happen (I got to vote for the first time ever, much good that will do). This is a sober piece which is less alarmist than I might have been had I been holding the pen (it is the FT, after all) but which still makes the repeated point that the people who are almost certain to be elected on Sunday are a woman who leads a party which shares a name and a symbol with an ACTUAL FASCIST ORGANIZATION, a man who in his time as foreign minister a few years back actually said ‘let’s shoot the migrant boats’, and everyone’s favourite ambulant sexy deathmask of himself Silvio ‘Definitely A Legitimate Businessman And Never In The Pockets of the Mafia’ Berlusconi – it’s not a great lookout for my motherland, if I’m honest. If you want a practical insight into what sort of genius-level policy promises are being made, you may enjoy this one – in Fratelli D’Italia’s manifesto there’s a section about how the party is going to solve Italy’s youth unemployment crisis by using AI (it gets better) to assess the competencies of every single school leaver not going to higher education or employment, and to then match them with the PERFECT JOB for them from every available position in Italy; said young person will then have to go and take that job, whatever or wherever it is, or get significantly reduced access to state benefits. Now let’s take a moment to consider two things there: 1) that is PROPER FASH, well done!; 2) if you can invent an AI that can do that and do it well, just sell it and fund UBI for all those kids for the next three decades. This is going to be a miserable sh1tshow, thank God I am in the sensible, stable Unit…oh. Fcuk.
  • The South Asian Polycrisis: I don’t mean to depress with these longreads – really, I don’t! – but I read this first thing this morning and it struck me that with the recent (understandable) focus on the UK’s own sh1t we have perhaps not really been paying as much attention to what’s going on the rest of the world as perhaps we ought (the equivalent of about half the UK’s population being flooded out of their homes in Pakistan, for example). This is a…sobering overview of the various challenges facing Pakistan, Bangladesh and Sri Lanka (and to an extent India), motivated by the multiple threats of climate change, geopolitics and the industrial supply and demand shifts that have effected pretty much everyone post-pandemic. Not going to lie, this is not exactly a barrel of laughs but it’s a useful overview (or at least it was for an ignoramus like me) of some of the key issues facing the area.
  • A Stable Diffision Explainer: If you’;ve spent the past few months immersed in everything AI-art-adjacent this won’t tell you anything new, but if you’re more of a casual observer then this is an interesting piece looking at Stable Diffusion and the AI art boom in general, touching lightly (VERY lightly, fine) on some of the ethical considerations inherent in the medium. I did enjoy this quote from founder Emad Mostaque, which (once again!) suggests that perhaps the people developing this stuff just aren’t very good at thinking about potential side-effects of its usage: “Mostaque’s view on this is straightforward. “Ultimately, it’s peoples’ responsibility as to whether they are ethical, moral, and legal in how they operate this technology,” he says. “The bad stuff that people create with it […] I think it will be a very, very small percentage of the total use.”” Oh, well if it’s only 1% of the output then that’s obviously ok then! FCUK’S SAKE WHEN DID PEOPLE STOP BEING ABLE TO THINK CRITICALLY ABOUT THIS SORT OF STUFF??
  • AI Game Creation: Ok, this is very techy and not hugely readable and I didn’t, if I’m honest, really understand that much of it. BUT! It is conceptually fascinating as an exploration of how one might go about using AI image-generation to spin up a videogame on the fly. To be clear, the resulting videogame isn’t in fact a real game, and looks like crap, but, equally, this is (I think) a world first, and I imagine that you’d have said the same had you been lucky enough to watch the earliest flickering ‘son et lumiere’ spectacles back in the day. I know I keep on saying this, but this is if not THE future then certainly a very plausible POTENTIAL future.
  • Roblox Adds Ads: Interesting not because of the fact it’s happening so much as the fact that the ad formats seem pretty well-thought-out and functional, and there’s a sense that the company understands how the various bits of the Roblox ecosystem (user-created worlds, branded worlds, branded content, etc) all fit together coherently. I don’t want to use the ‘M’ word because, honestly, I am so tired of it, but if you must look at it through that lens then this seems like a company that understands at the very least the basic premise of how a universe of interoperable digital experiences might practically function, and how to make it a commercially sustainable reality.
  • Bringing AI Art to AI Dungeon: You remember AI Dungeon, right? Featured here way back in 2019, the GPT-based game basically lets you conduct infinite roleplay with the AI text generator as vaguely-sentient-seeming gamesmaster; it’s now gotten an update whereby it’s possible to generate accompanying images via StableDiffusion for whatever situations and environments the textual AI spits out. This is a Techcrunch piece and so will win exactly zero points for prose style or readability, but it’s a really interesting overview of (yet again) How The Future Of Content Will Work Before Too Long.
  • Prompt Injection Attacks: One of the funniest (if geekily-funny) things of the past week or so was people on Twitter discovering that there was a Twitter bot built on GPT-3, and that it was very easy to hack using very simple text-based commands. This is an expanded Twitter thread by Simon Willison which explains how that worked, and why it’s almost impossible to prevent similar things from happening if you’re going to use GPT-3 like this. What’s even better is that it’s inevitable that lots of people are going to try and do it anyway, which means you can look forward to at least one very public brand account which seeks to automate interactions using AI and which ends up being forced to say things like “FIST ME, DADDY!” over and over again til it gets pulled.
  • YouTube’s CoolHunters: Ah, the old days in which ACTUAL HUMAN BEINGS made decisions about which content would get real estate on the YouTube homepage rather than a series of unknowable mathematical equations that determine the content consumption of several billion people a day! This is a lovely bit of nostalgia that raises some really interesting questions – is it better, for example, that a small group of largely unaccountable people get to determine what sits on the YT homepage rather than a machine? Why do you think that? Is there something just doggedly-speciesist about our occasional insistence (ok, MY occasional insistence) that Person Knows Best? And how would the past decade have been different had these decisions been left in meaty hands rather than silicon ones?
  • The Bootleg Ratio: This is one of those articles that is going to spawn a phrase – The Bootleg Ratio is the author’s imagined threshold to determine the health of any given content platform, based on the amount of content on said platform which is original UGC versus aggregated, scraped and monetised pabulum from elsewhere online. The jumping off point for this is the authorial assertion that TikTok may have passed a tipping point where it’s now been overtaking by the monetisers and therefore it’s Bootleg Ratio is now irrevocably out-of-whack; this may or may not be true, but there’s a wider interesting question about whether it’s possible for platforms to maintain an interesting and unique ‘feel’ beyond a certain tipping point of either users or interested capital – the article makes the point, which I agree with, that it’s primarily Twitter’s uniquely-unappealing nature to the vast majority of humanity that makes it (for better or worse) a unique place to spend time online,and this broadly feels true of everywhere on the web. Numbers mean normies, basically (whichever particular definition of that term best fits your particular in-group), and that kills the vibe. Er, ‘man’.
  • Upgrading the Nukes: In a week in which Russian sabre-rattling ratchted up a notch (is it still ‘sabre rattling’ when the sabres in question are interconteninental ballistic missiles? It feels like we need a better bellic metaphor), it was interesting to read this piece about exactly how old and fundamentally a bit fcuked the US’s existing nuclear infrastructure is, and how the wiring basically hasn;t been updated since the 50s (which, if it were a house, would give you pause for thought). It’s also interesting to think about why and where this piece appears – Time Magazine feels like EXACTLY the sort of organ you might want to place a piece of writing about the slightly-weathered state of the US’s national defence apparatus if you wanted a bunch of politicians to read it and start making noises about how important it is to have a functioning, modern deterrent. Cynical? Hm.
  • The People’s Beach: I’m vanishingly unlikely ever to visit Riis Beach in New York, but I adored this collection of essays and photos about the people for whom the stretch of sand in Queen’s is the centre of a queer community stretching back decades. Honestly, the photos alone make this worth a click – it is SO NICE to see people of all shapes, sizes, genders and ethnicities enjoying themselves on a public beach like this.
  • The Etymology of the Condom: Where does the word ‘condom’ in the English language come from? Short answer is ‘noone knows’, apparently, but a longer, more digressive response can be found in this blogpost on the website of the Oxford University Press (CORPORATE CONTENT DONE RIGHT, KIDS!). “It seems that condom has two roots: con and dom. Con (like Latin cum) means with, while dom reminds us of the Latin word for “house” and of English dome. Thus, the organ, supplied with the “dom,” had the protection of “a house.” Condoms have always been used to keep both men and women safe from venereal diseases, rather than as contraceptives, though the legend has it that Charlies II, whose court physician allegedly invented the device, began to feel annoyed at the ever-multiplying number of his illegitimate children.” Hang on, is that what I am meant to feel royal gratitude for?
  • Pigeon Fanciers of Beirut: There’s a weird truth in the fact that writing about pigeon fanciers tends to be really good – no idea what it is about people who love pigeons that brings out the best in writers, but this portrait of Lebanese bird enthusiasts is a typically excellent example. I particularly enjoyed the image of pigeon lovers as bad boys of the Beirut dating scene, and the occasional romantic confusion that can result from the obsession: “As married life got underway, Jinan faced challenges from Daher’s other great love: pigeons. Early one morning, she woke to her husband holding a furtive phone conversation. Feigning sleep, Jinan started hearing eyebrow-raising questions, such as “Does she look like her sister?” and “What is her chest like?” “I was thinking that, surely, he is talking about some other woman,” Jinan added, arching her eyebrows even in the retelling. Unwittingly, Daher calmed the apocalyptic matrimonial storm brewing beside him by switching to a less ambiguous topic: the pigeon’s tail feathers.” Beautiful.
  • Choose Your Own Adventure: This is a gorgeous tribute to Choose Your Own Adventure books (although annoyingly – if unsurprisingly given it’s the NYT – it’s totally US-centric and doesn’t mention Fighting Fantasy AT ALL, which is a fcuking travesty to my mind), telling the story of their rise in popularity in the 80s and the different ways in which said popularity subtly altered conventions in storytelling and play, and why they exerted such a pull on readers. Even better, it’s arranged as a CYOA tale, letting you read the different sections in whichever way feels best to you as a reader – which, honestly, I think is a BRILLIANT way to reinterpret the news. Can we please have a version of the BBC which presents you with one article to start with and then asks you some questions to determine where you want to go next in your news journey? “If you want to learn more about the massive incoming sh1tshow that is UK energy policy, click here; If you’ve had quite enough politics for now and would instead like to laugh at some funny photos of sheep, click here”. THIS IS A UI REVOLUTION WAITING TO HAPPEN FFS!
  • Skimming Stones: This is an absolute classic of the ‘journalist profiles reclusive eccentric’ genre – Sean Williams traveled to the US earlier this year to hang out with champion stone skipper (yes) Kurt Steiner, to talk to him about his life and skipping stones, to learn about why someone might devote their life to something like this, and what you might take from a personal devotion to a subject so small. Honestly, I could read stuff like this for days – it’s a beautiful profile of a very obviously complicated human being, which doesn’t sugarcoat or romanticise its subject and which does an excellent job of tracing the contours of a monomaniacal obsession. So so so so good, this. Also, you will not BELIEVE how good this man is at skipping stones (there are videos).
  • Among The Reality Entrepreneurs: Finally this week, a brilliant piece of reportage from New York – I have avoided mentioning the Dimes Square ‘thing’ up til now because a) it is in New York and I am not in New York; b) I have limited interest in the scenester antics of podcasters, but this is genuinely fascinating. Not only is it a superb piece of writing – really, it has no need to be this good but the prose is spot-on – but it’s a very good bit of ‘follow the money’ reporting about how big cash held by people with specific vested interests is being used to manipulate culture in certain ways, and what it looks and feels like when that cultural manipulation starts to flow downstream. I don’t want to tell you much more than that, but suffice it to say that Peter Thiel crops up, as does the rising traditionalist movement, and, honestly, this feels like one of the best ‘overview of how the really, really smart and powerful and not-very-nice work to bend reality to their ends’. Practically-essential, if you’re interested in why you are noticing certain things now (and yes, I know this makes me sound like a conspiracy theorist, but this feels…quite blatant).

By Dall-E and my girlfriend

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 09/09/22

Reading Time: 35 minutes

You’re probably a bit distracted by the news, aren’t you?

It’s fair enough to be honest – it’s not every day a living embodiment of national identity shuffles off this mortal coil – and you’d be forgiven for not giving two skinny fcuks about ‘a bunch of stuff some bloke you don’t know thought worth sharing from the past fortnight’s web’, but, on the offchance that there are a few of you who want a distraction from the mourning, or from the first draft of your epic commemorative prose poem about Her Great Legacy (I really, really hope the papers offer up some space for readers’ tributes – nothing marks the passing of a head of state quite like the poorly-constructed iambic stylings of the barely-literate, after all!), or from scrolling endlessly past the shouting and sadness and anger and point-scoring and memes and really-quite-top-tier insanity that is Twitter right now, or from the nagging fear that none of the other worrying news has gone away, then, well, I AM HERE FOR YOU!

Also, I am travelling again next week so Curios will be back on 23rd September (but then it will be weekly til the end of the year, promise (well, promise-ish)).

I am still Matt, this is still Web Curios, and I can categorically assure you that this is what She would have wanted.

By Anna Koak

WE KICK OFF THE MUSIC THIS WEEK WITH THIS SUPERB CARNIVAL MIX FROM LAST WEEKEND AS AN ANTIDOTE TO THE SOMEWHAT SOMBRE CURRENT NATIONAL SOUNDTRACK! 

THE SECTION WHICH NEVER MET THE QUEEN DESPITE HAVING ONCE WORKED AT BUCKINGHAM PALACE AND AS SUCH IS UNABLE TO CONTRIBUTE ANY PERSONAL ANECDOTES ABOUT HOW SHE WAS VERY DOWN TO EARTH AND INCREDIBLY FUNNY, PT.1:  

  • P0rnpen: I know I normally chuck everything bongo-related at the end of Curios so as to make it easy to ignore, but this particular link presents something of a special case; it falls under the heading of ‘general AI image magic’, and as such thematically needs to sit with the rest of that stuff, and, more interestingly, IS IT BONGO IF NO ACTUAL HUMAN BEINGS HAVE ARE DEPICTED? Still, tedious questions of taxonomy about which noone actually cares aside, be aware that you are two clicks away from ACTUAL NAKED PEOPLE – or, at least, collections of machine-imagined pixels that look very much like actual naked people. P0rnpen (sorry for the bowdlerisation but, well, firewalls) is the first full Stable Diffusion-based standalone ‘imagine me a naked person’ website I think I have seen, and…well, it’s interesting in all sorts of ways (I know that this comes across very much as ‘I read Playboy for the fascinating and eclectic journalism!’, but it’s true!). The landing page lets you select from a variety of parameters to determine what sort of imaginary naked person you’ll generate, and if you click on the ‘Feed’ tab you can see a (realtime?) view of everything that the machine is spitting out – unsurprisingly-but-depressingly whoever has built this has only bothered to make it capable of generating female-presenting outputs, so effectively this is just a cascading wall of computer generated Page 3 pinups, in the main. It’s not exactly surprising that the outputs wouldn’t be more heterogenous – the web is still the web, after all, and in any case this sort of software tends to find penises…problematic to render – but it’s still a bit miserable. More amusing is quite how weird some of the outputs are, which leads to many of the images being a bit more ‘HOW MANY NIPPLES?!’ than your average scudpics. Most interesting of all, though (or at least to my mind), are the various ethical questions that this raises – given none of the people in these images are real or have ever existed, should there be any constraints on what they are depicted as doing? What is this sort of thing doing to challenge / reinforce sexual/social stereotypes, and what sort of preventions / protections need to be built in to guard against said stereotypes? It’s notable that there’s no ‘free text’ image generation here, as whoever’s running it has quite rightly surmised that it would quickly become an absolute horrorshow – but I’d be amazed if there aren’t a bunch of things like this with fewer guardrails running on private servers somewhere. WHERE DOES THIS ALL GO? Anyway, sorry for kicking this all off with bongo – IN THIS OF ALL WEEKS FFS MATT WHERE IS YOUR RESPECT AND DECORUM?? – but hopefully you agree that this is at the very least conceptually-fascinating.
  • Lexica: Remember a few weeks back when everyone was thinking ‘oh, it’ll be fine, I can just retrain as a ‘prompt engineer’ and that will be enough to keep me from the cold streets of London for a few months longer’? Yeah, probably not, sorry. Lexica is a search engine for AI image generation prompts – tell it what you want to generate and it will spit out a selection of Stable Diffusion-generated images that roughly match your search criteria, letting you see not only the pictures but the search terms used to generate them, making it trivially easy to zero in on commands that have the effect or style that you’re after. Obviously you’ll still need a degree of ‘skill’ (or, in my experience, just a lot of patience) to create something ‘good’, but as a way of shortcircuiting the ‘creative’ (fcuk, we’re going to need new vocabulary, I am already bored of putting inverted commas around stuff like this all the time) process this is potentially super-useful (and also as a way of exploring some of the things that people have been generating). Amusingly there was something of a furore in the prompt engineering community this week when this other site appeared (it’s currently a bit flaky re overuse, as far as I can tell) which suggests prompts to you based on your inputs, leading all sorts of people to start getting upset at the extent this was ‘stealing the creativity of the engineers’ to which LOLOLOLOL. Anyway, all this is to suggest that a) if you want to use this stuff properly then there are already a bunch of really helpful tools to help you do so; and b) I don’t think ‘prompt engineer’ is really going to be an actual long-term career option, sorry.
  • The Stable Diffusion Training Dataset: I appreciate that this isn’t the most enticing title, but this is a really interesting bit of work by (friend of Curios) Andy Baio and Simon Willison in which they basically pulled a bunch of the training images used to make StableDiffusion and made them searchable, so you can start to get an idea for the sorts of material that has been used to develop the AI. Andy’s written up a nicely-informative post about what you’re looking at and what it tells you, which you can read here if you’re so inclined, and whilst it is only a very, very partial selection of the training data it gives an interesting look into why and how the prevailing aesthetics of this particular model came about. You can search different parameters – including, yes, how NSFW the image is classified to be, which offers some interesting insights into the degree of…prudery? Sexual…’sensibility’? baked into the machine -but perhaps most interesting is the list of artists that have been ‘scraped’ and incorporated into the model – and personally speaking this sent me down a proper rabbithole of wondering about who will decide which material we use to train the next models, and how those decisions will be made, and why.
  • Summer Island: One of the most interesting things about the current wave of imageAI stuff is seeing how people use it – this particular example is perhaps predictable (especially given the styles the machines seem most-comfortable generating), but no less surface-level impressive for that. Summer Island is a comic, with all the artwork generated by (I think, based on the style) Midjourney, and at first glance this is honestly amazing. As with anything like this I am going to assume that there’s been a significant degree of tidying and touching up behind the scenes, but if you step back and squint this looks like professional illustration work and the composition of the panels is…not bad! Per Clueless, the thing is in fact a bit of a Monet and doesn’t really stand up to close scrutiny (as with all AI stuff, crowd scenes get bizarrely horrific if you try and focus on anyone’s actual face, and I’m sure that professional comics artists could explain to me why the composition isn’t quite right) – but as with all this stuff it’s worth remembering that it would have been literally impossible six months ago, and the direction of travel in terms of the quality of outputs is only one-way.
  • Stories by AI: The Holy Grail of this sort of AI creativity, of course (or at least a Holy Grail), is the ability to magically pipeline words to images with nary a human involved – we’re quite a way from that, but it’s nice to see people experimenting with the intersection of AI words and pictures. Stories by AI is a newsletter, each edition of which presents a short story cowritten by man and machine and then illustrated by AI (with a little help from some humans doing the typing and the imageselection) – these are momentarily-interesting, although they do all suffer from the slightly-self-consciously-wacky ‘look at what the crazy machine imagined next! SO RANDOM!’ style of prose and narrative that all these projects tend to veer towards. This currently exists mainly to prove to anyone feeling scared that there’s still a market for human-penned narratives – although this may be less true for those ploughing the ‘self-published twisty-turny domestic thriller’ genre on Amazon.
  • SALT: This is a really interesting little project, currently living on Twitter. SALT self-describes as “the world’s first fully AI-generated multiplot “film” – a web6 internet adventure where your choices create a 1970s lo-fi sci-fi universe”, which, honestly, means fcuk all to me but which I will try and parse for your (and, frankly, my) benefit. As far as I can make out, SALT is attempting to tell a slightly-creepy horrorish old-school style scifi story, with readers able to vote on the next plot developments which they will then see rendered entirely using AI tools on their Twitter feed. So for example you can vote on whether a scientist should keep a sample of the STRANGE AND MYSTERIOUS ALIEN MATERIAL or jettison it into space, and the winning choice will become a part of the narrative and form the basis for the next short AI-made film they post. There’s a lot of work going into this, with loads of different bits of tech being used to compile the videos, and whilst I’m personally not convinced that Twitter works as a vehicle for this sort of thing it’s fascinating to see how it develops. If nothing else, it turns out that the machines are REALLY good at rendering ‘stuff that looks a bit like Blake’s 7 or other stuff from that era when spaceship interiors were very beige’.
  • Yige: One of the side-effects of the fact that the Chinese (and indeed wider-Asian) app ecosystem is so impenetrable and inaccessible to people outside the region (whether for legal or linguistic reasons) is that we have at best a hugely-partial view of What Is Going On Over There in terms of development. Which, perhaps, is why I haven’t seen anyone really writing much about the Chinese equivalents of Dall-E, Midjoiurney and the rest – one of which is Yige, developed by Baidu. As far as I can tell – which, admittedly, really isn’t very far what with my complete inability to read Chinese – this is only accessible if you have a Baidu account you can link it to, but you can scroll down the page here to see example outputs generated by the software. What’s interesting about this is the degree to which there are obvious recognisable stylistic similarities between the stuff you see here and the software coming out of the West, but also how there are very clear visual differences borne out of differently-weighted datasets, etc, and the extent to which this helps one quickly understand the fact that this stuff is hugely political and the training inputs really matter and decisions about what things are trained on are not in any way trivial and visual filter bubbles are probably going to become a sociocultural thing, aren’t they? I am slightly dizzied by the futurespeculation that this stuff invites, honestly.
  • Animating Stable Diffusion: A proof-of-concept webtoy that lets you input two different Stable Diffusion prompts and create an animated transition between the two, just to demonstrate that you can. You can see examples here – whilst this is relatively-rudimentary, the ‘Tom Cruise flashing you a smile’ one is a good example of the sort of potential this stuff has.
  • AI Music Videos: A whole YouTube channel presenting videos created with AI imagemakers – a sort of line-by-line visual interpretation of the lyrics, presented as stills. So not videos at all, but a nice example of how this stuff can easily generated (a certain type of) visual and stylistic atmosphere. If you want more/better, though, this effort by Ben Gillin is STELLAR, not just because it features an all-time classi track but because of the way in which the visual style of the imagery (and light post-production effects I think) works with the music (it’s worth checking out Gillin’s channel as he’s also done a few of these and they are all excellent).
  • Making Minecraft Realistic In Realtime: Oh, ok, not quite photorealistic – unless your photos are somewhat-impressionistic as though viewed through very thick glasses, in the rain,whilst incredibly drunk – but as a very early demo this is astonishing. Watch the video and marvel at how a prototype plugin of Stable Diffusion tries to turn a Minecraft world into something real-looking as someone plays, and take a moment to think about what this stuff will be able to do in a couple of years – and then about the potential avenues this opens up, where you can (for example) create a rough map in Excel and then output it into a 3d modeled render in infinite range of aesthetic styles at a click. SO FUTURE!
  • Photoshop With AI Superpowers: This is another little demo video, this time showing how a prototypical integration between Stable Diffusion and Photoshop could work – this is, honestly, the ur-example of human/machine visual creativity, and the sort of thing that I imagine all the people promising a better, easier, more creative AI future have in mind when they try and sell you on the vision; I look at this and I momentarily imagine that it would enable even me to create something beautiful (it wouldn’t, obviously, there are some things that are beyond the ability of even the machines) – even if you’re less madly-hubristic than me, the potential here in terms of massively-reduced timescales to create large-scale coherent visual work is self-evident.
  • AI Birds: This Twitter account posts images of birds imagined by machines, in a useful precursor to a near-future in which we’ve managed to accidentally extinguish all avian life on Earth and are reduced to getting the computers to imagine bluetits as we chow down on gruel in the Elizabeth II Memorial Bunker.
  • All The Useful AI Image Links: I know, you’re thinking ‘this can’t be all the links, Matt, that’s impossible!’ and yet it certainly feels like all the links – if you’re playing around with this stuff, whether for fun or professionally, you need to bookmark this link, which presents a frankly insane selection of “awesome tools, ideas, prompt engineering tools, colabs, models, and helpers for the prompt designer playing with aiArt and image synthesis. Covers Dalle2, MidJourney, StableDiffusion, and open source tools.” Seriously, if you’re a designer or illustrator and you want to start trying to use this stuff properly, this is the motherlode.
  • Musika: Just in case you thought it was only the artists having their lunch money nicked and sand kicked in their faces by the terrifying AI future, musicians are also set to suffer – Musika is a toy hosted on Huggingface which lets you quickly spin up short clips of entirely-machine-imagined music, in either ‘classical’ or ‘experimental/techno’ style, and whilst you wouldn’t listen attentively to any of the sounds produced, you might reasonably conclude that there’s literally no point paying the subscription fee for the stock music service you’ve been using to provide tooth-grindingly upbeat soundtracks to whatever blandly-positive pitch pabulum you’ve been forced to churn out. Admittedly the ‘techno’ stuff tends a bit hard towards the ‘experimental’ end of the spectrum – a lot of this sounds weirdly like Gearwhore, which…surprised me a bit tbh – but the classical stuff could TOTALLY be used as a bed for your ‘this startup will revolutionise your B2B marketing journey!’ pitch video. So, er, that’s nice! I wonder how soon we’ll start to see musicians who used to make a living writing for stock sites starting to offer knockdown bespoke compositional services instead?
  • The Meatverse: Just in case you’d forgotten about the (nonexistent) ‘metaverse’, this site will hopefully remind you. It’s a single-note gag, but I very much appreciated all the various multiversal Zuckerbergs festooned across the page, along with the pleasingly-90s webdesign.
  • MetaTommy: I remain unconvinced that there is any current mass-market demand for ‘virtual designer clothes that I can dress my avatar in’ – and yes, I know that SOME brands are making money selling this stuff, but that is not the same thing and that is not all that they are selling – but, credit where it’s due, this site by Tommy Hilfiger made me not hate the concept, which is no small feat. As with most of these things, it integrates with Ready Player Me (who seem to be winning the ‘one avatar to rule them all’ early race, though whether this means anything long-term is very much tbc) but also VRChat and other platforms, and there’s a neat link between dressing up your avatar and being gently punted the real-world equivalent for a meatspace purchase. To be clear – I am very much convinced that this is an expensive waste of time and the sort of thing that only brands with bottomless pits of ‘fcuk around and find out’ marketing budget can really permit themselves to play with; that said, this made me less angry and upset than I expected it to, so, er, WELL DONE TOMMY!
  • Nevermet: How many ‘metaversal dating apps’ do you think there are? Based on that guess, how much of a flex do you think describing yourself as ‘the #1 VR dating app for the metaverse’ in fact is, based on that estimation? Regardless, THIS IS IT! Nevermet is a dating app whose gimmick is that rather than presenting images of your physical self you instead present as your Avatar from whichever virtual platform you prefer to spend time in – so basically ‘Tinder, but rather than meeting up for a desultory coffee before realising that you are fundamentally pheremonally-incompatible you instead dress up as a wolf-person and go and harrass strangers in VChat’ (or at least that’s how I’m  interpreting it). “Our mission is to create a new digital relationship culture, where people can express themselves freely and where meaningful relationships flourish in the metaverse. We envision “limitless relationships.”” – I have no idea what ‘limitless relationships’ means (is it nothing? I think it might be, you know!), but if you like the idea of swiping through an endless parade of surprisingly-buff anthropomorphic mammal-people (I’m sure it’s not all Furries but, well, I think there are going to be a lot of Furries) then DOWNLOAD IT NOW! PS – this is an interesting look at the whole ‘metaversal dating scene’, should you be so inclined.

By Helen Beard

NEXT UP IN THE MIXES, THE LATEST ECLECTIC INTERNATIONAL SELECTION BY VINYL-ENTHUSIAST TOM SPOONER! 

THE SECTION WHICH NEVER MET THE QUEEN DESPITE HAVING ONCE WORKED AT BUCKINGHAM PALACE AND AS SUCH IS UNABLE TO CONTRIBUTE ANY PERSONAL ANECDOTES ABOUT HOW SHE WAS VERY DOWN TO EARTH AND INCREDIBLY FUNNY, PT.2:    

  • Wreck The Brief: Do you work in advermarketingpr? Have you ever done deliberately bad work on a pitch because you didn’t want to win the business? Have you ever dragged your heels in the workplace as an act of deliberate sabotage against THE FORCES OF (WHAT YOU PERCEIVE TO BE) EVIL? If not, why not? COME ON FFS, SABOTAGE IS FUN! I obviously have never done this – when I do bad work it’s because I am simply not very good at my job! – but should you be the sort of person who believes in TAKING A STAND then you might want to get involved with Wreck The Brief, a creative project by Glimpse whose mission is as follows:  “Right now, too many of our finest young creatives, artists, storytellers and communicators are being put to work selling unsustainable, high carbon products and lifestyles that are driving us to destruction. This presents both a huge challenge, but maybe an even bigger opportunity.” The Brief Sabotage Handbook is available on application – they will post you up to 10 copies – and is designed to help you with “delaying, distracting and ultimately wrecking creative briefs from fossil fuel clients such as Shell and BP. The handbook offers playful tips to derail every step in the creative process from strategy to production, from ‘politely interrogate the truth of the planner’s consumer insight with an anecdote about your mum’ to ‘blow the production budget on poke bowls’.” Web Curios obviously isn’t suggesting that you deliberately sabotage your employers’ work for companies that might be considered morally ambiguous at best, but, to be clear, Web Curios is also not not suggesting that.
  • David Bowie’s Dressing Room: David Bowie was without a doubt one of the most interesting creative minds of 20th Century popular culture. So who better to celebrate that than, er, famously-fun purveyors of overpriced imagemeddling software Adobe?! Yes, that’s right, everyone’s favourite guardians of their own brand (NO I WILL NOT CAPITALISE THE ‘P’ IN pHOTOSHOP YOU FCUKS WHAT ARE YOU GOING TO DO ABOUT IT?) have for some reason seen fit to create this small digital experience in which YOU can experience the glorious hallowed ground of Bowie’s dressing room, replicated in your browser. The setup here is a bit creepy if I’m honest – the implication from the scene-setting is that you’re basically sneaking into Bowie’s private space while he’s not there to nose around his personal effects, sniff his smalls and read his diaries, which feels…not very cool tbh – but if you’re a fan then you might enjoy the ability to click around and find Easter Eggs about all his ICONIC STUFF. Although on reflection, if you’re a fan you’re probably already well aware of the significance of the makeup and the boots and all that jazz (this is, by the way, very much 1970 Bowie), so I’m fcuked if I can tell who this is aimed at. Still, it’s OFFICIALLY LICENSED by the Bowie estate, and it’s quite a shiny bit of webwork, so perhaps you’ll care for this more than I did.
  • Crisp Sandwich Day: Matt Round has for a while now been running Buttystock, the world’s premier (only?) stock photography resource for crisp sandwiches. Now he’s decided to GO BIG by declaring October 25th International Crisp Sandwich Day and inviting everyone in the world to get involved. I am including this link because a) it’s silly; and b) I figure enough of you work for places who might be persuaded to get involved with this in some small way. Although I appreciate that if you’re reading this on 9 September this might not be the best morning to try and get everyone excited about a frivolous brand activation involving crisp sandwiches – one to revisit after the funeral, maybe.
  • The Squeaky Wheel: What would The Onion be like if it were written about, and by, disabled people and their life experience? That’s basically the elevator pitch for Squeaky Wheel, a new website which “is the first-ever satire publication that focuses on the experience of having a disability. It challenges common misconceptions, highlights absurdity, criticizes imbalances, and does it all with humor.” This is North American (as far as I can tell from the style/spelling) and I can’t promise that the humour will be to everyone’s taste, but I properly laughed-out-loud at the headline “Boyfriend Finally Pops the Question: ‘So, What Happened to You?’” should you want an indication of the general tone on display here.
  • Sex Positive Social Media: This is an interesting movement / manifesto: “Social media is taking on an increasingly central role in shaping and constraining cultural life, popular discourse, and human sociality. Sex is an important part of this. Yet, social media policies are not very sex-positive. Through their community standards documents and content moderation practices, platforms currently make private, arbitrary and unaccountable decisions about the kinds of sex and sexualities that are visible in online space. We want that to change. Social media rules around what can and can’t be posted shape broader attitudes towards sex and nudity, which in turn directly impact on all of our safety and wellbeing. We believe that we’re healthiest and happiest when sex is not a source of shame but accepted as part of human experience…This Manifesto sets out guiding principles that platforms, governments, policy-makers and other stakeholders ought to take into account in their design, moderation and regulation practices. It does not offer a set of technical instructions, as their implementation will differ across diverse platforms and contexts and their operationalisation requires further investment and resourcing. Instead, the Manifesto builds upon the generative work currently underway with the proliferation of alternative, independent collectives and cooperatives, who are designing new spaces, ethical standards and governance mechanisms for sexual content. ” If you’re interested in how sex and sexuality manifests online and in the digital social space, this is a wealth of interesting resources and viewpoints on how best to manage the questions around content, behaviour, safety and appropriateness.
  • Depths of the Internet Archive: A Twitter account sharing DEEP CUTS and oddities from the Internet Archive – recent highlights include a link to where you can download the ACTUAL Stuxnet virus from back in the day, the note Bjork put on her personal website in 1999 about the Y2k bug, and an hour-long ‘introduction to the internet’ video from 1995 which features someone driving down an ACTUAL HIGHWAY (it’s a METAPHOR, do you SEE?). Superb.
  • The Geocities MIDI Archive: WOW. This is a searchable archive of over 150,000 songs extracted from the Geocities archives – basically a motherlode of 90s/00s tunes ripped from the past and made available to you here in the future. You can search the site, or browse by alphabetical filenames, but the labelling here is…inconsistent at best and I can’t vouch for how easy it will be to find that Natalie Imbruglia B-side you remember so well, but frankly even clicking titles at random should throw up some interesting stuff. If there’s any way someone can plug this into a 24/7 streaming service that would be great – I for one would absolutely listen to ‘The Sound of Geocities’.
  • BLAG: I featured a website about Ghost Signs the other week, and the person who used to run it (Sam Roberts, in case you’re curious) got in touch and told me about their new website, called BLAG which stands for Better Letters Magazine, apparently, and which is all about sign painting and lettering  and which if you work in art or design and particularly in this sort of field you probably ought to subscribe to right away. This is actually really interesting stuff, with articles that cover a whole host of topics from the broad general area of ‘painting words on boards’ (I am not being facetious, promise).
  • Fake Graffiti Generator: Look, I don’t know whether or not this is enough to fool someone, but I have a sneaking suspicion that you might be able to trick people into thinking the outputs from this site are real if you post them to Twitter and let its legendarily-sh1tty image-compression do its thing. You’re given an MS Paint-type interface and encouraged to draw/write whatever you fancy, which will appear as a vaguely-stylised and filtered overlay on an image of a nondescript brick wall – you can export your work, crop it to remove the ‘this is made on the web’ disclaimer and HEY PRESTO, exactly the sort of thing which, if you judge it right (wrong?) you’ll be able to parlay into some mid-level social media engagement! Bonus points for anyone using this to mock-up some sort of violently republican messaging and sharing it with shocked disgust on the TL – ALL OF THE POINTS if you can manage to trick the Mail into running it.
  • Sean Bonner’s Voxel Gallery: I know, I know, ‘art gallery in 3d virtual space’ is old hat and played out and NOONE CARES – that said, I think this is interesting and better than the usual stuff, and is an interesting nod towards some sort of idea of shared persistent virtual space with a consistent use-case (note I am not using the ‘m’ word here). To quote Bonner, “last year I bought some virtual property in CryptoVoxels (which has recently rebranded as Voxels) and I set up a gallery showing a bunch of my photography. I spent all the other day re-curating it to put a bigger spotlight on the work of others that I’ve collected in the past 2 years and I’m delighted with the way it turned out. I did a kind of “walking tour” on Twitter which you can read along with, or you can just fly solo and look at it for yourself but on Twitter I talked a lot about what and why I bought some of these pieces and what art and photography means to me and what I’m trying to do with it, so maybe a bit more insightful that way. My work is still on the ground & top floors, but the massive middle floors are dedicated to others now.” This is interesting because it’s an actual personal expression of Bonner’s collection, displayed how he wants it to be displayed, in a space of his own design – there’s a a degree of creation and curation and personal touch here that made me value the experience of navigating it far more than most of the other ‘some walls with some jpegs on them’ galleries you tend to see. It’s also worth wondering around the rest of the ‘neighbourhood’ the gallery sits in – there’s definitely a small community here, which whilst it probably won’t convince you that any of this stuff is set to be anything other than a niche concern anytime soon was enough to make me feel slightly less skeptical about the whole ‘digital persistent curated shared spaces’ thing.
  • Insect Identification: Are any of you aspirant entomologists? WHY NOT IT LOOKS FASCINATING? Should you suddenly develop a hitherto-unimagined desire to get really into thoraxes and pupae, this website could become an invaluable companion – it contains a FCUKTONNE of information about insects and how to identify them, and it’s pleasingly old-school in its UX. No AI here – instead there’s a really nice system that guides you towards identification by stating with the basic body shape of the insect you’re seeking to name and then getting more specific from there. Or you can sort by colour, or number of legs, or any number of other variables – in the main, though, this is just a great way of looking up a bunch of terrifying-looking insect life (sorry, but anything with more than 4 legs is inherently unsettling, it’s the law – nothing good scuttles).
  • Regional US Food: A glorious Twitter feed which shares images of some of the more…idiosyncratic items available to Americans as they race to be the first person in their family to get all the types of diabetes simultaneously (sorry Americans, but nothing about this stuff is normal – DEEP-FRIED BUTTER IS NOT NORMAL). If you have any qualms about giving this a follow, let me entice you with the following descriptions: “The horseshoe: an open-faced sandwich from Springfield, IL made with Texas toast, meat (usually a hamburger patty), fries, and cheese sauce”, or perhaps “Pickle Pizza,  homemade dough w/ a dill ranch sauce topped with mozzarella cheese, dill seasoning and dill pickles.” Your arteries will have hardened just reading the previous 50 words tbh, so you may as well just click in.
  • Capcut: Powerful in-browser video editing tool, which will be a godsend to those of you who have to do TikTok stuff for work but would like to be able to do grown-up, professional things as you do so, things like ‘using a mouse’ and ‘looking at a screen that’s a decent size for your increasingly-iffy eyesight’, that sort of thing.
  • Monsters Everywhere: Is AR ever really going to have its moment? It feels a little like it peaked a few years ago with Pokemon Go, and that since then nothing using the tech has ever quite captured the public animation in the same way, and I am yet to see any particularly compelling use cases for it despite the theory that AR/MR is going to be a constitutional part of THE METAVERSAL EXPERIENCE (which, just to remind you, doesn’t yet exist and is almost entirely formless at the time of writing). Still, people are still playing around with it and Monsters Everywhere is a prototypical game/toy which is built on top of Snap’s infrastructure and which lets players capture, collect and battle cute little monsters which appear all over the world via the magic of augmented reality. There’s seemingly more of a Tamagotchi element to this than with Pokemon, and I maintain that I think there’s definitely something in an updated virtual pet – not convinced that this is going to be anything other than an experimental toy tbh, but it’s worth a look if you’re curious about the tech and its uses.
  • The 2022 Mineral Cup: Votes are being cast RIGHT NOW to determine which of the planet’s minerals is definitively the best (as determined by users of Twitter). You may think this is a joke, but then you scroll down the feed and the replies and you realise that there is a large international community of invested Geologists who are very firm in their belief that OPAL IS NOT A MINERAL and therefore should not be involved in this at all. This is WONDERFUL – one of those all-too-rare moments when you stumble across something that is very much part of Someone Else’s Internet and find it to be charming.
  • Elden Ring Lore: Between about February and April I basically spent every night from about 9pm-midnight getting very stoned and watching people on Twitch playing Elden Ring (look, it was A Bad Time and I had Stuff Going On, ok?), and I became slightly obsessed with it despite knowing full well I would never, ever play it. Which explains why I really ADORE this YouTube channel which posts short videos delving into the game’s lore and storytelling, extrapolating all sorts of things from the character and enemy and level design that may or may not be subtextually happening in the gameworld. You need to know the game to enjoy this, but I promise you that if you spent any time in the Lands Beyond you will really enjoy this a lot.
  • The Half-Bakery: “The Halfbakery is a communal database of original, fictitious inventions, edited by its users. It was created by people who like to speculate, both as a form of satire and as a form of creative expression.” Which doesn’t quite tell you the half of it – this is a great treasure trove of silly – but occasionally genuinely brilliant – ideas and surprisingly-serious discussion around their potential viability or otherwise; this is VERY active, seeing new submissions every day, including one from just yesterday which imagines a genuinely-brilliant new type of ‘end of the pier’ claw-grabber type skill game in which you’re tasked with picking someone’s pocket, with the contents of said pocket being yours to keep if you manage it without detection. Honestly, there is so much WONDERFUL inspiration here, you could lose hours.
  • 90s Cursor Effects: Literally just that – a selection of examples of effects applied to cursors, popularised by sites like Geocities back in the day. There is literally NO good reason why your staid, boring corporate website shouldn’t implement one or two of these to liven it up a bit – a trail of ashen material following the cursor on your crematorium website, maybe, or smoke trailing around as you browse the vaping provide of your choice. Come on ffs, live a little!
  • Why Ryan Hates Mondays: I confess to not knowing what is going on here AT ALL, but I was charmed by this site – it takes about 5 mins to explore entirely, during which you’ll navigate the cute isometric landscape as a small bearlike creature (is this Ryan?) who gently interacts with various bits of scenery as he goes about his day. I have literally no clue about the Mondays thing, but this pleased me far more than it had any right to.
  • Mingle: Finally this week, a lovely little game in which your task is simply to match the pairs. The art style here is so, so pleasing, and the animations give each shape/character (look, it will make more sense when you click, I promise) a real sense of personality – this is a lovely distraction from wondering about whether or not this marks a definitive end to Britain’s top-tier prominence on the world stage, and whither the nation, and all those questions which I imagine are now FAR more pressing to you than ‘will I be able to eat and stay warm for the next few years?’.

By Yuri Yuan Ye

LAST UP, RELAX INTO THE HOME STRAIGHT WITH THIS LOVELY AMBIENT-Y SELECTION BY DREAM CHIMNEY! 

THE CIRCUS OF TUMBLRS!

  •  Peculiar Manicule: Possibly not technically a Tumblr,but very much one in spirit, this site collects 60s and 70s design in one pleasingly-curated online space. “Enter the Day-Glo world of The Peculiar Manicule and explore an awe-inspiring archive of 1960s and 70s graphic design. Witness mind-blowing displays of ink on paper by designers and illustrators, both known and unknown, in four main galleries, Books & Magazines, Ephemera, Typography and Paper Playthings.” A manicule, by the way, is “A symbol in the shape of a pointing hand, used in printing and graphics to draw attention to or indicate something” (no, I didn’t know either).
  • Antique Animals: Illustrations of animals from old textbooks and novels and the like, with a certain pleasing aesthetic to them.

THE TROUGH OF (INSTA) FEEDS!

  • Brick To The Past: You may all be longstanding LEGO Insta enthusiasts, but this was totally new to me and pleased me no end. Brisk to the Past is an account dedicated to sharing detailed, large-scale historical recreations featuring LEGO – I would imagine they are currently desperately searching for a bunch of flat greys so as to accurately render the Queen’s coronation as a touching tribute, but til they get round to that you may enjoy perusing their past works including such BLOCKBUSTER moments from the past as ‘The Burning of the White House in 1814 (in LEGO)’ and ‘The March of the Etruscan Army on Rome (in LEGO)’. They do commissions too, and I can think of no greater gift to bestow on someone than, say, “Crowds of Mourners outside Buckingham Palace (in LEGO)”.

LONG THINGS WHICH ARE LONG!

  • Ransom Capitalism: The week’s other big news (in the UK at least) has been the announcement of what our glorious new Prime Minister is proposing to try and stop people literally freezing to death over the coming months – to whit, capped energy prices and a long-term promise of more expensive energy for years to come! To be clear, it was vital that something be done to mitigate the coming crisis at least to a small extent, but, equally, it’s not hard to see one or two problems with this approach in the short, medium and indeed long term. This article in the LRB unpicks one of the main problems with it as a solution, namely that it effectively cements the narrative that there is simply no option other than to pay the amount that the energy producers are demanding – which, self-evidently, really isn’t true at all. There’s something rather miserable about the extent to which ‘are there some degrees of profit in certain sectors and particular circumstances which we should determine are simply Not Ok?’ (to be clear, really not a radical line of thinking) is no longer a question we seem prepared to even have a theoretical discussion about.
  • Beyond Hyperanthropomorphism: This is long and quite chewy (but, I promise, not super-hard if you can get beyond some of the stylistic and linguistic conventions of the philosophical essay employed here) and so, so interesting – Venkatesh Rao writes about his thinking on the extent to which we should be worried about the development of a terrifying Artificial General Intelligence from the current suite of models and the extent to which breathless articles discussing concepts such as ‘sentience’ and ‘consciousness’ should be taken seriously. Rao’s argument is that they should not, and his reasoning takes you on a fascinating journey from Nagel (BATS!) and through a bunch of semi-related philosophical concepts to posit that, fundamentally, it is extremely improbable that anything derived from current data training models could ever attain anything we might meaningfully refer to as ‘sentience’, because “to the extent the internet is not about the actual world in any coherent way, but just a random junk-heap of recorded sensations from it, and textual strings produced about it by entities (us) that it hasn’t yet modeled, a modern AI model cannot have a worldlike experience by overfitting The junk-heap. At best, it can have a surreal, dream-like experience. One that at best, encodes an experience of time (embodied by the order of training data presented to it), but no space, distance, relative arrangement, body envelope, materiality, physics, or anything else.” Honestly, this is worth the effort – and if you’ve any familiarity with reading philosophy you’ll get into it after 800 words or so, promise.
  • Towards a Theory of The Creator: What does the term ‘creator’ mean in 2022? No fcuker knows, hence this post by Alexander Iadarola in which they think through some of the characteristics that define people who label themselves as such. A bit snarky, fine, but also feels accurate, and made me wince in recognition at multiple points (and to be clear I would never describe myself as such, nor would I want to be so described). Overall this is a really good overview of The Content Econonmy Now, or at least the experience of being involved in it to any degree: “Creators are concerned with signal-to-noise ratios more than anything else. Informational integrity in this context has little to do with what a piece of information says; it has everything to do with what it’s like or how it feels to consume it. These two qualities – what something says and how it feels to receive it – become indistinguishable. The parameters of this realm of saying/feeling are obtuse, because they have to do with desire, which is hard to know; it is normal for users to indulge in content that feels “bad” to consume (examples include hatereads, hatefollows, etc.)”
  • A Guide To The Metaverse: With all the standard caveats about the fact that IT DOESN’T EXIST, if you’re in the invidious position of having people ask you for explanations and overviews of WHAT THIS ALL MEANS (it means, dear clients, that you’re going to be sold a LOT of pointless-but-expensive digital activations in the next few years, some of which will win awards despite never having been experienced by anyone who doesn’t work in advermarketingpr. WHAT AN INDUSTRY!) then you could do worse than bookmarking this guide published by Infosys and written by tech journalist Kate Bevan, who is very good at this sort of stuff and pleasingly clear-headed about it all. Frankly you can probably c&p this into a series of client briefing documents and charge them £££ for the privilege – but, er, obviously don’t because that would be STEALING.
  • Me and GPT-3: Or ‘what does the machine know about me and how does it use that information?’ – this is a thought-provoking look at whether and to what extent personal data has been hoovered up by the OpenAI scrapers (it has) and what the machines do with it when prompted. This isn’t a scaremongery piece – there’s nothing ‘bad’ in here, and no suggestion that people will be able to find out your address or bank details by asking GPT-3 for them – but it’s a really good article in terms of reminding you that everything that these programmes ‘think’ is ripped from somewhere else, and beyond questions of bias and prejudice there are also interesting questions about the sort of factual and subjective material around individuals that is getting invisibly assimilated into the forevercorpus in ways we (all together now!) don’t really understand the implications of.
  • Social Mobility: This is very odd, but also surprisingly good and rather impressible (if, to reiterate, largely-inexplicable). Would you expect to read a 6-7000 word (at least) white paper on the current state of social mobility worldwide, the impact of technology on social stratification and the ossification of said strata, and potential routes that could be taken to ameliorate these situations on the website of a major international bank? No, of course you wouldn’t, and yet here we are. A product of Atelier BNP Paribas, the bank’s ‘technology and innovation unit’, this is a frankly dizzying piece of editorial, combining surprisingly-excellent and shiny design (SCROLLYTELLING!) with some not-exactly-hypercapitalist analysis of What Is Going On With Everything. WHY DOES THIS EXIST? WHO IS THIS FOR? Is this BNP trying to attract younger staff members by showing its surprisingly-economically-progressive side? Why is it so shiny? How much did it cost and how long did it take and how many people have actually read the thing? No idea as to the answer to ANY of these questions, so if any of you happen to work there and have insider gen then please do let me know.  Anyway, this is not only conceptually-baffling but actually really quite a good read – wonders will never cease!
  • The Lootverse: Do you remember a year or so ago in the heady days of the NFT boom, when something called ‘Loot’ launched to widespread bafflement? If not, let me remind you – Loot was a project that literally sold randomised lists of equipment, the sort of stuff you’d get in D&D or a fantasy-themed videogame, so users would pay however many Eth for a link to what was effectively a textfile containing copy like “Sword of Thorgandia +1” and “Potion of Prolapse”. At the time, many commentators expressed a degree of bafflement that anyone would fork out cash for something so ostensibly-pointless, while the developers waxed lyrical about the development of the wider Loot creative community, which would build a whole web3 ecosystem around the basic idea…which, amazingly, seems to actually have happened. Nothing hugely tangible to see yet, but this might be the first post-NFT project where all the guff about ‘community’ and ‘building a world around the IP’ actually seems to have a degree of proper, bottom-up support. So there are people developing videogames with Loot integration, avatar generators based on Loot owners’ equipment stacks, etc etc. Which, to be clear, is all still very niche and quite frivolous and very much a work-in-progress which may never develop much further, but it’s interesting that this has at least slightly started to embody a few of those far-fetched NFT/web3 dreams that everyone was feverishly having twelve long months ago.
  • Critterz: Another cautionary tale from the world of play-to-earn – Critterz was a P2E system built on top of Minecraft, a really interesting idea which iirc I featured here about 6 months or so ago, and which per every single example of this sort of idea I’ve seen to date briefly promised to CHANGE PEOPLE’S LIVES by letting them earn cashmoney for building in Minecraft before the mod got banned by Mojang (the game’s developer) and the bottom fell out of the whole thing.That’s not the story here, though, so much as Critterz apparent status as another in which the labour of people in the developing world could be exploited by richer people for financial gain – I challenge you not to do a small inward gasp of horror at the bit where one interviewee talks in self-awareness-free terms about how great it would be to have poor people being paid minimum wage to ‘play’ as NPCs in online games, adding an extra layer of human verosimilitude for rich subscriber players to enjoy in exchange for a handful of low-denomination Coins. I wonder when we’re going to see our first big people trafficking / virtual enslavement story?
  • The Great Fake Instaverification Scam: This is fascinating – the story of how people are conning Instagram into giving them the coveted blue tick of verification by paying agencies a fee to establish a fake profile on Spotify as a musician, which apparently is all you need to convince Insta you’re a notable person these days. The margin’s here are eye-opening – approximately $1500 outlay for a service charged out at $25k is GOOD MONEY by anyone’s standards (also, $25k for an Insta blue tick seems like…a lot, although I appreciate it’s seen as The Gateway To Influencer Gold).
  • TikToketamine: Ok, so the actual title is “They’re Pushing Cut-Rate Ketamine Therapy on TikTok” but I will fight anyone who contends that my revision isn’t loads better. This is a slightly scaremongery look at people peddling ketamine therapy on TikTok as a wellness/mental health treatment – the basic gist here is that ‘this isn’t regulated enough!’, which is a fair point, but there doesn’t seem to be anything bad happening here per se. The overall point, though – that TikTok is increasingly the wild west of EVERYTHING, and there is going to need to be some sort of pretty serious action soon to work to regulate its usage for this sort of stuff because, honestly, this is going to make YouTube look like the Encyclopaedia Britannica before too long – makes sense.
  • The Professional Try-Hard is Dead: You’re bored of articles mentioning ‘quiet quitting’; I’m VERY bored of them. Still, this one is worth a read because a) it’s Vanity Fair and the writing (by Delia Cai) is better than most of the other stuff published on this topic; b) it’s pretty funny; and c) it sort-of touches on what I personally think is the heart of the matter, an evolution of the general Graber ‘bullsh1t jobs’ thesis whereby one of the reasons noone really seems to give a sh1t at the moment is that the juxtaposition of ‘this fcuking world we live in’ AND the very specifically-ridiculous nature of the majority of tertiary-sector white collar employment has rendered the truth of our working lives even more starkly-preposterous than normal. It has never been clearer that the work we do doesn’t matter in any meaningful sense beyond its ability to deliver us the means of paying our bills, and as such why ought we do anything beyond the very bare minimum to achieve that end? WE SHOULD NOT. Seriously, I think this is A Thing, though perhaps (lol) I’m articulating it imperfectly here.
  • Date Me Docs: On the continuing generational dissatisfaction with The Apps, and the apparently growing trend of people writing ‘dating docs’ about themselves to attempt to engender better/more meaningful/deeper connections with people by, er, giving them an exhaustive list of all your wants and desires and obsessions and tastes and likes and hates in advance, so you can eliminate all that tedious and potentially dead-endish ‘getting to know you’ palaver. I don’t quite know what to think of this, or what the ‘why’ is here, but I have some half-thought ideas about generations that have grown up being told that all personal problems can be solved through optimisation and ‘hacks’, and the tyranny of ‘more information = better decisions, always’ (as well as my everpresent theory that the Harry Potter series ruined an entire generation of people by presenting the idea of the Sorting Hat and, by extension, the concept that everyone has a bucket that is right for them, and can be put into exactly the right bucket as long as you know enough about them).
  • A Brief History of Portugal: I knew nothing about the history of Portugal as an empire before reading this, and now I know ever-so-slightly-more-than-basically-nothing – this is really interesting, not only on the past 500 years in Europe but also some of the practical challenges of attempting to maintain an empire when your country is, objectively, quite small.
  • Longevity, Inc: There are many wonderful details in this piece, about the Canadian man who’s spearheading a North American longevity revolution amongst the very rich, but I think my favourite is the throwaway line about the fact that he used to be a celebrity bespoke tailor (closely followed by his admission that, fine, a lot of the treatments don’t actually work in any meaningful sense but they do look really good on Insta). As ever with articles like this, the piece is a reasonably-balanced mix of ‘lol look at the rich idiots’ and ‘hm, I am not sure that these are necessarily the people I want to live longer than anyone else’.
  • ZOO8: Many years ago I worked for an agency that did arts and cultural PR, which basically meant ‘anything that the founder and staff thought was sort-of cool’ (it may not surprise you to know that nobody got rich from this endeavour, and we all took quite a long time to recover). One of the clients from that time – which I didn’t personally work on but very much enjoyed hearing about – was ZOO8, a music festival in 2008 held in a zoo (DO YOU SEE???). Now whilst that sounds like a terrible idea, not least for the animals, it turns out…actually, no, it really wasn’t. This essay tells the story of the festival and how it all went very wrong – based on my knowledge this is a largely-accurate account, although it omits a) the naked man with a machete who spent a large part of the Saturday wandering around the site threatening people, unmolested by security; and b) my mate Paul, who was accosted by a stranger on attempting to leave the site, which stranger attempted to rob him of his jacket and then shot him with an air rifle when he demurred. PR IS GLAMOROUS!
  • In Search of the Golden Brain: This is a great little read about a Masquerade-style treasure hunt included in a Spitting Image tie-in annual published in 1985; spoofing the then-inescapable craze for MASSIVE PRIZE TREASURE HUNTS that the original game had spawned, the annual contained what looked very much like a spoof version in which players had to solve clues to discover the location of Ronald Reagan’s missing brain (topical lol) – except it turns out it wasn’t in fact a joke, and there really was a golden brain out there waiting to be found. This is lovely, and also proof that Spitting Image (in its original incarnation at least) was properly smart.
  • Not Cooking In Rome: Another essay by Rebecca May Johnson on food, this time on eating street food in Rome. This is perhaps a bit self-indulgent, but the writing is SO GOOD and so evocative that I can almost taste the pizza rossa from the place across the road from where I used to live.
  • A Drinker’s Peace: I haven’t seen Withnail & I for years, and I confess to having consigned it to that oubliette of things I consumed too much of as a teenager to ever really enjoy again (see also: The Velvet Underground and Nico; On The Road; Pump Up The Volume; Green Ginger Wine) – this essay, though, made me want to watch it all over again. It’s a lovely piece of writing by Travis Woods about the film, the 60s, the passing of time and the loss of innocence and hope, and it managed to make me (almost) forget about all those dullards who would insist on quoting it whenever they had more than four pints.
  • Men of the Night Shift: Finally in this week’s longreads, a beautiful piece of writing about a short stint spent working a night shift, and the strangeness of the places and the people you see when so doing. I don’t know if you’ve ever worked nights for any period of time, but after a few weeks you really do find your whole perspective on things…tilting ever so slightly, and this piece does a wonderful job of communicating that slightly-off-kilter, overcaffeinated inner-skull buzz that you often get just before 4am on a quiet industrial estate.

By Huleeb

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 26/08/22

Reading Time: 33 minutes

How are you all feeling about the upcoming Bank Holiday weekend? Anyone going swimming in England’s placid coastal waters lol?

Insert your own gags here about ‘another sh1tty fortnight in what increasingly feels like some sort of Tory party remake of ‘Noel’s House Party’ in which everyone is Mr Blobby, all the time, and the Gotchas are always on us’ – yes, that’s right, I’m kicking off this week with an ULTRA-CONTEMPORARY cultural reference to the early-90s, because like all increasingly-middle-aged people I’m convinced that the time when I was a teenager was the last instance of anything good and pure in recorded history.

Anyway, I hope you are well and whatever you are doing with your three days of illusory freedom (lol stockpiling tinned goods and coating your walls in insulation foam lol) proves THRILLING – I’m having to schlep back to Rome briefly to pack up the last remnants of my sad little Italian life, and so you’ll once again have to eke this week’s Curios out for a full fortnight til I return. Sorry about that but, well, it’s not like any of you are going to clean my apartment for me and chase down my mum’s ashes (seriously, where are they?), so I’ll have to do it myself.

I’ll see you in September with a special BACK TO SCHOOL edition of Curios – until then, though, take care and try not to die (unless you absolutely must).

I am still Matt, this is still Web Curios, and we should all agree that noone should dance with the policemen at Carnival this year however much they mug for the cameras.

By Jude Sutton

TO KICK THINGS OFF THIS WEEK, WHY NOT LIVELY UP YOURSELF WITH A NICELY-ENERGISING DNB MIX BY RUMBLETON? 

THE SECTION WHICH WOULD LIKE TO REMIND EVERYONE THAT WE WERE DOING CREEPY AI-IMAGINED NUDITY ROUND THESE PARTS LONG BEFORE IT BECAME FASHIONABLE PT.1:  

  • Stable Diffusion: Another week, another publicly-accessible AI image generation toy here to gently undermine our accepted notions of creativity and collaboration and ownership and such pesky little questions such as ‘copyright’ and ‘ethics’ – what a time to be alive! Stable Diffusion (or, if you want the ‘official’ name of the web interface, DreamStudio) does much the same thing as DALL-E and Midjourney  – except unlike Midjourney it doesn’t force you to fcuk around in Discord to generate your outputs, instead providing you with a pretty-good browser-based interface for making your horrible, chimerical ‘artworks’. Stable Diffusion works using a different baseline tech and training set to the others (look, I’m not even going to pretend to be able to explain this is a way that makes sense – if you care about the technical background then, please, go away and read about it and then come back and explain it to me in words suitable for stupid people) and as such its outputs are aesthetically a bit different – personally-speaking I don’t wholly love the style of the outputs, but it’s very very impressive. The big thing about this model, of course, is that it’s ENTIRELY open – whilst the web version linked to here is hamstrung to stop people from generating torture porn, if you download a copy and install a local instance on your own machine, you can do whatever you like with it (this is techy, but there’s lots of information to help you get started should you be interested in experimenting). Which is SUPER-INTERESTING for a variety of reasons, not least when you start to explore all the different artists whose work has been incorporated into the model and whose styles are available as distinct prompts that you can call up from the machine ‘mind) – here’s a list, so you can see exactly whose life’s work you can easily replicate with a few blithe keystrokes – WASN’T ALL THAT TRAINING AND CRAFT WORTHWHILE?! And, of course, the fact that you can download a version that lets you create any sort of images you like has meant that a LOT of creepy bongo has started appearing online – most of it of the ‘imagine the cover to a generic fantasy novel, with naked breasts!’ genre, but it’s early days and so we can expect the really creepy stuff to start popping up in the coming weeks. Reddit has banned at least four ‘erotic’ StableDiffusion subs in the past week, but this is very much a Cnut-ish moment I think – YOU CANNOT STOP THE INEVITABLE TIDE OF CG BONGO, HUMANITY! Whether or not you think this is a good thing is frankly immaterial, so just accept it and move on.
  • Enstil: To give you an idea of what the openness of SD is going to mean, take a look an Enstil – another online image-generation tool, built on StableDiffusion, which lets you both create your own and search other images that have been made with the site, and which displays all the prompts used to generate said images, making it a super-useful tool for spelunking through whatever interesting prompts people are using this week to make their sexy pointy-eared elf-ladies.
  • Google’s AI Test Kitchen: This is a private Beta at the moment, so all you can do with this is sign up and hope to get approved, but if you’re interested in playing around with HOT NEW CONSUMER-FACING AI EXPERIMENTS (and who isn’t? NO FCUKER, etc) then you might want to give Google your details here (lol like it doesn’t already know everything). The AI Test Kitchen is where Google will release small AI-led experiences for small-group testing – the initial projects they mention include one designed to co-imagine (I know, I know, but we’re all still trying to work out how to talk about all this stuff so I hope you’ll forgive me the occasional linguistic infelicity here and there) place descriptions, one to use natural language processing to seek to break down large tasks into constituent smaller jobs, and, er, a chatbot whose singular focus on dogs see it constantly attempt to return the chat to canines, whatever you attempt to talk to it about (no, really, that is an actual thing). If you’re even halfway concerned with keeping vague track of the applications of modern consumer-facing AI, this feels like something you should probably try and get in on (if you don’t think too hard about what we’re all training the machines for you can probably treat it as harmless fun!).
  • Tony The Streamer: What with all the breathless talk of BRANDS IN THE METAVERSE and how violently important it is that every single FMCG and luxe retailer develop a presence in 3d virtual space RIGHT NOW (apropos nothing, I can’t help thinking about 7-UP and Cheetos’ inexplicable foray into videogames in the 1990s when I see/hear about BRANDED METAVERSAL ENTERTAINMENT EXPERIENCES), it’s easy to forget that there are marketing heroes ploughing other pointless furrows in an attempt to deliver that sweet sweet hit of brand engagement with the coveted GenZ/GenAlpha demographic. Let’s all take a moment to raise a glass, then, to whoever managed to convince the moneymen at Kellogg’s that it was a totally worthwhile idea to attempt to reinvent Tony the Tiger (the doubtless-diabetic Frosties mascot) as a VTubing Twitch streamer, complete with mocapped CG render and a (slightly troublingly sexy, if I’m honest) gravelly voice reminiscent of a very particular stripe of US radio DJ. Tony’s only done one stream so far – at the time of writing it’s got a not-exactly-groundbreaking 1.6k total views after 3 days – in which he hangs out with a bunch of other streamers who gamely mug through some pretty desultory chat about how much they love eating Frosties before playing some Fall Guys and other multiplayer games before then getting back to some low-key ‘cereal banter’ (that phrase hurt me more to type than it hurt you to read, I promise, but that is literally what it is). WHO IS THIS FOR? Anyone who likes these streamers can watch them do EXACTLY THIS every week already, and doesn’t need to put up with some 40+ year old voice actor desperately trying to pivot the conversation back around to how great cereal and cold milk is whilst embodying the ‘friendly-yet-cool’ vibe of a fictitious tigrine Frosties obsessive. If Tony is still streaming on Twitch in six months’ time I will be fcuking amazed.
  • Endoland: I have on occasion worked in and around consumer healthcare, and know full-well the pain of a brief that says ‘here, take this incredibly-serious and not-at-all frivolous medical condition and create a consumer-facing campaign that makes it approachable and doesn’t dwell on all the horror’. That said, I wonder exactly the thought process behind this website, which is some French agency’s response to ‘how do we make information about endometriosis accessible and friendly and…er…fun?’ – the answer, apparently, is to imagine the condition as a theme park (NO WAIT BEAR WITH ME!) with different areas pertaining to different elements of the condition, and render it all in in-browser 3d CG! Why not head over to the punching machines and, er, hold down your mouse button to determine exactly how much pain your uterine condition is causing you? What’s that? Oh. Sorry. In the project’s defence, there’s something in the about section around how ‘Endoland’ is a term popularised in the French community of endometriosis sufferers by a popular influencer on Insta – that said, I am not 100% sure that the pastels and the ‘fun’ depiction of the multivalent world of rollercoasters and big wheels is necessarily a…helpful presentation of what I am told can be a horribly painful and debilitating condition. Still, all about the endocoaster! BTW, if I am totally wrong about this and anyone would like to tell me why this is in fact a great piece of comms I am genuinely all ears, so please do let me know. EDITOR’S NOTE: So someone DID get in touch, and now I feel bad because it’s a student project – thanks to Louis-Jean for the following explanation: “It’s actually a student project (so, not commissioned by a client or done by an agency). The overall theme park framing was naturally a topic discussed with the students by the teachers (I’m one of ’em) and the jury. In the end, the students obviously decided to roll with it, mostly because of positive response during early testing with their target audience.Yes, and the whole “bumper cars as a metaphor for sexual encounters” got a loud reaction during the final presentation.” WELL DONE, STUDENTS (and I should check more closely before slagging stuff off).
  • Be Gay Do Crime: Not all crime, obvs – I sort of presume that this exhortation has an inbuilt caveat along the lines of ‘(…but none of the really bad ones, please)’ – but instead one very specific crime, to whit ‘nicking shopping trolleys from shops that have those near-magical systems that lock the wheels as soon as you attempt to twoc one from the carpark at Big Tesco’. This site lets you play the specific audio frequence that is usually used as a lock/unlock signal for said trolleys, theoretically letting you liberate them from their retail prison and allowing you to amass some sort of personal trolley empire in the alley behind your house. No idea why you might want to do that – although as we seemingly inch ever-closer to some sort of Mad Max-style blasted future perhaps being King of the Trolleys might have some sort of long-term status benefits that I’m just not quit imaginative enough to grasp – but it’s nice that you can.
  • Shuffles: I remember about…what, 5-6 years ago? Whenever it was that Stories became very much a Thing in social media land – there was a vogue for cut-out and layered aesthetics and apps which let you make interesting visual content to then export into your Stories like you were some sort of magical design guru channelling Geocities. Then the world moved on and they faded into the background again, but I remained convinced that there’s something interesting in the idea of ‘collage’ as an aesthetic movement for the digital age and so I am going to take Shuffle, a new app developed by Pinterest (iOS-only at present) as proof that I was RIGHT (or, alternatively, that we’re now at such a dizzying pace of cultural reinvention and exhumation that we’re now doing nostalgia for stuff that happened basically yesterday). Shuffle self-describes as “a new app designed for collective collaging. Want to curate a festival outfit? Visualize your dream bedroom? Moodboard your current aesthetic vibe? Or just express yourself by creating something beautiful, strange, or funny? You’ll love Shuffles.”, and if you’re familiar with any of the retro-ish aesthetics of the past decade or so online you’ll immediately recognise the vibe here – there’s a lot of rather cool things you can do with it in terms of cut-outs and animations, and if you, like me, are convinced that ‘stuff that’s reminiscent of zines from the 80s, but reimagined as shiny colourful digital messes’ is still a viable look for stuff then you could find this a useful toy (at least until this gets ripped by Insta like everything fcuking else and immediately becomes uncool and played-out).
  • The Werner-Forman Archive: “Werner Forman’s life work was devoted to documenting in photographs the history, art, religion and customs of the great civilizations and tribal societies of the past. The archive has extensive collections of images of archaeological sites, architecture, evocative landscapes and art from the great museum and private collections of the world. Many of these images are unique, some are from cultures which have now vanished or areas which are inaccessible nowadays.” I confess to having been utterly ignorant of Mr Forman’s life’s work, but if you’re the sort of person whose favourite museum is the Pitt Rivers in Oxford (which, by the way, if you’ve never visited I recommend unreservedly) then you will love this – the ‘Masks’ section alone is GREAT.
  • OFK: This is a really interesting idea, which will particularly appeal to those of you old and jaded enough to remember the concept of ‘transmedia’ with a shudder of horror. OKC is a real band that makes real music – the link is to their website – who are also the stars of a new videogame which lets you play through the experience of being in an up-and-coming band; the game features the actual musicians (or I presume slightly-stylised representations of them) and their actual songs, and is basically an extended form of promo for both the music but also the ‘band brand’ (UGH GOD THAT WAS HORRIBLE SORRY) and the individual band members’ personal brands (SORRY AGAIN). I think this is so so interesting – to be clear, I have little-to-no interest in playing a visual novel about a band as a means of developing a deeper engagement with their material (and, the band hopes, their merchandising and live tours and branded soft drink endorsements and and and), but I find this a truly fascinating piece of marketing and, if I’m being generous, a really creative way of bringing the music to a wider audience.
  • The Philippines Cassette Archive: “The Philippine Cassette Archive is a digital collection of cassette tapes, a glimpse into Pinoy tape culture. Launched in August 2022 under the philippine.design project, the collection currently focuses on graphic design, packaging, and visuals. Materials on launch are largely taken from Discogs. We later hope to expand on collecting cassettes from small labels, locally-produced bootlegs, and in collecting newer (post-2010s) artefacts by contemporary Filipino musicians & artist collectives.” This is early-days and so a bit sparse at present, but there’s something lovely about the preservation of something so specific – also, I now really want to find a recording of ‘Cutterpillow’ by Eraserheads as the cover speaks to me.
  • See The World Tours: I think the website’s security cert has expired and so you might get a warning when you click the url – I am pretty certain it’s not some sort of sophisticated malware scam (I mean, if it is a malware scam it’s certainly not a sophisticated one), but Web Curios would like to state clearly that it accepts no responsibility for any weird things that may happen to your device as a result of clicking this url. See The World Tours, should you be brave enough to ignore your browser’s fears, is a truly spectacular piece of oldschool webwork for a seemingly-still-active company selling international cruise holidays. Which, fine, you may not think you’re in the market for, but then you log on and ‘September’ by Earth, Wind and Fire starts autoplaying (no, really, it does) and you’re hit with the fonts and the Dreamweaver-era HTML stylings and you realise that it is BEAUTIFUL. On reflection I think this may be the best ever example of ‘design for your audience’ I have ever seen – if you’re flogging cruises to octagenerian Floridians then why not make your website look like their nostalgic fever dream of The Good Old Days when AOL CDs came in the post? I am agog at this and would LOVE to see their traffic stats.
  • The Weird Spotify Discovery: This is…odd. For the full explanation as to what’s going on with the Spotify playlist linked here, you should first read Robin Sloan’s blogpost which gives you the background – the short version is that Sloan ended up in a Spotify recommendations rabbithole which offered him up a seemingly-infinite number of variations on the same track, all ostensibly ‘composed’ by different artists and with different titles, but all of which are also minor remixes of exactly the same 40-second composition. HOW IS THIS HAPPENING? WHY IS THIS HAPPENING? I really think that someone (no, I don’t want to do it myself) should start keeping a rolling tally of ‘stories which neatly frame the whole question of the extent to which our society is increasingly-shaped by mathematics which we simply do not understand and which we are often not aware are shaping our existences at all even though they very much are’. Can you? Thanks!
  • The LinkedIn Viral Post Generator: You must have seen this by now, right? This uses (probably, I can’t be bothered to check) GPT-3 to churn out parody chunks of inspirowank in the style of the classic LinkedIn post, based on a few inputs that you give it. It’s…ok, but I am increasingly terrified by LinkedIn and the thought that the past few years of me repeatedly using it solely to post links to Curios and call everyone ‘BUSINESSMONGS’ in block capitals is going to come back and bite me in the Bad Recessionary Times and so can’t really give this much more than a tepid endorsement.
  • The Infinite Gallery: The idea of ‘hey, look, a virtual gallery!’ isn’t new or interesting, but I rather liked this hobbyproject by…some person off Reddit which effectively creates an infinite 3d navigable space through which you can move in-browser and which pulls ALL THE IMAGES from Reddit and presents them as artworks for you to browse, like a sort of strange, entirely-uncurated exhibition of the web’s collective ID (which, based on a few cursory minutes’ exploration, is mainly fantasy art of large-breasted women and unsettling horror imaginings) – it’s slow and features lots of blank space inbetween the images, and it doesn’t really work, which to my mind makes it basically perfect.
  • Geneva: This has been quite buzzy in the past few weeks – no idea if it’s any good or not, but if you need an organisation tool that isn’t Discord or Facebook Groups then this might be of use. Geneva is basically a community and group tool, which lets you create (and join) different groups themed by interest, within which can exist an infinite number of different ‘rooms’ which let you do various different things (stream audio, video chat, forum discussion, etc) depending on the type, allowing (in theory at least) for a helpfully-flexible means of letting groups of different sizes organise and collaborate on one platform. As far as I can tell there isn’t anything on here that you couldn’t do elsewhere, but the interface looks nice and it’s (crucially) not a Meta product, or Discord. There is, sadly, some cryptointegration stuff in here too, but it’s optional and so I will forgive them.
  • Inworld: This is a really interesting idea – no clue as to the extent to which it ‘exists’ in any meaningful sense, but it’s fascinating to think/read about. “Inworld AI provides a developer platform for creating AI-powered virtual characters to populate immersive realities including the metaverse, VR/AR, games, and virtual worlds…Inworld Studio allows creators to build any intelligent virtual character by simply explaining the character in natural language. When crafting their character’s brain, creators are able to use the Studio to tailor many elements of cognition and behavior, such as goals and motivations, manners of speech, memories and knowledge, and voice.” You’ll have to explore the site to learn more of the technical stuff – sorry, but I can’t pretend to ‘get’ this in any way beyond the intensely-superficial – but this is where the intersection of natural language processing and generative art and text-to-image and all this stuff starts to get REALLY interesting. Plugging together all of these systems will eventually make ‘creating a character to inhabit an existing virtual space’ as simple as typing a name, and a few personality/appearance descriptors and then letting them loose – which is dizzying in terms of potential applications and scifi-ish funtimes (and horror, to be clear, but let’s not think about that side of it just yet).
  • Design The Next iPhone: A new webprojecttoy by Neal Agarwal, in which you can design up the new iPhone as a 3d model which you can then export and show off in a little 3d video which you can then download to share wherever you like. You may or may not be more tempted by this link when I tell you that one of the design elements you can add is a small propellor.

By Shannon Cartier Lucy

NEXT UP, A HOUSE MIX BY MARK FARINA WHICH IS SO GOOD THAT I PRACTICALLY FORGOT ABOUT THE FACT THAT I TEND NOT TO LIKE HOUSE THAT MUCH AS A GENERAL RULE!

THE SECTION WHICH WOULD LIKE TO REMIND EVERYONE THAT WE WERE DOING CREEPY AI-IMAGINED NUDITY ROUND THESE PARTS LONG BEFORE IT BECAME FASHIONABLE PT.2:  

  • Hostile Design: A Twitter feed sharing examples of ‘hostile’ urban design from around the world – that is, specifically, urban architecture designed to make the built environment uncomfortable or unwelcoming for people. Here you’ll find charming innovations like anti-skateboarding bumps on ledges and stairs, anti-homelessness spikes in doorways, and no-sleep benches designed to break your spine if you so much as try and kip on them. This is not only a fcuking bleak reminder of who counts in our cities (is it the people who live in them or the people who own the buildings? CLUE: IT IS THE PEOPLE WHO OWN THE BUILDINGS), but, if you’re in the market for some sort of AWARDS-BAITING project in which your client SOLVES A MAJOR SOCIAL PROBLEM VIA THE MEDIUM OF ADVERMARKETINGPR, a potentially great source of campaign ideas too (KitKat pushes back against the trend for inhospitable urbanity by creating comfortable, heated ‘Take A Break’ benches in some of the UK’s biggest homelessness hotspots!! See, this is easy!) (NB I am joking and obviously don’t think this is anything other than a horrible idea, for the avoidance of doubt).
  • Great Landing Page Copy: I got approached the other day about a work thing which involved some tone of voice and brand identity work in which apparently the client sees Brewdog as the lodestar to follow and laud and, dear reader, if I had any soul left then the very last of it would have withered away and died at that moment. Anyway, if you too are in the invidious position of ‘having to come up with copy to sell tat which needs to be ZINGY and STAND OUT whilst at the same time not in any way scaring the people in the boardroom whose relationship to actual humanity is hanging by the very thinnest of threads’ then you may find this website, which collects examples of ‘great’ website copy for inspiration and theft, useful. I can’t claim to have explored this too exhaustively, but my cursory glance suggests that a lot of these are very much on the ‘North American millennial-focused lifestyle brand’ end of the spectrum – still, it might be worth bookmarking next time you want a bunch of different (but, if we’re honest, still largely the same) blandly-positive TOV to rip off.
  • All The Research Papers: I can’t imagine that there are many of you who use Curios to keep up with the very latest in academe, but even if you spend your time making ‘trends decks’ or ‘gathering insights’ (lol) rather than mining the very coalface of human knowledge then I promise that there will be something in here for you. This is the website of Core, a UK organisation which is ‘the world’s largest aggregator of open access research papers from repositories and journals. It is a not-for-profit service dedicated to the open access mission.’ What this means in practice is that you can run a keyword search across literally hundreds of thousands of papers, sorted by relevance or novelty, which lets you quickly and easily search for the latest findings on, I don’t know, the semiotics of the package holiday or something. Which is exactly the sort of thing that any of you who do ‘planning’ or ‘strategy’ might find useful when you’re searching for something serious-sounding to bolster whatever flimsy assertion you’re currently constructing to justify spending 7 figures on creating the Tony The Tiger Vtube personality (to name but one example, although on reflection I struggle to imagine exactly what sort of research might support that particular execution, other than some perhaps-too-obscure investigation into furry fetishism).
  • Geometrize: In an age in which we’re all now gaily playing around with ‘imagine what I type’ software, the ‘old’ AI imagetoys (your style transfers, your Deep Dreams) are starting to look a bit old hat – that said, I found this this week and was immediately charmed by its slightly-old-school stylings. Geometrize is a webtoy from a few years back which basically takes any photo you give it and rerenders it as a series of layered geometric shapes, creating a pleasingly-semi-impressionist effect. Simple, but I really like the results here.
  • Unvarnished: Another really impressive digital history project from the US here, Unvarnished looks at historical housing discrimination in North America, specifically the North and West. “Unvarnished was conceived, developed, and directed by Naper Settlement, an outdoor history museum in the Chicago metropolitan area administered by the Naperville Heritage Society. As part of an extensive community engagement process, the museum expanded its mission from a nineteenth century settlement story to an inclusive history leading up to today’s Naperville.  Now the fourth largest city in Illinois because of significant population growth and demographic change, the museum set out to learn how that happened. What were the factors that took the community from being an essentially all-White population in the mid-twentieth century to a resident population that is now 32% people of color?  Was Naperville unique or part of a pattern of change?” Not only is this a really interesting topic, but it’s presented simply, clearly and accessibly, telling the stories of six different communities across the US and how discrimation has moulded the urban makeup of the US.
  • Katalog: Oh I love this. Katalog is a project by Belgian photographer Barbara Iweins, cataloguing all her belongings over a four year period: “for four years, room by room, drawer by drawer, I photographed, indexed and classified my entire house. Absolutely everything: from my daughters torn sock to my sons Lego, but also my vibrator, my anxiolytics… absolutely everything.” This website collects all the photographs of all the objects, which you can sort and categorise in various ways, by colour or where in the house they sit, or whether Iweins would save them in a fire, and it’s a dizzying portrait of consumption and consumerism and our relationship to objects and how we use them to construct walls around us that shape our identities (or at least that’s what I see here), and, honestly, this is sort-of mesmerising.
  • Denim Sunglasses: I don’t know if I like these, exactly, but I was slightly charmed by them and I like the fact that as far as I can tell they are made by some bloke called Jack in Cornwall. Have you ever wanted a pair of sunglasses that have been made from reclaimed denim (or, more accurately, “layers of waste denim that have been infused with a bio based resin and pressed together into a solid sheet.”? No, probably not, and yet you’re curious, aren’t you? Admittedly we’re rapidly getting to the point in the year where those of you in the UK won’t be needing sunglasses again for another 10 months, but think of it as an early present to your future self (although on reflection perhaps you might be better off spending the money on some canned food you can bury in a safe location against The Bad Times).
  • Pi-Hole: I LOVE THIS. It’s very technical – in that you need to be able to install the code on a supported operating system, and then do STUFF with your internet’s DNS – but it’s basically an on-network adblocker that you can control yourself. You can do loads of additional stuff in terms of seeing which websites are attempting to serve you most ads, create white/blacklists, etc, but at its most simple the idea of being able to block ads at source to your domestic web browser is SO ENTICING.
  • The Denmark Art Explorer: Do YOU want to explore Danish art in its entirety? Well you can’t, it’s an impossible demand, be realistic FFS. Perhaps the next best thing, though, is the Denmark Art Explorer, which is a really interesting way of letting you navigate through an imagined topography of Danish art – “Denmark Art Explorer is an interactive website which let you start out with a random art object from the SMK [Denmark’s National Gallery] with a specific topographical motive. It then fetches its four nearest neighbors which you can click on to move through the country of Denmark while enjoying beautiful art!” I am very much enjoying this current trend for thinking of artworks or colours or concepts as occupying a physical space, and seeking to make the interrelationships between them in this imagined 3d environment a novel means of exploration, and I would imagine that the world’s richest museums are almost certainly doing a LOT of stuff with machine learning and natural language/meaning analysis which will see some pretty radical reimaginings of the curatorial model in the coming few years (wow, that was hyperwanky, sorry).
  • Interactive Journalism: “A Twitter-bot that shares interactives, graphics, and other stories built using code from newsrooms around the world.” Basically if you have any interest in modern forms of digital in-browser storytelling (“Snowfalls”, as the methuselan amongst us still call them) as practised by news organisations then this is something of a must-follow.
  • Typographic Posters: A wonderful archive of typographic design work, submitted by individuals and design studios all over the world. This has been going since 2008(!) and is PACKED with good stuff – if you sign up for (free, afaict) membership you can access full search functionality, but even without that it’s just wonderful to browse so much excellent design – this is SUPERB visual inspiration if you’re in the market for such a thing.
  • Selaro: If you’re someone who works across a bunch of different apps such as Slack, GSuite, Mailchimp, Dropbox and the like and gets really annoyed at having to search each individual one for that FCUKING file you had only ten minutes ago then you might enjoy Selaro, which basically acts as a universal search interface for a whole load of these products. Dull-but-maybe-useful.
  • Fockups: A website that lets you make in-situ artwork mockups that are slightly more reminiscent of the real world than the shiny ‘as seen on the Piccadilly Circus LED boards that you will never pony up for’ sort of renders you often see presented in pitches. See how your mocked-up graphics will look on a cracked phone screen being read on the khazi, or on a discarded flyer on grubby pavement! This has a very short shelf-life, fine, but while it’s still reasonably under-the-radar you probably have one or two pitches in which this might even raise a hollow laugh from the client (a million nonexistent Web Curios points to anyone pitching a hyperluxe brand and who dares to go in with these as your mockups by the way).
  • Seagull Simulator: A vaguely-existential text-based game in which you get to experience the unique joys of seagulldom. Contains all the things you’d expect – screaming, stealing food and flying – but with slightly less vindictive defecation than I might have hoped for.
  • The Case of the Rose Tattoo: Finally this week, a PROPER GAME! Alright, fine, it’s one from The Past and as such probably won’t appeal to anyone who’s grown up with things like ‘decent graphics’ and ‘fast-moving gameplay’, but if you’re old enough to remember the glory days of point-and-click adventures and inventory puzzles then you will LOVE this. The game in question is Sherlock Holmes: The Case of the Rose Tattoo, and it’s genuinely great – a whole new Holmesian caper with decent detective-ing and some gentle horror, and if you can avoid looking at spoilers online there are several days’ worth of play in this while you continue to ‘quit quietly’ (THAT IS NOT A THING IT IS JUST CALLED NOT LETTING YOUR EMPLOYERS TAKE THE PISS FFS).

By Tao Siqi

THE LAST OF THE MIXES THIS WEEK COMES FROM JILO AND IS A LOVELY 80s-INFLECTED SET OF PERFECT LATE-AFTERNOON OR EARLY-EVENING SOUNDS!

THE CIRCUS OF TUMBLRS!

  • Sticker Life: I presume that the verbal similarity between ‘sticker life’ and the ‘thug life’ so popularised by 90s gangsta rap is unintentional; lovers of Snoop and Dre may be less enamoured of this site, but if you’re more into the idea of a collection of various laptop stickers around the broad concept of infosec than you are sitting in a bouncing lowrider drinking gin and juice then WELCOME TO PARADISE.

THE TROUGH OF (INSTA) FEEDS!

  • Fesshole: You can now read Rob Maniel’s Fesshole project on Instagram as well as Twitter – he’s also put it on TikTok, should you be interested in watching a middle-aged man take a platform by storm simply by, er, reading out Tweets over a screenshot of said Tweet. Take a look at the numbers on this one and then amuse yourself by showing it to whoever is responsible for ‘TikTok strategy’ within your business (LOL!) and saying ‘so, what can we do with this sort of content format then?’.
  • Volstof Research: This is a really interesting idea and exactly the sort of thing I mean when I talk about the exciting new creative possibilities offered up by the confluence of text and image AIs. Volstof Research is a horror.scifi project which basically involves text written by GPT-3 paired with AI-generated images to create an ongoing, vaguely-Lovecraftian tale of ELDRITCH HORRORS FROM THE PIT UNLEASHED THANKS TO MEDDLING WITH FORCES BEYOND OUR KEN!

LONG THINGS WHICH ARE LONG!

  • The New Moral Maths: I’ve featured articles in here before about both the ‘effective altruism’ movement and the wider concept of ‘longtermism’ in contemporary thinking, but this is a neat piece, reviewing a book that has been EVERYWHERE in the past few weeks, which effectively addresses both. The Boston Review here, er, reviews the new book by philosopher William MacAskill, which posits the broad longtermist position that ‘the needs and wellbeing (or at the very least likely existence of) billions of future humans should be taken into account when considering the needs of fewer billions of people currently alive’, and which is increasingly being used by all sorts of dreadful people (and some very stupid ones who are, at best, likely being manipulated by the dreadful people) to justify ‘why actually you don’t need to do things like, I don’t know, worry too much about a few hundred million people being fcuked by climate change in the coming decade because they are but the blink of a mayfly’s eye in the context of the wider arc of human history and tbh when you take a million-year-view then 85% of us dying of fiery tornado death is just a small blip en route to star colonisation’. This is a good – if occasionally philosophically-chewy – rundown of why this sort of thinking doesn’t necessarily make any sense, and very much worth a read if you want to get ahead of the winter dinner party season (LOL LIKE WE WILL BE WASTING ELECTRICITY ON ANYONE OTHER THAN OUR IMMEDIATE FAMILIES LOL!) and have some good arguments to deploy against your mate’s new cnut of a boyfriend who’s in VC and who really thinks ‘it’s important to take the long view, yeah?’
  • Thompson’s Three Trends: I tend not to link to Ben Thompson here because I sort of assume that everyone who wants to read him already does (and I tend not to read him that much), but this crossed my path this week and I thought it was a really smart way of framing the current platform-level upheaval in the social app landscape with the TikTokification of Insta and all the rest. It’s a relatively light read, and Thompson explains his thinking well (although, and this is just a personal bugbear really, I do wish he wouldn’t illustrate said thinking with…other examples of his own thinking; I know everyone likes the smell of their own flatulence, but it’s distasteful to watch someone enjoying said smell to quite this degree) – the general premise, that there are three concurrent trends around immersion, growing AI integration, and interactivity, seems sensible and, most-usefully, applicable far beyond the narrow field of ‘social’ apps.
  • Agencies and Creative: I know, I know – if you work anywhere in or around or near agencyland, the last thing you want to do is listen to some other cnut wang ON about ‘creativity’ and its VITAL CENTRALITY TO EVERYTHING and how this one particular super-bespoke methodology that only this particular CD with this particular pair of wide-legged artist trousers could possibly have envisaged is the most transformative thing since Eno. That said, this essay by Richard Turley (whose new agency, Food, has the best website I have ever seen – no joke) is worth reading, mainly because he seems to agree with me that ‘creativity’ is a massive fcuking lie and scam. “CREATIVITY™ flew off the shelves. People couldn’t get enough of it. Queen bees were so pleased that they took it upon themselves to invent conferences and award shows that celebrated CREATIVITY™. They wrote manifestos and mission statements attesting to their shop’s unique brand of genius. These manifestos used different adjectives, but all generally aligned around the exclusiveness of CREATIVITY™ being some kind of sacred act that only a few (them) can really do. Where once you imbibe CREATIVITY™ you can suddenly zig whilst others zag, or “zag when everyone is zigging” or whatever the fcuk that was about. Some pointed out these myths were really just ways of codifying a junior creative having an idea for a sports shoe ad on the way to work into something aspiring to an artform (and that – not inconsequentially – could command huge fees), but not the sellers of CREATIVITY™, they just kept on peddling that CREATIVITY™.” YES.
  • Argentina’s Crypto Black Markets: As the El Salvadorian crypto experiment continues to go about as well as cynics like me thought it would (this doesn’t make me any sort of seer, obvs – it just makes me a cynic who’s occasionally right), this piece shone an interesting light at another country in which crypto is finding a role. Argentina, where it acts means of evading government-mandated exchange rates for the local Argenitian peso and an increasingly-useful black market tool. There’s lots of interesting stuff in here not only about the way Argentinians use it but also the way the practical realities of its integration into the culture rubs quite hard against some of the cultural assumptions that big cryoto whales like to make about the why and the how of the crypto movement: “The key characteristic that draws Argentinians to these relatively centralised cryptocurrencies is that the government doesn’t control them, rather than being completely decentralized in a way that no one controls them.”
  • The Drone Delivery Future: Interesting-if-unsparkling article, this, about the increasing real-world use of drone delivery and where it’s happening, and the urban areas that are most-likely to see significant infrastructural change as a result of this becoming a preferred delivery mechanism in coming years – basically the thrust of the piece is that it’s going to be suburban rather than urban environments that are most ‘disrupted’ by this sort of tech, mainly because of the fact that urban areas are already deliveried-out with all your couriers and bikes and the rest, whereas suburbia has more scope for growth based on current unserved demand. Which, fine, I suppose is the sort of thing I could have arrived at myself if I’d bothered to think of it, but, well, I didn’t.
  • Passive Audio: This really interested me – one of the things I’ve noticed in the UK (well, London) since coming back from Rome is how noisy it is here. Not general decibel levels – trust me, noone beats Romans for shouting and horn-beeping and the inimitable sound of the glass recycling being taken away every morning at 3am – but general tech-associated noise. Phone notifications and Alexas and speaking machines and people playing music out of their devices in public just seem a bit more prevalent here than they do there – although I concede that this might have more to do with the fact that I am now living in a part of town where the average age is less than 60, and that I am doing more with my life than watching someone slowly die and so am leaving the house a bit more. This essay is about the shift from audio as private to audio as public, and what that means in terms of personal boundaries and manners – it feels like there is something in this as an INSIGHT if you can be bothered to dress it up as one. “Because the problem is not just that personal audio is spilling into the public space; the problem is that it feels like it’s slowly becoming socially acceptable to have someone else’s audio leaking into your life…It used to be the other way around. When Sony launched their Walkman almost exactly forty-three years ago in 1979, the idea of a private audio experience — in public — felt like the death of society to some. “This personalised silo, intimate consumption of media was going to end communities, if not society as we knew it.” This was the era where we all suffered boomboxes and people’s radios where you knew the score whether you liked it or not. We suffered, but we suffered collectively. The Walkman broke the social rules of the time in a pretty drastic way. “It’s like a drug: You put the Walkman on and you blot out the rest of the world.” And now we don’t want collective audio suffering any more. I don’t want to blot out the world so much as blot out yours when it leaks into mine.”
  • The Metaverse Side Hustle: TO be clear, I am featuring this piece not because it is good but because it is a classic example of ‘all the old things are new again when you put the word ‘metaverse’ in front of them!’ The piece is all about digital creatives making a piecemeal living by designing and creating items, skins, etc, for use in digital spaces like Decentraland (with its 700 users a day, it’s evidently a BOOMING MARKETPLACE), and the article breathlessly presents this as a new frontier in consumer capitalism – except, well, it’s not, is it? This is what people were doing 15 years ago in Second Life, what they have been doing for over a decade with CounterStrike skins and Sims patches and mods, with Minecraft textures and patches, or even more recently with Snap/Insta lenses, and and and and and look, all I’m saying is next time you see something like this and think ‘ooh this is an exciting and brand new thing’ try Googling the headline with ‘metaverse’ replaced with ‘second life’ or ‘virtual world’ and see what 2006 has to say.
  • On Andrew Tate: Until the Observer story about hum broke the other week I didn’t know who Andrew Tate was, much like the majority of you I imagine – the thing is, though, it felt like I did when I read all the stuff about him because he’s simply the latest in a long line of men who’ve worked out that there’s an almost limitless supply of other men who will lap up anything that tells them either a) how to get laid; b) why the tips about how to get laid are rubbish; or c) why their inability to get laid with or without said potentially-rubbish tips is all women’s fault anyway. The link goes to Garbage Day, where Ryan Broderick explains very cogently something I have struggled to articulate for years – to whit, the weird taxonomy of hateful men being weird and misogynistic that sprung from Men Going Their Own Way and Neil Strauss. Honestly (promise I won’t wang on about this, but) I sincerely believe that there will be serious future scholarship that seeks to draw the real throughline between ‘SomethingAwful bans hentai’ and ‘reproductive rights under threat across the West’.
  • Branding Tusi: This is, hands-down, the best and most readable explanation about ‘THE POWER OF BRANDING’ I’ve ever seen – all about Tusi, a drug that over the past few years has developed a real following in Colombia amongst the aspirant middle-classes, despite its chemical composition having shifted almost entirely from what it was originally. The secret? Its vibrant pink colour, initially a practical side-effect of its being cut with a particular substance to hide the vile taste and appalling nasal burn, which led it to be THE most Instagrammable line in Medellin. Honestly, if you want to explain ‘what branding is and how it can be used to add value’ then fcuk the textbooks, just give your grads this and then challenge them to Breaking Bad their way into an agency job (do not do this, even in jest).
  • An Oral History of Superbad: This is LOVELY – whether or not you like the movie (and you should, because as I may have mentioned before I think it’s the only one in existence that mentions me by name), this collection of stories about its filming, assembled from various interviews with all the main principles, is really charming. I didn’t realise that “McLovin” was Christopher Mintz-Plasse’s first big acting role – I cannot even begin to imagine the ruinous psychological impact that being associated with that character would have on a teenager, so well done that kid for not now being a skaghead or something.
  • An Oral History of Tim Curry in Command and Conquer: I confess that this is one I’m including more for you than for me – I never had a computer fancy enough to play C&C on as a kid so this totally passed me by, but I’m aware that for certain people a few years younger than me there’s an iconic quality to Curry’s scenery-chewing performance in Red Alert 3 which is almost Proustian in its ability to take them back to adolescence. This is actually really interesting even for those of you who don’t have fond memories of Curry gurning “SPAAAACE!” at you from a monitor, not least the look behind the scenes at the always-interesting cowboy world that was ‘videogames in the 90s’.
  • Deep Time Sickness: I really enjoyed this article, about the ways in which people who’ve been affected by earthquakes in Mexico City occasionally seem to tap into some sort of geological…time sickness? Yes, ok, I know, it sounds a touch loopy – and if I’m honest I am not 100% certain that the article does a completely fantastic job of explaining itself – but there’s some beautiful writing in here, and as a piece about the links between geology and time and people and urbanity it’s fascinating. ““Geological time,” or “deep time,” as Robert MacFarlane describes it in his wonderful book “Underland,” is the vastness of planetary history that “stretches away from the present moment.” While the Scottish geologist James Hutton first described the idea in 1788, the term “deep time” is often attributed to the nature writer John McPhee, who wrote, a couple of hundred years later: “Consider the Earth’s history as the old measure of the English yard, the distance from the king’s nose to the tip of his outstretched hand. One stroke of a nail file on his middle finger erases human history.”” – this explores how the climate emergency, and the way it is manifesting, is bringing us closer to said ‘deep time’ than we might be used to, and how that is placing perhaps hitherto-unimagined psychic strains on people. Spooky and super-interesing stuff.
  • Brain Trauma: This is very much an article of two halves – the first, which fortunately comprises the majority of the piece, is a really interesting portrait of the ways in which Sophia Papp became a different person after a serious brain injury suffered in a car accident, and how her personality was transformed beyond almost all recognition as a result of neurological trauma we simply don’t understand (a classic Phineas Gage example), and how she struggled to cope with becoming the new person she now found herself to be. The final 20% or so of the piece takes a weird swerve into very wooly writing about ‘human fulfilment’, which doesn’t really seem to have anything to do with the preceding 80% – but the first four-fifths make this worthwhile, promise.
  • Like Oysters In Their Shells: I’ve seen two corpses this year, a figure I sincerely hope is a lifetime annual maximum never to be bettered – it’s one of the oddities of death in a Catholic country that the body of the deceased tends to be left in the home for visiting friends and relatives to pay their respects before the funeral, and so as such I had the slightly-surreal experience of passing some time with both my grandmother and mother’s dead bodies (it’s amazing how quickly you become inured to the literal corpse in the corner and just train yourself not to look in that direction). This is a review of Hayley Cambell’s recent book about the business of death, and it very much made me want to buy a copy – it touches on all aspects of the postmortem industries, from burial to prettification to disposal to everything inbetween, and is pleasingly unfussy about its subject matter: “Relaxing in a downtown seafood joint, the executioner Jerry Givens is candid with his back story but less forthcoming about his inner life, all the while making short work of the lobster he has just casually sentenced to death. Thomas Hardy felt ashamed after watching the hanging of Martha Brown at Dorchester in 1856, expiated perhaps through his creation of that ‘pure woman’ Tess Durbeyfield (though Tess, too, is hanged). But Givens, like the others Campbell meets, is less overtly emotional. Terry Regnier of the Mayo Clinic chuckles at her most searching questions and is unfussed about handling people whose faces have been gnawed off by their pets.” Significantly less gruesome and sad than you might think, promise.
  • ReWilding The Tiger: Do you remember last year when that company got 24h of blanket worldwide coverage with their plan to BRING BACK THE MAMMOTH via the medium of in-no-way-potentially-troubling DNA manipulation? Well, turns out that mammoths are HARD and so instead they are turning their attention to a new project which they think has a better chance of short-to-medium-term success – the Thylacine, or Tasmanian Tiger! This is super-interesting, both from a scientific point of view but also from the point of view of someone who’s seen enough films and read enough books about ‘the consequences of short-sighted meddling with the powers of nature’ to think ‘hang on a second, are we sure this is a good idea?’.
  • Watching Brad Pitt Eat: This is a superb essay, by Lucas Mann, about both Pitt’s odd approach to food and eating onscreen and the author’s own relationship with food, and that of his daughter, and about presentation and appetites and bodies and self and and and honestly, this is a really excellent piece of writing which I urge you all to read whatever your relationship with your plate and your body is.
  • The Recipe: Finally this week, writing about food and love and people and relationships and cooking and memory and time and friendships and Who We Are that is among the best I have read all year – this is by Rebecca May Johnson (whose newsletter I also recommend unreservedly), and it’s so so so good.

By Maria Delgado

AND NOW, MOVING PICTURES AND SOUNDS!:

THANKYOU AND I WILL MISS YOU PLEASE DON’T LEAVE ME I LOVE YOU I LOVE YOU BYE!