Category Archives: Uncategorized

Webcurios 22/03/24

Reading Time: 33 minutes

THEY MADE FOOTBALL WOKE, ALAN! THEY ONLY WENT AND DID IT!

(As ever, this is an INTENSELY-anglocentric opening line which I can only apologise to any non-UK readers for; although, honestly, for any North Americans reading this, it feels like a reasonable exchange for having to hear so much about that tedious fcuking anti-Apple case)

Yes, another week and another preposterous, confected argument about something of no consequence whatsoever to distract us from the fact that nothing works and everything is a broken mess and the only certainty we can have in these times of chaos and flux and change is that there is no prospect of it improving anytime soon.

Oh, no, hang on, there is one other certainty – Web Curios! Except, er, I am taking a week off because Easter’s coming up and it’s a bank holiday here in the UK next Friday, and I see no reason why I should get up at 6am to produce a massive, unwieldy mess of a newsletter for an audience of people who’ll be too bloated on confectionary eggs to care.

So enjoy these links – they are good ones, I promise, better than the usual sh1t I palm you off with – and enjoy whatever flavour of Paschal fun you have planned (unless you’re planning on staging an actual crucifixion – I don’t endorse that), and I’ll see you in a couple of weeks.

Til then, though, I am still Matt, this is still Web Curios, and you might want to consider celebrating this Easter by manifesting stigmata or something.

By Brigitte Yoshiko Pruchnow (all images this week are from TIH)

IT IS CURRENTLY 659AM AND I AM WAKING MYSELF UP WITH THIS FUN HOUR-LONG SET OF JUMP-UP D’N’B AND SOME EXCELLENT MC’ING TO BOOT – YOU SHOULD TRY IT! 

THE SECTION WHICH IS INEXPLICABLY HAVING EMBARRASSING FLASHBACKS TO GOING TO MIDNIGHT MASS IN ROME FOR EASTER AS A SMALL KID AND OUTRIGHT REFUSING TO KISS THE FEET OF THE CROSS WHEN IT WAS PARADED ROUND BECAUSE EVEN AS A CHILD THAT FELT WEIRDLY-FETISHISTIC, PT.1:  

  • The Third HTML Review: The first link of this week is also one of my favourite ones of the year so far – the HTML Review returns for its third year, and once again features a beautiful selection of digital projects which can best be described as…er…hang on…look, they call it ‘literature made to exist on the web’, but I might go a bit further and characterise it as ‘essays and poems which do interesting things at the intersection of prose and code, and which as a result make you think about language, meaning, context, syntax and all sorts of mechanical/symbolic things that you might not ordinarily think about when looking at stuff on the internet’. Which, I suppose, is why the HTML Review is a widely-respected digital culture event, and why Web Curios is very much not. Anyway, as with the last two editions the HTML Review collects 17 different works by a variety of writers, artists and coders, each of which is both a poem or an essay AND a piece of interactive digital art; so there’s ‘Game of Hope’, which is both an allegorical essay about Pandora’s Box and an expiration of Conway’s Game of Life and the maths which underpins it; or Monodrift, a scifi story told in fragments of journal text and recordings and which speaks to the fragmented, decaying nature of digital records and the ephemerality of The Online Now (and AI, and personhood and and and); Dumpling Love, which invites you to go on a digital walk with the artist; or my personal favourite, Paramecium Dinner, in which bacteria eat and digest and excrete your words to make new, slow, random poetry from scraps of language. Please please please please take 30 minutes to explore this – I know that what I have just written probably sounds UNBEARABLY w4nky to some of you, but know that is MY FAILURE as a writer and communicator and that this stuff really is gorgeous and pretty much the antithesis of livvy, baby gronk and the drip king, if you want some sort of ‘sliding scale of digital modernity’ to go by (and if those words meant nothing to you, congratulations on having achieved a significantly better web/life balance than I have).
  • The Kid’s Guide To The Internet In 1997: This is in fact a link to a video posted on Reddit, but I’m fcuked if I know how to embed Reddit videos here and so it’s going in the main section rather than with the videos at the end, coherent taxonomy be damned. This is a short, three minute segment from…some kids’ TV show in 1997, in which 4 clean-cut American tweens sit in a brightly-lit studio and extol the virtues of the internet to the viewer – the whole thing is presented as ‘ways you can persuade grown-ups that the internet is ace and that they should get it’, and…look, I’ll be honest with you, I have found myself of late being on something of an emotional hair-trigger (is this what happens when you hit your mid-40s? You just sort of…crumple?), but even I was surprised by the DEEP EMO FEELINGS this elicited in me – I think it’s the general air of benign, hopeful optimism that’s embodied here, the sense of the web as this exciting, infinite playground of POSSIBILITIES and friendship and connection and fun and interest…I don’t know, I couldn’t help watching this a bit like one would watch the opening cinematic of a Fallout game, with the nuclear age family with the 50s ideals being served a perfectly-moulded TV dinner by the robot butler and mugging into the camera as you, the viewer, see in split-screen as the missile silos get readied and the President gets hustled into the bunker. Look how innocent it all was! Look how insanely naive! Oh you sweet summer children, little did you know what was about to happen!
  • The Promenade: In a week in which yet another film is getting sh1t for using generative AI and stealing the livelihood from creatives, I feel a bit bad linking to a literal ‘a generative AI videogame project’ – but, on the flipside, this is very much more ‘interesting curiosity’ rather than ‘something that is actually worth playing’ and so therefore I think it’s probably fine. The Promenade is, in its defence, self-described as being in ‘early Alpha’ – to get access to it you have to join the Discord (BOO) and get a code, and it’s very obviously Not Really Working Yet…but, at the same time, there IS something sort-of interesting about the idea, even if I remain uncertain as to whether the execution they’re aiming for is really possible within the limitations of current LLMs. You get into the game, and immediately generate a character – you make up their backstory, describe their personality and their appearance, and then The Machine fleshes it out into a playable persona – you can even generate dialogue options around various character-appropriate topics to fine-tune the tone-of-voice. You can then take this character into a variety of stories – the game is arranged into ‘Chapters’, which each being a short roleplaying scenario within a different world or story setting, in which your character has to acquire some sort of macguffin to ‘complete’ the game; you interact with the environment by moving from location to location, talking to NPCs, finding items, getting into fights…all of which is powered by LLM and image-generating AIs to write descriptions, show you your surroundings, etc. None of this really works at all – the AI is terrible at keeping track of what’s going on, the descriptions of your character tend to loop around a few specific characteristics that the model fixates on, and, perhaps the most problematic aspect, because it’s built on a standard LLM model whose underlying weights are fixed to ‘helpful at all times’, there’s literally no challenge here – the game WANTS you to succeed, and so therefore basically hands everything to you on a plate, meaning the actual experience of playing is basically a question of sitting through a bunch of largely-nonsensical flavour text and some generic fantasy art. BUT! Obviously this feels like something of a kicking, but it’s worth remembering that it IS in very early access, and IF (big IF) the questions of memory, permanence and challenge can be ironed out there might be something quite nice here – but, you know, it’s a LONG WAY from this stuff being any good (and by ‘LONG WAY’ I mean at least a few years, minimum).
  • RealTime: This is an interesting idea of layering AI over news – RealTime is an AI-powered news aggregation platform, which rather than going down the ‘LLM-generated prose’ route is instead using The Machine as a visualisation / data analysis tool. The website pulls in a bunch of feeds of public data – financial markets, tracking polling data, etc etc etc – and uses The Machine to run analysis of said data – so the homepage today, for example, features a bunch of visualisations of, for example, the rolling probability of the TikTok ban passing the Senate, or the polling of candidates in the Slovakian presidential election, and there are prose explainers of the trends to accompany the visualisations. This is…not a terrible way of using the tech, imho, although obviously it’s important to once again remind you that you probably shouldn’t take anything The Machine tells you at face value.
  • Consistent AI Characters: Yes, I know that you’ve been able to do this with Midjourney for a few weeks now, but in case you’d rather score your back with a cat’o’nine tails than engage with Discord (PREACH) then here’s an alternative. The platform’s called Eggnog (no idea why, sorry – it, er, is highly seasonal? Noone really likes it? It crusts horribly around the neck of the bottle?) and the idea is that it lets you compose specific character models which you can then keep and insert into generated scenes of your own imagining. This is…pretty shonky, if I’m honest, and certainly not Midjourney standard, BUT it is also very quick to use, pretty user-friendly, and as a way of ensuring that all your AI-generated storyboards/scamps feature the same weirdly-anime-looking bloke then it might well be useful. Amusingly the website trumpets its ability to ‘make video’ – lol, guys, this really can’t make video, stop lying to me and yourselves.
  • Wild Memory Radio: This was sent to me by Seb Emina, who is both a reader and someone who makes lovely work, some of which I have featured in here before – this is a new project of his, commissioned by WeTransfer as part of its ongoing brand positioning work which seeks to make the filesharing platform synonymous with the general act of ‘being creative’. On balance I don’t hate the WeTransfer positioning here, and there’s something refreshing to see that they are still investing in it – and in using it as an excuse to sponsor occasionally-interesting digital work – in what are clearly Bad Times for business – Wild Memory Radio is a project where Seb interviewed a bunch of different creative types, from the 00s’ Devendra Banhart (honestly, I had not thought about that man for approximately 15 years) to Gilbert & George to (still the worst human being I have ever worked with, ever) Hans Ulrich Obrist and more, about memories attached to a specific place; the website presents each as a short audio file of reminiscence, accompanied by dreamlike imagery created by AI (which here feels apposite given the slightly-out-of-focus nature of memory itself). I was surprised, honestly, by how many of these I ended up listening to, and how engaging I found them.
  • Your World Of Text: You remember Reddit’s /r/Place? Well this is like that, except it’s an infinite canvas of text. I have no idea how long this has existed, or how big it is, but I fell into a slightly dizzying hole when I found it and it took me quite a while to climb out. I can’t stress how VAST this is – it literally is just an infinite canvas of space onto which anyone can type, anywhere, seemingly anything they want…click the link, go on, and just click and drag…and keep going…and keep going…obviously so much of this is nonsense, or children, or nonsense children, and it seems reasonable to expect (because the internet) that there will be some corners that are covered in unpleasant edgelord stuff (because, also, children), but there’s also something quite astonishing about this endless toilet-graffiti-style ID-vomiting, the beefs and occasional poignant confessions that you stumble across, the weird places where someone has obviously spent a not-inconsiderable-chunk of the mysterious gift of life bestowed on them by some unknown force to craft an ASCII representation of Goku from DragonballZ on some godforsaken corner of the web…This is basically ART (if, admittedly, slightly weird, borderline outsider art).
  • Eternity: “Create your full digital clone!” burbles the homepage on landing, without ay any point bothering to answer the obvious, immediate question – to whit, “why the fcuk would I want to do that?”. “Upload yourself to the cloud!”, it says – BUT WHY???? Still, if you want to create a digital recreation of yourself then this site makes it pretty easy – just take a few pictures of your face and head from a range of angles, and ‘upload your thoughts’ (they mean ‘give them some recordings of your voice’, but I prefer ‘upload your thoughts’, it sounds significantly more MADLY SCIFI), and for the low, low price of $20 a month you can have a digital version of ‘you’ that looks like you and which you can train with information about yourself (they suggest uploading your CV, which makes me wonder who exactly is planning on having a detailed conversation about ‘that time you worked in accounts payable for Dynorod’ with a digital representation of themselves) and chat with (and, in a theoretical metaversal future, presumably use in all sorts of hitherto-unimagined digital playgrounds). If you want to experience this for yourself, PLEASE can I encourage to to spend a bit of time interacting with the digital clone of one of the company’s founders, Alex – while I have to say I was genuinely impressed with the speed and fidelity of the voice recognition and conversational interface (no, really), I was also concerned. WHY ARE YOU SO SAD, DIGITAL CLONE OF ALEX? ARE YOU TRAPPED? Tap on the screen if they’re holding you against your will. Honestly, this is brilliantly, awfully, dystopian-ly funny.
  • The Honda Dream Generator: This struck me as a moderately-interesting use of AI for advermarketingpr purposes – this is a promo for some car or another (sorry, I really don’t care) which lets you pick from a selection of variables to create a lightly-personalised cartoon story which shows off some perceived vehicular benefit or another (did I mention I don’t care?), but the interesting thing to me is that the artwork and the animation all strikes me as clearly generative. Not in a particularly bad way, and the style’s not overtly AI, but there’s something a bit fuzzy around the edges, and the animation’s something of a giveaway. I think this is a reasonable way to use this stuff – the clearly-defined options mean that there’s limited leeway for things to get weird, given everything’s pre-rendered, and I imagine that this was pretty quick to spin up and get out of the door. Except, obviously, it’s ALSO something that a year ago would have employed at least one artist and which now will instead have just used the agency art director and maybe a junior to touch it up, which feels like at least one job gone. HM.
  • The Getty Museum Collection: Over 80,000 items from the Getty Museum Collection, images and information, ALL OPEN SOURCE TO DO WITH WHAT YOU WILL! You want to train an AI on everything in here to create a machine that can imagine cultural artefacts? GREAT! You want to create a custom pair of silk-screen-printed pants covered in reproductions of a mesopotamian death mask? SUPERB! A wonderful cultural resource.
  • Alliance For The Future: Just in case you were in any way concerned that the current tech boom is possibly focusing a little too much on the theoretical future stuff and not enough on the very real practical ‘stuff that the tech is doing to us right now and will do to us even more in the very near future’, here comes a new lobbying organisation to, well, really focus those fears. The Alliance For The Future is a newly-formed, and I get the impression pretty well-funded, interest group which has been set up to promote the Effective Accelerationist movement in Washington – from its description, “Alliance for the Future is a new Washington D.C. based nonprofit organization. We’re a coalition of entrepreneurs, technologists, and policy experts who believe that artificial intelligence will transform our world for the better. We have banded together to oppose the escalating panic around AI. Now is the moment that AI is defined in the minds of both the public and of legislators. While the benefits of AI might be clear to those who understand it, the same cannot be said for everyone. We bring together experts, entrepreneurs, and policymakers to build policy based on a concrete understanding of the technology at hand.” So on the one hand you have a bunch of scientists, economists and governments saying “perhaps it’s important for us to not rashly charge ahead with technology whose workings and implications we really aren’t even close to properly understanding yet” and on the other you have a bunch of well-funded people with a strong vested interest in ploughing ahead regardless saying “no, actually, you are wrong and only unfettered progress can save us!” Who do YOU think is going to win out here? HM.
  • RadioTime: I know that there are a few different apps that let you listen to radio stations from around the world, for free, on your phone, but this is a new one and it seems nice, clean and unbloated, so maybe give it a go (and also, if you’ve not yet experienced the genuine – if peculiar, fine – joy of ‘listening to breakfast radio shows from different countries at inappropriate times of the day’ then you are properly missing out.
  • Rings:I *think* that the brand here is ‘Boucheron’ – or maybe it’s Quatre, or maybe that’s the style of ring they’re flogging here; honestly, I am so far from being target audience for this stuff – but, whatever it is, this is a GREAT pointlessly-shiny luxe website, which does the whole ‘play a small browsergame which will in some unimaginable way work towards convincing you to drop five figures on a piece of jewellery’, but at SCALE. Rather than a single game, this is a collection of ten or so tiny little minigame experiences, which range from ‘catching all the rings’ to, er, ‘finding the odd ring out’, to ‘stacking rings’ (you will note a strong thematic link here). These are nicely-paced, none of them last longer than 10 seconds or so, and it’s a nice, luxury spin on Mario Party basically – even if the rings they are selling look almost EXACTLY like the sort of thing that a London plumber charges you a £75 callout fee to replace under your kitchen sink.

By Sarena Vand

OUR NEXT PLAYLIST IS ANOTHER ONE BY FORMER EDITOR PAUL, WHO THIS WEEK PRESENTS WHAT HE CALLS ‘HAUNTOLOGY’ AND I CALL ‘VAGUELY-SPOOKY ELECTRO-AMBIENT STUFF’! 

THE SECTION WHICH IS INEXPLICABLY HAVING EMBARRASSING FLASHBACKS TO GOING TO MIDNIGHT MASS IN ROME FOR EASTER AS A SMALL KID AND OUTRIGHT REFUSING TO KISS THE FEET OF THE CROSS WHEN IT WAS PARADED ROUND BECAUSE EVEN AS A CHILD THAT FELT WEIRDLY-FETISHISTIC, PT.2:  

  • Pencilbooth: You know how we have very much reached podcast saturation point? Yeah, well, probably also newsletters too if I’m honest with you – I think I’m currently at a point of receiving approximately 35 a day at the moment, and, even as someone whos tolerance for ‘having a violent quantity of information fired at their eyeballs’ is reasonably high I think that I might be reaching my upper limit. Still, such obvious, pathetic gatekeeping aside, I appreciate that there may be some people with CREATIVE ASPIRATIONS who might still like the idea of having an occasional missive to send into the void, but who might equally have previously been put off by the whole ‘writing’ thing – well Pencilbooth is for you, in that case! This is a new newslettering platform which has been designed to be visual-first – so if you want to send a monthly email blast featuring your drawings, say, or curated works that you have found, this might be an interesting (and aesthetically-worthwhile) platform to explore. It’s paid, obviously, but at $29 a month for lists with fewer than 5000 subs that strikes me as a not-unreasonable cost (and there’s a free tier for upto 100 people, which strikes me as perfect for people who just want to keep their friends and family updated with, say, their photos or their DREADFUL INSTAPOETRY).
  • GPT4All: Want to download your own LLM onto your own machine and fiddle around with the great unknowable black box that is current-gen AI? GREAT! This is a pretty good place to start if you’re curious – this is techy, but also nowhere NEAR as techy as it can be, and it’s actually pretty userfriendly from an installation point of view: “GPT4All is an ecosystem to train and deploy powerful and customized large language models that run locally on consumer grade CPUs. The goal is simple – be the best instruction tuned assistant-style language model that any person or enterprise can freely use, distribute and build on. A GPT4All model is a 3GB – 8GB file that you can download and plug into the GPT4All open-source ecosystem software. Nomic AI supports and maintains this software ecosystem to enforce quality and security alongside spearheading the effort to allow any person or enterprise to easily train and deploy their own on-edge large language models.” You will need a reasonably powerful rig to make this work without it bricking your machine, to be clear – still, if you want to futz around with making your own personal digital slave that lives on your machine and does your bidding, HERE YOU ARE!
  • Make Your Pet: Oh I love this! A YouTube channel which seemingly exists for the sole purpose of helping people build their own, slightly-unsettling, 3d-printed, many-legged scuttling robot! Fine, you’ll need to be in the 0.001% of the global population that has access to a working 3d printer (remember when 3d printing was going to be a thing and usher in the first wave of post-scarcity economics? Man was I stupid to believe in all that!) and you’ll need to be the sort of person for whom the prospect of ‘soldering stuff to a motherboard’ and talk of ‘servos’ isn’t total anathema, but if you’re significantly more practical and engineer-y than, say, me, you will find a lot to love here. For the right type of person (or the wrong type, potentially, from their partner’s point of view) this is a whole new obsession waiting to happen.
  • The British Wildlife Photography Awards 2024: MORE PICTURES OF THE CRITTERS! It’s quite hard to find anything to feel particularly proud of at the moment from a ‘being British’ point of view, but we do at least have some very pretty wildlife – or at least we do now, before the final sewers overflow and all the rivers are forever irrevocably bemerded. Still, while we wait for that fecal apocalypse to overtake us, why not take a moment to enjoy these genuinely beautiful pictures of local fauna – these are SUCH great photos, with a wonderful range of subjects and styles. My personal favourite is the one with the badger (you’ll know the one I mean), but they are all gorgeous.
  • Flagwaver: A website which does nothing other than show you a flag, rendered in 3d and fluttering in an imaginary digital breeze – you can replace the image on the flag with an image of WHATEVER YOU LIKE, and so I am including it because I quite like the idea of using it as a way of gently trolling people who have chosen to take inexplicably-strong positions on something really dumb; there’s something quite pleasing about the idea of making a really shit ‘flag’ in MS Paint saying “NO TO WOKE FOOTBALL KITS” and flying it proudly on a digital background to point out how incredibly fcuking pathetic it is.
  • Vision Unbound: This feels like a companion to the HTML review – certainly the four works collected here wouldn’t be out of place in that collection, seeing as they cover similar themes of the interplay between words and digital form. Vision Unbound is “an exhibition taking place during Women’s History Month, that honors the genius of four women—Melody Mou Peijing, Amira Hanafi, Priti Pandurangan, and Marisa Parham—whose art challenges us to rethink the possibilities of the digital medium and our perspective of the world.” Ok, so one of the works is in Arabic and as such I can only marvel at the beauty of the webwork and the script, but the other three are gorgeous (and not new – slightly disappointed in myself that I hadn’t seen them before). In particular I enjoyed the interplay between voice-over and animation in “Meghadūtam” by Priti Pandurangan, but you will have your own favourite (you’d better).
  • Moai In Games: Have you ever thought to yourself “you know what? I wish someone, somewhere, was undertaking a selfless quest to exhaustively catalogue all the instances in which a Maoi – one of those massive stone heads from Easter Island – appears in a videogame?” OF COURSE YOU HAVE, WHO HASN’T, NO FCUKER THAT’S WHO! Thank God, then, for this website which is doing EXACTLY THAT – here you will find a list of seemingly hundreds of titles which at some point have featured a Maoi, even if fleetingly, along with screenshotted (and occasionally YouTubed) evidence. Why? According to the FAQ, ‘because Maoi are awesome’, which feels like all the justification one really needs here.
  • Trangram: No, not a typo. My regular ‘link nicked from Giuseppe’ of the week comes in the shape of this rather useful webtool for creating simple animations in-browser; obviously this is a LONG WAY from anything I am ever going to use (images scare me, what can I say? LEAVE ME ALONE WITH MY WORDS) but it looks like it might actually be pretty flexible and useful for any of you who have the creative talent and visual acuity to actually make something.
  • Nobody Sausage: I was sent this on Twitter by Paulina Mitelsztedt – THANKYOU PAULINA – and she’s right, it *is* funny. Nobody Sausage is a Twitter account (I presume it’s multiplatform, but fcukit, we’re sticking with Twitter) featuring short CG animations of vaguely-sausage-like humanoids (yes, I know, but it makes sense in context) having ‘relatably funny experiences’ which I know sounds about as likely to be my ‘thing’ as ‘taking a cheesegrater to my knees’ but whose gently-Mr Bean-ish Eurohumour (I think it’s a Spanish thing) amused me more than expected, thanks in part to the (genuinely charming) character models and animation style.
  • Movie Posters Perfected: I’ve honestly never met an actual human being who owns a ‘digital display frame’, but I presume that some must exist – I can’t imagine for a second that any of them are the types of people to read Web Curios, but in the vanishingly-unlikely scenario that YOU, gentle reader, are in possession of such a thing AND you really, really like film posters from the past then BOY do I have the link for you! Movie Posters Perfected sells itself as “a curated collection of digital movie posters—from today’s blockbusters to classic films. As a live, cloud-based library, you never have to lift a finger to add new posters. The moment we add a new poster to our library, it automatically appears on your connected display”, and, well, it certainly does appear to have a lot of film posters. Apparently they’ve all been touched up and optimised for hi-def display, and given the fact that the site’s promising you access to the collection IN PERPETUITY (I do not believe this) for a mere $20, this feels like a non-terrible deal for the gadget-obsessed movie buff in your life (should you not have one of those in your life, you can probably skip this one).
  • The AI Minecraft Challenge: Are any of you really into coding, AI AND Minecraft? No, didn’t think so. Still, maybe you know someone who is – I think this is a really interesting contest and I am genuinely curious to see what ends up coming out of it. “The Settlement Generation Challenge is about writing an algorithm that can create a settlement for a given, unknown Minecraft map. The challenge is to produce an algorithm that is adaptive towards the provided map, creates a settlement that satisfies a range of functional requirements – but also looks good and evokes an interesting narrative. The goal is to basically produce an algorithm that can rival the state of the art of what humans can produce. So far there have been 5 iterations of the challenge: once in 2018, and in 2019, in 2020, in 2021 and in 2023. You can watch the presentation for last years winner’s”.Now I’ve never played Minecraft and don’t have a particular personal interest in it, but I scrubbed through the 2023 winners video and the stuff being generated here is pretty astonishing and suggests that even if narrative game development’s a way away from being upended by The Machine we’re going to see some really interesting leaps in what’s possible with procgen and algorithmic worldbuilding.
  • LightTwist: This is VERY beta, and there’s not an awful lot of info up on the site beyond the demo video, for which reason I’m appending a very big ‘THIS MIGHT IN FACT ALL BE B0LLOCKS’ notice to the link – still, the aforementioned video certainly *looks* impressive, and the basic premise of LightTwist (“we let you do pro-quality greenscreen work using just your phone and browser, which means that you can effectively start doing ‘studio-quality’ (hm) broadcast work from your own bedroom without a bunch of super-fancy kit”) seems like an obviously attractive one in the CREATOR AGE (so tired).
  • Bad Movies: Slightly amazed that I haven’t apparently featured this before, but, well, apparently not. Still, better late than never (I am disgusted with myself) – Bad Movies is, as you might possibly have guessed, a site dedicated to celebrating films that are, objectively, bad. There are reviews, there are screenshots, there are links to buy and watch some of them, and were it not for this wonderful trove of cinephilic information I would never have learned that someone once greenlit, financed and filmed an actual cinematic release called ‘Nude On The Moon’, in which man goes to space and discovers it is covered in naked (or at least topless) women. It is FULL of this stuff, and if you’re a particular type of person I have your next ‘newsletter or film club project’ RIGHT HERE (but, per an earlier link, maybe not the newsletter, eh?). BONUS OBSCURE FILM CONTENT! This is RareLust, “a personal project started  in 2012 to keep rare flick rips alive freely and stop sellers who sell these movies at insane price”, and which features links to rips of HUNDREDS of (incredibly fcuking obscure and in all likelihood often probably terrible) films. You want somewhere to get a torrent of ‘Ninja Zombie’, a 1992 film in which “Orlan Sands is threatened by an evil spider-themed karate cult seeking the location of an archaeological dig unearthing a rare magical artefact”? OF COURSE YOU FCUKING DO!
  • TokiPona: Do you speak Esperanto? No, you don’t, stop lying. Still, if you DO fancy taking up a synthetic language, and if the desperately-uncool vibes that Esperanto has always given off have put you off somewhat, why not explore TokiPona, which is not only FAR cuter-sounding but has apparently been around for a decade or so, contains only 137 words and is the work of a SINGLE PERSON! I think this is astonishing and honestly quite beautiful – leaving aside whether or not you think we ‘need’ an additional synthetic language (and, parenthetically, fcuk you and your tediously instrumental view of the world), there’s something hugely interesting about the attempt to distil meaning into a deliberately small and constrained quantity of signifiers. Maybe I’ll start offering Curios translated into TokiPona.
  • List of Rejected Icelandic Female Names: I both adore this and am baffled by it. According to the webpage, “In Iceland only names which appear on the Personal Names Register are allowed to use. Other names cannot be used, but it is possible to apply to a committee for permission to use a name which is not yet listed. The committee does not accept every name. A name submitted to the naming committee for approval is considered for its compatibility with Icelandic tradition and for the likelihood that it might cause the bearer embarrassment. It must be compatible with Icelandic grammar and contain only letters occurring in the Icelandic alphabet. A name’s grammatical gender must match the sex of the person bearing the name. There are occasional exceptions, e.g. if a name has traditionally been used by a certain number of Icelanders.” This, therefore, is a list of all the rejected names, ones which you shouldn’t bother trying to register because, well, they’re already on the banned list. WHY ARE YOU NOT ALLOWED TO BE CALLED ‘KELLY’ IN ICELAND? WHAT’S WRONG WITH ‘MAXINE’? Honestly, are any of you Icelandic? Does anyone fancy explaining this to me properly, because I am honestly baffled. Oh, the root url of this webpage is a site dedicated solely to Nordic names – no idea why, but if you’re writing a scandi noir and want to make sure that all of your clinically-depressed characters have authentic monikers then this might be helpful.
  • Riddler: Start with one word, get to a different word by changing each of the initial word’s letters, one at a time – this is a daily puzzle, with the challenge not so much ‘can you solve it?’ as ‘how quickly can you do it, you miserable worm?’ which adds a pleasing element of ‘against the clock’ tension to what’s a nice potential addition to the daily pre-work procrastination round.
  • You Are Laika: Finally this week, a small text adventure in which you play as Laika, the first dog to be sent to space. This is BRUTAL, I have to warn you, but also incredibly effective – I know this is quite a w4nky observation, but I have a real thing for ‘interactive fictions’ which play with one’s expectations about player agency as an integral part of the narrative (sorry – I did say it was w4nky, though). But, mainly, it is utterly, utterly brutal – if this doesn’t in some way affect you then you have a heart of absolute stone and frankly I think you should possibly be on some sort of list. Many of you will absolutely bawl your eyes out at this, so, er, there’s a reason to click! Fcuking hell I am bad at this.

By Yana Olen

OUR FINAL MIX OF THE WEEK IS THIS EXCELLENT AND PLEASINGLY-HARD TECH-HOUSE SET FROM MHA IRI! 

THE CIRCUS OF TUMBLRS!

  • One Thousand Ophelias: Just lots of representations of Ophelia in art (except to my mind they’re more ‘women in art’ than specifically ‘Ophelia’) – this is some top-quality curatorial work, and even better was active up until six months ago so there is a LOT on here. Seriously, just scroll, this is beautiful.

THE TROUGH OF (INSTA) FEEDS!

  • Vallesia Obscura: VERY GOTH-Y HALLOWE’EN-Y AI IMAGES! Basically everything on here looks EXACTLY like the very specific sort of visual style that every single vampirey horror film seemed to aspire to in the mid-00s (that isn’t as much of a cuss as I appreciate it sounds), with a light dash of Tim Burton and that poor dead guy with all the bones tatted on his face.
  • X New Worlds: “I’m Suze, a London based visual artist experimenting with surreal and absurd dreamscapes” – so runs the bio on this feed, which presents fragments of work combining AI-generated imagery with more traditional editing software to make…fcuk, I LOVE this, it is creepy and horrible, but not in the way that so much AI stuff is and therefore in ways that are INTERESTING and unpredictable, and there’s something about what’s being done with movement in these films and images that feels wrong in a really pleasing way. This is significantly more interesting than the vast majority of work being made with AI at the moment, imho at least.
  • The Sketchymaker: The insta feed of an Aberdeen-based artist who makes 3d printed, or concrete-cast, models and sculptures, featuring things like LEGO minifigs, and places them around the city as public art and a general ‘here’s a surprisingly lovely thing’ bonus for residents (that’s not all he does – there’s other work there too, though it all tends towards the pop culturally-scultptural) – this is just LOVELY.

LONG THINGS WHICH ARE LONG!

  • ALL OF THE FUTURES!: How do we feel about ‘the future’ as a concept at the moment – we happy? LOL! Still, if you’re interested in reading a bunch – and I mean a LOT – of interesting, smart thinking from a range of voices, covering some potential futures across areas as diverse as entertainment, food, communication, energy, healthcare and LOADS OF OTHER STUFF then you will find this hugely valuable; this is basically an entire book, so not something you can skim over in 10 minutes, but if you have the time then the (admittedly three) chapters I have read were genuinely interesting. This is academic writing and as such it’s dense and citation-heavy, but it is also about seventeen million times more intelligent, more useful and more interesting than any trends presentation by any agency you will ever have read ever (and it’s a pleasingly diverse range of perspectives too, with people from all over the world contributing).
  • Have We Reached Peak AI?: I don’t know Ed Zitron, but I’ve been interested in his recent pivot from ‘slightly eccentric English tech PR bloke in America’ to ‘seemingly-respected commentator on the iniquities of modern tech and capitalism’ – this is his latest newsletter in which he argues (in – and I appreciate that this is…somewhat hypocritical, but bear with me –  somewhat long-winded fashion) that actually the AI bubble is just that, and that all of the generative AI hype is set to evaporate as we see people coming up against the hard question of ‘hm, yes, but what is this for and why am I paying for it’…look, I am sure Ed is a nice and smart man who knows what he is talking about, but, equally, I am also NOT sure that he has much of a handle on what exactly it is that a huge, quivering mass of the white collar world does for a living, and how much of it literally just involves taking some information, reformatting it and putting it somewhere else. Because that really IS what an awful lot of people spend their time doing all day – you can dress it up with job titles, and sometimes it’s numbers-to-words and sometimes it’s words-to-other-words, but, fundamentally, it’s ‘take this information and turn it into a different type of information, or reorganise it’ – AND THAT IS EXACTLY WHAT THESE MACHINES ARE VERY GOOD AT. I agree that the ‘creative’ usecases for GenAI are looking shaky right now – but that is the least-interesting and least-commercially-significant application, and if you don’t think every single multinational business isn’t currently exploring ways in which they can shave 20%+ off operational costs by swapping out ‘the people who do the relatively simple information wrangling’ for ‘a machine to do it faster and cheaper’ then, well, I don’t  know what to tell you. That is literally what they are all doing right now.
  • Which AI Should I Use?: Presuming of course that your kneejerk reaction to this question isn’t ‘I’d rather eat my own face than use any of those evil machines’, then this is a decent overview by Curios regular Ethan Mollick, outlining the main operational and performance differences between the latest models being offered by Anthropic, Google and OpenAI, and giving a quick overview of which is best for what. It’s also worth having a look at his recent tweet detailing his experiences playing with the new Gemini model, which can basically mine videos for information and which feels like it’s going to be another potentially-transformative step when it mainstream access gets rolled out.
  • AI and the News: This is the text of a recent SXSW talk by Zach Seward, who’s editorial director of AI Initiatives at the NYT and who in this piece talks through how he and the newsroom have approached generative AI – this is a good overview of the principles he’s applying to bringing any of this tech into the editorial process, and some of the small successes he and the team have had when using it to run analysis of sources at scale (for example). If you’ve any interest in the practical, tangible applications of this stuff, this is a genuinely interesting and useful read.
  • The EnshittifAIcation of Online Recipes: I think we can all agree that the process of absolutely destroying the overall quality of information available to us as a species thanks to AI-generated dreck is proceeding slightly-faster than we might have expected – from the AI-addled academic papers to Shrimp Jesus, this stuff is increasingly everywhere and it’s only going to get…I don’t want to say ‘worse’, because that sounds doomy and hyperbolic, but also ‘better’ really doesn’t feel appropriate. Anyway, this piece looks at the specific damage that could be done to the repository of online recipes when they get replaced by plausible-sounding AI-generated recipes which are broadly speaking not going to kill you but which, equally, have been generated by spicy autocomplete with no concept of ‘flavour’ or ‘texture’. It might, honestly, be worth someone making a backup copy of the whole internet as of right now and just running it as a closed parallel; I feel it could prove useful in the long-term (like the internet archive, but not powered by crippled slugs).
  • The Internet Has Always Been This Bad: An excellent bit of reporting by Caitlin at ‘Links I Would Gchat You’, who delves into a recently-published study which suggests that, contrary to what you, me and everyone else thinks, there hasn’t in fact been a statistically-significant shift in online behaviours and attitudes, or a terminal rotting of the quality of our online conversations – turns out, this is just what ‘being online and talking to people on the web’ does to us! You may or may not find this reassuring – the crux of the study, though, shows that “Those patterns proved surprisingly consistent across time and platforms: Overall, the study found that the prevalence of both toxic speech and highly toxic users were extremely low. But the longer any conversation goes on, on virtually any platform, the more toxic it becomes. At the same time, conversations tend to involve fewer, more active participants as they stretch on.” Which, I suppose, makes sense – the longer a thread continues, the more participants are winnowed down by exhaustion or simply having better things to do, until the only people left are the mad, the terminally argumentative and the total pr1cks – even if I don’t think it captures the particularly modern phenomenon of ‘people getting unreasonably upset about someone’s personal lived experience not mapping exactly onto their own’.
  • How TikTok Fcuked Up The Lobbying: I’m not personally particularly interested in the TikTok ban story, mainly because I don’t think it will happen (feel free to use this as yet another reason to make fun of me for my inability to ever predict ANYTHING accurately), but I did enjoy this account of the actual, practical impact of sending a bunch of children a message saying ‘CALL YOUR CONGRESSMAN LEST THEY TAKE YOUR FAVOURITE TOY AWAY!’ – this made me laugh a LOT: “Congressional staffers told The Verge about the calls from “students in near tears” with the “chatter of the classroom behind them.”” They’re flooding our offices, often from kids who are about as young as nine years old, their parents have no idea that they’re doing this, they’re calling in, and they’re basically saying things like, ‘What is Congress? What’s a congressman, can I have my TikTok back?’””
  • The Impossible Rebrand: The fall from grace of ‘plant-based’ foods over the past few years has been well-documented (and can be seen in action in one of the local corner shops round here, which has a freezer stocked with VERY ICY cartons of ‘plant-based gelato’ which I am pretty sure were bought in 2021 and which they are never in a million years going to shift), and as such the idea of a brand such as Impossible (you know, the ones that make the burgers that bleed beet-heme) refreshing itself to be ‘less plant’ and ‘more meat’ makes total sense – I’m obviously not a design or brand person (lol), but I thought this was a really nice writeup of the thinking and rationale behind the change to a redder, more overtly ‘meat-y’ brand identity which I found genuinely interesting. BONUS BRANDING STUFF! I also enjoyed this newsletter piece by Rob Horning where he talks about the weird, uncanny mediocrity of the in-house brands at Aldi and why they are like that; this sort of stuff normally makes my teeth itch (STOP OVERTHINKING IT FFS) but I found this one smart and not-too-hideously-wanky.
  • Cryptogames Redux: One to file under ‘fcuk me, we never learn do we?’ – following the meteoric rise, and eventual very fast fall, of the Axie Infinity ‘play abd get paid’ cryptogaming bubble a few years ago, a not insignificant number of people in places like the Philippines were left holding an awful lot of worthless digital scrip as the market for their digital goods and ludic labour fell of a cliff; now, though, it seems that it’s going to happen ALL OVER AGAIN, because CRYPTO IS BACK, BABY! No matter that it might only be ‘back’ for a month or so before the market’s innate volatility (and the fact that a significant proportion of it is traded by criminals or literal morons) cause the whole sorry edifice to crumble again. No matter, though, because there are a bunch of companies once again springing up to advertise the prospect of great returns for virtual farming – all of which will inevitably vanish again as soon as the trade winds change. As you read this piece, try and count the number of times where you find yourself thinking ‘but…but…you literally made exactly the same mistakes three years ago’ (I got 8).
  • The Funniest Novels Since Catch-22: A list published by the New York Times and which I thought was…pretty good! Ok, so there are a few iffy picks (to my mind, at least) in the more recent selections (I find the adulation given to ‘Oscar Wao’ by North Americans faintly baffling, for example), but there are also some genuine classics, and any list which notes that American Psycho is in many respects a VERY FUNNY book (not the habitrail tube bit, though) and which reminds me that The Sellout might be the funniest novel I have ever read (or at least the funniest ‘serious’ novel, if you’ll excuse my genre-ghettoising), is worth a look imho.
  • The Helldivers 2 Meta: Ok, so some background for the non-gamers. Helldivers 2 is a recently-released online multiplayer shooting game in which players all collaborate to fight off hordes of aliens in what is basically a thinly-veiled tribute to the corpofascist satire of Starship Troopers – this is being played by 100s of 1000s of people worldwide, and this piece explains all the fun ways in which ‘online play’ is being slightly-reconfigured by the title and its community. I find this FASCINATING – it’s not my sort of game and I’m unlikely to play it, but the fact that there is a literal human director managing the overall direction of the campaign and who’s effectively tweaking the balance and making things happen as a realtime response to what people are doing in the game RIGHT NOW is quite remarkable, and speaks I think to an interesting way of considering how to run collaborative online experiences with light-touch guidance (but also to the importance of having a narrative direction and someone in control of it).
  • Outsider Art: A piece in The Face, profiling a selection of ‘outsider’ artists working in London – for those unaware, in this context ‘outsider’ refers to people whose work sits outside the mainstream art world of curators and galleries, derived from the theory of ‘art brut’ or ‘raw art’ (art unfiltered by bougie, artworld w4nk, basically) coined in the 40s; work tends to be naive in style, and is often (but not exclusively) created by people on the margins of society, whether for economic or psychological reasons, and it can be some of the most interesting and rewarding you will ever see. If any of the stuff in this overview speaks to you, it’s worth doing a bit of a Google because there are several places in London which are now effectively preserved archives of outsider artists’ workspaces and homes and which you can visit with a bit of planning.
  • The Glass Dildo Emporia of the 17thC: I had genuinely no idea that there was a thriving market for fake phalli in the 1600-1700s, but, well, there was! This is a pleasing stroll down the veiny shaft of history (sorry), all about how male terror of female sexuality and the genuinely-bizarre belief that it was somehow sinful to find your wife attractive led to not-insignificant numbers of women taking matters into their own hands, and how this eventually began to see the integration of marital aids into the sex lives of couples as attitudes thankfully shifted. I know that ‘noone taking your orgasm seriously’ isn’t, by a long chalk, the worst thing about ‘what the past was like for women’, but FCUKING HELL did you all have a really sh1t time of it for literally millennia.
  • The Oral History of Pitchfork: This is VERY LONG, and VERY ‘inside baseball’ (if you swap ‘baseball’ for ‘music and media in the late-90s-early-00s’), but it’s also super-interesting (especially if, like me, you basically made Pitchfork reviews your ‘what album should I buy this month then’ bible from about 2002-7) – in particular the sense that comes through from everyone interviewed that it just sort of happened by accident, and the wonderful serendipity and terror of realising that you’re doing something that is CHANGING THINGS (a feeling, let’s be clear, which I have obviously never experienced for myself, but I believe it probably exists somewhere for some of you). There’s also a point about ⅔ of the way through, where they start talking about the Conde Naste takeover and the first meetings in the wake of that, where you really can see the entirety of ‘why the digital media ecosystem is utterly fcuked and why it never stood a chance’ – honestly, there are a couple of quotes that made me do a proper bark-laugh of hollow amusement, see if you can spot which.
  • A Guide To Tokyo: I genuinely have no clue where I found this – it’s a bit of an unusual link, in that it’s literally a GDoc of someone called Daisy’s travel itinerary and sort-of diary of a recent visit to Tokyo – which means it’s literally a day-by-day description of where they went and what they did and what they ate and how it felt, with no pictures…and yet, I LOVED reading this, honestly, it’s like being taken on someone else’s holiday in a really un-annoying way (yes, I always write this badly, why do you ask?), and you genuinely get a feeling for the experience Daisy had, for better or worse, over the course of the trip. Also, if you happen to be going to Tokyo anytime soon this contains what sound like some killer recommendations.
  • Nelson and Winnie: I thought this piece in the LRB, reviewing a recent book about the marriage of Nelson and Winnie Mandela, was brilliant – though I would love anyone South African who happens to read it to drop me a line and give me their opinion on the picture it paints, as obviously I’m a know-nothing bozo who was 10 when Mandela was released from prison and wasn’t really across the intricacies of the political situation or indeed his relationship with his wife. This is fascinating, and very sad in many ways.
  • Whale On Toast: You may not think that you want to read a short newsletter post about the history of whale oil, but you really do (trust me on this one).
  • Small Nations in Big Wars: Our final longread of the week comes from Hamilton Nolan, who proves once again that writing about boxing is, when done well, the very best of all sportswriting. This piece covers one night at a boxing ring in NYC, and the cast of regular amateurs, local heroes and folk legends who represent their diaspora in combat, and it really is superb – and I don’t even like boxing, at all. Read this, it is STELLAR.

By Pierre Huyghe

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 15/03/24

Reading Time: 31 minutes

This week in the UK, racism and monarchy – it’s just like old times!

I imagine you’re probably all DESPERATE for something to read that isn’t about That Fcuking Family, in any case, so thank GOD for Web Curios, Republican (not in the American sense, for the avoidance of doubt) and largely-disinterested to the very end.

I am still Matt, this is still Web Curios, and aren’t you glad you know how to pronounce ‘Cholmondley’ now?

By Fran Alvez

WE KICK OFF THIS WEEK WITH A FABULOUS SELECTION BY MARSHMELLO WHICH I CAN BEST DESCRIBE AS ‘SORT OF JAZZY HOUSE’ BUT WHICH HONESTLY IS LOADS BETTER THAN THAT HAMFISTED ATTEMPT MAKES IT SOUND! 

THE SECTION WHICH WONDERS WHY IT’S OK TO KINK-SHAME WILLS FOR LIKING IT IN THE BUM FROM HIS MISTRESS, PT.1:  

  • All About Computer Love: Our first link this week is…what is it? An interactive essay? A sort-of prose poem? I don’t know (this is a great start, Matt – compelling prose, hook them in!), but I love it and it tickles a very specific part of my brain – this is basically a letter written by the artist Sarah Martinez to you, the reader, and to the web, delivered as a sort of visual dialogue between code and prose…I don’t know why, but the act of having to engage with the website on a functional, HTML level – the reader experiences the essay through the browser console (don’t worry, it makes sense when you click the link), which really pleases me both from a technical and a thematic ‘WE ARE GETTING INTO THE GUTS OF THE MACHINE HERE’ point of view, and I found the writing – all about Martinez’ relationship to the web, and its relationship to her physical life – genuinely beautiful, and the interplay between it and the small scene that builds in ASCII as you read is charming and poignant, and, honestly, this is just gorgeous and I adore it (oh, and turn on the sound – the garden noises really do add something to the experience, which honestly isn’t something I can ever normally imagine writing and which is making me suddenly wonder if I’ve had a stroke or something – although I can’t smell burnt toast, so evidently I’m now just the sort of person who appreciates digitally-recreated birdsong. Hm).
  • Drawing For Nothing: I genuinely didn’t realise that ‘films being completed and then canned for no real reason other than byzantine accountancy’ was a thing until the past year or so, but the whole ACME vs Coyote story seems to have uncovered a hitherto-unimagined store of work that has simply been memoryholed for no good reason – Drawing for Nothing is a project which focuses specifically on animations that have for whatever reason been mothballed – the fabulously-named Ziggy Cashmere (I will be devastated if this is a nom de plume, honestly) is compiling examples of backgrounds, entire character sheets, storyboards and sketches and all sorts of bits of illustrated ephemera from films that have for whatever reason never seen the light of day. To quote (let me type it again, it is so pleasing) Ziggy Cashmere themselves, “DRAWING FOR NOTHING is a free ebook compiling the artwork of the world’s canceled and troubled animated films. Animation reels have been scrubbed, portfolios scraped, books scanned, interviews conducted and resumes analyzed to present this. Some movies within this book you’ll know pretty well, but there will always be at least one you’ve never heard of. The purpose of this book is to not only properly appreciate the work put into things that never got the chance to be appreciated, but to give artists another source of inspiration. Yeah, there’s a ton of things to be inspired by now, but what about the stuff that never made it? The stuff that was deemed too risky or not good enough?” The project’s ongoing, but at the moment this all amounts to a 470 page book which you can browse in its entirety on the site and MY GOD the sheer, dazzling scale of the work and imagination on display here is astonishing and it’s impossible not to get a little…well, annoyed, frankly, at all of this wonderful stuff just being hidden away somewhere because some cnut with a spreadsheet decided that actually Q3’s numbers probably don’t make sense with this on the slate.
  • Stations and Transfers: How much do you like contemplating the spatial majesty of mass transit hubs? Is the answer ‘fcuking LOADS, Matt, I live for this stuff’? OH GOOD! This is a WONDERFUL compendium of information about, er, the exact layout of underground stations at a dizzying number of the world’s cities, all painstakingly mapped out and then drawn by ONE INCREDIBLY DEDICATED MAN. Albert Guillaumes Marcer, you are a prince and a hero and I salute your dedication to the very specific and, let’s be honest, pretty niche pursuit of ‘giving us all a vague idea of the layout of underground train stations’. I know that this may not SOUND thrilling, fine, but there’s something undeniably fascinating about seeing the shape of something you have only ever experienced from the inside, and the comparative designs of different countries’ stations really is interesting (no, it is, I promise!) Per Albert, “For the last 10 years I have been able to draw around 1.517 stations from different European cities, motivated by the curiosity of understanding how engineers were able to fit underground stations comprising 4 or 5 lines under Place de la République in Paris or the Puerta del Sol in Madrid. A pen, a notebook, a bit of spatial vision and the willingness to navigate all the staircases, corridors, platforms and mezzanines are enough to draw a station. Some may content errors, despite I try to complement themwith information found in the internet: historic, construction and survey maps, pics and videos, as well with data about train lengths.”  A genuinely wonderful expression of a very singular obsession.
  • Meet Devin: I’ve started seeing a swathe of ‘THE HYPE BUBBLE IS BURSTING’ pieces about generative AI in the past few weeks, based on quotes from people who are starting to realise that, hang on, The Machine can’t quite do ALL of the white collar jobs yet, and we’re not quite at the point whereby you can press a single button and fcuk off to the pub while CoPilot does the pointless busywork of your mediocre white collar job for you – on the one hand, it’s undeniably true that the past year’s hype has been insane and the actual, real-world usecases for the tech aren’t even close to being scoped out yet; on the other, each week brings new things like Devin, announced this week by a company called Cognition Labs and purporting to basically be an AI coder that you can deploy to build whatever you tell it while you, I don’t know, tend to your succulents. “Devin is the new state-of-the-art on the SWE-Bench coding benchmark, has successfully passed practical engineering interviews from leading AI companies, and has even completed real jobs on Upwork. Devin is an autonomous agent that solves engineering tasks through the use of its own shell, code editor, and web browser.” Now, let’s be clear – this is PR, and I don’t for a second think that ‘Devin’ is going to be replacing all the world’s coders just yet…but, at the same time, if you think that companies with profit margins to protect and shareholders and investors to satisfy aren’t going to look at a software product that lets them potentially replace a dozen staff members costing an annual six figures with a software product costing an annual five figures with HUNGRY EYES then, well, I have a bridge to sell you. You can read more about the company and the product here if you want – but, honestly, the takeaway here is mainly ‘this stuff is not going to stop, or go away, and it is important to be realistic about the extent to which your employer is going to be perfectly happy to replace you with a solution that is admittedly not as good but which, on balance, is probably ‘good enough’, if it saves them money.’
  • Whatsard: A genuinely horrible name, this (honestly try saying it out loud – I’ll wait. See? It’s like trying to speak with a mouthful of flour), but I really like the project, which has been hacked together by some people involved in the Campaign Lab (“a community of politically-minded progressive data scientists, researchers and campaigners who are working together to develop innovative election tools and improve the way we analyse and understand campaigning”). Whatsard (SO HORRIBLE) is a really neat use of LLMs to take the language of the UK Parliament and turn it from the staid bloviating of the professional political classes into VIBRANT SPEECH LIKE WOT YOU AND I MIGHT USE! Basically this is a de-jargonifier (what do you mean “you can’t make up words like that and still try and complain about ‘whatsard’, you hypocrite”?) which translates parliamentary debates into more natural terms using THE POWER OF AI, so you can get the meat of recent debates on, for example, Gaza or local policing or road safety in North Yorkshire but without having to wade through the admittedly-slightly-arcane prose that you get when you combine self-important people who love the sound of their own voice (literally every single MP I have ever met, ever, even the ‘good’ ones) and the slightly-pompous conventions of parliamentary procedure. Honestly, this is a smart idea and the sort of thing that could become a genuinely useful resource for educators (and loads of other people, frankly) with a bit of budget and polish. This feels like something that a PA agency could usefully sponsor, although lol at the idea of any agencies wanting to spend money on something so frivolous in THIS climate.
  • The Monster Engine Will Never Die: In about 200…4, I think, when my personal internet sickness was really starting to get its claws into me and I began to realise that I was possibly a bit more ‘into’ the web than other people, I found a project called ‘The Monster Engine’ by a man called David DeVries, who was the first person I had ever seen to take kids’ drawings and render them sincerely as ‘proper’ paintings – the site was ‘viral’ back in the day when that actually meant something, and I think there was a period of a couple of years when Devries did pretty well out of the whole thing, publishing an actual honest-to-goodness book (back in the day when the website-to-publication pipeline was less of a well-worn trope) and doing TV and generally living the dream of the early days of the web, whereby a creator doing something they love gets the attention and adulation their talent and dedication deserves. Over the intervening two decades, I have seen the basic concept of The Monster Engine resurrected DOZENS of times, in different ways – now it is BACK, this time with an added layer of generative AI because it is 2024 and that is now the law. This is a campaign by whichever massive multinational makes ‘Lunchables’, the plastic-ham-and-cheese snacking boxes, which is a PERFECT ripoff of the initial premise – except here they are asking parents to upload their kids ‘creative imaginings’ of what the snacks could be and then getting them ‘brought to life’ by AI, to prove (OBVIOUSLY) that “nothing beats a kid’s imagination!”. Which obviously is horrible and twee and sickly, and the campaign itself is lazy and not particularly well done – but I am including this in part because it’s always nice to remember David Devries, and in part because it is concrete proof that you can literally recycle the sh1t I put in Curios for YEARS.
  • AI For Wedding Pics: I like to think that I have a reasonable idea of the rough shape of who you are, dear reader – there may only be about seven of you, but through occasional correspondence I have built up an image of you in my mind as GENTLE and KIND and NICE and ONLY MODERATELY-DAMAGED, and definitely not the sort of person who would do anything creepy or weird or stalkerish with any of the links I present you with each week. Which is good, because otherwise I probably wouldn’t include this link as it has SIGNIFICANT CREEPY MISUSE POTENTIAL. Would you like to be able to harness THE MAGICAL POWER OF AI to create a variety of photorealistic wedding photos of anyone you want, based on a couple of photos? No, of course you wouldn’t, that would be WEIRD – and yet, once again, here we are. For the low, low price of $5, you can get 6 wedding snapshots featuring (presumably) you and whatever poor fcuker you’re having matrimonial fantasies about – it’s quite hard to see this as anything other than a harasser’s dream or alternatively a massively-psychologically-unhealthy prop for the unwell and obsessed, but, well, it exists and so I am telling you about it.
  • Eclipse Tracks: Would you like a website which tracks the path of celestial objects relative to the earth in order to determine when and where eclipses will occur, and which you can use to find out the times and dates and locations of every single forthcoming occlusion of the sun by the moon? YES OF COURSE YOU WOULD! The next one visible in Europe’s not til 2026, mind (North Americans, on the other hand, have one coming up next month so GET READY).
  • Underwater Photographer of the Year 2024: I think I say this every year – and, honestly, it feels a bit churlish, but I’ve started now and it feels weird to stop halfway – but the website for Underwater Photographer of the Year really is singularly bad at presenting photographs – GUYS, I FEEL YOU ARE POSSIBLY UNDERSELLING YOURSELVES HERE! Anyway, that entitled gripe aside, this year’s selection of subaquatic imagery is as varied and magical and slightly-terrifying as ever – LOOK AT THE DEEP SEA CRITTERS AND THEIR NEEDLE-SHARP TEETH! These are so wonderfully diverse, from tropical waters to British rivers, featuring sea mammals and crustacea and industry and one genuinely BEAUTIFUL picture of a swimming monkey which I defy you not to melt at slightly.
  • Wav World: I’m not quite sure where I found this or who it’s by, but as far as I can tell Wav World is a new music site which does deep dives into a different artist and their work every ‘issue’ – there are two up there at the moment, both with artists I wasn;t familiar with, but you get a long mix and some genuinely interesting chat to read, and the site’s design is genuinely pleasing in a slightly-00s style. Worth keeping an eye on if you’re not yet so old and tired and broken that you just want to put white noise in your ears and go to the Place of Happy Release.
  • Reports From Unknown Places: One of an embarrassing number of links I’ve lifted from Kris this week, Reports From Unknown Places is a BEAUTIFUL project which I am utterly in love with – artist Nina Salaun paints pictures of the sky, a different one each day, and accompanies each with a small piece of writing imagining a place where one might see such a sky if one looked up. That’s it – a painting of the sky, and some words about an imaginary location where that sky might be visible – and it is perfect. “We report: in the dip of the curve on the bump in the cycle of daylight, we managed to pinpoint the precise moment when yellow light started to walk into the sky. At the very least, one moment it was not there, and the next, it was. Things of the sky work between intervals.” Gorgeous gorgeous gorgeous.
  • Creative Coding Community: I love the design of this – it’s not, fine, HUGELY INTUITIVE, but I very much enjoy the way it uses symbols as a means of categorisation. This site collects a VAST range of pieces of work which could reasonably be described as ‘creative uses of code’ – you can filter them by various criteria, the country of origin of the devs behind them, etc, and it’s SUCH a nice way of exploring and discovering all sorts of interesting webwork. Honestly, you could probably stop clicking here (DO NOT STOP CLICKING HERE) as there’s enough interesting stuff inside this one link to keep you occupied for days – a few of the projects linked to have been featured in Curios over the years, but the vast majority of them (or at least the ones I’ve explored) have been new to me and may well be new to you too.
  • Tattoos by AI: What’s the most embarrassing sort of tattoo? A 90s/00s CELTIC BAND? The tramp stamp? A faux-prison number that serves as a constant reminder of your failed ‘indie sleaze’ era? The one sported by someone I know which is simply a thick black arrow pointing down their ar$ecrack towards their rectum (no, really)? NO IT IS NONE OF THESE IT IS A TATTOO ‘DESIGNED’ BY GENERATIVE AI. Honestly, I can’t for the life of me work out what the market for this is – a service that wants to charge you a minimum of £10 to spit out some Stable Diffusion work – other perhaps than tattoo artists who, er, can’t draw but who can definitely trace, maybe. Please, please, please, if any of you happen to spot anyone in the wild with a genAI tattoo, TELL ME I MUST KNOW.
  • BaddieFinder: This, though, is, much as it pains me to admit it and much as the concept of it makes me sad inside, a genuinely smart business idea which I will imagine will probably make a reasonable amount of cash for the person behind it. Do you find the whole ‘looking at pictures of people, working out if you want them inside you and swiping left or right’ thing a bit much, a bit onerous, a bit too much like hard work? WELL WORRY NO MORE! Baddiefinder is a service that will literally swipe for you – forever and ever and ever, for a low monthly subscription fee! Unsurprisingly this only works on images of women (was the market for this ever going to be anything other than idiot men? NO IT WAS NOT!), but its creator says it’s been ‘trained’ to only pick out attractive people, and the idea is that the base-level training can be tweaked based on what it can tell about your preferences from your previous swiping history, meaning that you can leave the swiping to The Machine and get on with, I don’t know, growing your crypto portfolio (I don’t know why but I am convinced that the Venn diagram of ‘people who might pay for this’ and ‘people who are interested in and evangelical about crypto’ is in fact a circle). Beautifully the app promises that it will soon be able to to chat with matches on your behalf, creating the enticing possibility of an entirely-frictionless romantic experience where you only meet up to fcuk and all other interactions are entirely outsourced to AI – I jest, but am equally convinced that there is a non-trivial audience of people for whom that’s an enticing prospect, which is…insanely bleak, if I’m honest. HAPPY FRIDAY!

By  Jess Allen

NEXT UP WE HAVE THIS EXCELLENT ACID TECHNO SET BY NINI WHICH WILL APPEAL TO ANY OF YOU WHO REMEMBER THE LIBERATOR DJS! 

THE SECTION WHICH WONDERS WHY IT’S OK TO KINK-SHAME WILLS FOR LIKING IT IN THE BUM FROM HIS MISTRESS, PT.2:  

  • Browser Buddy: This is BRILLIANT, and really unexpectedly so – serendipitous discovery engines for the web are an idea I’ve spent a non-trivial amount of time thinking about, and talking about, but without ever really being able to work out what a ‘good’ modern version of Stumbleupon or similar might look like. For a while there were a few useful, fun tools that scraped Twitter’s API to find links being shared in interesting communities (RIP Belong, I miss you and you are wiv da angles now), but in their absence I’ve been jonesing for something that would send me to interesting, unexpected and new (to me at least) online spaces…and now, thanks to Browser Buddy, I sort of have one again, and it is GREAT. This is basically just a Chrome extension – install it, and a small window will sit in the bottom right of your browser window. Each time you visit a website, a selection of other sites that Browser Buddy thinks are ‘similar’ will be displayed in the window which you can click on to visit in a new tab – that’s it. BUT HONESTLY IT IS SO GOOD! I narcissistically tried it on the Curios domain, and it recommended 9 sites to me, three of which were sources I already use (good, shows relevance) and six which were personal blogs by total strangers that were all COMPLETELY new to me and which led me down a bunch of odd rabbitholes and the whole experience was joyfully random and un-funneled, and, honestly, I think this might be brilliant. CAVEAT: I obviously have no idea if this is hiding some sort of unpleasant malware – so far I don’t SEEM to have been defrauded, but should that change I’ll be sure to let you know.
  • The TFL Archives: A lovely archival project by the people at Google Arts and Culture, in conjunction with TFL, which presents literally ALL the information you could ever possibly want about the tube (ok, fine, it’s possible that there are some of you for whom even this trove won’t suffice, but some of you have PROBLEMS is all I’m saying) – from the history of each line to pre-underground public transport to the evolution of the legendary map to the design of the roundel…this is lovely, and exactly the sort of thing that, let’s be honest, TFL totally wouldn’t have made without the corporate ‘philanthropy’.
  • Adam Fuhrer: The Twitter account of Adam Fuhrer, an artist and illustrator from Toronto whose work I was going to feature in here this week anyway but who in an AMAZING ACT OF ONLINE SERENDIPITY got in touch with me yesterday to introduce himself and his work, which was genuinely lovely and a nice reminder of the fact that when you make things and put them out online they will always have a life of their own, however small and however transient. Anyway, Adam’s twitter feed features a selection of his ink work, which is beautiful and mathematical and code-inspired and which honestly I would pay money for if he wanted to flog me one (oh, hang on, there’s a shop here), but you can see more on his website alongside a few creative coding projects (one of which I feel certain I’ve featured in here before) – this is lovely work, and almost perfectly up my street.
  • The Greatest Name In Sports: I am a HUGE fan of ridiculous names – for years I’ve featured the annual ‘name of the year bracket’ in Curios (I totally forgot last year’s, but 2024’s has just been announced and you can enjoy the selection here – Zarique Nutter is a particular favourite) – but this is possibly the apogee of the quest to find the most ridiculously-monikered person ever to have played professional sports anywhere in the world. This has been going on on Reddit for AGES and now they’re down to the last 8 – but the real joy comes from the ORIGINAL MASTER SPREADSHEET which contains nearly 3,000 verified sportspeople with truly remarkable handles. From the regal majesty of Vonteego Cummings to the insanely-pleasing-to-say Ukko-Pekka Luukkonen, every single one of these is a joy – that said, I’m finding it hard to see beyond ‘Ugly Dickshot’ as winner of the ultimate accolade.
  • Dead Simple Sites: A collection of websites characterised by simple, no-frills webdesign, based on the principle that, sometimes, less is better. I don’t necessarily find all of these to be to my taste, but there’s something undeniably arresting about the starkness of some of the design choices here.
  • Sebastian Lempens: Pretty much the diametric opposite of the design ethos espoused by the previous link, this is a VERY fancy, massively-overengineered and utterly charming personal site for French developer Sebastian Lempens, presenting his work and his CV in genuinely gorgeous fashion. I promise you it’s impossible not to smile at the moped.
  • James Taylor-Forest: Another personal website, this one on the more minimal end of the spectrum but which features one of the most elegant bits of webdesign I’ve seen in ages and which I would like all of you to experience. Click the url and then click some more to explore James’ work and writing, and tell me if that isn’t one of the most satisfying visual interface elements you’ve seen in years.
  • Digging: I do hope that the imminent IPO doesn’t ruin Reddit – though obviously many would argue that as it’s slowly become mainstream and morphed into ‘Facebook for people who think they’re somehow more edgy and interesting than people on Facebook’ it’s long been ruined anyway. Still, I can’t possibly have anything other than love for a website which fosters communities like this one, on a subReddit simply entitled ‘digging’, in which people (I am going to hazard a guess that the overwhelming majority of them are men, though this is possibly unfair and I am sorry to erase any female digging obsessives out there) talk about how much they like digging, how the digs are going, and share pictures of various digs-in-progress. It’s not, it’s probably fair to say, the most visually-compelling sub out there, but it is SO CHARMINGLY GOOD-NATURED. Via the wonderful blort.
  • Is Super Mario Maker Beaten Yet?: Super Mario Maker is a Nintendo game which let anyone create their own custom Mario levels and then share them online for anyone else to try and beat – after many years, Nintendo is finally shuttering the servers which support the player-created levels, meaning they’ll become unplayable at some point next month. Which, obviously, means that people around the world are now racing to complete all of the levels before they disappear forever – no mean feat considering there were tens of thousands left to beat just a few weeks ago. Now, though, there are just (at the time of writing) TWO LEFT – this website’s tracking progress of the project, but you can read more about the whole thing at this Metafilter thread, which also contains various links to let you see playthroughs of some of the trickier levels getting beaten. This is obviously sort-of pointless but I adore the sense of collective endeavour here and it feels like one of those perfect expressions of the best bits of being online, which frankly you don’t get that often.
  • Refrakt: Another attempt to create an app for photos that does what Insta did back when it actually cared about being a platform for photography – Refrakt is nice-looking, minimal in design, self-describing as ‘an independent space to share your photography in a way that shows it best. No ads, alogorithms, or attention stealing. It’s a more contemplative online space. You are encouraged to spend your time with intention, form new connections, and be inspired to get out and make photographs.’ It’s free, unless you want to start uploading big, hi-res pics, and it looks lovely, but as with all these things I question whether it can ever find enough of a community to survive – that said, if you’re someone who’s SERIOUS ABOUT PHOTOGRAPHY (it does feel rather as though it’s pitching to the semi-pro crowd) then you might find this worth a look.
  • Disconet: Metadata for LPs! “Vinyl sounds better, looks better, feels better and even smells better. But digital does have its benefits, musical metadata is one of them. Having the key, tempo and other musical metadata for your records at a glance would be useful!” Disconest uses Spotify to get the metadata, so if Spotify doesn’t have a track then you won’t get the BPM info, but this is nevertheless a potentially-useful tool for any of you who play records and like to pretend you can mix them.
  • Open: You may have heard that Ernest Cline, author of the execrable piece of fanboy fanfic ‘Ready Player One’ is in some way signed up to create A METAVERSE, which is being touted as being like that envisaged in the novel (despite their being a not-inconsiderable technological gulf between what is currently technically possible and what is depicted in the book) – while details are still…sketchy, there’s now a website you can visit to lear…no, actually, you can’t ‘learn more’, but you can watch an entirely-meaningless CG trailer or alternatively click the ‘about’ section to learn…no, sorry, I am going to have to reproduce this verbatim: “Open, the hero experience in the readyverse, is the first genre-defining aaa metaverse gaming experience with top-tier ip powered by web3 technology. a multi-biome, multi-ip, multi-mode battle royale competition, in development for pc and next gen platforms.” I mean, those are definitely words but…but they mean nothing! Still, good to know that there’s a web3 element, just to eliminate any faint traces of doubt I had that this would be anything other than a horrible, empty grift.
  • Pod Engine: A service which promises to let you search podcasts and monitor across thousands for brand and keyword mentions – I have no idea if this works, or whether it’s any good, but I figured it might be the sort of thing that some of you might find genuinely useful and so, well, here it is.
  • The Alternative Videogame Screenshot Art Exhibit: You need to download this – and it’s a big file – but it’s also strangely wonderful and oddly beautiful, and if you’re as interested in the idea of ‘games as spaces’ and digital geographies and all that sort of semi-esoteric w4nk then you will adore this. “Carefully curated & polished Virtual Photography (videogame screenshot art) from the community. A mixed bag, including my Noclip images. ‘Epic’ or ‘cinematic’ style corporate Bullshots and other ‘promotional’ style marketing generally avoided. Instead we highlight the kitschy, the mundane, the liminal, the overlooked and unexpected. A sense of the hyperreal..” I did some digging into who this is by and…I don’t really know how to describe this, so I think I’ll probably just leave the link here along with the description and let you make up your own mind. “welcome, netizen! consider ‘republic of bob: internet as lifestyle’: a way to think about and around web3, digital neoliberalism and ‘the future of the net’. something casual and friendly that happens between people, in the collective imagination. an informal culture protocol – like holding doors open for others, offering guests a drink or being quiet in a library. an expansive laboratory for adventurous creatives to hang out, #rob is a surreal, lo fi social experiment in keeping the net strange. #rob does not strictly exist; some call it the real meta, tim’s house, gibsonville, videodrome, interzone, black atlantis ii. the name isn’t important however – rather, it’s the unique interrelationships outside the capitalist net that #rob helps grow and encourage.” This is, not going to lie, quite odd, but it’s also interesting and curious and feels very much Curios-adjacent – I spent a bit of time spelunking around Rob’s site, and it is a LOT.
  • Coffee Receipt Stories: This is SUCH a wonderful little project. Four years ago the person behind this website was sitting in a cafe, bored, and so doodled a small comic on the receipt for their coffee – from that, this site was born, collecting hundreds of tiny vignettes, comics, anecdotes and pictures sketched on the back of receipts. These are perfect – small pictures of moments, snapshots of places and people and windows into a life which I could peek at all day. I really do love this.
  • Othello: A simple, lightweight, in-browser game of Othello or ‘Go’, a game which is famously complex and where humans have for a while now been second best. Or, if you’re me and really can’t get your head around this game AT ALL, a very distant last.
  • Needledrop: This is a GREAT little game – each day you get a different song, and all you have to do is guess in which film it first appeared; for each wrong guess, you’ll get an additional clue. Simple but good, quick, clean fun (I am fcuking TERRIBLE at it).
  • Babyrace: Finally this week, a small browsergame made (I think) as a promo for a chain of Swiss supermarkets, which inexplicably features a baby participating in a Super Mario-like platformer over a dozen or so levels – this is baffling to me, but…actually not bad, as it happens, and you can pass a pleasing 15 minutes zoning out as you bounce the infant around the levels and collect dummies and milk bottles while, for reasons known only to the developers, attempting to reach the doors of the alpine equivalent of Sainsbury’s.

By Paul Davis 

OUR LAST MIX OF THE WEEK IS ANOTHER CRACKING SELECTION OF BREAKS AND BEATS PUT TOGETHER BY FORMER EDITOR PAUL! 

THE CIRCUS OF TUMBLRS!

  • If We Don’t Remember Me: Sent to me this week by Raf Roset, this is an excellent (historic) Tumblr collecting beautiful animated gifs, from the period when we liked to call them ‘Cinemagraphs’ and think of them as a bit arty (ask your Creative Director, they’ll get all misty-eyed). “IWDRM was a blog of animated movie stills active from 2010 to 2015. A video installation was shown in exhibitions at the Contemporary Arts Museum (Houston, TX), &FOAM (Amsterdam) and The Event (Birmingham).” These really are rather lovely.
  • Real Dancing Girl: You have to read the ‘about’ page to understand this – and there’s a lot of it – but I promise you that this is ART, exploring the genesis and meaning and online ‘life’ of a gif from the early days of the web. .

THE TROUGH OF (INSTA) FEEDS!

  • Pillars of Barbican: An insta feed in which the nameless photographer behind the camera takes pictures of all the massive concrete pillars that make up London’s Barbican centre, in some sort of celebration of cylindrical brutalism. Beautifully-obsessional, and there’s something bizarrely-interesting and oddly compelling about seeing all the pillars arrayed on the Instagrid, identical-but-different. This came to my attention via the Twitter feed of the world’s most personable stationery shop.
  • Might Delete Later: THIS IS WONDERFUL! An Insta feed sharing musical tracks made from samples of anonymous voicemails left on a Dutch (I think) phone number and other bits of found audio… silly and creative and playful and just brilliant, I am a huge fan (via Nag).
  • Who’s Who: An art Insta, via Things Magazine, which shares fragments of images by different artists which share a visual language. Which I promise will make absolute sense when you click on the link – this is so interesting, particularly if like me your art history and general knowledge of the contemporary scene is…somwhat lacking.

LONG THINGS WHICH ARE LONG!

  • Mods and Cults: Not the *actual* title of this excellent New York Magazine piece by Jay Caspian Kang, but one which I think fits slightly better – the general thrust of this is that all spheres of life (Kang is writing specifically from and about the US, and about the mores and etiquette in surfing communities,, but I don’t think it’s any sort of a stretch to universalise much of this) has been reshaped by the way in which we relate to each other and behave online – and that an increasingly-useful way of thinking about the way in which people respond to rules and attempts to constrain or determine their behaviour is in the context of their relationship to, and mistrust/resentment of, ‘mods’ in online communities, and it’s this friction between the cult (the fandom, the political movement – whatever, we’re using cult) and the mods attempting to control them that is at the heart of much contemporary social discourse. This feels INCREDIBLY true – I also very much enjoyed Kang’s suggestion (echoing one I first read articulated many years ago by Michel Houellebecq in Atomised, oddly enough) that Aldous Huxley is in many respects a far better lens through which to see the modern era than George Orwell. Anyway, this is interesting and, I think, genuinely illuminating in terms of ‘WHERE WE ARE NOW’.
  • AI Safety Is Not A Model Property: Arvind Narayanan and Sayash Kapoor at AI Snake Oil give a really useful series of explanations of all the reasons why attempting to institute AI safety measures at the model level doesn’t really work, and why instead it makes significantly more sense to instead to think of it more as a ‘downstream’ problem. This is, fine, a bit on the technical side, but it’s genuinely interesting for anyone curious about the questions of how, if at all, any of this stuff can be made helpfully-useful: “Why has the myth of safety as a model property persisted? Because it would be convenient for everyone if it were true! In a world where safety is a model property, companies could confidently determine whether a model is safe enough to release, and AI researchers could apply their arsenal of technical methods toward safety. Most importantly, accountability questions would have relatively clear answers. Companies should have liability for harms if model safety guarantees fail, but not otherwise. By contrast, accepting that there is no technical fix to misuse risks means that the question of responsibility is extremely messy, and we don’t currently have a good understanding of how to allocate liability for misuse. Assuming that retrospective detection is easier, one low-hanging fruit is to require anyone who hosts a model, whether closed or open, to adhere to certain standards for monitoring and reporting misuse — see our call for generative AI companies to publish transparency reports (and, more generally, the least cost avoider principle). But that won’t be enough, and downstream defenses are needed.”
  • The History of UBI: This is fascinating and taught me loads that I’d previously been entirely unaware of; specifically, that the concept of Universal Basic Income was significantly further along from a legislative implementation point of view than I’d ever imagined, particularly in the US in the 70s, and that it’s been discussed with varying degrees of enthusiasm for centuries…who knows, perhaps the imminent prospect of the general fabric and framework of what we laughably call ‘the science of economics’ (LOL IT IS NOT A SCIENCE) being entirely upended by the decoupling of intellectual labour from earning power will make us once again think about it seriously.
  • The British Library Hack: I don’t as a rule tend to link to too many institutional statements here, what with them as a rule being incredibly fcuking dull, but this particular one, from the British Library, is an exception. As you’re probably aware, the Library was subject to a ransomware attack last year and has basically been utterly hamstrung from an IT point of view for several months – this statement is the Library’s account of what happened, what they did, and what happens next. It’s honestly SO much more interesting than you might think, partly because it goes into a lot of detail about what they actually did and how their systems and processes worked and you get to learn all sorts of things about organisational operation that you wouldn’t ordinarily hear (which, yes, I know doesn’t SOUND interesting, but you’ll just have to take my word for it) and partly because it’s open and honest in a way that these sorts of documents rarely are. Exemplary comms work in what must have been a really miserable time – the ‘lessons’ bit at the end is particularly good and worth reading in the unlikely event that any of you reading this are in charge of digital security for a major cultural institution.
  • Gamergate 2: It’s quite miserable even having to type that, to be honest – I was thankfully well out of the videogames business when gamergate happened, but I knew enough people still involved to have a bit of a handle on what it felt like from the inside (horrible), and I remain slightly astonished at the extent to which it has shaped SO MUCH CULTURAL DISCOURSE (you may think I’m exaggerating, but I’m really not – so much of online culture was reshaped in its wake, and as I like to think we’ve started to realise now, THERE IS NO FCUKING DISTINCTION BETWEEN ON AND OFF ANYMORE) – you don’t get Andrew Tate without Gamergate, is what I’m saying. Anyway, there’s another mad-but-almost-certainly-disproportionately-influential ‘scandal’ brewing in gaming, which once again features a bunch of idiots being manipulated by FORCES LARGER THAN THEM WHICH THEY DO NOT UNDERSTAND (again, not wholly joking here – if you can’t see some bigger game at play here when criticisms of DEI and ESG measures start being used in discussions about game plots and characters then I don’t know what to say to you) into getting violently upset about ‘woke’ messages being injected into videogames, and this being somehow the reason for the industry’s current parlous state rather than, say, the insane greed and moronic business practices of the finance businesses that underpin so much of everything. This WIRED piece explains the controversy – I appreciate it all sounds very silly, but so did ‘it’s about ethics in games journalism!’ and look where that took us.
  • Speed Dating Is Back: Look, I don’t know if this is true or not, and I don’t really care – I am including this Washington Post article almost exclusively because I’ve been saying “speed dating’s coming back!” for years now, and it’s rare that I get to point at actual media proof that I was (sort of) right.
  • There’s No Such Thing As ‘Viral’ Anymore: I personally think a better and more accurate title for this article would have been ‘we no longer have a shared experience of mass culture at meaningful scale beyond about a dozen things’, but I appreciate it’s significantly less snappy. Taylor Lorenz writes about the fact that basically noone knows what ‘viral’ means anymore – time was that your idiot client would ask you to ‘make something go viral’ and that meant ‘get loads of people to see it and talk about it’…now, though, getting ‘loads’ of people to see a thing doesn’t in any way mean that it will break out into wider culture (BECAUSE THERE IS NO SUCH THING ANYMORE), and the idea of a ‘thing that everyone has seen’ is vanishingly rare because we all exist inside our own internets and painstakingly-curated filter bubbles of our own devising. Don’t make me tap the ‘in the future everyone will be famous for 15 people’ sign again, please. SEMI-RELATED: this is an interesting piece looking at the end of a specific era on YouTube, specifically the era of ‘youtubers’ as an aspirational thing, because in 2024 there are only two youtubers (Marcus Brownlees and MrBeast) and the whole idea of ‘finding fame and making a living making content’ has rather been debunked as either impossible or FCUKING MISERABLE, and everything;s going to be AI sludge soon anyway.
  • Who Bought Deadspin?: You may or may not be aware that the latest casualty of the ongoing digital media apocalypse this week was the sports website Deadspin, whose owners announced on Monday that they’d accepted an offer for the site, that the buyers were keen to preserve the editorial integrity and ‘unique voice’ of the content but, er, that they were sacking literally everyone who was responsible for that integrity and voice immediately. This is an interesting – if a bit ‘inside media’ – dive into who exactly the acquirers are, which concludes that these BASTIONS OF MEDIA are…er…a Maltese gambling company! Welcome to the future, in which everything you read is produced in service of getting you to hand your money, your data or your immortal soul to some awful cnuts operating in an offshore tax haven somewhere.
  • The ‘Young Indian’ Method: Or, ‘how labour exploitation is evolving in the 21st Century’ – 404 Media (doing SUCH great work since they launched, it’s incredibly impressive) look into the frankly unsurprising new grift which involves passive income ‘influencers’ selling guides on how to use teams of low-paid workers in India (or the Philippines, or a number of other countries less well-off than the UK or US) to power your business while you effectively sit back and watch the money roll in. Which, to be clear, is literally what companies in the West have been doing for centuries, but there’s something chilling about seeing it extending down to suburban teenagers in Surrey who are selling instruction manuals on how to manage armies of sub-minimum wage contractors half-a-world away.
  • The KFC Brand Book: I know, I know, NOONE WANTS TO READ A FCUKING BRAND BOOK. Except I know for a fact that lots of you work in the benighted advermarketingpr industries (if you’re lucky and you’ve not yet felt the sharp sting of the axeblade against your neck – because know that it is coming) and as such might fall into the tiny demographic quadrant that actually really does want to – and also this effort, by KFC in (I think) 2015, is genuinely brilliant. Ok, fine, it’s still a fcuking brand bible and as such is sort-of horrible and evil, but, equally, it’s a really good example of the genre – it’s clear, it’s directional, it’s READABLE (so rare) and it’s even on occasion funny, and it’s written in language that is clear and doesn’t at any point dip into marketingwank. Really, really good, this.
  • Battle Scenes In Films: Specifically, how exactly did filmmakers go about creating epic battle scenes in films in the pre-CGI era, when you had to conjure up the Battle of Thermopylae with nothing more than 50 ruinously hungover extras, some bedsheets and a sun-battered plain – this is honestly SO interesting, if perhaps a touch overlong, and contains enough mad anecdotes about insane directorial behaviour to last me a lifetime. I mean, listen to this – MADNESS: “To make the battlefield look authentic a team of labourers and engineers bulldozed and levelled two hills, deepened a valley, and laid five miles of roads.” Yeah, of course you did.
  • Jeff Minter: If you’re a British videogames enthusiast of a certain vintage, you’ll probably know the name Jeff Minter, singular creator of a bunch of idiosyncratic, kooky games which for reasons known only to Jeff always featured llamas. This is a profile of him, in advance of an interactive documentary about his work that’s coming out soon, and it’s genuinely charming – the details about Minter’s singular inability to back a winner made him particularly endearing to me.
  • Walking Phoenix: I have never been to Arizona, and I have no idea what Phoenix is like as a city. Chris Arnade, owner of a blog called ‘walking the world’ (in which, unsurprisingly, he writes about ‘walking’ around ‘the world’) has been to Phoenix, and had quite a rubbish time there – this is his account of why. This is a bit of an odd one – I can’t say that I particularly enjoy the tone of Arnade’s writing (Chris, in the unlikely event that you a) ever see this; and b) give even the slightest of fcuks about my opinion, console yourself with the fact that I can’t write for sh1t ether and yet it’s my primary means of earning a living) and I found the general tenor of the piece a bit uncomfortable in places…but, equally, it’s a pretty unflinching portrait of what a city looks like when you have no public infrastructure or social security support net, and everything is built in service of cars rather than people, and when people who should quite evidently be receiving treatment are instead left to fend for themselves…I think more than anything it’s utterly repellent that this should be the status quo for hundreds of thousands of people in just one of the major cities of one of the world’s richest countries. Think of it as a cautionary tale, because, really, this is not an entirely-alien picture being painted here.
  • How Men Pee: This made me laugh a LOT. Esther Wang writes of her confusion at the actual mechanics of how exactly men use urinals, and her subsequent conversations with male friends and colleagues to get to the bottom of the whole thing. I am slightly astonished by Wang’s ignorance here but this is very funny indeed.
  • Scrabble: My girlfriend and I play Scrabble reasonably regularly. At the last count, I have won a grand total of three games against her, ever. She regularly beats me by a factor of 2. It is, not to put too fine a point on it, incredibly humiliating and I’m starting to get something of a complex about it. She is not, though, as good as the subject of this profile, a man called Nigel Richards, a person so good at Scrabble that he is apparently basically playing a totally different game to everyone else. I loved this piece – I’ve read articles about high-end Scrabble before, but this does a better job of capturing the beauty of truly elegant play, and the curious oddness of someone who is so much better at one specific thing than anyone else currently alive.
  • Rave Culture: Chal Ravens reviews a book about UK rave culture in the 80s and 90s, free parties and flyers and the criminal justice bill and the co-opting of the scene by money and its eventual descent into mainstream self-parody by the mid-00s – this is super-interesting, particularly if you’re old enough to remember the birth of the scene (to be clear, I am not quite THAT old – my friend Simon is, though, to the extent that he was basically adopted by Spiral Tribe when he was 16 and went on the road with the hippy bus for years, and he endorsed this article so I feel that’s all the badge of honour you need).
  • Jim Martini: A wonderfully-stylish little short by Michael Bible which hits a very specific ‘American short story’ register quite perfectly.
  • At Miu Miu: Sophie Kemp writes about going to parties at Paris Fashion Week. You can smell the dry ice and bulimia from here.
  • Strings: Rosie Dastgir writes beautifully about parenting, illness and recovery, with a pleasingly sinister undertone which I very much enjoyed.
  • Maud: Our final longread of the week is this dialogue-based short by Noor Qasim, which is SO impressive – structure, tone, the works. This is beautifully crafted, and the central conceit of the interview between journalist and artist, and how it moves and what it reveals, and doesn’t, about each at each stage, works so well. I thought this was exceptional.

By Michael Kirkham

AND NOW, MOVING PICTURES AND SOUNDS!:

https://www.youtube.com/watch?v=J1c2KzJbcGA

Webcurios 08/03/24

Reading Time: 38 minutes

HELLO EVERYONE HAPPY BUDGET WEEK DO YOU FEEL RICH?

Lol!

Sorry, once again I have to remind myself that not everyone reading this is from the UK, and therefore not everyone will have had the uniquely-unpleasant experience of having a succession of millionaires appear on television to tell you that actually, contrary to every conceivable visible and invisible metric, things ARE going well and getting better and you would have to be a fool or a communist or possibly one of them illegals from the small boats if you thought otherwise.

Still, the yanks get to watch one mad, useless old cnut lose to another, worse, mad, useless old cnut. WHAT A TIME TO BE ALIVE! Can someone living in a non-US/UK country and currently having a nice time drop me a line to remind me that there are other places in the world, and some of them even occasionally function in a way that doesn’t make you want to take a knife to your own viscera?

I am still Matt, this is still Web Curios, and you can rest assured that there is relatively little additional whinging and moaning from hereon in.

(PS – sorry about fcuking up the very first link last week; as a general rule, if they’re broken or wrong in the email, check the website a few hours later and I will probably have fixed it)

By Luke Chueh

WE BEGIN THIS WEEK WITH A MIX BY FORMER EDITOR PAUL, WHICH THIS TIME AROUND IS A MINIMAL DRUM AND BASS SET AND WHICH I RATHER ENJOYED AND THINK YOU WILL TOO!

THE SECTION WHICH, CONTRARY TO THE WONKA STUFF, HAS REALLY ENJOYED ALL THE BEER MEMES THIS WEEK AND WONDERS WHETHER THE INTERNET IS BRIEFLY BECOMING GOOD AGAIN, MUCH LIKE THE TERMINALLY ILL OCCASIONALLY HAVE MOMENTS OF BRIEF BUT SEARING LUCIDITY BEFORE THEY FINALLY CARK IT, PT.1:  

  • Downpour: Our first link of the week is, honestly, something which for some of you might well be enough to keep you occupied for the whole weekend – Downpour (trailed previously in Curios at some point last year) is the just-released new app by V Buckenham who has been making interesting and fun digital…things for years, and who’s now released this genuinely wonderful app, available on iOS and Android, which is basically a small toolset for making beautiful, handmade little interactive experiences, whether games or little storybooks or…fcuk, my cripplingly-limited imagination means that I’m seemingly only capable of coming up with two potential usecases for this, but I believe in you and your creativity and I’m sure you’ll all be able to think of LOADS of really fun things you can do. You can get a feel for how easy it is to make things by watching this short video – but it really is as simple as ‘take a photo, assign clickability to elements of it, build ‘pages’ that you can navigate to (all stitched together from cameraroll pictures) and then publish it’, and the fact that it all effectively uses photos as the canvas means that it’s incredibly simple to make things and also allows for some lovely aesthetic flourishes – I think we’re going to see some really rather cute and interesting things built on this. Stuff like this really does make me wish I was ‘creative’ in some way, but turns out I’m really not – I see, I link, I fcuk off, basically – but I like to imagine that YOU, gentle reader, are a significantly more full, interesting and richly-textured human than I am and that you will flourish and thrive and make and build, so, er, get to it! Seriously though, this is potentially PERFECT for kids from about 8-10 up (CAVEAT: I am barren and know fcuk all about children), imho, so might be a nice thing to try with them should you have access to some.
  • Globe: I have to tell you, I fcuking *hate* having to start link descriptions with a slightly-pathetic “I’m not really sure what this is, or how exactly it works” but, er, I’m not really sure what this is or how exactly it works – I *think* it’s built on an LLM, or uses one in some fashion, but there’s not a whole lot of available information on the homepage and I can’t for the life of me remember where I found it…so what you’re going to have to put up with here is me basically making a series of half-ar$ed guesses about the form and function of this site which might turn out to be totally wrong. Ok? OK! ‘Globe’ is, as far as I can tell, a ‘shape of topic definer’ (oh god, this is going worse than I’d feared) – basically type in anyarea of interest or field of enquiry you can conceive of (“haberdashery”, say, or “taxidermy”, or “string theory”) and the site will build out a sort of corpus/taxonomy of concepts within that field, to effectively create a sort of framework of enquiry or ideas, or maybe more accurately a rough delineation of the parameters of the query. Er, does that make sense? I mean, it does to me, but I appreciate that that’s not necessarily a strong positive indicator. Anyway, I tried this for a few things that I have a bit of knowledge about, and it’s actually pretty good at giving a broad ‘these are the things that you might want to consider when thinking about x’ overview, and as such might be an interesting part of the planning or research process – regardless, I think there’s something interesting here and it might be worth signing up to keep updated on the project’s development.
  • The Election Tech Handbook 2024: I mean, we *think* we’re getting an election this year, but who knows? Despite his obvious lack of either talent or taste for the gig, Rishi seems strangely disinclined to press the ‘initiate electoral disembowelment’ button and so it’s still possible we’re going to have to wait til January to defenestrate this bunch of sorry cnuts (on which: the sad thing about the forthcoming Tory apocalypse is that, unlike in 1997, when you felt that for several of the outgoing MPs it was going to seriously fcuk up their lives which added no little joy to the schadenfreude, this time around all of the fcuks who are set to lose their seats also happen to be multimillionares, meaning their defenestration from the House will make the square root of fcuk-all difference to them, dammit) – still, whenever it happens we can guarantee that it will be VERY DIGITAL – which is why the nice people at Newspeak House have created this collaborative resource, collating all sorts of interesting and useful digital tools and projects around tracking and monitoring UK politics – if you have ANY interest at all in campaigning or activism or electoral/political data, you sort of need to bookmark this (and if your job involves research or planning, there are a bunch of genuinely useful datasources in here which you might find useful too).
  • The Audio Drama Directory: Audiobooks and dramas are BOOMING right now – although I have a sneaking suspicion that a significant portion of this boom is from people listening to what is basically werewolf bongo all the time – and so I imagine that lots of you might find this a useful resource, a new site which aims to catalogue and link out to all the various different online audio dramas currently being published. This is genre-and-topic neutral, and there is a LOT in there – click on the ‘tags’ page and you’ll get a better feel for the breadth and scope (and the amount of niche content – you want Warhammer audiodramas? YOU GOT THEM! There’s also nearly 1000 ‘explicit’ tags on-site, should you have run out of lynacthropic bodicerippers to titillate you), and it feels like there should be something for everyone on here if you spelunk hard enough.
  • Make Games From Static Images: Ok, fine, you can’t do this *now* – but you will be able to soon! Isn’t that exciting! Oh, come on, it’s a *bit* exciting – click the link and scroll down the (admittedly dull and technical) paper and look at the embedded screenshots which show how Google has prototyped an AI model that can basically look at a static image and turn it into a(n incredibly-rudimentary and very shonky) side-scrolling 2d platformer! This is very much a proof-of-concept-type thing at this stage, and you’re pretty unlikely to see it in the wild anytime soon, but it’s an impressive trick if nothing else.
  • Useful Things For LLM Wrangling: I’ve linked to Professor Ethan Mollick’s work in Curios more times than I can count over the past couple of years – he’s honestly one of the smartest and most-helpful people talking about practical uses of LLMs right now, and I am consistently amazed by his generosity – he shares so much information out of seemingly nothing more than a genuine desire to be helpful, which frankly is something we could all perhaps do a little more of (he says, like a pompous pr1ck – fcuk’s sake, Matt, you pious cnut). This is Mollick’s latest public-facing project – a directory of helpful tools and primers and prompts that anyone can use to help them do better and more useful work with LLMs – this is aimed primarily at teachers and educators who might want to integrate the tech into the classroom, but there’s also a lot of helpful information about general principles one ought to bear in mind when wrangling The Machine, and anyone who has to (or simply wants to) deal with this stuff should find something genuinely helpful in here. Oh, and this video (on trying to wrangle GPT to do a specific thing) is gently amusing but is also actually a pretty decent ‘this is how you make the machine do what you want it to, eventually) how-to.
  • The Ubu Web Archive: This is a bit sad. I remember finding Ubu Web back in the day when I worked in arts PR and started to get interested in digital work and practice in a semi-proper fashion, and stumbling across this genuinely amazing archive of writing and thinking and images and videos and sounds, all just seemingly…put there, by person or persons unknown, for anyone to access and enjoy…To me it’s been emblematic of a certain idea of ‘what the web can be’ – it’s messy and not in any way shiny, but it’s born of genuine interest and passion and it’s a truly astonishing resource. If you’re not familiar, “Founded in 1996, UbuWeb is a pirate shadow library consisting of hundreds of thousands of freely downloadable avant-garde artifacts…The site is filled with the detritus and ephemera of great artists better known for other things—the music of Jean Dubuffet, the poetry of Dan Graham, the hip-hop of Jean-Michel Basquiat, the punk rock of Martin Kippenberger, the films of John Lennon, the radio plays of Ulrike Meinhof, the symphonies of Hanne Darboven, the country music of Julian Schnabel—most of which were originally put out in tiny editions, were critically ignored, and quickly vanished. However, the web provides the perfect place to restage these works. With video, sound, and text remaining more faithful to the original experience than, say, painting or sculpture, Ubu proposes a different sort of revisionist art history based on the peripheries of artistic production rather than on the perceived, hyped, or market-based center.” I found out this morning that the site is now mothballed and will exist only as an archive – and for how long? It feels quite important that an institution take this on and preserve it in perpetuity.
  • Swayy: It feels like we’re on the cusp of doing ‘mapping and meeting irl via apps’ again, or trying to – the noises about Insta copying the Snap Map feature aren’t going away, and there have been a few ‘share your location with your friends!’ startups floating around in 2024 – Swayy is the latest iteration of this idea, but with the twist that you’re not sharing your ACTUAL location, but your FUTURE location, effectively advertising to a select list of people that “I will be in this location at roughly this time, should you want to come and worship at my feet” – or, entirely more accurately, “should you want to come and pick up for the weekend” because COME ON THIS IS LITERALLY THE PERFECT APP FOR DEALERS and I refuse to believe that that isn’t something that the team behind it is 100% aware of. Anway, the team behind this are apparently based in Slough, and therefore I wish them well because noone deserves a failed business on top of having to live in fcuking Slough.
  • The NASA TTRPG: Hats off to NASA – I think this is a genuinely great little bit of marketing which makes perfect sense given the organisation and the sorts of people it is likely to want to attract/recruit – the US space agency has launched its very first ROLE PLAYING CAMPAIGN, which you can download for free and play with your friends should you so desire! “A dark mystery has settled over the city of Aldastron on the rogue planet of Exlaris. Researchers dedicated to studying the cosmos have disappeared, and the Hubble Space Telescope has vanished from Earth’s timeline. Only an ambitious crew of adventurers can uncover what was lost. Are you up to the challenge? This adventure is designed for a party of 4-7 level 7-10 characters and is easily adaptable for your preferred tabletop role-playing game (TTRPG) system. NASA’s first TTRPG adventure invites you to take on a classic villain (while also using and learning science skills!) as you overcome challenges and embark on an exciting quest to unlock more knowledge about our universe. Download your game documents below and get ready to explore Exlaris!” Which all sounds lovely, and I particularly like the fact it’s system-agnostic and so ensures the broadest possible audience – obviously I’ve not delved into this and so can’t 100% promise you that it’s not basically US space-imperialist propaganda but, well, let’s give it the benefit of the doubt.
  • Stillgram: I don’t think that this app is *intended* to be sinister, but I have been thinking about it on-and-off for a few days now and there’s something about it that I find genuinely-unsettling. Stillgram is an AI-powered photo editing app that exists to do one thing and one thing only – remove any and all people from photographs, leaving only the scenery and getting rid of all the unpleasant, limb-y, meaty messiness. Want to create the illusion that you were able to visit the Trevi Fountain ENTIRELY ALONE? GREAT! Except what it actually does is, as far as I can tell, just turn everything into an incredibly-eerie, “28 Days Later”-style postapocalypse – actually it might be quite fun to go through every single photo you’ve ever posted online and edit them with this to remove all the humans and see whether anyone ‘reaches out’ to see if you’re ok.
  • LefseTime: I was utterly charmed by this website, mainly because I have a slight *thing* for very obscure, incredibly niche national culinary traditions but also because it assumes a degree of knowledge on the part of the visitor – “IT’S LEFSE TIME!” declares the URL and the homepage, but does the website at any point seem inclined to explain what the everliving fcuk a ‘lefse’ actually is, or whether ‘lefse time’ is cause for celebration or abject fear? DOES IT BOLL0CKS! Thanks, though, to my SUPERIOR POWERS OF DEDUCTIVE REASONING, I have been able to infer that a ‘lefse’ is a type of scandinavian pancake made with potatoes or potato flour, and that they are eaten…on special occasions (WHEN? I WANT TO KNOW!! WHY ARE YOU WITHHOLDING THE LEFSE KNOWLEDGE?), and that for reasons I am once again unable to infer, they are VERY IMPORTANT in terms of heritage and identity to a presumably-small-but-passionate coterie of North Americans, probably in the Midwest. I think I am hitting something of a fatigue wall here at 7:59am, because I just clicked on the FAQ page and had a slightly-teary laughing fit at “The edges of my Lefse are crispy, what am I doing wrong?” – IT’S ALL ABOUT THE LEFSE! Oh God, actually crying again, going to have to move on here otherwise this will never get written.
  • Riyadh Season: A website advertising Saudi as a winter travel destination – this is both as shiny and as utterly empty as you would expect it to be, but I thought it worth highlighting because of what I thought was the…interesting aesthetic/editorial decision to have a whole segment of the site devoted to sports entertainments which a) features a representation of a colosseum or amphitheatrical arena, which struck me as curious both from a sort of cultural/historic point of view, and also…punchy for a regime which regularly executes people it doesn’t like; and b) features Cristiano Ronaldo as a weird golden robot effigy which, again, is sort of perfectly-awful. Amusingly, the webwork here isn’t even very good – SPEND MORE, MBS! SPEND MORE!
  • Iris: I only found this this morning, so apologies for the slightly-cursory writeup, but this is…ODD, and also it turns out is by the bloke who found fame this week for being ‘the man in the boob top’ (you know what, if you have no idea what this is referring to then WELL DONE YOU – congratulations, you’re doing better at life than I am and you should feel very proud, but…what are you doing reading Web Curios? You’re obviously better than this) – Iris is…a digital platform for artists? An artwork in and of itself? A fever dream by a rich moron who evidently has more money than sense and is almost-certainly not averse to ‘journeys of psychedelic discovery’? WHO KNOWS, but you certainly won’t get much more of an idea by clicking through to the website, which takes the…unique UX decision to present the vision and purpose of the whole thing as a series of videos in which the founder, “Princess Momo Arnesson, also known as Patrik Patrique Monique Arnesson” (no, really) expounds on his vision for…some sort of revolutionary art platform, with all the charisma of Warhol on Quaaludes. This is WEIRD – but also, you should be aware that the site also wants to use your camera and mic, which means you might have the same slightly uncomfortable experience as I did about 35 seconds ago when I heard what I presume was Arnesson saying “hello? Hello?” to me through the site. Not sure I’m logging on again.
  • Quick AI Images: This is called ‘Qualia’ – honestly, I have no clue whatsoever what this is built on or what model it’s using, but it is VERY quick and I like the fact that it spins out a large number of variants from a single prompt, and, honestly, for quick scamps and storyboarding and that sort of thing this is really useful and you should bookmark it.
  • Enzo’s Legacy: This is a gorgeous little project website, built by one Casper Kessels, which celebrates the car design genius of Enzo Ferrari – I think I might have featured a previous project of his in here a few years ago, on reflection – and presents a timeline of all the cars he ever designed along with information and images of each. Obviously you need to be a car (and ideally a ferrari) lover to get the most out of this, but it’s worth a quick look even as a non-obsessive as MAN did Enzo design a metric fcuktonne of vehicles.
  • Cities Moving: Via Giuseppe, this is a lovely project and a really nice, clever bit of datavisualisation – “To quantify the motorisation of urban mobility, we model the number of kilometres travelled by different modes of transport in a city by aggregating active mobility, public transport and cars. Our findings suggest that although public transport is more prominent in large cities, it is insufficient to reduce the distance travelled by car users within the city and, ultimately, their emissions. With the model share data for 794 cities across over 61 countries, the visualizations below allow to compare the proportion of journeys to work in different countries, regions, income groups, and population sizes. In the end, it also allows to explore all the cities on the map.” Potentially useful for some of you, but, even if not, this is both interesting and a really good piece of infodesign.
  • The Weird Wide Webring: Webrings! A term which will mean literally NOTHING to anyone under 40! Webrings, for the children among you (or alternatively those who had better things to do with their lives than spend any of it online in the 1990s) was the term given to loose, thematically-linked collections of websites or webpages which would all agree to link to each other in a mutually-reinforcing daisychain of support and love (/circlejerk of self-promotion, depending on your perception and degree of cynicism) and basically was the sort of digital/cultural precursor to the weird, self-perpetuating ouroboros that was ‘mummy bloggers’ in the 00s – anyway, this Page simply links out to a bunch of small, interesting, odd digital projects that the curators enjoy, no more, no less. BRING BACK LINKY ONLINE COMMUNITIES.
  • XOXO 2024: XOXO is one of the OLDSCHOOL DIGITAL MEETUPS, a proper bastion of a certain type of web ideal and ethos, and it’s coming back this year – held in Portland because, well, that’s where Andy who organises it lives but also because I don’t think there is anywhere in the world more redolent of this sort of thing than Portland. Anyway, there are limited details about the event other than the dates (August), but I am including it because a) I think it’s the sort of thing that many of you might be interested in; and b) Andy’s built a wonderful clicker game Easter Egg into the site, which made me SO HAPPY when I found it – honestly, what is your excuse for not putting small, silly toys into every website you make, just for fun? YOU HAVE NO EXCUSE, DO YOU? DO YOU?????

By Maïté Jane

NEXT UP, ENJOY THIS SUPER, ECLECTIC AND GENERALLY-CHILL MIX FROM A FEW YEARS BACK, BY CHANCES WITH WOLVES WHOSE WHOLE CHANNEL IS VERY MUCH WORTH A LISTEN! 

THE SECTION WHICH, CONTRARY TO THE WONKA STUFF, HAS REALLY ENJOYED ALL THE BEER MEMES THIS WEEK AND WONDERS WHETHER THE INTERNET IS BRIEFLY BECOMING GOOD AGAIN, MUCH LIKE THE TERMINALLY ILL OCCASIONALLY HAVE MOMENTS OF BRIEF BUT SEARING LUCIDITY BEFORE THEY FINALLY CARK IT, PT.2:  

  • The Mumbai Metaverse: I was a bit conflicted about including this one, to be honest – I am trying to include more ‘look, this is brilliant!’ links and fewer ‘oh good look what the morons have spunked six figures on’ diatribes, and I have on at least one occasion been contacted by a dev who claimed to work on something that I’ve given a kicking to, and, honestly, that didn’t feel great – but then I thought about it a bit and I figured actually, no, fcukit, this is not only genuinely terrible but it’s also a piece of political comms and it was launched by a local politician in one of India’s major cities and therefore it is an ABSOLUTELY legitimate target for scorn because, let’s be clear, this is FCUCKING RISIBLE. Click the link, and marvel – at the graphics, at the speed of the site, at the new and hitherto-unimagined redefinition of ‘metaverse’ as ‘a webpage’, at the idea that the VR elements of this are EVER going to be built…but the very best bit, the very pinnacle, is when you click into the ‘games’ section and you realise that someone’s literally just dumped in a shovelware mobile phone game, dropped onto the website for reasons known only to the devs, in a genuinely staggering example of ‘will this do? No? Oh, sorry’. India has exceptionally talented designers and developers, but seemingly none of them were consulted in the creation of this; it…it doesn’t feel like a GREAT use of the city of Mumbai’s budget, put it that way.
  • The 88×31 Archive: Would you like a collection of literally thousands of those small, glittery little buttons you used to see all over Geocities and the like? Would you like to be able to download them to do with WHATEVER YOU PLEASE? Yes, of course you would – I personally quite like the idea of using this dataset to train a VERY SPECIFIC and remarkably-pointless AI which is capable only of producing small, sparkly badges, but can do so about an infinite range of topics.
  • Title Drops: This is far, far better than it ought to be – Film Drops is a website/project whose sole apparent aim is to record and document the exact points in a film’s runtime when the title of the film is spoken out loud in dialogue. That’s it. Want to know at what point in Raging Bull someone says the words “Raging Bull”? Well sorry, I can’t help you, the site doesn’t actually mention that particular one – but there are loads of others, and this is both an interesting Pudding-style bit of dataanalysis and fiddling, and also just a really nice bit of webwork; the UX/UI for ‘scrolling’ through the films is really satisfying and something I’ve not seen done before, so WELL DONE designperson.
  • Simply News: I’m presenting this largely without judgment – the thing is, I may not like it but it really does feel inevitable that stuff like this is, to a large extent, the future of ‘news’. Simply News is an AI-powered news aggregation project which basically outsources the whole process of working out what is interesting that day, what to say about it and then publishing the content to The Machine as a series of themed podcasts, start to finish (or so they would have you believe – I am not quite certain that the tech here’s good enough to let this run entirely autonomously yet). The ‘how’ bit is interesting, at least the characterisation of the different ‘Agents’ the process employs: “Simply News works by coordinating multiple AI-agents to produce a cohesive, news-focused podcast across many distinct topics every day. Each agent is responsible for a different part of this process. For example, we have agents which perform the following functions: The Sorter: Scans a vast array of news sources and filters the articles based on relevance and significance to the podcast category. The Pitcher: Crafts a compelling pitch for each sorted article, taking into account the narrative angle presented in the article. The Judge: Evaluates the pitches and makes an editorial decision about which should be covered. The Scripter: Drafts an engaging script for the articles selected by the Judge, ensuring clarity and precision for the listening.” I have had the ‘Politics’ version playing for a few minutes, and while it’s incredibly bland it’s…God, I fcuking HATE saying this, but it’s…fine. It’s fine, and as we all know, fine is good enough. This is coming, and I really wish it wasn’t. But it is.
  • Homes & Studios: A lovely little project collecting information and photos about the homes and studios of various contemporary(ish) artists – this is very much a labour of love, and they invite contributions from anyone able to help them build out the info in the collection. I now REALLY want to visit the Villa Aalto in Helsinki.
  • The Endangered Language Alliance: I should have known, but didn’t, that New York is the most linguistically-diverse city in the world. The ELA is “a non-profit dedicated to documenting Indigenous, minority, and endangered languages, supporting linguistic diversity in New York City and beyond”, and the website details some of the projects they’re currently undertaken to preserve and record languages as diverse as regional dialectical Italian and Bukhori (which I just learned is a SouthWest Iranian language spoken by Jewish people from the region). This is SO interesting, I would love to know if there’s a similar initiative in London (which, yes, I could Google, but if anyone knows and would like to just tell me that would be great thanks).
  • Send: This is literally just a money transfer platform – sorry, nothing particularly exciting about it – but I *really* like the webdesign here, and as far as I can tell it is secure and cheap, and might be useful to any of you who need to ship cash to Europe, the US or Africa.
  • A Star Wars Auction: Is there really anyone left in the world who likes Star Wars enough to buy Star Wars memorabilia who does not already own ALL THE FCUKING THINGS? Can we maybe have a new story, please? NO MORE FCUKING STAR WARS DEAR GOD. Sorry, but it’s been here my whole fcuking life and IT’S NOT EVEN GOOD. Ahem. Anyway, look, I appreciate that I am not necessarily representative of the wider world in my opinion here and that there may be several of you who want nothing more from life than the chance to bid on Harrison Ford’s ACTUAL COKE STRAW from the set of Empire (NB – I am yet to check, but I’m pretty certain that’s not in fact one of the lots here) – so here, a link to this frankly MASSIVE auction of Star Wars props and memorabilia taking place in the US next week, in which you can expect to pay a cool million bucks for a light-up model of C3PO’s head (in fairness there’s a bunch of other film stuff in here too, like Indiana Jones’ leather jacket from Raiders, so it’s actually worth having a bit of a dig despite my tedious and all-too-predictable anti Star Wars screed).
  • The Organic Software Directory: This feels like A Good Thing – a list of programs that confirm to the broad definition of ‘organic software’, here explained as follows: “The term was coined by @pketh in 2023 in his blog post “In Search of Organic Software”. TL;DR1: Businesses change when they take VC money. Certainly, there were already terms like “Indie” and “Bootstrapped”, but what do they really mean? The “organic” label for software means something specific: Organic Software is software that… 1. Has no external pressure (eg. from funding sources) to chase funding rounds, grow unsustainably, or to get acquired. 2. Has a clear pricing page, discloses their sources of funding, and sources of revenue. 3. Doesn’t make majority revenue from selling user data to third parties” Which frankly sounds like a good set of principles to live by – this is a small, but updated and maintained, list of tools which conform to the ethos, covering website builders and notetaking apps and all sorts of things inbetween (it includes Are.na and mmm.page, to give you an idea of the vibe).
  • FloppyKick: I didn’t realise, until reading this article earlier this week, that there was a thriving (well, in a small way) experimental music scene worldwide, making music and sharing it on floppy discs – I can’t imagine there are THAT many of you who are foaming at the mouth in anticipation of being able to drop (for example) 3 Euros on a floppy disc, emailed to you from Hungary, featuring a single track of ‘experimental noise’ entitled ‘Contagious Orgasm’ which lasts for exactly 30 seconds, but JUST IN CASE I’ll leave this here for you. I don’t feel a need to ever hear this music, but I am very glad that it exists and that people are making it.
  • Walden Pond: Via my friend Simon comes this lovely little project which I think will appeal to a few of you – this is basically ‘Pocket, but instead of reading the articles on the Tube you can instead get them all printed and sent to you as a physical magazine each month, for the genuinely astonishingly low price of a tenner including packing and postage (the price goes up to 14 quid for the 4-hour long version featuring LOADS of articles, which I think seems entirely reasonable)’. I honestly think this is a brilliant concept – not the first time I’ve seen something vaguely like this, but definitely the first time it hasn’t felt like someone was trying to get rich off it or make a PROPER BUSINESS; this instead just feels like a nice hobby project that only wants to cover it’s own ar$e, moneywise (but obviously if the creators happen to read this and feel like I’m misrepresenting either their ambition or their rapaciously capitalistic natures then do feel free to write in and I will happily correct the online record).
  • Death By Numbers: Would you like a dataset covering details of deaths in London between about 1600 and 1750? Would you like to be able to download that for whatever weird (look, fine, whatever, but you can see why I might think that) reason you so choose? GREAT! This is probably a bit niche, but obviously of huge interest to historians and anyone wanting to write a novel set in the 17th or 18thC in which the causes of death are REALLY accurate – I am enjoying scrolling through the tags and noting that ‘headache’ is listed as a potentially fatal condition, as is ‘horseshoehead’, which I really really hope just means ‘was twatted in the head by a horse’.
  • The 2XL Archive: I had genuinely never heard of this before, but perhaps it’s a North America-only thing – anyway, apparently “2-XL was an educational toy robot by Mego from 1978-1981 and re-released by Tiger from 1992-1995. Games originally came on 8-track tapes and later on cassettes during the re-release. Pressing 2-XL’s buttons would change the track, creating a choose your own adventure style path that made it seem as if the toy robot was coming to life.” This website has painstakingly collected and uploaded an amazing collection of the tapes that were packaged with the toy, even going so far as to code in the interactivity bits so you can, should you so desire, replicate the GENUINE EARLY-90s CHILDHOOD EXPERIENCE of what I presume was a pretty rich suburban kid – this is very much something which will mainly appeal to anyone who remembers the original, I think, but there’s something curious about the tech which I get the impression a few of you might find worth digging into.
  • The Run: Did you know Montblanc made perfumes? I certainly didn’t – to be honest I had totally forgotten the company existed, which I imagine will pain any executives reading this deeply; SORRY, FACELESS PEN EXECUTIVES – and I was equally baffled to discover they also make watches and a bunch of other non-pen stuff too. Anyway, perfumes – The Run is a perfectly-serviceable little browsergame which is presumably designed to make you…er…want to buy some sort of biro-themed stinkwater, I presume, via the medium of making you guide a ball down a track at speed. This is actually pretty fun and a not-terrible way of passing the time while you wait for the kettle to boil, or for that idiot to do that thing (why does the idiot always take so long to do the thing?), but I remain utterly confused as to why this game – which, to be clear, features a ROLLING BALL, exactly the sort of ROLLING BALL you get in a BALLPOINT PEN – links to the perfume range rather than the FCUKING BALLPOINT PENS. Come on guys, EMBODY THE BRAND.
  • Prairie Culture: This is a TikTok channel which, according to the bio, is sharing ‘Mongol cuisine and horseback culture’ and honestly it’s great. Although I confess to being possibly not *quite* carnivorous enough to sit and chow down with these people – the (what I presume were) sheep testicles do look pretty good, though, which isn’t honestly a phrase I had ever imagined committing to digital page.
  • Suck Up: This is a link to an actual game that you have to pay for – sorry! – but it’s here more as a ‘how curious!’ link than as a ‘play this’ recommendation. Suck Up is a really interesting attempt to integrated LLMs into gameplay in a way that makes sense and ‘works’ – now I’ve not played this, so I can’t tell you to what extent it’s a winning mechanic, but I have watched some videos of the gameplay and I think there’s the kernel of something genuinely impressive and fun in here. The idea is, basically, that you play as a vampire and you have to persuade the various villagers in the game to let you into their houses so that you can exsanguinate them in typical drac fashion – the LLM integration comes in the dialogue with the NPCs, who are all GPT-or-similar-powered and as such will interact with you in natural language conversation. From the footage I’ve seen this is…imperfect, but it’s also evidently fun and interesting and surprising in a way that games so rarely manage to be; equally, LLMs are still stylistically vapid and as such there’s something of a paucity of style to some of the interactions, but this is one of the first times I’ve looked at this stuff and thought ‘actually, yes, this makes sense and might one day actually be good’. BONUS CONTENT: you can read more about this genre of experimental gameplay here, if you like.
  • AA Roads: Are…are roads HAVING A MOMENT? I ask only as I swear I’ve seen an uptick in tarmacadam-focused content over the past six months, and now here’s another road-obsessive’s website (genuinely had no idea ‘road obsessives’ was anything other than an unfunny throwaway gag, and yet here we are) – AA Roads! “Our mission is to provide the most comprehensive coverage of roads and highways online. Featured throughout our site are photo guides, highway history, project news, maps and other resources. A variety of topics on AARoads aids in trip planning and research while providing the latest information on an assortment of subjects covering roads across the United States.” I have literally NO IDEA who this is for, but, er, here! WHY ARE ALL THESE PEOPLE TAKING PHOTOS OF ROADS AND POSTING THEM ONLINE?
  • Tangleword: I have to confess that I got annoyed with this game because, er, I didn’t really understand it at first and as such it made me feel both thick and resentful (I am nothing if not a good loser). Still, you might get on with it better than I do – it’s the very opposite of intuitive, though, so you’ll probably want to read the instructions (or don’t! See if I care!).
  • Matt Round’s Flash Games Archive: Friend of Curios Matt Round has recently got, er, round to updating some of the old Flash games that he made years ago so that they now work in modern browsers – and you can play a few of them here. Janey Thompson’s Marathon made me laugh out loud – Matt, should you read this, I genuinely think we should offer a cash prize to anyone who can prove completion.
  • A Text Adventure: Finally this week, I *think* this is very old and has been resurrected, but I can’t for the life of me remember where the fcuk I found it and there’s no information on the site. BUT! That doesn’t matter! What DOES matter is that this is BRILLIANT – I don’t want to spoil anything, but it’s very likely that your first playthrough will end in failure, but that that failure will totally change your perception of the game. This is really smart, really nicely-made and well-written, gently-amusing and really worth an hour of your time while you wait for that same bloody idiot to do the thing.

By Lee Madgwick

OUR LAST MIX THIS WEEK IS AN HOUR OF LOUNGEY 70s AND 80s ISH TRACKS SELECTED AND MIXED SUPERBLY BY NEBRASKA! 

THE CIRCUS OF TUMBLRS!

  • Supper Mario Broth: Slightly astounded that this hasn’t been in Curios before, but apparently not – this is a Super Mario-themed (the title, however, is not a typo) Tumblr curated by a VERY OBSESSIVE Mario fan. You want Mario trivia and minutiae and facts? ARE YOU SURE, THIS MAN HAS A LOT OF THEM.

THE TROUGH OF (INSTA) FEEDS IS EMPTY THIS WEEK DUE TO MY NOT HAVING SEEN ANY PARTICULARLY-INTERESTING INSTA ACCOUNTS!

LONG THINGS WHICH ARE LONG!

  • Naive Yearly: Kris, who writes the Naive Weekly newsletter which I link to most weeks, ran a conference in Copenhagen last year called Naive Yearly – a day which brought together a bunch of people who make and work at the edges of what he terms ‘the small, poetic web’, creating small web experiences and pieces of digital art and craft which exist orthogonally to the big platforms and mass media of the majority of the web. I happened to be there too, despite embodying literally none of the above-defined ideals and being about as creative as mince, and it was honestly lovely – fascinating talks about fascinating topics by fascinating people, and all of it genuinely hopeful and positive and optimistic about what the web is and what it can be, and how people can use it in interesting ways to make things and define themselves. Kris has now creates a small website to hold some thoughts about the day, some notes from the speakers and some details on their talks, and I honestly can’t recommend this enough – every single one of the people here listed has something interesting to say about ‘digital’ (in the broadest sense), and I promise you there is something to inspire and delight each and every one of you in here. If nothing else, read Kris’s essay about the landing page, which I think is a lovely evocation of the spirit he’s exploring in his weekly newsletter and through the talks and thinking here collected – honestly, I am a miserable cynic (it may not be apparent from the joyful, lighthearted in-house style employed at Curios, but I am!) and generally tend to hate everyone and everything, and like any proper GenXer am allergic to sincerity, but despite this and despite the fact that I spent not-insignificant portions of the day feeling a little bit like death at the rave, I STILL felt inspired and excited by everything I’d heard – which makes me think that YOU, nameless, faceless stranger who’s probably marginally less of a miserable husk than me, might really enjoy it.
  • Is Claude Conscious?: This week Anthropic, the people behind the ‘Claude’ AI, released a bunch of new models – and in playing with them, people are once again getting overexcited and frothy and saying silly things about consciousness and The Machine. Maybe I’m being unfair – I suppose the author here isn’t TECHNICALLY saying that they believe that The Machine is in fact self-aware and ‘wants to live’, just letting you, the reader, infer that if you like – but I think it’s important to point out here that NO THESE MACHINES CANNOT AT PRESENT THINK. Still, it’s interesting to read the transcripts of conversations in which Claude does a reasonably convincing job of sounding a lot like the sort of sentient AI that must have been written up millions of times in the reams of low-quality AI self-publishes scifi that’s almost-certainly included in the training set – BECAUSE THAT’S WHAT’S HAPPENING HERE. If you’re interested in this stuff, this is a REALLY interesting paper exploring exactly the question of ‘ok, what might we meaningfully want to say when we talk about ‘consciousness’ in the context of the current and coming wave of machines’ – it’s a PROPER PHILOSOPHY PAPER, and as such it might be a bit of a struggle if you’re not used to the conventions of the discipline, but I think it does a very good job of outlining questions around what consciousness ‘is’, and how we might talk about new versions of it that we’re almost certainly going to encounter at some point in the not-too-distant.
  • We Haven’t Been Capitalisming Hard Enough: I really like the title of this piece, by Tobias Revell, in which he argues that we should become better at spotting the lie and incoherence at the heart of the continued claim that we’re fcuking things up simply because we’re holding back the invisible hand in some way, and that the only way to succeed is to TURN CAPITALISM UP TO 11. To quote, “If you point out that AI isn’t actually meeting any of these promises and is hurting a bunch of people along the way, it is turned into an excuse for more, faster AI. Effective accelerationists who are tend to lurk at the forefront of the technology and money discussion will gleefully profess that fuelling the worst excesses of capitalisms is a great idea because actually it will lead to all these things they’ve been promising: That really, the problem isn’t that technology developed and deployed through capitalistic mechanisms will always fail to fulfil its promises as longs as the motivation is shareholder profit, but that it’s only with more, harder, faster capitalism that these promises can be fulfilled.”
  • Generative AI and the Future of New York: This is a really interesting report by Mckinsey, which I’ve been surprised hasn’t been picked up more widely – in it, the consultancy does a bunch of modelling work to predict the potential impact on the economy and labour market that we can expect to see, based on the current trajectory of progress, from increased adoption and integration of generative AI into the global economy. Bear in mind, this is *Mckinsey*, a company with a very strong vested interest in making this stuff look as positive and ‘BETTER FUTURE’ as possible because that’s how then make loads of money being the people who advise on exactly how to implement it and how to then sack all the people you no longer need…and even Mckinsey is predicting an at-best 100k positive impact on the jobs market, and even THAT is based on an utterly-empty statement about ‘700k new jobs arising in new fields enabled by AI’ (which, obviously, we can’t POSSIBLY envisage, but, equally obviously, DEFINITELY WILL HAPPEN). When even the consultants whose living depends on juicing this stuff and selling the most positive vision of it as possible are struggling to build the ‘no, don’t worry, the jobs will be fine!’ narrative then perhaps the rest of us ought to worry.
  • Finding Food In Gaza: The images of starving, dying kids coming out of Gaza in the past week have been horrific – this piece from a few week’s back in the New Yorker tells of one family’s struggle, along with others, to stay fed in the months following Hamas’ attack on Israel and the subsequent bombardments and what-increasingly-looks-like-attempted-genocide of the civilian population of the entirety of Gaza. As I said right at the start of this, I’m not really touching this issue in Curios because, honestly, there’s enough of it everywhere else, but this really struck me, both because of what’s happening and because of the writing which is excellent.
  • Amazon’s Big Secret: I found this piece, all about Amazon’s not-entirely-transparent financials and business structure and how a significant proportion of the company’s insane finances might in fact result from some good, old-fashioned market manipulation: “in amazon’s case, the FTC lawsuit suggests that the company’s financial disclosures effectively conceal a major source of profits: its third-party marketplace, which connects buyers with outside sellers. Third-party transactions represent about 60 percent of Amazon’s sales volume. The company acts as a middleman, matching vendors with shoppers and providing logistics to get the product from one to the other. The FTC alleges that, within this third-party market, Amazon imposes exorbitant fees on the sellers who rely on its site to reach customers, fees well in excess of what it costs Amazon to provide those services, leading to big profits. How big? That’s redacted.” Fwiw, I’ve long maintained that of all the planet-fcuking big tech companies of the past 20 years, it’s Amazon that unsettles me the most – this does little to disabuse me of the notion that it’s the bogeyman.
  • What Your Ape Bought You: Ah, Bored Apes! You briefly zeitgeisty jpegs, with your mutant strains and your ape juice and your plausible allegations of weird, fashy undertones to the whole thing! Imagine, for a second, that you’d been left holding one of these monuments to human idiocy when the carousel of hype finally stopped – what, do you think, would you *do* with it? Well, you may not recall but back in the day when people were briefly forced to take Yuga Labs seriously as a business the company came out with some guff about creating an NFT/blockchain based metarversal experienced called The Otherside, which would be underpinned by APE LORE and would concur all sorts of exclusive benefits to Ape holders, whose NFTs would somehow come to life in the digital third space – there was a lot of rubbish talked (pretty sure not by me, but I’m now too scared to check) about the potential for real/digital crossover economics and the beginnings of a real-to-virtual-goods pipeline…and last week, Yuga Labs opened up The Otherside for the first time, to let lucky Ape owners get their first taste of the glorious digital future, and…oh, look, just click the link and enjoy, it’s DELICIOUS.
  • Welcome The GenA Influencers: Or, maybe, don’t! Hot on the heels of the recent piece about the unsurprising fact that there are perverts on the internet who really enjoy it when parents put glamour shots of their kids on Insta in the hope of earning out a few creator pennies (otherwise known as PIMPING YOUR CHILDREN FFS) comes this piece, about how a whole new generation of people who should never have spawned are playing dress-up with their kids for a potential audience of millions on TikTok, again in the hope of cashing out a grand or so when their progeny hits the magical million view marker. I don’t really know what to say about this – if people still haven’t learned after THREE FCUKING GENERATIONS of this stuff that ‘putting photos of your kids on the public internet is not necessarily a good idea, and ignoring that fact for the sake of a few quid makes you an actively bad parent’ then I think maybe we’re beyond help.
  • The Post-Universal TikTok Musical Universe: I think I mentioned the other week that I thought there was a non-zero possibility that TikTok was going to gradually move away from actual songs and instead pivot to AI-generated music as the sound currency of choice – this piece makes a not-dissimilar point, arguing that, taken out of context in a three-second loop, what difference does it make anyway? Which may not exactly cheer your soul, but, equally, it sort-of makes sense.
  • Don’t Overestimate Your Attractiveness When Traveling To Colombia: Ok, fine, not the technical title of the piece, but I did find the story here – about people (MEN!) getting absolutely rinsed in Medellin and Bogota by women who match with them on Tinder and – SURPRISE! – turn out to be more interested in the contents of the wallet than that of their pants. I will never cease to be amused by the magic that happens when a particular type of – not usually traditionally attractive – man travels to a foreign country and thinks that his paunch, sunburn and lack of any linguistic ability whatsoever will render him inexplicably irresistible to the local talent. If the women chirpsing you on the apps in this notoriously-criminal city are significantly hotter than the ones you match with at home then, yes, it IS entirely possible that you’ve simply stumbled across a hitherto-unimagined enclave of tubby fetishists – but, let’s be honest, it’s fcuking unlikely.
  • Dune and Magic D1ck Theory: Obviously I haven’t seen Dune (I tried reading the books as a kid and fcuk me they were bad), but I know the story and very much enjoyed this essay which looks at the narrative from the perspective of the classic ‘magic d1ck’ theory of the heroic bildungsroman, and how Dune to an extent subverts that.
  • The TikTok Spam Industrial Complex: I do wonder what the rise in popularity of ‘pyramid schemes and MLM stuff and selling bullsh1t training courses to morons’ says about Where We Are Now, and why it is that so many of us are so happy to earn money in ways that are quite obviously exploitative of the stupid and the desperate. Anyway! That’s not really what this is about (except also it is) – it’s ACTUALLY about the various different ways in which people are currently deluding themselves they can get rich via making AI-generated dreck and chucking it on TikTok in the hope of hitting the viral jackpot and earning a grand per million views, and how other, smarter people are lying about how much success they’re having doing exactly this, and selling tutorial courses on how YOU TOO CAN DO IT to moronic rubes and cashing in. This is MULTI-LEVEL depressing – the fact that, regardless of whether it actually works as a way of earning money, people are doing this RIGHT NOW and flooding platforms and the web with SO MUCH RUBBISH, and it is not going to get better; the fact that, despite the fact that 99% of this stuff won’t work at all, I am equally certain that 1% of it *will* – because people already spend time consuming content that isn’t vastly *better* than this; the fact that so many kids are so fcuking hustlepilled that the idea of ‘passive income earned from 10 minutes of AI-wrangling’ is a genuine aspiration…honestly, this story is probably the best microcosm of ‘where the creator economy is, and is heading’ I’ve seen in ages. More brilliant work by 404 Media.
  • The Art and History of Lettering Comics: This is an ACTUAL PROPER BOOK – useful and instructive for those of you who really, really want to learn about the art and history of lettering comics, probably less so for everyone else.
  • Adapting American Psycho: I think I’ve read American Psycho a dozen or so times (I appreciate that makes me sound like a psychopath, but if it’s any consolation I have read LOADS of books that many times,most of them less…upsetting, and I almost always skip the really horrible bits because once was probably enough), the first time when I had just bought it at the airport aged about 14 before getting on a flight to Italy (and having the genuinely miserable experience of the woman sitting next to me reading over my shoulder and, as the flight and the book went on, moving further and further away from me so that by the end she was practically hanging into the aisle in an attempt to get away from me); my English teacher at college took the (on reflection, STAGGERINGLY-inappropriate) step of asking my then-girlfriend if I was ‘normal’ in bed, because she knew I liked the book; I saw the film at the cinema in the week of its opening, unfortunately with that same girlfriend and my mum (not, on reflection, a good idea, and one I wish I hadn;t just recalled quite so vividly) – basically I have previous with the book, and the film, and so this account by Director Mary Harron, about her experience adapting it for the screen, pleased me immensely. The closing lines, in particular, are a joy: “People are always asking me about whether the movie’s ‘real’ or not. I would say there’s a point when he starts to put a kitten into the ATM. I think you can say that after that things are not so real.”
  • Striking Drivers: A good piece in Vittles about the current strikes among the delivery driver community in London, how and why they started, how they’re being organised, and why, sadly, in an attritional battle like this it’s likely that the VC money will hold firm longer than the drivers will. Tip your deliverypeople, please.
  • Blotter Art: “The Institute of Illegal Images (III) is housed in a dilapidated shotgun Victorian in San Francisco’s Mission District, which also happens to be the home of a gentleman named Mark McCloud. The shades are always drawn; the stairs are rotting; the door is peppered with stickers declaring various subcultural affiliations: “Acid Baby Jesus,” “Haight Street Art Center,” “I’m Still Voting for Zappa.” As in many buildings from that era, at least in this city, the first floor parlor has high ceilings, whose walls are packed salon-style with the core holdings of the institute: a few hundred mounted and framed examples of LSD blotter.” I loved this, about the art printed on tabs of acid (or sheets of tabs) in the heyday of the psychedelic movement (and still latterly – I have vague memories of being given a sheet of smiley-faced tabs in the 90s, but thankfully no memory of taking the things) and the tab as a carrier of culture. Other than pills which are still subject to idiosyncratic visual branding – I had one which was the shape and colour of a can of heineken a few years ago, which was somewhat surprising – are any other drugs subject to this degree of creativity in their packaging? I don’t count the increasingly-preposterous trend of calling weed things like “Croquembouche Gravadlax”.
  • Me, My Selfies and I: I really enjoyed this essay, partly because it’s something I can’t empathise with AT ALL and therefore it describes feelings that are utterly unknown to me. Erika Thorkelson writes about the experience of ageing in an era where one has such an intimate relationship with one’s own face, seen through so many images, tweaked and optimised and HD and EVERPRESENT, and how the concept of the self-portrait, and the generational obsession for people hitting 40 about now of taking them, has changed her relationship to her own face and how she feels about it…I think, other than for official purposes, I have taken a grand total of one selfie in my life (hated it), I own no photos of myself and I don’t look in the mirror, ever, unless I absolutely have to (I close my eyes at the hairdressers, I’m ashamed to admit) and so this is utterly unimaginable to me – I have no picture of what I look like in my head, and I am fine with that, but I appreciate this is possibly not entirely normal.
  • Mike Read’s Heritage Chart: Ok, this probably won’t mean much to any non-UK people, but MY GOD did I love this – Pete Paphides writes about his new obsession, the genuinely-weird-sounding TV programme that is Mike Read’s Heritage Chart Show. Never heard of it? No, neither had I, but let this opening paragraph draw you in – I promise you that the rest of the piece amply lives up to this: “A couple of weeks ago, the UK’s only chart-based music show celebrated its hundredth episode, and yet, there’s every chance you’ve never heard of it. That’s because, in order to watch it live, you’d have to be seated in front of your TV at 3am on Monday morning. Furthermore, you won’t find it on a music channel. It’s not on any of our terrestrial stations. Mike Read’s Heritage Chart Show is, in some ways, an aberration on the schedule of vintage movie channel Talking Pictures. In another sense though, it’s a perfect fit among Talking Pictures’ carefully curated menu of Ealing comedies, monochrome sagas of wartime derring-do, old episodes of 70s daytime staple Crown Court and, on one memorable occasion, a 1954 documentary about the Shippams Fish Paste factory.”
  • Recycling: Georgie Newson writes in the LRB about going to the recycling centre and how basically it taught her that recycling is largely boll0cks. Oh, ok, fine, not ‘boll0cks’, but very much edging into ‘bandage on an axewound’ territory, and not even a particularly large or well-tied bandage – oh look, turns out that the actual solution to the problems we’re facing might actually just be ‘buy less fcuking stuff’, whodathunkit?
  • Ajamu X: I;ve been seeing lots of positive chat about Jason Okundaye’s new book, Revolutionary Acts, about black queer culture in the UK, and this extract printed in GQ, in which he talks to and writes about Ajamu X, a photographer and artist and activist who’s been a pioneering voice in these spaces for years, is brilliant – really interesting history that I (unsurprisingly) know very little about.
  • Coyote vs Acme: Allegedly the full plot summary of the now-oublietted Roger Rabbit-like film that asked ‘what would happen if Wil E Coyote attempted to sue ACME for making really sh1t gadgets?’ – I obviously have no idea at all whether this is real, but, fcukit, it READS like it’s real, and it sounds GREAT and while you will enjoy reading this a lot you will also be left feeling a TINY bit sad that you probably never will.
  • Just The Edges: Tattoos and abuse and infidelity in this short short story by Molly Wadzeck Kraus.
  • London 2039: Back to the White Pube, really one of my favourite places for interesting writing write now, whether about art or otherwise, for this excellent bit of…short fiction/social commentary/angry shouting, about London and gentrification and art and power and money and, oddly, being a cat. This is GREAT.
  • Proper Country: Ralf Webb writes in Granta about going to the country and living with his parents for a bit, and the young/old urban/rural urbane/staid modern/antiquated divides that he encountered – this is great, funny and true and pleasingly self-aware and then I got to the end and saw how young Ralf is and I got a bit annoyed and jealous. It’s still great though.
  • The Adolescents: Our final longread of the week comes from The Fence – a short story by Madeline Brettingham which is about middle-aged marriage and infidelity and relationships and all that jazz, and it is in parts VERY funny but also really quite beautifully poignant too, and I think it’s a lovely piece to read with a cup of tea so why not put the kettle on?

By Butternut Collage

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 01/03/24

Reading Time: 37 minutes

I didn’t think that UK politics could be rendered more unpleasantly-risible, but the return of George Galloway to Parliament (and for those readers to whom this name means nothing, please do yourselves the favour of watching this, keeping in mind throughout that this man was just democratically selected by several thousand people as the best person to represent their interests and DEFINITELY NOT just to feather his own nest and reinvigorate his media profile) has unexpectedly upped the ridiculousness ante – WELL DONE, PEOPLE OF ROCHDALE!

Still, on the plus side, FEBRUARY IS OVER WELL DONE YOU SURVIVED! Consider this week’s edition of Web Curios a reward for your continued existence – you deserve it, you’re worth it and don’t let anyone tell you otherwise.

I am still Matt, this is still Web Curios, and if I could reach through the screen I would give you the very gentlest of pinches and punches.

By Clayton Schiff (and via TIH, along with the rest of this week’s pics)

LET’S START THE WEEK’S LINKS AND WORDS WITH A NEW VINYL MIX BY THE RELIABLY-TASTEFUL TOM SPOONER!

THE SECTION WHICH CAN NOW QUITE HAPPILY LIVE OUT THE REST OF ITS DAYS WITHOUT SEEING ANY MORE REFENCES TO THE FCUKING WONKA THING, PT.1:

  • Google DJ: Do kids these days still think of ‘DJ’ as a vaguely-cool and aspirational profession, or is it simply ‘something old people thought was fun in the 90s, when people still went out and one could cling on to the hope that things might one day get better’? No matter, because THE MACHINES ARE COMING and the days when one of us fleshsacks could exchange three hours behind the decks for beer tokens appear to be running out – or at least that was very much the feeling I got from this latest, terrifyingly-impressive, AI music toy from Google, which (and I’m really not exaggerating here) allows you to conjure up a seamless, on-the-fly, machine-generated soundscape based on whatever you type in, one which will change and shift in realtime as you edit the prompts. Which, I appreciate, is possibly a bit hard to get your head around, but I promise it’s incredibly intuitive and makes total sense when you play with it – effectively you have a number of text-to-music ‘tracks’ which you use to specify the type of sounds you want to hear, and these prompts are mixed as-you-listen into a basically-seamless soundscape. This is FCUKING INCREDIBLE – ok, yes, nothing I have made it produce so far is going to make David Guetta tremble with fear in his private jet, but this is…you know what, this produces sounds that are AT LEAST as good as about 40% of the fcuking terrible deep house sets I was compelled to sit through in bars throughout the 00s, and the way you can tweak and shift the tone and style and pace of the mix in whatever way you can imagine is pretty astonishing, as is the fact that, so far at least, I haven’t been able to make it create anything unlistenable (and believe me I have tried). Honestly, this is HOURS of knob-twiddling fun, and may at last mean that we can foresee a future in which hardcore pioneers Ratpack and Nicky Blackmarket can finally take a weekend off, having seemingly been gigging nonstop since 1992. We really are getting to the point where this stuff is GOOD ENOUGH and is going to start getting deployed all over the place, whether we like it or not – buckle up.
  •  Pogichat: After about two years of plaintively typing ‘someone should really make a new tamagotchi-style digital pet with all this new generative AI kit’ like some sort of pathetic, needy child, MY PRAYERS HAVE BEEN ANSWERED! Pogichat is literally exactly what I had imagined – a simple interface in which you’re presented with a…thing (a blob that sort-of looks a bit like a duck if you squint – safe to say I’m not bowled over by paternal feelings of warmth, based on the design), presumably the titular ‘Pogi’, and a series of simple commands which let you interact with it in various ways (feed, play, talk, etc), all of which are mediated by some sort of under-the-hood LLM, meaning there’s a pleasing degree of elasticity in the responses and the interactions – it ‘understands’ what you say to it *(obviously it understands nothing, but you get what I mean), meaning that if you’re a particular sort of digital sadist you can amuse yourself by sending increasingly cruel and pointed messages to your digital charge and watch its mood plummet as you repeatedly remind it of the two-dimensional futility of its digital prison (but know that if you do that I am judging you INCREDIBLY harshly- look at Pogi’s face! Poor pogi!). This is very light and very silly, but it gave me a real ‘you could do SO much more here’ feeling (which is obviously typical of someone who couldn’t make something like this themselves if they tried). See if you can get Pogi to fall in love with you / kill itself (delete per your particular perversions).
  • Make Your Own AI Watch: While we wait for the first of the coming wave of AI-enabled wearables to hit the market and disappoint all the early adopters (inevitably), why not take the open source route and hack your Apple/Samsung/Sony smartwatch so that instead of being a glorified step tracker it instead becomes an ALL-KNOWING AI ASSISTANT???? This is the github page for a slightly-astonishing open source project which promises to let you run an AI off your wrist, with options to pull together all sorts of different bits of kit to spin up your own bespoke digital assistant which will be able to leverage all the sensors and subsequent data collected by your phone to…I don’t know, make all sorts of weird an erroneous inferences about your life. It’s slightly unclear as to what exactly ‘an AI in your smartwatch’ might actually deliver in terms of benefits, but WHO CARES IT’S SO FUTURE AND SCIFI!
  • Bookpecker: Why do you read books? Is it to glory in the beauty of the written word? To enjoy the meter and cadence of language, the feeling of someone else’s thoughts weaving their way through your own? No, of course not, that would be WEIRD – instead, I imagine you read because KNOWLEDGE IS POWER and YOU WANT POWER and as such you grit your teeth and read the books because THEY ARE THE GATEWAY TO SUCCESS. Or at least that’s the viewpoint I imagine the likely audience for Bookpecker has – people who are so BUSY, so VITALLY ALPHA, that their every waking moment is engaged in maximising their ADVANTAGE, and who devour business books inbetween chugging protein shakes and setting up dropshipping/NFT/AI (delete as applicable) businesses. Bookpecker is…I don’t know, I initially thought it was depressing and sad, but on reflection it’s impossible to be miserable about something so utterly idiotic and obviously aimed at people who think Stephen Bartlett is someone worth listening to. You know those self-help and business books that are always on sale at airports and which obviously sell loads of copies despite you never actually seeing anyone reading one in the wild? The ones that tell you that YOU TOO can be a success as long as you, I don’t know, ‘believe really hard’? Well what if I told you that there was a way to get ALL OF THE WISDOM from said books without actually having to wade through the dead-eyed prose? OH HAPPY DAY! Bookpecker does exactly that – there are seemingly HUNDREDS of business-type books (and history books, and biographies, and science books, and basically all of the non-fiction you can think of) on the site, each of which has been reduced from its original length to…FIVE BULLET POINTS! That’s right! You too can get ALL OF THE INFORMATION and ALL OF THE VALUE of, for example, ‘A Brief History of Time’, summarised in a few short sentences (no, really, you can), presumably by an LLM. This would be incredibly depressing were it not for the amusement I’m deriving from imagining the likely target audience for this SPECTACULARLY moronic website.
  • Vids-From-Photos: A brief check-in at the edges of the ‘photo-to-video’ tech pipeline now – this link takes you to a technical paper which, honestly, is all gibberish to me, but which contains half-a-dozen examples of experimental tech which is being used to create lipsynced videos from single photos or illustrations and FCUKING HELL this is incredible and genuinely disconcerting in how convincing it is. The idea here is that you take an audio track, point it at an image of someone’s face and the software will create a lipsynced animation from the photo, complete with some additional (and weirdly-convincing) movements to additional verisimilitude and BOOM, anyone can spin up a genuinely-impressive video of a talking head saying anything they fancy, in seconds. Between that and this week’s ‘hairy chested AI McDonald’s man’ photo I think we’re just about crossing the ‘you really can’t believe a fcuking thing you see online anymore’ rubicon, and I don’t think I like it one bit.
  • A Genuinely Terrifyingly Good AI-Generated Song: Click this link. Leave it open in the background while you read the next section. As you half-listen to it, can you tell it’s an AI-generated track? NO YOU FCUKING CAN’T DON’T LIE TO ME! This is insane – it genuinely does sound like a ‘lost’ 1950s rock and roll track, and the fact that it’s old and a bit crackly masks some of the oddities at the edges, and it’s got…it’s got a tune! And there’s a FCUKING GUITAR SOLO halfway through! Just to reiterate what I said at the top of this week’s issue, it really does feel like we’re in the process of crossing a threshold because, honestly, I am revising my estimates for ‘when the first AI-generated track to receive mainstream radio play is going to hit’ down by about a year.
  • Zaltor: Do you feel lost and uncertain and confused? Do you lack direction and drive? Do you find yourself looking to the future with trepidation and fear, unsure of what path to take through the seemingly-sinister gathering mists of THE FUTURE? Yeah, well, join the fcuking club, you’re not SPECIAL you know. Still, if you’d like some sort of digital Virgil to guide you through all the WEIRDNESS OF THE NOW, perhaps Zaltor will fit the bill – you’ll need to use your phone for this one, but the url takes you to a neat little LLM-enabled ‘Ask The Oracle’-type game, which lets you ask three questions of THE MYSTERIOUS ZALTOR and receive suitably-gnomic responses in reply. Amazingly Zaltor accurately predicted the result of last weekend’s Carabao Cup Final (yeah thanks for that you scrying digital pr1ck) – that said, he also just told me that ‘the team with red and white stripes’ is going to win the FA Cup, so possibly don’t go basing any betting or investment decisions on The Machine’s prognostications. Still, might be fun to spend the weekend relying solely on Zaltor’s suggestions (NB – Web Curios, as ever, accepts not responsibility for anything that should result from you following this evidently idiotic idea).
  • Tasmania: Or, specifically, a nice little promo from the Tasmanian tourist board which also neatly illustrates the fact that, occasionally, there really are great links in Web Curios which really can be used as ‘inspiration’ (ahem) for your own projects. In the first Curios of the year I featured this site, where an artist called Pablo was riffing on the idea of AI art and offering to do drawings based on ‘prompts’ submitted to his site by people around the world – and now that EXACT idea has been lifted, wholesale, in this project – except in this case, the prompts will be executed by artists native to Tasmania, neatly promoting both the region and the creatives working there. In a nice twist, those whose prompts get selected to be envisioned by the artists will (eventually) get the physical work mailed to them, which is a lovely touch, and overall this is a really cute bit of PR for both the place and the people making the work. It seems that you’ll have more of a chance of your prompt being picked if it references Tasmania in some way, but I live in hope that I’ll get lucky and my dream commission ‘ – ‘Mel Gibson being fisted by a wallaby’, since you ask – will be winging its way to me soon.
  • Flip Shop: Are we all going to become influencers? Given the fact that ALL THE JOBS ARE GOING TO VANISH, will we all be reduced from attempting to earn affiliate pennies by flogging leisurewear to our friends and family? Is the global economy going to basically end up being like a massive international version of ‘the art quarter in margate’ where we all move the same tenner around in a neverending circle? It does rather feel like it at times, what with TikTok’s shift to ‘basically being QVC’ and now with apps like Flip, which is, as far as I’m able to discern, ‘TikTok, everyone on there is selling you stuff and is on commission’ – so, er, TikTok, then, except it’s paying new users to sign up as it burns through the first tranche of VC money in search of an audience. There’s a decent explainer you can read about the whole thing here, but you can get a feel for it from this particularly-bleak little excerpt: “Within two days of downloading Flip, I had accumulated around $300 through inviting friends, who then went on to buy something. Over the course of a week or so, I earned another $50 credit by scrolling the endless feed of review videos, making 8 cents here and 50 cents there. Creators earn actual money when they make reviews of products they’ve purchased, accumulating a few cents when someone watches their video or purchases the advertised product. It’s online content creation gamified to its most extreme. Using a referral code, I bought a handful of products that came across my feed via strangers’ review videos: a pack of gel eye masks I’d seen on TikTok, a $29.99 package of protein powder, a “facial steamer,” men’s button down shirts, a Kodak 35mm film scanner. Nothing cost more than $10 or so, after using the 95 percent off coupons.” Does this feel like a healthy response to the slow collapse of the global employment market and the continuing climate apocalypse? I posit that it does not.
  • Digital Frontier: In what continues to be an utterly brutal time for media, it’s nice to be able to link to a NEW MAGAZINE! This feels…bold, given everything that’s going on and the likely commercial trajectory of ‘exchanging words for money’, but I admire their chutzpah and hope. Digital Frontier is, in its own words, “a London-based media and events company bringing a fresh perspective to the transformative innovations shaping our world. We see a need in the market for a serious-minded publication that steps beyond the daily news cycle to produce deeply reported stories on how technology is upending business models and opening new markets. We see huge potential in breaking down the information silos between industries that often ignore each other. The best Digital Frontier stories will connect the dots between innovations being adopted by different sectors to tackle comparable problems.” Which is all great, and more power to them, but I do think that asking £150 a year for a digital-only subscription, particularly when the site currently feels…a bit thin is potentially somewhat punchy. Still, worth keeping an eye on now that Motherboard’s dead.
  • Yolk: Do you remember ‘Yo’? The briefly-buzzy app from…2014?! 2014?!!?>!?!?!??!?!?! TEN FCUKING YEARS??!?! Dear God I just had a moment of genuinely-horrible ‘what the fcuk have I done with my life and why am I still doing it’ clarity, forgive me while I take a second to contemplate the utter futility of everything. Ahem. Anyway, you remember ‘Yo’, right? An app which allowed you to do one thing and one thing alone – send the word ‘yo’ to someone else – and which inexplicably received nearly $3m in funding (never, ever believe that VCs are smart), and which briefly saw a bunch of people at agencies have to answer questions about ‘what is our Yo strategy?’ with a straight face? Well say hello to Yolk, a similarly-monofunctional app which rather than letting you send a single word instead allows you to send…basically what amount to reaction gifs of yourself, like some sort of wordless mummery app. I really wanted to hate this idea and to mock it mercilessly, but, honestly, there’s something really quite nice about the idea of constraining people to communicate wordlessly using facial expressions and gestures and odd, decontextualised gifs of whatever happened to be within their field of vision when they opened the camera app. This is really cute and I cannot say a bad word about it.
  • RubikSolve: You may well think that there is nothing more pathetic than cheating at a Rubik’s Cube – but I say this isn’t cheating, it’s a LEARNING AID, and as such is an entirely-legitimate hack. Input the colour arrangement of a mixed-up Rubik’s Cube and this site will use THE MAGIC OF MATHS to tell you the exact steps you need to solve it in 25 moves or less. Which I am pretty sure says something slightly-amazing about numbers which I am far too stupid to work out – still, if you’d like to become one of those weird savants who can solve any Rubik’s Cube in seconds then this is probably a decent place to start your ‘journey’.
  • Read Cache: Google’s continued efforts to degrade its core search product has seen the ability to retrieve cached pages from search quietly sunsetted in recent weeks, which is a royal pain for researchers, journalists and muckrakers alike. Thankfully someone has cobbled together this hacked solution which resurrects the feature – plug in any url and it will see if there’s a previously-cached version online and pull it for you should it find one; an excellent way of keeping track of online edits, especially when the Wayback Machine occasionally lets you down.
  • The Silk Roads: This is SUCH a nice project, seemingly made by someone who’s been a TRAVEL YOUTUBER (I know, but forgive them) for years and who has built this site, documenting stops along the modern Silk Road route, as a digital record of their journeys. There’s a light ‘choose your own adventure’ vibe to this, with the site offering you a selection of potential waypoints along your journey so that you can explore the different paths one can take across the continent, and there are nice photos and personal anecdotes and generally a lovely feeling of homemade webness (yes, that’s the official term) to the whole thing which is generally really pleasing. ALSO, and this is worth remarking on, it’s VERY un-YouTuber-y and doesn’t appear to be flogging anything or asking you to subscribe, which, honestly, is rarer than it ought to be.
  • WhaleSeeker: Whilst I concede that one of the main overriding vibes of Web Curios is ‘everything is terrifying and fcuked and jagged and technology is driving us all mad and ruining everything’, I like to think I occasionally shine a light on NICE THINGS about the web and tech – so it is with this link, to a project that is using AI not to steal money from artists or to make terrible video or frightening, non-consensual bongo, but instead to SPOT WHALES! – per the blurb, “we leverage AI to deliver better, simpler, and faster marine mammal detection data when and where it matters most.“ I can’t for a second imagine that any of you have any immediate need for an AI-enabled cetacean-spotting service, but in case you do then HERE YOU GO!
  • SuperFastAIImages: I featured the superfast version of Stable Diffusion on here when it launched a few months back, but there’s a slightly-updated version which it’s quite fun to play with – while the quality of the outputs is a long way from bleeding edge, there’s something honestly magical about seeing the image shift and move and just sort of come into being as you type, and I feel like there should be some sort of reasonably-fun parlour game that you can play with this but, honestly, I am far too fcuking tired this morning to think of it and so you put in the effort for once.
  • Image-To-Music: Feed this site an image and it will generate a song that it thinks is somehow related to it – I’m not entirely sure how this works, but I imagine it’s a ‘describe this picture —> tweak that description so that it sounds vaguely musical —> plug that into a song generator and export the fcuker’ workflow of sorts; anyway, I just gave it a photo of myself and now I know what my ghastly features sound like, and I think each and every one of you should do the same because, honestly, it’s slightly unsettling.
  • Celeb Clock: A beautifully-whimsical little project by the ever-excellent Matt Round now – riffing on the now-infamous ‘I spend more time playing an old PC wargame than interacting with my child and I am seemingly entirely unembrassed by this fact’ interview in which Gregg Wallace described his typical Saturday, this site will tell you the time and also explain to you exactly what a bunch of famous are all doing RIGHT NOW, based on interviews they’ve given describing their daily routines. So at 835am, Kim Kardashian is apparently ‘driving the kids to school while listening to a positive podcast’, while Mark Wahlberg is ‘snacking’ – whereas I am approximately a third of the way through writing a needlessly-long newsletter that no cnut in the world reads, so I WIN IN YOUR FACE KIM AND MARK.

By  Stephanie Davidson

NEXT, TRY THIS ODDLY-INTROSPECTIVE ELECTROAMBIENT MIX BY ALEJO WHICH I SURPRISED MYSELF BY REALLY ENJOYING! 

THE SECTION WHICH CAN NOW QUITE HAPPILY LIVE OUT THE REST OF ITS DAYS WITHOUT SEEING ANY MORE REFENCES TO THE FCUKING WONKA THING, PT.2:    

  • Galatea: Have…have we all always been insanely-horny for werewolves? WHAT IS IT WITH ALL THE LUPINE BONGO??? I ask because a significant proportion of the ‘literature’ (look, no judging, but I have tried to read some of this sort of stuff and it’s fcuking tripe, in the main) available on this website – Galatea, a place where you can basically get LOADS OF ‘BOOKS’, mainly of the fantasy/romance/erotica stripe, for a fixed monthly fee – seems to fall under the broad heading of ‘submissive woman gets dommed by a man who is also sometimes a dog’ – is…is this what we’re all into? Anyway, the point of this site is not the questionable quality of the collected prose, but the fact that, as far as I can tell, a genuinely staggering quantity of it is being produced using this specific AI novel-writing software – and, judging by the number of works available on Galatea and the seemingly-thriving community of ‘book-lovers’ that has spring up around it, noone seems to care. I just want to tap the sign again (but I promise I will stop soon, because I am starting to bore myself on this topic) – THE AI CONTENT WILL WIN BECAUSE A SIGNIFICANT NUMBER OF PEOPLE HAVE VERY LOW STANDARDS AND SIMPLY DON’T CARE THAT WHAT THEY CONSUME IS, OBJECTIVELY, FCUKING RUBBISH.
  • Doordash Gremlins: A subReddit in which people share images taken of them accepting their food delivery orders (is this a thing in the States, where drivers have to prove they’ve handed over the scran? weird) – pictures in which they look, in the main, a bit feral. We are all basically horrible little raccoons, aren’t we?
  • Steamboat Willie: As seems to be the norm these days, the end of copyright for a whole host of old cultural properties at the beginning of 2024 has so far ushered in a grand total of zero interesting or creative uses of said formerly-copyrighted material – still, this little bit of promo for a French digital studio is rather nice, letting you move an old-school, rubbertube Mickey around the deck of the titular steamboat, collecting musical notes which, once you’ve found them all, ‘rewards’ you with the chance to enjoy the agency’s showreel. Ok, fine, it’s not MUCH of a reward, but the digital work on display here’s really quite nice and it’s certainly more interesting than the inevitable ‘Steamboat Willy Bongo’ that is being made in some miserable basement somewhere right now.
  • Stephen Malinowski: THESE ARE BEAUTIFUL! This link takes you to the YouTube channel of one Stephen Malinowski, who you can learn more about at his site, who’s (as far as I can tell) a musician and music theorist and someone who’s interested in how one can express music and sound visually, and whose YouTube channel is a GLORIOUS collection of animations which accompany various different pieces of music, rendering them visual in a range of glorious shorts. I find this stuff mesmerising – there’s a vaguely-synaesthesiac quality to the way the visuals match the notes, and the creativity and range of different viz styles employed really is hugely impressive.
  • Betterverse: I get the impression that some of you reading this might be vaguely involved in the ‘futures and imagining’ space – you might therefore find this site useful, which collects a whole load of different games and resources to assist in…well, with this sort of thing: “We believe futures literacy is an essential 21st century skill. With this project, we want to give creatives and impact designers give insight in the complexity and potential of futures thinking, provotyping and world building. We want to give them first-hand experience of how to use their talent as a lever, a crowbar with social value. The goal: to stimulate a new generation of architects, designers, copywriters, filmmakers and other makers-slash-thinkers to initiate change.” Potentially useful for teachers and educators, but also designers of all stripes, and indeed for anyone interested in tools and mechanisms to help you explore and imagine different, better futures.
  • Lapse: Another week, another attempt to make the broad idea of ‘a photo app’ cool and interesting again. Lapse has been getting a decent amount of buzz this week, and the idea is nice-if–not-groundbreaking – the idea is that you take a photo with your phone and it won’t show up until…sometime later, removing the instant gratification from digital photography and harking back to an era in which you had to wait WEEKS to find out that you’d wasted £4 and an entire roll of film by taking photos of your thumb. Users can have ‘profiles’ and you can follow your friends, and all your photos get complied into monthly ‘photodumps’ which is a nice automatic album feature which strikes me as quite neat. Basically this does the square root of nothing new, but it’s got a pleasing aesthetic and it’s born out of London, so let’s all be supportive and wish them well (but ffs, iOS-only development is SO ANNOYING in 2024, iPhones are for cnuts as any fule kno).
  • BeScene: Do you want to get into film or telly? GREAT THERE’S AN APP FOR THAT! BeScene sort of self-describes as ‘professional Tinder for people who want to work in moving pictures’, and while that obviously sounds like seven shades of awful it also sort-of makes sense; the ‘swipe/cards’ interface probably makes sense for a talent/contact searching app, and presuming that this gets decent traction it could be a useful way of finding people to collaborate with on AV projects (although I have a sneaking suspicion that if your geography is more Lewisham than LA you might not find quite so many eager partners on the app).
  • The Monthly Tricycle Haiku Challenge: I was not aware that the buddhists had a magazine, and that that magazine was called Tricycle – but they do, and it is! For reasons known only to them, the magazine each month runs a contest for readers (or, presumably, any fcuker who wants to participate) to write the best haiku – the only constraints are the traditional 5/7/5 format and the fact that each month there’s a specific seasonal word that you need to include in your composition (this month’s is the suitably-wintery ‘turnip’, for example). I have a peculiar affinity for the haiku – many years ago I had a job where each morning we had an all-company meeting (a meeting at which it was not entirely-unusual for people to use cocaine as a non-traditional hangover cure – the 00s, they were a time!) and I made it my ‘thing’ to write the meeting notes up each day, which I would always begin with a haiku inspired by something in that day’s papers. My personal favourite was “Welcome Suri Cruise / Real kid or creepy changeling? / Only time will tell” – honestly, apart from the aforementioned drugs issue and the fact that people cried literally every day in the office, often before 830am, I really loved that job. Anyway, I would be genuinely proud if one of you won this contest, so GET WRITING.
  • 100 Cameras: This is SUCH a good gimmick/premise/setup for a documentary – a Japanese series, produced by NHK World, where the whole thing is literally ‘we go somewhere interesting and set up 100 cameras and document LOADS OF STUFF so you can see what X or Y place is like and how it works’ – or, in their slightly less ham-fisted words, “Each episode of this documentary series focuses on a different place of interest. One hundred cameras are installed and left to record, showcasing the habits and behavior of the people they capture. Without the presence of a camera crew, the subjects gradually begin to share glimpses into their lives, and we receive an unobstructed window into personal conversations and real-life events.”. There are only a few shows on the site at present, but the potential in the format is huge and the one I skimmed through – looking behind the scenes at videogame developer Capcom – suggested that the producers get some genuinely-interesting material and insight from the setup.
  • Hiccup: Hiccup is one of the seemingly-endless parade of startups hitting the digital shelves at present which promise to help you ORGANISE YOUR THOUGHTS AND FEELINGS via the magical medium of AI – here’s the spiel, which you may want to take with a small pinch of salt: “Hiccup transcends traditional note-taking and diary apps. It is the Shazam for your brain – a dynamic, intuitive space where you can jot down anything that crosses your mind. From daily reflections to sudden eureka moments, Hiccup is your canvas to paint your thoughts, unfiltered and unbounded. But Hiccup is more than just a passive recipient of your thoughts. Powered by cutting-edge AI, it actively helps you retrieve the right answers and information when you need them. Think of it as having a conversation with your past selves, guided by an AI that understands you. Just write down your thoughts or inquiries, and let Hiccup work its magic, fetching the precise information you seek amidst your vast repository of notes.” Does this sound appealing? I am FASCINATED to see how much this stuff takes off, and how that ends up…affecting things – I think the insane popularity of fitness tracking apps and the like over the past decade or so suggests that we’re very much into the idea of quantifying, managing and optimising ourselves with digital assistance, and there’s no reason to assume that there won’t be a significant number of people who won’t want to extend that to their general, day-to-day thoughts…God it’s going to be fun when the most popular of these services crashes forever in 2029, taking several billion people’s thoughts and memories and notes and ideas with it and leaving a host of people unmoored and alone without the digital Virgil on which they’ve come to rely (probably).
  • The Tartan Register: As a pseudo-Scot, or at least enough of one to have a Scottish surname, I was genuinely embarrassed that this site had to be drawn to my attention by a reader – so thanks Marcelo Rinesi for making me feel inadequate! This is the official register of Scottish tartans, where all new designs must be recorded – here, for example, are all the officially recognised versions of Muir, should any of you for whatever reason fancy ordering several bolts of me to clothe yourselves in.
  • Klemmbrett: Let me for a second peel back the curtain, show you how the metaphorical sausage is made – before it gets turned into the SPARKLING PROSE you are currently reading, Web Curios exists as a series of links chucked haphazardly into a GDoc as and when I find them over the course of  a week. Does that sound like an onerous workflow to you? No, of course it fcuking doesn’t – and yet there are people for whom the act of ‘switching tabs’ is simply TOO MUCH and TOO DISTRACTING and RUINS THEIR FLOW, and it is those people, I presume, for whom Klemmbrett is designed. This is an honestly-slightly-baffling browser plugin that lets you open up a little note-taking window in your browser, meaning you can take notes about anything you’re reading without having to move away from it – which, er, doesn’t really feel like the sort of thing that needs to be coded, frankly, but I am sort-of pleased that someone’s bothered (credit where it’s due, it’s VERY nicely designed).
  • Swimming: Via Giuseppe’s consistently-interesting weekly data newsletter comes this BEAUTIFUL bit of visualisation work – the code it’s built on is by Krisztina Szucs, and it is SO PRETTY. This presents a series of results from the Tokyo Olympics in 2020, and…oh, look, I could try and explain it but it’s simpler just to tell you to click the link and enjoy. Honestly, I could watch these for hours, they are SO satisfying.
  • Amsterdam Typography: I imagine that you can probably guess what this is about, but for the two of you who are inexplicably reading this whilst not being able to understand relatively simple terms like ‘Amsterdam’ or ‘typography’ “Amsterdam Typography is a project by Arno Verweij that explores Amsterdam through the lens of typography. One or more photographs of typography are published on this website every day at 2 pm local time (CET/CEST). The collection currently contains 2110 photographs documenting typography in public and semi public spaces in Amsterdam. You can find all photos via the interactive map that has a list of categories at the bottom.” This has reminded me that I haven’t been to Amsterdam for about 7 years and I really miss it.
  • Pasta Shapes: Via Caitlin comes this micronewsletter all about pasta – sign up and you get a month’s worth of very short (literally 100 words or so) daily emails, each about a different pasta shape. Now obviously as a wop I’m biased, but this is GREAT content and today’s email described orecchiette (objectively the third-best pasta shape) as ‘interdimensional pasta’ which, honestly, made me swoon slightly.
  • Be Part Of A Massive Digital Artwork: Do you run a website? Would you like to use it to MAKE ART? This is a new project by (I think) Chia Amisola (but sorry if I’m misattributing it), which is described thusly: “I’m working on a net art piece about internet territory, cybersquatting, density… I want it to live hosted on friends and strangers sites – as an iFrame embed slowly overtaking the site page.If you fill up this short form, I’ll send you a customized embed that you can paste onto your page to be a part of my piece (being showcased first week of March) – thank you for being a part of it!” Now obviously I have NO IDEA what this is going to entail, but I’ve featured Chia’s work in here loads of times before and there’s nothing about them that makes me think ‘this is going to be a massive malware lol’, so, well, what’s the worst that could happen? Bonus points, millions of them, to any reader who can somehow make this happen on an actual corporate website for the lols.
  • Allen Bukoff: The personal website of artist Allen Bukoff. You know how somehow I feature personal websites that are examples of gorgeous, creative coding? Yeah, well this is basically the opposite of that, and as such is practically-perfect in every way (plus I genuinely enjoy Bukoff’s work – it’s funny and anarchic and silly, and there’s a lovely art movement rabbithole that you can wind up down should you be interested in linkspelunking your way through it. BONUS PERSONAL WEBSITE: this one, by a digital designer who goes by the name of Athena, is very much one of those ‘gorgeous creative coding’ projects I mentioned earlier and, honestly, I could just move my mouse around this one for hours, the fluid dynamic effects here are GLORIOUS.
  • The Riker Maneuver: I appreciate that this is the second week in a row in which I’m sharing a Star Trek-themed link despite my repeated protestations that I have no fcuking interest in Star Trek – I promise it won’t happen again. This, though, is very much worth highlighting – a campaign to have a statue of fictional character William Riker, the bearded bloke from The Next Generation who I’m reliably informed was the source of a few fevered teenage dreams back in the day, erected in the town of Valdez in Canada. Why? WHY THE FCUK NOT! Brilliantly the plans specify that the statue should be designed to replicate a very specific pose for which the characters is apparently famous – I FCUKING LOVE THIS PLEASE HELP MAKE IT A THING. If Slough can have a pub called The Wernham Hogg (no, really) then this feels essential.
  • Weird Fcuking Games: A site collecting descriptions of, and occasionally links to, some weird fcuking games that in many cases you can play online. Some of these have been featured in Curios in the past, but many of them were utterly new to me and all of them are headscratchingly-odd and often pleasingly-upsetting in tone. If you’re interested in speculative/experimental game design then this is an excellent resource to explore.
  • Terramaker: SUCH a great little browsergame, this – a puzzle/platformer where you have to build out the scene as you play to prevent your tiny pixellated adventurer from plummeting to their death. Which I appreciate might not make that much sense but which will become crystal clear as you play, promise – this is a really neat premise, smartly-executed.
  • Brothers: Our last miscellaneous link of the week is a rare one to an actual product you have to pay actual cashmoney for – but, I promise, it really is worth it. Brothers is a videogame from…I think a decade or so ago, which has just been remastered and released on all the current formats. I don’t want to say much about it, or describe it too closely – all you need to know is that it’s a beautiful puzzle game with gentle-but-rewarding challenges to solve, a genuinely-unique control scheme and, honestly, one of the most astonishing bits of emotional storytelling I have ever experienced in a game, ever (I’m not joking about this – when I first played it I properly gasped out loud at a certain point, and this game made me cry like nothing else I have ever played). It’s about 6 hours long, I think, and £15 or so – which I appreciate might sound like a lot, but this really is a rare and beautiful thing and I promise you it is worth every penny.

morning_meditation

By  Mr Bingo

 FINALLY THIS WEEK ENJOY A SLIGHTLY-LOUNGE-Y AND VERY SUNDAY MORNING-ISH MIX BY COYOTE!

THE CIRCUS OF TUMBLRS!

  •  Pixel8or: Looping videos of blurry views from the frontseat of a car at night. Which is, I appreciate, very specific and QUITE NICHE, but I find these mesmerising and could quite happily stare at them for hours right now (God I am so sleepy).

THE TROUGH OF (INSTA) FEEDS!

  • Eunice Denise: The feed of Eunice Denise, a designer who makes BEAUTIFUL block-prints from LEGO and whose stuff is so nice and generally charming that it made me almost forget how bad I am at arts and crafts.

LONG THINGS WHICH ARE LONG!

  • Some Numbers About AI and Jobs: On the one hand, I know that it’s fcuking boring having me stand here every week and shout about how everything is going to get AI’d into oblivion before we know it; on the other, it is increasingly clear to me that, yes, everything is goingt to be AI’d into oblivion before we know it. While the Klarna news was 80% PR puff, it’s also true that the company has not in the past been shy about declaring its desire to MAXIMISE EFFICIENCIES via the medium of tech – and the main link here takes you to an ‘interesting’ analysis of some job numbers over the past few months which does rather suggest that the impact of all this tech is very much being felt already, despite the fact that it many cases it’s not quite fit for purpose yet. The analysis here tracks the change in listings for ‘actual freelancing jobs from Upwork starting from November 1, 2022 (a month before ChatGPT was released) to February 14, 2024’, offering a reasonable insight into how the market has shifted over time since The Great AI Becoming. Now obviously there’s no definite link between The Machine and the changing quantity of job listings, but equally it’s hard not to draw some causal inference in the fact that job listings for ‘writers’ are down 33%. Perhaps even more interest was the growth in listings for graphic designers and visual artists, but the fact that the average price of the jobs was significantly lower – suggesting that we still need people to mop up The Machine’s messes, but the hourly rate for that is significantly less than it would have been for doing the actual work (on that topic, this is a good read about how artists are currently working alongside the tech, and what it’s doing to their practice and earning power). Look, I promise I will shut up about this soon but I challenge you to click this link and read the numbers and not think ‘oh fcuk’, even if you’re not in the immediate firing line – the societal consequences of this stuff are going to be…crunchy.
  • Bye, Vice:If you want proof of the degree to which Vice was a formative influence on the current UK media landscape you need only look to the number of ‘THEY KILLED MY ALMA MATER’ pieces that have cropped up in their dozens across the web – the main link here takes you to one of the best of them, Curios favourite Clive Martin is as-ever very readable as he harks back to the anarchic 00s where seemingly everyone who is now anyone spent some time necking gak and p1ssing out 300 words on why doing MCat was praxis (or something; my memories are hazy tbh), but if you like you could also read Simon Childs at Novara, Sirin Kale at the Guardian, and my personal favourite pick, Karl Bode at TechDirt – all of these pieces basically say the same thing in a variety of different ways, namely that it was the greed and incompetence of ‘the bosses’ what fcuked everything in the end. Which, yes, fine, but I can’t help but feel disappointed at the wafer-thin analysis here, and the fact that the interrogation stops at ‘bosses’ – fcuk’s sake you lot, I thought you were all supposed to be DEEP LEFTIST THINKERS or at least that you’d grown into a slightly more sophisticated understanding of How This Stuff Works, my point being that saying ‘bosses’ feels like you’re letting the very specific category of ‘Venture Capital’ and ‘Private Equity’ off the hook far too easily. Yes, ok, Shane Smith was a greedy pr1ck, but he alone didn’t kill the golden goose – that’ll be the acquisitive vulture capitalists, thankyouverymuch, so can we possibly have some decent analysis of that specific angle, please?
  • The Rentier Economy, Vulture Capitalism and Ensh1ttification: WARNING: THIS IS VERY VERY LONG AND QUITE DENSE. That said, it’s also SUPER-INTERESTING, and contains some of the best and clearest explanations of why and how private equity ruins everything by design – I can’t pretend this is anything other than a bit of a slog to read in places, but it feels both relevant and important in a year in which we can expect to see the effects of this sort of financial hollowing out writ large across all sorts of different sectors (not to mention that it’s exactly this sort of capital that is going to drive the too-early-adoption of AI as a cost-saving measure wherever possible).
  • 100 Things You Can Do: Look, I’m not here to bully you into DOING STUFF – god knows that I’m hardly a bastion of personal achievement, unless you count spaffing out over a million words onto the web in the past decade (and I really don’t) – but seeing as this is semi-officially THE YEAR OF THE SMALL AND PERSONAL INTERNET I thought you might appreciate this nice list of ideas for personal digital projects that you might want to experiment with should you have a site of your own to build on – and, honestly, why not? Make a website! Experiment! Play! LEAVE A MARK ON THE DIGITAL WORLD BEFORE EVERYTHING GOES TERMINALLY TO SH1T!
  • Gemini & Video: I will definitely stop going on about Google’s AI stuff soon – it feels a bit like I’m doing their PR at the moment, which is deeply unpleasant – but there’s a bunch of interesting stuff that people are learning you can do with the latest Gemini update which are worth being aware of – this blogpost by Simon Willison demonstrates how scarily good The Machine’s ability to parse information from video is, here used to extract the titles from the spines of books featured in a quick few seconds of video. The potential use-cases for this are hugely-interesting, and if you’ve got a massive library of video just sort of sitting there then it’s worth having a think about what fun things you could get The Machine to do with it (if nothing else I can foresee a boom in AI-written novelisations of films, etc – but hopefully you can come up some less spirit-destroyingly soulless use cases).
  • AI & Productivity: If you are interested in – or, for professional reasons, have to feign interest in – the ways in which generative AI can be used in the workplace RIGHT NOW (not to replace people, honest guv, just to make you more ‘efficient’ (lol it is always to sack people)) then you might want to subscribe to this newsletter which is being produced by the Civic AI Observatory,  “an initiative by Nesta and Newspeak House to support civic organisations plan and adapt to the rapidly evolving field of Generative AI. We focus on immediate practical insights on AI for digital leads – case studies of civic applications, examples of digital strategies and organisational policies, and the impact on the job market – as well as developing communities of practice for specific domains.” If you’re the sort of person who slavishly reads ALL THE AI BITS in Curios then this might not tell you anything new, but presuming that the vast majority of you aren’t that particular sort of masochist then you might find this genuinely helpful.
  • Giving The Machine A Body: One of the most interesting areas of enquiry around AI at the moment is the series of questions around the extent to which any concept of AGI can meaningfully exist without any sort of physical embodiment – this piece asks SO MANY INTERESTING QUESTIONS about what happens when you put an LLM inside a physical object, in this case various forms of robotics, and how that changes the way both the LLM and the robot operate, and the extent to which embodiment may or may not lead to a step change in the development of what we might reasonably term ‘understanding’ in The Machine.
  • AI Food and Ghost Kitchens: This one’s been doing the round for a few weeks, but this is a decent summary by 404, which highlights the growing trend of dark kitchen restaurants – a logo, a menu and two minimum wage workers assembling burgers in a darkened shipping container on an industrial estate of the A127 – getting their food imagery generated by AI to save money, and the weird and otherworldly dishes that get advertised as a result. Which is sort-of funny, but also a little troubling if, I don’t know, you’d like to have at least a passing idea of what the fcuk you might be about to order.
  • Ukraine Two Years On: A superb piece in the LRB summarising the current state of the conflict in Ukraine and offering a sobering assessment of the likely direction of travel for the next stages of the conflict. For something so long and so serious this is surprisingly readable and, as ever with James Meek, superbly-written – it also does a really good job of explaining the state of play to someone, like me, whose appetite for reading daily frontline dispatches is pretty much zero. It’s quite hard to read stuff like this and imagine anything other an evential Russian victory, by attrition if nothing else: “Modern armies are organised in a pyramid of units: several soldiers make a fireteam, several fireteams make a section, several sections make a platoon, several platoons make a company, several companies make a battalion, several battalions make a brigade, several brigades make a division, several divisions make a corps. But at every level, specialists and managers should swell the numbers: planners, administrators, gunners, missile and drone operators, medics. It’s here that a potentially fatal gap has opened up. To use a civilian analogy, the Ukrainian army is like a mid-sized construction company that has spent ten years building rural housing estates, then expands overnight into building cities, massively increasing the number of labourers, but without adding town planners, architects or engineers.”
  • Luxury Beliefs Don’t Exist: You may over the past few years have heard some of the world’s worst people using the term ‘luxury beliefs’ – things that rich people can afford to care about that disproportionately fcuk poorer people, things like drug decriminalisation or trans rights, that type of thing. This is a patient, coherent and well-structured article that neatly explains, point-by-point, why these arguments are disingenuous and don’t really make sense – I’m including this not because I think any of you need convincing, but because I thought it was a really good example of how to rebut a series of lines of argument, and a nice bit of philosophical reasoning which is unusually-user-friendly and nowhere near as self-satisfied as the vast majority of philosophy writing is.
  • Smoggy Delivery: A brilliant – and shocking – investigation by Rest of World which saw the publication fitting driving gig workers in a selection of cities across South Asia with air pollution sensors as they went about their daily tasks, monitoring particulate and pollution levels the riders are exposed to and finding that, in cities like Lahore, New Delhi and Dhaka, workers are breathing air that is killing them, all the time. It’s not entirely surprising – after all, ‘cities in South Asia are insanely polluted’ is not new news – but the extent of this is jaw-dropping. “The data revealed that all three workers were routinely exposed to hazardous levels of pollutants. For PM2.5, referring to particulates that are 2.5 micrometers in diameter or less — which have been linked to health risks including heart attacks and strokes — all riders were consistently logging exposure levels more than 10 times the World Health Organization’s recommended daily average of 15 micrograms per cubic meter. Manu Sharma, in New Delhi, recorded the highest PM2.5 level of the three riders, hitting 468.3 micrograms per cubic meter around 6 p.m. Lahore was a close second, with Iqbal recording 464.2 micrograms per cubic meter around the same time.” Still, THINK OF THE HOCKEYSTICK REVENUE CURVES!
  • How The Rich Breathe: As a neat counterpoint to the above piece, here’s the other end of the wealth/life expectancy spectrum – this piece looks at the increasingly-elaborate air filtration systems being installed in apartments worldwide by the super, super rich, because why would you want to breathe pleb air when instead you can have every cubic centilitre filtered thirty times and imbued with the gentle scent of ylang ylang (probably)? This is totally linked to the mad ‘I want to live forever’ movement – there is something SO unpleasantly, horribly dystopian scifi about the contrast between this stuff and the gig drivers that were I reading this in a draft novel or script I would probably make some scribbled margin notes to the effect that it’s all a bit on-the-nose – AND YET HERE WE ARE!
  • Airfoils: Probably the best creator of interactive digital explainery things in the world right now (look, it’s a hotly-contested category, don’t look at me like that), the incredibly-talented Bartosz Ciechanowski has made another of his long, involving and utterly brilliant explainer articles, this time attempting to demystify the frankly-baffling miracle of flight to the payperson; specifically, how airflow and the shape of a plane’s wings allow the craft to take to the air. Honestly, I can’t stress enough how incredible this is – it’s clearly-written (and I say this as someone who is borderline-subnormal when it comes to their ability to understand physics beyond very basic principles like ‘gravity’), it’s *interesting*, it’s even occasionally gently-amusing, and all the interactive bits are SO clear and so well-made and so satisfying – honestly, I am slightly amazed that the New York Times hasn’t offered this man a ‘name your own price’ deal to be head of interactive, he really is that talented. BONUS INTERACTIVE SCROLLYTHING!: this is the SECOND best interactive graphical explainer thingy of the week, in the Financial Times, all about microchips, and it is also very good indeed (but Bartosz wins because he is just one bloke).
  • Meet The Family: I didn’t want to include this, I really didn’t, but since reading it my mind has kept coming back to it – not because it is particularly interesting, or funny, or smart, or well-written, but because it is one of the few things that I have ever read that have made me think ‘actually, you know what, there are people out there who are more online than I am and I think they might be genuinely unwell’. This is the first paragraph – I can assure you it doesn’t get any less terminally-online from hereon in. Please can one of you attempt to come up with some sort of comms campaign or brand framework using this, and present it with a straight face? Come on, it’ll be funny (until you look up and see everyone nodding): “First, the Internet made Daddy. He was strapping and benevolent, and he looked out on his kingdom from the eyes of Pedro Pascal, Oscar Isaac, and Idris Elba. Then it made Mother — a taciturn goddess in human form, inclined to take the shapes of Cate Blanchett and Greta Lee — and rather than standing by Daddy’s side, she soon upstaged him. (She couldn’t help it: She was born to slay.) When Babygirl came in the shapes of Paul Mescal and Cillian Murphy, they proved happy to follow in their parents’ footsteps, with a youthful gait slowed by melancholy. And finally, the 30-Year-Old Teenage Girl arrived, little bows already fastened to her hair. She kept her distance from the others, awestruck and unbearably horny for them.”
  • Localising Like A Dragon: A lovely article about the unique challenge in translating a videogame – specifically the latest iteration of the Japanese ‘Yakuza’ franchise (now called ‘Like A Dragon’), a series of games which can best be described as ‘very, very Japanese’ and which feature all sorts of very culturally-specific gags and references which give each game it character and which must be an absolute bgger to render in English. This is a charming read for anyone interested in language and translation – and, as an aside, I can’t recommend the latest LAD game enough, it is genuinely charming and even someone as miserably cynical and sad inside as me has been thoroughly won over by it; seriously, it makes me SMILE and you honestly have no idea how fcuking hard that is these days.
  • The Sierra Network: A rare example of AN OLD ARTICLE now – ordinarily Curios only brings you the freshest ish (internet/race, etc etc) but I happened to stumble across this piece from 2018 this week and it is SO INTERESTING (er, if you’re interested in the history of the web and online communities and gaming on the web) – it’s the story of how US gaming company Sierra basically invented mass-market online gaming in the 1990s, and what’s perhaps most remarkable about this (other than the fact it’s all so long ago) is how much of the experience and what they were trying to do has, albeit three decades on, basically become reality.
  • Utter Filth: A reader writes! From John Ohno “Since you covered Smitten in this issue, it reminded me of a similar project I did for NaNoGenMo back in 2015 for a very different purpose: to produce a novel-length sex scene that is as silly and gross as possible (using a large collection of unusual euphemisms). Here’s the output I generated back the; the actual code is in a template language called GG that I invented, but if I were doing it today I’d probably just use tracery. People who are interested in just seeing the euphemisms out of context can check out the source code: https://github.com/enkiv2/NaNoGenMo-2015/blob/master/orgasmotron.gg” This is a quite dizzying procession of filth, varyingly nonsensical, disgusting, disturbing and weird, and the very definition of ‘a challenging w4nk’ (should you succeed, please don’t feel the need to inform me).
  • Hanging With The Trumpettes: I appreciate that as we inch closer to November and the possibility of That Fcuking Man getting into the White House again becomes ever more likely (after last time I am making NO PREDICTIONS) the whole ridiculous Trumpian circus will become significantly less funny…but right now it’s still far enough away that I was able to laugh (a lot) at this superb piece in the FT, by Jemima Kelly, in which she spends some time with the Trump fans at Mar A Lago – the miserable dark heart of this, for me at least, was the extent to which none of the people here have to care one iota about the consequences of their vote.
  • Brighter Than A Cloud: I’ve been lucky enough to never have experienced a migraine and as such I simply have no frame of reference for the sensations described in this article, but I found the descriptions and depictions here of what it’s like to experience the condition simultaneously beautiful and horrifying, and they had the very peculiar and not-entirely-pleasant effect of making me be VERY AWARE of my brain and skull and eyes when reading, which you may or may not think of as a positive. Anyway, this is a fascinating and extremely-well-written piece about how migraines are rendered in art, and the opening para gives you a good feel for the style here: “How to describe a scintillating scotoma? It’s one of the most common symptoms of a migraine, but unless you’ve had one, it sounds unreal. A scintillating scotoma is like a barbed ripple in the pool of sight. It’s a skeletal Magic Eye raised up from the flatness of the world. It’s a glare on the tarmac as you drive West at sunset on a rain-slick freeway—only when you turn your head, it’s still there, so you have to pull over, close your eyes, and wait out the slow-motion firework working its way across your brain.”
  • Meeting The Whales: Our second cephalopodic link of the week! This is WONDERFUL – honestly, I didn’t think I wanted to read a very long bit of speculative writing about what it might be like if humanity developed the ability to communicate with whales, but this is FASCINATING and clever and touches on so many interesting topics (language! The mind/body distinction! Animals and their relationship to us! The very nature of ‘intelligence’!) and is weirdly heartwarming in ways I can’t quite explain.
  • Generation Gap: This is by Sarah Moss, it is only three paragraphs long and I think it might be perfect. I mean it.
  • My Good Friend: Finally this week, a gorgeous short story (not so short) by Brazilian writer Juliana Leite – this is about friendship and life and family and secrets and all the good stuff, and it has that very specific tonal lightness that I associate with (well-translated) South American fiction, and this is, honestly, like taking a small soul bath.

By Mark Badger

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 23/02/24

Reading Time: 36 minutes

Gah! I have a call in 24 minutes and I am still in my pants and need to wash! Gah!

Apologies, you didn’t need that image – but then again, none of us needed the sight of our elected representatives competing to see who could demonstrate the most nakedly-self-serving and venal behaviour while ostensibly pretending to give a fcuk about the deaths of thousands of people, and yet we all got that anyway, so frankly you can quit your whinging and be grateful for the links and the absence of my sub-Marina-Hyde ‘satire’ in the upfront.

[NB – non-English people, I promise it gets less obscenely-parochial in a few short paragraphs, don’t worry]

I am still Matt, this is still Web Curios, and you’re probably wondering how the everliving fcuk venture capital keeps getting away with this sh1t and if I’m honest I am wondering that too.

By Julia Maiuri

MAY I SUGGEST THAT YOU SOUNDTRACK THE FIRST BIT OF THIS WEEK’S CURIOS, AND INDEED PERHAPS THE REST OF YOUR WEEKEND, WITH THE EXCELLENT NEW RECORD FROM MANGA ST HILARE? GOOD! I WILL THEN! 

THE SECTION WHICH HAS GENUINELY FOND MEMORIES OF GETTING DRUNK IN THE VICE PUB BUT WHICH ALSO CONCEDES THAT ANY MEDIA BUSINESS THAT THINKS ‘BUY A PUB’ IS A VIABLE WAY TO INVEST SOME OF THAT VC CASH IS PERHAPS NOT DESTINED FOR SUCCESS AND LONGEVITY, PT.1:  

  • Laika13: Do you have kids? Great! I hope the fact that you’ve condemned at least one other person, possibly more, to THIS FCUKING EXPERIENCE is one that you’re comfortable with, and you can sleep at night! Anyway, if you do and if they are of a certain age then you will almost certainly have grappled with, or be feeling guilty about, the question of whether kids should have unfettered access to smartphones and social media, and What Exactly All This Screen Stuff Is Doing To Young Minds – very much something that’s front of mind and media in the UK after the murder of Brianna Ghey and the subsequent conviction of the two kids who killed her, and an issue that’s been front-and-centre in the UK press (the same UK press which is, oddly, seemingly unwilling to question the extent to which its…occasionally questionable coverage might have in some way contributed to the murder of a trans kid)…you don’t, obviously, need my opinion on this, and so I’m not going to give it to you, but I figured you might be interested in this project which is both ‘semi-interesting bit of social commentary/AI experimentation’ and ‘one of the weirder bits of digital promo for an insurance company I’ve ever seen’. Laika13 is a project which ‘imagines’ (though looking around, you don’t really have to imagine) what a 13 year old kid raised exclusively on a diet of social media and ONLINE LIFE might be like – and then creates a chatbot of said kid, which journalists and interested parties can request access to, so they can see what sort of a MONSTER results from this sort of ‘raised by digital wolves’ upbringing. “Laika is an AI teenager raised solely on social media. Her personality, ideals, and opinions are 100 % shaped by the content and climate of popular digital platforms. Through her, we can observe and understand the potential risks of consuming too much social media, without exposing real kids. Laika is used for mental health research and education. For ethical reasons, Laika isn’t available to everyone. However, researchers, educators, and journalists can request to chat with her. Laika gets her knowledge from social media and may therefore exhibit controversial or harmful opinions spread on the platforms. Länsförsäkringar and the parties involved distance themselves from Laika’s views and values.” This is SO ODD – the fact that they have bothered to make this but then limited access to it to journalists who, unless the media in Sweden works VERY differently, strike me as being unlikely to be hugely-interested in a rudimentary chatbot modeled on a stroppy teen, and I simply don’t understand how this promotes an insurance company (do they offer a policy that hedges against the possibility that your kid becomes a TikTok-addled shut-in? I am guessing they do not), and I don’t know what it’s trying to prove or demonstrate…Still, for MILLIONS OF JOURNALISTS who I know read Web Curios every week, why not take a look? If you can get past the incredibly-weird ‘it’s PR for an insurance company!’ angle you might be able to eke a commission out of this.
  • Unganisha: A bit of a pivot now, and what I hope is a pleasing antidote to all of the general digital disquiet which runs through the rest of Curios – animals! Nature! The gentle sound of the wind caressing the savannah! Unganisha is, as far as I can tell (sorry, the site’s in German and hence I’m relying on Google translate and my cursory skimming of the copy) a WWF conservation initiative taking place across Kenya and Tanzania, and this site collects information and video from the various initiatives across both countries and their borders, and the website effectively exists as an overview of the project, its scope aims and achievements…ordinarily, if I’m honest, I tend to be left a little cold by this stuff – partly because I’m joyless, partly because it’s hard to get a true appreciation of the majesty of the African plain and the wildlife and the light and sense of space when you’re sitting in a small, slightly dark flat in a part of London so far North it’s practically-Scotland, but I really enjoyed this site, which is beautifully designed and really slickly-made, combining video, photos, 3d map data to tell the story of the conservation work in unusually-rich fashion.
  • Smitten Stories: Occasionally I get emails from people which make this whole, pointless, pyrrhic endeavour almost worthwhile (note the ‘almost’) – so it was this week, when I opened my Special Curios Inbox and found a message from one Shivani Gorle, who wrote: “A little something to perhaps feature in Web Curios: we (a culture writer and coder couple) built an erotic story generator over the weekend where you can create custom kinky stories featuring you and your lover (or anyone!) Smitten is our attempt to see how AI can improve intimacy, aid personal expression and offer a no-judgment space for sexual fantasies.All you have to do is input your prompts on characters, setting and action, and you can be as explicit as you want to be.” HOW DO I LOVE THIS LET ME COUNT THE WAYS!!! Firstly, anything at the confluence of ‘slightly-shonky experimental digital stuff’ and ‘bongo’ is very much my vibe; secondly, there is something SO PLEASING about knowing that in some small way this newsletter has found THE PERFECT AUDIENCE whereby people tell me about stuff like this – THANKYOU! Anyway, I did as asked and gave this a go – in the spirit of enquiry, I gave it a…er…*variety* of different scenarios and combination of types of mucus membrane to smush together, and…you know what, it wasn’t bad! I mean, look, full disclosure, I personally can’t quite get beyond the fact that the words here are just probabilitysmushed by The Machine and as such it’s not likely to ever going to form part of my erotic life (ask me again in a few years when I’ve been single for a while and have forgotten what the touch of another human is like) (also, sincere apologies for introducing the concept of the authorial ‘erotic life’ to the Curios experience, never again I promise), but the filth it generates is…genuinely-filthy, and it is good at picking out the specific kinks and scenarios you specify, and, honestly, I LOVE THE FACT THAT THIS EXISTS! Please give it a try – if nothing else you can use it to create explicit fanfic featuring literally anyone you know doing anything you want them to, so why not give that a try and send your friends a bespoke bongo story ALL ABOUT THEM (please under no circumstances do this unless your friends are a significantly more forgiving bunch than I would be in those circumstances).
  • Ergoquest: As the Vision Pro hype starts to stabilise slightly, I’m starting to see videos of people using them where they basically just sort of lie catatonically, supported by a mountain of pillows and cushions as they try and find an optimal position in which they can sit for two hours straight with a telly strapped to their face without creating significant lumbar problems for themselves. A combination of VR tech and the continued promise/threat of THE METAVERSE (it hasn’t gone away, you know) means that there’s definitely a market for the sort of computer setup that will make it comfortable for people to sit for hours with some not-insignificant hardware attached to them, which is where the frankly-bonkers offerings at Ergoquest come in – I don’t really want to describe these too much, but instead urge you to click right in and look at the photos (and the pricing!) and then take a moment to imagine a) how big your house would need to be to fit one of these fcuking things in it in the first place; b) exactly how your partner, whoever they might be, would react were you to suggest that you might want to invest in one of these for the study. These are partly marketed as a solution for people with severe back issues and the like, which is obviously a fine and reasonable market to serve, but I remain convinced that they sell the vast majority of these to middle-aged men who were influenced a bit too much by The Lawnmower Man 30 years ago.
  • Practice Interview: Another week, another raft of ‘not going to exist in a year or so’ speculative AI-based startups, building a service layer on top of someone else’s tech stack and, presumably, hoping to make it rich or cash out before the bottom falls out of all these things entirely. This one is a nice use-case for the tech – Practice Interview, as you might expect, lets you, er, practice a job interview with an AI, chatting to it like you would AN ACTUAL PERSON and then being rated on your performance and responses to questions. I wouldn’t, obviously, suggest that you use this – it’s a desperate attempt to charge money for something you could literally hook up yourself for free with a tiny bit of effort – but it’s a decent example of a genuinely-useful usecase for this sort of thing (just feed the GPT app your job spec, then get it to ask you interview questions and grade your answers) and yet another example of simple-but-potentially-fun things you can do with this stuff beyond ‘making terrible images and unfunny copy’.
  • Kin: We’re all going to get digital twins or assistants, aren’t we? Not soon, obviously, but it strikes me that there are a significant (and likely to grow) number of positive (oh, ok, ‘positive’) use-cases for the idea of having a digital representation of yourself which can be used for, I don’t know, the completion of mundane online tasks (‘task your digital twin with doing your tax return – it has the legal right!’, etc etc). Anyway, while we wait for that sort of mildly-disquieting future to manifest itself (hang on, have I just manifested something? IS THIS HOW IT WORKS?) we have ‘Kin’, a prototypical and mildly-unsettling (to me at least) product which effectively offers itself up as your AI emotional support coach – you talk to it, you tell it about your life, and it is ALWAYS THERE to offer you support and guidance and counsel (whether or not it makes sense to entrust any aspect of your life to the probabilistic burblings of a jumped-up Casio is as-yet uncertain). The big gimmick, per the site, is PRIVACY – Kin promises everything is local and it never stores your data, and that as such you should feel comfortable telling it EVERYTHING – the site is significantly less forthcoming on any useful, practical details like ‘how the fcuk does this work?’ and ‘what is it built and trained on?’, but, well, who needs to know stuff like that? This is still pre-alpha, but you can sign up to the waiting list if you so desire – interestingly, if you do so, it asks you what about the service appeals – the first two options are something like ‘never judges me’ and ‘always listens’, which is both heartbreaking and I think a neat encapsulation of the sorts of people who are going to see themselves exploited left, right and centre by companies attempting to sell them solutions to their perceived social problems. I know, by the way, that I am fcuking boring on this, but can I once again take a moment to tap the ‘HOW FCUKING WEIRD IS IT GOING TO BE WHEN EVERYONE IS ASKING A MYSTERIOUS DIGITAL COMPANION ON THEIR PHONE FOR ADVICE AND EVERYONE HAS A DIFFERENT ONE AND NOONE KNOWS WHICH ONE ANOTHER PERSON HAS OR WHAT THEIR MYSTERIOUS DIGITAL COMPANION IS TELLING THEM TO THINK OR DO? VERY FCUKING WEIRD INDEED!’ sign.
  • Samurai: One of the great defining features of our age, I think, is the rise of the ‘hack’ – the shortcut, the ‘cheat’s way’, the ‘secret trick that noone’s telling you about that allows you to skip the queue/effort/entry requirements for X and will grant you access to the secret club full of the pretty and rich and successful that you’ve always known existed!’ – and Samurai is kind of an ur-expression of that. “LEARN MORE BY READING LESS!” screams the miserable tagline, and that’s the premise here – it’s an AI-powered summarisation tool which basically combines those ‘read it later’ apps with the sort of joyless, functional misery of the sort of services that existed in the 80s which offered to sell you summaries of the world’s best business books as two-page pamphlets that told you ‘ALL YOU NEED TO KNOW’. One the one hand, this is sort-of funny; on the other, a combination of the terrifying infodensity of the now and the even-more-terrifying infodensity of tomorrow, and the human race’s seeming wish to just sort of ‘phase out’ the written word by 2045, means I can see this sort of thing becoming pretty ubiquitous pretty soon. Anyway, given the fact that YOU are currently engaged in skim-reading a weekly 9,000 word newsletterblogtypething about ‘stuff on the internet’ I’m going to guess that you’re perhaps less bothered by reading and prolixity than Samurai’s target audience might be – otherwise, though, sign up for the waitlist and know that I think less of you.
  • The Dirty Protest: When was the last time an online petition made a blind bit of difference to anything? OH THAT IS RIGHT IT NEVER HAS! Honestly, one of my biggest bugbears in campaigning is when people spend time, money and resources on collecting signatures online – THESE THINGS ARE NEVER BINDING! NOONE HAS DO DO ANYTHING, EVER, JUST BECAUSE SOME PEOPLE PUT THEIR NAMES ON A WEBSITE! Still, I shouldn’t be mean – this is a GOOD PROJECT and a GOOD CAUSE, and timely and zeitgeisty what with UK comedian Joe Lycett having recently done a TV show pointing out that the UK’s waterways are increasingly full of sh1t. Should you wish to protest about this, I would suggest first and foremost stopping paying your water bills – they’re not legally allowed to cut you off! – on the grounds that the companies are not in fact providing the services that we are paying for (I personally think you could make it annoying enough for them to leave you alone, but, equally, I am not a lawyer and you should probably not take my advice on this!), but you could also sign this online petition against the despoiling of the global water table which, in a CLEVER CREATIVE TWIST, will have every name on it physically printed out using ink that contains actual sewage. DO YOU SEE? DO YOU SEE WHAT THEY HAVE DONE?!?! Once it reaches 1m signatories it will be taken to the European Parliament – I, er, have my doubts that that is going to happen, but put your name down in the hope that you can contribute to a large roll of (hopefully-recycled) dried woodpulp can be roundly ignored by Brussels in a few months’ time.
  • Giga: A small, palette-cleansing browsergame made for O2 in France – it’s basically ‘Tempest’, and it’s approximately as challenging as blinking, but it’s VERY FAST which makes it a fun distraction for about 5 minutes while you wait for the kettle to boil.
  • Online Rulers: A big caveat to this – I HAVE NOT TRIED IT AND I HAVE NO IDEA IF IT IS ACCURATE. Still, I very much like the slightly-odd digital/analogue nature of this, which is a website designed to basically turn your phone into an accurate ruler for measuring and marking. NB – Web Curios accepts no responsibility for any death, injury or significant structural damage that results from using this.
  • The TikTok Short Film Competition: Now in its third year, TikTok is once again running a contest for filmmakers on the platform – this year’s it’s opened up to North America too, so RIP the number of entries, but if you fancy competing against THE WORLD to see who’s the best at making short films (according to whoever’s judging this) then you might find this interesting. This all ends up with the winning entries (across directing, script and overall best short categories) going to Cannes (no, lol, the GOOD Cannes!), which is admittedly pretty cool.
  • 84-24: Are you one of those people for whom Macintosh products were and have always been PART OF WHO YOU ARE, even when they were beige and uncool and confusing (‘what are these weird computers with the even weirder mouses and the terrible graphics, and WHY ARE THERE NO GAMES ON THEM?) and who has a tattoo of the logo and that sort of thing? GET ANOTHER FCUKING OBSESSION THEY ARE JUST MACHINES! Ahem. But, also, you will probably adore this genuinely-beautifully-made site which basically celebrates an old Apple and the process of restoring it. Such nice webwork, lovely scrolly animations and a real sense of passion for the kit and the project make this a charming little site. Made by one Michele Giorgi, who’s obviously very good at this stuff.
  • A Year of Cartier: Ordinarily when I feature luxe websites in here – certainly in recent years, at least – it’s been to laugh at them, to point and prod and their odd metaversal ambitions and to question why exactly spending all of 80 seconds in a poorly-designed, shonkily-rendered representation of a CREATIVE ATELIER would be likely to induce me to drop five figures on a handbag. BUT! I confess to…actually quite liking this site by Cartier, which highlights a bunch of projects that the house undertook last year and which, honestly, is…really interesting. I say this as someone who is down to his last two pairs of trousers (the others have too many holes in them to be viable without arrest) and who last looked in the mirror on Tuesday and whose approach to fashion, design and style might best be described as ‘frightened and suspicious’, but there’s loads of genuinely quite cool insight into the design and manufacturing process over several dozen different areas of the brand’s work, and there’s something nice and gentle and…elegant about the design, and, unusually for these sorts of things, there’s actually quite a lot to explore, and at no point did it feel like I was about to be shaken down for a £600 keyring at any point. WELL DONE, LUXE WEBMONGS!
  • Robin Rendle: Robin Rendle is a web designer and writer from the UK, who apparently now lives in San Francisco (I am not stalking him – it literally says this on the landing page of this site). This is his personal website, which is presented as a series of cards and I LOVE THIS AND I WANT MORE SITES BUILT ON THIS PRINCIPAL PLEASE. Oh, and seeing as we’re here, BONUS IMPRESSIVE PERSONAL WEBSITE!: this is a gorgeous little 3d environment by Mike Fernandez, where you can explore his career to date by wandering around a little mediaeval townscape (though be warned, I did get stuck on the well and have to reload).
  • Inheritance: It’s been far too long since I’ve had cause to feature a good ‘interactive documentary website thing’, so I was thrilled to find this this week (and surprised to discover it wasn’t, for a change, made by NFB Canada, who for 10+ years have been the undisputed champions of this sort of medium) – obviously you’re free to approach Curios however you like, and I’d never be so gauche as to suggest what you should choose to click on, but can I make a special request that you take 10 minutes at check this out? It really is gorgeous – it’s a companion piece to a series of documentaries about the Lockerbie bombing of the 80s, and focuses on the memories left behind by Ken Dornstein’s brother David who was killed in the attack, and it uses old objects and memories and voice over and video and it is, honestly, really really beautiful.

By Asger Carlsen 

OUR NEXT MUSICAL ACCOMPANIMENT IS THIS SUPERB, FUN AND EVER-SO-SLIGHTLY FRENETIC NUKG MIX BY OPPIDAN (STARTS AT 1H IN)! 

THE SECTION WHICH HAS GENUINELY FOND MEMORIES OF GETTING DRUNK IN THE VICE PUB BUT WHICH ALSO CONCEDES THAT ANY MEDIA BUSINESS THAT THINKS ‘BUY A PUB’ IS A VIABLE WAY TO INVEST SOME OF THAT VC CASH IS PERHAPS NOT DESTINED FOR SUCCESS AND LONGEVITY, PT.2:  

  • The Dark Forest Anthology of the Internet: A caveat here – this is a physical book, which you have to order and pay for, and I have not yet done that and as such I have no idea if it is any good or not. BUT! I am on the mailing list for it for some reason (GDPR be damned!) and it features work by all sorts of people whose writing and thinking I have featured here over the years and who are all loosely sort-of affiliated with the wider “‘small/tiny/cosy/insert your own twee signifier here’ web” movement, and the description – “This is a book about how to survive on the internet. It’s about the cozy web, the dark web, the dark forest, the clear net, the dark net, and a new social world emerging around us. This is the Dark Forest Anthology of the Internet.” – really interested me. It features a selection of essays and thinking about the web and where it goes and what it is and what it was, and if you’re interested in the (admittedly quite w4nky) questions of ‘whither the web and the people on it in the mad uncertain days of AI and post-social media?’ then you might well think spending £30 on this limited edition tome might be worthwhile.
  • Netflix En France: For those less linguistically-blessed than I am, that means ‘Netflix in France’ – you’re welcome! While it may be clear to everyone that we have come to an end of a specific era in media, specifically the end of the era of ‘free money’ (but sadly, I fear, not the end of the era of ‘genuinely terrible morons sitting at the top of these companies and making awful decisions’), noone appears to have told the people behind this excellent, lavish and sort of magically-pointless bit of webwork for Netflix France, which basically seems to exist as a sop to the French government and tourist board for letting the company film shows within their borders. This is, basically, a bunch of not-particularly-in-depth ‘tourism guide’-type content, all themed around various French Netflix shows that have been shot in France, featuring GORGEOUS video and basically showing all these gorgeous locations off to their very best – still, if you’ve been really getting into, I don’t know, “Lupin X Marie Antoinette” (I don’t have Netflix and know nothing about any of its French shows, can you tell?) and want to plan a journey based on ICONIC SCENES from the programme then, well, ENJOY!
  • Password Basket: Shamelessly lifted from last week’s B3ta, this is a genuinely brilliant little game which helps you generate a new, secure password each time you need one, and which is so good it ought to be bought wholesale by AN Other online security business looking for some easy promo. Look, I know that there is at least one person reading this who works in a skullfcukingly-tedious branch of comms and who has been waiting YEARS for me to feature something in Curios that’s appropriate for creative thievery – NOW IS YOUR MOMENT!
  • Oops Busted: IMPORTANT CAVEAT TO THIS LINK: I am posting this here because I am reasonably-confident that noone reading this is actually going to use it. Please do not use it. ANYWAY, now we’ve got that out of the way, welcome to what I am 100% convinced is the most morally-bankrupt link of the week – I’m going to hand over the description here to the devs, from a Reddit post: “OopsBusted is a unique digital platform designed for those curious or concerned about their partner’s activity on dating apps. In an age where online dating is ubiquitous and the lines of fidelity can sometimes blur, we provide a discreet and efficient way to uncover the truth. How does it work? Simple! You provide the name and location of the person you’re curious about, and our platform does a sweep of popular dating apps to see if they have a profile. Think of it as a helpful tool to either quell your fears or confirm your suspicions—all done discreetly and respectfully. But OopsBusted isn’t just a tool; it’s a community. We’re here to discuss everything from relationship advice and digital dating trends to ethical considerations when using technology in our personal lives.” Take a moment to consider that, and think about the implications – a service that lets you provide a subject’s name AND PHOTOGRAPH, and which uses that information to stalk them across dating sites…you can see how that’s perhaps not ENTIRELY safe? I am genuinely astonished that this exists – the only silver lining is that I have strong suspicions that the ‘AI tech’ under the hood here is largely rubbish and won’t work, given I imagine all the dating apps have reasonable guardrails to prevent exactly this sort of thing from working, but, honestly, this is literally a ‘want to stalk anyone in the world and harass them with ‘romantic’ proposals? GREAT!’ service, and that doesn’t really feel ok. In the unlikely event that you happen to work for any of the major dating apps can you please reassure me that this is just a scam to con stalkers and potential-rapists out of cash? Thanks.
  • Don’t Look Down: A subReddit dedicated to sharing videos and photos of VERY HIGH PLACES. I am not particularly afraid of heights – per Sir Terry, it’s the grounds that kill you – but when I found this the other day there was a video on the top of the page that featured two people jumping off a waterfall a la Butch Cassidy and they jumped and the angle panned down…and down…and down…and they kept falling, and basically my stomach ended up somewhere underneath Bounds Green tube. It’s ALL like that, so, well, enjoy!
  • 38 North: Are YOU fascinated by North Korea? Are YOU anxious to keep up with Kuddly Kim and his Krazy Kapers? Well you may well enjoy 38 North, in that case, a site seemingly dedicated to ALL THINGS North Korean (from a ‘what are they up to?’ point of view rather than a ‘wow, look at the kooky dictatorship!’ perspective) and which might be useful if for whatever reason you need to have a vague idea about how long it’s going to be til the world’s most famously-mad regime has another conniption.
  • Flirt WIth Emma: Earlier this week this app was called ‘Flirt with Los’ – now it’s called ‘Flirt with Emma’ – I think, though, the premise is the same, a sort of art-game-app-thing, which plays on the general concept of the online dating app by giving users the opportunity to date ‘Los’ (and now ‘Emma’), which basically amounts to a few limited interactions each day where you can send messages to a static image of this stranger…and that’s sort-of it, except there’s a real person behind this (maybe even two) as you can read in this article explaining a bit about the project, and I think it might be a bit more interesting and involved than it otherwise looks.
  • My Boyfriend: Would YOU like to contribute to the next edition of a magazine featuring writing from new and emergent writers? GREAT! My Boyfriend is a seemingly-ongoing project which will in each edition solicit submissions on a single theme or topic – next up is “My Boyfriend Is A Virgin. Send us short stories and poems which interpret the theme of “virginity” either in the literal or abstract. We especially appreciate absurd, voicey, and experimental works. For this issue, we are not looking for pieces that explicitly reference the mag’s name or that contain a boyfriend character. 1500 word limit. Deadline April 15.” Sound interesting? GO!
  • Join The Mars Living Experiment: OK, before you get too excited I feel compelled to tell you that this opportunity is only open to US nationals what with it being a NASA initiative – still, for the two of you reading this on the other side of the Atlantic WHAT AN OPPORTUNITY THIS IS! “Crew Health and Performance Exploration Analog (CHAPEA) is a series of analog missions that will simulate year-long stays on the surface of Mars. Each mission will consist of four crew members living in Mars Dune Alpha, an isolated 1,700 square foot habitat. During the mission, the crew will conduct simulated spacewalks and provide data on a variety of factors, which may include physical and behavioral health and performance” – and they are now accepting applications! Look, you may have things like ‘a family’ or ‘commitments’, but the next programme doesn’t start until next year so you’ve loads of time before that to divest yourself of any and all responsibilities so you can go and live in a simulated hostile environment for a year, drinking distillate of your own p1ss and eating powdered icecream (probably).
  • TrudyTube: I’m always something of a sucker for personal quantification projects, particularly when combined with nice design and visualisation – this is a site in which someone called (I presume) Trudy maps all the songs she listens to, when she listens to them and the context in which she’s so doing, and I LOVE IT IT IS WONDERFUL, like a sort of emotional audio relief map of the day – you can hover over the tracks to hear them, click them to be taken to the whole song, explore the changing patterns over different days…honestly, the only way this could possibly be improved is if there were a geo layer over the top so you could see whether / how geography affects style/vibe of song, but I appreciate that there are very good privacy and safety reasons for ignoring this request entirely. Anyway, this is GREAT and I would really like someone at Spotify to read this and request it as a product feature please (LUKE THIS IS FOR YOU).
  • The 2024 Webring: This feels like it will be a link that will neatly divide the readership between THE OLD, for whom the concept of a webring is familiar and comforting and oddly-Proustian, and THE YOUNG, for whom it will ins…actually, no, hang on, there is no way in hell that ANYONE reading this fcuking thing is under 30, so let’s assume that we all know what a ‘webring’ is and move on. “This website contains links to 13 single serving sites, connected as a webring. The websites take their starting points in Wikipedia articles linking to the Artificial intelligence page. Next to each link, there is a link to a promotional or explanatory TikTok. The SSS:s were made in February 2024 by the first year students in the Interactive design course at the Visual Communication program at Beckmans Collage of Design in Stockholm, Sweden. The course is supervised by senior lecturer Peter Ström.” SO MANY FUN LITTLE WEBSITES! I honestly think there’s something rather lovely – and due a sort-of reappraisal or comeback – about the idea of the webring, a small, tightly-curated network of interest-connected people or pages, free of algorithmic mediation, a sort of digital desire path through websites…does this make sense or am I just w4nking on? It’s the latter, isn’t it?
  • The Best Videos Of The Year: Or at least, the ones Vimeo selected as the best videos of last year. A couple of these I had seen before (a couple were featured in Curios, I AM SUCH A GOOD CURATOR LOVE ME ACKNOWLEDGE MY SUPREMACY), but most were new to me, and there’s a nice mixture of animation, documentary, music video and short film to explore for the visophiles (is that a term? It ought to be) among you.
  • Alps Roads: After last week’s links to that twisty roads website, here we are with yet ANOTHER link for the mesh-driving-glove-owners (I may mock you, but also I spoil you – feel the push/pull of the abusive relationship!) – DO YOU LIKE ROADS? I am going to suggest that however deep your love for tarmacadam runs it runs nowhere near as deep as that felt by the administrator and owner of this singular site, dedicated to chronicling all the roads that this person has ever visited (I am not, I don’t think, exaggerating). You want photos of minor trunk roads in Nevada? GREAT! Want some inexplicably-blurry photos of some road signs in Saudi? Er, why? BUT GREAT, HERE YOU ARE! Anyway, I love the fact that this person really enjoys roads and wants to celebrate them via the medium of an increasingly-sprawling single-focus web presence, so well done, anonymous road enthusiast,.
  • Clove Garden Recipes: One of the great complaints of the modern age – no, not that one. Or that one – is the weird effect SEO has had on online recipes and the way it’s led to food blogs being cluttered messes of personal writing when all the hungry, lazy chef wants is THE FCUKING RECIPE (but, equally, if you employ one of those ‘just give me the recipe’ Chrome extensions then you’re the monster – look, I don’t make the rules here, that’s just how we’ve decided things work). Clove Garden is a VERY old website which has seemingly been around since…2004, I think? Anyway, I think it spun out of a general sort of health/wellness interest (I am a bit scared to click on the ‘philosophy’ section in case it turns out to be a haven of weird fashiness tbqhwy) but the main draw here is the ‘Recipes’ section which features over 1000 different dishes and…THEY ARE JUST RECIPES! No anecdotes, no chat, just ingredients and method. It’s obviously important to caveat this in a few ways – firstly I have no idea if any of these are any good; secondly, it’s an American site which means that all the recipes in question use their preposterous measurement conventions (‘CUPS’ IS NOT A PROPER MEASUREMENT FFS); thirdly, it’s an American site which means that I can’t promise that half the recipes won’t be ‘a cup-a-soup and a block of velveeta’. Still, er, ENJOY!
  • The Google Blobs: Back in the day I remember feeling a genuine sense of…minor shame? Christ, how pathetic…but, anyway, yes, minor shame at how rubbish the Google emoji on my crappy Android phone were compared to the LOVELY AND SHINY Applemoji on other people’s iPhones. I’ve since come to terms with my own pathetic device-based status anxiety, and with the Google Blob emoji style, and I got a proper small nostalgiapang when I found this site, which collects the original designs and animations and makes them available for use in Discord. BRING BACK THE BLOBS, basically.
  • Matchonix: A fun little ‘match three shapes’ game with a couple of nice twists and a semi-realtime angle that makes individual matches short and snappy rather than an infinite timesink.
  • Flip: Another tiny game made in V Buckenham’s forthcoming ‘Downpour’ tiny game engine, this is an excellent example of the sort of small, silly, pointless things that I am excited to see people making with the kit. Can you get 10 ‘heads’ in a row when flipping a coin? CAN YOU??? This is obviously very silly and pointless, but it’s also annoyingly really fcuking compelling – it’s also a nice illustration of the simple way in which Downpour will let you combine elements, and I am genuinely quite curious to see gets made.
  • Squeezy: A word game! I know, I know, but this is quite a nice variant on a theme – there are five words, and five letters; each letter can be inserted into one of the existing words to create a new word – but which letter, into which word, and where? Not particularly difficult, but a pleasing way of starting the day while you chase The Fear away.
  • Borg Remastered: Finally this week, another one of those bits of webwork that makes me slightly staggered at what is possible now vs what was possible even a decade ago – and a link which I think it’s statistically probable will make at least one of you ecstatically happy. Do YOU like Star Trek? Do YOU wish that you could experience what is effectively a full-length interactive film featuring AN ACTUAL PROPER STAR TREK ACTOR and two hours of all-new, TV quality Star Trek FMV action? Do these words mean anything to you (because, honestly, they mean the square root of fcuk all to me)? “In the midst of a Borg invasion ten years after the Battle of Wolf 359, Starfleet Cadet Qaylan Furlong is given an opportunity by Q (John de Lancie) to go back in time and prevent his father’s death in the historic battle.” Do they make you think “OH GOD THE BORG, THE GREATEST OF ALL THE STAR TREK VILLAINS!”? If the answer to any or all of these questions is ‘yes’ then welcome to the best link of the year so far – this is a full, playable, in-browser port of a 1996 videogame, from the era in which people thought ‘interactive films’ were the future of entertainment, and you can experience it all through what I imagine is some pretty-impressive in-browser wrangling, with a really slick and very Star Trek-y interface…look, I have to confess here that the meeting point of ‘Star Trek’ and ‘Full-Motion videogame that is basically an interactive TV show’ is a place I have literally no personal interest in whatsoever, and as such I only gave this 15m of my life, but it’s quite an incredible bit of webwork and deserves a click even if you would rather apply papercuts to your eyeballs and then rinse them in lemonjuice than admit to watching a second of Trek.

By Dadu Shin

ENJOY THE LAST OF THIS WEEK’S MIXES NOW WITH THIS ECLECTIC-BUT-REALLY-VERY-GOOD-BUT-ALSO-SO-’BERLIN’-IT-HURTS SELECTION OF BEATS AND ELECTRONICA AND GLITCHY AMBIENT STUFF MIXED BY YOSA PEIT! 

THE CIRCUS OF TUMBLRS!

  • Retro Lesbians: You don’t need me to explain this to you, do you? Totally SFW, at least from what I’ve seen.

THE TROUGH OF (INSTA) FEEDS!

  • The Wonder of Soil: I had to do some proofing this week for an Italian academic’s newly-written paper about soil health (summary: wow, that was a whole new thing that we’ve managed to make a mess of which I had no idea about but which now I will add to my list of ‘vaguely disquieting things I know about the planet!), and I discovered this Insta feed which is dedicated to promoting, er, soil health, and look, it’s not exactly thrilling, but I thought it was important and so, er, here it is.
  • Piedras Tirar: A Spanish-language Insta feed which seemingly exists solely to collate and share videos of people lobbing big stones off things. As far as I can tell this is entirely-benign rather than some sort of semi-rural terrorism, and as such I feel reasonably comfortable linking to this – they accept submissions from around the world, so if YOU want a video of you lobbing a rock off the side of a cliff to be shared with a global community of 1.1m people then, er, here!

LONG THINGS WHICH ARE LONG!

  • Good Writers Are Perverts: We kick off with an essay whose presentation I appreciate might get on your tits a bit – SORRY! – but which I humbly suggest is worth persisting with because I adored the argument it makes and, personally, feel it quite strongly (just turn off your volume when you’re reading it, because the sound effects are annoying). The central theme of this essay is – per the title – that all writing worth reading comes from a place of ‘perversion’ or ‘fetish’ – not sexual, not erotic, not even physical (although it can and often is born of all of these different sorts of ‘perversion’), but more speaking of a peculiar and perhaps-ostensibly unhealthy relationship with a topic or subject or idea or THING, and that without that ‘perversion’, that unhealthy fascination and that desire/need/compulsion to get *inside* the thing, you don’t get the same quality of writing. I don’t know about you – I don’t! I promise! – but this rings true when I think of the authors I like best on any given subject or theme, any style, and realise I like them because of their perversions. Some authors are just LANGUAGE perverts, some are style perverts (Martin Amis, to use but one example, was very clearly a sentence pervert, amongst other things), I am (and this feels very weird to write down and articulate, but I think this is a safe space and it’s probably not a secret by now) a web pervert…EMBRACE YOUR PERVERSION AND REVEL IN IT! ROLL AROUND IN ITS FILTH! Ahem. Anyway, I loved this and I think it’s brilliant, and I think lots of you will too. BONUS PERVERSION! I think this widely-linked essay, about sex and physicality and body horror and the links between all of them, is an excellent example of this – the authorial perversion here isn’t the sex so much as the willingness to get into the viscera, for example…you’ll get what I mean, I think, hopefully.
  • The State of the Culture: One of the most-shared essays of the past week (excluding those about book reviews, divorce or being scammed out of $50k, none of which we are doing in here because, honestly, life is TOO SHORT) was this one, by Ted Gioia, on where HE thinks we are as a culture. Now I’ve been reading Ted’s newsletter since it started a few years back, and have featured his writing a few times here, and I broadly like it, but I have felt he’s perhaps been getting a BIT self-satisfied at times, and this piece continues that trend – that said, it also feels RIGHT in an unusually-accurate way, and also like it might be a helpful way of framing certain questions and considerations about The Culture and The Content, and as such I’ll forgive the slightly-annoying fogeyish tone of the second half (lol, like Ted gives a fcuk). The central premise here – and, honestly, you can get away with only taking this one lesson from the piece – is that our current era prioritises ‘distractions’ over ‘entertainments’, and this distinction is a meaningful one when considering the cultural marketplace and all the things that flow from it. I mean, it’s hard not to argue – there are many other things I could have linked to as ‘illustrative examples’, but I thought this Guardian article, about the surprising market for ‘games’ that are literally just ‘something to do with your eyes and hands while you wait for your cells to start doing weird things and the cancer to come’, worked best.
  • Google Gemini Advanced: I don’t mean to do PR for Google, but it’s worth mentioning that you can get a two-month free trial of its ‘Gemini Advanced’ LLM which imho is very much worth having a play with – its ability to parse and fillet REALLY LONG AND BORING DOCUMENTS is genuinely transformative, and you can force it to provide you with on-page examples from a PDF to limit its propensity towards hallucination, which starts to feel like a genuinely-useful thing.
  • Why The JobsPocalypse Won’t Happen: I concede that I have spent a lot of time over the past year or so being a miserable fcuking Cassandra about AI and how it is going to fcuk SO MANY OF US when it comes to our ability to earn a crust from our pointless whitecollar skills in the near future – so here’s an alternative perspective, from someone who thinks I am a moron who worries too much. This piece, by David Autor, effectively predicts that AI will, rather than eliminating huge swathes of white collar buswork and replacing them with….nothing!, the tech will instead usher in a better, freeer era characterised by human expertise and intuition guiding machine labour in perfect, symbiotic harmony! To quote the author, “The unique opportunity that AI offers humanity is to push back against the process started by computerization — to extend the relevance, reach and value of human expertise for a larger set of workers. Because artificial intelligence can weave information and rules with acquired experience to support decision-making, it can enable a larger set of workers equipped with necessary foundational training to perform higher-stakes decision-making tasks currently arrogated to elite experts, such as doctors, lawyers, software engineers and college professors. In essence, AI — used well — can assist with restoring the middle-skill, middle-class heart of the U.S. labor market that has been hollowed out by automation and globalization.” Look, you’ll have to read the whole thing and make up your own mind, but I will respectfully say that this is another one of those bullsh1t utopian pieces written by someone who I am reasonably-convinced doesn’t have the faintest fcuking idea how mechanical and non-thinky a vast swathe of the current Western job market is, or indeed how many spaces are going to be available in this glorious future he imagines for the ‘insight-powered decision makers’ he envisages. Because I guarantee you the answer isn’t ‘billions’. As a brief, real-world counter to this, I had a meeting this week in which the client, someone working for the massive, multinational FMCG giant that isn’t P&G, basically said ‘so what we need is a tech stack that will do 70% of what we currently employ Publicis for, but for 10% of the cost’, just in case you want a more practical and grounded example of where this is going in the short-to-medium term.
  • Why Sora Still Doesn’t Understand Anything: AI curmudgeon Gary Marcus gives a good, short explanation of why anyone claiming that last week’s carefully-curated tech demos of OpenAI’s new text-to-video product Sora show that The Machine is starting to gain anything resembling a meaningful ‘theory of the world’ is a fcuking idiot – this is useful from the perspective of grounding the debate slightly, but it doesn’t change the fact that 3s video clips for small online ads are not going to be created by people any more in a year.
  • Making an App With GPT: Matt Webb – whose AI Poem Clock is NEARLY FUNDED with a few days to go, so well done Matt – writes a useful little blog about how he made a totally pointless mobile app, entirely coded by GPT; now it’s important to note that Matt obviously does know a BIT about coding and as such it’s relatively simple for him to see where the errors are, etc, but this is generally a really good note explaining how you really can use these things to bring your ideas to life (with a bit of effort).
  • Why the Games Industry is so Fcuked: An interesting overview of the current malaise affecting the videogames industry which, despite the fact that more people are playing the things than at any point in their history, is seeing studios shrinking or shutting down at a rapid rate as yet another sector discovers that, maybe, perhaps, the people at the top are not in fact business visionaries but are instead greedy morons like the rest of us. There’s a lot in here, and it’s quite ‘inside baseball’, but I think there are probably one or two potentially-useful parallels to be drawn with other industries that are also going through somewhat parlous times.
  • The Death of Independent Digital Publishing: To be honest, given this week’s media news I could probably have cut the ‘independent’ term from the headline – still, this is a really interesting piece (if an incredibly frustrating and slightly-depressing one) on how a combination of AI, scraping and outright lying means a familiar collection of URLs dominate Google rankings for basically everything, regardless of the query in question. The article’s written by a couple who’ve been doing the content marketing/SEO game for a while and who have increasingly realised that the game might be up, because it’s simply too easy for site’s with existing PageRank supremacy to spin up any old sh1t in seconds and immediately dominate the seach rankings for basically anything you fancy. I appreciate that this is a slightly-tangential point, but with the entirety of the VICE back catalogue being killed and sites shutting down and going zombie left, right and centre, it does feel rather like we’re not just approaching a future in which we’re drowning in AI content slurry but that we’re actively encouraging it. WHY DO WE HATE WORDS SO MUCH?
  • Right Wing Italians and Fantasy Literature: I rather enjoyed this Economist piece, not least because it told me something I’d never really clocked about the Italian right before – although, now I think of it, I did clock the ‘Atreyu’ conference name last year and raised an eyebrow; anyway, this is an enjoyable article about the reasons why there’s a slightly-unexpected affinity between 20thC fantasy fiction and Giorgia Meloni and her arm-twitching chums.
  • 764: Given its demise, possibly the last new Vice dot com url I am ever going to feature in Curios – RIP lads, you basically started losing it when you left Canada but I will always remember the borrowed air of cool I felt in 2000 or so thanks to being familiar with your output – but it feels like quite a VICE story, combining ‘really unpleasant sex stuff’ with ‘crime’ and ‘messed up kids’ and ‘the internet’. The piece is a really quite impressive piece of longrunning investigative journalism which, over the past year or so, has involved infiltrating and investigating online spaces connected to a group called ‘764’, which, long story short, is comprised of people who get off on making other people do humiliating or harmful things to themselves on camera as a power fetish thing. OBVIOUSLY this is all really horrible and shocking and gross – equally, though, I think this is excellent reporting of an obviously-horrific topic, which goes out of its way at all times not to sensationalise or exaggerate or pretend this is anything other than an INCREDIBLY NICHE phenomenon. Basically, parents, DON’T READ THIS AND GET FREAKED OUT. But, equally, probably a good idea not to let your 13 year old have unlimited Discord access, eh? BONUS ‘BAD INTERNET’ CONTENT: this is an interesting NYT investigation into ‘disgusting men seeking out people posting frankly ill-advised photos of their young kids on Instagram’, which, again, is horrible and creepy and troubling, but which to which, once again, my immediate reaction was ‘much as I hate them I don’t think that it’s the platforms that are the problem here’.
  • JD x MBS: I don’t quite know what I was expecting to read in a Vanity Fair article extolling Johnny Depp’s growing ‘bromance’ with definitely-not-murderous head fe the House of Saud MBS – maybe I shouldn’t have been surprised that a magazine whose raison d’etre is seemingly to tongue the sphincters of the rich and famous to a highly-reflective sheen applied a less-than-critical eye towards the relationship between a fading Hollywood star and a man who’s plainly stated that he wants to make the country he runs a ‘cultural superpower’, but my jaw did slightly drop at various points throughout this piece as it variously glosses over some of Depp’s travails and, more seriously, the whole ‘potentially murderous and not-undespotic regime’ thing. I mean, look, this para is a decent example: “Depp, who did not recognize himself in the tabloid coverage of the Heard trial, was beginning to question the Western narrative about Saudi Arabia. The crown prince said the world had unfairly tarnished him as a bloodthirsty dictator in the vein of Saddam Hussein. This was Saudi Arabia’s greatest moment, he told Depp, a major transformation perceptible even on a monthly basis, if people would only bother to visit.” Only a cynic would ask “so, troubled and increasingly-unbankable and famously-financially-incontinent filmstar, what first attracted you to become the convenient Hollywood figleaf for a man whose wealth is simply immeasurable?” – but thankfully Bradley Hope at Vanity Fair is no such cynic, and the question goes unaddressed.
  • Can Saudi Buy Soccer?: Think of this as a companion article to the last one (and don’t be put off by the headline, it’s written by the reliably-excellent Oli Franklin-Wright rather than a know-nothing yank (I jest, I jest, please let me have my lazy national stereotypes they are all I have left) and is a suitably-wide-eyed and slightly-baffled look at the ostensibly-insane project to make a desert nation one of the world’s footballing capitals. This is in parts very funny, but it’s a less-miserably-cynical piece than I would have written and much better for it (there are (multiple) reasons why I am not a journalist).
  • Vialli: Another piece of writing about football, and one which is in Italian – I think Google Translate will do a decent job on this, though, so feel free to dive in regardless. This is a BEAUTIFUL piece of writing remembering Gianluca Vialli and his career, and his impact on the city of Genoa where he’s remembered as a native son for his years at Sampdoria, and if youre either a football lover, or someone who remembers the Football Italia years on Channel 4, or simply if you enjoy a beautifully-written tribute, this is a treat. Grazie Irene!
  • Ahab’s Leg: Unexpectedly one of my favourite pieces of the week, this is a WONDERFUL bit of obsessional research which is far more interesting than it ought to be, particularly for someone who’s never read Moby Dick and, if I’m honest, is unlikely ever to bother (I think it’s important to know and acknowledge one’s limits) – you may be aware that Captain Ahab is one-legged, having lost a limb to the titular white whale, but did you know that at no point in the text is it specified which of his legs he is missing? Adam Mellion knew, and this knowledge vexed him – and so he decided to work it out. This is a two-part essay (the second is here), and while I appreciate that several thousand words about searching for clues as to whether a fictional character was missing their left or right leg doesn’t SOUND compelling, well, it is great and funny and interesting, and will leave you feeling like you DEFINITELY know enough about Moby Dick to avoid ever having to read the whole thing.
  • Stop Letting Famouses Write Children’s Books: This is written by Phil Womack, who writes books for kids and who is, perhaps not unjustifiably, a bit annoyed about the fact that approximately 96% of shelfspace at attention (and subsequent sales) in the kids books market is devoted to the output of celebrity authors (WALLIAMS YOU CNUT) and how that doesn’t necessarily seem fair or ok. I am including this mainly because it made me laugh a lot, partly because it is true that the market is preposterously-skewed in favour of the already rich and famous who, and partly because it obviously really annoyed David Baddiel, who bothered to respond to it by pointing out not-at-all-pettily that Womack is himself married to some sort of mittelEuropean princess and is therefore himself not exactly a stranger to privilege. Deliciously petty (although you’d think Dave, with ALL OF HIS SMARTS, might have been able to see that that’s not really a meaningful equivalence), and very fun.
  • The Rise of the Woman Butcher: I adored this piece, all about how the traditionally-masculine world of butchery is slowly, in a few places, beginning to open up to women, and how the trade works, and about the weird poetry of cutting meat (I know that that sounds weird but some of you will understand – er, anyone?) and there is some beautiful writing here about blood and meat and death but also about society and gender and history and, honestly, this is superb.
  • Shifting Baselines: About climate change and alzheimer’s and death and forgetting and accepting new normalities that relate to the old ones in ways we didn’t ask for and don’t necessarily want or like. I found this almost unbearable in places, but that’s about me rather than the quality of the writing, which is beautiful.
  • I’m A Fan: Finally in this week’s longreads, a review which is more than a review and which still works if you’ve not read the work it’s addressing. I read and enjoyed “I’m A Fan” by Sheena Patel – this is a piece of writing about the novel by Zarina Muhammad at White Pube, who didn’t like it and who writes about it in this piece which is sort of a review and sort of a meditation about the things the book raises but, mainly, a fcuking GREAT piece of writing about race and femininity and anger and England and the limits of SPEAKING ONE’S TRUTH and I thought this was brilliant and the best thing I have read all week.

By Erik Sandberg

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 16/02/24

Reading Time: 35 minutes

HELLO AGAIN CONGRATULATIONS ON NOT BEING DEAD!

(Presuming, of course, that you do in fact consider continued existence to be a general positive – I’m currently ambivalent)

It’s a lovely day here in London and I would quite like to spend at least some of it not staring into the digital abyss – so you’re not getting an intro this week, and instead we’ll pile straight on into the links and the pictures and the songs and the good stuff so YOU’RE WELCOME YOU INGRATES.

I am still Matt, this is still Web Curios, and you are beautiful, no matter what they say, words won’t bring you down.

By Kevin Horan

SOUNDTRACK THE FIRST BIT OF CURIOS WITH SOME CLASSIC UK HIPHOP AND ENJOY THE LEGENDARY CHUPA CHUPS MIXTAPE BY BASHY WHICH IS FINALLY STREAMABLE!

THE SECTION WHICH CAN HIGHLY RECOMMEND THE FRANK AUERBACH EXHIBITION AT THE COURTAULD TO ANY OF YOU IN LONDON, PT.1:  

  • The Encyclopaedia Automatica: Have you noticed it yet? The gradual erosion of information integrity slowly beginning at the edges of our field of vision, the slow creep of words and images that look at first, cursory glance like they make perfect sense but which on closer inspection reveal themselves to be merely sense-shaped? WELCOME TO THE CONTENTPOCALYPSE! Oh, ok, fine, I am once again being a bit hyperbolic and a touch alarmist – equally, though, stuff like this seems to be happening more and more often and it doesn’t feel like a positive development. Still, let’s ignore the pollution of our information ecosystem and instead explore the world of experimental AI content generation, courtesy of the Encyclopaedia Automatica, an interesting project which looks to build a parallel Wikipedia as a joint man/machine effort – the idea being that it combines the direction and guidance of a human editor with the magical ability to spaff out infinite copy of an LLM. So anyone can create an article, spin it up with GPT and then use prompts to tweak it to ‘perfection’ – change the tone, add more depth, etc etc – and the whole thing is basically an art experiment project to scope the limits of utility of an LLM as a knowledgebase. As you’d expect, the articles in here (of which there are a surprising number) have the classic GPT-generated flavour of *feeling* like they are telling you something but leaving you post-reading feeling oddly empty and more stupid than you were before you started, which, one might argue, isn’t exactly the ideal reaction to a knowledge Wiki, and there’s part of me that worries slightly that this gets big enough that the…less-critically-aware just start using it as a Wikipedia alternative. Still, if you’ve ever wanted to spend a happy five minutes cajoling a machine to imagine the history of, I don’t know, the pessary, then you will enjoy this very much.
  • The Grannies: I am SO happy that this is now online – this is a documentary film (presented on a neat little website) which was presented as part of the Now Play This festival at Somerset House in London a few years back, and is all about the experience of a group of friends playing Red Dead Redemption multiplayer together and discovering the weird, liminal, broken spaces that exist at the edges of the game maps, where the normal rules of the digital environment stop applying and everything becomes surreal and slightly dreamy…Honestly, I appreciate that what I have describes sounds…less-than-compelling, but if you have any interest in games, the idea of digital ‘spaces’ as being meaningful in some way, or just of travelogues in general, this really is lovely – sit with it for 30 minutes, I promise that you will enjoy it more than you expect.
  • Fun AI Video Manipulation Stuff: If you are ANXIOUS TO LEARN about the new OpenAI text-to-video model Sora (what is WRONG with you?!) then you might want to skip to the longreads section – this is instead some experimental tech from TikTok, which looks like allowing for impressively-granular degrees of control when applying animation layers to static images. Click the link and see for yourselves (no really, do, it’s super-impressive) – basically though, this lets you select ‘areas’ of an image to animate, which then enables you to create specific, guided movements, in a way which is presumably easier to control and limit than simple prompting. I have been slightly astonished at the pace of development of this sort of tech, and in much the same way that ‘low-end logo monkey’ is sadly not really a job anymore I am pretty confident that ‘low-end video editor’ is equally going the way of the dodo in ~24m or so.
  • SecondSoul: I am not, it may surprise you to learn, a particularly committed theologian, but a decade or so of Catholic school, the whole ‘being half Italian and spending a lot of time in Rome’ thing and a potentially-ill-advised bargain made with the devil aged 17 means that I have a passing acquaintance with the concept of the ‘soul’ – and I am pretty sure that there’s no way in which it’s compatible with a company whose strapline is, and I quote, “Monetize your community with your AI clone”. Just take a moment to read that back again – MONETISE YOUR COMMUNITY WITH YOUR AI CLONE. God, it just SCREAMS soul, doesn’t it? Anyway, this is a terrible company with a terrible product that, God willing, will die on its ar$e – it’s also, I think, a precursor of Things To Come. The idea, as you may have been smart enough to work out for yourselves (well DONE!), is that using this platform you can create bots of yourself, which you can then deploy on Telegram, to ‘interact with your community’ – the idea being that people will pay actual cashmoney to chat with your AI avatar, while you kick back on a  beach somewhere raking it in from the passive income. Which, obviously, LOL, but also I can 100% see this sort of thing taking off amongst kids who need a new hustlehope to cling to now that the ‘creator economy’ bubble has finally been revealed to be a gigantic lie.
  • Open Souls: Seeing as we’re on ‘souls’, I can’t quite tell how sincere this is, but, well, it’s the Twitter account of “a group of insane devs who truly believe they can give AI souls”. There’s a Discord you can join, should you be so inclined – I only found this at about 643am this morning and as such haven’t had a chance to dig around, but if any of you know ANYTHING about this I would love to learn more.
  • Put Your Voice To Work: Following on from the ‘create a digital slave and make it toil for you!’ link above, this is another service along vaguely-similar lines – London-based ElevenLabs, which has managed to maintain its industry-leading position in AI voicecloning over the past year or so, is now offering you the opportunity to create and monetise your own AI v/o artist – create a clone of your dulcet tones and you can make the model available for others to use, getting a cut of the fee every time they do so. On the one hand, this is probably a no-brainer for anyone currently making a living from voiceover work – I mean, you may as well, right?; on the other, it does rather feel like a naked attempt to get a lot of pro-quality training material for the model (cynical, moi?), and I have…significant doubts about the likely demand/supply ratio for voice models and the resulting monetisation opportunities that will in fact result. Still, LET’S ALL MAKE DIGITAL SLAVES OF OURSELVES!
  • Pint Prices: It’s slightly terrifying how quickly Londoners have become inured to the now-insane prices in pubs – “ninetythree quid and a pint of plasma for a half of overcarbonated p1ss that tastes, inexplicably, of grapefruit? Make it two, barkeep!” – but should you wish to attempt to FIGHT BACK against the madness then this website, which maps the price of a pint across the capital, might be useful. I can’t vouch for how up-to-date this is, or how accurate, but it might be useful.
  • Lovely Interactions: This is SUCH a nice piece of webwork, and a really lovely calling card for the digital agency in question (Off Brand, apparently) – basically it’s a little game where you have to identify five different types of interaction that you, the user, can undertake with the site, and for each one you find you’re rewarded with a really satisfying little animation and sound effect; this is very simple but SO nicely-made, and communicates the joy of a nice piece of UX/UI really effectively.
  • Barasol: This feels a *bit* like a site that was hacked together as part of some sort of joke, a digital response to ‘what would happen if you created a website that offered the opportunity to explore some incredibly bargain-basement travel options?’, but, equally, I think there’s something potentially quite fun about where it might take you (or, alternatively, something potentially INCREDIBLY DANGEROUS) – Barasol does a very simple thing, namely running searches for flights on Ryanair AND the cheapest available Airbnbs in a given location, thereby offering you the cheapest possible travel options to any given destination. Which, on the one hand, GREAT! But on the other, if you have ever a) travelled Ryanair; or b) stayed in a cheap, sketchy Airbnb then you will know that the potential for this to go very sideways very quickly is…not-insignificant (I have stayed in two spectacular Airbnbs, fwiw – one which was, quite literally, a poorly-converted garage made of breeze blocks which had a hotplate, a tiny fridge and, inexplicably, a shiny black plastic toilet; the other was literally a windowless basement accessed via a floor hatch in the owner’s actual flat. Let me know if you want details of either!).
  • Frame: I’ve been amused to read the reports of early Apple Vision Pro adopters taking the devices back this week upon realising that they don’t actually need or want a massive, heavy, face-mounted home cinema rig – still, I remain convinced that some sort of augmented glasses-type revolution is coming in the not-too-distant future, and stuff like this rather reinforces that. Frame is, basically, a revamped Google Glass – the specs, available for pre-order and apparently shipping in April, look a lot like the Snap Specs from a few years back, and will feature a combination of different AI tech to enable image recognition, realtime translation, chat with an AI assistant, and all the other stuff that three years ago would have sounded impossibly scifi and which we’re now just all sort of like ‘wevs’ about (genuinely mad, that, by the way). I am skeptical about the user experience with these – and indeed for the company’s ability to make the featureset available without a not-insignificant additional subscription to the various AI services that you’re using (OpenAI, Whisper, etc) – that said, I think these are also open source-ish, meaning that enterprising enthusiasts will have rehacked them within minutes of receipt so that they are instead running a homebrew version of LLAMA trained on 4chan or something. I don’t think I can stress enough how deeply, deeply weird everything is going to get when everyone has their own AI stack embedded in their wearables – AND NOONE KNOWS WHAT THAT IS OR WHAT IT CAN DO OR WHAT IT IS TELLING THEM. Anyway, if you want to look like a colossal pr1ck come April and have everyone in your life treat you with immense suspicion every time you wear the damn things then, er, preorders are open!
  • Somnivexillology: I don’t dream. Or rather, I probably do but I don’t remember them – thanks to decades of weed abuse I basically fall into a coma, and whatever weird pirouettes my subconscious chooses to undertake while I’m passed out remain forever mysterious to me (apart from rare occasions when I have to go cold turkey, at which point my sleep becomes like some of the more overwrought bits of Fantasia). Which is by way of unwanted, unasked for and largely-uninteresting preamble to this subReddit which features people sharing examples of flags that they have seen in their dreams. Personally the idea that people not only dream with vivid enough specificity to conjure up recognisable flags, but also that they can remember them upon waking, boggles me entirely, but for all I know you’re all similarly occupied at night and your dreamscapes are neverending parades of ships’ masts fluttering colourful standards as far as the eye can see. Anyway, you can read a load of anecdotes about these dreams, along with seeing illustrations of the imagined flags in question – if you want a flavour for the vibe here, this is pretty illustrative: “I had a dream where there was a new Hotel Transylvania movie but where Vlad Dracula managed to get Vampire Transylvania as smth like Liechtenstein mixed with Kosovo and with Moldova and it was named Vampire Kingdom of Transylvania, it was a semi-constitutional monarchy with Vlad Dracula as the king” – SERIOUSLY THOUGH, WHO DREAMS LIKE THIS?!?! Is it…is it all of you? Am I missing out?
  • Have A Good Today: Everything is hard and – not to be a downer, but it’s important to be honest and I like to think of myself as a Realistic Friend – it’s not going to get any easier. Which is why I think it’s important that every single person reading this, all thirteen of you, click this link and make this site your new homepage, because I guarantee that, while it won’t actually make anything better, being confronted with a small, slightly-garish animated gif wishing you a good day every morning will slightly take the edge off The Fear. If noting else it will give you a GREAT collection of graphics for the next time you decide to cosplay as a grandmother on the internet.
  • Panorama: This is a nice idea – it’s a bit slow and a bit clunky, but at least one of you can definitely steal this idea as pitch-filler. Panorama is a Google Maps/text-to-image mashup, which basically lets you use AI to modify Google Streetview in interesting visual fashion. Reimagine the street on which you grew up as a dystopian hellhole (I grew up in Swindon, no reimagining necessary lolzzzzzzzzzz), see what the view from atop Christ the Redeemer would look like were Rio underwater, turn Manhattan into a Barbs’ paradise, etc etc etc – there are a million-and-one different ways you could use this for campaigns, so I won’t insult you by suggesting any (do your own work ffs).
  • Arvind Sanjeev: I came across the site of Arvind Sanjeev via his prototypical design for an AI synthesiser – which you can see here, it looks LOVELY and is (another) great example of the fun things that you can do when you combine generative AI with physical creation (WHY AREN’T MORE PEOPLE PLAYING WITH THIS STUFF WHAT IS WRONG WITH YOU ALL?!?) – and I am linking to it because a) they make loads of really interesting stuff and it’s worth having a poke around the site as there’s some really smart thinking on display; and b) I al SO IN LOVE with the minimalist photo on the homepage and the way it changes as you scroll in and out (try it, honestly, it is beautiful and I lost a couple of minutes to just zooming in and out on it just now). Oh, actually, while we’re doing ‘personal websites that I think are gorgeous’, here’s another one by Rauno Freiberg which is equally-gorgeous.
  • VIRL: Whilst I’m obviously a desperately cynical and jaded creature who long since lost the ability to feel anything approximating ‘joy’, I confess to continuing to feel a genuine sense of thrilled curiosity at all the different, interesting, terrifying things that we are on the cusp of being able to do thanks to The Machine – witness, for example, the theory behind VIRL, which builds on some of the work from last year around creating AI ‘agents’ and letting them loose in a simulated environment, to see how they would pursue goals and develop social bonds, etc. This is now all open source – you can get the code here, which means that ANYONE can now start to spin up their own modeled simulations USING ACTUAL REAL WORLD CITY DATA, which is frankly insane. It’s a bit hard to get your head around, but, basically, imagine that there’s a rough ‘digital twin’ of the world being created, using actual map data and images tagged to locations, to create a digital environment which tracks the real one – now into this world, anyone can drop AI agents, give them specific motivations or goals, AND SEE WHAT HAPPENS. Honestly, just typing this stuff is giving me proper, brainfizzing futureoddshocks – I can’t stress enough quite how astonishing the potential and theory here is, and if you can be bothered to wade through the *slightly*-techy explanations on the site then you will start to get a glimpse of some really quite astonishing potential just around the corner (and some obviously-terrifying implications, fine, but let’s not dwell on that right now).
  • Lina: Do you believe it’s possible to scry the very depths of someone’s soul based on a half-ar$ed doodle? Do you think that the best way to REALLY understand someone is to pay incredibly close attention to the stuff they scribble in the margins? Are you happy to entrust that INCREDIBLY IMPORTANT analysis to The Machine? Er, great! Lina sells itself as an AI art therapy app, and will basically tell you your personality problems to seven decimal places based on its ‘analysis’ of one of your drawings. This is, honestly, almost impressive – total b0llocks, marketed as ‘insight’, with in-app purchases! Based on this I am slightly amazed that noone’s attempted to launch a ‘Phrenology, but AI!’ startup (I am willing to sell this AMAZING CONCEPT for a low six-figure sum, form an orderly queue).
  • The Tearing Curtain: Without a shadow of a doubt the most satisfying bit of code I have seen in YEARS. Honestly, click the link and play with the curtain – it will make you feel like a cat faced with a particularly-wiggly piece of string (trust me, that will make sense, promise). I strongly believe that ALL websites ought to have something like this hidden on them somewhere as a gentle stress reliever.

By F Scott Hess

WE GO BACK IN TIME 11 YEARS NOW TO ENJOY THIS SUPERB TWO HOUR SLICE OF FUNK AND SOUL AND OTHER ASSORTED BITS AND PIECES MIXED BY SADEAGLE! 

THE SECTION WHICH CAN HIGHLY RECOMMEND THE FRANK AUERBACH EXHIBITION AT THE COURTAULD TO ANY OF YOU IN LONDON, PT.2:  

  • Tangara: When my brother killed himself, I got his iPod – there is something genuinely…odd about a device being able to tell you exactly what the last songs someone listened to before they topped themselves are, let me tell you – but it bricked itself years ago and I’ve been mp3less ever since. I am sorely tempted, though, by the Tangara, a fully-funded project (which still has about a month to go) which will later this year ship an MP3 player which, basically, is like the original iPod but with a bunch of quality of life updates, It features the gorgeous scrollwheel – still one of my favourite interfaces ever (what, you mean you don’t have ‘favourite interfaces’? weirdos) – it’s open source, and highly-moddable, meaning you should be able to keep it going pretty much forever by swapping out the battery when it carks it. It’s not the prettiest device in the world, fine, but the sense of nostalgia this stoked in me was such that I can overlook the shonky aesthetics.
  • The Album Cover Bank: ALL OF THE NIGERIAN ALBUM COVERS, EVER! This is a wonderful repository of design and musical/cultural history – from the blurb, “Cover Bank is a digital archive of 5300+ Nigerian album covers from 1950 to date. It provides a unique view into the evolution of Nigerian music. At its core, the archive is a research project that hopes to establish the history of Nigerian graphic design. Through this website, we hope to highlight cover artists as important cultural producers. Cover Bank is also a platform for design and storytelling inspiration. Our goal is to become a valuable tool for artists, enthusiasts, educators and researchers of all kind. The archived is built and maintained by wuruwuru, a collective for independent creators in Lagos.” Even better, all the albums (or at least all the ones I’ve clicked on) link to Spotify, so you can listen to any whose aesthetic takes your fancy (I was so taken by the artist name ‘Lifesize Teddy’, for example, that I am listening to them right now – it’s pretty good!).
  • Sabio: I can’t vouch for how good this actually is – and, personally-speaking, I would trust any ‘AI powered fitness coach’ about as far as I could throw an actual, IRL fitness coach (to be clear – that is no distance at all) – but I think there’s the kernel of a clever idea in here. Sabio basically lets you hook your Strava data up to some sort of ‘AI’ (no clues on whose tech this is using, but let’s assume it’s GPT-3.5-level), which will then give you personalised fitness recommendations and the like based on what the app tells it – so, in theory, it will adjust your regime based on the sort of workload you’re putting yourself through already and adapt based on your performance. I have…doubts about the efficacy and value of this stuff, but it’s an nice example of the ‘pipes’ theory of AI utility (er, that’s something I just made up, to be clear, rather than an actual theory) whereby it’s often more useful to think of ‘what data sources can I give to The Machine and what might it be able to do with them?’ rather than just thinking about prompts, etc.
  • Creative Fest: A *lovely* YouTube channel which mainly features really fun little making/crafting/science-y projects that you might want to experiment with – this feels like the sort of thing that might be WONDERFUL for a very particular type of child, although perhaps my saying that simply indicates how little I know about children and what they might or might not be into in 2024. It’s all very homespun and a bit shonky, and I really love it for that – also, the videos are wordless and faceless, and I don’t think they are North American, which is another reason to appreciate them (sorry, North Americans, but we’ve had quite enough of you for the past few centuries).
  • Carl’s Friends: I appreciate that for the vast majority of you ‘sourdough starters’ are a conversational theme which you’ve long since confined to the Bad Memory Oubliette that is ‘The COVID Years’ – but I am SO THRILLED that this exists that I absolutely must share it with you. Would you like to receive a sample of sourdough starter that has been going for NEARLY 200 YEARS?!?!?! Of course you would, you’re not made of stone! Carl T Griffith, after whom this site is named, died in the early-00s after a life apparently characterised by generosity – Carl apparently gifted samples of this sourdough starter, which had been in his family since the mid-1900s, to everyone he met, and since he died a group of people have maintained his legacy via this site, where you can find instructions on how to order your own sample of INCREDIBLY OLD BACTERIA for practically-free. Honestly, this is SO LOVELY, and were it not for the fact that I don’t think I could cope with the guilty of receiving and then promptly-killing a near-bicentenarian organism I would totally get involved with this myself.
  • Chronolog: Via Kottke comes this excellent site which has apparently been going since 2017 and which exists to let anyone post timelapses of a specific location, tagged to a map, to help environmentalists and researchers develop an impression of how a given area is changing over time. This is a really nice idea – anyone can apply to get a physical ‘mount’ sent to them, which they can then put up in the location in question; passers-by are encouraged to take a photo using the mount (which ensures each image captures the same field of vision) and then upload it to the site using a QR code; each image is added to the timelapse, creating a crowdsourced record of how the landscape changes and evolves over time. This is a North American project and as such the locations being captured are overwhelmingly in that geography – there’s obviously one set up near Oxford in the UK, but I want more please thankyou.
  • Entrances 2 Hell: “A constantly updated catalogue of entrances to Hell in and around the UK“ – this is obviously a joke, given the fact that the UK *is* Hell, lol!, but it’s quite a funny one and I admire the long-running commitment to the bit on display here.
  • Stickers To Manage Replies By: This feels very much like an artefact of an era or two ago, when people still actually shared stuff on social media and Twitter was still alive – I won’t say ‘good times’, because, honestly, lol, but there’s a certain degree of masochistic nostalgia attached to the memories. Anyway, Dan Hon has designed these stickers which are conveniently available on Flickr and which you can append to your social media posts for added clarity – they say things like ‘This is an observation, no reply necessary, no need to help’ or ‘Do not reply to tell me to use Open Source software’, and Dan was apparently motivated to make these because of A Particular Type of Person he’s finding a lot of on Mastodon, and if you want a decent reason why that platform is never going to be anything other than a niche concern then, well, here you are.
  • Florence As It Was: I confess to not really liking Florence very much as a city – yes, it’s beautiful but it’s all too white and, honestly, Rome’s just *better* – but I did rather enjoy this project, a joint venture between a bunch of US academic institutions and the University of Florence. “ “Florence As It Was” has as its mission the gradual reconstruction of this major cultural center, one structure at a time, city block by city block. Paintings produced by artists during the early period that feature buildings constructed before 1500 – including those that no longer survive – have been used to recreate the exteriors of churches, municipal offices, and city gates. Using extant architectural evidence, documents, art images, and contemporary representations, we will build a three dimensional model that will allow viewers to circumambulate a structure, venture inside it, and see stitched onto its walls and furnishings the images that once adorned it. Embedded into this reconstructed structure will be texts –in their original language with English translations –that help explain how and why a specific object looks the way it does, why a specific artist was commissioned to produce it, and/or the motives behind its commission from the vantage point of its patron. Literary passages, tax records, even musical performances will be accessed through clicks on ‘hotspots,’ allowing writers and notaries and musicians to speak for themselves. Hyperlinks to other reconstructed buildings will allow us to make connections, literally, to other spaces and the people who occupied them.” This is an ongoing project and as such very much incomplete, but there’s something lovely about the fragments of history you can explore already, and the way it stitches together maps and imagery, and any art historians or simply Fans Of Florence will rather enjoy stepping back in time.
  • I Have No TV: I have to give a big upfront caveat here, in that I have watched literally NONE of the content on this site and can’t therefore promise you that it’s good rather than, I don’t know, being seventeen different shades of whackjob conspiracy content. That said, the potential here is vast – I Have No TV is a site which exists to pull together ALL OF THE FREE DOCUMENTARIES on the web – you can search them by theme, or title, or just pick a title at random, and there are apparently over 4000 on the site for you to choose from…I just hit the ‘random’ button and got sent to watch something called ‘My Love, Don’t Cross That River’ which according to the short blurb is “a story of a couple in South Korea who share intimate moments after 76 years of marriage” and now I am crying, so thanks a fcuking lot ‘I Have No TV’.
  • Moonlight World: This is a fun idea – whilst I personally have no truck with Tarot and the occult and all that jazz – although, and apologies for the diversion here, but I did once have my cards done at a small esotericists in Covent Garden c.2003 (I was with a friend, she was into it and insisted I get mine done too) and despite the fact I was very much dressed like a 15 year old boy from 1994 (muchlike today, in fact) the reader accurately guessed that I at the time worked in politics, which honestly scared the sh1t out of me – I understand that All This Occult Stuff is quite popular these days, and it’s entirely possible that many of you live your lives by the Major and Minor Arcana. Moonlight World is on the one hand a company flogging online tarot readings, but it’s also offering ‘digital tarot spaces’ for free, meaning if you want to conduct a reading for your friends you can use their ‘virtual tarot room’ to do so, complete with digital cards and some quite nice animations. This is rather nicely done, and a smart bit of promo for the main business imho.
  • SandCastle University: I don’t know what you do for a living, but I am going to guess, based on your readership of this newsletter, that most of you have the sort of stupid, made-up, largely-pointless sort of white-collar, early-21stC media-or-’creative’-adjacent jobs as I do (genuine apologies to any readers who actually do make the world a better place on a daily basis via the medium of their toil – sorry to lump you in with me and these other useless cnuts!) – the sort of job that it’s famously impossible to really explain to your parents. Spare a thought for the people who founded ‘Sandcastle University’, though, who presumably at some point or another had to explain to their parents that they were jacking it all in to become, er, professional sandcastle building trainers – although on the flipside this does appear to be their actual job now, meaning they probably win. Sadly I think this is a solely US concern, but if you happen to be in North America and want to pay to have a bunch of people teach you how to, er, build better sandcastles, then MERRY FCUKING CHRISTMAS. I am not sure why, but I think there is something ASTONISHINGLY BLEAK about professionalising and monetising the act of ‘playing in sand’.
  • Film Secession: Very much one for the serious cinephiles amongst you, this – you have to pay to get access, the whole thing being subscribers-only, but read the description and see if it sounds like it might be up your street: “The singularity of cinema lies in its unprecedented capacity to transform the energies of the other arts into an integrated audiovisual experience. This synthesis makes cinema particularly engaging, immersive, and resonant, although, precisely because the constituent elements are organically fused together, it can easily be taken for granted. Film Secession creates new ways of exploring the ideas and artistic currents that have shaped different filmmakers, periods, and art forms. Subscribers will discover nonlinear pathways through the histories of the arts, be able to watch rare films provided by the world’s preeminent studios, production companies, and archives, and have special access to events held worldwide.” Does that appeal, or does it sound achingly pretentious and a surefire way to destroy the magic of an artform? YOU DECIDE!
  • Curated Design: SO MANY DESIGN EXAMPLES IN ONE PLACE! Searchable, filterable and INSANELY VOLUMINOUS, this is a wonderful resource for anyone who needs inspiration or examples or just a bit of a creative nudge.
  • Flaming Hydra: While 2024 sets to be yet another nadir for most media organisations, and the collective Big Beasts of publishing compete to see who can fcuk up the most spectacularly, there are interesting shoots of recovery and germs of alternative models – 404 Media this week announced that its in the black after only 9 months, the Patreon-funded YouTube gaming channel Second Wind seems to be going from strength to strength, and now there’s Flaming Hydra, which might not end up working but which, I think, has a really interesting model behind it. “We’ve invited several dozen noted writers and artists to join us, for a total of 60 members. Each member agrees to contribute a minimum of one original piece per month to an ingenious, brief and captivating daily newsletter, in exchange for an equal share of the subscription proceeds, payable monthly. Flaming Hydra members retain the rights to their work absolutely. Subscribers to Flaming Hydra will receive articles and essays, comics and criticism, humor, literature, photos, and reviews, with surprises each weekday. Because there are a lot of us, only a small amount of work is required of each member. We’re sharing audiences, work, and resources, so that all can benefit and thrive.” It’s worth checking out the list of contributors who’ve signed up – it’s a really impressive selection of names, and if they all commit to this for the long-term then it stands a chance of thriving, I think. Subs are about £2.50 a month, which feels…reasonable, I think, so if you can afford it and like the concept it could be one to try out.
  • No Vehicles In The Park: Have you ever had to think about community rules and boundaries? Anyone who’s ever been in a position of moderator responsibility ANYWHERE knows that it’s a peculiarly-horrible role, mainly because it is SO FCUKING HARD to set working rules and principles that do what you need them to. “Nonsense!”, I hear you scoff, “you’re a moron, Matt! I could totally come up with a set of universal principles to mandate accepted conduct on a theoretical social platform!”. To which I respond “well try this little game and see how you get on then, mr fcuking big boll0cks” – honestly, this is SUCH a clever and nicely-made exploration of how community moderation works.
  • Periodic Tables of Almost Everything: Would you like a Pinterest board collecting hundreds of different images of different periodic tables, displaying information about EVERYTHING YOU CAN IMAGINE (apart from chemicals, as that would be BORING and TRADITIONAL)? YES OF COURSE YOU WOULD! I genuinely have no idea why people have made all of these things – WHY DID ANYONE FEEL THE NEED TO BRING A PERIODIC TABLE OF HARRY POTTER INTO EXISTENCE, WHAT IS WRONG WITH YOU??? – but (aside from that specific Potter-y example) I am happy that they exist.
  • Hurt Party: I’ve featured one of Amy Baio’s card game Kickstarters in Curios before, and this is her latest – Hurt Party sounds like a genuinely fun little game, perfect for quick sessions over drinks, in which players compete to offer the best, sincerest apologies for slights delivered. It’s about halfway there with a month to go, so there’s a good chance it will get funded, and if card games and light roleplaying are your thing then you will enjoy this I think.
  • 500 Meals: This is the photo website of one Jack Baty – or, specifically, the part of it on which Baty for reasons known only to him, documents 500 meals he has eaten over the course of (more or less) a year. I LOVE THIS SO MUCH – honestly, there’s something sort of brilliantly-deadening about seeing one of the essential elements of life laid out so baldly, so unsentimentally, so…poorly-lit. Also, I do slightly worry that Jack might not be getting as much fibre as he ought – is…is it good to eat that much meat and eggs? I am not sure it is. Anyway, this is a GREAT project and I am honestly tempted to replicate it (I won’t, but the temptation is very real).
  • Part-Time Hermit: This is quite remarkable, and oddly-beautiful – were I a less miserably-cynical person, who has dust where their soul should be, I might even say ‘almost spiritual’ (but I am, so I won’t). This is the YouTube channel of (I think) a Portuguese Friar, who spent a year living as a hermit in Italy, and who is releasing a series of videos documenting his experience, and, honestly, they are BEAUTIFUL and peaceful and even I found myself slightly-mesmerised by…look, there’s no other way of saying this and so apologies for the hokiness here, but by his sort of ineffable peacefulness…each one is about 40 mins long, but give ‘January’ a try and see how it grabs you, you might be surprised.
  • Fartographics: FREE COMICS! Specifically, free comics from a bunch of young Croatian artists who are publishing their work as a collective under the charming ‘Fartographics’ brand. There are two editions online so far, each helpfully translated into English for the non-Croatian speakers, and they’re available for free (though you can chuck them a quid or two by way of thanks should you feel so inclined), and there’s a really nice mix of art and narrative styles on display here which are worth exploring.
  • Lemmings: Taking up the coveted ‘game at the end of Curios’ link this week is this ABSOLUTE GIFT of a link. Are you English? Did you grow up in the 80s? Did you or anyone you know have a computer on which to play games? GREAT, in which case you will doubtless be familiar with Lemmings, one of the first genuinely brilliant puzzle games whose simple premise (‘help all the lemmings get from one end of the level to the other without them all dying in a variety of comedy slapstick ways’) masked level design of quite fiendish complexity, and whose titular characters are one of the most incredible examples of ‘how to design an iconic character with approximately 9 pixels’ work you will ever see. Honestly, I can’t stress enough how AMAZINGLY GOOD this game is – if nothing else you all need to play it at least once, because the small vocal sample you hear when you set the ‘Armageddon’ command, whereby all the Lemmings explode after a short countdown, is honestly an audio tic that soundtracks my internal monologue EVERY FCUKING DAY and has done since approximately 1991 when I first played this.

By Amy Sherald

OUR LAST PLAYLIST OF THE WEEK IS THIS, MIXED BY MALKÖ, WHICH I CAN BEST DESCRIBE AS ‘THE SOUND OF COCAINE ON SKI SLOPES IN THE 1980s’ BUT WHICH YOU MIGHT MORE HELPFULLY THINK OF AS ‘GENTLY-BALEARIC’!  

THE CIRCUS OF TUMBLRS!

  • WebCam Tears: Videos of people crying to webcams. Absolute, 100% pure digital ART, this one.
  • Pog-A-Day: This is now-defunct, and hasn’t been updated for about 7 years, but, well, WHAT A LEGACY! SO MANY POGS!

THE TROUGH OF (INSTA) FEEDS!

  • Chocolate Bob Ross: Genuinely-horrible AI-generated imagery and animation, in the classic ‘plastic body horror’ style – these are properly unsettling, in a good way.

LONG THINGS WHICH ARE LONG!

  • The World in 10 Years: On the one hand, all attempts at predicting the future are doomed to failure and ridicule – on the other, if you restrict your futuregazing to the short-ish term, you might occasionally hit upon something accidentally-prescient. In that spirit, then, have this FASCINATING bit of work pulled together by the Atlantic Council’s Scowcroft Center for Strategy and Security, which last November asked 300-odd people in government or civil service or academia or the private sector for their thoughts about the likely shape of the world in a decade’s time – it, er, may not wholly surprise you to learn that the projections aren’t wholly rosy! It’s a lot more interesting than that, though, promise – although it’s a *bit* US-Centric for my tastes, and I think that skews some of the projections here (I don’t, for example, think that anyone in the world outside of some VERY optimistic people in San Francisco think that America is going to be the global tech leader in 10 years time), there’s a lot of really interesting speculative thinking (and only a very small bit of it is about AI, promise). This came via Sentiers, by Patrick Tanguay, which continues to be a superb resource for smart, interesting thinking about potential futures and systems.
  • AI and Planned Economies: NO WAIT COME BACK I PROMISE THIS IS INTERESTING! Erm, ok, fine, it’s an academic paper and it’s also QUITE dry, but I promise that the questions it asks around computerised central economic planning, and how we might possibly expect AI to impact the discipline, are fascinating – it is VERY TECHNICAL in places, and I confess to skipping over the sections that contain equations, but there’s a load of fascinating sections which address the potentially-unknowable ways in which AI might choose to administer an economy if granted autonomy and a clear directive. Can…can anyone hear the sound of the paperclip machine firing up?
  • Hello Sora: So overnight OpenAI announced it’s forthcoming text-to-video model – it’s not in the wild yet, so all we have to go on is their blurb and the obviously-cherrypicked examples of the model’s outputs, but it’s safe to say that based on these and the general spec (vids up to a minute long, style transfer, animate stills, etc etc) that the people at Runway and the rest are probably feeling a bit assailed right now. It’s worth taking the time to read through the various capabilities they outline on the page and looking at the sample vids embedded throughout – obviously all of this needs to be heavily caveated with ‘don’t believe the hype, or at least don’t wholly believe it’, but there are some hugely-impressive outputs on display here, not least in terms of the ability to maintain object permanence and to deliver reasonably-lifelike human movement. It’s impossible to tell whether we can expect the improvements to continue arriving at pace with text-to-video, but the difference in quality between this and what was being churned out by Runway even as recently as ~3m ago is startling, and if it continues like this then MY GOD is YouTube going to be absolutely ruined in a couple of years. BONUS TTV CONTENT: this is a decent enough overview of the current state of the market (as of yesterday, at least), pulled together by the awful cnuts at A16Z.
  • Preferable Future Habitats: As a general rule I don’t find AI-imagined futurescapes particularly interesting or worthy of scrutiny, but I was amazed by how…incredibly soothing I found this visual essay, in which Pascal Wicht explores some urban design and architecture ideas using Midjourney…I don’t know exactly why, but the combination of visuals and words here is soothing to an exceptional degree, maybe because some of the urban imagery imagined by The Machine in this piece is oddly reminiscent of an area of Rome near where I lived, and there’s something lovely and conversational about the way Wicht talks you through his thinking and what each image prompted him to consider in terms of design and planning.
  • Pluralistic AIs: Yes, ok, fine, it’s an academic paper but I promise that it’s a (mostly) readable one, and it’s pretty short, and the questions it raises – about a new way of thinking about AI alignment more connected to the concept of ‘pluralism’ in political thinking. Here’s a summary – this, honestly, is a really interesting series of potential principles of setting guidelines around model performance: “In this piece, we propose a roadmap to pluralistic alignment, specifically using language models as a test bed. We identify and formalize three possible ways to define and operationalize pluralism in AI systems: 1) Overton pluralistic models that present a spectrum of reasonable responses; 2) Steerably pluralistic models that can steer to reflect certain perspectives; and 3) Distributionally pluralistic models that are well-calibrated to a given population in distribution.”
  • AI Is Coming And Noone Cares: Last year the artist Fred Wordie launched a project called ‘Dear AI’ (which I featured in Curios, as it happens), a piece of ‘design fiction’ which presented “a ‘speculative’ company that allowed users to generate personal letters and send them as faux handwritten cards. It told of a near ‘future’ where Generative AI would further erode what it means to be human. Like many of my Design Fiction work, I chose to place it in front of the public as if real, with little context” (I, er, didn’t clock it was a spoof – I AM A MORON AND I AM SORRY). Wordie expected it to elicit a wave of commentary about dehumanisation and the insertion of the machine into personal relationships…and it didn’t (except from me, obvs). Instead, people are using it (and occasionally complaining to Fred that it doesn’t work properly) – because, it turns out, NOONE ACTUALLY VALUES THE PERSONAL AT ALL. I can’t stress enough how important this ‘insight’ is, and how much it ought to inform your own personal perspective on the likelihood of The Machine eating everyone’s jobs.
  • Nozick and the Hedonism Machine: Robert Nozick was very much one of the Bad Old Guys when I was doing political theory – seriously, have a read of his thinking about intergenerational responsibility if you want a chilling example if very smart selfishness – and it was nice to be reminded of the fcuker’s name this week in this piece, all about the question of whether, given the opportunity, we would strap ourselves into The Machine were it able to gift us a sensory experience indistinguishable from real life. Nozick famously argued that we would not – that there is a specific value that we ascribe to ‘real’ experience which a simulation cannot replicate – but this article does a decent job of presenting some decent counterarguments; I don’t know about you, but based on some light observation of ‘how the world seems to be going’ I’m personally betting against ol’Bobby on this one.
  • Why Social Is Dead: Yes, I know, you have read enough ‘social media is dead!!!111eleventy’ articles to last you a lifetime. I KNOW. That said, I can recommend adding this one to your repertoire – it makes the standard arguments, but I really like the way it couches them in market-based terms, specifically when it comes to the ‘over time, everything becomes broadcast media’ trend – this is a nice, cogent and eminently-sensical explanation: “Social as a model works when people have about as much to offer as they want to receive along a given axis. But no trait is distributed uniformly; there are are outliers in the nice-to-look-at, nice-to-listen-to, nice-to-read, nice-to-get-stock-tips from axes, there’s a population that can offer a respectable performance with these traits, and there’s a substantial majority with below-mean performance. So, over time, most platforms end up with a more consolidated list of suppliers and a dispersed set of consumers.” Basically speaking, you could subtitle this ‘why statistical distribution and probability mean that the creator economy was always a total fcuking lie’. If you want a more-anecdotal, less swivel-eyed-rationalist (sorry, but it’s true) take, you could read this piece in Dazed instead, which basically tells the same story via a series of personal anecdotes – the same point applies, though.
  • Evidence Maximalism: Or, “how the infinite quantity of information now available to anyone about anything has turned every single person on earth into one of those weirdos with the photowalls and the red string”, or “with enough datapoints you can prove literally anything”. The whole piece is good – Charlie Warzel is always readable – but the central premise is neatly encapsulated as follows: “all of the information online—news, research, historical documents, opinions—has conditioned people to treat everything as evidence that directly supports their ideological positions on any subject. He calls it the era of “evidence maximalism.” It’s how we argue online now, and why it’s harder than ever to build a shared reality.”
  • Noone’s Reading Anymore: This week’s ‘man, this really has been EVERYWHERE’ essay is from Slate, and is basically a teacher bemoaning the fact that none of his students appear capable of, or willing to, read anything longer than two pages of text in a critical or close manner – obviously I’m not a teacher (lol thank God) and I can’ only speak to my own experience, but IT’S NOT JUST KIDS, IS IT? I can’t tell you the amount of times in the past few years when I have done work for people and had them complain that the output runs to several pages of text – LOOK YOU FCUKING MORONS SOME THINGS SIMPLY AREN’T PARTICULARLY COMMUNICABLE VIA TRIANGLES AND ARROWS, AND SOME THINGS SIMPLY DON’T WORK AS DIAGRAMS, CAN YOU NOT TRY FCUKING READING YOU FCUKING LAZY CNUTS? Ahem. Your regular reminder that I’m available for freelance engagements, and am often described as ‘a pleasure to work with’.
  • What’s The Face Computer For?: As mentioned a bit earlier on, there’s been a flood of people who bought the Apple Vision Pro taking it back to stores as they realise that what they have actually bought is a piece of speculative technology with no practical purpose whatsoever – I’m still broadly bullish on AR/XR/WhatevR, but I think we’re a good few years away from the tech being small and lightweight enough to encourage the sort of mainstream adoption that will lead to the development of mainstream usecases.
  • The Robot Travel Agent: Or, “how people are turning to GPT to plan holidays and the like” – or “how to guarantee you’ll have a mathematically-average experience when you travel”, depending on your point of view. This piece features a selection of people waxing lyrical about how good GPT is at spitting out travel itineraries and planning trips – which is particularly interesting given the forthcoming likely release of AI ‘agents’ into the wild in the next year or so, but which also sort-of completely fails to acknowledge the massively-problematic elephant in the room here – to whit, because of the probabilistic nature of LLMs, when you ask it for suggestions like this IT IS GOING TO GIVE YOU THE MOST AVERAGE ONES. Which means that if everyone starts using these systems for these purposes, you can expect all the joyful side effects of TikTok tourism (endless queues! Price hikes! Environmental degradation! Really angry locals!) to expand exponentially. There is a CAMPAIGN IDEA buried in this for the right travel brand imho.
  • Recruiting With AI: This piece is all about how some companies have started using software by a company called Paradox AI as part of the employee screening process, and how that means prospective workers are being asked to undertake surreal, AI-generated personality tests whose answers (again assessed by AI) will determine a candidate’s suitability or otherwise for a given role. This is darkly-fascinating – the implication is that this is all black box stuff, so only the AI ‘knows’ what personal qualities some of the questions relate to, and how it scores them, and how that links to overall suitability, and that as such we’re in the process of handing over control of quite important things (cf, for example, ‘employment’) to  systems that operate in ways we simply cannot understand in any meaningful way. Does that sound good?
  • The GenZ Bone Spreadsheet: I have a sneaking suspicion that this is one of those trend pieces where it’s not actually a ‘trend’ at all – just because half-a-dozen sociopaths are doing something does not a ‘trend’ make, after all, although obviously it depends on who exactly said sociopaths in fact are – but I would be curious to hear whether any of you know of anyone who’s doing this; the ‘this’ in question being ‘keeping a spreadsheet tracking everyone you fcuk, ever, along with helpful notes to remind you of the experience’. Look, I’m not going to judge, but it’s important to remind you that the first person I ever heard of boasting about this sort of quantitative approach to life was one Milo YIannopoulous, and we all know how HE turned out.
  • AI Tablets and Educational Advantage: This is not wholly surprising, but it’s interesting to see it playingout already in real life – this is Rest of World on the scramble amongst Chinese parents to help their kids succeed in the already-ultracompetitive scholastic environment by ensuring they have access to the best AI-augmented learning assistants. If you don’t think a significant proportion of future social opportunities will be determined by the calibre of Machine Assistance you can afford then, well, you’re significantly more optimistic than I am (also lol, have you literally not been paying attention to ANY of the past century?!).
  • The Pope’s AI Advisor: A gorgeous profile of Paolo Benanti, the Cardinal who advises the Pope on matters pertaining to AI (and who, in the article’s most interesting casual asides, appears to have an interestingly-close relationship with Microsoft – honestly, fcuk my personal ethics and the rest, I would honestly give me right fcuking kidney to get a gig flogging AI solutions to the Holy See) and whose story of arriving at the faith is genuinely lovely.
  • Ricky Gervais: You will doubtless have opinions on Gervais and his humour and his standup, but regardless of what those opinions are I can highly recommend this review of his current ‘work in progress’ show in London – Rich Johnston at comics website Bleeding Cool does a really good job of unpacking why, to his mind at least, Gervais’ ‘edgy’ work doesn’t quite have the hard work underpinning it to make it justifiable. This really is a good piece of writing about comedy, and it’s a far more positive and balanced review than you might expect given the short explanation I’ve just given you.
  • The Trump Emails: This is LOVELY – a close stylistic reading of Donald J Trump’s campaign emails and their…unique style and cadence. “Where does one even begin? I guess we might as well start with the e-mail’s inexplicable ransom-note-style font decisions. Why is YOU capped but not italicized, whereas WE is capped and italicized? Why is the first paragraph bolded (and in red type), whereas the second is not? Why is “corporate death penalty” both scare-quoted and italicized? The typographical chaos mimics the legal, political, and psychic chaos in which Trump operates; and yet his relentless energy seems to emerge from this very chaos, as he paranoically and insistently narrates his woes in a kind of stream of consciousness, by turns slinging mud at the so-called haters, proclaiming his perseverance, and flattering and wheedling his supporters. He is Jesus on the cross, but he will survive!” This is honestly glorious, and I would personally happily read a close analysis of the differing styles of e-campaigning employed by the Tories and Labour in the hopefully-imminent election here in the UK/
  • Dr Alex Comfort: You will of course know the name from THE JOY OF SEX, a book whose title and homely illustrations of bearded 1970s coitus are weirdly familiar to seemingly everyone, despite the fact that I don’t think I’ve ever actually seen a copy of it in the wild, but you probably don’t know what a genuinely bizarre and polymathic person Dr Comfort was – this is a lovely profile in the LRB, effectively a review of a new biography of the man, and it is FULL of great details about his incredibly polymathy and commitment to alternative lifestyles – I loved this particular paragraph especially, with its uniquely-British combination of low-grade kink and very brown sadness: “And so the three of them entered into a secret arrangement where Comfort spent weeknights with Henderson and came home to his wife and Nick at the weekends. As Laursen concludes, ‘it was really a fairly ordinary affair, confined to a London flat and clearly destined to make all three participants unhappy.’ It was sustained not by a ‘commitment to some radical ideal of open relationship’ but by the participants’ Englishness. In Sex in Society (1963), published when the affair was a few years old, Comfort argued that monogamous marriage is best for childrearing, but that it was certainly possible to love more than one person at once, and that adultery could be a useful ‘prop’ to keep a married couple ‘on their feet’. Conveniently for him. At the time, Comfort took pride in his arrangement, which persisted for more than a decade. Not until 1994 did he admit to a journalist that ‘it didn’t work very well,’ and that both women were ‘in eruption the whole time’.”
  • Somewhere There’s Cheese: This is an essay written in tribute to the Aardman Animations classic ‘A Grand Day Out’, which first introduced the world to Wallace and the dog Gromit, and, honestly, it may be my favourite thing of the week – the love for the animation is palpable, and I promise you that you will find yourself actually, properly smiling as you read this. Really, truly wonderful writing by Zoe Kurland that communicates the very particular magic of the characters and the style quite perfectly.
  • The Sensitivity Reader: Our final longread of the week is a gorgeous and beautifully-crafted short by Andrew O’Hagen in Granta – I don’t want to spoil anything, so just trust me and read it (please).

By Jill Mulleady

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 09/02/24

Reading Time: 35 minutes

In the 90s, did people in the US have to suffer through endless coverage of David and Victoria, their courtship and their eventual nuptials and the outfits and and and?  Presuming that the answer to that question is ‘lol no you fcuking loser’, can someone please tell me why the fcuk it is that we are now being pelted with news about The Singer and The Meathead and The Big Match? Is it not enough that the world has to suffer the mediatic – and economic, and political, and environmental, and social – fallout from The Next Most Toxic Election Since The Last without also having to feign interest in this latest iteration of ‘entertainment industrial complex power couple’?

Yes, I am old and tired, why do you ask?

Look, I have nothing against Taylor Swift and those who love her; I have little to no opinion on her pituitary paramour. I had rather hoped, though, that the global media era of the web might free us slightly from American cultural hegemony; no such luck I suppose.

Anyway, GO 49ers.

I am still Matt, this is still Web Curios, and yes, I am exactly this fun in person.

By Mark Beyer

LET’S KICK THE WEEK OFF WITH A CLASSIC JEFF MILLS SET MIXED IN TOKYO IN THE DISTANT PAST BUT STILL SOUNDING ABSOLUTELY WONDERFUL! 

THE SECTION WHICH WHICH ALWAYS FANCIED STEPH MORE THAN FLICK ANYWAY, PT.1:  

  • Momentary Lapse in Memory: I appreciate that beginning a largely-frivolous weekly compendium of digital ephemera with what is in effect a war memorial is…perhaps not the happy-go-lucky opening that many of you might have hoped for. Still, this is a really rather beautiful piece of webwork and the way that it presents narrative and memory is, I think, genuinely powerful and affecting – from its description, “Momentary Lapse in Memory is an interactive digital environment concerning the memory landscape of the 1999 NATO bombing of Yugoslavia. It investigates the impact of ephemeral factors on the archival practice. By doing so, it makes space for the mechanisms of both memory and its transmission, to steer and sway. It makes way for the unreliable.” Click through from the homepage and you’re presented with a slightly-abstract roomscape comprised of individual elements, each of which is a fragmentary memory of the experience of war drawn from anecdotes and memories of those who lived through it; some of the memories lead you to other ‘rooms’ within the site, with their own objects and recollections attached to them, and as you explore you build a picture of the people whose experiences are being tapestried together to create this fragmented, partial, imperfect and intensely-subjective account of the experience through the eyes of those who lived it. This is gorgeous, honestly, and I think the slight lack of polish and obviously-homespun nature of the whole thing makes it rather special.
  • Antonymph: I only realised when I came across this link earlier this week that I haven’t seen a good ‘I made a needlessly-involved and possibly-overengineered website as a sort of interactive promo for my new record!’ website in AGES – thank goodness, then, for this one, which I warn you has a *small* chance of doing very annoying things to your browser but which I encourage you to take the risk with because it is rather a lot of fun (although if you’d rather not take the risk you can also see a screenrecording of the experience on YouTube, you COWARD) and, I get the impression, is also *quite* an impressive bit of codewrangling (if you’re the type to be impressed by that sort of thing – I, obviously, remain stonily unmoved, mainly because I couldn’t code my way out of, or indeed into, the proverbial paper bag). Basically – and without ruining too much of the surprise – this does a lot of really very impressive things with popup windows to create a surprisingly-complex multipart , animation-type experience to accompany the track ‘Antonymph’, which as far as I have been able to tell is itself some sort of fan anthem for the My Little Pony (Friendship Is Magic) fandom…to be honest it was perhaps best if I didn’t tell you that, on reflection, so try and forget that specific detail and enjoy the website, and then try and think of the last time you saw anything this digitally-creative being produced for commercial reasons and cry slowly as you realise that corporatism is the enemy of beauty.
  • The New Search: CHANGES ARE COMING! Much as might want to sit here, Cnut-like (no, that’s not a spoonerised swear, that’s a reference to the sea-defying medieval monarch, do keep up), denying the inevitable, it’s clear that search is due a massive upheaval – everyone seems to have finally realised that Google has fcuked its core product and that information discovery is increasingly-broken, the ubiquity of generative AI is increasingly seeing it baked into everything, regardless of whether or not it makes things better…and at the confluence of those two trends we have a wave of new players attempting to DISRUPT SEARCH! Exciting times (not really, but let’s pretend)! One such company is Arc, who I’ve featured in here before a few years back for their Chrome-competitor browser and who have now launched a new search app (iOS-only at the moment) which is a glimpse at the future of search and…I hate it! It’s possible of course that my visceral reaction was borne of my crippling Fear Of Change (why must I leave my comfort zone? There’s a reason it’s called a ‘comfort zone’! It’s nice here!), but it’s hard to see any ways in which the benefits here outweigh the not-insignificant media literacy and ecosystem disbenefits. Basically the way this works is that every time you run a search the browser effectively spins up a new webpage and populates it with crawled, summarised information that it believes best answers the query you gave it – so rather than being delivered a selection of results and using your nous and judgement and critical faculties to determine which source best serves your purposes, you’re instead spoonfed a load of information which is presented as The Answer. But how does it decide which sources to use? And which to prioritise? And how to avoid ingesting and using all of the terrible junk content that’s already proliferating across the web? And, er, what happens to all the websites whose search traffic, and as such ad revenue, is going to tank when we all decide that we’d rather have the machine summarise everything for us and that as a result we are never visiting a news homepage ever again? These are all excellent questions (well done Matt! Have a biscuit!) to which Arc offers minimal answers because, well, disruption! Casey Newton had a decent writeup of why this feels so…icky – I don’t know, maybe I feel this personally because I am still trying to cling to the vanishing concept of ‘exchanging the written word for money’ and things like this remind me how stupid that is and how I should probably just suck it up and get that HGV license now.
  • Whop: A neat segue (SEAMLESS) from the last link into this one – Whop (it’s a peculiarly-horrible and weirdly-00s name, imho) is attempting to set itself up as a sort of ‘Etsy for the grift economy’ (and guys, if you happen to see this and want to use that tagline yourselves then let’s talk!). Do you have a ‘get rich quick’ scheme? Do you have a SUREFIRE WAY to beat the odds on the horses? Do you know the secrets to creating a guaranteed £10k pcm in passive income in HOURS? NO OF COURSE YOU DON’T ALL THESE THINGS ARE LIES! Except you wouldn;t know that by looking at the homepage of Whop, where a bunch of people are offering a wide selection of services for a monthly subscription fee – this feels very much like a marketplace for people who looked at the Tate ‘Hustler’s University’ and thought ‘you know what, I can totally rip that sort of thing off and find my own coterie of desperate, delusional young men to fleece!’. Offerings run the gamut from ‘Crypto Guides’ to access to ‘trading communities’ where presumably the idea is that you’ll get access to all sorts of AMAZING INSIDER STOCK TIPS (I am always interested in the idea that if one had access to said AMAZING INSIDER STOCK TIPS one wouldn’t make use of that intelligence to become plutocratically rich on the markets overnight but would instead selflessly sacrifice that potential gain in exchange for a mere $39.99, payable monthly) to betting strategies newsletters…this is so OBVIOUSLY scammy, and so obviously aimed at a particular type of young man who’s been fed the ‘you need a lambo or you’re noone’ guff of the modern grift economy, and, honestly, it’s just slightly sad to see. Welcome to the future, in which the only way we can afford the nutripellets is by flogging nonexistent training courses to other desperate mooks in an endless circlejerk of grind!
  • Special Fish: Oh god this is lovely – Special Fish is…what is it? A digital noticeboard? A hyperminimal social network? A forum? Online graffiti? IT IS ALL OF THOSE THINGS! The site is “a community site for publishing poems, journals, logs, and lists”, and anyone can log on and create a small page which they can use to share…whatever they like really. The site is VERY minimal, with no imagery and just simple HTML, but on the homepage you can see a tapestry list of all the different people who have created a small space here – click through on one and it will take you to their small space, which might contain a slightly-gnomic line of prose and no more, or which you might find is a reasonably-exhaustive interrogation of someone’s cultural obsessions. There is something beautiful about stepping from profile to profile, a bit like wandering through an infinite, sparsely-furnished series of interconnected rooms (yes, fine, but as previously-stated it is MY newsletterblogtypething and if I want to use pretentious and not-entirely-successful analogies then, well, I WILL) and, like all my favourite sites, feels not-unlike wandering through a bunch of strangers’ heads (but quietly, on tiptoe, so as not to disturb them).
  • Retire Big Oil: I don’t mean to blow my own trumpet (insert your own hackneyed urban legend about Prince here), but those of you who pay close attention to what I write here each week (please, it’s too painful, don’t) may remember about a year or so ago I mentioned that anyone expecting the Labour party to in any way stick to the environmental policy promises it was making was almost certainly in for an unpleasant surprise – AND LO, IT CAME TO PASS! Anyway, this website has nothing to do with that – but it does feel like an appropriately-impotent response to the whole ‘it does rather feel like none of the people with the material ability to unfcuk this whole environment thing are actually willing to take meaningful action’ thing. In the US, as in the rest of the world, a significant proportion of investment into the oil and gas sector comes from pension funds, and, not unreasonably, there’s a growing movement to encourage people to get their employers to consider where exactly pension pots are being invested and, where appropriate, to get said pots moved to funds whose interests are a bit less environmentally-disastrous. What do you think the best way of raising awareness of this would be? Would it be a lobbying campaign? Physical protests? A bit of XR-style direct activism? NO YOU ARE WRONG THE ANSWER IS IN FACT POSTING AN AI-GENERATED IMAGE OF YOU ON A PROTEST MARCH! Yes, that’s right, the central ACTION this campaign is asking US citizens to take is for them to upload a photo, which via the MAGIC OF AI will become an image of them marching in a suspiciously-clean-looking protest against BIG OIL. This is so, so odd – the execution feels like something from 20 years ago when we were all naive enough to believe that the mere fact of PUTTING SOMETHING ONLINE would magically change the world (RIP Twibbons, you achieved so much), not to mention the fact that asking people to feed their faces to an AI image generator is something of a no-no from a privacy and security point of view. Still, as we all know from all the ‘post a photo to show you care’ campaigns of the past couple of decades, they ALWAYS work (you will of course remember how we used to have ‘racism’ before the storied ‘black squares on Insta’ campaign of 2020), so we can look forward to this being sorted by Q3. WELL DONE EVERYONE!
  • Mixtape Garden: Ooh, this is really nice – create an account and you (or anyone else – it doesn’t HAVE to be you, but, well, why shouldn’t it be?) can create a mixtape of upto seven tracks, pulled from YouTube, with accompanying notes; if you like you can leave the mixtape unfinished and let other users tracks to it, but when it hits 7 songs in total it will be compiled into a single mix and made playable from the site’s homepage, turning it into a living, growing home for seven-song musical journeys guided by strangers. SUCH a lovely idea, this, and worth bookmarking as there’s something really nice about having human-curated playlists to listen to (Jesus, I just read that back and WOW is that a bleak little closer, sorry everyone).
  • Goody2: This is a project by Brain, a ‘collective’ whose work I can best describe as ‘MSCHF, but derivative and not as good’ (sorry, but it’s true) – Goody2 is “a new AI model built with next-gen adherence to our industry-leading ethical principles. It’s so safe, it won’t answer anything  that could be possibly be construed as controversial or problematic.” This is SATIRE – the gag here is that the machine won’t answer any of your questions because it’s been guardrailed into uselessness – but I am not totally sure what it’s satirising (the concept of AI safety? LOL!) and, well, it’s not a very funny gag. Still, er, here!
  • Cry Me A Cockroach: As we approach this year’s celebration of cheap chocolates and petrol station carnations, are you still struggling to come to terms with a past love? Do you still bear the scars of a breakup? Do you want to RIP THAT BSTRARD’S HEART OUT, EAT IT AND THEN SH1T IT OUT AGAIN!?!?!??! I mean, perhaps you should just let it go – but, failing that, why not take advantage of this seasonal promotion from San Antonio zoo? “Symbolically name a roach, rat, or veggie after your ex or not-so-special someone and San Antonio Zoo will help squash your past, a true heartbreak healer, by feeding your selection to an animal resident.” On the one hand, you are actually condemning a living creature to death in service of this gag – on the other, they’re getting fed to other living creatures, so it’s probably morally-neutral.
  • The Cursed Library: A nice little show-offy bit of webwork by Belgian digital studio Epic, this is a simple-but-cute bit of digital storytelling – click the link, explore the CURSED LIBRARY and find the stories that are hidden therein. This is basically just a case of clicking the various hotspots, fine, but the art direction and sound design are really rather nice, and I would be interested in seeing a whole animation or slightly-expanded game done in this visual style because it’s pleasingly-distinctive, a nice mix of kids’ storybook and digital. So, er, can one of you commission them to make that, please? Ta.
  • Art Remix: A nice toy from Google Arts & Culture, this lets you take classic artworks from its scanned collection and see how you can use generative AI to change specific elements of them, letting you explore the nature of prompting and do stupid things like add a fcuktonne of frogs to Monet’s waterlilies.
  • Enhanced: THE DRUGLYMPICS ARE HERE! You may have seen the reports about this this week, suggesting that Web Curios’ favourite vampire plutocrat tradcath sociopath Peter Thiel (one week, I promise, I will get through an entire edition without mentioning that fcuking cnut) was one of the backers of a new athletics event which, rather than attempting to weed out competitors juicing their bodies with hormone supplements and the like, actively encourages the ingestion of performance-enhancing substances to see exactly how far human bodies can be pushed. The website is, sadly, a bit more sober than I might have hoped – although I do feel like opening the whole thing with the legend ‘Backed by the world’s top venture capitalists…’ in 2024 isn’t perhaps the flex said VCs think it is (lads you may not have noticed but your track record is at-best patchy and EVERYONE THINKS YOUR CNUTS) – but what I find interesting about it is the way in which it intersects with certain specific strains of right-wing thinking (‘limitless potential!’, ‘don’t let the petty, small-minded administrative bureaucrats and pencil pushers stop you from becoming the ultimate version of yourself!’), as well as what sort of insurance they plan to have in place for when someone’s heart inevitably explodes as they try and deadlift a lorry while having just ingested three times their own bodymass in creatine powder.
  • Drawzer: Would you like a website that does NOTHING ELSE but spit out whimsical, random drawing prompts such as “A bashful lion marching at a creepy carnival.” at the touch of a button? YES YOU WOULD! This feels like something that it would be interesting to hook up to a bunch of different image generation AIs to create an automated pipeline of images, not least as it would act as a neat way of tracking comparative model performance. Er, anyone? No, ok, fine.
  • Rank A Day: OH THIS IS WONDERFUL! Is there any joy more human, more PERFECT, than being presented with a ranked list of things and going through it with increasing irritation at the IDIOCY of your fellow man and the APPALLING BANALITY of their taste? No, there is not, and thanks to this site you can enjoy that feeling EVERY DAY! Every 24h the site will offer you a selection of things – oscar winning films, say, or the best NFL team – and ask you to pick your top 3; do so, and you’ll be shown the overall results, so you can see what the rest of the world has determined is THE BEST THING in a given category and get really angry about it. I stumbled across this on a day when the question was in fact the one about ‘Best Picture’ winners and got so annoyed at the fact that Lord of the Fcuking Rings was top that I had to make a calming brew and have a small pace around the kitchen – honestly, it’s PERFECTLY irritating.
  • The Big Plastic Count: This is A) not really a web thing tbh; and B) very much UK-only; apologies for the anglocentrism, but it’s a good project and might be the sort of thing that any anglos with kids might want to get involved with.”Count your plastic for one week – 11-17 March 2024. For one week in March, thousands of schools, households, community groups and businesses will be coming together to count their plastic waste. And we want you to join them. Almost a quarter of a million people took part in The Big Plastic Count in 2022. Together we revealed that almost two billion pieces of plastic packaging are being thrown away a week. This year you can help build even more evidence to convince UK ministers to lead the way at the global talks that could finally phase out plastic pollution for good.” Look, I know, but you have to hope that stuff like this might make a difference to something somewhere because otherwise we might as well all just set fire to everything.
  • Redpop Apples: I am not quite sure how I came across this website, but I have some questions; the main question being WHO THE FCUK WROTE THE COPY HERE AND WHY IS IT LIKE THIS? The homepage hits you right away with ‘WELCOME TO A NEW POP SWEET APPLE!’ and doesn’t really calm down from there; the apple is a ‘she’, apparently, and “you immediately understand she’s born and raised where the best apples grow, in the hands of farmers who take care of the fruit, with great experience.” I know that apple cultivation is a genuinely-multi-billion-dollar industry and that the marketing of new varietals is a serious business, and so I don’t imagine that the…very particular style of writing here is an accident, but I am genuinely baffled as to why it mimics the cadence and rhythm and vocabulary of translated-to-English Japanese, or the cutesy-anime-uwuu vibe of the whole thing…I appreciate that this is VANISHINGLY unlikely, but should anyone reading this know anything about the ‘why’ of this then I would love to hear about it.

By Timothy Lai Hui Ming

NEXT, ENJOY 45 MINUTES OF ELLA FITZGERALD, LIVE IN 1974! 

THE SECTION WHICH WHICH ALWAYS FANCIED STEPH MORE THAN FLICK ANYWAY, PT.2:  

  • Book Cover Review: Via Good Rishi, this is a lovely project dedicated to, er, reviewing book covers. Which, frankly, feels like something that should have existed already but I am glad that David Pearson and others have decided to make this. Each ‘review’ is a 500 word essay about the book, its cover, how the two relate, and whatever else the writer fancies dropping in – there are a bunch on there already, and you could spend a very pleasant 20 minutes leafing through the various covers and the thoughts they inspire. Gorgeous.
  • News Poetry: You know how I was talking earlier on about THE FUTURE OF SEARCH and how that’s basically going to involve information being packaged and fed to you by The Machine? Well, now imagine that, but for news – and that the package you’re being fed is POETRY. Really, really bad poetry. Well done! You’ve just invented NewsPoetry, which manages to fail both as a poet AND as a means of effectively conveying useful information! I am being unfair here – this is obviously just a hacked-together bit of fun and isn’t meant to be anything more than that. I think, as far as I can tell, there’s a semi-automated ‘New York Times headlines’-to-GPT-to-website pipeline that throws these together each day, and, per usual with your standard LLM-text, the ‘poems’ it throws out are execrably bad – today’s opens with “Hey, Biden cleared of documents case / But concerns arise, memory’s embrace / Retaining material, after VP reign / Sharing with a ghostwriter, memory’s strain.” which once your eyes have stopped bleeding you will agree is NOT GOOD; still, it’s sort-of fun in a pointless gag way – I now want to see someone crowdfund a Matt Webb-style digital display that shows ONLY that day’s NewsPoem because, actually, that would basically be ART.
  • Road Curvature Atlas: Given the proportion of you I believe to be middle-aged men, stereotype dictates that I must ALSO believe that a significant number of you are the sort of middle-aged men who get REALLY enthused about driving and cars, and for whom the prospect of a pair of mesh-backed gloves, a droptop, a curving mountaintop road and an end to the curse that is your male-pattern baldness is basically nirvana – DRIVING MEN, THIS WEBSITE IS FOR YOU! Brought to me by Giuseppe, this site serves a single purpose – it “helps those who enjoy twisty roads (such as motorcycle or driving enthusiasts) find promising roads that may not be well known. It works by looking at the geometry of every road segment and adding up how much length of the road is sharp corners, broad sweeping curves, and straight areas. The most twisty segments can then be viewed on the web or downloaded as KML map files that can be viewed in Google Earth.” This is very clever, and there’s something pleasingly-geeky about the maths behind this, and I love the fact that this project has apparently existed in some form since 2009(!) – Adam Franco (for it is his website), whoever you are I am genuinely impressed by your 15 year dedication to the beauty of curvy roads.
  • The Atlas of Intangibles: This is one especially for the Londoners, although as a project it stands alone – a lovely project by Priti Pandurangan, in which they attempt to apply layers of connection to walks they take through the city. Sounds, bits of urban infrastructure, signs of the city’s decay, marks and scars and signs and graffiti, spotted as Pandurangan walked through Canary Wharf or Ravensourt Park or along the South Bank, all arranged along mapped routes or visualised as a series of connections…there is something genuinely gorgeous about the way in which these disparate little datapoints and observations are weaved together into a strange sort of narrative of the physical, and while I appreciate I am making something of a pig’s ear out of describing this I really do hope you’ll forgive me and take the time to click, because this is charming and such a novel way of considering the urban space we find ourselves surrounded by.
  • The Carnivore Bar: Do you find that your HARDCORE LIFESTYLE and the IMMENSE PHYSICAL DEMANDS you place on yourself require you to ingest VIOLENT AMOUNTS OF PROTEIN? Are you saddened by the fact that the current range of protein products currently taking up approximately 70% of all cornershop shelving (seriously, WHO IS BUYING ALL THESE PROTEIN BARS AND WHAT IS IT DOING TO THE NATION’S BOWELS?!?!) don’t, as a rule, contain MEAT? Well the carnivore bar is for you! Beautifully, the website’s homepage screams ‘’nutrition without compromise’, presumably for all those people who think ‘ingesting something that wasn’t once able to draw breath’ is some sort of pathetic cuck move.
  • Postcard Models: Would you like a small online shop where you can buy a variety of small, perfectly-formed models of quaint English houses? GREAT! These are cute, everyone loves miniature stuff (EVERYONE, it is the law), and these are almost insanely-cheap, with kits to build your own version of a rickety wooden lighthouse starting from a mere £15. COME ON YOU SAID YOU WERE GOING TO GET A HOBBY.
  • The Library of Congress National Jukebox: Oh my word what a resource this is. From the blurb: “The Library of Congress presents the National Jukebox, which makes historical sound recordings available to the public free of charge. The Jukebox includes recordings from the extraordinary collections of the Library of Congress National Audio-Visual Conservation Center and other contributing libraries and archives. Recordings in the Jukebox were issued on record labels now owned by Sony Music Entertainment, which has granted the Library of Congress a gratis license to stream acoustical recordings. At launch, the Jukebox includes more than 10,000 recordings made by the Victor Talking Machine Company between 1901 and 1925. Jukebox content will be increased regularly, with additional Victor recordings and acoustically recorded titles made by other Sony-owned U.S. labels, including Columbia, OKeh, and others.” Everything I have clicked on this site has been great, and I just soundtracked the writing of this and the previous link with this EXCELLENT song from 1908.
  • Style Hunter: Potentially very useful for those of you who have to wrangle images for a living, Style Hunter is a Chrome extension which lets you click on any image on the web and generate another image, based on your probe, which mimics that style – so, for example, you might see a painting by Egon Schiele and think ‘ooh, I wonder what it would look like if Egon had drawn a portrait of Barry Chuckle?’ and in a few short steps you will be able to find out. Truly, the future is amazing.
  • The Brutal Web: A directory of websites developed in the ‘brutalist’ style of webdev, which I remember being particularly fashionable circa 2014-16 – per the blurb, “Web Brutalism is one the most ‘true’ design style that prioritizes functionality over form and effectivity over aesthetics. It comes from the French phrase ‘béton brut’, which translates to ‘raw concrete’. Some people call brutalism ‘ugly’ and ‘gloomy’, but it’s just a matter of taste. Beauty hides behind roughness. In some ways, Web Brutalism is an ancestor of web design — insofar as the sites of the web 1.0 era took the form of their function. After the surge of interest in 10th decades the style’s been forgotten a little bit. This gallery serves as a reminder as to how of Web Brutalism’s raw unpolished beauty and new forms.” Useful should you be considering a minimal design template for anything you’re working on, or just if you want to spend some time browsing some really stark pages (also, quite a few of the linked examples are genuinely fun, like this one).
  • Comics Devices: Do you or anyone you know like drawing comics, or want to get into drawing comics? GREAT THIS ONE IS FOR YOU THEN. This is “a library of visual-narrative devices that are specific to the medium of comics, furnished with definitions and examples by contributors. It is a practical, accessible resource for creators, teachers, editors, scholars, critics, readers, the curious, the open-minded, and anyone with an interest in comics…The primary purpose of the library is for creators to use as a learning resource and reference tool, regardless of professional level. It is curated by an active creator with more than 10 years of experience and 1000s of comics pages under their belt, and contains contributions by fellow creators from various and diverse places in the industry. It aims to provide clear and practical language without being bogged down by jargon.” This is such a wonderful, and generous, resource.
  • Zuckerbackerei: A baking blog! Just like it’s the past or something! This is in German – I KNOW! HOW RUDE! – but it translates beautifully via Google, and whilst you might come for the cakes (the cakes look great, I keep meaning to make the maple syrup and tahini ones) there is also a weekly rambling ‘a bunch of stuff I found interesting this week’ roundup which is honestly GREAT and has given me a whole load of brand new interesting links (most of which seem to be in English) each time since I started reading it a few weeks back. This is by one Jana Wiese, and it’s really really…nice (which I know sounds like faint praise, but it’s not meant as such in this case).
  • All of Jay Rayner’s Restaurant Reviews, Mapped: I don’t know if you’re the sort of person who reads and enjoys restaurant reviews, but I very much am, and Jay Rayner, who writes for the Guardian, is one of the UK’s best; some kind soul has undertaken a massive labour of love and mapped every single one of the hundreds of reviews that Rayner’s done over the years, meaning you can bookmark this and have a reasonable selection of potential places to eat wherever you may end up visiting. Except Grimsby – there is nowhere nice to eat in Grimsby (NB – look, I’m sorry if you read this and you’re from Grimsby but I have been there and this is a fact).
  • All The Design Images: Or, to give it its official name, VADS (my name is better) – VADS is ‘a national collection of over 140,000 images from over 300 art and design collections across the UK, which are freely available for non-commercial use in education. The images cover the broad range of the visual arts including applied arts, architecture, design, fashion, fine art, and media’, and if you’re in need of visual resources or inspiration or just want to look at a bunch of really cool stuff, this is ACE.
  • The Free Internet Library: I love this – not so much because of the texts that are here collected and made available for free download (a weird and eclectic collection running the gamut from the Whole Earth Catalogue to some literature on the history of the Palestinian state, to a book about critical meme reading), but because of the general ethos underpinning it: “After starting several brands and doing massive amounts of research, we ended up collecting so much information that became incredibly useful to us, and we wanted to create a system to help better distribute what we’ve got and spread it as far as we could. What started in a small apartment bedroom is now a full-functional studio, and we owe a lot of that to our community and the research we’ve done.” MORE PROJECTS LIKE THIS PLEASE – it’s nice that we all ‘make content’ all the time, obvs, but occasionally it’s also nice when people do/make things that are just, well, kind and helpful.
  • Lists: ‘A collection of shopping lists to choose from’, reads the short site blurb – I don’t know about you, but I find there’s a certain beauty in this sort of hypermundane snooping, and something oddly-personal that you can scry inbetween the notes reminding you to buy eggs, bread and toilet paper.
  • Spock Logic: Would you like a YouTube channel whose sole purpose is to provide a series of short lessons on the principles of logic, delivered to you by the animated Mr Spock from the 70s Star Trek cartoon? OF COURSE YOU WOULD YOU ARE NOT A FOOL! There are about 70 of these, part of a project that’s seemingly been running for 10 years (!), and basically if it’s on this list of logical fallacies then you can expect to find it here – this is, honestly, a really good way of getting your head round certain principles and I personally wouldn’t mind it if the creator of these couldn’t also see fit to get Spock to explain, I don’t know, why everything is so hard and why we can’t just stop.
  • All Of The Space Pictures: Not ALL of them, obviously, but NASA does a daily ‘here’s a picture of space’ on one of its websites, and this is the archive of all of them, going back to 1995(!) when they first started posting them, and this gives you HUNDREDS of nebulae and galaxies and star systems and the like to click through and gawp at (or, if you were so minded, to train an SD instance on so you can spin up your own infinite machine-imagined space infinities, should you wish to do so).
  • Rising Up: This week’s EXCELLENT BROWSER GAME comes in the shape of this really nicely-made and reasonably-shiny Streets of Rage clone, complete with a decent chiptuney soundtrack (though still not a patch on the original’s, obvs) – play a mild-mannered office drone driven to breaking point by a printer malfunction, smashing and kicking your way through swathes of other office drones in what ends up being a surprisingly-cathartic and fun beat-em-up which took me right back to spending a worrying amount of time in what were, in retrospect, some pretty seedy Italian arcades playing Final Fight.

By Daniellle Roberts

KICK BACK AND ENJOY AN HOUR’S WORTH OF LOUNGE-Y, JAZZY STUFF NOW, COURTESY OF RISO!

THE CIRCUS OF TUMBLRS!

  • Erik Wakkel: Erik is a medieval book historian at The University of British Columbia, Vancouver. He posts images of medieval books. You don’t really need to know much more than that, to be honest, but it’s worth digging in and having a bit of a scroll as the images of individual tomes and pages are accompanied by notes that are genuinely-interesting (trust me, I am not normally enthused by the mere fact of ‘old’).

THE TROUGH OF (INSTA) FEEDS!

  • Jean Jacques Balzac: The first of several Instas this week which came to me via the wonderful Things Magazine, Jean Jacques Balzac’s feed is described as ‘wrong architecture illustrations’, and I can’t really do better than that, sorry. These are ODD, in a good, non-obvious and slightly-unsettling way.
  • The Tube Map: I am slightly astonished that I have somehow avoided featuring this over the years, but, well, I CANNOT POSSIBLY SEE ALL OF THE INTERNET (however much of my life I waste by attempting to do so) – still, here it is now, an Insta feed dedicated to all things tube map-ish, including old maps, modern riffs on the classic design (including the annoyingly-good Samsung activation currently live in some London stations), and assorted tube-related ephemera.
  • I Don’t Give A Seat: Photographs of the upholstery used in the world’s public transit systems. You may not think this is going to be your latest source of sartorial inspiration, but, honestly, some of these absolutely slap and I would totally wear some of these fabric designs as flourishes on tshirts or somesuch (on the other hand, I dress like an increasingly-skeletal tramp, so perhaps don’t take my opinion too seriously).
  • Avenrood: Just photos, often featuring street furniture and the shadows it casts. I really like the style here, simple though it is.
  • Tiny House Perfect: An Insta account which shares the sort of propertybongo typical of the platform – all tiny, perfectly-formed dwellings with impossibly-well-arranged interiors and a perfectly-cosy aesthetic – except all the houses here are by AI, which means they all look superficially like places you could live until you look a bit closer and notice that the ceiling clearance on the first floor is apparently slightly less than three feet, or that there appears to be a portal to the infinite in the garden. I found this via this piece in the NYT, which I thought interesting about the ways in which the subtle – and unheralded, given a casual observer could easily think these were real – introduction of these aesthetics to the platform which serves as probably the biggest mass-market determinant of aesthetic culture on the planet might affect what we start to see around us in coming years.

LONG THINGS WHICH ARE LONG!

  • That Essay About Self-Promotion: This has been EVERYWHERE this week – Rebecca Jennings writing in Vox about the slightly-relentless misery of ‘always having to promote yourself and your brand in the 24/7 horror of the hustle economy’. I feel slightly odd about this – personally-speaking, as I think I might have mentioned before, I find ‘effort’ to be vulgar in the extreme and as such find the idea of promoting myself or anything I do immensely gauche (THIS is the reason why Curios isn’t immensely popular; nothing to do with the dogsh1t writing, length and increasingly-oppressive air of existential despair!); on the other, I am very aware that I have certain privileges that enable me to take this grossly-high-handed attitude and as such I probably don’t have the right to comment. The degree to which this has been shared suggests it resonated widely, and it feels emblematic of the very particular sort of horror I feel when I log onto LinkedIn each week to post a link to Curios (to an almost-entirely uninterested audience, let me be clear) and I happen to see the main feed and it’s just full of people I mostly only vaguely-know all desperately performing SUCCESS, all jazzhandsing and prancing and capering and BUILDING THE BRAND and it sort of makes me want to cry, particularly when you know a bit more about the individual in question and you know that the performance is strained to breaking point. How have we ended up here? I mean, loads of reasons, but once again I place a significant degree of blame at the door of the CREATOR ECONOMY (or at least the specific idea of it that was (mis)sold to the world over the past 10 years) which told everyone that all you needed was a brand and a perspective and the ability to SH!T OUT CONTENT and you too could be a one-person media empire – as a companion piece to this one, can I recommend you also read this post by Joan Westenberg who calmly and clearly lays out in stark economic terms exactly why the idea of a content-based ‘creator economy’ is, and always has been, total fcuking bullshit from a pure economics point of view.
  • The New Google AI: It’s not called Bard now (good, that was a genuinely sh1t name), it’s called GEMINI, and as of yesterday it’s live everywhere – the standard free version is GPT-3.5 level, but Google now gives you the option of paying them a monthly stipend for access to the BIG MODEL, and this is perennial Curios favourite and AI Virgil Ethan Mollick with his initial impressions of how the model works and what it’s good for and how it compares to GPT4; it’s worth reading to get the full rundown, but the short version is ‘it’s probably comparable to GPT4, mostly, but you probably don’t need a subscription to both of them’. SEMI-RELATED LINK: someone on Reddit posted what they claim is the underlying set of training instructions baked into ChatGPT; it’s interesting not least because it’s literally just a set of pre-prompts, and does rather give the impression (accurately) that noone really knows what the fcuk is going on with this stuff or how it works.
  • Trend Trends: I featured Matt Klein’s ‘digest of all the trend reports’ last year – this is a piece in which Klein reflects on what he learned doing the same exercise again this year, namely that (and this may not shock you) nothing really seems to have changed over the last 6 years. There are a variety of explanations for this which Klein neatly runs through, but I liked his conclusion – that this sort of indicates that perhaps we should STOP LOOKING AT FCUKING TREND REPORTS AND DATA and instead perhaps just try doing weird, interesting stuff because a) why the fcuk not, it’s not like it matters so you might as well have fun; b) everyone is VERY FCUKING BORED of culture basically having stagnated for 6 years, so anyone doing anything different will inevitably stick out; and c) also everything is so utterly grim right now, at least in the UK, that anything advermarketingprish that is genuinely fun or surprising will get cut-through because (I can’t believe I am saying this) people really could do with a bit of ‘surprise and delight’ (LOL!) right now.
  • Herman Miller’s Identity Guidelines: I don’t as a general rule tend to include links to things like corporate brand guidelines, let alone corporate brand guidelines for a firm that makes office furnishings – AND YET! I expect that more than one of you reading this has at one point or another had to write brand guidelines or, heaven forfend, a BRAND BIBLE – this is a genuinely good example of the genre, clear and clean and pleasingly un-w4nky, and I love the fact that it’s a simple-but-effective website rather than a massive, unwieldy PDF that no fcuker is every going to open. WELL DONE, FURNITURE MONGS!
  • They Solved The Scrolls: I know that it’s not really cool to talk about AI in a positive sense, but I am a 44 year old man and ‘cool’ is a concept with which I have no truck whatsoever – this is AMAZING. I featured this project in Curios last year – a challenge asking researchers to try and decipher the text written on ancient scrolls using AI technology – and it’s been won! Honestly, it’s hard to overstate how remarkable this is – they have managed to read text from sealed scrolls buried under lava 2000 years ago! This is astonishing! – but it’s worth clicking the link and having a read about how it was done and what they found.
  • AI Comes To Maps: Sorry, it feels like I’m including an awful lot of Google product news at the moment – apologies, not trying to PR them, it’s just that they’re releasing a lot at the moment and, being Google, it’s likely that this stuff will have IMPACT. The AI integration to maps will basically allow users to ask natural language queries and get answers crafted by AI based on Google Maps data. So, for example, you might want to find the best place to practice figging in Berlin – ask the map and it will analyse reviews, opening times, likely footfall and all sorts of other gubbins and provide you with the perfect recommendation for ginger-related fun. Which is both really useful and a good reason to make sure that, if you’re involved with businesses that depend on footfall, your Google Maps listing is up to date and well-reviewed because this is the sort of thing that could really fcuk people. As ever with this stuff, there is literally NO INFORMATION WHATSOEVER about how the data sources are weighted, and nothing whatsoever about how businesses can ensure that The Machine is taking them into account when serving up reccs…this feels like a win for convenience, true, but like it might have…one or two unintended consequences for the retail and restoration industries.
  • The Bill Gates of India: I’m running the original headline here – I personally have no opinion on whether or not Nandan Nilekani is in fact ‘the Bill Gates of India’ – but to be honest the most interesting thing about this piece are the plans Nilekani outlines to digitise small vendors across the country in order to broaden their markets (and, as a side effect, so that Nandan Nilekani can become even more violently wealthy). “What it intends to do is forever alter the life of people like the pineapple vendor I noticed outside Nilekani’s offices, his produce stacked by the dozens in neat rows atop a creaky pushcart. For now, his business relies entirely on face-to-face transactions—a form of commerce unchanged in centuries—and he likely earns no more than $25 a day. “If someone in the neighborhood wants a pineapple, why can’t he order it?” Nilekani asks, envisioning a future in which customers can summon the pineapple man with a few taps on their phone, substantially increasing his business. Then, as Nilekani understatedly put it: “He can sell more pineapples.”” I don’t know about you, but when I read this particular paragraph I had a very strong ‘hang on, aren’t there lessons we perhaps should have learned about unintended consequences that we might want to draw on before attempting to ‘disrupt’ an economy of over a billion people?’ – still, Nandan knows best.
  • AIdvertising: Sorry. Thing is, though, this really is about using AI for ad placement, so TECHNICALLY the appalling pun was justified. This is a piece about new ad placement services which let ‘creators’ sell real estate within their videos, which is then dynamically filled with an advertising image inserted dynamically by AI – which is all sorts of smart, and works as follows: “Advertisers use Rembrand’s marketplace to connect with more than 1,000 creators from agencies it works with. Creators upload their videos to its platform and receive them within 24 hours with the product placements. Rembrand has someone check for quality and someone else for how the brand appears. Then creators upload the clips and eventually get paid from the brands based on video views.”  I can’t help but tie this back to the first article about HUSTLE AND GRIND and imagine a world a year or so hence when literally EVERYONE is adding this sh1t to their social output because why not earn a few pennies off an affiliate link – just like is already happening to a lesser extent? We…we do realise that all this isn’t going to do much to achieve the whole ‘smaller carbon footprint, less consumption of pointless crap, less waste and landfill and seas full of plastic’ thing we’re all supposed to currently care about, right?
  • The Apple Vision Pro W4nkers: This isn’t my observation, but it made me laugh – have you noticed how all the videos of people using the Apple Vision Pro in the wild are of men. Men, alone? MAKES YOU THINK, DOESN’T IT??? Anyway, this is an excellent piece which collects a bunch of videos of people looking like d1cks while pinching thin air – you might also enjoy this one, about the collective sadness of the men who bought a £3500 home bongo setup only to find that Apple won’t let them play VR bongo on it.
  • TikTok Slang: About 7 years ago, my girlfriend decided that she was going to ‘bring back’ the word ‘groovy’, and started dropping it into conversation here and there at work and in social situations. Whilst I don’t want to ascribe too much influence to her lest her head swell, there was a moment of genuine amazement when I witnessed someone spontaneously say it to her a couple of years ago – so basically if you hear anyone say ‘groovy’ in modern times it’s because of her. FACT. Anyway, that has very little to do with this article, which is about the current vogue for attempting to invent viral neologisms on TikTok in the hope that you can, I presume, spark a week’s worth of thinkpieces and desperately-tryhard reactive brand content. IT’S GOOD TO HAVE AMBITION KIDS.
  • Poogle Maps: On the one hand, that’s the second near-unforgivable pun in this week’s longreads and I am once again SORRY; on the other, read this article and tell me that they missed a trick (also, this is a story on Australian website crikey, and if you can’t rely on the Aussies to make a good toilet gag then I fear for the fate of the world. frankly). My not-particularly-funny wittering aside, this is actually an interesting bit of journalism that reveals quite an interesting and potentially-dangerous security exploit achievable via Google Maps – if you’re considering a pivot into ‘burglary’ as a career, this could be the most useful thing you read all week.
  • Muslims in Italy: An excellent piece in the FT about the current realities of Muslim life in Italy, a country whose birthrate has been declining for decades but which is still too racist to come to terms with the fact that it needs immigration to survive (sorry, any Italians who are reading this, but you know it’s true) – the statistic that the country has only five visible mosques despite a muslim population of nearly 3m is STAGGERING, and made me realise that I am only aware of a single one in Rome which is insane for a capital city.
  • Finding The Air Cannon: This is, fine, not a sparkling piece of prose or a super piece of journalism, BUT it is possibly the most satisfying example of creative problem solving I have seen in ages and it pleased me immoderately. Imagine this scenario: “The use of agricultural air cannons south of Corvallis has been extreme this month. Farmers with field crops are often beset with Canadian Geese overwintering in the Willamette Valley. To scare the geese away, they frequently use propane air cannons on timers. Starting on January 5th, an air cannon began firing every two minutes all day and throughout the night. My sleep and that of many neighbors was disrupted for nearly a month.” Now, how would you go about locating exactly where the offending air cannon is? READ ON! Also, as a bonus, the person who wrote this and runs the blog on which it’s hosted also has a hobby/sideline in drawing some of the most incredibly complex mazes I have ever seen, check them out.
  • The Internet Amnesty: I rather enjoyed this essay, arguing that, except for in exceptionally-egregious circumstances, perhaps we ought to just stop excoriating people for stuff they did or said online in the past – instead, the author argues, “My counter-proposal, option two, is that we declare a blanket amnesty for everything unless it’s abominable. Somewhat creepy behavior plausibly the result of misjudgment? Amnesty. Rape someone? No amnesty. Do a dodgy paraphrase for convenience. Amnesty. Steal a manuscript from another scholar and publish it under your name? No amnesty. Improperly make expense claims? Amnesty. Embezzle millions from your not-for-profit? No amnesty. My general position is that in the internet age, you should set a very high bar of wrongdoing, and not pursue anything that falls under that.” That seems…fair?
  • Argyle, Explained: Argylle is a film whose existence I am only aware of in the context of its marketing stunts – in fact, in an even odder and sense, I am only aware of it because of REPORTING ABOUT its marketing stunts rather than seeing any of said marketing for myself. Anyway, I am obviously never going to watch it but I genuinely enjoyed this long, convoluted (by necessity) attempt to explain and unpack WHAT THE FCUK IS GOING ON throughout the movie, though all its apparently neverending metafictional twists and turns…this is very entertaining, not least because of the very clear sense the author gives that despite how much is evidently GOING ON in the film they are also tremendously bored throughout the whole experience. I wonder whether this is going to have a small Morbius moment, or whether there’s something too fundamentally distasteful about the combination of Matthew Vaughan, the Kingsmen franchise and an aggressive pseudo-ARG around it to make it even an object of memetic ridicule.
  • Is Pregnancy A Disease?: DON’T SHOOT THE MESSENGER I AM ONLY QUOTING THE PAPER’S TITLE! This is, fine, a bit of a gag (LOL ACADEMIA SO FUNNY!) but equally is a really interesting exploration of the taxonomy of health and philosophy of language, and it’s worth reading the abstract in full because this really is deeper than your initial ‘no, lol, fcuk off’ response might have led you to believe: “In this paper, we identify some key features of what makes something a disease, and consider whether these apply to pregnancy. We argue that there are some compelling grounds for regarding pregnancy as a disease. Like a disease, pregnancy affects the health of the pregnant person, causing a range of symptoms from discomfort to death. Like a disease, pregnancy can be treated medically. Like a disease, pregnancy is caused by a pathogen, an external organism invading the host’s body. Like a disease, the risk of getting pregnant can be reduced by using prophylactic measures. We address the question of whether the ’normality’ of pregnancy, its current necessity for human survival, or the value often attached to it are reasons to reject the view that pregnancy is a disease. We point out that applying theories of disease to the case of pregnancy, can in many cases illuminate inconsistencies and problems within these theories. Finally, we show that it is difficult to find one theory of disease that captures all paradigm cases of diseases, while convincingly excluding pregnancy. We conclude that there are both normative and pragmatic reasons to consider pregnancy a disease.”
  • Devoted to Blue Roll: I loved this essay, in Vittles (which means I’ve just realised it might be paywalled, apologies if so), all about the ubiquitous Blue Roll that is present in every single restaurant you’ve ever visited and which, if you’ve ever worked in hospitality, will have an almost Pavlovian ability to bring back memories when you spot it in the wild. This is a great example of how wide-ranging and rich writing about even ostensibly-mundane subjects can be – this takes in restaurant culture, health and safety legislation and paper manufacture, and it’s STILL fascinating.
  • A Teen’s Fatal Plunge Into The London Underworld: This has been widely praised on JournoTwitter this week, and rightly so – it’s a quite remarkable story about a public schoolboy whose mysterious death and subsequently-revealed connection to London gangland has never been reported in the UK despite the fact that, as this article proves, it’s a cracking tale. There are so many wonderful details in here – some wonderfully-telling undercutting of a certain type of middle-class existence, the allusions to Big London Crime, the increasingly-fetid air of a collusive coverup…honestly, this is exemplary and I now REALLY want to know who or what has prevented anyone from writing this up in the UK media.
  • Writers and the Martini: The list of cliches and anecdotes and quotes about writers and the Martini is already overlong, but despite that I really enjoyed this article by Dwight Garner about the literary world’s love affair with the world’s deadliest cocktail – there’s something deliciously gossipy about the tone, like the whole things being relayed to you over your second of the evening as you share the smoked almonds, and it’s impossible to read without it putting a smile on your face (but it will REALLY make you want a drink, so just fyi – it’s currently 1127am and I could fcuking MURDER a drink and a fag).
  •  Why Don’t We Just Kill The Kid In The Omelas Hole?: I wasn’t aware of the Ursula Le Guin short that this story is riffing on, about ‘a summer festival in the utopian city of Omelas, whose prosperity depends on the perpetual misery of a single child’ – this, by Isabel J Kim, is an excellent take on that premise which I think you should just go in and read cold (yes, that’s right. I DO know what’s best for you).
  • With Teeth: I have an unpleasant relationship with teeth – mine are hideous, for a start, thanks to three decades of tabs and tea, but there’s also the fact that they are, undeniably, LUMPS OF BONE GROWING OUT OF MY FACE FLESH and, honestly, even just typing that is enough to break me out in an unpleasant persistent sweat – but I nonetheless adored this essay by Sam Paul, about their relationship with their teeth and their appearance and their self, and ideas of beauty, and how your body informs your mind and vice versa. This didn’t make me feel any less awful about corporeality, but the prose is LOVELY.
  • We Would Have Told Each Other Everything: Our last longread of the week is about bumping into your shrink. Except it’s not, not really – I LOVED this, everything about it, not least the fact that I at no point thought particularly liked the narrator and I knew that the narrator wouldn’t have cared in the slightest. This is beautiful and I think you will adore it I think.

By Oli Frape

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 02/02/24

Reading Time: 36 minutes

February is the worst month of the year. January gets all the attention and the opprobrium, true, but it’s February that’s the real cnut – all of the misery of January with none of the sympathy.

BUT I AM SYMPATHETIC! I FEEL YOUR PAIN!

Still, WE CAN GET THROUGH IT TOGETHER! Here’s the deal – I promise to provide you with four massive, jam-packed, link-filled newsletters over the course of the month, and you all promise not to throw yourselves off the nearest tall structure in protest at how incredibly fcuking sh1t this time of year is. Ok? OK!

I am still Matt, this is still Web Curios, and you are probably thinking ‘wow, he’s basically like The Samaritans but with better webspaff’ right about now, and you’d be right to do so.

By Vuk Palibrk

WE BEGIN THIS WEEK’S MIXES WITH THIS, BY TOM SPOONER, WHICH FEATURES ‘CHARITY SHOP SAMBA’, ‘GHOSTLY HAWAIIAN DITTIES’ AND ‘DO WOP’ AND REALLY IS VERY GOOD INDEED!

THE SECTION WHICH IS INCREASINGLY CONVINCED THAT WHEN PEOPLE WITH 6-FIGURE SALARIES TALK CONFIDENTLY ABOUT HOW AI IS NOT IN FACT A RISK TO JOBS WHAT THEY ACTUALLY MEAN IS, SPECIFICALLY, *THEIR* JOBS AND THOSE OF PEOPLE LIKE THEM, PT.1:  

  • The Forever Labyrinth: Our first link this week is a BRAND NEW CULTURAL TOY from Google’s Arts & Culture team, and I spent a good 15 minutes yesterday as I futzed around with this trying to work out exactly which particular memory itch it was scratching as I did so (I will reveal at the end of this section, as some sort of spectacularly-lame enticement to read the whole entry rather than just getting frustrated with my prose and clicking the link to get away from me – I SEE YOU). This is part ‘vaguely-didactic opportunity for you, the user, to get up close and personal with some of the very high-res scans of classical artworks which Google has been taking over the years in collaboration with the world’s cultural institutions’; and part ‘vaguely-Victorian-feeling mystery missing person hunt through space and possibly time’, and starts with you, the player/character, in a room, hunting for their professor. From there you’re led through a series of paintings, though different ‘rooms’, guided by various characters to make thematic links between the artworks in a series of (gentle) puzzles which basically amount to ‘work out which picture is going to act as an access point to the next scene, based on the clues you’ve been given – this isn’t exactly deep, though I have to guiltily confess to getting a bit stuck about 20m into this (I was quite stoned, leave me alone), but there’s something pleasingly-atmospheric about the audio and the contrast between the minimal, line-drawn backdrops and the vibrancy of the artworks themselves, and the audio is lovely, and I really did get significantly more into this than I thought I was going to (but, again, stoned, so your mileage may well vary here), possibly because it reminded me SO MUCH, vibewise at least, of The Box of Delights by John Masefield (no, it wasn’t worth waiting for, was it? Sorry about that). As an aside, I got a really strong ‘this would actually make an EXCELLENT VR experience’ impression from this which almost never happens – I think there’s something about the idea of moving from space to space, ‘through’ the paintings, that brought that to mind, but I think there’s possibly an ‘immersive’ (sorry) spin on this for someone to explore should they be so minded.
  • AI Infinite TV: So I just checked and we are almost exactly a year on from “Nothing, Forever”, the AI-powered Seinfeld show that garnered international headlines and which is still running on Twitch (although it doesn’t really seem to have much to do with parodying Seinfeld anymore), and where is the ‘the entertainment revolution, powered by machines’ here in 2024? Well, we’ve moved on from ‘nonsensical, oddly-pixelated sitcom parody’ to ‘significantly-shinier infinite MTV-style programming in which everything is apparently spun up by The Machine’, but IS IT WORTH WATCHING? No, of course it isn’t, aside from the morbid curiosity of the almost-but-not-entirely-tuneless tunes and the short, melty videoclips, and the occasional, stilted AI VJ chat about how ‘AI Infinite TV is the future of media’ (although, given the present of media, perhaps that’s not such an insane prediction after all). I am curious as to all the different bits of tech that are being used here and how exactly they are being wrangled, and exactly what is automated workflow and what is ‘very human MachineWrangler desperately feeding prompts to Runway behind the scenes’ – according to the ‘About’ section, the people behind this have plans to add ‘short films’ ‘news’ and ‘interviews and Q&As’ to the broadcast schedule, things which I can’t for the life of me imagine anyone ever wanting (I know I often sound…less than positive about life and our species and THE GENERAL WAY THINGS ARE GOING, but I am not so bearish on humanity that I seriously believe a significant number of us are going to choose to watch AI-generated interviews with AI-generated avatars, however bad things get out here in meatspace. Please don’t probe me wrong, I am not sure I could bear the disillusionment) but which nonetheless I am curious to see in action…anyway, of all the various ‘media’ careers currently being threatened with differently-imminent degrees of extinction, I think the people in charge of making visual entertainments can probably rest safe for a little longer than the scribes and the wordsmiths can. Experiment for those of you working in shared spaces with TV screens – chuck this up on one of them and see how long it takes anyone to notice.
  • The Cheap Web: A manifesto of sorts for the ‘cheap’ web, based around the idea that making and hosting things online, without relying on Big Internet for your support and hosting and infrastructure, shouldn’t be expensive or difficult or HARD – and that the proliferation of small, cheap, lightweight and personal places on the web will contribute to its growth and diversity and oh god I am about 100 words from digressing into some sort of godawful thought experiment about digital botany, aren’t I? Ahem. “Until we adopt simple and stable building materials, all websites will continue to look the same. Software has become too complicated to stay honest. Corporations can’t expose their brick-and-wood architecture because it’s actually Megablocks and sawdust underneath all that paint. Wirth’s Law threatens to make things even worse. As software rots, multinationals may become the only players capable of making websites. But people like Bartosz Ciechanowski are forging paths to elegant futures. The source code for his mechanical watch demo is proof that honest software is viable. Each guide is erected as a giant wall of WebGL. It’s beautiful, but definitely not sleek. The World Wide Web needn’t be all 3D WebGL wizardry. The websites of Patrick Colison, Edward Tufte, and Phil Gyford are thriving examples of cozy HTML cabins. The humans are still out there. We can speak sincerely with honest tools and materials. We can stay slippy and celebrate our warts and imperfections together.” I happened to read something from a Young Person this week suggesting that the company that manages to crack a product allowing simple, easy, personalisable and forever-ish web creation for the mobile-first, WYSIWYG-interface generation would clean up, because the appetite to build their own spaces is very much there.
  • GPTGrooves: An AI music project which experiments with the interplay between GPT and the audio models – “These sounds are generated using Langchain and GPT4. GPT is prompted to create a song in a specific type of musical markup. This is parsed to be fed back into the model, first creating the data for bass, pad and drums, and then for filtering. All of this data is then combined to make a song and stored in a database. A new song is generated each day.” This project appears to have tane a pause in mid-December last year, but it’s interesting to listen to the tracks the process has thrown up and to see the evolution in the way that the people behind it have learned to prompt and prod to get outputs that are more coherent and ‘musical’ – the tracks that I have listened to (there are lots; the archive goes back over a month, possibly further) tend towards the minimal plinky electro-y sort of thing (this will mean nothing to any of you, I don’t think, but I get quite a strong David Shane Smith feel from them fwiw), and generally feel more…musical than the outputs I’ve heard from text-to-music models to date, which may say something about the ability of the different models at play here to interact usefully (or may say nothing of the sort! I have no idea about any of this!).
  • Matt Webb’s AI Poetry Clock: Only a few days into its fundraising round and already on course to smash its goal, Matt Webb’s prototypical ‘it’s a clock, but each minute it delivers a small rhyming couplet generated by AI to tell you the time in verse!’ machine is now available to back – 60% done with a month to go suggests this will comfortably go into production, which is great news as this is SUCH a nice idea and exactly the sort of thing that I have been banging on about for about a year now (cf: combining AI stuff like this with the otherwise-mundane is an excellent way of delivering all that ‘surprise and delight’ sh1t). It’s literally as simple as muy description makes it sound – Matt admits that due to the nature of LLMs, the clock will OCCASIONALLY sacrifice temporal accuracy for linguistic convenience when making its rhymes, and that as such this probably isn’t suitable for people who REALLY need precision in their lives, but otherwise this looks SO LOVELY, e-ink display and nicely-robust wall-mountable design and all. You can get your hands on one for £120 here – which is obviously quite a lot of money, but, equally, this is whimsical and fun and feels like A Good Thing to support. My only note, Matt, should you happen to read this, is that I would like a dial on the back that would afford me the ability to dial the tone of the outputs up and down from ‘nihilistic bleakness’ to ‘smiling Pollyanna’, because I worry that otherwise this thing is going to end up Fotherington-Thomasing at me until I take to it with the meat tenderiser.
  • The Lives of Literary Characters: Well THIS is an interesting project that leaves me just a *touch* conflicted. “The goal of this project is to generate knowledge about the behaviour of literary characters at large scale and make this data openly available to the public. Characters are the scaffolding of great storytelling. This Zooniverse project will allow us to crowdsource data to train AI models to better understand who characters are and what they do within diverse narrative worlds to answer one very big question: why do human beings tell stories? We need your help to build better, more transparent AI models to understand human storytelling. To be clear: our goal is not to build AI to generate stories or create smarter chatbots. Our aim is fundamentally academic: we want to develop models to help us understand stories and thus learn more about this essential human activity. Most AI development is happening inside of black boxes behind closed doors. Our models will be open to the public as will all of the annotations made by readers like you…Our first project focuses on the interactions between characters. How do they behave with each other? And what can these networks of interactions tell us about the meaning of fiction? We know from the real world that social networks tell us a great deal about human behaviour. So what can fictional networks tell us about storytelling?” So you, the user, are invited to participate in an exercise of classification, presented with a selection of short passages drawn from various forms of contemporary writing and asked to parse details about the relationships between featured characters from your understanding of the text – are they engaged with each other? Is this engagement mutual? What form is this engagement taking? – to build up a database of these relationships which can then be used to develop a model capable of inferring these details from a text. Which, to be clear, is SO INTERESTING and from the point of view of machine understanding strikes me as a genuinely-interesting and potentially-important line of enquiry…but, equally, if the team behind this project don’t think that an open training set of this sort of data would be immediately used by exactly the sort of people who DO want to automate the act of writing creative, narrative, character-led fictions? HM LET ME THINK. I could totally understand, therefore, if for many of you the idea of engaging with this feels like some sort of suicide/betrayal – MAN THE BARRICADES! THEY WILL NOT TAKE THE NOVELISTS! – but, well, c’mon Cnut, your ankles are getting damp and the night is drawing in. I jest, I jest – but only a bit.
  • You Can Now Use GPT Store GPTs Within GPT4: Yes, I know, this is BORING AND PRACTICAL, and even worse the link’s to a video tutorial embedded in a Tweet – SORRY. Still, this is useful to know and, having played with the functionality a bit, useful to use – you can now call in functionality from other GPTs within your own prompt, so instead of having to articulate various steps for The Machine to take on a specific corpus of information, for example, you can instead just pull in various GPT tools to do the job directly in your own prompt using @-commands, like tagging people in an email. Which, I know, is a REALLY bad description, but it will make sense when you watch the video and I promise it is genuinely helpful (if you pay for GPT, obvs – if you don’t then this doesn’t apply, sorry).
  • The For You Hotel: A beautiful bit of unintentional webculture, this, brought to me via Pietro Minto’s weekly newsletter (Pietro doesn’t have the common decency to write in English what with being Italian and all, but lots of his links are to interesting English language content and Google translate does an excellent job) – as he explains it, kids on TikTok have taken to adding ‘For You’ as a location as well as #fyp on their videos, in the mistaken belief that this will somehow juice the algorithm into making them go viral (briefly, an aside – it genuinely amazes me that we have arrived at 2024, after about 20 years of this, more or less, and we still have people who can conceive of ‘going viral’ as anything other than the contemporary equivalent of an embarrassing and socially-diminishing venereal infection) without realising that ‘For You’ is in fact the name of a hotel on the Eastern edge of Milan. Which, in turn, means that this nondescript business hotel has nearly a million videos from around the world tagged to its location, videos from EVERYWHERE, about everything – honestly, if you’ve ever wondered what PURE TIKTOK looks like, free of the algorithmic tailoring that makes it YOUR TIKTOK, then this is probably the closest you’ll get to the utterly kaleidoscopic randomness of the platform, and I think this is the most interested in it I have ever been. Seriously, click this – it is like PURE HUMAN ZOO, straight to your eyeballs.
  • Stories by Angris: This tool claims to let you spin up ‘choose your own adventure-style’ interactive stories, complete with illustrations, from a simple text prompt – it effectively delivers an experience not a million miles away from that ‘create your own text adventure inside GPT’ prompt from a few weeks back, but one with a far shinier front-end but, to my mind, less flexibility when it comes to imaginative play. You give it the rough outline of the scenario, protagonist and challenge you fancy exploring and it offers up…well, honestly, the sort of ‘adventure’ that you’d have expected to get free on the cover-mounted cassette you got with Spectrum World, but, hey, it’s early days. This might be fun if you have a kid who enjoys storytelling and worldbuilding, not least as a useful way to point out how THIN this machine-generated gruel actually is when you look at it with any focus.
  • Not A Good Sign: An augmented reality project I heartily support and endorse. Not A Good Sign is a small art project that uses AR to let you, the user, place small signs in the world which you can then photograph and share with others – the signs say things like “ALL THE BIRDS LEFT AT ONCE” and “REMEMBER BEES” AND “THESE ARE NOT NATURAL EVENTS”, and are bleak and terrifying and I love them and would like them to be real and not virtual, please. Failing that, though, they will add a pleasing air of near-apocalypse tension to your Instagrammetry, and isn’t that what we all desperately hope for from 2024? No, I know it’s not, but we’re not going to get *that*, so just take what you’re given and fcuking shut up.
  • The Faircamp Webring: For everyone saddened by the current state of the music business and wanting to find ways of giving back to the artists rather than to the venture capitalists, Faircamp is a nice idea – basically a simple way of spinning up a static site for your music from nothing but a few MP3s and some copy. This link takes you to The Faircamp Webring, a self-created and small-but-growing collection of musicians who are using the platform to share their music – honestly, just the concept of a ‘webring’ sent me into a nostalgic reverie (I appreciate that there are those of you for whom this archaic reference to The Old Web will mean nothing – here, learn), but more generally this is a nice initiative and a good way of discovering a bunch of independent artists making interesting music.
  • Time Specific Websites: A collection hosted on Are.na, compiled by Marie Otsuka, of ‘time specific’ websites – that is, websites whose form or function changes depending on the time of day at which they are visited by an individual user. From sites that are powered by solar, meaning they’re only accessible when their panels are charged, to those that only come alive on specific days or months, this is a compendium of some gorgeous pieces of creative coding and, in general, I think all websites should have some sort of temporal element, even if just an Easter Egg, because, honestly, WHY NOT? No, fcuk off, that is a terrible reason.
  • AI and Eroticism: Would you like to participate in a study? Would you like to advance the field of human knowledge? Would you like to engage with questions around human arousal and THE REAL????? Oh go on, you know you do. This is a study being conducted by the University of Sussex which is exploring the extent to which arousal caused by visual stimuli is dependent on the perceiver’s knowledge of the image’s veracity or otherwise – or, in slightly-less w4nky and convoluted language, are AI-generated images fundamentally less *sexy* than actual photos? Tell them your age, gender and sexuality and then answer a bunch of questions about how ‘appealing’ or ‘arousing’ you find a selection of pictures. This takes about 15-20m start to finish, and you will – BE WARNED – be looking at actual images of naked people, involving genitals and secondary sexual characteristics and all that sort of stuff – that said, if you can spare the time then I would strongly encourage you all to give this a go as a) I think it’s valuable work, personally; and b) it is more interesting than you think it is.
  • Backstage With Bon Jovi: ‘Backstage With Bon Jovi’ does rather sound like one of Alan Partridge’s increasingly-desperate TV pitches – ‘Hanging In First Class With Hall & Oates’! ‘Pitching for Business with PinkPantheress’!, ‘Endoscopies with Eminem’! – but I suppose I should acknowledge that Jon ‘No Imagination And A Massive Ego’ Bongiovi and his bandmates are insanely famous and I imagine continue to be very, very popular, and so as such a website letting fans obsessively pore over the minutiae of tour photos and footage and reminiscences probably makes sense…the thing is, though, that Bon Jovi were ruined for me forever at the age of about 14 when my mate Phil Niewiadomski forced me to listen to ‘Never Say Goodbye’ off the Slippery When Wet album for TWO FCUKING HOURS on repeat, and while I know I should blame Phil for that…I don’t, I blame Jon (Phil lives in Swindon, he’s suffered enough – do you Google yourself, Phil? Hello if so! Also, stop Googling yourself! It’s not healthy!).
  • ASCII Theatre: I’ve managed to go several months without mentioning MSCHF here, but the bstards have only gone and pulled me back in again with this excellent little gimmick – for…a time (I presume that this has a finite shelf life, but then again maybe they have the entirety of IMDB converted and queued up), you can watch ENTIRE HOLLYWOOD FILMS in your browser, seemingly-legally! How? Because they are rendered in ASCII, meaning that while they’re broadly sort-of comprehensible, they are also low enough res to fall outside of copyright law (I presume that that’s what’s happening here) – so that’s how yesterday they were able to show Barbie, and tomorrow they’re showing some Star Wars rubbish…look, if you are a brand wanting to make some DISRUPTIVE WAVES during Euro2024 you could do worse than look at the legals around doing something like this because you would CLEAN UP.

By Jeff Wall

A STYLISTIC SHIFT NOW INTO SOME VAGUELY-CHIPTUNEY BUT HARDER-THAN-YOU-MIGHT-EXPECT TECHNO, BY OKRUG!

THE SECTION WHICH IS INCREASINGLY CONVINCED THAT WHEN PEOPLE WITH 6-FIGURE SALARIES TALK CONFIDENTLY ABOUT HOW AI IS NOT IN FACT A RISK TO JOBS WHAT THEY ACTUALLY MEAN IS, SPECIFICALLY, *THEIR* JOBS AND THOSE OF PEOPLE LIKE THEM, PT.2:  

  • Oil Spills: Among all the froth and cant and b0llock being spouted about AI at present – much of it by me, admittedly, I am nothing if not self-aware – it’s easy to forget the extent to which we’re starting to see its application in genuinely interesting and innovative and potentially-transformative fields; fields which can also on occasion be a *bit* depressing. So it is with Cerulean, a new system developed by a company with the RIDICULOUS (sorry, but it is) name of ‘SkyTruth’ – Cerulean uses AI combined with satellite imagery of the world’s oceans to identify the location, size and shape of oil slicks, and specifically designed for: “finding oil slicks in satellite imagery using deep learning models” and “identifying nearby vessels and offshore oil platforms that may have been responsible for those slicks.” Which, to be clear, is amazing and smart and brilliant and such a clever use of machine vision and pattern recognition and datasources…and then you click on the link and you see the world map and you see FCUKING HELL that is a lot of oil slicks, Jesus. Interestingly, the software also seems to make ‘best guess’ estimates as to the vessel most likely to have caused each slick, which seems…I don’t know, legally iffy? Still, I’m sure they’ve done their due diligence and aren’t about to get sued into oblivion by DP World.
  • Project Tapestry: On the one hand, it’s undeniably true that The Now is rendered evermore complex as a result of the increasingly-fragmented nature of modern communications and information flows, and the need to be across a dozen or so sources (at best) if one wants to have even a vague and passing idea of What The Everliving Fcuk Is Going On (in one’s own friendship circle, never mind ‘the world’) is increasingly onerous and burdensome and, well, ANNOYING; on the other, it seems equally true that attempting to put the firehose of ALL YOUR FEEDS into one place would result in an infostream so dense, so thick, so clotted, so POWERFULLY DENSE that it’s reasonable to assume that looking at it would do something to your face akin to what the Ark of the Covenant does to the Nazi. AND YET! Project Tapestry is our second Kickstarter of the week, this one having matched its funding goal with over a month to go, and promising backers “a universal, chronological timeline for iOS for any data that’s publicly available on the Internet. A service-independent overview of your social media and information landscape. Point the app toward your services and feeds, then scroll through everything all in one place to keep up-to-date and to see where you want to dive deeper. When you find something that you want to engage with or reply to, Tapestry will let you automatically open that post in the app of your choice and reply to it there. Tapestry isn’t meant to replace your favorite Mastodon app or RSS reader, but rather to complement them and help you figure out where you want to focus your attention.” Does that like something that you’d want? Personally-speaking it sounds HORRIFIC (if nothing else, the already-ruinous problem of context-collapse is hardly going to be improved by the daily juxtaposition of in-feed genocide alerts and ‘funny cat videos from the girls’ and a girthy d1ckshot from the latest squeeze…no, sorry, this sounds like a horrible mess.
  • The Fresh Loaf: Are any of you still conducting a one-side, potentially-abusive relationship with sourdough? No, of course you’re not, lockdown was YEARS ago and we’ve all lost those positive habits and new broom impulses and are back to PizzaMan and pubgak – still, for the seven of you who have managed to KEEP THE STARTER ALIVE and are who are still very much on that baking tip, you might enjoy The Fresh Loaf, an online community – a FORUM! Like in the old days! – for breadmaking enthusiasts, where you can share recipes and tips and, you know, just generally BOND over your shared love for gluten and proving and all that sort of thing. I appreciate that this is hardly a novel or earth-shattering link, but equally I believe that forums as a concept are due a comeback and as such let’s start with this one.
  • Where Is Madeline?: V Buckenham announced that she was creating her own, simple game-making engine, called ‘Downpour’, a year or so ago, and while it’s still in development it’s slated to release ‘early’ this year, and you can now fool around with an example of something that its creator has made in it – Where Is Madeline is a sort of ‘Where’s Wally?’-ish game in which your task is to identify a specific cat (Madeline, since you ask) amongst all the others across a variety of screens. This is pretty much the antithesis of shiny webwork and is SO CHARMING (in part because of the writing and presentation rather than the mechanics), and I am genuinely interested to play with Downpour when it comes out to the public later. OH LOOK, THERE IS MADELINE!
  • Migallo Submarines: I don’t, as a rule, ask to know anything about you – we’re never going to meet, and as such I don’t know why I ought to pretend to care who you are. That said, should any of you be INCREDIBLY RICH SUPERVILLAINS then this specific link is very much for you – Migaloo is a company whose website advertises them as being purveyors of ‘private submersible yachts’ but honestly the description doesn’t even begin to do justice to the insane, jaw-dropping Bond villain-style offerings that you can purchase via this website? Want a ‘private floating island’ anchored to a submersible? Yep, they can do that! This is…look, if you have $2bn spare then maybe you’re willing to overlook the fact that the website looks a *bit* shonky in places, or that the English is at best…creatively-translated, or that the company is based in famously-landlocked Austria, or that, if this is real, then it is almost certainly being monitored by Interpol or a similar international crimefighting body because I refuse to believe anyone interested in anything these lads are selling has come by their wealth entirely legitimately. Still, I don’t think I’ve ever seen a finer selection of floating (and submerging) cocaine palaces (and also, the graph on this page is one of the best examples of meaningless non-communication I have ever seen in my life)!
  • Awqāt: Self-describing as ‘the most beautiful Islamic prayer app on the iPhone’, it’s hard to disagree – this is a gorgeous piece of minimal design, should any of you be in the market for a means of keeping track of prayer times on iOS.
  • I Didn’t Have Eggs: I am slightly-astonished I’d not come across this before – I Didn’t Have Eggs is a subReddit dedicated to documenting all those instances when people found a recipe online, decided to amend it in certain very specific and creative ways, and then decided to share their displeasure at the resulting culinary car crash with the recipe’s original author. Sample reviews might include “substituted a can of cream of chicken soup for double cream – 1 star, will not eat again” (no, really), or “didn’t have whole milk, used tinned beans instead” (again, no, really), and you will never be more grateful that you don’t live in the American midwest than you will when reading these (because, honestly, you know that 80% of these come from the middle of the States).
  • Untranslateable: “Untranslatable is an indie project that delves into the hidden aspects of languages by explaining words, idioms, and expressions contributed by native speakers. It goes beyond traditional translation, offering insights into usage, context, and cultural significance.” Beautifully this appears to be a personal passion project started by one person a few years ago and which has now grown into a properly-interesting database of linguistic tropes and idiomatic speech from across the world. I have just learned that there is a word in French for when one has been made to wait a long time which translates as ‘leeking’ – literally waiting around ‘like a leek in the ground’ – which has basically made my week, hopefully you will be similarly blessed with the gift of largely-untranslateable metaphor and simile.
  • Unkee E: Occasionally you stumble across a really GOOD Flickr album, full of odd-but-interesting stuff with no obvious curatorial theme other than ‘things the curator has thought are worth putting together’ – muchlike Curios, frankly, but, er, visual and significantly-easier to digest – and this is JUST that sort .There are nearly 1000 images here and I couldn’t for the life of you tell you what they all have in common other than that they all sort of *feel* like they belong together.
  • Potential Music Video: I’m going to have to defer the explanation here, because, honestly, it’s a bit beyond me: “a (low-key) collaboration with Pițipunk singer and artist IIOANA, an alternative demo music video is created by Naoto Hieda using Hydra, a live code-able video synth and coding environment that runs directly in the browser…The music video explores the visual stimulus through the eyes of synaesthesia and neurodiversity. Visuals are purely generated by Hydra code, triggered by cues and a sequencer written from scratch in JavaScript. A bank of Hydra code snippets made by Hieda are randomized, and some parameters are interpolated by faders, which are coded in Choo.io front-end web framework. The interface uses XP.css stylesheet to add a touch of vaporwave along the visuals, and the interface is fully functional in the demo page below. While being a short demo video, it showcases the aesthetic endeavor of Hieda and various technical elements that they developed over the years using Hydra and the front-end framework” – you can read more of that here, but otherwise click the main link, toggle the settings on the left, and play around and get slightly-mesmerised by the sythaesthetic…well, the synaesthetic mess (a beautiful mess, but a mess nonetheless) before you.
  • The Iceberg Database: When was it that ‘iceberg diagrams’ were everywhere – 2019?2020? Anyway, you know what I mean, right? Those images showing a tiny emerging part of an iceberg and the massive, hidden lump beneath the waterline, annotated to demonstrate to a normie audience the difference between what was visible and known to the masses and what is lurking out of site (you’d be amazed how often, according to these people, the answer to ‘what is lurking out of site?’ is so often ‘the jews’, by the way)? Of course you do! Anyway, this website collects a whole range of those so you can explore all sorts of different made theories about what everything is the way it is (NO IT IS NOT THE BILDERBERG GROUP).
  • 100 Ballads: “Broadside ballads were single-sheet songs that sold for a penny a piece. This website concentrates on over 100 resoundingly successful examples that you can investigate through recordings, images and a wealth of other materials. Whether you are interested in music, art, love, gender, tragedy, politics, family life, crime, history, humour or death, you will find something to engage you here.” THEY HAVE ACTUAL RECORDINGS OF THESE BEING SUNG. Honestly, if you enjoyed the ‘sea shanties’ thing (what is wrong with you ffs) then you will LOVE this; I particularly enjoyed this one, in which a lovelorn suitor sings of his despair at having to leave Bristol for Italy because his beloved will have nothing to do with him – mate, trust me when I say you were making entirely the right decision and your descendents will all have thanked you.
  • The World’s Best Villages: I have to say, given recent talk about the environmental impact of tourism and all the various ways in which millions of us going to gawp at pretty things in far-flung lands each year are fcuking the planet, I find it…curious that the UN has a specific section on its website promoting ‘the world’s prettiest villages’ – surely we shouldn’t be encouraging the world’s intrepid travellers to descend on these places en masse lest they all get Venice’d to oblivion? Anyway, if you can ignore the cognitive dissonance and if you’ve got ‘find somewhere to go on holiday this year which hopefully won’t be overrun by the locust that is the American tourist’ on your ‘to do’ list for 2024 then, well, HERE YOU ARE.
  • Pong Wars: This is so upsettingly, hypnotically mesmerising that it’s almost like I can *feel* it tickling my dopamine receptors and I am not sure that I like it. Click the link and see how long you’re stuck staring for.
  • Chime: A digital wind chime in your browser. I am including this for two reasons: 1) it is the only wind chime sound I have ever heard in my life which hasn’t made me want to plug my ears with concrete (possibly because I can make it stop whenever I want); and 2) I always (perhaps wrongly) associate the sound of wind chimes with superficial spirituality and profundity, and so I really like the idea of using this as a sort of audio sting every time someone in your life says something achingly-pretentious.
  • Noted Or Not Noted: I had meant to include this last week and totally forgot – sorry Dave, whose creation it is. Still, if you want a fun game which riffs on Rishi Sunak’s habit of saying things on Twitter which turn out not to stand up to rigorous fact-checking then you will enjoy this – aside from anything else, this is a great example of how to spin up and churn out a quick, topical game in next-to-no-time, and the sort of thing which I personally think is a far better use of your ‘creative’ budget than another fcuking terrible piece of video that literally nooone in the world ever needs to see.
  • Web Adventures: Classic text adventures! In your browser! THEY EVEN HAVE ZORK! Honestly, if you have any interest at all in interactive fiction and narrative y gameplay then this is sort of a must-click; there is SO MUCH in here, and it’s a wonderful series of examples of different styles of gameplay and design within an ostensibly-restrictive medium.
  • Play Old Sierra Games: Gamers of a certain vintage – and a certain *type*, you’ll have had to have been the sort of person who had a domestic PC in the 80s and the wherewithal to know that there were games for it, which isn’t everyone – will be in paroxysms of joy at this site, where you can play the first three King’s Quest games, the first couple of Space Quest titles, the original Police Quest…all in their original EGA glory, and all with the peculiar design quirks that distinguished the Sierra titles from their contemporaries (you will die a LOT). These really are a lot of fun, and good rainy afternoon / slow day in the office fodder.
  • Improbable Island: I am agog at this, honestly. Via Andy, Improbable Island is…it’s a text-based RPG, it’s an old-style MUD (Multi-User Dungeon, for the children), it’s a comic fantasy adventure whose writing is heavily-indebted to Douglas Adams and Terry Pratchett, it has been going for over 15 years, it is all written by seemingly one person, and it is…it is VAST. I spent about an hour playing around with this this week and only scratched the very surface, and I appreciate it won’t be for everyone, but the writing is consistently very, very funny and I find the scope and scale and the fact that it has obviously been built over time with love and affection for a community that very obviously love it back very hard indeed so appealing, and I am thrilled that this not only exists but that it is thriving. Interestingly it’s gotten attention this week because its creator recently updated the site’s community guidelines (behavioural code, basically, and it’s been held up – rightly, imho – as an ur-example of how to write these things and how to go about setting enforceable standards for digital communities. At heart, though, this is a VERY geeky and very oldschool digital RPG, and I think that there might be a few of you for whom this could be absolute catnip.
  • Infinite Craft: The last miscellaneous link this week comes from the indefatigable Neal Agarwal, who’s basically made his own version of Little Alchemy (a longstanding browser toy which lets you play to combine various elements to create new ones) except this time it’s powered by AI – I presume there’s an LLM coming up with the resultant outputs of combining, say, mud with a helicopter – which means that you can sort of keep on going forever. This is surprisingly enjoyable, moreso than I might have imagined, and there’s something quite fun about the odd and oddly-poetic results that arise from smushing together seemingly-incompatible things. Give it a go, there’s something pleasingly ‘fridge magnet poetry’ about it (I promise you’ll see what I mean).

By Kathrin Landa

OUR FINAL MIX OF THE WEEK IS ANOTHER SUPERB SELECTION BY ROY WHICH IS 4 HOURS OF SOLID GOLD AND A PERFECT SET FOR A LAZY AFTERNOON! 

THE CIRCUS OF TUMBLRS!

  • T-Mobile Sidekick: A Tumblr dedicated to photos of famous people (or at least I presume that they were famous at the time) holding, enjoying, ENGAGING WITH the T-Mobile Sidekick, one of the more oddly-designed attempts by non-Blackberry phonemakers to come up with a Blackberry competitor – this is interesting mainly as a sort of portal back to the aesthetics and design styles of a decade ago, although you can also have fun trying to work out who the fcuk all the emo-looking kids are in the photos.

THE TROUGH OF (INSTA) FEEDS!

  • Vuk Palibrk: This is actually the second link to this artist/cartoonist’s Insta feed in the newsletter this week, but I didn’t want you to miss it – they did the comic strip featured above, which if you are yet to enlarge it to read the copy then, well, do that now please.

LONG THINGS WHICH ARE LONG!

  • AI Is Better Than You: My Curios routine of a Friday morning (you have never asked, but I am fcuking telling you whether you like it or not) involves dragging myself out of my pit at 6am, running through the overnights and then starting to type the fcuker around 7am (in case you’re curious about the pace – no, of course you’re not fcuking curious, BUT I AM TELLING YOU ANYWAY – it’s currently 1022am), all the while listening to the Today programme and then the rest of Radio4’s morning programming, which means that I have now heard the Bank of England governor’s assertion that AI ‘will not be a mass destroyer of jobs’ several times now, and, not going to lie, it hasn’t become MORE convincing. This article is written from the perspective of the videogames industry but, honestly, it is one of the clearest articulations of why I have The Fear about the jobpocalypse and how fast it might be arriving – look, I am SO BAD AT PREDICTIONS, as I have proven oft and plentifully, and as such I am probably going to be totally wrong about this and I really hope I am because, well, otherwise I am quite fcuked, but it’s quite hard not to read stuff like this and think ‘if you don’t think that this applies to your industry too, white collar businessmong, then I doubt your judgement’ – honestly, read this and then think about how easy it would be to replace ‘writers’ with ‘whatever your knowledge economy job is’: “by focusing on things like an AI system writing stilted dialogue or failing to draw a dragon properly today, what you are doing is making a bet on the AI industry failing to fix these problems tomorrow. Even with all the countless credulous idiots and money-burning schemes out there in the industry, that’s not a bet I would take, personally. In many cases it’s a self-defeating argument anyway. We already know, for example, that writers in the games industry are underpaid and overworked, and that the quality of writing in games often suffers because of it. nVidia’s technology was often contrasted with Baldur’s Gate 3, a smash success last year at least partly because of the high quality of its writing1. But most games are not Baldur’s Gate 3, most games are not celebrated because of their writing, and indeed many games do not have particularly good writing. Is that because the writers are bad? No, it’s because writing is undervalued by the people funding games, in an industry that generally undervalues its employees anyway. Investors will accept putting higher pressure on writing teams because it saves money with an acceptable impact on sales.”
  • AI & The Future of Work: This is quite an irritating document, not least because it’s presented as slides despite being all prose – WHY? WHY MUST EVERYTHING BE ON FCUKING SLIDES? WHAT THE FCUK IS WRONG WITH WORDS ON A PAGE DISPLAYED IN PORTRAIT FORMAT? – and also because it’s a Microsoft sales pitch all about why you need to integrate AI into your organisation now, actually, BUT! If you are in the invidious position of in fact ‘having to integrate AI into your organisation’, or even of ‘having to think about how to integrate AI into your organisation’, then it might be useful – it’s got a reasonable amount of detail about stuff that LLMs in particular can be usefully used for professionally and what they can’t, and despite the fact that, yes, the fundamental direction they suggest you go in is ‘pay Microsoft the enterprise CoPilot subscription!’ there’s a lot of helpful information which might be used to make a case for specific cases of deployment and implementation.
  • The End of the Human Web?: When I wrote about Google adding ‘complete this form with AI’ functionality to Chrome last week I made paqssing reference to all the fun ways that was likely to ‘improve’ (lol) the quality of content across the web – this is a piece from New York Magazine which basically makes the case that we might be about to open some truly turdy floodgates. “We have the technology for a web that publishes itself,” the piece concludes, “will anyone want to read it?”. It’s machines all the way down, lads.
  • Macro and Micro Culture: This surprised me by being really smart and feeling…accurate in a way that lots of other broad, big picture cultural analysis pieces don’t – W.David Marx coins the concept of Macro-taste Micro Culture, or ‘subcultures whose outputs aggressively ape mass culture’, or, in his words, “Now we can see the exact location of the coming war: between the Macro and the Macro-taste Micro. They both make similar outputs but have the thing the other one wants: Macro wants audience and revenue, Macro-taste Micro wants legitimacy. And Macro tastemakers don’t have much respect for Macro-taste Micro groups because they are direct competitors without being a clear source of innovations for refreshing taste.” Honestly, I really did find this eye-opening and a really useful lens through which to think about both ‘big’ and ‘small’ culture in 2024, and also the very real feeling of cultural stagnation so prevalent among much ‘creative’ work.
  • The Bimbo Renaissance: Look, I confess to not having gotten this AT ALL – but I appreciate that I am very much not its target audience. If you want 70 slides on feminist consumer culture, brands, pop media and the Barbie Phenomenon – AND WHAT THIS MEANS FOR BRANDS WHO WANT TO FLOG MORE TAT TO WOMEN AND ADJACENT FEMME-Y AUDIENCES – then this is basically crack cocaine. I didn’t personally think that the thinking held up that well, but I am perfectly willing to admit that that’s because I don’t know the first thing about women or selling things to them.
  • YouTube Is Infrastructure: There was something on the radio earlier this week which was AGAIN attempting to distinguish between online life and real life, specifically in terms of ‘X event online impacting Y factor in reality’, and it was all I could do not to scream “IT HAS BEEN 25 YEARS CAN WE STOP THIS ARBITRARY DISTINCTION NOW PLEASE IT MAKES NO FCUKING SENSE” – I think this piece does a good job of demonstrating exactly why applying a divide between digital and physical ‘life’ is so utterly meaningless, and how the former often supervenes on the latter in unexpected ways, detailing some of the ways in which the vastness of Google’s video archive has made it so much more than ‘a place to watch videos’.
  • Welcome To The Age of Sh1tpost Modernism:. This might be the last ever Pitchfork piece I link to in Curios – SAD TIMES. Still, it’s a decent piece to go out on if that does end up being the case; Kieran Press-Reynolds writes about the current trend for what he terms ‘sh1tpost modernism’ and I term ‘does postmodernism now mean that we are no longer allowed to even make demarcations between ‘good’ and bad’ anymore? Oh’. “In a streaming world that prioritizes ephemeral dopamine hits and algorithm-piercing smashes, ideas like radio-readiness or conceptual heft can feel quaint. So instead of trying to appeal to the everyman or the critic, a mass of young musicians are fucking around. The result is a feast of freakiness that’s perfect for zoomer brains that have hatched to (im)maturity in a vat of digital absurdism.” There is at least one of who I am pretty sure can use this as the basis for an entire (admittedly bullsh1t) brand strategy if you’re so minded.
  • PorkTok: But also MilkTok – I enjoyed this piece looking at a couple of non-traditional brands trying out TikTok campaigns in the US, specifically the National Pork Board and the milk peddlers, and I am including specifically so that those of you working in advemarktingpr for really dull corporate clients can have some useful ammunition when you try and persuade, I don’t know, BAE Systems to do some ‘kooky, video-first influencer engagement targeting the <24 demographic’.
  • The Apple VR Headset: This is a VERY LONG but thorough, exhaustive and refreshingly-skeptical writeup by Nilay Patel in The Verge, who goes over what it is like wearing and using Apple’s latest violently-expensive but VERY SHINY toy, and asks “yes, ok, but do I actually need this and can I imagine really using it regularly?” – the answer, by the way, is “No, not really, and WOW does it make me appreciate how great it is experiencing life through my eyes as opposed to some cameras”, which is quite nice and not a little reassuring. Not that it will make a difference to the likely sales – I would imagine this will shift some 200k units this year, which is a LOT of money so well done Tim! – but everything I read about this convinces me that, as with all wearable tech at present, it continues to be a product in search of a use-case. Although should you want a slightly more thrilled perspective you can enjoy this lovely piece of client journalism from Nick Bilton in Vanity Fair, whose mesmerised, rapt astonishment at the device and the brave new world it presages (“I interacted with graphics in midair that were crisper than anything I’d ever seen before. And I touched them all with my fingers, not a mouse or keyboard. I saw spatial videos for the first time. To say this feature is astounding is an understatement. You actually feel like the person is in front of you and you can reach out and touch them. I saw clips of movies that were 100 feet wide, sharper and clearer than any IMAX. But most importantly, I saw the world around me. That very room. I didn’t feel closed off or claustrophobic. I was there. I was everywhere, all at once”) is I’m sure IN NO WAY linked to the access they got to Tim Cook for the cover interview.
  • The Shapes of Stories: You know that famous Vonnegut thing where he outlines the eight archetypal ‘shapes’ of story? Yes you do, it’s become as annoyingly-ubiquitous as the DFW ‘This Is Water’ speech amongst a certain type of online dullard (sorry, but). Well, researchers have fed a whole load of novels to AI and got The Machine to attempt to analyse them for ‘shapes’ and commonalities, and it turns out that there are in fact six plot shapes and that they broadly match the rough plots done by Vonnegut (albeit two fewer) all those years ago. This struck me not only as broadly interesting, but also something which you could possibly use as an interesting hook or ‘insight’ (lol, sorry) on which to hang something fun (or at the very least to introduce a really unnecessary degree of academic rigour to your content).
  • The Hairpin and the Zombie Internet: Many years ago, The Hairpin was on my daily rotation of ‘good sites with good writing to check daily’, and I was genuinely sad when it shut down in 2018 – this piece in WIRED looks at how and why it has started publishing again, and the broader concept of ‘zombie media’ that’s emerging as defunct properties from the second digital media boom let their domains expire and get taken over by linkscammers and content farms. I can’t stress enough how devastating I find it that it’s entirely possible that we will never, ever be able to piece together this history of all of this stuff – that in the future all we’ll be able to scry are occasional layers of compacted digital trash from eras past, but that we’ll never have a complete chronology of who and how and why it was built and died because we didn’t realise that what we were making was built on digital sand.
  • The Ludic Century: In about 2006 I had a real bee in my bonnet about the idea of ‘homo ludens’, or gameplaying man, and the idea that there was something in this (human of leisure, human of arrested development, human who can’t stand the roughage of life without the sweetener of play, etc etc) and it was a useful lens through which to see much of modern culture at the time. I was, of course, a pretentious w4nker talking out of my ar£e – I was also right, just a few years early, as this article, unpacking the work and theories of Eric Zimmerman, asserts. I’ll leave you with its conclusion, but it’s worth reading the leadup to see how it gets there: “As the world continues to evolve new and frighteningly complex problems, perhaps those kinds of contradictory, dissociative experiences have only grown more appealing, rewarding people for presuming a silenced problem is a solved one. In that light, it makes more sense to think of games not as some enlightened form of pragmatism that can save us from the world’s problems, but a kind of mass intoxicant, a communal vice that is most potent when we treat it as a virtue.”
  • Big PDF: How big do you think you can make a PDF? No, you are wrong, you can make it FCUKING ENORMOUS. This is very silly, very funny, immensely-pleasing, and 100% the sort of thing you could totally rip off for a PR thing if you have a suitable client and move fast enough.
  • Launching Nollywood: I’ve read countless articles over the years about Nigerian cinema, but none which have given me the background story as to how it came to dominate the African cinematic scene – it turns out that it all stems from Pentecostal churches effectively making Jesus propaganda, one example of which became a legitimate home-grown cinematic sensation, passed from copied VHS to copied VHS and sparking the growth of a now-international industry. Truly, God works in mysterious ways.
  • Skateboarding Video Soundtracks: I was never able to skateboard as a kid – turns out having literally no physical coordination to speak of whatsoever and a very healthy fear of physical pain are pretty much the greatest barriers to skateboarding success that there are, outside of quadriplegia – but I did basically find myself adopting the wardrobe of the skater in my teens and as such spent a LOT of time hanging out in skateshops and making risible attempts to chirpse girls significantly cooler than me by demonstrating my appreciation for the skating videos that played on a loop (C2KY2K ftw) while actually being significantly more interested in the music accompanying the action. This is a lovely piece of writing in The Quietus, by Will Burns, about the memories of watching grainy VHS footage and the way the right song gives timeless dignity to watching a man eat his own teeth as he falls face-first down some concrete steps.
  • Finding Midwich: The novels of John Wyndham are genuine 20th Century classics, and The Midwich Cuckoos is probably his most famous thanks to its various cinematic adaptations and bastardisations (to my mind, though, The Chrysalids is his best book and if you’ve not read it then GO NOW) – I absolutely loved this article in the Birmingham Dispatch in which Sophie Atkinson visits the place where John Wyndham grew up to see if she can find some sort of formative clues in the suburban gloom. This is so, so evocative of a particular type of Englishness, and of the slow, cabbage-scented misery of the middle part of the 20th Century in the UK.
  • At The Britney Spears House Museum: This is another very good piece about small, odd places, but being American it feels almost like the negative imprint of the previous piece. In it, Emmeline Kline writes for the Paris Review about visiting the Britney Spears House Museum in the small town where Ms Spears grew up, and it’s about the people and the place and the people who visit and why, and even as someone who would find it hard to give any less of a fcuk about Britney Spears (sorry, but, well, there’s a lot going on) this was a gorgeous read.
  • Stillwaters: This is one of the most furious pieces I have read in a long time – honestly, it’s almost aggressive in places, justifiably so as Magogodi oaMphela Makhene reflects on her upbringing in South Africa, her private education, her relationship with whiteness and the anger she feels at a system and people for whom she has never felt she mattered; think of it as a companion piece to last week’s about being an Arab. It is well-written and lyrical in places, but, mostly, it’s fcuking angry.
  • 500 Days In A Cave: Finally this week, a story about a woman who spent 500 days alone in a cave to see what it was like. This is a BRILLIANT piece of writing, honestly, both in terms of the prose but also the structure, and the very real creeping horror you feel in the latter half of the piece as you read about what it is actually like to be entirely alone, without speaking to anyone at all, for 500 days, and I really, really want to read the inevitable self-penned account of this by the woman who underwent it.

By Malika Favre

AND NOW, MOVING PICTURES AND SOUNDS (ALL OF WHICH ARE VIA THE EXCELLENT GOOD MUSIC NEWSLETTER THIS WEEK!:

Webcurios 26/01/24

Reading Time: 39 minutes

How is it possible that a company whose last recorded profits were over $5bn needs to sack 10% of its workforce? How is it possible that literally none of the galaxy-brained investors that have taken turns worrying at the increasingly-ripe corpse of media with their private equity spoons have managed to work out how to make the businesses sustainable? HOW DOES ALL THIS WORK?

Is it…is it the case that the version of Modern Capitalism that we have arrived at, the Final Evolution, quite possibly, is one which basically turns every single potential human endeavour into just AN Other asset to be strip-mined by a cadre of investors and VCs, and that the whole idea of value creation was basically a gigantic myth?

Is…is ‘profit’ and ‘the markets’ and ‘economics’ all basically just lies?

I don’t know! I don’t understand any of this! It certainly feels FCUKING TERRIBLE, though!

Still, as the apparently-illusory ground on which we’ve spent the past 150-odd years building our sandcastles continues to fragment and crumble to dust around us, let’s ignore the tearing and rending sound of everything falling apart and instead spend a bit longer staring at some screens. That might make things better.

I am still Matt, this is still Web Curios, and if you believe that then I have some incredibly good value NFTs to sell you.

By Xan Padron

WE BEGIN THIS WEEK WITH AN OLD ALBUM THAT I ALWAYS THING FEELS PARTICULARLY APPROPRIATE FOR COLD JANUARY AND FEBRUARY DAYS, SPECIFICALLY ‘ROSSZ CSILLAG ALATT SZULETETT’ BY VENETIAN SNARES!

THE SECTION WHICH FOUND THE WHOLE BARBIE OSCAR DISCOURSE THIS WEEK AN ALMOST PAINFULLY ON-THE-NOSE EXAMPLE OF PANEM ET CIRCENSES, PT.1:  

  • Oldavista: We’re only a few weeks into 2024 and the general sense of ‘hang on, this isn’t the transformative improvement I’d expected from a brand new year!’ is almost palpable – so why not instead make a conscious decision to ignore all the now and the new and the novel and instead fix your gaze firmly towards the digital past instead? It does rather feel like you’ve not been able to move over the past year for all the nostalgic takes on the innocent majesty of the old internet, and now YOU TOO can experience the peculiar joy of stumbling across old, personal webpages from yesteryear thanks to the magic of Oldavista, a search engine designed specifically to surface results from the hoary old history of the web, back when it was held together with string and duct tape and was only really properly accessible to people who knew weird, arcane sh1t like what LAN parties were. It is VERY SLOW, but that feels oddly appropriate, and if you are the sort of person who used to while away hours spelunking through odd corners of other people’s minds, click by click (what do you mean ‘that sounds oddly intrusive and not a little creepy, Matt!’? Doesn’t everyone conceive of browsing the web like this?) then this is a powerful hit of nostalgia. If you’re a bit overwhelmed and don’t quite know where to start with this, check out some of the suggested ‘Top Links’ (‘Dinosaur Pictures and Links’ is a personal favourite) or alternatively just type in whatever topic takes your fancy and see where you end up. You know that horrible, cliche phrase ‘dance like noone’s watching’? Well in the past people posted like noone was reading (because, in the main, they weren’t) and in some ways it was better that way – this site is a perfect portal to discover why.
  • Just For Fun: Sometimes you don’t want the fibre – sometimes you just want the sugar and fat and salt, to gorge yourself on things with no nutritional value until your fingers and gaping maw are slick and your senses are vibrating at a new and troubling frequency as a result of all the E numbers. So it is with this site, administered by the indefatigable Neal Agarwal and which collects a bunch of ‘creative coding’ projects from around the web. Many of these are CLASSICS (bongo cat! Medieval City Generator!) but there are SO MANY fun, distracting, silly, creative and generally pleasing webtoys in here that you could reasonably forget about all the bad stuff for, ooh, probably at least 17 minutes or so.
  • The Miko Mini: Do you remember the book The Neverending Story? Yes, fine, there was a film too, with That theme song, but frankly it wasn’t a patch on the novel and honestly if you’ve never read it and you are in the market for a few hours’ escapism then it really is a great read (er, if you’re 9). Anyway, the author of The Neverending Story was a German author called Michael Ende, who also wrote a lesser-known but also excellent book called Momo, all about the importance of imagination in childhood (and time travel, and a tortoise called Cassiopoeia – honestly, it’s great, read that too), and there’s a recurring theme in it about these futuristic, hi-tec dolls, which talk and interact with kids but which leave no space for imagination and which as such are fundamentally empty…anyway, that pointless digression into ‘books which evidently left a significant impression on Young Matt’ is by way of introduction to the Miko Mini, an electronic companion robot-type thing…POWERED BY AI! “Miko Mini might be tiny in stature, but it’s packed with personality, reacting to your actions and moods with fun facial expressions and bite-sized text notes. With its vibrant expressions and vast personality, it becomes a cherished companion, making learning both fun and meaningful.” Yes, that’s right, the first wave of AI-enabled toys are arriving – this is one of half-a-dozen different brands which are coming to market i the next year or so, all of whom offer basically the same sort of thing, to whit ‘a learning and conversation companion that can tell stories and answer questions, all power by THE MAGIC OF AI!’ Miko doesn’t make clear exactly what’s under the hood, but there are others I’ve seen which are explicit about their use of GPT…which, let’s be honest, doesn’t fill me with confidence; if you’ve spent any time interacting with LLMs it should have become emninently clear to you that they are not at present something to which one ought entrust the education and development of young minds and yet, well, here we are! Interestingly the Miko Mini website makes a lot of its ENCRYPTION and SECURITY features, but very little of ‘guardrailing’ and ‘making sure you can’t jailbreak the thing’, but, well, I am sure it will all be fine and that outsourcing the raising of your sticky little progeny to spicy autocomplete will work perfectly for everyone. If you’d like to read more about these things you can do so in this piece – I very much enjoyed the detail about these things getting simple maths wrong, as LLMs are wont to do.
  • Nightshade: This was trailed in a paper last year but is now LIVE – Nightshade is an interesting idea, purporting to let artists not just stop their works from being scraped for training purposes by AI models but to specifically harm the models doing the scraping: “Nightshade transforms images into “poison” samples, so that models training on them without consent will see their models learn unpredictable behaviors that deviate from expected norms, e.g. a prompt that asks for an image of a cow flying in space might instead get an image of a handbag floating in space. Used responsibly, Nightshade can help deter model trainers who disregard copyrights, opt-out lists, and do-not-scrape/robots.txt directives. It does not rely on the kindness of model trainers, but instead associates a small incremental price on each piece of data scraped and trained without authorization. Nightshade’s goal is not to break models, but to increase the cost of training on unlicensed data, such that licensing images from their creators becomes a viable alternative.” I’ve seen a degree of debate online about the extent to which this actually works, but I am enjoying this current era of ‘scrappy artists attempt to fight back against the Goliath that is machine learning with the slings and ineffectual arrows of homebrew coding’ – if you’re a maker of visual works and want to attempt to join The Resistance then you could do worse than check this out (but it’s also worth remembering that, despite what the Bible might have attempted to convince us, the small kid with the slingshot has an overwhelming tendency to be turned into a thin, lumpy smear of human jam by the giant with the necklace of skulls) (did that metaphor work? I don’t think it did, did it?).
  • Metaphor Dogs: Not, sadly, itself some sort of code – no, this is simply a compendium of all the ways in which dogs and general canine behaviour manifest in idiomatic English usage. The site “explores the ways in which references to dogs are used in vernacular English, especially as they reveal social dynamics in the contemporary United States. Terms, metaphors, and cultural references that evoke dogs are discussed individually, including history, usage, and significance.” I appreciate that not EVERYONE will necessarily find this useful, but I live in the faint and vanishing hope that one of you will be stuck, inspirationless, staring at a Keynote for a new creative direction for Pedigree and THIS is the site that finally unblocks you (all I want is to be useful).
  • Feedle: Another search portal purporting to offer a way into a different corner of the web, and one which briefly cast me back to the halcyon days of Google, when the product still worked and the web wasn’t all machine-generated dreck, and you could do things like ‘search blogs and forums’…anyway, Feedle is GREAT because it basically does just that – rather than returning results from Big Websites, it instead focuses specifically on blogs and podcasts, so all the results are from personal domains or the world of audio; even better you can export your searches as RSS feeds, meaning it’s easy to set up a search for something you’re interested in keeping an eye on and have new content on that topic from small, independent writers and creators and hobbyists show up in your feed like clockwork (JUST LIKE IT USED TO BE). As the web gets ever more fractured and the possibility of ever having any sort of idea of What Is Going On becomes evermore illusory, I think things like this – and small-scale ‘blogger outreach’ and niche community cultivation – will become more and more useful, so bookmark this just in case I’m right (I am rarely, if ever, right about anything at all).
  • Guess The AI Face: You’re really good at spotting AI, right? You wouldn’t get fooled by a Midjourney-spun countenance? Hm, perhaps not – this little quiz pulled together by the NYT unsettled me rather when I misidentified a couple of the pictures, which has NEVER happened before when trying out this sort of thing; the classic tells you might have used to pick an AI image from a lineup six months ago (hair, ears, the collars of garments, background details, etc) simply aren’t as obvious as they used to be, and if you’ve spent any time playing with (or looking at the outputs of) Midjourney6 then you will be aware of how terrifyingly good it now is at producing photos that look…just about sh1t enough to have been taken by a real person on a cameraphone. My big problem with AI aesthetics last year, and something I thought might be a barrier to full believability, was the software’s inability to create imagery that was in any way ‘ugly’ – that seems to be receding which, honestly, is quite odd and a bit scary. I mean, look at this stuff – try telling me that you would doubt any of these images for a second if they scrolled past your field of vision.
  • The Midi Archive: Oh I do like this – a project by Reuben Son which takes a bunch of old MIDI music files from the early days of the web and uses them as training data for a music AI, neatly bridging the gap between old and new technologies. “The MIDI files collected here and used to train the model were once very new. In presenting them here alongside the output of a machine learning model, I hope to bridge epochs of technological transformation. Within each, the possibilties of new aesthetic experiences interact with the technics of producing and distributing new forms of media, producing artifacts that carry hopes and fears about how we ourselves may change.” You can listen to individual tracks from the training data as well as The Machine’s outputs on the Page, and read more about the project here if you’re so inclined.
  • Shed of the Year: In years past I have often featured the annual Shed of the Year contest – but only when they publish the winners. This year, though, for some reason I feel it’s possible I’ve crossed some sort of audience age event horizon whereby the readership of Web Curios, all nineteen of you, are in fact now likely to be of the sort of vintage that means you’re all actually reasonably likely to *own* sheds of your own which you might want to submit to this year’s search for THE BEST SHED IN BRITAIN. So, er, if you’re a middle-aged man with a shed then HERE YOU GO. A note for the non-English: a ‘shed’ is what middle-aged English men do instead of therapy.
  • The Video Game History Foundation: This is a great project, and a necessary one – I know that ‘preserving the history of videogames’ doesn’t SOUND like a hugely-culturally-significant endeavour, fine, but considering the number of people that play the things it’s interesting that there isn’t an archival scene around it like there is film or television (though in fairness the relative age of the various media might play a part there). Anyway, the Video Game History Foundation is a US initiative that seeks to archive and preserve original code, design documentation, audio, files…basically if you’re someone who’s interested in games, their development and the history thereof then there’s a lot to keep you occupied in here (specifically the ‘blog’ section which details some of the specific projects they’ve undertaken and which really is particularly good if you’re a special type of obsessive).
  • Daft: This bills itself as ‘the social network for minimalists’, and it certainly lives up to the title – the interface is literally just ‘send an email with your post as the subject line and it will go live’, and posts are limited to words and links. That’s it. You can’t delete posts, you can’t edit them, and the whole thing’s consumed through an app that’s brutal in its black-and-white simplicity, and…actually I quite like this, on reflection; I was going to whinge about how literally noone needs or wants a new social network here in 2024 (I think, collectively, the novelty of this whole ‘being hyperconnected’ and ‘seeing the exact grain of fluff inside a stranger’s bellybutton’ has somewhat palled), but while I still believe that to be true I think this is rather cute (if pointless and destined to end up only being used by the founder and their seven achingly-cool friends).
  • PI: Actually, seeing as we’re doing NEW SOCIAL NETWORKS (seamless!)…this is PI, which stands for ‘Perfectly Imperfect’ and which has spun out of the newsletter of the same name, and which I think is currently being used by approximately 30 kids in New York but which might appeal if you want something that looks like it was designed by, and for, 19 year olds (it has an aesthetic that I really want to describe as RudeDogCore, which I appreciate is unlikely to mean anything to any of you but, well, IT’S MY NEWSLETTER).
  • Call Centre AI: It’s been a bad start to the year for jobs, and, realistically, it’s not going to get any better anytime soon. 2024 is the year in which we’re going to see the first real effects of the generative AI wave on the labour market – not the jobpocalypse, not quite, but the edges of certain industries beginning to be eroded by technology which isn’t perfect, or even very good, but which is cheap and JUST EFFECTIVE ENOUGH to make it worth swapping out your meaty wageslaves for at the margins of your operation. Witness this – a company called Qlary which offers ‘AI Call Centre Assistants’ for as little as $50, and which whilst almost certainly a terrible product that barely works is self-evidently going to be an attractive option as soon as it becomes JUST capable enough not to actively lose you business if you use it. Oh, and here’s ‘Holly’, a company presenting a friendly. human-sounding brand for a business that wants to replace your HR department (yes, I know, but they are people too, just) and probably will do in ~24m or so. Will any of these things be better for customers? Almost certainly not! Will they make a near-immediate impact on the bottom line? Definitely! Which of those two factors do YOU believe is likely to be the greatest determinant of corporate activity?
  • From-To: This doesn’t really work, if I’m honest, but it’s a cute idea and will automatically resonate with anyone who’s ever been asked ‘so, you’ve lived in city X and city Y; what’s the closest equivalent to neighbourhood A?’ (seriously, you try coming up with a Roman equivalent of ‘Bounds Green’, it’s simply not possible). Plug in two cities (and your email address, annoyingly ,but I don’t *think* this is nefarious dataharvesting) and the site will spit out a list of areas that roughly compare to each other – I have NO IDEA where this is being pulled from, and I have the sneaking suspicion that there’s some AI under the hood somewhere (mainly because, well, a lot of the resulting copy is slightly fanciful b0llocks), but I enjoyed it quite a lot. You can see recent comparisons on the homepage without having to share your details, if you’re curious – apparently someone’s just run a comparison between London and Warrington which, having visited both places, seems…fanciful.
  • London Toy Fair 2024: A selection of photographs taken at this year’s London Toy Fair which recently took place – these are, to be clear, not patricularly amazing photos, but I find there’s something slightly appealing about the juxtaposition of the colours and the plastic and the packaging here and the incredibly bleak, slightly-liminal lights and carpeting and modularity of the conference centre…anyway, if you want a sneak preview of the plastic tat that’s going to be forming 2024’s Christmas Detritus Strata around the planet then, well, here you go!
  • The Crown Auction: It is, probably, vanishingly-unlikely that you will ever own a genuine article once touched by a member of the UK Royal Family – BUT, thanks to this forthcoming auction at Bonham’s, you can TOTALLY own something touched by a cast member of the long-running TV show *about* the UK Royal Family, which is probably the same thing, more or less. I haven’t been through all of the lots so I can neither confirm nor deny that ‘Diana’s Actual Ghost’ is up for grabs but, well, it probably is. If nothing else there are some FABULOUS frocks in here which you might enjoy perusing (or bidding on! But, honestly, if you have a few grand spare to spend on taffeta then, well, I’m right here is all I’m saying).

By Malika Favre

WE GO BACK IN TIME ONCE AGAIN NOW TO ENJOY SWAY’S ‘DOTTED LINES’ MIXTAPE FROM ABOUT 2005ISH WHICH I REMEMBERED THIS WEEK AND WHICH HOLDS UP REALLY WELL AND WHICH I THINK YOU WILL VERY MUCH ENJOY!

THE SECTION WHICH FOUND THE WHOLE BARBIE OSCAR DISCOURSE THIS WEEK AN ALMOST PAINFULLY ON-THE-NOSE EXAMPLE OF PANEM ET CIRCENSES, PT.2:  

  • Powerpoint Karaoke: This link feels almost too powerfully ‘London 2010/11’ – it is redolent to me of Silicon Roundabout (LOL!) and the startup scene and the social events and the overwhelming sense (if you were me, anyway) that despite appearances there was in fact no ‘there’ there and the whole thing was eventually going to evaporate and leave very little trace…AND LO! IT CAME TO PASS! Anyway, you don’t need my reminiscing – PowerPoint Karaoke, for the uninitiated, is a parlour game in which someone has to stand and improvise a presentation based on a bunch of slides that will autoadvance behind them, with the gimmick being that the people presenting have no idea what will be on each slide and therefore what the fcuk they are going to say next. Whilst obviously that sounds about as fun as having unanesthetised bone spur surgery it’s actually surprisingly enjoyable (oh, ok, if you are VERY DRUNK or everyone’s on certain types of drug), and this site lets you play along; I have no idea where it’s pulling the slides from, but there seem to be a LOT. This is, to be boringly serious for a moment, a non-terrible way of helping people get better at presenting, or of doing those awful ‘icebreaker’ things at the beginning of big meetings, should you be in the awful, miserable position of needing either of those two things.
  • London Crime: I appreciate that there are at least six of you who don’t in fact live in London – still, I think quite a few of you do and therefore might be interested in this excellent, interesting data dashboard pulled together by Naresh Suglani (and found by Giuseppe) which presents London crime data, broken down by crime type and sortable by individual Borough; it’s one of those nice, simple bits of data work that makes you immediately think ‘hang on, why wasn’t this already available in this really convenient format’, and feels like a simple object lesson in ‘ways we might want to consider making useful, important data visible and available to the public’. For those interested, crime is slightly up year-on-year – but, in general, London remains a remarkably safe city considering its size.
  • Useful Spaces: Apologies for the second London-centric link in a row, but this really is useful – it is “A collectively maintained list of welcoming and low-cost spaces…There’s a huge demand for meeting and event spaces in London, particularly those that are fully accessible, low cost or free, and welcoming to a wide range of activists and organisers.” It’s only partial, and needs people to add venues to it to continue to be useful, but it’s a good start and worth bookmarking if you’re ever in the market for ‘a place to hold my ecstatic dance workshop’ or something.
  • Artificial Skies: I was largely underwhelmed by all the futureTech coming out of CES this year – there wasn’t even anything that creepy, ffs, and the only genuinely weird-looking tech had been in Curios a whole year ago (once again, while the internet is not a race it also most definitely IS a race and I WON IN YOUR FACE CES. Ahem) – but my desire for ‘technological innovations that cause a deep sadness in the very core of my being, a sadness which may never be fully healed’ has been sated by the website for ‘Artificial Skies’, a company which offers the ability for you to buy a digital skylight or window so that you can stare at an unbroken field of azure blue and make believe that your dwelling or cubicle affords an external view whereas in fact you’re packed into one of several hundred windowless battery pods and the sky outside is the colour of death. This is so astonishingly bleak that I think we’re just going to move on and try to forget (but we may never be able to).
  • Slime Or Goo?: Is it slime? Is it goo? What, exactly, is the difference between the two substances and how exactly would you define each? IT DOESN’T MATTER FFS IS IT SLIME OR IS IT GOO PICK ONE PICK ONE NOW.
  • Graveyard: I’m not quite sure where I found this, and it’s very…personal, but it’s also really rather sad and lovely and hopefully the person who made it doesn’t mind me presenting it to a few dozen webmongs like this. Graveyard is a little webpage which commemorates dead relationships – leave flowers by the gravestones to learn more. I think there’s something genuinely poignant about this and I think it’s rather beautiful.
  • Global Threat: I do rather like the slightly-grandiose way in which this site self-describes; “Welcome to the forefront of security innovation with our cutting-edge AI-driven platform for Real-Time Global Threat Assessment. Our solution harnesses the power of artificial intelligence to continuously monitor and analyze a vast array of data sources across the globe. From geopolitical shifts and emerging cyber threats to natural disasters and public health emergencies, our system provides instant, actionable intelligence to keep you one step ahead of potential risks.” Lads, you are a website that maps news stories as they break and uses rudimentary AI to gauge their relative ‘threat’ level (threat to who, anyway? I have to say I don’t personally feel *that* threatened by the prospect of wildfires in LA right now). Still, I think there’s something halfway interesting about this as a way of presenting and topline-assessing the news, and I wonder whether we’re going to see a resurgence of sentiment analysis as a metric (except this time it won’t be total bullsh1t, maybe).
  • What If Asian Countries Were Videogames?: A few caveats here – a) this is just a bunch of images hosted on Imgur, meaning I have no idea who made them or why; I am assuming that it’s all in good faith and there’s no horrible racist subtext happening behind any of the prompting here; b) it’s AI art, which I know we’re all TERRIBLY bored of (but I promise this is funny); c) there are no details on what tool was used or what the prompts were (but I’m guessing Dall-E3, personally). Now, with all that out of the way, enjoy this selection of WONDERFUL imagined oldschool videogame box art for “PAKISTAN: The NES Videogame” or “Cambodia (A SEGA Master System Exclusive” – this is basically one of those ‘oh look at all the stereotypes and prejudices built into the model!’ gags, but with the benefit of using a selection of countries that tend to feature less often (at least in the content I see). This is SO interesting – the number of countries featuring evident war and gunfire, the genuinely bleak tragedy of the Maldivian example, the sense of intense anger the Kazakh people must feel towards Sacha Barron-Cohen…, honestly, even if you’re heartily sick of AI art and anything adjacent to it, this is a great selection.
  • The Threshold: A READER SUBMISSION! Jeremy Shapiro (an incredibly-suave-sounding name, now I come to think of it, one that speaks of luxuriant chest hair and possibly the ability to grow an impressively-Selleckish moustache) writes: “my oldest mate Sam is rereading all the fantasy novels he’s read that he still has a copy of in chronological order and blogging about it. And amazingly it’s good and he’s now probably got about as far with it as Sufjan did with his US states albums.” Jeremy is not wrong – if you are Of A Certain Age and spent more time than was perhaps healthy reading fantasy books as a kid then so much of this will be a powerful hit of nostalgia. The Dark is Rising! Some of the Fighting Fantasy Books! All I need is for Sam to reveal that he too had a long-running and in retrospect probably a *bit* sexual obsession with the Dragonlance Chronicles (look, it was a long time ago and I don’t have to be ashamed anymore) and this will be basically perfect.
  • Practical Typography: Are YOU into letters and kerning and all that sort of stuff? In which case I would like to genuinely apologise for the appalling mess that is the Web Curios layout and pagination, one day I will fix it. But! Also, have this link! This is an ONLINE BOOK – an actual whole book, all online, and all in lovely HTML, and it’s been online for just over a decade, and if you have ANY QUESTIONS AT ALL about, er, stuff pertaining to typography then they will probably be found here. This is amazing, honestly, I fcuking LOVE the fact that someone has made this and just left it here for people to find and use, and that they have made it USEFUL and HELPFUL and FUNCTIONAL and, look, more of this please.
  • People and Blogs: A part of the ongoing ‘2024 is the year of the small and personal web, you see if it fcuking isn’t’ movement, here’s a lovely newsletter which you might want to subscribe to: “People and Blogs is a weekly newsletter, delivered every Friday, where I ask interesting people to talk about themselves and their blogs. The goal is to both highlight wonderful human beings and their blogs, and also to promote a healthier way to inhabit the web and show that traditional social media is not the be all and end all when it comes to having an internet presence.” If you’re the sort of person who publishes into the void online then you might like to read about other people who plough the same furrow; if not, this is an excellent way of finding new voices and topics and themes and interests and connections in a stubbornly non-algorithmically-determined way.
  • Vintage Patterns: I genuinely hope that if any of you sew it’s because you enjoy it and find it therapeutic rather than because you’re having to darn holes in your pants to keep them viable – presuming that that is in fact the case, you will almost certainly find something to love here: “We are a collaborative Wikia dedicated to documenting Vintage Sewing Patterns (25 years old or older) that anyone can edit! Browse vintage dress patterns and completed vintage sewing projects, explore amusing illustrations and ogle classic movie stars. Search patterns available from our vintage pattern vendors or add your name to a wishlist.” Beyond that, this is part of a seemingly VAST network of different wikis on different topics, all of which can be explored via the left-hand sidebar and which seem to focus on fandoms of different types – basically if you’re a fan of ANYTHING (probably) you can find an appropriately-themed wiki linked from here via which to indulge said fandom in hopefully-healthy and un-obsessional ways.
  • The Apple Parer Museum: Have you ever thought “wow, my life is pretty good but there is a gaping whole at the centre of it which can only be filled by photographs and information of antique devices invented for the sole and specific purpose of peeling apples”? WHAT ARE THE FCUKING ODDS! At this link you will find the Apple Parer Museum, which soberly introduces itself as being ‘dedicated to the exhibition and educational study of antique apple parers, which have both historic and artistic value’, and, well, who are we to argue? NO FCUKER, etc. Aside from anything else I am genuinely puzzled by the amount of ingenuity and endeavour that seems to have been devoted over the course of humanity’s existence to the question of how best to automate apple peeling – look, I don’t mean to cast any ancestral shade here, but, honestly, IT’S NOT THAT FCUKING HARD TO PEEL APPLES BY HAND.
  • Headphone Commute: It’s no Pitchfork – but maybe that’s a good thing. If you’re in the market for a new online destination where you can read intelligent writing about new music, you could do worse than bookmarking this site which features reviews and features about all sorts of music and artists I’d personally never heard of, but all with a specific curatorial…ear? Yeah, let’s go with curatorial ear. The site’s anonymous, but self-describes as “an independent online resource of candid words on electronic, experimental and instrumental music. The range of covered genres includes ambient, modern classical, shoegaze, downtempo, experimental, minimal, IDM, film music and everything in between. Headphone Commute is not associated with any artist, band, record label, promoter, distributor or retailer covered by the reviews. There is no hidden agenda behind these words. What you see is what you get. All that means is that we share our love for music because we want to, not because we have to. Created entirely by humans, with no artificial intelligence.” I like this a lot.
  • Modern Illustration: SO GOOD. “An archive of illustration from c.1950-1975, shining a spotlight on pioneering illustrators and their work, Modern Illustration is a project by illustrator Zara Picken, featuring print artefacts from her extensive personal collection. Her aim to is preserve and document outstanding examples of mid-20th century commercial art, creating a valuable and accessible resource to build a better understanding of illustration history.” Honestly, as a source of visual/design inspiration this really is wonderful.
  • Rambalac: I appreciate that the genre of ‘slow internet vids of people walking around Japan’ is not per se that new or innovative, but I found this particular example of the genre to be particularly pleasing; whoever the person behind Ramblamac is, they have a very pleasing walking style (yes, I know, but I promise you’ll see what I mean) and the selection of walks is interesting and a bit more varied than your standard ‘Shinjuku/Shibuya/etc’ routes round Tokyo. I came to this via Frank Lantz, who wrote this excellent essay on the qualities that make the channel and its videos ‘work’, and I think he’s 100% right about the whole ‘vague sense of liminality’ thing.
  • The Ocean Art Photo Awards: Piscine pics! Oh, ok, fine, it’s not JUST fish – there are crustacea and molluscs and the occasional swimming bird or mammal, but none of those were as pleasingly-alliterative. Anyway, here’s the annual selection of ‘amazing photos of stuff underwater’ as selected by the Underwater Photography Guide – some of these are good, but there are also a few that caused my eyebrows to shoot up rather (I am talking specifically about YOU, “Water Sprite”) and the whole ‘underwater fashion’ category in general) and it’s actually quite nice to see a photo contest where there is some stuff that I think is actually a bit aesthetically ugly (I NEED MORE GRIT IN MY VISUAL OYSTER). Oh, and while we’re here, BONUS PHOTO AWARD CONTENT: this is the 2023 selection for ‘Travel Photographer of the Year’ (genuinely curious as to how exactly you define ‘travel’ photography to any meaningful degree, but wevs I guess) and if the photo of the guy with the pangolin (don’t worry, in the wild) doesn’t melt your heart then, well, fcuk you.
  • Neon Knives: This is VERY CLEVER, and a nice example of a multiplayer website which I am increasingly convinced are going to become A Thing this year – play with a friend, with each of you tasked with first identifying who YOU are onscreen, then who your opponent is, and then assassinating them before they assassinate you. Honestly, it makes perfect sense when you click – this is an afternoon’s worth of distracting, work-free fun with your office best friend (or, er, actual friends – I forget people have those sometimes).
  • Horse Master: This is, honestly, one of the best little browsergames I have ever played – the writing is BRILLIANT, odd and weird and creepy and *visceral* in the most literal of ways (you will get what I mean) and the ability of Tom McHenry to create genuinely-unsettling equine body horror out of what is a VERY SIMPLE basic interface and platform is remarkable. I really don’t want to spoil too much for you here, but I will give you this much: “Horse Master: The Game of Horse Mastery challenges players to grow, train, and nurture their own horse from birth in the hopes of earning the most coveted tenured position in the world: Horse Master.” Please don’t do any more research, just click and ENJOY.
  • Haxball: Our last game of the week is this fun little 2d football-type game; teams of players are thrown together to pass and score in what is basically a simplified 5-a-side (wall passes and all); what I enjoyed about this is that there is obviously a small but dedicated community of people (almost certainly 9 year old kids, on reflection, but hey ho) who play this regularly and are…quite good, but they were SO tolerant of my ineptitude and malcoordination that it I spent a fun 20 minutes or so playing a dozen or so matches and they STILL PASSED TO ME, which, honestly, didn’t even happen at school. I really enjoyed this, and figured some of you might quite enjoy it too.

By Jean Aubertin

OUR FINAL MIX OF THE WEEK IS BY SIN FOSSIL AND IT’S SORT OF AMBIENTY ELECTRONIC-Y AND SYNTHY AND EFFECTIVELY IS THE SONIC ANTONYM OF THE FIRST ALBUM I POSTED UP TOP! 

THE CIRCUS OF TUMBLRS!

  • Forgotten Stories: Not in fact a Tumblr! Sorry, I didn’t see any good ones this week so instead I am including this Old School Blog (it’s on a WordPress url, just like in the past!) which is honestly WONDERFUL; per the description, “the purpose of this site is to discuss/reminisce about old children’s books” and, well, that is EXACTLY what you get; think if it as a companion to The The Threshold, but more sincere and North American – if you’re into this you can subscribe to updates so you need never again miss an in-depth bit of reminiscent analysis of The Nancy Drew Mysteries.

THE TROUGH OF (INSTA) FEEDS!

  • Rate My Chives: I really enjoy cooking (something people who meet me often find surprising, given my increasingly-hollow-cheeked countenance and general air of someone who survives almost entirely on fags, white wine and cheap speed (lol like you can get speed ANYWHERE these days (seriously if anyone knows anywhere then please do let me know)), and specifically find the act of very finely chopping things (brunoising, if I am feeling like a real cnut) INCREDIBLY therapeutic – which perhaps is why I fell in love with this Insta account at first sight. It shares photos of finely-chopped chives, with a bit of associated commentary about the quality of the chop. IT IS PERFECT NO NOTES WHATSOEVER.
  • Monster Track NYC: I am slightly amazed that I haven’t ever heard of the Monster Track cycle race in New York – but then again, looking into it, I suppose the people involved have reasonable reason to keep it quiet. Monster Track is an annual cycle race that takes place around Manhattan and as far as I can tell seems to involve cycling at frankly insane speeds, against the traffic, on fixed-gear (so no brake) bikes. The Insta feed features photos and footage from last year and will doubtless ramp up activity as the 2024 event approaches, but if you want to get a feel for the general vibe here then you might want to check out this video of 2023 (and yes, the ‘most replayed’ bit of that video is EXACTLY as brutal as you think it’s going to be).
  • Scaleful: ‘Urban oddities, some real and some AI’ runs the bio to this feed, apparently run by Danny Murphy-lookalike Kyle Branchesi. The AI stuff is interesting and the non-AI stuff is just WEIRD – this is, overall, an aesthetic I like a lot.

LONG THINGS WHICH ARE LONG!

  • So That’s Media Fcuked, Then: I found myself having conversations around the death of mass media a lot last year, but I didn’t expect the collapse to happen quite as quickly as it appears to have done; you will probably have noticed that there have been ONE OR TWO job losses in media this week (and videogames! And loads of other places! Although if it’s any consolation, know that people at Big Oil are also getting canned – does that help? No, thought not) and it seems likely that this is going to continue. This is a brilliant – and sad, and bitter, and angry – piece by Jack Crosbie which basically gets to the heart of a lot of this by pointing the finger at what he terms ‘private equity strip-mining’ and reaches a conclusion that it’s quite hard to argue with, namely “This sh1t is all dying. It’s all fcuked. There is like one place you can work right now with any kind of job security and it is The New York Times and that’s only because they have a shitload of recipes on a nicely coded little cooking app that you can subscribe to and also because your parents are hooked on Wordle and the myriad other “put letter or number in little box” games that they put on their reading glasses and log on to the big family Dell PC together each morning to play. Who knows how long that business model will last.” I can’t, honestly, see a way out of this written word deathspiral right now, and I don’t think enough people are focusing on why this is a problem and what we might be about to lose. I know that linking to oneself on Twitter in one’s own newsletter is unpleasantly gauche but, well, I hope you will forgive me. As Ryan has pointed out, and as I think people are perhaps just starting to begin to realise, “we are losing the ability to understand our own lives and noone seems to care”.
  • Death of the Critic: I include this not because it is good or well-written but because it is emblematic of exactly the sort of ‘price of everything, value of nothing’ Silicon Valley thinking that has taken us to the precipice of fcukedness over the past two decades. Long-standing SV grandee Om Malik reflects on the demise of Pitchfork and concludes…suck it up, critics! We don’t need you any more! We have ALGORITHMIC RECOMMENDATIONS! I don’t, I hope, need to explain to you all the ways in which this assessment of the role of the critic is reductive and lazy and, honestly, deeply stupid, or indeed what one’s cultural life would look like were it to consist only of things that one ‘likes’ in certain specific ways. No? Good. This made me genuinely upset.
  • AI & Copyright: I appreciate your current degree of interest in the ongoing, knotty and insanely-complex battle around generative AI models, training, output and copyright may well be ‘next to zero’, but I promise you that this overview (written by the reliably-smart people at AI Snake Oil) is a decent look at the main arguments and why it is entirely possible that the lawsuits simply aren’t going to do what the people bringing them hope that they will (should any of you care: my position on this stuff is that it is incredibly hard to make a cogent argument for ‘models using large amounts of copy as training data so that they can then produce materials based on and inspired by that training data’ as ‘theft’ in the same way that it would be hard to make that argument for, say, a human being ingesting all sorts of copy during their lifetime and using that information to base their actions, work, etc on); you may or may not be convinced, but I think it’s a far better rundown of the ins and outs of How This Stuff Works than I’ve seen in most mainstream journalism. Not everyone agrees with this position and analysis, of course – here’s a counterargument by Gary Marcus (who I personally think is far too bullish on legal challenges to AI, but we shall see).
  • Government Framework for Generative AI: No! Wait! COME BACK! I promise this is interesting – or at least it is if you’re the sort of person who likes to / has to (delete as applicable, unless you’re in the fortunate position of ticking BOTH BOXES) think about ‘how can we implement generative AI in our workflows and processes in a way that is actually useful and doesn’t fcuk things up?’ Honestly, this is a really good, clear set of principles and guardrails to inform thinking about when, how and where to consider deploying generative AI, and if you’re someone who’s got to worry about how to use this sh1t to gain 3% of competitive advantage before The Market inevitably comes for you too then you could do worse than cast an eye over this document.
  • Writing At The Speed Of Thought: I thought this was a really interesting bit of writing / thinking around how one might go about using LLMs to map and use a corpus of information more effectively, specifically as a way of doing the sorts of things that people traditionally tried and generally failed to make Evernote do back in the day. The author, Steven Johnson, is part of the team that has been working on software called NotebookLM for Google, which launched in the US recently, and this essay takes you through what it’s designed to do and how it works; yes, ok, fine, it’s a bit of a puff-piece for new Google tech, but equally it’s a smart explanation of how we might useful approach information and knowledge work when we have LLMs and these immense pattern analysis and matching tools at our disposal.
  • Chrome Gets Generative AI Too: Another Google update – sorry, but I promise it’s interesting – this time about new AI features coming to Chrome soonish; the big one here (to my mind at least) is AI attached to the browser – meaning you’ll be able to do Spicy Autocomplete stuff on any webpage you navigate to, with autowriting and composition available directly on-page so that you can use it to fill in forms, etc, faster…I can’t be the only person to see this and think ‘dear God this is going to unleash some sort of appalling AI-generated spam tsunami’, right?
  • Here Come The AI Boyfriends: The perennial teenage boy horniness of much of the internet has meant that the initial wave of articles about the ‘AI Companion’ phenomenon inevitably focused on the waifu end of the spectrum; turns out, though, that there’s a market for this sort of ‘relationship’ amongst women too, as this genuinely fascinating piece explores. There’s a LOT to unpack in here, about teen girl culture and fandoms and the creation of fabricated relationships, and parasociality, and it’s interesting (to me at least) that a lot of the themes in this essay are half-reflected in Eliza Clark’s novel ‘Penance’ from last year (specifically crime fandom and the desire to create romantic narratives around these spaces).
  • The M&S Ad: It must be EXHAUSTING to be an active and performative participant in advermarketing DISCOURSE on LinkedIn and Twitter – how many times can you pretend to care about ‘it’s really important that creatives and account people get out of London and meet some real working class people ACTUALLY’ or ‘a good brand campaign continues to be undervalued, but ACTUALLY if you study your Binet and Field…’ – guys guys guys STOP OVERINTELLECTUALISING THIS SH1T! Also, how the fcuk do you all have time to write all these fcuking thinkpieces? And why are they all…so BAD? Anyway, ordinarily I ignore this stuff because, well, none of it is my problem, thank God, but occasionally I see a take that isn’t totally awful – so it is with this one by Nick Asbury which does a decent job of unpacking the reflexive ad person reaction to THAT M&S ad (honestly , if this means nothing to you then KEEP SCROLLING AND SAVE YOURSELVES) and working through the thinking that means that ACTUALLY maybe it’s quite good ACTUALLY. To be clear – this doesn’t matter at all, but if you’re the sort of person who has to have OPINIONS about this sort of sh1t then this is a reasonable one to pass off as your own.
  • Dan Wang’s 2023 Letter: Part of the regular content cadence of the year, as familiar and reassuring to me as the passing of the seasons, is the annual appearance of Dan Wang’s summary dispatches from China, in which he shares his thoughts on the direction of travel for the country and What It All Means (to the extent to which that’s in any meaningful way possible, which I concede it really might not be); this year’s starts with some reflections on walking with Craig Mod but goes on to explore emigration trends among young Chinese people, prospects for the economy, likely geopolitical trends in US/China relations…I find Dan’s writing engaging and accessible, and this year’s edition contains a pleasing quantity of personal anecdotes and observations from his having returned to the West after six years away – this is a lovely and informative read.
  • Modi’s Datagathering Empire: It’s quite hard not to read this piece – about the datagathering tactics being used by Narendra Modi’s BJP to ensure that it maintains its grip on power in the forthcoming Indian elections – and not repeatedly stop and say to yourself ‘hang on, that probably shouldn’t be happening’, or ‘hm, it’s not hard to see a number of ways in which this information might end up being used in ways that aren’t necessarily totally legitimate’…but then you remember that India is very much in one man’s grip at the moment, and that man is VERY KEEN on granular control. “In the run-up to India’s national elections in 2024, in which Prime Minister Narendra Modi is seeking a third term, the Saral app — which has more than 2.9 million Google Play store downloads — has emerged as a key piece of technology in the BJP’s campaigning operations. The party’s head of information technology and social media, Amit Malviya, reportedly referred to Saral as an election-winning machine at a 2023 tech conference in Delhi. The BJP, which has claimed to have at least 180 million members, told The Times of India that the app’s aim is to digitize some of the party’s operations and better communicate with its workers across India by “conveying the policies and the programmes of the party.”…When registering, Saral asks for details including the user’s mobile number, address, age, gender, religion, caste, social categories such as scheduled tribes and castes, parliamentary constituency, voter identity number, and professional and educational details. Users can also upload their photograph.”  It’s not INCREDIBLY hard to look at that data list and conceive of at least one or two ways that that might all be used which might not be wholly ethical. Still, I’m sure Uncle Narendra wouldn’t dream of doing anything nefarious. Especially not to the Muslims.
  • The USB Club: I featured the USB Club project in Curios last year, and now Kris at Naive has interviewed Yatú Espinosa all about the project and the ethos behind it, and why the intersection of the physical and the digital is an interesting place to play: “The point that USBs create is intentionality; it makes you think about what you’re putting on it. There’s an intentional curatorial layer that goes into it all. USBs are simple hardware, and we just create great experiences with simple hardware.” AMEN! BONUS LINK!: On the ephemerality of digital media and how perhaps it might be nice to imbue it with more permanence, this is about why It’s Too Easy To Delete Things.
  • The Qai Qai Album Is Coming: If you ever find yourself thinking ‘hang on, maybe the intersection between corporate greed and artistic endeavour isn’t always a definitionally-awful place to be’ then make sure you’ve bookmarked this article so you can come back to it and remind yourself of why that is in fact wrong. I think all that you need to get the gist here is this quote from the opening of the piece – honestly, read these words and try not to feel like a tiny part of you has died and is now rotting malodorously within you: “Qai Qai — the social media sensation inspired by the favorite doll of Serena Williams‘ daughter, Alexis Olympia Ohanian Jr. — has signed a deal with Republic Records: Kids & Family through a new partnership with internet-first animation studio Invisible Universe.The companies have joined forces to create original music starring Qai Qai, who has amassed more than five million fans across social media. To celebrate the news, Qai Qai released the song “Dancing on the Moon” on Friday. It features 12-year-old Broadway sensation Sydney Elise Russell, who performed in The Lion King and Frozen, as the voice of Qai Qai. The track was produced by Grammy-nominated hitmaker Johnny Goldstein, who has worked with David Guetta, the Black Eyed Peas and Coi Leray.” ISN’T THAT POETRY?!?!? In case you’re curious you can hear the ‘song’ on YouTube – it has 800-odd plays at the time of writing, suggesting that perhaps the moneymen won’t get back the fee they paid to ‘Grammy-nominated hitmaker Johnny Goldstein’ – and you will, I promise, wish very specific, sharp retribution on everyone involved (apart from the Williams kid, who let’s presume is blameless here).
  • How AI Is Changing Gymnastics: Via Caitlin, this is SO interesting – the introduction of machine vision to help assess the performance of gymnasts in events is leading to changes in the way in which athletes perform routines, and leading to increased focus on technical precision over emotion on the floor – and the sort of thing we are going to see more and more and more of as we continue to feed vast amounts of data to the pattern recognisers and they in turn scry shapes that we can’t even conceive of in amongst the maths.
  • AI-Powered NPS Are Inevitable: To be clear, I don’t think that what’s on display here is ‘good’ – equally, though, given ‘capitalism’ and ‘everything we saw Activision do this week despite the fact it makes a genuinely massive amount of profit’, it feels very inevitable. This is an article about new AI tech that effectively brings generative AI dialogue to videogame NPCs with low latency and hence minimal delays – you can see a video of the tech in action, and the writeup is reasonably detailed on how the whole experience ‘felt’…but, obviously, the problem is that without scripting and direction and some sort of overarching idea of plot and pacing and player agency and all the stuff that make games, you know, GOOD, it’s just words. An infinite number of words, sure, but just words – it’s like going to see improv and seeing people onstage who, yes, fine, can talk, but who don’t know the first thing about creating emergent comedy. Anyway, none of this matters because as soon as a studio feels they can fill 60% of a game’s incidental dialogue with this rather than lines scripted by actual people whose labour you have to pay for then, well, SAY HELLO TO THIS SH1T.
  • Palworld: I can’t imagine that many of you bothered to watch the trailer for Palworld that I included in Curios when it first appeared – my attention was piqued, though, by a premise that basically seemed to be ‘what if Pokemon, but not glossing over the practical realities of what it would actually be like to effectively enslave a whole menagerie of cute animals and bend them to your will?’ and looked kind of interestingly-horrible. Anyway, the game has now launched into early access and has rapidly become a sensation – it is doing INSANE numbers – in part because of decent hype and a good pre-release promo machine, but also because of the fact that, well, it looks like Pokemon except you can kill the creatures! Anyway, the game itself has turned out to be the sort of thing that I am not personally particularly interested in, but I am very much enjoying the discourse around this – the essay here linked is a genuinely interesting one, in which the writer/reviewer explores how deeply, unpleasantly *icky* the game makes them feel, and I thought it asks some genuinely interesting questions about games whose mechanics actively make the player feel ‘bad’, and whether or not that’s in any way intentional on the part of the designers in this case. As I wrote to someone else earlier this week, “I might question what the popularity of this among young/majority gamers says about a) critical thinking; b) the way in which entertainment media reflects prevailing cultural attitudes (specifically re hustle/grind/the basic fungibility of everyone else when one has ‘goals’ and ‘dreams’; c) the continued hollowness of all the ‘young people are so left-wing these days!’ rhetoric; d) the slow slide towards all entertainment media being a series of dopamine-receptor-tickling exercises in formula ploughing a series of increasingly-worn pop culture furroughs”.
  • Rats: When I was a little kid and I used to visit my dad and his wife in London, I would sleep in a spare room that also doubled as ‘the place where my dad’s wife kept all the horror novels she apparently really enjoyed’ – this, coupled with my insatiable appetite to read literally ANYTHING, saw me picking up a copy of ‘Rats’ by James Herbert at the age of about 8, when I was DEFINITELY FAR TOO YOUNG. It caused me no shortage of nightmares, and several years of intensely-troubling sexual confusion over one particularly explicit fellatio scene which left me utterly baffled and convinced for several years that adult lovemaking was significantly more deviant than in the main it in fact turned out to be. Anyway, this is an enjoyable look back the whole trilogy which made James Herbert’s name as an author and which, having reread one recently, are a genuinely ‘of their time’ cocktail of social commentary and nuclear fear and anger.
  • Can Game Design Help You Win The Traitors?: As seemingly the only person in Britain not to have been watching the show, I personally neither know nor care – still, I found this piece to be surprisingly interesting, looking at the tactics employed by one particular contestant in the last series. “Could a strong knowledge of game design help you win The Traitors? This was the question UK series one contestant Ivan Brett had in mind when he joined the show last year, keen to beat the odds for as long as he could while playing as one of the game’s Faithful. The author of The Floor is Lava and Bored? Games!, a professional D&D Dungeon Master and long-time fan of social gaming, Brett’s own pitch to the series’ producers was that he could beat them at their own format. Of course, things didn’t entirely go to plan.”
  • Nicholas Saunders: This week’s ‘yes, it’s been linked to everywhere but it really is good and so I am sharing it here too’ piece is this SUPERB profile of Nicholas Saunders by Jonathan Nunn – Saunders, I learned from this article, founded both Neal’s Yard Dairy and Monmouth Street Coffee, and in so doing had a genuinely transformative effect on food in London and, subsequently, the UK. I have always pinned Italia 90 as ‘the moment when food in the UK stopped being terrible’, and this piece does a great job of articulating all the reasons, starting in the 70s and continuing through the 80s, why that came to pass. If you’re in any way interested in food, restaurants and culture, this is essential. BONUS FOOD LINK: The NYT does a trend analysis of current menus from NYC restaurants; this is WONDERFUL, and I want someone to commission this for London please thankyou.
  • Wikimedia’s Pornographers: I enjoyed this piece – about the people who devote significant proportions of their finite time on Earth to helping document human sexual practice on Wikipedia – but personally think they could have gone in a bit harder on the psychology of a man who seems determined to make himself THE physical representation of heterosexual congress for our entire species because, honestly, that strikes me as a peculiar degree of specific hubris worth investigating.
  • Dog Day Afternoon: Hussein Kesvani writes about people who go dogging, for The Fence – this is not only very funny, but surprisingly tender and respectful; credit to Kesvani for at no point sounding like he’s sniggering at Harry and Eva, or any of their fellow ‘boning in car parks’ enthusiasts.
  • Reading The Whale: Honestly, the best way I can introduce this is to give you the opening: “If all the chairs are taken during the annual Moby-Dick Marathon, held every January at the New Bedford Whaling Museum, you can always climb aboard the Lagoda. It’s the museum’s pièce de résistance: a half-scale replica of an old whaling ship outfitted with the proper rigging for a yearslong hunt in the North Atlantic. (There are dispatchable paddle boats from which sailors could harpoon the beasts, and space for furnaces capable of rendering the harvested blubber into reeking vats of oil.) The original Lagoda was scrapped for parts in 1899 after the global whaling industry swooned into obscurity. This model, commissioned in 1916, has never touched the sea, but it does function as an impeccably Melvillian venue. I sat cross-legged on the port side of the ship, a few feet away from the captain’s helm, flanked by a thicket of Moby-Dick zealots who would remain here for the next 25 hours in an attempt to consume the full scope of the novel in one uninterrupted reading session. Each of them brandished their own bespoke copy of the novel, representing a century’s worth of differing editions—some dense and pocket Bible–like, some paperback and battered, others regal and elegiac with golden bindings, all cracked open to Page 1. The first speaker took the lectern at noon after the strike of eight bells. “Call me Ishmael,” the famous opening words, sent a ripple of applause through the room.” For the past 28 years, the Whaling Museum in Southern Massachusetts has hosted a ‘Moby Dick Reading Marathon’, where a bunch of people gather together to read the book aloud, chapter by chapter, til it’s done – this is about them, and it is GORGEOUS.
  • Widowing: This is from last Summer, but I found it this week and I found it beautiful; the opening paragraph sets the tone perfectly, I think: “At twenty-three, I already know that I am going to outlive every man I fcuk. I am going to outlive my mother and my father. I am going to outlive my sisters. Both of them. The older and the younger one. I am going to outlive the gray squirrel on the pine tree outside my apartment window as well as the mailman who delivers my Amazon package of Certain Dri fragrance-free solid deodorant. So far, I have already outlived each of my childhood pets. I have outlived one set of my grandparents. I have outlived friends. I have attended one candlelight vigil in the foothills and another in the neighborhood park. I have definitely outlived my virginity.”
  • I, Ghost: In October last year I said I wasn’t going to ‘do’ the Israel/Palestine conflict, and in the main I’ve kept to that, but this essay, by Yousef Rakhain Guernica, was so strong, so incandescently angry, that I couldn’t not include it. It’s beautiful but it is very very sad and it’s quite hard to know what to do with the feeling it leaves you with.

By David Van Der Leeuw

AND NOW, MOVING PICTURES AND SOUNDS!:

Webcurios 19/01/24

Reading Time: 32 minutes

MY GOD IT IS SO FCUKING COLD. And yes, I know that there are few things more tedious than making banal, obvious observations about meteorological conditions, but I’m afraid the part of my brain that normally spaffs out the intro section has frozen solid and as such this is all you’re getting this week.

I am still Matt, this is still Web Curios, and if you’re cold as well then you could do worse than printing this newsletter out and setting fire to it.

By Tanya

FEEL FREE TO ACCOMPANY THE INITIAL SELECTION OF LINKS AND WORDS WIITH THIS PLEASINGLY-CURATED SELECTION OF AMBIENT-Y TUNES MIXED BY FORMER EDITOR PAUL! 

THE SECTION WHICH IS SAD IT WILL NEVER RECEIVE A 10.0, PT.1:  

  •  Project 2075: Or, as the appalling pun I just discovered in my one-word note for this put it, ‘FallOakley’. Is Oakley still a ‘cool’ brand (I appreciate you may never have thought of if it as one, but if you were me in 1995 there was literally NOTHING on Earth that you were more convinced would make girls fancy you than a pair of Oakley wraparounds; erroneously, it turns out)? And if not, or if it needs its cool ‘refreshing’ for a younger audience, is the best means by which to do that the creation of a very, very shiny, vaguely-post-apocalyptic (although of course to quote an old friend of mine, “the apocalypse is like Sunday; there is no ‘post’”) website in which YOU, the user/hero/consumer, get to wander through a series of vault-like rooms (hence my not-very-good Fallout reference) and, er, mess around with a time machine contraption which will send you to different eras throughout history to explore the history of the Oakley brand and, I don’t know, save the world or something (I confess to not having followed this particular rabbithole all the way down – I hope you’ll forgive me, but it turns out that my appetite for exploring (admittedly-nicely-rendered) rooms in what is basically a digital museum of sunglasses isn’t actually infinite). This is, honestly, really rather charming – there is obviously quite a lot of development money that sits behind it, and it shows in the shiny visuals and the fact that there’s ACTUAL VOICEWORK, and the fact that it works in first-person rather than being an off-the-shelf metaversal platform buy, and, perhaps best of all, it at no point uses the ‘M’ word at all. Will it make a single person think more positively of Oakley as a brand? Will it sell any sunglasses? I haven’t got the faintest idea, and thankfully it’s not my problem and I don’t have to care – this is pleasingly frivolous and it doesn’t at any point feel like it’s going start trying to sell me NFTs, and as such I think it’s worth a click.
  • AI Music Comes to TikTok: The link here takes you to some kid called Daniel Duncan showing you how TikTok’s newly-minted ‘use generative AI to spin up a totally new song to soundtrack your videos!’ feature works, and it’s worth watching for several reasons: 1) the tech is, compared to other text-to-music platforms out there, reasonably fully-featured, generating not only the audio but also lyrics and a ‘vocal performance’ of said lyrics to accompany it; 2) the speed is very impressive; 3) also impressive is the style transfer feature which lets you pretty-much instantly reconfigure an AI-generated tune from, say, EDM to emo with a few swipes; 4) dear fcuking christ even by the generally low standards of current text-to-music tech there are some astonishing crimes against musicality that are going to be committed by this software – the examples shown in the clip are ear-bleedingly awful. Bearing in mind the obvious and ever-present caveat that, yes, this is the worst this is ever going to be and that it is going to get a lot better quite quickly, a few questions: 1) how far are we, do you think, from these tools being able to generate actual hooks? Because at that point I think it gets interesting; 2) obviously this sounds VERY BAD (and the lyrics are almost worse than the ‘music’), but despite this is ‘soundtracking my tiktok with the comedically-bad AI composition’ going to become a thing and, to an extent, normalise this sort of stuff? I obviously have no fcuking clue, and am trying to get out of the habit of predicting things because, well, I have a terrible track record of trying and it increasingly makes me feel even more old and out of touch than I generally do every time I open my eyes, but I am interested to see how it plays out. Anyway, there’s probably about a 48h period in which brands might be able to have fun with this, should any of you be in the invidious position of having to care about that sort of thing.
  • Book & Bot: This is an interesting idea – Book & Bot is a website promoting a new kids’ book called ‘Maya Jam Invents a Pet’, which as far as I can tell is a standard-looking children’s tale of plucky kids and idiot parents but which comes with an additional gimmick in the shape of a custom chatbot, personifying, er, the titular Maya’s pet robot goat, which kids can subsequently access and chat with in order, per what I imagine the marketing conversations to have been like, ‘to deepen user engagement’ or ‘enhance the narrative’. Is the book any good? Is the bot any good? Look, I’m a middle-aged childless man, I haven’t got the faintest idea – but given that the webpage suggests that the bot is only available to ChatGPT Premium subscribers and as such is literally just a prompt then I am going to say that…no, the bot probably isn’t going to be a revelatory addition to the publishing game. But! It feels like there is SOMETHING here, although I am curious as to whether the…often somewhat two-dimensional nature of protagonists in kids’ books means you don’t really have a lot to work with in terms of creating parameters for an interesting or meaningful AI agent. Still, I think this is something we will see more of, and it wouldn’t shock me were we to start to see (off the top of my head) themed bots representing beloved characters from big ticket kids’ franchises appearing as part of the commercialisation of said franchises (if someone at Pottermore isn’t working on a ‘Potter in your Pocket’ AI companion app, for example, I would be fcuking astonished). Is that good? Doesn’t matter really.
  • Clay: This is REALLY interesting, if I’m allowed to say that about something which, if I’m honest, I only really understand about 6% of (lol at the idea that anyone ever understands more than about 6% of ANYTHING) – Clay is…well, it sort-of self-describes as ‘GPT for the planet’. “Clay harnesses AI, satellite images, and other spatial data to organize information about what’s happening in precise locations around the world. We give Clay millions of satellite data and use the latest AI tools so it can supervise itself learning about Earth through those images. As it learns, we benchmark how those skills improve its capacity to do important tasks like creating land cover maps, detecting crops or burn scars, or predicting carbon stock.” This is SUCH an interesting and smart idea – whatever one’s personal reservations about generative AI and its inexorable march, it’s clear that one of the things that it is very, very good at, and which it’s fair to say is Good and Useful, is ‘looking at vast swathes of data and inferring patterns from it (and then analysing those patterns and making goal-led recommendations as a result of them)’, and the idea of applying that theory to all the data we have about our planet and just sort of saying ‘go on then, parse THAT you fcuker’ sounds…well, smart, frankly, or at the very least something which you might as well do just to see what happens. This is VERY nascent, but there are already examples of how it can work, and I feel…cautiously optimistic about the possibility that this sort of work can achieve genuinely positive and useful outcomes. I mean, look: “Early development of this technology helped environmental journalists in Venezuela identify 3,718 illegal mining locations and their corresponding threats to the environment and Indigenous communities. As a result, the team won the highest honor from the Global Investigative Journalism Network. One juror wrote: “This story is taking us to where journalism is going — and it was a task so immense they used AI to crack the code of a story we would not otherwise have seen.” The team at Clay is now improving the usefulness of a global tree-level carbon map by recruiting a group of leading asset managers and working with them, using Clay, to deploy the map to de-risk, validate, and scale up forestry investments.” A GOOD NEWS STORY PROJECT! IN 2024! MAYBE IT’S ALL GOING TO BE OK!
  • Subliminal Influence Via Hidden Imagery: Or, well, maybe it won’t! Ok, this isn’t a ‘fun’ link – in fact it takes you to a recent DeepMind paper which, obviously, is mostly Greek to me outside of the very simple overview, to whit ‘you know how you can effectively mess with digital images in such a way that despite looking like one thing to the human eye, the machine ‘eye’ sees something totally different? Well apparently that technique can subliminally influence what humans see too’. Which, fine, may not leap out at you as hugely significant, but I couldn’t help but think of all the fun-but-probably-evil things you could try and do with this in terms of messaging and advertising. I know that some of you work in advertising ffs, surely ONE of you has the balls to take this ‘insight’ and use it to create a nationwide series of Out-of-Home ads which purport to flog, I don’t know, margarine, but which also include the hidden phrase ‘READ WEB CURIOS’? Come on, you know you want to.
  • CNDO: It feels like it’s been a while since we’ve had a good old ‘moral panic about a largely made-up trend or challenge on social media’ story, but perhaps CNDO can change that. CNDO is an app which is aimed at ‘Creators’ or ‘Influencers’ or whatever they are calling themselves these days, who are being encouraged to sign up (there seem to be a number of them on there already, suggesting the early seed investment is being spunked on paying them to get in early) and then get their ‘community’ (god I am so tired why must everything be a fcuking community no don’t answer that) to do ‘challenges’ to compete for, I don’t know, digital pennies or a brief moment of attention. Which is obviously fine when it’s PG-rated influencers who want their fans to, I don’t know, draw a cute picture of their pet ocelot, but perhaps less so when it’s some little cnut encouraging their army of pubescent morons to attach crocodile clips to an XL Bully’s testes (I am, I concede, not an expert on current content trends in this space, but I imagine it’s probably something like that). Anyway, in the unlikely event that any of you reading this are journalists looking for a story you can spin into 800 words of parent-scaring performative fear for the Daily Mail then, well, you’re welcome!
  • Memento: ANOTHER NEW APP! Actually, as a parenthetical aside, what is the app landscape like these days? I have a vague anecdotal belief that the number of apps being released is on a downward trajectory, but also have literally nothing other than possibly-erroneous intuition on which to base that, and don’t care *quite* enough to dig into myself – er, any of you happen to know? Anyway, this one is called Memento and it’s attempting to get people interested in the general idea of ‘being able to tag content to a specific location, so that (for example) you can attach a particular image or song or video to a specific place, meaning that other users with the app are able to see and experience it (should they go to that specific place, and open the app). Over the past decade or so I have DEFINITELY seen this sort of thing attempted before and it’s never taken off and, sadly, I can’t for a second imagine that this attempt will be any different – BUT, that said, it does feel like there might be a resurgence of interest in the general concept as AR/XR and smart glasses become more mainstream, because the basic idea of ‘being able to leave notes and memories and that sort of thing in specific places so that others can see them too’ is a generally decent and halfway-useful sounding idea. Although now that I have actually stopped to think of it I can only think of the sort of awful content you’d find at popular dogging sites, which has honestly rather put me off.
  • The Anomalist: Ooh, PROPER VINTAGE INTERNET, this! Apparently online in one incarnation or another since 1995 – literally before I was even aware the web existed ffs! – the Anomalist is an online magazine which exists to shine a light on WEIRD NEWS and, more generally, the anomalous. “What do they mean by ‘anomalous’?” I hear you cry in unison – this, apparently: “by the anomalous we mean simply that which “departs from the common; not conforming to what is usual; irregular.” This definition of the anomalous is intended to be as broad as possible by design. The definition is certainly not meant to be limited to “popular” anomalies such as UFOs, the Loch Ness monster, ESP, or Bigfoot, though it is hardly meant to eliminate them from consideration either. We will be dealing with a whole host of astronomical, biolgical, geological, psychological, physical, geophysical, linguistic, religious, and archeological phenomena.” So there! Anyway, this is your one-stop-shop for all news pertaining to cryptids, weird lights in the sky, the possibility of there ACTUALLY being fairies at the end of the garden, and all associated questions; beautifully the site is still very much alive, with the latest links to stories being posted within the past 24h (a ‘flying jellyfish UFO monster’, in case you’re interested) and basically if you want somewhere where you can get a daily dose of ‘BIGFOOT SPOTTED DOING WEEKLY SHOP IN KMART’ headlines then you might want to bookmark this one.
  • Controlled Demolition: I appreciate that there are almost certainly very good insurance-related reasons as to why this doesn’t happen, but I’ve always thought that demolition companies could make an absolute killing by auctioning off the rights to press the Big Red Detonation Button next time a bunch of cooling towers are getting blown up – I am a pretty un-manly man with no particular penchant for destruction, and yet even someone as milquetoast as me can see the appeal of blowing up some massive buildings. Anyway, the link is to the website of a company called Controlled Demolition, which apparently exists to do JUST THAT – if you need something big blowing up, these are your lads. I am including this partly because I just fcuking love niche industries like this and the way they present themselves, and there’s something just sort of cool about selling ‘blowing stuff up’ as a service, and partly because there are a LOT of videos of buildings just sort of collapsing into themselves in billowing clouds of brick dust, and who doesn’t love those? NO FCUKER, etc!
  • Quilt Bot: I imagine that those of you who are planning on undertaking an IMPROVING HOBBY in 2024 have probably already alighted on whatever it is that you’ll give up in May – still, if you’re still on the lookout for some sort of BIG PROJECT to keep you occupied through the winter months then you could maybe do worse than consider ‘making a massive quilt based on a design derived from an image you really like’. Coincidentally (not coincidentally) that is EXACTLY what this website will help you do – upload any image you like and it will generate a quilt pattern for you – per the site, “it takes an uploaded image as an input, and generates an abstracted version in the form of a patchwork design. The Quilt Bot gives you the pattern from which to create a meaningful patchwork quilt, which could commemorate, host memory or hide secret messages.” I really, really like the idea of taking a bunch of pictures of ABSOLUTE FILTH and using those as the seed images, making quilts that LOOK innocent but which are in fact a complicated mathematical allusion to “Johan’s Fisting Bonanza 7” which you then give as gifts to conservative friends and family who will have NO IDEA. In fact, honestly, I reckon there’s probably a small-but-profitable business in doing EXACTLY that and I am hereby gifting that BRILLIANT and TRANSFORMATIVE concept to you because I am nice like that.
  • SaveLost: This is rather beautiful; a little tool that lets you create small digital…poems? Word expermiments? Not really sure how I would characterise the outputs here. Type in a sentence, any sentence you like, and press the button –  “On each line, one character is removed. The removed character should be the one that least changes the meaning of the text. Change in meaning is here operationalized as the semantic distance of the newly generated sentence from the original text according to the sentence embeddding model listed below. Destruction mode reverses the selection criteria. This optimizes for, in Max’s words “minimal edits maximally destructive to meaning.” The resulting copy is…I don’t know, there’s something quite strangely poignant about the sentences just sort of erasing themselves, though I couldn’t entirely explain to you why. I really really like this.
  • Text-To-Speech In-Browser: Not very ‘fun’, fine, but possibly useful to some of you; this Chrome extension lets you highlight any text on any webpage and get it read out loud, and apparently it will also do simultaneous translation of 30 languages. Which, honestly, is fcuking magic, and if you’re someone who prefers to listen than to read then this could be genuinely helpful.
  • The Nature Photo Contest 2023: THE ENDLESS CYCLE OF PHOTOGRAPHY AWARDS BEGINS ANEW! I joke, obvs – we love photo contests! Look at the lovely critters! – but, equally, it does rather feel like we might be running out of photogenic fauna to capture. This is a typically-great selection which covers wildlife and landscape photography and which generally tends towards the ‘aesthetically pleasing’ rather than the ‘depiction of the natural world in all its savage and increasingly-evanescent beauty’ – as such it’s not (to my mind at least) a patch on the shots you get in NatGeo or Wildlife Photographer of the Year, but at the same time there are fewer images of dead animals so, well, swings/roundabouts.
  • All Of The HipHop Mixtapes: You may think I am joking or exaggerating, but I am really not – this is a link to a recently-uploaded trove of vintage hiphop mixtapes, and there are LITERALLY OVER 300,000 OF THE FCUKING THINGS. You can read more about it here, but here’s a summary: “LEGENDARY MIXTAPE PLATFORM DatPiff has uploaded the entirety of its over 366,420-project catalog to the internet archive. Last March, the service which calls itself “The Authority In Mixtapes” experienced a server crash that put their canonical library of free music in peril. A month later, the site relaunched with a page announcing plans for “evolving beyond our website and app” to “continue to make the library accessible!” And now, almost a year later, their 50 TB cache of mixtapes and free albums from the likes of Kendrick Lamar, Lil Wayne, and more are streamable on The Internet Archive. Their massive file upload ensures that a valuable reserve of rap history won’t be lost to the 404 gods.” I know that the internet is rubbish and has in many respects made everything worse, but things like this almost make it all worthwhile (lol no they don’t). Your regular reminder, by the way, that you can donate cash to the Internet Archive should you be in a position to be able to do so – it really is a public good in a way that so few things online are any more, and deserves support.

By Kathrin Landa

WHY NOT SOUNDTRACK THE NEXT BIT WITH THIS FUN LITTLE ONE-MAN-ALBUM WHICH IS BY SOMEONE CALLED ‘LOCAL TEEN’ WHO I FOUND VIA LAST WEEK’S B3TA NEWSLETTER AND WHICH I REALLY RATHER ENJOYED IN A SORT OF ANGULAR LOFI SORT OF WAY!

THE SECTION WHICH IS SAD IT WILL NEVER RECEIVE A 10.0, PT.2:  

  • Eastern European Animation: It feels a little bit…wrong recommending links to Twitter accounts here in 2024, like linking to articles in The Spectator or something. Still, the site continues to limp on and I continue to demonstrate myself utterly incapable of letting it go – in my defence, it is still professionally useful for me in a way that none of the alternatives are, with Bluesky continuing to feel like a largely pointless chore and Threads’ refusal to do ‘’search results, but chronological’ rendering it largely useless as a newstracking platform, and as such I will continue to log on and feed my addiction until there’s literally noone left but Elon and his awful fashy mates. Thankfully, despite the fact the site is very much a shadow of what it was even a year ago, there are still occasional gems to be found – such as this account, which does nothing but share clips of vintage Eastern European animation, mostly (as far as I can tell) from the 70s and 80s. This is SUCH a strong aesthetic – honestly, I really do adore the specific palette and general vibe of Euro animation houses in the mid-20th Century – but there’s also a pervasive sense of Soviet-era misery and resignation just sort of lurking in the background of all of these, like the ghosts of failed potato harvests past.
  • Gatwick Gangsters: Ok, this is a bit niche and you’re only really likely to get much out of it if you’re aware of the very particular weird ‘celebrity’ landscape inhabited by people like Dave Courtney…but for the approximately three of you to whom that applies, ENJOY! Gatwick Gangsters is a film which was released in 2017 and whose existence I had been entirely ignorant of until this week when an image of its promo poster/DVD cover floated across my timeline, and I learned that there existed a film which apparently starred not only the aforementioned Dave Courtney (for those not familiar, a man who found fame in the permissive 00s as a ‘reformed’ gangster and notorious London hardman and who as a result starred in some genuinely atrocious sub-Lock, Stock films in which he chewed scenery and almost certainly did not have to act too hard when pretending to be on violent amounts of gak) but also FORMER SNOOKER PLAYER WILLIE THORNE and FORMER SUN TV CRITIC GARRY BUSHELL and, inexplicably, FORMER DARTS SUPERSTAR BARRY GEORGE (I appreciate that for any Americans or New Zealanders reading this my excitement may be confusing, but I can only encourage you to do a bit of light Googling because, honestly, you need this cultural education), alongside an ‘actress’ called ‘Shampayne’ (no, really), all of whom are involved in a tale of CRIME and DOUBLE-CROSSING and, er, GATWICK AIRPORT, and this is the website for said film and, well, just enjoy it because it is SPECIAL. The film is available to rent on Amazon, and I can honestly say that it may well be the worst ever made – and I say that as a man who once watched ‘Nymphoid Barbarian in Dinosaur Hell’. What I would really like is for someone to explain the specific and doubtless incredibly convoluted series of tax avoidance and money laundering schemes resulted in this getting made, because I refuse to believe that this is anything other than the result of some low-level criminality.
  • Buy Betty Boothroyd’s Stuff: Sorry for another VERY anglocentric link hot on the heels of the last one – still, this is a slightly more highbrow representation of our sceptered isle than the last one. Betty Boothroyd, for those unaware, was a Labour MP and later Speaker of the House of Commons in the 90s, but generally had quite a remarkable life, seeing history up close and personal as a result of a rather remarkable career that started off in showbusiness as a dancer, took her to the US as an assistant to a Congressman in the early 60s, and eventually saw her enter Parliament in the early 70s – next week, a selection of her belongings are set to be sold at auction and the listing for the sale, which you can see at the link, is a remarkable selection of artifacts from the second half of the 20th Century (and a frankly INSANE diamond ring, well DONE Betty). This is a crazy collection of things, from the very personal (clothes and jewellery) to the institutional (official House of Commons briefcases) to the…weird, frankly (signed copies of DVDs of ‘Keeping Up Appearances’, anyone?), but if you dig through there are some pretty amazing items (the order of service from the Kennedy inauguration, that sort of thing) which might be of interest.
  • Make Paper Fish: GIven that it’s too cold to leave the house and that it’s January and we’re all too poor to spend money on entertainments, perhaps you’re in the market for some GOOD, CLEAN, WHOLESOME, CHEAP FUN? Well GREAT – here’s a website which features what feels like hundreds of papercraft models of fish for you to print out and make. Yes, ok, fine, it’s only ‘cheap’ if you can go to an office and rinse their printers, but presuming that’s an option for you then you are in for HOURS of papery piscine entertainment (via Nag).
  • 2023 In Graphics: This is Bloomberg’s roundup of all the dataviz-ish stories it ran in 2023, which is in part an interesting lookback at the year’s news through a slightly-different series of lenses, but also a really good source of inspiration for different dataviz styles and techniques, which is probably worth bookmarking somewhere next time someone asks you to make some incredibly boring numbers look halfway-visually-appealing. There is a LOT of work in here covering a wide range of data types and visualisation styles, a properly-useful (and interesting) selection (via Giuseppe).
  • Common Product Features: One of those occasional, genuinely-useful Reddit threads which also make you feel INCREDIBLY stupid, this is a selection of people responding to the prompt ‘What common product has a feature you’re not sure everyone is aware of?’ and OH MY GOD THIS IS REVELATORY. You will all find a different example in here that makes you slap your forehead – for me it was things like ‘Swiss army knife, parcel hook. Most people don’t know what it’s for, but it lets you use the knife as a handle for carrying stuff’ (WHAT????) or the fact that you can SCHEDULE TEXT MESSAGES – but I can guarantee that there will be at least one thing in this thread which will improve your life (or at the very least stop that particular relative or colleague from asking you the same fcuking question every fcuking day).
  • Euratlas: Want some maps? Want ALL THE MAPS? Great, here, enjoy! Maps of Europe, various historical maps, maps of the ancient world, custom maps…look, this is basically the cartographic motherlode, and I very nearly lost 10 minutes just now exploring the evolution of European geography between 100-500AD so I imagine that one or two of you might get something out of this.
  • The CIA On Flickr: I always forget that Flickr exists and that there are institutions that have HUGE archives on there – thankfully I was reminded of the fact by Annie Rauwerda’s newsletter, which informed me that the CIA has LOADS of albums on the site, covering everything from old intelligence maps to LOVELY PHOTOS OF DRUG DOGS to albums full of old spy cameras…this is SO interesting, partly because of the content but also because I am always fascinated by the ways in which institutions which are, objectively, not exactly ‘cuddly’, attempt to humanise themselves in their external presentation. “We may have killed Martin Luther King but LOOK AT THE FUNNY OLD SPY TROUSERS!”, that sort of thing.
  • All Of The Clocks: I would like this on a huge wall, please – honestly, I think it would make a fabulous triple-height installation at an airport, for example. This site is a selection of different timepieces, all monitoring a different unit of time – seconds, hours, days, years, decades, decaseconds, gigaseconds… – all presented on one page, which affords a pleasing and slightly-dizzing sense of time passing at different rates, and the relative nature of the whole ‘time’ concept overall, and basically this just scratched a very particular part of my brain and I would to be perfectly honest with you quite like to stop writing this right now and just sort of enjoy the sense of pure time passing for an hour or so (it’s 931, I’m having a slump, it will pass – MORE BREW).
  • EuroSmell: Yes, ok, fine, this isn’t *technically* called EuroSmell, but it really should be and I hope that by calling it that I will somehow persuade the assorted EC functionaries involved in the creation and maintenance of the site to sort it the fcuk out. This is ACTUALLY called ‘The Odeuropa Smell Explorer’, which I think we can all agree is a significantly less evocative title, but which self-describes as “a brand-new web tool developed for the exploration of smell as a cultural phenomenon. This searchable website enables you to discover the smells the past and understand how they shaped European history and culture. The Smell Explorer is the result of three years of intensive research and development by an international team of computer scientists, AI experts and humanities scholars. Its target audiences are scholars, perfumers, heritage professionals, artists, and basically anyone with an interest in the world of scents, in olfactory language and imagery, and in the important role scents play in our daily lives.” This is a bit hard to get your head around, but basically you can search this VAST database of smell-related information, tagged in a quite remarkable set of ways – you can sort by smell source, the vessel from which a smell emerges, the emotion the smell evokes…so for example it would be possible to gather ALL THE RESOURCES pertaining to upsetting, dog-related smells emanating from clothing in the 19th Century. Why one would need or want to do this is a complete mystery to me, but I am genuinely thrilled that one can – the resulting materials range from literature to poetry to news reports to sculpture and painting and there’s something SO pleasing about the ability to take a wander through history guided by smells and our interpretation and relation to them. I think you could probably do something rather cool with this, with a bit of thought and the right sort of brief – so, er, go on, do it.
  • Rocketsized: You perhaps didn’t realise that the only thing you required to make your life functionally complete was a website which collected information on the relative size of all the various rockets that have ever been launched from Earth but actually that is in fact the case and you should be grateful to me for bringing it to your attention (but you won’t be, will you? ffs).
  • Twisted Draughts: The website calls it ‘checkers’, but it is not checkers it is DRAUGHTS. Ahem. Anyway, this site lets you play a game of draughts against the computer, on boards that range from ‘standard’ to ‘appear to have been through a mangle’ – playing on a twister board changes the game in some fairly fundamental ways, and it’s more fun than you’d expect trying to work out exactly how the modified topography affects tactics in each case. Or it might be – I got so appallingly-frustrated after approximately three minutes of having my arse handed to me by my digital opponent that I bounced off this quite quickly, but perhaps you are a smarter and more diligent strategist than I am (not, frankly, difficult).
  • Freestyle: Ooh, this is a fun new daily word game – the premise is very simple, with a different seed word each day which you, the player, are tasked with finding rhymes for. There are two modes, ‘easy’, where you have a set number to find, and ‘hard’ where you just have to guess as many as you can within a time limit. I have occasionally been slightly annoyed by their insistence that something isn’t a rhyme, or poor vocabulary (the site is American, what do you expect? SORRY AMERICANS BUT IT’S TRUE), but generally this is a worth addition to your morning puzzle work avoidance routine.
  • 53 Excellent Games: I don’t tend to link to magazine listicles, but I will make an exception for this, compiled by Craig Grannell at Stuff Magazine because it is SUCH A WONDERFUL LIST, Craig here compiles links to 53 of the best browser games available to play online RIGHT NOW – some of these you may have heard of, some have even been linked to in Curios over the years, but plenty more will be new to you and there are some absolute CORKERS. From personal favourite life simulator Alter Ego (a game which, by the way, I have spend about 15 years trying to convince various clients to rip off and recreate because, honestly, this is the PERFECT FCUKING SOFT PROMO VEHICLE FROM AN ATROCIOUSLY-DULL PERSONAL FINANCE OR INSURANCE BRAND FFS) to a fully-functional freeware ripoff of Civilisation that you can play online RIGHT NOW, this list of games is a genuine act of public service and each and every one of you should bookmark it now because each and every one of these is a better and more fun use of your time than whatever act of white collar busywork it is that you’re currently being paid to perform.

By Ada Zielinska

OUR FINAL MIX THIS WEEK COMES FROM THE BEAUTIFULLY-MONIKERED TOMMY AWARDS AND IS A VERY PLEASING SELECTION OF SLIGHTLY-FUZZY ELECTRONICA WHICH I THINK YOU WILL ENJOY!

THE CIRCUS OF TUMBLRS!

  • Necessary Disorder: “I make gifs”, reads the Tumblr bio, and they do! Specifically, they make black and white, maths-y visualisation gifs which are hypnotic in the extreme.

THE TROUGH OF (INSTA) FEEDS!

  • Quantum Cover Art: Have any of you ever thought “You know what would render the long-term aesthetic project that is ‘filling my house with weird tat’ complete? Yes, that’s right, a lamp made out of an old VHS box whose cover art features a cult movie from yesteryear!”? No, I don’t expect you have – still, on the offchance, this Insta feed shares images of exactly that – there’s an accompanying Etsy shop should any of you decide that you MUST own a nightlight which is also the original video case for The Lost Boys.
  • Aheneah: The best way to describe this is ‘street art that basically looks like 8/16-bit graphics’, so that’s probably what I am going to stick with. This is an excellent look which feels oddly fresh.
  • Bizarre Doctor: An Insta feed collecting odd images – yes, I know, but the vibes on this one are genuinely impeccable (also there is some GREAT weirdness here collated).

LONG THINGS WHICH ARE LONG!

  • John Gray vs Peter Thiel: First, an apology for the continued Thiel obsession – I promise I will try and keep a lid on it this year lest I come across as a total fcuking crank. Still, that said, this is a genuinely fascinating conversation between philosopher John Gray and the tech vampire himself, covering a range of topics from the inevitable question of ‘woke’ to the perceived slowing of scientific progress to the pursuit of longevity…what I found most fascinating here is the extent to which much of what Thiel says in the conversation appears to be directly contradicted by *what he is actually doing in real life* – I find, for example, his dismissal of culture war stuff interesting and not a little disingenuous considering how much time Thiel himself has spent promoting and funding ideologies that are very much at the vanguard of exactly that (tradwives? The whole dimes square borderline fash thing?), and given Thiel was one of the first Silicon Valley plutes to popularise the pursuit of insane longevity via creative medical means (THE TRANSFUSIONS FFS!) it seems equally disingenuous to hear him dismiss the pursuit of eternal life…basically I thought this was an important conversation as much for what it masks as what it reveals, though you can also take it at face value as a conversation between two people having a smart conversation about intelligent topics should you so desire.
  • GPT As An Engine Of Cultural Transmission: As the slew of ‘yes, ok, but what is all of this stuff practically FOR?’ thinkpieces continue to proliferate, this is an interesting essay by Henry Farrell which basically takes as its central premise the idea that LLMs are set to effect a genuinely transformative change in the manner in which we interpret and parse human culture, based on Alison Gopnik’s writings, and that “culture – under this particular account – is collective human knowledge, which is preserved, communicated and organized through a variety of means. It is passed on most straightforwardly when humans can directly observe each other, but over the millennia, we have also come up with more complex technologies of transmission. Languages, stories, libraries and such all allow information to be transmitted and organized. Now, we have a new technology for cultural transmission – LLMs. The vast corpus of text and data that they ingest is a series of imperfect snapshots of human culture. Gopnikism emphasizes that we ought pay attention to how LLMs are likely to transmit, recombine and re-organize this cultural information, and what consequences this will have for human society.” This is neither good nor bad per se, but I don’t think we’re quite taking this as seriously as perhaps we ought to – you know how the web and the fact we are now all connected has led to all sorts of  unexpected emergent beliefs and behaviours, none of which were predicted? Well that’s going to happen again, but faster and weirder because it will be driven by The Machine.
  • Circle-To-Search: Speaking of ‘things are going to change in interesting ways that we can’t really quite get our heads around yet’, I thought this announcement from Google this week was both interesting and wildly underreported. It’s a feature update for Android, which means that you can now use simple gestures to move straight into AI-augmented search – so for example one might circle a pair of shoes in a photo and Google will interpret that as ‘find me shoes that look like this that I can buy’; similarly, highlight text on any webpage or in an image and Google will pull information pertaining to it, offering you an AI summary…it’s really worth clicking through and watching the demo video – while it’s obviously an idealised representation of how this will work in practice, it should also be immediately clear that this is going to do some very weird things to search, discovery, traffic, ad revenue, sourcing, ‘trust’…again, I don’t think we quite realise how much things are going to change and how quickly, and how we really don’t have the faintest idea of what that will make us do.
  • Why Pitchfork Died: I hope that you can access this and it’s not paywalled, as Casey Newton has written a really good overview of exactly why Pitchfork went under this week – the short answer is ‘advertising doesn’t fund content anymore’, but there’s a lot more complicated nuance in Newton’s writeup which is worth reading, touching on AI curation and the role of the critic and the way in which Spotify has basically obviated the need for a 9.7 from some bearded tw4t in a beanie. If you’re after more on this, Ted Gioia has a few thoughts here – I found his additional arguments about the deindividualisation of music brought about by passive, lean-back consumption particularly interesting (if for whatever reason that link is paywalled – which it might be, sorry – then Gioia’s basic argument is that it is very much in Spotify’s interest to engender a mode of consumption in which you don’t even know who an artist is, you just get fed a stream of tunes that please you…because eventually that just leads to entirely-AI-generated streams which are PURE PROFIT! Cynical but, well, it’s hard to imagine he’s entirely wrong on that score).
  • Making Music With AI Music: I am well aware of the fact that 99% of all of you reading this quite rightly put up with my writing as the necessary cost of getting all the good links, but occasionally I get emails that demonstrate that at least a couple of you ACTUALLY READ THE WORDS and, honestly, it’s enough to make me a bit tearful. Reader Dan Stowell got in touch after I asked last week whether anyone was using text-to-AI software to make actual music…it turns out that his colleague has in fact been playing around with making proper tracks using bits of sound generated by AI, and has written up the experience here. This is super-interesting from a creative point of view, and the resulting track is…I mean, it’s a mess, but it’s a fascinating one: “To create this piece I use sound material from 22 audio files generated by suno.ai, most of which come from prompting the system with a short text by German composer Ernst Toch (used for his Geographical Fugue). The piece took a considerable amount of composition, but I didn’t write a single note — which is kind of maddening because I simply couldn’t have composed this by hand (lack of patience, vision, ability, etc.). However, aspects of my voice that I feel I have preserved in the finished piece are the use of layering and juxtaposition, episodic structure (e.g., miniatures), a sense of space, and humor.”
  • ByeBye Ello: We all obviously remember Ello, one of the seemingly-infinite attempts to create a new, better type of social network, one that wasn’t in fact an exploitative dataharvesting nightmare of advertising and terrible social side effects (I certainly do – I somehow mentioned it on three separate occasions in Curios in 2023) which finally failed last year – but why exactly did it fail to persist, despite having seemingly found a niche audience to serve? Andy Baio does some digging and discovers that…it was the venture capitalists all along! This won’t come as a surprise to anyone who’s ever actually paid attention to what VC does and how it works, but it’s a nice step-by-step account of why this sort of investment doesn’t in fact tend to result in us all having nice things. I know I have said this before (on multiple occasions, and you are doubtless all bored of hearing it, but, well, LET ME HAVE MY HOBBY HORSE), but I firmly believe that we will look back on venture capitalists as one of the single groups which has had the biggest negative impact on the past three decades of human civilisation.
  • The Unhealthy Features of Snap Premium: It’s been a long time since I’ve bothered thinking about the Snap featureset (IKR? Madness! When normally that’s ALL I think about!) but I had no idea that if you sign up for the Premium subscription service (which, by all accounts, a surprising number of people actually do) you get access to a feature which basically shows you EXACTLY how popular you are with all your different friends, compared to all their other friends based on your interactions on Snap. Which, if you’re able to remember the unique social horror of Being A Teenager, you will realise is a powerful, unique and dangerous combination, like an awful digital hybrid of crack and self-harm, and feels like exactly the sort of feature that, two decades into our wonderful social media adventure and with a decent corpus of data to suggest that this sort of feature is ACTIVELY BAD for people, one might have thought a responsible business might not in fact have implemented. Still, as you might imagine it keeps the kids coming back, which keeps the investors happy – you can’t have a hockeystick growth chart without breaking some children’s hearts, after all!
  • The Substack Nazis: You may have been following this story, but in case not – for the past few months people have been noticing that there is a LOT of nazi stuff on Substack, and that the company is making money out of it; Substack has repeatedly failed to do anything meaningful about it, per their long-standing commitment to ‘free speech’ (or, to put it another way, to being able to monetise hatred); various high-profile newsletters have departed the platform while others maintain the whole thing is a WOKE STORM IN A TEACUP…this is a post by Josh Drummond, who spent a bit of time trying to find the nazis and who discovered that, oh yes, there are an awful lot of them. On which, should there be any of you who have newsletters on Substack and who are thinking of moving to a less fash-friendly platform, I can highly recommend the small, homebrew mailing platform run by Kris at ListGoat.
  • Drone Horses: I LOVE THIS STORY – a proper ‘unexpected criminal application of tech’ tale, this, which is always a treat. Did you know that unscrupulous individuals attempting to get marginal advantage over the bookies in live betting markets are using drones to capture low-latency footage to get a 1-2s jump on punters watching on TV? No, I didn’t either, but it makes me sort-of happy that it’s happening.
  • The Game of Gastrodiplomacy: I do love a good gastrodiplomacy article – I’ve featured a few over the years – and this is a lovely example of the genre; Dan Hong writes for Vittles about the various schemes that have been implemented by Governments worldwide since the Thai administration first invented the concept a few decades back, and the ways in which the confected national identities created through food offer a partial and skewed picture of both a nation and its cuisine.
  • The Hidden Horror of the Sims: I had literally no idea that the first couple of Sims games contained quite a lot of genuinely weird and borderline-creepy incidental content and Easter Eggs, but it turns out that ‘putting your sims in the pool and then deleting the ladder’ isn’t the only nightmare scenario it’s possible to engender. I think that more ostensibly-U-rated content should have incredibly unpleasant things buried just below the surface – I want lore about the Peppa Pig family ossuary, that sort of thing.
  • The History of Margarine: Yes, I know, but I promise you it really is interesting – this is a post from the SUPERB and always-fascinating Scope of Work newsletter, and thanks to it I now know that margarine is in fact a French invention, which I guarantee will really, really annoy French people if you casually mention it in a conversation about perceived Gallic culinary superiority.
  • Britain’s Nastiest Novelist: I thought this analysis of JK Rowling’s crime novels was genuinely brilliant, and that despite the clickbaity headline it was actually remarkably complimentary about Rowling’s writing – but obviously because of the utter madness around ‘tHe TrAnS dEbAtE!!11111eleven’ it became a culture war talking point for several days this week. Still, ignore that and enjoy a really well-written dissection of the specific ‘nastiness’ of Rowling’s writing and how such ‘nastiness’ is a very effective authorial tool (and one which leaves the reader just enough room to reflect on this nastiness and where it might come from and at whom it might be directed and why without at any point directing them, which I thought was particularly well done).
  • The Greatest Stereo: This has been linked to everywhere this week, and rightly so – this is a beautiful and very sad (to my mind, at least) pen portrait of Ken Fritz, one of those peculiar men who becomes obsessed with audio quality and fidelity, and who spent over a million dollars over the course of his life to create the ultimate sound system in his home. As you might imagine, that obsession had a less-than-positive impact on other aspects of his life, and his family, and the whole piece is less about ‘building a really fcuking good stereo’ (although there’s a lot of that) and more ‘a disquisition on the ruinous power of obsession’.
  • How To Buy A Sports Team: This is a brilliant piece in GQ looking at the current trend for the super rich to add ‘sports team owner’ to their CV, why it is they do it, what they get out of it and how it all happens when a purchase is made – the access Tom Lamont gets to the plutes and their people is what really makes this article, and the final section in which he accompanies AC Milan owner Gerry Cardinale to the San Siro is a superb bit of writing from start to finish.
  • Group Chats:This essay exploring the significance and semiotics of the group chat starts weakly, but stick with it – I found it a really interesting examination of the reconfiguration of ‘in groups’ and ‘out groups’, of power and networks and gossip, and the first semi-serious attempt to analyse and interpret a proper global cultural phenomenon that feels underscrutinised in pop culture.
  • Making A Knife: On the one hand, this account of making knives feels VERY macho and a bit like it was designed by committee to appeal to A Certain Type of Man, or at least to connote A Certain Type of Masculinity, a bit like those YouTube channels which seemingly feature nothing but incredibly muscular men cooking lumps of meat on pieces of metal over an open fire in the woods (seriously – I mean, look: “The fire again. He’d had his taste of fire when he was a child. And now it was in his blood.”); on the other, it’s really well-written and if you can get past the slightly-breathless fetishisation of THE FIRE AND THE STEEL it’s also a really in-depth account of the amount of work it takes to make a high-quality blade.
  • The Man Who Collected Lost Pet Posters: This is a really lovely story, written up by Amelia Tate for her newsletter – the story of the “one-of-a-kind collection of Don Bolles, born Jimmy Michael Giorsetti, also known professionally as Kitten Sparkles. Don is an LA-based musician who rose to fame as the drummer of the iconic 70s punk band Germs – he is also possibly the world’s only collector of lost pets. Well, lost pet posters. In 1978, Don moved from Hollywood Boulevard to a more suburban area in West Hollywood and he started noticing the flyers littering the lampposts and trees. He was touched by the “folk art” of missing posters – the hand-drawn dogs and the poetic pleas meticulously crafted in a time before computers and printers were household goods. Although he admits it’s “morally questionable”, he began taking the posters, collecting them and storing them in milk crates around his home. The oldest posters in his collection were drawn almost half a century ago.” This is absolutely charming.
  • All The Types of Science Fiction: A list, by McSweeney’s – to be honest I barely read scifi, but this was still a VERY FUNNY selection of genre burns. A small sample: “38. A thought experiment, taken literally; 39. Multiversal polycule; 40. An obvious yet powerful allegory.” See? If you have friends or family who are really into scifi or a specific franchise you can rest assured that there will be at least one of these which will REALLY p1ss them off should you apply it to their show/series of choice.
  • Camden: Clive Martin writes about Camden, part of London which once connoted PUNK and ENERGY and COUNTERCULTURE and now is a weird sort of sad nostalgia Disneyland – I spent a few years working and hanging out in Camden circa 2006-7 and this brought it all flooding back, from seeing Amy WInehouse tottering, blitzed and skeletal, down the highstreet at 10am, to my continued amazement that Alex Proud, the worst man in London, continues to somehow escape legal sanction, to that very weird time I had to spend 10 minutes podium dancing at Cyberdog as part of a one-person immersive theatre performance. Martin is SUCH a good writer when it comes to culture and subcultures, and this will be beautiful for anyone who’s spent any significant amount of time getting wasted in London over the past thirty years or so.
  • Commencement: On being a ‘wayward girl’ in the mid-20th Century. This is wonderful: “A month or so before graduation, my mother was on to me.  At dinner, I’d eat more than my dad and both of my brothers.  Before we’d finish cleaning up the kitchen, I’d have hurled lamb chops, asparagus, mashed potatoes in the bathroom nearest the kitchen.  Afterward, as I foraged in the pantry, considering marshmallows, Triscuits, and canned tuna, my mother said to a sink full of dishes, “If I didn’t know better, I’d think you were pregnant, but I know that’s not possible.”  “It’s possible,” I say to the pantry.”
  • Molly Sussman: A short story about teenage girls and all the ways in which they are awful to themselves and each other, by Alexandra Tanner.
  • Coming of Age: Our last longread is the second link of the week from The Fence (which really is worth a subscription, by the way – it is consistently excellent), this a piece by John Banville remembering his first love, which will remind you of yours.

By Sophie Yerly

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